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Molly’s Game (2017): Passable, but with “High MIstakes”

Posted on by Jack Drees

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“Molly’s Game” is directed by Aaron Sorkin (Steve Jobs, The Social Network) and stars Jessica Chastain (Interstellar, Zero Dark Thirty), Idris Elba (Pacific Rim, Thor), and Kevin Costner (Man of Steel, Dances with Wolves) in a movie based on a book of the same name. It’s about the true story of Molly Bloom, a former poker entrepreneur and Olympic-class skier who was charged with running the world’s most exclusive high-stakes poker game.

I haven’t really followed much of Aaron Sorkin’s previous work. This movie is actually his directorial debut, and if you have followed Sorkin’s work, you’d know he’s typically known for his writing. Sorkin is responsible for creating “The West Wing,” which he often wrote. As far as movies go, he has written “Moneyball,” “Steve Jobs,” “The Social Network,” “A Few Good Men,” and “Charlie Wilson’s War.” I was actually going to watch “Steve Jobs” in 2015 during its theatrical run, but I never got around to it. Nevertheless, I heard the fellow can write. Having seen this movie, I’d say he can direct too. I can appreciate the vision this movie contained. Going at a quick pace, all the while providing a serious tone. There were a couple of moments that I really liked from a lighting perspective as well. The colors just meshed together almost like a very small lens flare that didn’t feel obnoxious in any sort of way. As far as writing and editing goes, here are my thoughts.

I totally see what people are talking about when it comes to Aaron Sorkin and writing, the two go together like FedEx and that arrow between the “E” and the “x.” What’s that? You didn’t know about the FedEx arrow? Google the FedEx logo and observe it closely. The opening sequence of this film has Molly Bloom talking like I’m listening to what happens when an auctioneer and a motivational speaker combine into a single person. Not only was the diction well done, it was funny, it was informative, and it set a proper tone for the movie. This movie’s based on a book, and I apologize to books, but I never read the book for this film. I don’t know how similar this movie’s introduction is to the book, but if the writing resembles the book here, I’d say this is great writing in general. Props to both Bloom and Sorkin if that’s the case. Still, at the very least, props to Sorkin. I’ve heard a saying that the best directors make the best editors. As far as directing ability goes, this was mostly competent. I have a couple of issues, but this can apply to either the script or the editing instead of just directing.

A couple of shows that really make me uncomfortable are “The Office” and “Modern Family.” I heard a lot of people like both programs. Personally, I can’t watch them. Maybe I’ll give “The Office” a try because I hear a lot of folks talking about it like it’s the greatest thing between Netflix and the idea of Netflix and chill. Also, f*ck Netflix. However I don’t think I can watch “Modern Family” ever again. It’s not only unfunny despite how many people watch it and revered it is, but it’s also shot in a style that tries to make you feel like you’re there, but it just comes off like a student film to me. It almost reminds me of the shaky cam from “The Hunger Games!” “Molly’s Game” is not as bad, it’s not as shaky, it’s not as handheld, it works for what it’s doing. …For the most part. When it comes to editing, this movie cuts way too quickly sometimes. It tries to maintain this very quick style of filmmaking, and it just doesn’t work. I noticed one or two jumpcuts here as well. As far as writing goes, it’s tonally inconsistent. While most of the movie is fast and stays fast, it sometimes just slows down to a point where it’s horribly slow. Throughout the entire film, Jessica Chastain is narrating as Molly Bloom and it almost feels like something that should keep you going towards the edge of your seat. There are moments here that just don’t match what the movie feels like the entire time. It feels like a couple movies meshed into one. It’s like combining one movie, “The Grand Budapest Hotel,” with another movie, “Manchester by the Sea,” although it’s a million times happier. The editing combined with the screenplay is like a hotel room with a comfortable bed, no bugs, it’s got a clean carpet, the TV is 4K, everything looks nice, but the toilet isn’t working, the shower’s water system is screwed up, and the sink handles for hot and cold are grungy and hard to operate. It just all needs minor tweaking on perhaps major flaws before absolute perfection.

However let’s move our attention to the best part of the movie, Jessica Chastain as Molly Bloom. Some people may go see this movie for a number of reasons. Some people are interested in the story of Molly Bloom, some people like Aaron Sorkin’s writing, and some will say that the cast looks promising. I’ve observed Idris Elba and Kevin Costner in this film, and while both give competent performances, Jessica Chastain trumped them both. If the writing wasn’t excellent enough, this movie had an amazing actress to go off of it. I must say, despite my love for Jessica Chastain, I haven’t seen too many performances from her. However, much like the other movies where I saw Jessica Chastain performing, this is another fine example of how someone should act in a movie. They transform into a different person, and they allow the audience to see them as more than someone on a screen.

In the end, I got to say that “Molly’s Game” is not really a movie that I’d recommend to everyone, but I wouldn’t say to shy away from it either. It’s one of those movies that can impress you in a number of ways, but isn’t entirely screwed together to the point of perfection. I like the acting. I like the directing. I like the writing. However, the movie itself is sloppy when it comes to pacing. At times it wants to accelerate, and at others it wants to drag. There are times where I just nearly wanted to fall asleep, and I must have felt that during the fast parts due to the inconsistency of pacing. Although I will say this, Jessica Chastain f*cking rocks. I’m going to give “Molly’s Game” a 6/10. Thanks for reading this review! On Thursday, I’m going to start off my “Maze Runner” review series by talking about the first installment in the movie franchise, “The Maze Runner,” so look forward to that. Also, depending on what happens, tomorrow I’m going to upload a surprise post. I won’t tell what it is. But January 17th is a special day in my heart. That’ll be your hint. I might not post this, but that’s if I don’t finish it in a certain amount of time. Stay tuned for more reviews and other great content! Did you see “Molly’s Game?” What are your thoughts? How do you think Aaron Sorkin did as a first-time director? Let me know down below! Scene Before is your click to the flicks!

The Disaster Artist (2017): Oh Hai, James Franco!

