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DC League of Super-Pets (2022): This Movie’s Biggest Kryptonite? Predictability and Familiar Faces.

Posted on by Jack Drees

“DC League of Super-Pets” is directed by Jared Stern and Sam Levine, and stars Dwayne Johnson (Doom, Skyscraper), Kevin Hart (Ride Along, Night School), Kate McKinnon (Yesterday, Saturday Night Live), John Krasinski (A Quiet Place, The Office), Vanessa Bayer (Saturday Night Live, Office Christmas Party), Natasha Lyonne (Orange is the New Black, Big Mouth), Diego Luna (Rogue One: A Star Wars Story, Narcos: Mexico), Marc Maron (Maron, GLOW), Keanu Reeves (The Matrix, John Wick), Ben Schwartz (Parks and Recreation, Sonic the Hedgehog), and Thomas Middleditch (Godzilla: King of the Monsters, Silicon Valley). This film follows Krypto the Super-Dog, as he must figure out how to rescue his owner, Superman.

I love comic book movies. And I know I am not alone. If the box office for most of the films within this classification have shown anything, it is that films of this type are hotter than they have ever been. Marvel Studios is on fire right now with the release of “Shang-Chi and the Legend of the Ten Rings” in addition to the massively successful “Spider-Man: No Way Home,” both of which ended up in my top 10 best of last year. DC is also doing well for themselves. I enjoyed “The Batman” despite some pacing issues I had with the film, and I thought last year’s “The Suicide Squad” might just be the best movie to ever have the DC logo attached. And in the midst of all of these movies that I either looked forward to or saw and really enjoyed, I never thought “DC League of Super-Pets” would live up to the quality standards that we have seen in other comic book-based works. If anything, I thought it would probably be on the same level as “Morbius,” only slightly more comedic and family-friendly.

I will be real. I cannot remember the last time I asked for a movie about Superman’s dog, but here we are. Why did I see it? Because I have reviews to get done and AMC A-List is a dynamite investment. I love not paying for movies that I feel the need to see to stay in the loop. Although at the same time, if you have names as big as Kevin Hart or Keanu Reeves, that should bring something promising to the table. And this brings me to my first positive, which I will dive more into later, Keanu Reeves was the highlight of the film.

What did I think of “DC League of “Super-Pets?” It’s predictable, mediocre, and I do not think the comedy landed that much. I have heard some differing opinions, but if you ask me, even some of the more clever jokes in this movie did not garner much of a reaction out of me. Some of the comedy attempts either felt tired, forced, or obvious. There is a “Paw Patrol”-related joke that probably would have been funnier if I did not make a “Paw Patrol” comparison before the film came out. Speaking of “Paw Patrol,” one thing about that show is that it is specifically made for kids. That’s the vibes I got from “DC League of Super-Pets’s” marketing campaign. All kiddy, no maturity. Turns out there is some adult humor in this film, but even that did not land. I can only hear the censor bar so many times before the gag becomes tiresome. This is honestly unfortunate considering the film is written by Jared Stern and John Whittington, who previously wrote another animated DC flick, “The LEGO Batman Movie.” Regardless of its comic-based origins and spinoff placement, it is one of the funniest animation scripts done in recent years. That movie had five writers! I hope for the sake of Stern and Whittington that they came up with at least one of the clever jokes that script contained, because “DC League of Super-Pets” feels like a far cry to the 2017 “LEGO Batman” spinoff.

The story of “DC League of Super-Pets” does not reinvent the wheel. I never asked for this movie to begin with, and therefore I never asked it to reinvent the wheel, therefore I did not know what to expect. But the movie itself sort of reminded me of a longer episode of a Saturday morning cartoon, but not necessarily a great one. I also think the script of “DC League of Super-Pets” is probably going to land better with those who are dog or cat people. People who have pets and consider them part of their family. I live in a space where there are pets, but they are not necessarily my pets, so this script did not connect with me maybe in the way the writers hoped it would.

