Ghostbusters: Frozen Empire (2024): We Came, We Saw, But the Movie Only Barely Exceeded Average

“Ghostbsuters: Frozen Empire” is directed by Gil Kenan (Monster House, Poltergeist) and this film stars Paul Rudd (Dinner for Schmucks, Ant-Man), Carrie Coon (The Leftovers, Fargo), Finn Wolfhard (Stranger Things, It), Mckenna Grace (The Young and the Restless, Gifted), Kumail Nanjiani (Silicon Valley, The Big Sick), Patton Oswalt (King of Queens, A.P. Bio), Ernie Hudson (The Basketball Diaries, Quantum Leap), and Annie Potts (Toy Story, Young Sheldon). This movie traces back to the franchise’s origin point, New York City, and centers around the Ghostbusters’ quest to uncover the connections to an ancient artifact and to keep civilization from being trapped under ice.

Here is a fun fact about Scene Before, “Ghostbusters” literally got this blog started. I am serious. Because I started this blog in 2016 as part of a high school project. One of the big talking points at the time was the trailer for the “Ghostbusters” reboot, which I did not enjoy. Then months later, one of the big talking points was the movie connected to that trailer, which I did not enjoy. Like, really did not enjoy. In fact, when I did my worst films of the 2010s list, that was #1, and I stand by it. Could that movie have worked? Of course it could have! After seeing “The LEGO Movie,” I am under the impression any movie can work. But 2016’s “Ghostbusters” was not funny. The CGI was off-putting. And it is a waste of a lot of people’s talent. When I look back at the film, part of me hates talking about it. Because if I simply say I did not like the movie, there is probably someone out there pointing their finger at me and telling me that I hate women. I am all for women empowerment. Look at how epic “Wonder Woman” was the following year. I just wish this movie were handled better.

When “Ghostbusters: Afterlife” was announced, I was quite excited. I thought it was a little soon for a new “Ghostbusters” outing, but the trailers seemed to successfully balance nostalgia with an immersive, adventurous vibe. It was also nice to see the franchise outside of New York City for once. Unfortunately, I did not get to review the movie due to time constraints. But if you want my quick thoughts, I had a ball with it. I liked the new characters. Paul Rudd was great in his role. The sound design was quite good. And the action sequences were fun. The movie was a delight. The film by no means rewrote what it meant to be a box office success, but it was enough of a hit to justify another movie, in this case “Frozen Empire.”

Just to give a quick ranking of the “Ghostbusters” movies before this one came out, I would have to say the first one is easily the best. “Afterlife” comes in second. “Ghostbusters II” takes third place for me. And again, it pains me just mentioning it, but I have to be honest, my least favorite film of the franchise is the disconnected “Ghostbusters” 2016. So where does “Ghostbusters: Frozen Empire” rank amongst these movies?

Honestly, smack dab in the middle.

In a thumbs up, thumbs down world, “Ghostbusters: Frozen Empire” is an easy thumbs up. There is plenty to like about this sequel. But there is not a lot to love. Does the movie have decent nostalgia? Sure. Does the movie have a good concept? Sure. Is the humor on point? Sure, but it is not as strong as the original movie. Does it handle the newer characters well? Some better than others. This is the one thing about this movie, there are a lot of positives, but when I say positives, I do so knowing that these positives may not be worthy enough for me to go back and watch the movie a second time in the next few months.

Sorry to spoil a movie that is a couple years old, but in “Ghostbusters: Afterlife,” the four original “Ghostbusters” made an appearance towards the end of the film. And yes, I said four. They found a way to inject the late Harold Ramis into the project. In this installment, three of those four are back, and around for a bit longer. Ernie Hudson and Dan Aykroyd have more notable impacts on the story, but Bill Murray manages to squeeze himself in at some point.

One thing I have noticed about the “Ghostbusters” franchise, at least in the movies, is that all of the ghosts are not on the busters’ side. Obviously, if your crew is about killing ghosts, of course, you are going to not play nice with them. But this movie introduces a ghost character who I thought served as a nice antithesis to that idea to some degree. Specifically, Melody played by Emily Alan Lind. Throughout the film we see young Phoebe (Mckenna Grace) develop a connection with her that drives the plot forward significantly. The two have good chemistry and I like seeing them onscreen together. Some elements as to how their bond starts may come off as far-fetched or convenient, but at the same time, it does make sense in a franchise where the Statue of Liberty basically goes “Night at the Museum” during the climax of “Ghostbusters II.”

