“I’m Your Woman” is directed by Julia Hart (Fast Colors, Stargirl) and stars Rachel Brosnahan (The Marvelous Mrs. Maisel, House of Cards), Arinzé Kene (The Pass, Youngers), Marsha Stephanie Blake (When They See Us, Orange Is the New Black), Bill Heck (The Ballad of Buster Scruggs, The Leftovers), Frankie Faison (Banshee, The Wire), Marceline Hugot (The Detour, United 93), and James McMenamin (Orange Is the New Black, Nurse Jackie). This film takes place in the 1970s, where a housewife is forced to go on the run with her baby after her husband betrays his partners. She has to deal with personal struggles, meeting unfamiliar people, endless questions amongst herself, and life or death situations.
“I’m Your Woman” has been out for almost a month, and it is currently free on Prime Video for all subscribers. I was going to watch this film early. In fact I remember obtaining a virtual link, but I decided to skip it as I have my Prime subscription handy. So I waited until now to watch the movie. Aside from exposure to this film through getting an advance screening email, I did watch one trailer when I saw “Mank” in the cinema. It kind of looked like a goldilocks thriller type film. What do I mean by that? Let’s take the three bears. It’s that basic analogy with the porridge. Not too hot, not too cold, just right. This was a thriller did not look like it was either too bombastic or too slow. This felt even tempered. Prior to putting on “I’m Your Woman,” I cannot say I knew too too much about the film, even though I did sit through that one trailer.
Was “I’m Your Woman” worth my time? I’d say it was. When it comes to thrillers this year, I do think there are better films. “Unhinged” is one such example, mainly because of its simple, relatable concept. It’s also got nothing on my favorite thriller of the year, “Tenet,” which admittedly will likely end up having more replay value than any other film of 2020 for me. I cannot compare it to “Run,” which a lot of people have seen recently, which I tried watching, but apparently Hulu was acting up and showing giant pixels and a large area of black instead of the film. Regardless of my comparisons and desire to have my movies work, “I’m Your Woman” is a hypnotizing couple of hours. It’s kind of slow at times, but there are also certain moments where the gears turn and everything speeds up. It’s a perfect blend, hence the recent goldilocks comparison.
This movie takes place in the 1970s, and I got that vibe right away. When the movie starts we see the main family in their home, they have this funky-looking wallpaper, everything is yellow, the kitchen looks like something out of a Dr. Seuss tale, and I think the art and production design department did a really good job at encapsulating the 1970s. Aside from that, you have all these older cars, there’s a crucial scene where our main hero uses a payphone booth as a hiding spot, and there are some key elements to the story that are well captured through our main character’s struggles and desires that define the time.
We live in an era today where women are all “You can do it,” and “Go get em’, girl!” People say that to women all the time now. And while the 1970s were not as restrictive to women as say earlier parts of the 20th century, the movie displays its specific time frame as a point when many women seem to typically be a housewife. They tend to stay home all the time, doing chores, cleaning, that sorts of stuff, and the man of the house tends to go out and bring home the bacon. And of course, the couple has a kid, so while the man is out, our main hero, Jean, is doing all she can for the child. Throughout the movie, while the couple is separated, Jean not only has to deal with the child that has been with her for a period of time, but now she is in the seemingly unfamiliar situation of being isolated, being alone. I felt for her. Having a kid is hard enough. Losing a partner who helped raise the kid is just another big blow. I do not think Rachel Brosnahan is going to win an Oscar for this film. For all I know, some awards outlet might recognize her, but she does a really good job at playing the main character.
Let’s talk about Arinzé Kene in this film. Kene plays a character named Cal who has a significant presence throughout. I’m very conflicted on this character. For the record, he’s written properly, every motivation and line regarding this character makes sense and does not feel illogical. At the same time, when I first saw him, I got an uneasy first impression. What do I mean? I did not agree with everything he did. But at the same time, everything about him falls into place and Kene’s performance is justifiably competent. If I had to compare this character and the actor’s performance to anything else, I’d have to use the Amazon movie, “Gringo.” For those of you who don’t remember Gringo, there’s this one character played by Charlize Theron. She’s a great actress, I like her in a lot of stuff she’s in, and the same can be said for “Gringo.” But what can also be said for “Gringo” is that Charlize Theron does a spectacular job playing a character I absolutely hated. It’s one of the few positives in that film. Maybe it’s because she’s good looking, who knows? Charlize Theron is an attractive woman, there is no doubt about that.
If there is anything else that stands out about “I’m Your Woman” it is the pacing. “I’m Your Woman” is a very… I don’t what other term I can use, uneventful kind of film. I don’t mean that literally, things do happen. But the buildup in each scene feels slow, it takes its time. And for the kind of thriller we’re dealing with here, it works. It kind of feels like “No Country for Old Men” meets “Blade Runner” if both those things took place in the 1970s. There are a couple cool action scenes that do not try to go over the top, but that is what makes them great. They’re not overstylized, but that grabbed my attention.
I also liked this one character named Evelyn. She’s played by Marceline Hugot and she’s kind of this charming, older woman. She almost sounds like a stereotypical cat lady. She’s got that Amy Sedaris type voice, the wrinkly hair, and she barely has a presence in the film, and while I won’t go into too much detail, there is one scene that was somewhat enhanced by her presence.
In the end, “I’m Your Woman” is worth watching and a fine slow burn through the 1970s. Vibe-wise, this movie kills. It is a great encapsulation of the time. Character-wise, I liked most of them, but there are a select few that I will end up discarding by the end of the year. I think this film did a great job at highlighting the struggles of our protagonist, and Rachel Brosnahan did excellent at enhancing said struggles. However, I do not think this is a film that I will watch again anytime soon. I will not rule it out. Maybe it could be one of those films that I could have on at 2AM if I have trouble falling asleep. This does have action, but it is also slow-paced enough to have some empty air. And thankfully, the empty air does not feel out of place. I am going to give “I’m Your Woman” a 7/10.
“I’m Your Woman” is now available exclusively on Prime Video for all subscribers. The film also had a theatrical release at the start of the month, but I do not think it is playing in any cinemas right now, partially due to the pandemic leaving some venues closed, but also due to other movies taking up slots. Give this a watch!
Thanks for reading this review! My next review is going to be for the Tom Hanks film “News of the World” which is exclusively in theaters right now, but will likely appear on VOD very soon. Also, I plan to make “News of the World” my final 2020 movie review before I unveil my picks for the top 10 BEST and WORST movies of the year! Those lists will be up in early January! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “I’m Your Woman?” What did you think about it? Or, what have you been watching on Prime this year? Let me know down below! Scene Before is your click to the flicks!