Kraven the Hunter (2024): Sony… PLEASE. STOP.

“Kraven the Hunter” is directed by J.C. Chandor (A Most Violent Year, Margin Call) and stars Aaron Taylor-Johnson (Godzilla, Avengers: Age of Ultron), Ariana DeBose (West Side Story, Wish), Fred Hechinger (The White Lotus, Gladiator II), Alessandro Nivola (Amsterdam, Jurassic Park III), Christopher Abbott (Girls, The Sinner), and Russell Crowe (Thor: Love and Thunder, Gladiator). This film is about Sergei Kravinoff, AKA Kraven the Hunter, and explores his complex relationship with his father in addition to how he uses his hunting skills to find targets and seek revenge.

© Sony Pictures Entertainment

Have you guys ever heard the saying “Fool me once, shame on you. Fool me twice, shame on me,”? That phrase could almost apply to my experience with the Sony Spider-Man Universe. Note the use of the word almost. I say this because I basically go to see Sony’s Spider-Man villain standalone films out of obligation. Very rarely do I look forward to these movies. I think the closest I got to actually looking forward to one of these movies was “Morbius,” which ended up being my worst film of 2022. Although now that I think about it, I was intrigued by at least one trailer for “Venom: Let There be Carnage” before it came out. At least there is that.

For those playing catchup, let me give you the rundown so far on my thoughts on all the movies in the Sony Spider-Man universe… First “Venom” movie… Terrible! A lot of people seem to think it is okay. I think it is one of the most bland, boring, and horribly polished comic book movies ever made. Second “Venom” movie… Actually, pretty good. I thought the action was fun, it ups the one good thing about the original movie, specifically the humor. And it contains maybe the greatest PG-13 f-bomb in cinematic history. “Morbius…” A big fat joke! Other than Jared Leto’s performance and parts of the first act, there is nothing redeeming about this film. Oh yeah, let’s not forget that the marketing lied to its audience and the film may be responsible for the most tacked on and abysmal end credits scenes of all time. “Madame Web…” somehow WORSE than “Morbius!” Not even big name actors can save this abomination! Also, for some reason, this schlock saw the light of day despite being written by the same team who wrote “Morbius.” Bad dialogue, okay at best action, horrible camerawork, and another case of deceptive marketing. Genuinely one of the worst films I have ever seen, and if you think I am saying this for dramatic effect, I have some magic beans to sell you. And lastly, “Venom: The Last Dance…” Safe to say, I was immensely bored. Other than the chemistry between Eddie and the titular character on top of one admirable motivation between them, I thought this threequel was a waste of time. Add on a whole Area 51 subplot that nearly put me to sleep, then you have a recipe for, surprisingly, the second best Sony Spider-Man Universe movie. How sad.

Thus far, the Sony Spider-Man Universe, or whatever you want to call it at this point, is one for five. People say the recently finished DCEU sucks compared to the MCU? Oh, boy oh boy, this universe WISHES it were the DCEU! That universe has cinematic bangers like “Wonder Woman” and “The Suicide Squad!” The DCEU even spawned the incredible TV series “Peacemaker!” While definitely inconsistent, when that cinematic universe fired on all cylinders, it was on the right track. But “Kraven the Hunter” had something attached to it that the other movies did not… An R rating! Yeah! That “Morbius” nonsense? That is for babies! Now it is daddy’s turn! If “Deadpool” can get away with an R, so can “Kraven!”

Having seen the movie, it may be able to get away with an R, but it certainly is not getting away from my infinite rage. This is yet another epic fail for Sony’s Spider-Man Universe. Though am I really surprised?

Sony, how many times do we have to do this same old song and dance before it becomes stale? I think this is a great question.

…If I were an imbecile!

This whole Sony Spider-Man Barrel of Monkeys was already stale from the first of these wannabe “Spider-Man” flicks. I ask this question specifically to you guys. Genuinely! What on earth are you doing?! What is it going to take for this saga of nonsense to end?! I understand that the rights to “Spider-Man” are your most valuable asset, but if you keep making movies like these, then this whole property is going to be a joke. Tom Holland is not going to be playing the character forever. The “Spider-Verse” series can only go on for so long. You can only do so many crossovers involving the three live-action Spider-Men before they stop acting. The solution is not to continue making cheap, boring anti-hero movies featuring villains as the main character. Movies like “Kraven the Hunter” justify cases where movies like “Batgirl” get scrapped by the studio for a tax write-off.