Although that subplot does not even bring forth the most convenient, perhaps out of left field part of the movie. Because that honor, if you can call it that, goes to something we see out of Kumail Nanjiani’s character, Nadeem Razmaadi (left center). As much as I enjoyed the climax of this movie, if there is one thing I did not like about it, there is a moment where we see Nadeem do something that had me going “Why?” The moment did not feel authentic. Again, I understand, it is “Ghostbusters.” The franchise has jumped the shark before. But I feel the franchise is at its best when there is a balance between reality and fantasy. This leans too far into the fantasy route for me.

This is not to suggest you have to like one movie over the other, but I have a feeling that if you like the 1980s “Ghostbusters” fare, you might feel more comfortable watching this movie at times compared to “Afterlife.” It’s back in New York City, you have more time with the original cast, and it has a much larger scale and feel. If you like those things, you should, on paper, have an okay time with this movie. But the reality is, much like what I said last week about “Kung Fu Panda 4,” if I were to introduce this franchise to someone, I would just start with the original. This follow-up is entertaining, but it does not change the game. It is not going to be remembered as one of the greats. Maybe I will catch it again on cable one day. “Ghostbusters” seems to have a large presence there anyway. But we shall see. It could be better. But for my money, I had fun with it.

In the end, “Ghostbusters: Frozen Empire” is an enjoyable time, but compared to a couple other installments in this franchise, it is not as good. When it comes to pure spectacle, this movie does not fail. There is an action scene in the first act that had me hooked and excited for whatever was going to come next. Was I intrigued by everything that came after? You can say that. But I am not going to pretend I will run down the street screaming my highest recommendations for this film. That said, if you decide to watch it, you might enjoy it. You never know. I am going to give “Ghostbusters: Frozen Empire” a 6/10.

“Ghostbusters: Frozen Empire” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! I have more reviews coming up in the pipeline including “Snack Shack,” “Godzilla x Kong: The New Empire,” “Monkey Man,” “Abigail,” and “Civil War.” Stay tuned! If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Ghostbusters: Frozen Empire?” What did you think about it? Or, what is your favorite “Ghostbusters” movie? And despite everything I said earlier, I welcome any and all opinions about the 2016 reboot. If you like it, more power to you. But for me, the original is the best one. Let me know your picks down below! Scene Before is your click to the flicks!

Kin (2018): Two Brothers, A Ray Gun, and a Stripper

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“Kin” is directed by Jonathan and Josh Baker, two brothers who have worked together on multiple short films. This movie stars Myles Truitt (Queen Sugar, Black Lightning), Jack Reynor (Sing Street, Glassland), Zoë Kravitz (Divergent, After Earth), Carrie Coon (The Leftovers, Gone Girl), Dennis Quaid (Far From Heaven, Frequency), and James Franco (Spider-Man, The Disaster Artist) and is about an ex-con who has been recently released from prison and his teen brother who are on the run from soldiers. Alongside them we have a unique weapon, which just so happens to be some of their only protection.

The main reason why I’m reviewing “Kin” is not because I’m particularly interested in the movie, but because this review works around my schedule. I have reviewed movies in August, but there’s no point where I’ve actually gone out to see a movie actually released in the month of August. I wanted to see “The Meg” so bad, but I never got around to it. I had some sort of interest in movies including “Mile 22,” “The Happytime Murders,” “The Spy Who Dumped Me,” and “Searching.” I could have gone out to see these movies, but there was no time and on occasion, no way, to get to any of these. Apparently adventures like “2001” in IMAX and “Eighth Grade” are a lot more important. Now it’s September, and my chance to review an August movie is finally here. And I’d say for the most part, this August movie was worth my time. I have my problems with it, but we’ll get to those later.

This movie stars Myles Truitt and Jack Reynor as two “brothers” if you will. Jimmy (Reynor) was raised by his birth family while Eli (Truitt) happened to be adopted. Jimmy is not essentially the brightest bulb in the world. As the movie begins, we find out that Jimmy just happened to be released from prison. When the main plot kicks in, this is essentially where the two brothers have to team up. So the two go on a road trip, leaving post-apocalyptic Detroit to wherever their travels take them. And I gotta say that this is probably where “Kin” hits its highest marks. Not only did both actors play their characters well, but they’ve also delivered terrific and believable chemistry. None of it was awkward, at least from what I remember, and it made me see these actors purely as these characters. Who else is gonna play them now?

Now this movie is produced by the same folks who produced “Stranger Things.” While I have not seen much of “Stranger Things,” I am certainly well aware of what it is all about. And there are some moments of this that can feel like “Stranger Things.” Probably the biggest reason that can associate with such a statement is that the two main characters who have to stick together are on the younger side of the spectrum. And as mentioned, both of them did very well in this movie.