I want to talk about the biggest problem in this movie, and this is the problem that the movie has built up ever since its first teaser. Going back to the big names. Having big names like Dwayne Johnson in your movie always builds intrigue and promise. It’s like when a printer gets endorsed by Shaquille O’Neal, or Mark Cuban becomes a quasi-mascot of a new, innovative product, or when Howie Mandel fist bumps everything in your store for some reason. When this film’s first teaser released, the primary focus was on the stacked cast this movie managed to acquire from Dwayne Johnson to Kevin Hart to Kate McKinnon to John Krasinski and so on. I want to talk about those first two names. Dwayne Johnson is arguably the biggest movie star in the world, and Kevin Hart, in addition to being a relevant comedian, has worked with The Rock in the past on “Central Intelligence” and the “Jumanji” movies. This is their third property together, and I do not mind actors or crew joining forces more than once. Ryan Gosling and Emma Stone have worked together numerous times in “Crazy Stupid Love,” “Gangster Squad,” and “La La Land.” Their chemistry is undeniable.

I have no idea if this is coincidental or not, but the Gosling/Stone pairing is a match every time. The difference between Ryan Gosling and Emma Stone compared to Johnson and Hart is the ability of the former pair to show range. Ryan Gosling can be the sexy boy toy, he can sing, he can be stoic. Emma Stone can be a quirky young woman, she can be an aspiring actress, she can be someone from a couple centuries ago. The two are “actors,” not stars. Johnson and Hart, despite having personality, are not the greatest thespians, and it shows in “DC League of Super-Pets.” When I look at Krypto, I see The Rock. When I look at Ace, I see Kevin Hart. In my imagination, they are just playing versions of themselves in animated dog form. This is why part of me is often worried when I think about the upcoming “Super Mario Bros.” movie because like “DC League of Super-Pets,” I am just worried that Chris Pratt is going to do another version of Emmet from “The LEGO Movie” or something. Chris Pratt, like The Rock, while he is definitely a better actor, is not the greatest of the performers working today. Pratt’s voice is recognizable, and that is part of why it felt weird hearing said voice in Pixar’s “Onward.” I am not saying live-action movie stars should not voice animated characters. Some have as much talent as those who primarily do voice-acting. But these roles show Johnson and Hart’s lack of range as actors. Dwayne Johnson and Kevin Hart always do the same schtick or some variation of it in their movies. Sometimes it works, sometimes it does not. Not having a live-action environment hinders that and makes this film the weakest of their collaborations. And the fact that I am looking at these dogs’ faces and seeing nothing but Johnson and Hart makes their performances creepier than they should be.

I said I will get back to Keanu Reeves. A promise is a promise. Reeves is easily this film’s best part. Not just because of his voice, but the character he plays, that being Batman. Much like “The LEGO Batman Movie,” this interpretation of Batman or Bruce Wayne is on the more parodic side, and rightfully so. I said earlier that I was slightly concerned that Jared Stern and John Whittington possibly never came up with any solid jokes in “The LEGO Batman Movie.” Although after reminiscing on Batman in this film, part of me has second thoughts. I was not a huge fan of the film’s comedy, but the parts where I was almost rolling on the floor were the scenes where Batman shows up. His screen time in this film is minimal. Think of it as a funny Stan Lee cameo where he plays himself except it happens ten times. Despite this movie’s lighthearted tone, it also pokes fun at the darkness of the Caped Crusader. Everything from his lone wolf mentality to his lack of parents. It’s hilarious, and I might every once in a while look on YouTube for the scenes in this movie containing Batman just to get a laugh.

In the end, “DC League of Super-Pets” is, to my surprise, not the worst comic book movie of the year. Again, “Morbius” exists. You’re welcome, Warner Brothers! You are going to have to settle for the dishonorable mention. Some of the voice acting is hit or miss. When I watch an animated movie, part of me wants to forget that I am watching something that has The Rock in it. I think as far as voice performances go, Johnson’s performance in “Moana,” while not my favorite in history, is slightly better than the one he gives to Krypto. But I also do not know if I can blame it on his ability, because his voice is recognizable. When it comes to Kevin Hart playing a house pet, I’d rather listen to his performance as Snowball the terrier in “The Secret Life of Pets.” I often watch films for an escape. If I want an escape with The Rock and Kevin Hart, I would rather watch “Central Intelligence.” This is not a film that is going to stand the test of time. As far as DC goes, it is surprisingly better than “Wonder Woman 1984,” but unlike “DC League of Super-Pets,” I had higher expectations for that film. I am going to give “DC League of Super-Pets” a 5/10.