Honestly, if someone popped me the question as to which movie I would want to watch more, and I had to pick between the first “Venom” and “Kraven the Hunter,” I might go with “Venom!” At least in “Venom,” you had some occasional funny lines and some decent chemistry between the two main characters. Aaron Taylor-Johnson is clearly giving the lead role his all here. But he does not have a great script to back him up. While Aaron Taylor-Johnson is playing the lead role, he is not even the most high profile actor on the roster. The film also features Russell Crowe, and I think it is safe to say that I was not entertained by his completely one-dimensional so-called character. Crowe plays Kraven’s father, and not only is he unworthy of even a Dollar Tree card on Father’s Day, but he has incredibly repetitive, cliche dialogue. The movie clearly establishes him as far from the finest father figure. That seems to be the point at times. But I cared so little about the story and characters of this film to the point where Crowe’s character comes off as a joke.

Then you have Ariana DeBose, who is one of the most dynamic, lively, energetic talents working today. The woman in the past couple years deservedly won an Academy Award for “West Side Story.” She was also pretty good in other films following that, even if they did not get the best reviews. Unpopular opinion, I really liked “Wish…” I said what I said. DeBose, to my shock and amazement, plays one of the most forgettable core characters of a comic book film I have ever seen. If you were to ask me what the purpose of this character was in a few years from now, I will probably refer to her as the boring tarot card lady or something, because while her presence serves the story, it does so in maybe the dullest way possible. Shoutout to Sony for making two movies in the same year that somehow made me give me even less of a crap about tarot cards than I already do. Anybody remember the film “Tarot” from earlier this year? No? If you are loyal to this blog you will hear about it again soon on the top 10 worst movies of 2024 list once I get finished with that. You know, kind of like this atrocity some like to call a comic book movie.

Going back to what I said about “Madame Web” and how a big name cast could not save the film from being bad. I think “Kraven the Hunter” somehow takes that inferiority to another level. Because yes, Dakota Johnson and Sydney Sweeney have been in big projects. Some good, some bad. That is the classic life of an actor, but they are both lucky enough to achieve their level of fame. Sweeney has been nominated for a couple Primetime Emmys so congrats to her. That said, “Kraven the Hunter” is much more excruciating to think about because while “Madame Web’s” Sweeney has gotten some awards attention, “Kraven” has multiple actors who have actually have prestigious awards on their mantle.

© Sony Pictures Entertainment

Again, you have Russell Crowe who has an extended career, an Academy Award, a BAFTA Award, and two Golden Globes. Circling back to Ariana DeBose, it was like watching Uma Thurman as Poison Ivy in “Batman & Robin,” but worse. Because while Thurman was nominated for an Academy Award for her role in “Pulp Fiction,” a couple years before that flopbuster came out, DeBose actually WON her Academy Award. I do not think DeBose’s performance is Razzie-worthy. There is nothing extreme about it that makes it stand out as one of the worst performances of all time. The best word I can use to describe it would be “tiring.” I guess that is one reason to watch this movie again. If I am really tired and want to catch some z’s, “Kraven the Hunter” might make for solid background noise.

I will be fair to Crowe, however. As infuriating as his character is to watch, I must admit he makes the most of a crappy script with his chops. Crowe does his best with the material to the point where I almost cannot imagine anyone else in his role. So… Yay?…

Courtesy of Sony Pictures – © 2024 CTMG, Inc. All Rights Reserved.

Another actor I enjoyed watching in this hot mess? Aaron Taylor-Johnson. No, it is not because of his abs. He legit does an okay job as the lead. Again, his character is not written well. But I buy him in the role. He is not perfect, but he definitely has an inkling of charisma. I just wish such charisma were saved for something that would not be a waste of my time and money. That is another consistency with these Sony movies. As much as I do not like “Venom,” I still think Tom Hardy is well cast as the lead role. Same goes for Jared Leto in “Morbius.”