Posted on by Jack Drees

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“The Disaster Artist” is directed by James Franco (Spider-Man, 127 Hours), and is based on a true book written by Greg Sestero. This movie also stars James Franco alongside his brother, Dave Franco (Neighbors, Now You See Me), and Seth Rogen (Sausage Party, Pineapple Express). “The Disaster Artist” revolves around the making of the 2003 disasterpiece of a film, “The Room.” The book which this movie is based on is written by a cast member of “The Room” who played the character of Mark (played by Dave Franco here). So, essentially Greg is one of the main characters, and he meets Tommy Wiseau (played by James Franco) in an acting class. The two form a bond as time passes, which leads them to try tackling their dreams in Hollywood together.

I just want to get two things out of the way. I’ve never read “The Disaster Artist.” I almost picked it up once, but I put it back before taking it. However I did watch “The Room.” I managed to find it on YouTube and someone had a post showing the movie from beginning to end. I watched it recently and I TOTALLY see what everyone is talking about. From the cheesy and poorly written dialogue, the so-called acting, and the establishing shots of San Francisco that feel like something out of say, “The Golden Girls,” this movie is a mess, but it was so f*cking fun. The movie itself, is capable of having most of its viewers say it’s terrible, but at the same time, it kind of has a feeling that other bad movies don’t give you. This is more along the lines of a movie like “Batman & Robin,” where it’s bad, but you can also have some fun watching it because of all the cheese. It’s not like watching “The Emoji Movie.” For the record, that movie did not suck ass, it sucked EVERY ass. “The Disaster Artist” is like neither of those films. This is because “The Disaster Artist” is definitely one of 2017’s best films! Not only that, but it also has to be one of the most ironic films I’ve ever seen! “The Room” is in a word, abominable. “The Disaster Artist” is in a word, admirable. It’s amazing how “The Disaster Artist,” a movie based on the making of one of the worst movies ever made, specifically the kind where it’s so bad that you have to experience it, became one of this year’s best movies, a film so good that you have to experience it. And I did. I’m just gonna warn you, I’m gonna be digressing here, and it’ll be a matter of time before my actual review of the movie appears on here. And I know a reason why a lot of people are here is to read my thoughts on “The Disaster Artist,” not to hear about my personal life. So if this bores you, makes you want to stab yourself with a knife, encourages you to go on a killing spree, or makes you want to jump out a window, DON’T DO THOSE THINGS, and instead, either stop reading the post and rethink what you’re doing in life, or just skip ahead to the next paragraph where I get back on track. So let’s move on.

I’m a high school student currently living in eastern Massachusetts. It took me three weeks to see this movie. I wanted to see it right away, but I had other things going on at the time. Then “winter break” came, note the quotation marks, stating sarcasm of how my winter break lacked any time to sit down and relax. Due to a complicated schedule, I was somewhat worried that I wouldn’t get to see this. I did however once time was on my side, not to mention my father’s. There were barely any times available and the closest town I could go see the movie was Somerville. I don’t usually go to Somerville to see a movie, I’ve only done it twice. In fact, I barely go to Somerville period! But I did it, because I was committed. That and I had gift cards to AMC Theatres that I felt would be useful for an occasion such as this. Somerville is nearby as far as I’m concerned but I barely go anywhere that’s urban, I’m usually in the suburbs when I go to movie theaters. It’s easier parking-wise, it’s easier in terms of traffic, not to mention there are theaters that are closer in terms of distance and time. I like the AMC in Somerville better than some theaters I go to (except price-wise), but I think the auditoriums are nice and the sound’s amazing. Traffic and time to get to the theater weren’t an issue for my father and I. Parking almost did however. My father’s vehicle can’t fit in garages, and admittedly, I didn’t mention to him that Assembly Row, the plaza where the theater happened to be located, was mainly garage based. There is parking available in non-garage areas, but it’s a busy place, not to mention it was a Saturday night and the following day was New Year’s Eve. The unusual trip to Somerville, was worth it from the quality of the movie alone.

Out of all the films I’ve seen this year, this one is BY FAR the funniest. Not only that, but it also managed to be rather serious. One thing that I imagine some people who know about “The Room” might have expected walking into this film was the possibility that it might mock Tommy Wiseau to the tenth degree. The movie, in terms of its screenplay, makes almost anything Tommy does on screen hysterical, but I wouldn’t say it makes fun of him. Tommy, at the time which this movie takes place, is a mystery man. He goes on saying to Greg Sestero that he can’t talk about his interactions with Tommy to anyone. We as viewers don’t even know that much about his background. We don’t know how the money that went into the making of “The Room” appeared. It’s explained that this movie took $5 million to make. That’s what I recall the film’s screenplay suggesting, but according to IMDb it cost an estimated total of $6 million to make the flick. Speaking of IMDb, if you look at Tommy Wiseau’s page, it says he was born on October 3rd, 1955 in Poznag, Poland. According to the Wikipedia page dedicated to Tommy Wiseau, it says he gave an age in interviews after the release of “The Room” that would suggest he’s either born in 1968 or 1969. He claimed to have lived in France a long time ago, he grew up in New Orleans, and he had an entire family in Chalmette, Louisiana. Greg Sestero’s identically titled book, which James Franco suggested in an interview based on the words of Tommy is “40% true,” suggested that his brother’s girlfriend obtained copies of Wiseau’s immigration papers, which said Tommy was born earlier than he claimed. Rick Harper, AKA the creator of “Room Full of Spoons,” a recent documentary based on the making of “The Room,” did research on Tommy Wiseau’s background, coming to the conclusion that Tommy is Polish and originally from the city of Poznan. In November 2017, Tommy confirmed in an interview he was originally from Europe. The following month, he was interviewed by Howard Stern. He mentioned he speaks French and happens to be Catholic. While we may be progressively getting more and more information, the man’s still a mystery, and the movie does a very good job at telling that to its viewers.

Just for your information, the earliest this film actually released was on March 12th, 2017. According to IMDb, it was a work-in-progress at the time. I can’t say how much of the film was released to the public, if it wrapped it’s filming entirely, how much editing got done, none of that, but it was a work-in-progress. This was shown at the time to those who went to “South by Southwest.” The next release was on September 11th at the Toronto International Film Festival, and IMDb doesn’t have it labeled as a work-in-progress unlike the release for South by Southwest. The movie for what I recall, never mentions Poznan, or Poland in general for that matter. Despite the film lacking that detail, it does a fantastic job of explaining the total mystery that is Tommy Wiseau.

