Maddie’s Secret (2025): John Early Cooks Up Something Good

“Maddie’s Secret” is the feature length directorial debut of comedian John Early (Search Party, DC League of Super Pets), who also wrote the film himself, and stars as its title character. The cast also includes Kate Berlant (The Moment, A League of Their Own), Eric Rahill (The Paper, Let’s Start a Cult), Kristen Johnston (3rd Rock from the Sun, The Exes), Claudia O’Doherty (Love, Killing It), Conner O’Malley (I Saw the TV Glow, Rap World), Vanessa Bayer (Saturday Night Live, I Love That for You), and Chris Bauer (The Deuce, The Wire). This film is about a woman who is struggling with bulimia while also trying deal with her friendships, her past, and online fame due to her presence on a cooking program.

© 2026 – Magnolia Pictures

It is only appropriate that “Maddie’s Secret” goes by its particular title, because the film itself feels like a secret. Upon its release more than a month ago, “Maddie’s Secret” happened to only play in select locations, including the Boston area. As the movie happened to be playing near me, I thought I would check it out. After all, I have heard decent things about it, and I had no interest in seeing the new “Minions” movie.

“Maddie’s Secret” is no longer just a secret, it is a hidden gem. This movie rocks. If someone were to describe “Maddie’s Secret” to me on the spot and I had no idea what it was, part of me would assume that this film is not for me. Heck, even the name sounds like a straight to DVD title found in the middle of Walmart or a trashy Lifetime original. Do not judge this book by its cover.

© 2026 – Magnolia Pictures

This film stars John Early. When I was watching the opening credits, I was a tad confused, as I thought this film was about a woman, and yet a man is playing the lead. Turns out both of those things are true. Having watched enough “Saturday Night Live,” I cannot say that this is the first time I have seen someone playing a character of an identity that is different than their own. I am surprised to say Early shines as the lead. He does a fantastic job tapping into the character’s emotions, struggles, and occasional excitement. It is not to say the performance is going to win an Oscar, but I was shocked with how much I bought into it. Given the film’s particular lead and tone, I was especially delighted to notice how seriously it takes bulimia. Maybe such a sentiment is not as valid as can be, because, again, I do not have bulimia, nor do I know anyone in my life who does. Not that it is any of my business if I did know someone who secretly had it. But I would love to know what people who have bulimia would think of this film. From a dramatic point of view, this film excellently handles Maddie as she struggles with her eating disorder in more ways than one. This is true when talking about the effects of the disorder itself, her interacting with important characters along the way, and seeing her closest relationships develop, I would love to know how many people would relate to this character or see themselves in this character.

Tone-wise, part of me can imagine an alternate reality where this particular movie would fall apart like a house of cards. I did not see any trailers prior to watching “Maddie’s Secret,” so I was not entirely sure what to expect from this film, but it finds a fine line between comedy and drama. It is never laugh out loud funny, but it is often capable of delivering a chuckle. At other points, it is deeply moving and powerful. “Maddie’s Secret” finds a unique balance in its material, sort of like “Everything Everywhere All at Once” did several years back.

On the surface, this movie seems like it is about someone who finds a passion in cooking and uses it to better her life. To a certain degree, that is true. But as Maddie’s success is on the rise, she is also dealing with a home life that is maybe not all it is cracked to be. She has familial problems lingering in the background. Not to mention, she has bulimia, which is probably one of the most interesting sells one can have when pitching a movie like this. For the record, I have, to my surprise, not heard of the term bulimia nervosa prior to watching this movie. If anything, I am glad I watched “Maddie’s Secret” simply because it put a spotlight on the concept.

Speaking of characters I admire, another one in this film is Julie, played diligently by Vanessa Bayer. From scene one, she has a massive pinch of enthusiasm and often maintains a youthful spirit. She comes into the film at an integral point in Maddie’s journey, where things are not particularly going as great as they could be. Despite the movie getting serious at this point, Julie’s presence calmed the vibe down in a sense. Julie is a character that I could see certain viewers finding annoying, but that is not the case for yours truly.

This movie is a bit down to earth on its more dramatic moments, but tends to sometimes jump the shark in its more comedic scenes. The biggest example that comes to mind is when Maddie initially finds success on social media. Not that I have any problem with how the movie presented her success, but shortly after, she has a meeting with her boss, who tells Maddie that she breached her contract with the company. So, instead of being fired, Maddie becomes an on-camera personality within said company. Debatably, the movie jumps the shark just enough in this scene, if the company sees money, then why not follow it?