“DC League of Super-Pets” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for the film “Vengeance,” directed by B.J. Novak. Also be on the lookout for my review for “Bullet Train,” the new action flick starring Brad Pitt as he and assassins crowd up a speeding train in Japan. If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “DC League of Super-Pets?” What did you think about it? Or, what is a movie with a stacked cast that disappointed you? For me, that big disappointment was 2017’s “The Circle,” starring Emma Watson, Tom Hanks, Patton Oswalt, John Boyega, among others. Let me know down below! Scene Before is your click to the flicks!

Tom & Jerry (2021): Who Shamed Roger Rabbit?

Posted on by Jack Drees

“Tom & Jerry” is directed by Tim Story and stars Chloë Grace Moretz (If I Stay, The Fifth Wave), Michael Peña (Ant-Man, Jexi), Colin Jost (Saturday Night Live, How to be Single), Rob Delaney (Catastrophe, Deadpool 2), and Ken Jeong (The Hangover, The Masked Singer). This film places the iconic cartoon cat and mouse duo in a live-action environment, specifically in New York City. Simultaneously, we follow the character of Kayla, who acquires a job at a fancy hotel, occasionally runs into the two cartoons, and needs to accompany guests for a balls out wedding.

I have never watched the “Tom & Jerry” cartoons as a kid, except maybe once or twice. Therefore, like some other things that have been adapted into live-action like “The Smurfs,” I had little to no connection to it as a child. I know the titular duo always find themselves trying to take each other down, and conceptually, it sounds entertaining. If I were six years old, I could find it to be a solid time-waster. But there’s no real story or plot to it that I can come up with other than the fact that the two creatures do not like each other, as cats and mice probably shouldn’t and they always end up in shambles against one another. This leads me to my first positive of the film, there are a couple entertaining fight sequences. They’re not all memorable or fascinating, but they have glimmers of entertainment throughout. Unfortunately, that is where all the positivity stops.

After all, even though this movie is about two animated rascals trying to beat each other up, that’s not even the whole story. Instead, it is another lame, copypaste, live-action snoozefest that has no substance. I just want to say to everyone reading this who has kids, if you are planning on taking your kid to the theater this weekend, do not watch “Tom & Jerry.” Save yourself from going inside. The kids might have fun, although I will admit, since seeing the movie, I talked with someone I know who has kids and they were apparently bored instantly by the film upon first watching it. Go watch “Raya and the Last Dragon” instead! That film has substance, great characters, laughs, and even though one of the core elements of “Tom & Jerry” are the action sequences, that film manages to have better action! Both in terms of style and story! I have not seen many movies in 2021 so far, but this is currently the worst one of the year for me.

Now, let’s talk about some characters. That’s always a great place to start in a review, right? Well, the movie’s called “Tom & Jerry” so it would only be appropriate to talk about Tom & Jerry first, right?

Nope! This is not their movie! They’re on the title because you know, franchises make money!

Instead, let’s talk about Kayla for a second. How is she a positive role model for children? Sure, maybe throughout the movie she’s taming a cat and mouse, which might translate to some kids being good with pets, but as a person, she is not exactly fine and dandy. She starts off the film by quitting her job, going to a hotel where she runs into a woman trying to apply for another job, manipulates her into not applying, and tries to acquire the job for herself. How is this a teaching moment for children? How do you get to the top? Lying! Unfortunately, Moretz is not the only hairball in this mess. This movie comes with a sadly obnoxious Michael Peña, who very much reminded me of his character in the piece of crap people call “Jexi.” Colin Jost and Pallati Sharva play a rather entitled celebrity couple I almost did not even come close to caring about. Ken Jeong is a chef who is weirdly dynamic and I don’t really remember anything else about him or almost anyone in this movie. Granted, it has been a few weeks since I saw “Tom & Jerry,” but it really goes to show how disposable it is.

Let me just be clear. The cast of this movie has talent. I admittedly have not watched a lot of Chloe Grace Moretz’s work, but I can tell she always commits to her craft. And given the little substance this movie offers, she does her best. Michael Peña unfortunately has followed a trend lately where some of the movies he’s been in that I’ve personally seen are not some of his best, and this is one of them. Colin Jost is consistently funny on “Saturday Night Live,” keeping up with the genius of Weekend Update from one episode to the next. Rob Delaney is an actor whose work I need to follow more often, but he was one of the highlights for me in “Deadpool 2” as the powerless Peter. Ken Jeong is a dynamic personality that will take any project that he is in and improve it by just a sliver, even if it is already great! In fact he was in “Over the Moon,” one of the best animations I have ever seen and my favorite film of last year. While these actors have had better days in terms of performances, much of it has to do with bad writing and perhaps just as awful directing. This movie consistently feels like it is doing the bare minimum to keep kids entertained, but not enough for grown-ups to keep themselves from cringing.