Speaking of Tommy Wiseau, let’s talk about him as a character, not to mention the guy who plays him. Tommy’s played by James Franco, who also directed this film. This is without a doubt, one of the best performances ever given by James Franco. As mentioned, Tommy Wiseau is mysterious, and Franco captured that quite well. Franco also had an accent that Tommy gave all the time, and he didn’t sound like James Franco like you’d hear in content such as “Freaks and Geeks” and “Spider-Man,” where does give passable performances, nothing groundbreaking, but you can still see that shred of Franco. Here, he turns into Tommy, giving perhaps my favorite performance of the year. There are a number of performances I admired in 2017. Some of my favorites include Mark Hamill as Luke Skywalker in “Star Wars: The Last Jedi,” Harrison Ford as Rick Deckard in “Blade Runner 2049,” Ryan Gosling as K in “Blade Runner 2049,” Ansel Elgort as Baby in “Baby Driver,” Gal Gadot as Diana Prince/Wonder Woman in “Wonder Woman,” Tom Glynn-Carney as Peter in “Dunkirk,” Fionn Whitehead as Tommy in “Dunkirk,” Jayma Mays as Dana Sibota in “American Made,” and Holly Hunter as Beth in “The Big Sick.” I just saw this film, so this could change, but James Franco as Tommy Wiseau might be better than just about every single one of these performances I’ve listed. Am I overhyping this? I really don’t think so! It might be a tie between this and the recently mentioned performances by Ryan Gosling, Harrison Ford, and Mark Hamill until further notice. The future will probably provide more certainty.

In fact, in terms of direction, James Franco outdone himself as well! “Spider-Man 2” may be my favorite film with James Franco in it, but out of all the films he’s worked on, this may be the one which James as an individual worked the hardest on. All of the actors seemed like they had no problems on set while they played people who had problems on set. The film is well shot and well lit. In fact, towards the end of the movie, it actually shows “The Room” during its premiere, and not long after that’s over, we cut to two side-by-side moving images. One is actual footage from “The Room” and another is recreated footage, which was specific for this movie. That footage contained actors playing the characters originally played by other actors. Some examples include Josh Hutcherson (The Hunger Games, Journey to the Center of the Earth) as Denny (originally played by Philip Haldiman), Zac Efron (Neighbors, High School Musical), who played Chris-R (originally played by Dan Janjigian), Ari Graynor (Bad Teacher, I’m Dying Up Here), who played Lisa (originally played by Juliette Danielle), Dave Franco who played Mark (originally played by Greg Sestero), and let’s not forget James freaking Franco, who played Johnny (originally played by Tommy f*cking Wiseau). Is this my favorite film of the year in terms of direction? I wouldn’t say that, but it is close however.

Going into this film, I knew a lot about “The Room,” but based on various scenes, I picked up on some things I didn’t expect to pick up on involving “The Room” as a movie. You know how you notice an extended amount of the movie’s runtime, the characters are playing football? This movie kind of goes into that.

This movie is more than just something that’s telling the story of the production behind another movie. It’s also a story about friendship. As mentioned, Tommy Wiseau isn’t being mocked throughout this picture, and I really appreciate the film going in that direction because it made you understand Tommy as a person. Not only that, but this movie also has a major focus on Dave Franco’s character of Greg Sestero. This is almost a lot like “Lord of the Rings” in ways. Think of Tommy Wiseau as Frodo and Greg Sestero as Sam. Tell me that comparison is terrible. They’re there for each other, they respect each other, they even do a pinkie swear in the film, which occurs more than once to be accurate. As friends, they decide to make a movie together.

As Tommy and Greg make “The Room,” it’s clear that they don’t do know s*it on how to make a movie. When the two are trying to get cameras to shoot the movie, they decide to buy them, not rent them. While buying cameras isn’t exactly something that hasn’t been done for movies before, it’s traditional for people to rent them. Not to mention, when they’re asked if they want 35mm or HD, they respond saying they want both types of cameras. They’re lit differently, they work non-identically, and it might result in a weird final product depending on how things go. Overall, their friendship is shown in this film to the tenth degree and I love it.

In the end, “The Disaster Artist” takes an absolutely horrible film, and incorporates it into a different, astoundingly incredible film. The story behind “The Room” is honestly, a movie I never asked for, but once I heard about it, and saw the teaser trailer for it back in July, I was instantly in anticipation mode. On paper, this idea sounded amazing. As a final product, this idea is even better. Before I give my final verdict, I’m gonna let you in on a little fact. My dad and I saw this movie together, he went to see this film without watching, or even knowing all that much about “The Room.” He walked out of the theater alongside me, saying he enjoyed the film. So ultimately, you don’t need to watch “The Room” to appreciate this film. You can do it if you want to, which I must say if you do, is an experience, but it’s not necessary. However, I imagine at least knowing about “The Room” or watching it might add it a bit to the movie. With that being said, I loved this movie and it’s undoubtedly one of the best of the year. I’m going to give “The Disaster Artist” a 10/10. One last thing before I go on with a wrap-up, this movie has an end credit scene, so stick around after the credits if you don’t want to miss that. Anyway, thanks for reading this review, this is one of my favorite movies of the year, and speaking of that, once 2018 starts, one of the earliest published posts on this blog will be a countdown of my top 10 BEST movies of 2017. This movie will have a spot on the list for sure. I won’t say which, because it could change, plus I might go see one more 2017 movie in the theater and review it. That potential movie by the way, is “Downsizing.” One list I assure you this movie won’t be on, is my top 10 WORST movies of 2017, which I plan on releasing after I reveal my top 10 BEST list. Stay tuned for more reviews, and also stay tuned for those upcoming countdowns! I can’t wait to finally release them, because I have so much fun making them! I want to know, did you see “The Disaster Artist?” What do you think about it? Did you see “The Room?” What are your thoughts on that? Or, what are some movies that you personally think are so bad that they are actually good? Let me know down below! Scene Before is your click to the flicks!