To my surprise, this film is also one of the more gorgeous-looking ones I have seen recently. For starters, some of the lighting really pops. There is one intimate scene in particular that is neatly colored. Also, this may be a tad unexpected to say because this project deals with an eating disorder, but with the story centering itself around food, it is not always easy to keep your mouth from watering, except for the occasional over the top, gross scene. This movie does not quite get as gross as say “The Substance,” but there are select visuals that are slightly off-putting. Even with a moment or two that made me want to look away, I could not keep my eyes off of “Maddie’s Secret.”

© 2026 – Magnolia Pictures

In the end, “Maddie’s Secret” is an engaging movie that delivers a one of a kind vision from John Early. While none of performances in “Maddie’s Secret” are going to win any major awards, each one fits perfectly within the context of the project. The dialogue is also often perfectly timed and realized. There is a perfect pace to many of the film’s lines. I have no idea if this is a film that is going to have any replay value down the line, but I do think it is worth watching at least once. “Maddie’s Secret” is, if nothing else, a totally unique dramedy, and I am going to give it a 7/10.

“Maddie’s Secret” is now available to rent or buy on VOD.

Thanks for reading this review! Also, be sure to check out my latest episode of Movie Requests! It is an original video series where I ask your favorite stars what movies they think I should talk about! In this episode, I review Elijah Wood’s request, “Festen,” aka “The Celebration!” If you want to watch the episode, click the video above! Also, be sure to like the video on YouTube and subscribe to my channel if you want to see new episodes of Movie Requests as soon as they drop!

My next review is going to be for “Gail Daughtry and the Celebrity Sex Pass.” Stay tuned! Also, coming soon, I will be sharing my thoughts on “The Odyssey,” “Her Private Hell,” “Haunted Heist,” “Spider-Man: Brand New Day,” “I Want Your Sex,” and “The Invite.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Maddie’s Secret?” What did you think about it? Or, what is your favorite movie revolving around food? One recommendation that comes to mind is “Chef.” It is a fantastic story with clever writing, good performances, and it makes you hungry. It is excellent. Check it out! Scene Before is your click to the flicks!

Thunderbolts* (2025): Familiar Marvel Characters Take Center Stage in an Unexpectedly Powerful Story

Photo by Marvel Studios/MARVEL STUDIOS – © 2025 MARVEL.

“Thunderbolts*” is directed by Jake Schreier (Paper Towns, Beef) and stars Florence Pugh (Oppenheimer, Midsommar), Sebastian Stan (The Apprentice, A Different Man), Wyatt Russell (Monarch: Legacy of Monsters, Black Mirror), Olga Kurylenko (Quantum of Solace, Magic City), Lewis Pullman (Top Gun: Maverick, Salem’s Lot), Geraldine Viswanathan (Blockers, Miracle Workers), Chris Bauer (The Deuce, True Blood), Wendell Pierce (Suits, The Wire), David Harbour (Violent Night, Stranger Things), Hannah John-Kamen (Brave New World, Killjoys), and Julia Louis-Dreyfus (Seinfeld, Enough Said). This film is about a group of antiheroes who work together on a mission where they must face the darkness of their pasts.

Photo by Marvel Studios/MARVEL STUDIOS – © 2025 MARVEL.

Before we get into my thoughts on “Thunderbolts*,” I would like to take a few moments to discuss my current feelings about the Marvel Cinematic Universe.

Every time there is a new Marvel Studios project out, I imagine that group as if they were a see-saw. The past couple years or so, I have come across a multitude of extremes. “The MCU is dead!”, “The MCU is back!”, “The MCU is dead again!”, “The MCU is back again!” Personally, the MCU is long from dead. And it always has been. There have been missteps along the way, sure. But many filmmakers would kill to have a project as successful as many of those coming out of Marvel. Yes, 2023 was a lesser year for the studio. Yes, “The Marvels” bombed… Yes, “Ant-Man and the Wasp: Quantumania” underperformed… But in the same year, we also had “Guardians of the Galaxy Vol. 3,” which was super successful. Marvel was down, but not out.

Then in 2024, Marvel churned out the highest-grossing R rated title of all time with “Deadpool & Wolverine.” And “Agatha All Along” also did well on the TV side.