Along the way, the duo meet a girl by the name of Milly, played by Zoë Kravitz. Where do they meet her? A strip club.

Now whoa whoa whoa hold the phone!

Out of all the places that the two brothers could stop, the older brother, who happens to be in control of the wheel (for good reason), decides it would be reasonable to go to a strip club alongside his FOURTEEN YEAR OLD ADOPTED BROTHER. As crazy enough as that alone is, they don’t check IDs (upon research though I don’t think ALL clubs do that).

Anyway, they meet her at a strip club and what I love about this is not what any stereotypical teenager would go ahead and talk about. It’s not about how f*ckable she is or how hot she looks onstage. In fact, this movie is rated PG-13, so it’s not like you have to come in expecting anything hardcore. The thing I love about her is how the movie utilizes her character to make her actually have a personality. It’s not like she’s a sex object, she has a purpose in the film. There’s a point where I wouldn’t say she’s actually “doing s*it,” but she does happen to have heavy involvement in the plot. But then again, and this may be nitpicky, but this probably wouldn’t have happened if the dynamic duo didn’t get kicked out for having a CLEARLY underage kid in their party.

One of the movie’s biggest things it has going for it is the futuristic ray gun that seems to be getting a lot of attention when it comes to marketing. When it comes to that particular aspect, I’m both impressed and maybe a tad disappointed at the same time. On one hand, the ray gun was a nifty little tool and I thought it really served a purpose, not to mention a bit of fun, in the story. On the other hand, it might have gotten maybe somewhere near minimal use, which kind of underwhelmed me. If this movie gets a sequel, which I doubt will happen unless this movie makes a s*itton more money than it did during its first few days, I want to see more use out of the ray gun if there is time for it. I’ve been exposed to others’ reviews on “Kin” before publishing this one, and they’ve said that this film, tonally speaking, is way off. While I do happen to disagree on that point, I do agree that this film needs to hit the big guns. There is although a pretty cool side story involving a couple of people who actually had the gun before it was even found and taken by the two brothers. Also that reminds me, I wanted there to be perhaps a more memorable and fascinating discovery. I don’t even remember how it was found except for bits and pieces. In the “Jumanji” movie, specifically the one starring Robin Williams, I still remember the discovery of the Jumanji board game. I remember bits of the music, where it was, and it just felt like you were maybe in an adventure film. Maybe like “Indiana Jones” or something.

This film is actually based on a short film directed by the twin brothers Jonathan and Josh Baker. These two brothers eventually went on to direct this exact movie. I have not seen the short, but it is called “Bag Man,” so I have nothing to compare it to, but I do want to give a bit of credit to this film for at least raising my interest towards checking that out.

In the end, “Kin” is actually a bit of a surprise for me. I went in not expecting much at all. In fact, I walked out thinking, that wasn’t really that bad. This is like walking into a Kmart or Sears at this point seeing that they’re actually doing a somewhat decent business and keeping the stock flowing smoothly. Maybe it’s not perfect, but hey, it could definitely be a lot worse. I do have my problems with it, and trust me, some stand out. I don’t think I’ll remember “Kin” as much as I do with some other movies, but this was certainly something I couldn’t complain about. I’m gonna give “Kin” a 6/10. Thanks for reading this review! Right now it is September, and it is more than a month away until “First Man” releases in several countries, including the US. For those of you who don’t know, “First Man” stars Ryan Gosling (Blade Runner 2049, Crazy Stupid Love) and Claire Foy (The Crown, Breathe), it is directed by Academy Award-winning director Damien Chazelle (La La Land, Whiplash), and happens to be, depending on how you look at things, based on the true story, or a fantasy with a hidden truth and meant to be shot in a studio, on the Apollo moon landing. In honor of that, starting sometime later this month, I’m planning to be reviewing a bunch of space-related movies. Be sure to stay tuned for that. I’ve got a number of options in my head. I’ll just say, that my first review is probably guaranteed to be “2001: A Space Odyssey.” Not only does it have some sort of relation to space, but this year is the movie’s 50th anniversary, and based on results from a Twitter poll, “2001” received the popular vote. Stay tuned for this, along with other great content! Also, be sure to follow Scene Before either with an email or your WordPress account! I want to know, did you see “Kin?” What did you think about it? Or, what is your favorite fictional weapon in a movie? Let me know down below! Scene Before is your click to the flicks!