(FROM THE ROOM)
JOHNNY: I did not her, it’s not true! It’s bulls*it! I did not hit her! (throws water bottle) I did *not*. Oh hi, Mark.

You can laugh, you can cry, you can express yourself, but please don’t hurt each other. –Tommy Wiseau

Wonder (2017): Face the Facts

Posted on by Jack Drees

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“Wonder” is directed by Stephen Chbosky, and stars Jacob Tremblay (Room, The Smurfs 2), Julia Roberts (Pretty Woman, Ocean’s Eleven), Owen Wilson (Wedding Crashers, Cars), Izabela Vidovic (About a Boy, The Fosters), and the movie revolves around a young boy named August Pullman. He is what one would consider unique, and if you watch this film and observe his face, you’d understand why. The movie covers what’s going on as this boy enters the fifth grade and goes to a regular elementary school for the first time.

This movie is based on a New York Times Bestselling Novel. Now, I’m gonna restate something I said about books in a review I made prior to this one, specifically in my review for “The Firm.”

“…movies are more fun! Sorry, books!”

As a movie reviewing moron, you might already know I enjoy watching movies as opposed to reading books. Even though I imagine this book is very good, I just haven’t gotten around to reading it. Although as for the movie, I’d say it was enjoyable, but not perfect. It has a great cast, I like Owen Wilson in a lot of the stuff he’s in and he’s great here. In fact when it comes to casting, the resemblance between him and the young main character is hard to top! Just look at their hairstyles! Julia Roberts was also on her A-game, I haven’t really seen much of her work, but I know how much others praise her. Jacob Tremblay proves that he means business. I honestly think he’s one of the best child actors working today. Months before going to see this, I’ll have you know I watched “Room” and I thought that was one of the best movies of 2015. It’s in my top 3 with “The Martian” and “Star Wars Episode VII.” That movie had one of the best screenplays of the decade, Brie Larson and Jacob Tremblay had some of the greatest chemistry in a movie released that year, and there’s a part of me that wants to talk about it with everybody. Seriously! If you haven’t watched “Room,” see it now! If you have Amazon Prime then it’s free to watch!

This movie also has an intriguing screenplay that offers moments of happiness, sadness, and laughs. However, it also offers moments that I just want written off entirely. I remember having my verdict in mind as the movie was coming to an end and I hear this one line given by Owen Wilson’s character given to Jacob Tremblay’s character and it took that grade I had and I shrunk it down. I won’t say what it is, but it made me think of the line as unrealistic not only by the standards of what’s happening in the film but it also made me think that if I were the age of Jacob Tremblay’s character, I’d go through the scene reacting in a much different way. Let’s just say it starts with Jacob Tremblay freaking out over something and then he suddenly is calmed down by a line I assume that was supposed to get the audience to remember what this movie’s main point is. Speaking of Jacob Tremblay, let’s move onto him.

Jacob Tremblay plays the film’s main character, August Pullman. He has a facial deformity, which triggers a bunch of reactions from various characters. While his family seems to understand what happened to his face, after all, it’s his family I’m talking about, I don’t know why they wouldn’t understand, other people are either freaked out by it, think he’s a loser, or simply different. I honestly don’t know many people with facial deformities, but I’d say for younger viewers watching, this character can be important for those who have deformities or even if they don’t, regardless of whether or not they know someone with deformities. Luckily this movie is PG, so I’d say parents would be more likely to bring their kid to the movie theater to see this than some other films. I will also say I can relate to this character, and it kind of has to do with the part that makes him a kid. I say this because legally speaking, I’m an adult, but simultaneously, I still have childish traits, mainly the fact that I have a deep fanaticism for “Star Wars.” Yes, many adults enjoy “Star Wars,” but George Lucas, director of several installments of the “Star Wars” saga once said “it’s a film for 12-year-olds.”

Speaking of “Star Wars,” this film also interjects brief appearances from multiple “Star Wars” characters, including Darth Sidious and Chewbacca. I can only wonder how much this cost because this film is from Lionsgate, and “Star Wars” is owned by Disney. I never read the book, and it’s possible that this is faithful to the source material, maybe it cost nothing and Disney thought this was cool. By the way, the guy who plays Chewbacca (Michael Alan Healy) actually pretty much only plays him and nobody else. I checked his IMDb and that’s the only character that would show up on his page. He played Chewbacca on the “Today” show, he was on two “Nickelodeon Kids Choice Awards” shows as the character, he was Chewie on “Jimmy Kimmel Live!,” and he was even on “Deal or no Deal” as the same wookie. In fact, I remember the episode he was on because I’ve seen it, and it was a special episode with a “Star Wars” theme where it was a “Winner Take All” match between two contestants. Chewbacca appeared alongside R2-D2 to support the contestant. Also, the other contestant actually had Carrie Fisher rooting for her! Not only that, but for the Carrie Fisher contestant, she was playing a game where the models were Stormtroopers. And Darth Vader was the banker for both contestants!

Alright, those are my “Star Wars” and “Deal or no Deal” rants for now, sorry if those inconvenienced you. Anyway, back to business.

As far as the parents go in this movie, I already said a few things about them, but in all seriousness, their chemistry with each other was completely believable. I also bought into the chemistry between them and August. This is an interesting moment when you have a child actor playing a major character in the movie and instead of the traditional situation where the child can’t act and the adults can, the adults tend to be more of a highlight than a downfall, everyone here however tends to shine. It doesn’t really surprise me. All of these people have received positive criticism as time passed, and honestly, Jacob Tremblay might even be a better actor than a lot of adults. Although to be fair you can put any kid up against Tommy Wiseau from “The Room” and consider them to be a better actor.

JOHNNY (played by Tommy Wiseau): (GOING THROUGH DOOR ONTO ROOFTOP) I did not hit her, it’s not true! It’s bulls*it! I did not hit her! (WHILE THROWING WATER BOTTLE ONTO GROUND) I did *not*. Oh hi, Mark.