For those of you who saw the first eight minutes of the movie when it dropped online, you would know it starts off with, admittedly, a halfway decent action sequence. That adjective might as well be used to describe a good amount of the action in this film. The action does not reinvent the wheel. There are a couple cuts that I thought were a little too quick, but for the most part, the action is one of the better parts of the movie. “Kraven the Hunter” sometimes finds its footing in some places, but when it comes to structure, that is definitely not one of those places. Sure, the movie starts off with a decent action scene that could likely hook viewers into the story. But then we get to the part of the film that dives into Kraven’s origins. The timing of this transition feels abrupt and out of place. Given the length of these moments and how long it deviates from what we already saw in Kraven’s adulthood, I would have preferred for the final cut of the film to start with Kraven’s origins. It would allow me to more easily know and understand the characters that way if we were to get to an action sequence like the one we see at the beginning, I would probably care a little more about the people in the scene and possibly the sequence itself.

I will give props to Sony for not hiring Mark Sazama and Burk Sharpless to write this film. Although to be fair, they were probably already busy figuring out how to beat the odds and make a worse screenplay for “Madame Web” than they did for “Morbius.” Spoiler alert, they did. Instead, this film has three writers. You have Richard Wenk, known for writing the “Equalizer” movies starring Denzel Washington. I have not watched those films, but I have heard good things. His resume contains some other notable work, but oddly enough, I cannot give my opinion on any of his titles because I never watched any of them. As for the other two writers, you have Art Marcum and Matt Holloway. These are two of the four writers responsible for one of the better Marvel Cinematic Universe films, “Iron Man.” Although the rest of their resume is not particularly great. There is “Men in Black: International,” which I actually liked. But there are also a lot of people who would challenge my unpopular opinion. They just did “Uncharted,” which has a couple cool action scenes, but the screenplay has nothing that stands out about it. The film itself is rather unmemorable. Then we travel back in time to my least favorite movie of theirs, “Transformers: The Last Knight.” My biggest problem with the film is with the headache-inducing use of IMAX technology that honestly leaves no one but Michael Bay to blame. But if I had another notable problem, it is that the film’s script repeats the problems of the previous movies, but somehow delivers maybe the least engaging journey the franchise has given yet. Going back even further to a movie I did not see, these two even did “Punisher: War Zone,” which was not only poorly reviewed, but with more than $10 million total, it made less money at the box office than any other movie based on Marvel Comics. Part of me is convinced that Sony could be having a streak of bad luck, but then I look at the resumes of the people they hire and I think either their options are limited, they are choosing the wrong people, or they have better options out there and do not want to spend more money on them. I have no clue.

Courtesy of Sony Pictures – © 2024 CTMG, Inc. All Rights Reserved.

In all seriousness though, this trio of writers managed to join forces to create one of the most snore-inducing films of the year. I do not think there is any way to sugarcoat this. It is also full of Academy Award-level lines like “I’m a hunter.” In addition to Russell Crowe repeatedly telling his boys, and therefore the audience, that their mother died and she was weak. As I watched this movie and came to realize the director and cast handled their material, I honestly thought “Kraven the Hunter” has a feel that is kind of similar to “The Room.” I say kind of because unlike “The Room,” the chances of me ever watching “Kraven the Hunter” again are pretty slim. But this is a movie that I can honestly watch, acknowledge how bad it is, and sometimes burst out laughing for the wrong reasons. If you want a more genre-related example, I will go back to the recently mentioned “Batman & Robin.” It definitely makes me laugh, but the humor sometimes feels accidental.

You know the Island of Misfit Toys from “Rudolph the Red-Nosed Reindeer?” If there were ever a place I could associate with this universe, that would be it. I assume most inhabitants, or in this case, filmmakers, actors, producers, crew, etc., that make it up are kind, but compared to the toys Santa delivers to kids on Christmas, which in this case would be Disney’s MCU and Warner Brothers’ DCEU, Sony’s got its own little private island full of outcasts. I have not gone back to watch a single Sony Spider-Man Enigmaverse movie since seeing them in the theater, other than “Venom: Let There be Carnage” when it was airing one time on cable. It is like that scene from “Toy Story 2” where Andy picks up Woody and says he does not want to play with him anymore, except in this case, the toy is fresh out of the box and has barely been used.