Also I want to address a problem with this film that has been bugging me. I say this as someone who has never had a childhood attachment to “Tom & Jerry.” But this film is not about “Tom & Jerry.” If you take “Tom & Jerry” out, you have a slightly different film with more realistic drama and it is completely centered around the human characters, many of whom I did not give a s*it about. My point is, “Tom & Jerry” comes packed in with a couple of the same problems viewers had with the live-action “Transformers” movies, all of which, and this maybe even includes “The Last Knight,” are more entertaining than whatever this piece of crap happens to be! The film centers around “Tom & Jerry,” the iconic duo known from your childhood days watching cartoons, but they shove in all these forced human storylines just for the sake of going, “Bippity boppity boo! Here’s a movie! It’s not completely in shambles!” And those are not the only flaws this movie comes with, because remember, this is a live-action adaptation of a cartoon. Remember “The Smurfs?” This is basically the exact same thing, only it does not go into multiverse bulls*it and transport Tom & Jerry to earth! Now to be fair, unlike the Smurfs, who hail from their own fantastical village, Tom & Jerry come from more realistic environments, so you can say that they’ve always been on earth. But given how the older material usually strays away from complete realism, the comparison is close enough. You have these two imbeciles, they have their life of brawling each other, and to be fair, that part of the source material seems faithful enough. But they are not the center of the story, it’s f*cking Kayla! Whenever Tom & Jerry show up, they cause trouble, create shenanigans, and show that they really don’t like each other, which given things going on in the movie, is kind of a problem. However, they are not the main characters. Sure, their actions occasionally link to one’s successes or downfalls, but the direction they decided to take this movie in not only feels boring, but also repetitive. We’ve seen this weird creature/human interaction thing done before, but not always to positive results. Although I will admit, last year’s “Sonic the Hedgehog” is one of the delightfully positive exceptions.

Movies like this show that not everything translates to film. “Tom & Jerry” works as a series of animated shorts, not as a big blockbuster epic. And I will admit one of the positives of this film is that it actually is somewhat faithful to its source material. The duo come off like their hand-drawn counterparts, and unlike the live-action “Smurfs” or “Alvin and the Chipmunks” movies, they are in 2D and not CGIed to another dimension. And while this is faithful, Tom and Jerry do not talk. I bet this is part of why they put all of these human characters in the film as an attempt to relate to its audience. While there may have been good intentions, they proceeded to bad results. I bring up Tom & Jerry not being able to talk because in a lot of these family movies, you have these characters that are expressive and excited or upbeat. At least communication was not a problem in those other movies. Here, the solution makes for something that lessens a problem, but it still creates another one by making me want to rip my ears and throw them into a trash compactor! Just because this movie comes off looking like “Who Framed Roger Rabbit?” does not mean it is the next “Who Framed Roger Rabbit?.”

In the end, this movie feels like a lazy cash grab, and based on the box office, they certainly happen to be grabbing that cash! “Tom & Jerry” opened to over $14 million domestically, which would be a disappointment by pre-coronavirus standards. But with the current pandemic and Warner Bros. simultaneously releasing new films on HBO Max, that is actually not a bad result. I’m glad the studio is making money, I’m glad the theatres are making money. But I felt like I wasted my money watching this. I felt like I was in a giant mousetrap for the entire runtime! This is a ridiculous, lazy, and uninspired film with some of the worst writing and direction I have seen in recent memory. Some of the fight scenes were entertaining though and I will also leave you with this, there are a couple genuinely funny lines in the film, but sadly I do not even remember them. Save your money, go see “Raya” instead, or find something else to watch on HBO Max. I’m going to give “Tom & Jerry” a 3/10.

I said this to myself before going into “Tom & Jerry,” and that thought has not changed since. I’ve been looking forward a big event featuring two classic characters in the ultimate fight for society. And that fight will be settled… IN “GODZILLA VS. KONG!”