August also has a sister in this movie named Olivia, or Via for short. There weren’t too many good images I could find of this character, so I hope this poster isn’t too bad. What kind of surprised me about her character is how nice and considerate she was to others, even to her own brother. I often come across and imagine many relationships where siblings fight each other. In reality, this would be rather odd considering Via’s age, but still. I liked her story, for the most part. I say for the most part because she does interact someone in the movie and at times I felt that the way their relationship was going just came off as a bit forced. Not to mention, some of the dialogue regarding this relationship was rather cheesy, not as bad as say “Star Wars Episode II” but it felt like I was reading some crappy fanfiction written on someone’s Blackberry. No, not “Fifty Shades of Grey,” I’m thinking of something imaginary and a lot less on the mature side of the spectrum.

There are a number of kids August meets in the movie, one of the first ones he talks to when he enters school goes by the name of Julian, who you may know as Herman from “Walk the Prank,” and there was one moment of the movie that just caught my eye. There was a point where the film basically villainized him and he was talking with the school’s principal. Speaking of the principal, his character goes by the name of Mr. Tushman, played by Mandy Patinkin, who you may know from “The Princess Bride” and “Homeland.” His character honestly brought some very forced humor that just didn’t land. Going back to Julian, he was talking with the principal and his parents are there. The focal point of the conversation is August, and Julian is basically saying that he is against August and his parents side with him. They even say there’s a reason to be against him just because of the way he looks. It just makes me wonder, how many people are like this? It might as well show that either parents will defend their children no matter what, maybe they think their kid is “always right,” the parents might have a bias because their kid says something, and not everyone has the same experiences with certain people. It also sometimes just goes to show how people will judge you based on your appearance. I can’t really say I’m male model material, but I imagine some people think I look presentable. How often do people get past what they see and just focus on what they learn through basic conversation? What if Meg from “Family Guy,” a character usually considered ugly not only by society, but also by her own family, had more friends just because they were interested in what she had to say? By the way, it’s always interested me she’s that way because she’s played by Mila Kunis and she’s f*cking gorgeous!

In the end, “Wonder” is a film that I believe many people wouldn’t mind watching at least once. I’d say it’s got problems, but at the same time, I don’t think people should stay away from it completely because it is a good story for families and children. I really do think that younger audiences can enjoy and take something from this movie, and not just because it partially involves “Star Wars” but because the movie’s about inclusion, fitting in, and how certain friends can surprise you in both pleasant and unfortunate ways. Upon looking at his IMDb, this is the third thing I’ve seen featuring Jacob Tremblay, the other two things were “Room” and one episode of “American Dad!,” I can’t wait to see him in future works if I get the chance. I’m gonna give “Wonder” a 7/10. Thanks for reading this review, I just want you to know if you haven’t already, you should try checking out Stardust.

Stardust is a free app you can download on the App Store and Google Play. It can be used by people to provide reactions to movies and TV shows. Let’s say you finished watching the latest episode of “Game of Thrones,” you can record a thirty second video (at maximum) where you reveal your thoughts and you can provide a rating from 1-5 stars towards the episode you’re focusing on. Worried about revealing spoilers? Keep those worries away! Stardust has an option that can warn others that your video contains spoilers! In fact, you don’t even have to see whatever it is you’re watching. If you haven’t seen “Revenge of the Nerds,” by the way, watch it, you can still talk about it. Maybe you’re about to watch it and you decide to give your thoughts going into it, or maybe you’ve seen the trailer or something, I don’t know. You can do all of that and you can also follow other people to see their latest reactions, by the way, follow my handle, JackDrees! Be sure to download the app, I recommend it, the app’s free, which makes it even better, and I hope to see you there!

I just want you to know that I’m a nerd, I might even be king of the nerds, and as the possible ruler, I want you to know that I recently posted a piece of nerdy material, otherwise known as my post documenting my time at 2017’s Rhode Island Comic Con. I went there, met more people than I’ve met at any other con I went to. I met someone who I’ve met in the past, and I even confused one guest for another! So if you’re interested in reading that post, I’ll have the link down below, that way you can go to the post and enjoy it! Stay tuned for more great content! Also, I want to know, what are your thoughts on Jacob Tremblay? Do you like him as an actor? Let me know down below! Scene Before is your click to the flicks!

RHODE ISLAND COMIC CON 2017 REVIEW AND HAUL: https://scenebefore.wordpress.com/2017/11/15/rhode-island-comic-con-2017-review-and-haul/

Where Are The Original Movies?

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Let me ask you a question. What are some movies you’ve seen recently in the theater? I’m willing to bet some of you might say films like these: “Guardians of the Galaxy Vol. 2,” “Wonder Woman,” “Fifty Shades Darker,” “The LEGO Batman Movie,” “John Wick: Chapter 2,” “The Mummy,” “Kong: Skull Island,” “Transformers: The Last Knight,” “Beauty and the Beast,” “Spider-Man: Homecoming,” “War For the Planet of the Apes,” “Annabelle: Creation,” “The Fate of the Furious,” “Ghost in the Shell,” or “Power Rangers.” What do these films have in common? Well, none of them are original, they’re all based on something.

If something has been proven recently, at least from my observations, it’s that Hollywood has a desire for taking ideas which have been done in the past, either as an art form or as a real-life event, maybe in some cases regardless of how interesting they are, and making their own adaptations out of it. Even some of the greatest directors of all time have done this, directors who have come up with BRILLIANT original ideas. Christopher Nolan for example, he did the “The Dark Knight” trilogy and he also did “Insomnia,” which is a 2002 remake of a movie released in 1997 which goes by the same name. Robert Zemeckis, the director of the “Back to the Future” trilogy and “Cast Away” has done films based on true events, including “The Walk” and “Forrest Gump,” which were both well received. Joss Whedon, well known for creating original TV shows which have been well received by various people such as “Firefly” and “Buffy the Vampire Slayer,” has eventually gone on to direct Marvel’s “The Avengers,” released in 2012, along with “Avengers: Age of Ultron,” released in 2015. Don’t get me wrong, there are lots of times when unoriginal content can work.