This is why I ask Sony not to sell the rights to “Spider-Man…” I really want to see them pump out that third “Spider-Verse” movie. Instead I would like Sony to stop with these standalone villain spinoffs. These are not movies, these are corporate products designed by people trying to fill a release slot and keep the rights just a while longer. “Kraven the Hunter” is the latest example of this. If you are looking for Spider-Man connections in this film, all you are getting are secondary characters who appear in various Spider-Man properties who are poorly executed, and one scene where a ton of spiders are on screen. It is not even a good scene! Spider-Man is not in this movie. Peter Parker is not in this movie. Although the Rhino is in this movie. This time around is better than how the character was presented in “The Amazing Spider-Man 2,” but that does not really say much.

Speaking of which, let’s talk about the CGI… This movie is chock-full of distractingly noticeable visuals. Going back to Rhino, that is one example. You can definitely tell he has fake skin, but I would not even consider that the worst CGI in this film. This film has multiple scenes containing animals, including a lion I thought looked somewhat artificial, but at most I would consider to be tolerable. The animals that stood out to me the most in terms of how offputting they looked are the buffalo. And there are a lot of them in this movie. There is this scene where this buffalo is holding steady in front of Kraven. They are in the middle of a field. When that buffalo is staying still, all that allows me to do is take in as much detail as possible to realize that the creature looks like something out of a video game. When Kraven is looking at this buffalo, he comes off like he is staring at a picture instead of something live.

Sony, please. Just stop! I have had it up to here at this point! This year is the 100th anniversary of Columbia Pictures. When it comes to celebrating it, this, “Venom: The Last Dance,” and “Madame Web” were clearly not the best ways to do it on the Marvel front. I am thankful they brought all the old “Spider-Man” movies back to theaters. I went back to watch “Spider-Man 2” and “Spider-Man 3” in the theater this year. If for whatever reason Sony decides to do some anniversary screening for “Kraven the Hunter,” I am going to give it a hard pass.

© Sony Pictures Entertainment

In the end, “Kraven the Hunter” sucks. Plain and simple. It is a poorly structured, badly edited, laughably acted, shoddily directed misfire that I would not recommend to anyone. I will honestly watch “Venom: The Last Dance” three more times before turning this movie on again. Yes, there are positives. The action is okay. Aaron Taylor-Johnson is a good choice to play Kraven. And even though Russell Crowe plays an unlikable character, he at least acts like he is giving two squirts of urine about his role. “Kraven the Hunter” is not a movie. It is a series of scenes spliced together by a corporation to continue preserving franchise rights. If this is the last movie we see in the Sony Spider-Man Insert Clever Name Here, good riddance. I am going to give “Kraven the Hunter” a 2/10.

“Kraven the Hunter” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next reviews are going to be for “Lord of the Rings: The War of the Rohirrim,” “Sonic the Hedgehog 3,” and “Flow.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Kraven the Hunter?” What did you think about it? Or, what are your 2024 comic book movies ranked? What a terrible question that must be… That is like ranking your children, and you are choosing your favorite child based on which one you find the least irritating. I will admit, I did not even see “The Crow” this year. I think I dodged a bullet with that one. That said, there were plenty of awful comic book films this year to make up for whatever that one would end up being. If you have a ranking, list your top movies down below! Scene Before is your click to the flicks!

Poor Things (2023): Emma Stone Delivers a Career-Best Performance in This Wildly Entertaining Mish Mash of Genres

“Poor Things” is directed by Yorgos Lanthimos (The Favourite, The Lobster) and stars Emma Stone (The Favourite, The Amazing Spider-Man), Mark Ruffalo (Spotlight, The Avengers), Willem Dafoe (Spider-Man, The Lighthouse), Ramy Youssef (Ramy, Mr. Robot), Christopher Abbott (Sanctuary, Girls), and Jerrod Carmichael (The Carmichael Show, Lucas Bros Moving Co.). This film is based on a book by Alasdair Gray and it is about Bella Baxter, a woman whose body just so happens to be revived as a result of a scientific experiment conducted by the eccentric Dr. Godwin Baxter.