Flash forward to 2025, things are not off to the best of starts. Sure, maybe “Daredevil: Born Again” is well received. But movie-wise, “Captain America: Brave New World” got old really fast. The box office was somewhat respectable, but it was low by Marvel standards. It probably would have been higher if the film did not have a 48% on Rotten Tomatoes. As for my thoughts on the film, I would say it is mediocre. It is the first Marvel film since “Endgame” I did not enjoy. That is honestly not a bad streak.

Photo by Marvel Studios/MARVEL STUDIOS – © MARVEL 2025

Now that much of the discourse of “Thunderbolts*” is finding its way online, I am not going to claim the MCU is back. Again, it never died. But I would say the MCU is in a great position right now because “Thunderbolts*” is an incredible time.

There is a sense of homogeneity from one Marvel movie to the next. While this film manages to maintain some of the cliches from prior Marvel projects, “Thunderbolts*” is undoubtedly unique when it comes to the span of the MCU. While the film features familiar characters, they have arguably never been this well written.

Photo by Marvel Studios/MARVEL STUDIOS – © 2025 MARVEL. All Rights Reserved.

Well, maybe except Bucky. He has been around for a bit. His role in “Captain America: The Winter Soldier” is rather compelling at times.

“Thunderbolts*” goes beyond being a great comic book movie, which is not necessarily a detractor by itself, and gives one of 2025’s deepest narratives yet. This film is about a bunch of nobodies who are tasked to complete a mission together. Basically the Thunderbolts are Marvel’s version of the Suicide Squad. With there being two “Suicide Squad” movies, I would put “Thunderbolts*” in between them. It is nowhere near as bad as the 2016 one, but not quite as enjoyable as the 2021 sequel directed by James Gunn.

What makes “Thunderbolts*” in particular so compelling is its handling of the core characters. Again, these are nobodies. But in some cases, them being nobody is what makes them relatable. I think a lot of people will relate to characters like Yelena because the movie dives into her struggles of having no one by her side. After all, her sister died. She has been away from her parents for some time. She does not have a partner. The movie dives into various obstacles people can have with their mental health. This film came out in 2025, and knowing some of the things going on in the world, it feels like a movie some people will need right now. I can only imagine the conversation this would have gotten had this come out some time in 2020, or 2021, back when COVID-19 started to spread around the world. “Thunderbolts*” is playing a key role in kickstarting this year’s blockbuster season. It is undoubtedly a film that a ton of people are going to see. I imagine a lot of viewers are expecting to have fun. That is a core expectation of many of these tentpole releases. Having seen the film, I can say it is in fact, quite fun. But I also walked out of this film thinking about the people in my life, my social circles, and wonders as to what my future could present should I navigate in a certain direction. Maybe some people could see this film as a bit of a downer, but I think there is enough balance throughout the story to where it could wind up being some of the most fun one can have at the movies this year.

Photo by Marvel Studios/Marvel Studios – © 2025 MARVEL. All Rights Reserved.

On that note, the humor in “Thunderbolts*” works very well. Just about every joke landed for me. The highlight for me throughout the film, in terms of comedy, is easily David Harbour. This comes as no surprise because I found him to be the standout of “Black Widow,” mainly because of his execution of that film’s more comedic moments. Neither of these films are quite “Guardians of the Galaxy” funny, but that is a tall mountain to climb.

In fact, if I had a critique for the humor, it would be that some of the jokes feel like rewrites of what we have gotten in other Marvel projects. This might not be a surprise because there are so many projects already out, but after so many of them, you are bound to follow a formula or repeat something that was done before. One joke that finds its way into the script is the characters talking about how dumb a particular name is. As someone who likes these movies, I have noticed an arguable overuse of this kind of joke. But rarely does it fail for me, and “Thunderbolts*” is not an exception to the rule. Not only did I find this film’s “name jokes” funny, but they also play a key role in the story down the line.

I am an MCU fanboy. I make an effort to see all the films as soon as they come out. But it does not mean I am ignorant of any drawbacks that come my way. And this movie has some. One that comes to mind is Julia Louis-Dreyfus as Valentina. I do not have anything against how the character was written, but if anything, I felt like Louis-Dreyfus was playing herself. Maybe this is due to watching a lot of “Seinfeld,” but when I look at Valentina and listen to her speak, I cannot help but picture a boss lady variant of Elaine.

Another flaw has to do with the pacing. That is if you can call it a flaw. The film has an entertaining first half, but eventually, things pick up fast and furious to the point where the latter half outshines the former. “Thunderbolts*” is a great film, but I am going to remember it more for the second half than the first, which was fun nevertheless.