“Tom & Jerry?” I’m sorry, what are you talking about? It was a pass from me before watching the movie, and it is still a pass from me after watching the movie. Although I did see the movie with a friend who admittedly enjoyed himself, so good for him.

“Tom & Jerry” is now playing in theaters wherever they are open and is currently available to watch if you are subscribed to HBO Max.

Thanks for reading this review! I just want to let everyone know that my next review is going to be for Disney’s “Raya and the Last Dragon.” I saw the film in IMAX a couple weeks ago, but I have not gotten around to review it, kind of like “Tom & Jerry” due to my commitments with the Jackoff Awards. Also coming soon, I will have my thoughts on “Chaos Walking” starring Tom Holland and Daisy Ridley, so look forward to that!

One more thing, awards season is in full swing, and if you have not done so yet, check out the 3rd Annual Jackoff Awards, where one moron awards a ton of movies! Be sure to follow Scene Before with email or WordPress account, also check out the Facebook page so you can stay tuned for more great content! I want to know, did you see “Tom & Jerry?” What did you think about it? Or, did you watch the “Tom & Jerry” cartoons? What are your thoughts? Let me know down below! Scene Before is your click to the flicks!

Scoob! (2020): Scooby-Don’t See This Movie

Posted on by Jack Drees

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“Scoob!” is directed by Tony Cervone (Back at the Barnyard, The Looney Tunes Show) and stars Will Forte (The Last Man on Earth, The LEGO Movie), Mark Wahlberg (Transformers: Age of Extinction, Ted), Jason Isaacs (Star Trek: Discovery, Star Wars: Rebels), Gina Rodriguez (Annihilation, Carmen Sandiego), Zac Efron (Neighbors, High School Musical), Amanda Seyfried (Mamma Mia!, First Reformed), Kiersey Clemons (Angie Tribeca, Transparent), Ken Jeong (The Masked Singer, The Hangover), Tracy Morgan (The Last O.G., Rio), Simon Cowell (The X Factor, America’s Got Talent), and Frank Welker (The Smurfs, DuckTales). This film is yet another addition to the “Scooby-Doo” franchise created by Hanna-Barbera, but this was a rare case for the franchise in which this was supposed to be a big theatrical movie.

…If only more theaters were open…

Now, it has premiered on streaming services and On Demand. Nevertheless, the film’s ideas themselves remain the same. “Scoob!” centers around the popularized gang of characters who split up as the vicious Dick Dastardly plans to unleash a “dogpocalypse” to the world and its people.

I saw the main trailer for this film and I was pretty indifferent about it. I had no strong feelings of excitement towards the movie itself, nor was I thinking it would be the worst thing I’d ever see. When it comes to children’s content, I was pretty sure that “Sonic the Hedgehog” was going to get on my nerves more, which didn’t turn out to be the case whatsoever as it might be my favorite movie of the year so far. But, judging this year’s resume of films, that really doesn’t say much as the highest score I have given to a film so far this year remains at a 7/10. Speaking of things that get on my nerves, “Scoob!” is a crime against humanity that has officially engulfed my brain in flames.

Let’s start out with the positives, and I’m not saying there are positives because I’m a nice guy, in fact, isolation is probably turning me into an entitled asshole, but nevertheless. The film is decently animated. A lot of the images are shiny and vibrant. Then again, it is 2020, and at this time, good animation is a requirement. Plus, I did rent the movie in 4K. The other thing I liked about the film, and while I wouldn’t call it some of the best material I have ever seen, are the introductory scenes. The way that Shaggy and Scooby-Doo meet is kind of nice to see. Granted, I saw it in the trailer, but the way it plays out in the movie makes for a somewhat entertaining scene. However, there is one moment in the scene that I probably consider to be a little too far-fetched. Even so, it’s still a delightful scene. I will also add that getting Iain Armitage to voice young Shaggy is a perfect casting choice. The first scenes of the film where Shaggy and Scooby grow up together make for good buildup while also focusing on the mysterious and spooky elements of the “Scooby-Doo” franchise. The way the gang meets and sticks together makes for a fun scene and montage and even though it did not seem to promise an absolute masterpiece, I did at least expect to be somewhat amused throughout the hour and a half runtime of this movie.