I cannot explain this film’s concept justice. It is not that I do not know what it is about. But even before going to see it, I knew certain things about it that would have made for awkward conversation or have ruined the somewhat vague nature of the film’s marketing. On the surface, the film seems to give enough away. Basically, a woman who happens to be brought to life through science experiences her definition of what it means to live. I think that is a great way to describe this movie without being too detailed, or in some cases, overly graphic. The concept is interesting to say the least. But as far as I am concerned, it was being helmed by someone who I did not completely trust.

One of my least favorite films of 2018 was “The Favourite.” Of that year’s slate of Academy Award Best Picture nominees, that movie was by far the one I considered to be the worst. That film was directed by Yorgos Lanthimos. Other than the fact that I found the film to be a uniquely boring waste of time, it gave me a bad impression of the director to the point where I neglected visiting some of his earlier films. I have heard decent things about “The Lobster” and “The Killing of a Sacred Deer.” But I refused to watch those because I was so turned off by “The Favourite.” As I have said previously on Scene Before, first impressions matter. But I watched the trailer for “Poor Things” and found myself hypnotized, but also with a sense of hesitancy in the back of my mind. But I thought “Poor Things” was worth checking out because much like “The Favourite” five years ago, “Poor Things” has been receiving tons of positive word of mouth. Plus, if Emma Stone continues to trust Lanthimos, maybe I should too.

So, how was the movie? I am very pleased to say that this is a banger of a film. It is not in my top 10 of the year, but it is excellent. I am immensely pleased and surprised by how this film turned out. It is wacky, it is weird, it is a feast for the eyes and ears. Yorgos Lanthimos undoubtedly has a unique style to his filmmaking. But in some ways, this kind of reminded me of a Wes Anderson film. Its color palette is particularly striking, the production design is a perfect blend between reality and fantasy, and the dialogue is almost like an enhancement on everyday life. I might not come across people talking the way these characters do sometimes, but I assure you it makes complete sense within the context of the movie and its universe.

One of the reasons why this film failed to reach the mark of being in my top 10 films of the year is because it starts kind of rough. It takes a bit for the movie to get going, despite inklings of intrigue. There are a couple of moments that I found to be an eyesore. In a movie full of eye candy, there are moments where I found something in the frame quite disgusting to the point where I could not help but wince or look away. It is a bit of a balancing act, really.

Part of the movie is in black and white, and then there is a portion of it that is in color. There were some mixed bags when it came to the black and white scenes. Once we get to the color scenes, that is when the movie unleashes its best material. It is creative, insane, and even with its strange tendencies, everything makes sense. I found every single thing in this film convincing. That said, there are times where the pacing is a tad uneven. It is not a huge dealbreaker, but it is noticeable.

The ensemble of the film is honestly a contender for the best of 2023. To me, it is up there with “Barbie,” “Oppenheimer,” “Killers of the Flower Moon,” and “The Holdovers” in terms of being a fine mix between star power, acting ability, and instant charm from everyone involved. Mark Ruffalo has a number of shining scenes that could potentially warrant some extended talk this awards season. Willem Dafoe, per usual, gives everything his all here. During the latter half of the film, I was heavily entranced by Kathryn Hunter as Swiney. The entire cast in this movie is great, but the star of the show, literally and figuratively, is none other than Emma Stone.

Talk about a marvelous triumph of a performance! Emma Stone nails Bella Baxter throughout this entire film. I looked back at Emma Stone’s IMDb and was reminded of some of her career highlights. Of course as a comic book movie enthusiast, I know she played Gwen Stacy in “The Amazing Spider-Man” and its sequel. She did a good job in those films despite them not being up to snuff. She also did one of the better coming of age films of the 2010s, “Easy A,” where she was funny and charming. I liked her in the “Zombieland” movies. Of course she was great in “La La Land.” I even liked her in “The Favourite” despite my negative thoughts on the movie. Given time to marinate, I have to say Stone’s performance in “Poor Things” trumps all of her past work that I have seen. I honestly cannot think of a performance of hers I liked more. “La La Land” comes close, but Stone’s performance in “Poor Things” is comparatively transformative, it is otherworldly. It something that I could have never imagined seeing in my entire life, especially from someone like her. I am not saying Stone is not a talented actress. There is a reason why she has an Oscar on her mantle. But this is a performance that takes what I know about Emma Stone as a person, as an actress, as someone who has seen her in certain movies, and completely subverts my expectations. As I watch this movie, I of course know it is Emma Stone in front of the camera. Her face has become rather recognizable over the years. In fact, even though I have not seen the movie, Stone may come off as less recognizable in Disney’s “Cruella” based on what I have witnessed through images and marketing. But as I watch this movie, despite the low difficulty of realizing the talent in front of the camera happens to be Stone physically, it is a bit harder to conclude that it is her mentally.