Knowing the MCU’s track record as of late, this next flaw should not be a shock. Some of the CGI could be a smidge better. Granted, a lot of the CGI in the film is great, and collectively, the effects are much better than say “Black Widow” or “Thor: Love and Thunder.” But some of the computerized effects looked kind of obvious. Although even those that did seem obvious sometimes looked polished or buyable enough to the point where I could be forgiving of their presence.

While the CGI may not be perfect, one technical aspect that pleasantly surprised me was the color grading of the film. With some occasionally obvious effects aside, I cannot say I have seen an MCU film that looks utterly incompetent. Though a common problem I find with some of these movies is through the color palette. Sometimes the colors do not quite match the mood of the film. “Captain America: Civil War” comes to mind. While it is a more serious MCU installment, I thought the colors were a bit too gloomy and dark for what the film turned out to be, especially with the airport throwdown. The color grading in “Thunderbolts*” was also on the gloomier side, but it felt natural for the story that was being told, as well as the vibe that was lingering in the background. The colors were consistent and amazingly did not take away from the more fun moments of the film. The film was always fun, but in the back of my mind, it was also a bit of a downer when it dove into some of the characters’ struggles.

Another common MCU problem that fails to find its way here is the film’s villain. I am not going to dive into a ton of details regarding the character, but not only were they well written, but I thought they fit perfectly into the mental health motif. There is a climactic sequence involving said character that like several others in the MCU, is heavy on the special effects, but it winds up becoming a one of a kind battle that I do not recall ever seeing in this series of films. This is not my favorite MCU climax, but it is safe to say it is up there with some of the best.

Many of the characters in this film have appeared in other MCU projects. Thankfully, I can claim that you do not need to see those other films to understand what is going on in this one. While the film does reference a couple major events in the MCU that have been documented in other stories, I think an MCU first-timer can go into this film with no experience and have a good time with it. This story feels fresh, which is amazing to say considering the amount of familiar faces that make up the cast both on the film and TV sides.

Although for those who did see “Captain America: Brave New World,” there is one major event involving Bucky that is referenced in the film. It is resolved in a cop out-like manner. If you were looking forward to knowing more about that event, you get more. But not a ton. As much as I enjoyed this movie, this sort of shows the haphazardness of the MCU and how supposedly big setups in previous projects can be met with little payoff. Granted, the setup paid off. But perhaps barely.

If I had any other notes regarding the film, I will note that this is the first MCU appearance of Geraldine Viswanathan, and I thought she did a good job. At one point, her character kind of puts things into perspective for the younger people living in this universe, particularly how some of the major events such as the Battle of New York might come off as something that would now be covered in a history class. I thought that was a nice touch. For those who do not know Geraldine Viswanathan, she is a super talented young actress. This is not her best work. If anything, I recommend checking out the TBS series “Miracle Workers” if you want to get a true sense of Viswanathan’s comedy chops. But I am glad to see her make her way into the MCU.

By the way, there are two extra scenes during the credits. And without giving anything away, I got a big, fat laugh while watching the mid-credits scene. There is some line delivery in the clip that simply amounts to perfection.

Marvel Studios/MARVEL STUDIOS – © 2025 MARVEL. All Rights Reserved.

In the end, I would give “Thunderbolts*” two big thumbs up. This was a phenomenal time at the movies. Florence Pugh overdelivers in her lead role. David Harbour is comedy gold. Sebastian Stan is stellar as usual. And Lewis Pullman does a great job playing another supporting character named “Bob” following his efforts in “Top Gun: Maverick.” I am looking forward to seeing what the next few months bring in terms of blockbusters. If this year’s upcoming tentpoles are as good as “Thunderbolts*,” then the summer movie season is gonna rock. I am going to give “Thunderbolts*” an 8/10.

“Thunderbolts*” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Rust.” Yes, that one. The movie was not playing in too many theaters, but I was at the right place at the right time, and managed to check it out a few weeks ago. Look forward to my official thoughts coming soon. Also on the pipeline, I have reviews coming for “The Ruse,” “Mission: Impossible – The Final Reckoning,” “The Accountant 2,” “Bring Her Back,” and “Friendship.” If you want to read these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Thunderbolts*?” What did you think about it? Or, with this being the last MCU movie in phase 5, what did you think of this phase overall? Do you have a favorite film or TV show? Personally, my favorite project was “Deadpool & Wolverine” by a clear mile. Let me know your faves down below! Scene Before is your click to the flicks!