As soon as we get around the first scene with Simon Cowell playing himself, I lost any and all interest I could have possibly had with this film. Because as soon as the main course starts, this movie basically becomes the latest incarnation of *insert superhero title here*. “Scoob!” is essentially an attempt to turn the “Scooby-Doo” franchise into a superhero movie. Everyone at Warner Bros. must have been thinking, “Marvel’s popular. Our very own DC is popular. Scooby-Doo? Not cool enough.” I guess this is one reason why Warner Bros. thought it was okay to release this film in May and not October. The movie takes place during Halloween, geniuses!

As for the heroes in this movie, both super like Blue Falcon and Dee Dee Sykes and less than super such as Scooby and Shaggy, I basically rooted for none of them. Everybody felt stupid, underwhelming, and even though Scooby and Shaggy have probably never been a part of a superhero mission in their lives as this movie likely suggests, some of the things that go on in this movie make me think that they need to look The Official Encyclopedia of Predictable Superhero Movie Actions. That sort of thing does not exist, but goddammit I would buy it if it were out there! There are one or two moments in this movie that drove me so mad, both as a fan of superhero movies and as someone who wants the characters in “Scoob!” to be competently written. Now I do not mind predictable movies as long as the people behind the project can make it fun. I just talked about “Onward,” which I could think through, but the overall fun and emotion provided within the movie makes up for its predictability. But “Scoob!” reached a level of predictability that I did not only avoid expecting to see, but as far as how the characters handled it, it angered me to the moon and back. When a decent amount of your movie’s characters are morons, why should I root for them?!

As for the villain, Dick Dastardly, he kind of feels like a D-list Thanos. He’s heavy, he’s got kind of a punch-able face, and he might honestly be the best character in the movie. Keep in mind, compared to Thanos, he’s nothing. But I liked the way they handled his character because there was some depth to him. Granted, they tried to dive deep into some secondary superheroes who play a role in the plot, but I couldn’t even come close to rooting for them. There is a saying that a movie is only as good as its villain, but when the heroes turn me into a villain, then it probably doesn’t matter how much I liked the antagonist of “Scoob!.”

May I just remind everyone that four people are credited for the screenplay for “Scoob!?” How did we get here?! Also, three people worked on the story. When it comes to these bloody genius writers, some of their previous credits include “Playing with Fire,” “Norm of the North,” and “Alvin and the Chipmunks: The Road Chip” just to name a few.

I’m not lying when I suggest that this movie is basically trying to copy the success of a superhero film. There’s a big team trying to stop the bad guy, there’s a couple scenes with hi-tech gadgets and techno wizardry that develop the plot, and you know how I mentioned that Dick Dastardly is basically Thanos in this movie? Guess what his plot is? Trying to find a series of bones to complete his collection! We get it! “Avengers: Infinity War” is one of the most successful movies of all time! It happened! Just be “Scoob!!” Actually, you know what? I take that back. Don’t be “Scoob!,” “Scoob!” is terrible. Be a better movie.

To add on to the superhero craze, you know what Warner Bros. is planning on doing in the future? Well, if you look at the Wikipedia page for “Scoob!,” it suggests that “Scoob!” “is intended to be the first installment in a series of films set within a Hanna-Barbera shared cinematic universe.” F*cking hell.

If you have ever been remotely interested in the Marvel Cinematic Universe, you should be thankful that critics gave “Iron Man” positive reviews, otherwise the MCU probably wouldn’t even exist today. As far as I am aware, “Scoob!” is getting mixed verdicts across the board. Who knows what’ll happen there? But nevertheless, if I have to sit through a cinematic universe full of material as bad as this, I am officially no longer a movie person.

In a world full of superhero and comic book movies, “Scoob!” is like that kid trying to join the cool kids table saying, “Hey, I like Fortnite,” but everyone else thinks the kid is just trying to get attention. I will give a ton of credit to the animators behind “Scoob!,” because the film does look nice on a screen. Again, I watched it in 4K, the colors really stood out to me. The one thing I wish I could do right now as a movie-watcher is declare whether or not something is worth checking out in theaters. But, I can’t do that. So instead, I shall pose the question, is “Scoob!” worth renting for $19.99? As far as I’m concerned, that question earns a strong “no.” This film feels like a Marvel flick that doesn’t even know who its audience truly is. The film tries its hardest to “modernize” the “Scooby-Doo” property, which I honestly think was a big mistake. Well, at least they got Frank Welker to voice Scooby. There’s even a joke regarding the character of Fred Jones that involves him being compared to one of the Hemsworths! This film is infuriating and unbelievably forgettable! In the end, “Scoob!” is ninety-something minutes of “what the f*ck just happened?” and I’m going to give it a 3/10.