Part of what makes her performance so riveting and exciting is how her character easily blends in to the world around her. The script is written in such a way that I would not call it fantasy, but it certainly is not a part of our reality either. The film, kind of like “Everything Everywhere All at Once” meshes so many genres and ideas together to the point where it practically forms a genre of its own. Bella Baxter is one of the most unique characters I have seen all year, and she comes from an equally one of a kind piece of art. And that is what this movie is. Art. I was transfixed by this in the same way some may be transfixed by the Mona Lisa. Again, this is not to say “Poor Things” is one of the year’s best movies, but it is certainly one of the boldest and brightest.

While Bella Baxter might not be my favorite character in a movie I have seen this year, I need some time to think on that front. Baxter is nevertheless in contention to be, idealistically, the most fascinating protagonist created for the screen this year. She has a sympathetic personality, but she also has the mind of a young child and a teenager all wrapped into one person. With those last two ideas, we see a bit of a transition between them, but they are still interlinked somehow as the movie goes. The film is an entertaining study on what happens if you put someone as eccentric as Bella Baxter into our society, or some variant of it. What would she do? How would she behave? This is basically a fish out of water story. And while the fish out of water idea has been done time and time again, I imagine stories like this one happen to factor into why the idea continues to be unleashed in several projects. It is a tried and true method of storytelling that may be familiar, but if you could your own spin on it, it may be worth seeking out. And speaking of things that are worth seeking out, if you have time on your hands and you have not seen “Poor Things” yet, make an effort to see it at some point. Not only is it a great movie, it is one of the most welcome, monumental surprises of 2023. I know a lot of people were looking forward to this film. I was not one of them. If anything, I almost rolled my eyes knowing it exists. But with one AMC A-List punch later, I can say this is one of the better movies of the year.

In the end, “Poor Things” is a great turnaround for Yorgos Lanthimos. This movie took me from resisting his past work to making me want to see more of it. Emma Stone is better than she has ever been. If she is not nominated for an Oscar this season my jaw will be on the floor. I do not know of any actress I could see beating her this year. This is a once in a lifetime performance as far as she is concerned. The film is very funny. There are a lot of stellar lines from various characters. Bella Baxter’s mannerisms and quirks are wonderfully distinguished and brilliantly written throughout the picture. The movie does a good job at splicing all sorts of ideas at the wall and having most of them stick. The pathos was off and on. I do not think I am going to remember “Poor Things” through much of an emotional connection, but again, the comedy worked quite a bit so that makes up for it. The sets are detailed and colorful. I could not take my eyes off of some pieces. And if it were not for some occasional roughness in the first act, this film would probably make my top 10 of the year. You never know though, I could change my mind. I just saw the film. That said, as far as I am concerned, I am glad I saw it. If Lanthimos and Stone reunite in the future, I cannot wait to see what these two do next. I am going to give “Poor Things” an 8/10.

“Poor Things” is now playing in theaters everywhere. Tickets are available now!

Thanks for reading this review! If you enjoyed this review, why not check out some of my other ones? Just recently I did reviews for “Aquaman and the Lost Kingdom,” “Migration,” and “Wonka.” Check those out when you have a chance! Also, I will soon be reviewing the new romcom “Anyone But You.” That will be up later this week. Also coming soon, I will be announcing my top 10 best and worst movies of 2023. If you want to see this and more from Scene Before follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Poor Things?” What did you think about it? Or, what is your favorite Yorgos Lanthimos movie? Let me know down below! Scene Before is your click to the flicks!