There have been plenty of comic book movies that are making buttloads of money at the box office. If one thing has been proven over the past few years, it’s that people, no matter what age, love superheroes. I love em too. When it comes to superhero movies, I generally find them to be fun movies where I can just munch on popcorn for a couple of hours, enjoy some action, perhaps get a few laughs out of my system, or just simply get completely caught up with whatever is going on in a studio’s “cinematic universe,” which both Marvel and DC have going for them at the moment.

There have also been highly appreciated book-based adaptations, in fact, there are some movies that exist I don’t even think some people realize were based on books, or if they do realize that, they never bothered to read them, including “The Martian,” “Arrival,” “Room,” “Willy Wonka and the Chocolate Factory,” and the entire “Lord of the Rings” saga. Another set of unoriginal ideas that have usually worked include movies based on true events. You might see a number of these around the Oscar season including “Deepwater Horizon,” “The Lone Survivor,” “Zero Dark Thirty,” “Ray,” and “The Hurt Locker.” These films are usually powerful, while also paying tribute to someone or something associated with an event of focus shown throughout, and while they might not always be ENTIRELY TRUE bit by bit, they can make for compelling and interesting stories.

When it comes to misses on unoriginal ideas, one thing people often point to, are remakes and reboots. There are a number of comic book adaptations that are getting rebooted left and right, I’m looking at you “Spider-Man” and “Batman.” Although there have been remakes of movies that were done in the past that have been well received as original ideas, but poorly received as unoriginal ideas. These include “Point Break,” “Ghostbusters,” “Psycho,” “The Wicker Man,” and “Poltergeist.” I don’t work for Hollywood in any way, shape, or form, I’d like to, and I have some ideas for movies and TV shows, both original and unoriginal, but there’s no time to get into that. Although as one who doesn’t work for Hollywood, people like me usually assume that people who think remakes, reboots, and other unoriginal content are what studios should be putting out are just “lazy.” And it may be true, after all, people might sometimes go see a movie if it is something they’re familiar with. As a kid, I was familiar with “Diary of a Wimpy Kid,” both the books and the original movie, so when I heard “Diary of a Wimpy Kid: Rodrick Rules” was coming out in 2011, I figured I’d go see that. When “The Amazing Spider-Man” was coming out, I went to see that. I went through this phase for awhile, I barely saw any movies in theaters, although in 2013, that changed, I started getting into other material, and YouTube had an overload of trailers that I checked out and became interested in, therefore intriguing me to see movies involving original ideas such as “The Internship,” otherwise known as, a near 2 hour Google commercial, although not a bad one. “Pacific Rim,” which combines monster movies and “Power Rangers.” and “Gravity,” which might as well be called “The 3D Is So Amazing, You Can’t Even Tell It’s Post Converted!” Now that we’re here in 2017, I think original ideas aren’t happening as often, or, if they are still happening as often, they’re not as successful as I feel they could or should be. Just look at the box office totals for 2017 thus far. I checked Wikipedia’s “2017 in film” page, and the top 10 films in terms of what they earned at the box office are currently all unoriginal.

The movies I found on the list in order from the highest earned total to the lowest happen to be “Beauty and the Beast,” “The Fate of the Furious,” “Despicable Me 3,” “Guardians of the Galaxy Vol. 2,” “Wonder Woman,” “Pirates of the Caribbean: Dead Men Tell No Tales,” “Spider-Man: Homecoming,” “Wolf Warriors 2,” “Logan,” and “Transformers: The Last Knight.” After seeing this, I went to a page on Box Office Mojo dedicated to the box office results of 2017, and the highest grossing movie I saw on the list which was original happened to be “Your Name,” an animation from Studio Ghibli. I’ve heard fantastic things about the film so far, I haven’t watched it, but I heard great things. This film is at the #15 spot on the list, which interested me. The movie didn’t make much money where I live, which is the US, but it did make money in other countries. I noticed it made lots in Japan, which didn’t really shock me considering how Studio Ghibli is a Japanese animation company. But I also took into account that it made loads in China and South Korea. It’s easy to see why it would make money in countries like Japan, Studio Ghibli is Japanese, it’s an animation which is going to encourage people to bring younger audiences along for the ride, “Spirited Away,” another piece of work from Studio Ghibli was Japan’s highest grossing film ever when that came out, and Studio Ghibli has an excellent track record with their movies. Don’t understand? Just look up films such as “When Marnie Was There,” “My Neighbor Totoro,” “Howl’s Moving Castle,” and “Castle in the Sky.” In a way, Studio Ghibli, may as well be viewed by Japanese audiences in a similar way to how American audiences view Pixar.

One time period that interested me when it came to the making of original content is the 1980s. This was something that came to mind after reading Curtis Armstrong’s new memoir, “Revenge of the Nerd.” In case you don’t know who Curtis Armstrong is, he is a famous actor, and in this book, he talks about his days as a stage actor, converting into a film actor, and everything before and after. At multiple points throughout the book, he’s talking about the “Revenge of the Nerds” series, a series which may contain a defining role for Curtis, Dudley “Booger” Dawson. In case you didn’t know, that series has four installments, although it almost didn’t even make it to two. The first installment came out in 1984, and 20th Century Fox, the studio who owns the movie, thought it was a travesty that belonged in movie hell. For the record, this became a cult classic and perhaps one of the most quotable comedies ever. Just the “Nerds!” chant alone is stuck in my head. 20th Century Fox thought that because of this movie, they should put an embargo against any sequels. Armstrong states in a chapter dedicated to “Revenge of the Nerds II: Nerds in Paradise,” “Fox still considered Revenge of the Nerds a misstep and, in addition, had implemented a strict studio-wide no-sequel rule as part of their new “quality-control” policy. As far as quality control went, it was successful in eliminating sequels but it didn’t stop them from continuing to release plenty of inferior product. But it was “original” inferior product, so that was okay.” I’ll say, just be glad that “Return of the Jedi” came out in 1983 or we probably would have less of a chance of seeing that movie come to life, perhaps zero chance even! Although, if the sequel embargo were still around, “The Phantom Menace” would have probably never been made so that’s one disappointment of the embargo going away. Well, as long as prequels count here too and not just sequels. “Revenge of the Nerds II: Nerds in Paradise” was actually the first sequel to be green-lit by Fox once the sequel embargo was no more, as Curtis heard from one of the cast members from the series, Robert Carradine, who’s known for playing the character of Lewis. What people like Curtis and Bobby saw from Fox in the 1980s is pretty much the opposite of what everyone’s seeing today from just about every film studio. Boy have times changed!

When I look at studios today, not to mention people making pitches to studios, I kind of feel bad at times. Part of me imagines a reason why we aren’t seeing original ideas anymore. That reason being, is that studios are afraid. What are they afraid of? Not getting enough money, and they see a movie that has been successful in the past and their brain is directed towards remaking that movie instead of new and fresh movie. Just look at Disney right now!

Here’s a question. When was the last time Disney made an original movie? OK, it actually wasn’t that long ago with films like “Zootopia” and “Moana,” but they’ve released LOTS of unoriginal content over the past few years! Disney seems to have a fetish for live action remakes, with movies like “Cinderella,” “The Jungle Book,” “Pete’s Dragon,” “Beauty and the Beast,” and you even have remakes for “Aladdin” and “The Lion King” currently in the works. Lucasfilm, which has “Star Wars,” was once owned by Fox, but now they’re part of Disney! So you can basically say that Leia is now technically a “Disney Princess!” Disney even owns Marvel, so basically every single movie in the Marvel Cinematic Universe is a Disney movie! Fox still has the rights to “Fantastic Four” and “X-Men,” but Disney has “Iron Man,” “The Avengers,” “The Incredible Hulk,” “Captain America,” “Doctor Strange,” “Thor,” “Guardians of the Galaxy,” “Ant-Man,” and part of the rights to “Spider-Man.” They are continuing to make separate stories about superheroes including “Black Panther” and “Captain Marvel.”

Despite what I’m seeing with all of these unoriginal ideas, I still occasionally take a glance at original ideas every once in a while when the opportunity comes up. This year, when it comes to original ideas, I’ve seen movies like “Baby Driver,” “You Can’t Have It,” “Gifted,” “Snatched,” and “Colossal.” Believe it or not, I actually dislike three out of these five films. Although I wouldn’t say they’re absolute atrocities, except for “Snatched.” I walked out of “Baby Driver” and “Colossal” with grades of at least 9/10. This is a sign that original films can still rock. When it comes to the box office, “Baby Driver” was on the higher end of the spectrum this year, not as high as “Your Name,” but so far it’s beating unoriginal content like “Power Rangers,” “The Emoji Movie” if that counts, “Rings,” and “Captain Underpants: The First Epic Movie.” For “Colossal,” that film’s in the middle when it comes to the box office as a whole this year, but keep in mind that it’s a film from a studio that’s just starting out and it wasn’t in too many theaters. “Colossal” is an independent film directed by Nacho Vigalondo, and it’s being distributed by Neon, and according to Wikipedia, this is the first film Neon ever distributed. For home video, they have a distribution deal with Universal, which part of me dislikes because they’re owned by Comcast and I hate those psychos right now, but whatever. They haven’t done many films right now, so if you’re perhaps an independent filmmaker and looking for a distributor, try looking into Neon.

Another hope for originality, believe it or not, is Amazon. How do I know? Recently I Googled, “how long does it take for an amazon original movie to become free” because I wanted to check out an Amazon Studios movie called “The Wall,” but I was also curious, as an Amazon Prime member, the average time it takes for a movie under Amazon to become free to Prime members. I clicked on the first result that came up, stating: “Amazon Studios Frequently Asked Questions : Amazon Studios.” Before we get any further into this, Amazon has done original movies including “Manchester by the Sea,” “Paterson,” and “The Neon Demon,” and even done original TV shows including “Transparent,” “Goliath,” and “Sneaky Pete.” When it comes to the process of making something such as a movie or TV show which can be distributed by Amazon, it’s all explained where I checked. This whole process is not for minors, however if you are 18 or over you can submit your ideas to Amazon all you want, which honestly just excites me. Why? I turn 18 in November. So if I have an idea that I feel could make a good script and it’s completed when I’m 18 or older, I can submit it to Amazon! As far as I know, Amazon hasn’t done much unoriginal content whatsoever, they’ve taken content that revolves in one way or another around past events including “The Man in the High Castle,” “The Big Sick,” and “Gleason.” Another part that a lot of consumers might enjoy is one that I somewhat hinted at not long ago, if an Amazon Prime member ends up watching your movie on Amazon once its out of theaters and releases on home video, chances are it might be free, because Amazon has a list of exclusive films and they’re all free for Prime members.

I want to know, do you have an original idea for a movie or TV show? Well, if you do, I recommend pitching it somewhere, probably Amazon, but if you want to leave a comment as to what your original idea is, go ahead! But be careful, because if you don’t pitch it, that idea could be someone else’s, possibly mine! I would give my own ideas, but there could be a chance that some schmuck could see it and possibly steal it in a couple months!

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Thanks for reading this post, I once again want to remind everyone that next weekend I’ll be at Mohegan Sun in Uncasville, CT for Terrificon, a three day convention lasting from Friday August 18, to Sunday August 20. I’ll be at the convention center on Friday and Saturday, but I will be in the building all three days, although I won’t be there for long on Sunday. I’m planning on possibly livestreaming for some of the convention on Twitter, so follow my account, @JackDrees, if you want to check some of that out, but that’s if I actually livestream. Also, if you are at Mohegan Sun for the weekend, don’t hesitate to give a hello to me if you know who I am or recognize me. You might just find me somewhere wearing blue sunglasses. And no, not for cosplay purposes. I’m not sure if I want to do any future posts on the convention, like on what I get there or anything like that, but only time will tell. But if you do want to check out my post that I did, exposing some details about the convention itself, I’ll have a link to that down below, and if you want to check out the website for Terrificon, I’ll have a link to that down below as well! Stay tuned for more posts and reviews! Scene Before is your click to the flicks!

MY TERRIFICON PREVIEW: https://scenebefore.wordpress.com/2017/07/13/announcement-im-going-to-terrificon-at-mohegan-sun-in-uncasville-ct/

TERRIFICON WEBSITE: http://www.terrificon.com/

Revenge of the Nerd: A PROMOTION (Plus a Personal Story)

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Today I little wanted to do something for someone I admire. If you remember months back on this blog, I did a post on the TV show, “King of the Nerds,” a reality competition on TBS that aired from 2013-2015. I honestly want it on the air longer, but that’s not something I want to talk about right now. One of the hosts of that show is Curtis Armstrong.

Even you haven’t seen the show “King of the Nerds,” you may be familiar with this name. If you don’t know the name, there’s a chance you may know the face. Aside from “King of the Nerds,” you may have seen or heard Armstrong in “New Girl,” “Supernatural,” “Ray,” “Risky Business,” “Revenge of the Nerds,” “Moonlighting,” “Dan Vs.,” and “American Dad!.” In real life, Armstrong, seemingly has numerous qualities of a nerd. Although I am looking at his IMDb and it kind of says otherwise, “I’m not an improv guy. I’m not a nerd, I play one on television.” He’s also revealed to be a bibliophile, Beatles fanatic, and Sherlock lover. I also consider Armstrong to be a fine role model and one of my all time biggest idols.

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I’ve also met him in person at Rhode Island Comic Con in 2015. The moment I met him and got a picture with him is currently my profile pic on WordPress along with other social media including my Twitter and Google accounts. I mean, why not? It’s a picture I personally revere. Not to mention, I’m wearing my favorite t-shirt, a “King of the Nerds” t-shirt I won in a contest which shows the hosts, Curtis Armstrong and Robert Carradine, and it shows them in a bunch of different colors and facial expressions. You may also notice I have sunglasses as well, those also have a “King of the Nerds” logo. When I met Curtis I didn’t show that part to him, it could’ve slipped out of my mouth, but who knows? The same day, I actually got an autograph from him. Then I came back the following day to tell him he was the best part of the con. I wasn’t lying when I said that. Curtis was nice, we talked together more than I did with other guests, not to mention when I was talking to Curtis, it felt like I was talking with an actual person. I’m not saying the other guests weren’t friendly or nice. It’s just when I talked to Curtis, it almost felt like he didn’t want me to leave. Did he want me leave? Probably, there were other people waiting in line, and that always is a justifiable reason to leave. But I was having fun with him and I would imagine he was having some sort of fun with me. I felt that when we talked on the last day of the con, when we left, it almost felt as if I was in a movie. Curtis said he’ll see me “next time.” If that were a movie, it might as well be called “Jack and Curtis,” it would be less than 4 minutes long and probably wouldn’t make it to theaters, although it would definitely have more substance than the new “Transformers.”

I may be rambling here, but I feel it’s worth it, because if you’re new to this blog, or if you just want to hear a personal story of mine, this is one I enjoy telling, and it makes sense for what I’m doing. Because Curtis Armstrong has a new book coming out in a few days. This book is going to be called “Revenge of the Nerd” and it features the subtitle, “Or… The Singular Adventures of the Man Who Would Be Booger.” Why am I doing this? With everything Curtis does for me, I feel the need to do things for him, and this is one of those things.

“Revenge of the Nerd” is an autobiography Curtis has begun creating earlier this decade. This is going to contain some information on his early years in Detroit, a city which actually coined the term “nerd.” There’s also gonna be a focus directed towards his acting career, including some things behind the scenes of some of Curtis’s various projects.

I have not read this book yet, nor has many other people, so I can’t really give my own thoughts on it, it’s actually yet to come out. The official release date for this book is next Tuesday, July 11. This seems like a short promotion, and yeah, I did basically say just about everything worth saying about the book itself, however I’m not done.

Curtis has been going around various places promoting his book, in fact, when the book releases, there are more promotions coming up. I actually have a list right here. Right now, Curtis is actually at Indy Pop Con, in Indianapolis, but once that’s over, plenty of more promotions are on the rise.

NEW YORK, NY: Barnes & Noble Tribecca (July 11, release date of the book)

BOSTON, MA: Brookline Booksmith (July 12)

PORTLAND, OR: Powell’s Books (July 13)

PASADENA, CA: Vroman’s Books (July 18)

CHICAGO, IL: Chicago Flashback Weekend (August 4-6)

TULSA, OK: Circle Cinema *INCLUDES REVENGE OF THE NERDS SCREENING* (August 26)

BURBANK, CA: Monsterpalooza (September 15-17)

HUNT VALLEY, MD: Monster Mania (September 29-October 1)

PROVIDENCE, RI: Rhode Island Comic Con *INCLUDES REVENGE OF THE NERDS CAST REUNION* (November 10-12)

DOMINICAN REPUBLIC: 80’s in the Sand (November 13-18)

You know how I mentioned, looking back, I felt like I was in a movie when saying goodbye to Curtis? Well, my plans which are set for this Wednesday may as well be considered the sequel. In case you guys wanted to know, I’m going to at least one of these promotions. I’m gonna be going to the one in Boston on July 12, and it’s quite possible I’ll be at Rhode Island Comic Con from November 10-12. I mean, I went the past two years, so why wouldn’t I be there? If you didn’t know, Armstrong is famous for playing Booger on “Revenge of the Nerds,” and he often finds people who recognize him as Booger, he’s not offended at all, he’s actually delighted by it. So viewers, I want to know in the comments, out of curiosity, do people ever call you nicknames? This can also include ones people don’t call you much anymore. Also, I REALLY want to know, have you ever had a nickname that had some sort of relation to something disgusting? For me, I don’t recall receiving any disgusting nicknames throughout my life, but I want to know if you’re any different. I’ve received some nicknames throughout my life including J-Man, Dr. J, Jackson 5, and Dr. Ees. Also, guys, I got another Christopher Nolan movie review coming up pretty soon. Stay tuned for that. As far as new theater releases go, I’m not sure which movie I’ll see next, maybe “War for the Planet of the Apes” even though I haven’t seen many of the other movies. Only time will tell. Stay tuned for more great content! Scene Before is your click to the flicks!

TAKASHI: Excuse please, but why do they call you “booger?”

BOOGER: *Picks his nose* I don’t know.