Thanks for reading this review! I usually don’t talk about movies that avoid a theatrical release, but as long as movies are not hitting theaters or as long as there are no theaters open to play them, I will be talking about movies that hit streaming or DVD early. There will likely have to be some sort of previous intention to have the film theatrically released, but that’s just what I currently have in mind. I just want to watch movies that are better than “Scoob!” at this point, that’s all I care about. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, be sure to check out my Facebook page, which will hopefully be updated with content involving much better movies in the future.

Also, movie theaters, PLEASE COME BACK.

I want to know, did you see “Scoob!?” What did you think about it? Or, what is your favorite Hanna-Barbera property? Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 6

Posted on by Jack Drees

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Hey everyone, Jack Drees here! It is now time for part 6 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

I’m telling you guys, this is getting annoying! We now have as many entries to this series, as “Sharknado” does within its own series! This is wrong! And honestly, this may be the biggest post yet, because a lot has happened in the entertainment realm! But of course, let’s get to the real world news first! By the way, if you’re asking, none of it has to do with Kim Jung Un. I’m only counting COVID-19 matters.

Today we’ll start in a film capital, California. Last week, Florida’s Duval County was in the news because people spent time at the area’s beaches that were recently reopened. This was referenced a ton on social media, which lead to the trend #FloridaMorons. While I never found #CaliforniaMorons to be trending on Twitter, some people did make tweets with that hashtag inserted. Before we go any further, here’s some highlights related to this subject, even if all of them don’t use the hashtag.

Once again, I did not see #CaliforniaMorons trending, but just to prove that I am not the only person who is noticing this…

I know, right?! I love California! I was just there a month ago! But, holy crap! This weekend, California was hit with warm weather, reaching 80 and 90 degrees. Since it is so warm, a lot of people thought it would be a good time to go to the beach. But of course, because COVID-19 ruins fun, there is a massive chance of spreading the infection. Naturally, much of the response on social media to this matter has been particularly negative. Speaking of beaches getting traffic, San Diego officially reopened their beaches starting Monday April 27th. However, this does come with restrictions. People cannot gather in groups, park, or lie down to get some rays. Question about parking, does Uber count? Drivers need to get by in these times! Plus, Fiesta Island, piers, and boardwalks will be closed. However, you can still swim, you can still fish, you can still surf. This is part of phase 1 rules in regards to San Diego beaches. California Governor Gavin Newsom had this to say about the matter…

“This virus doesn’t go home because it’s a beautiful sunny day around our coasts.”

Although, California is not done with announcing closures, because the Orange County Fair will officially be shut down for this year. This year’s fair was supposed to last for 23 days, on every day of the week except for Mondays and Tuesdays starting July 17th and ending August 16th. The fair, held in Costa Mesa, California, has previously seen over a million visitors in a year.

Two of the celebrities who have been taking up lots of spotlight in this time of a pandemic are Tom Hanks and Rita Wilson, both of whom previously been tested positive for COVID-19. However, time has passed, and the two seem to be better then they were a month ago. Although they are back in the news for better reasons. Hanks and Wilson agreed to donate blood and plasma for a possible vaccine. After all, both individuals carry needed antibodies. I will be real, I f*cking hate needles. Even if they are necessary. I feel as if I’m gonna make it out of a burning building should a vaccine be injected into me in order to avoid getting COVID-19. However, if you want to convince an anti-vaxxer to get a vaccine, tell them that Tom Hanks will now be a part of you.

Speaking of Tom Hanks, the man known for such films like “Cast Away” and “Bridge of Spies” defended a child the other day. While he was not able to get physically involved, partially because of physical distancing limitations, he did take action. When Hanks and his wife, Wilson, were diagnosed with coronavirus, an 8-year-old male Australian student by the name of Corona De Vries wrote a letter to the couple saying he loved his own name, but he was often called the coronavirus, making him “sad and angry.” Hanks saw the letter and responded back suggesting “You got a friend in me,” a phrase inspired by “Toy Story,” another film Hanks is famous for.

Say what you want about celebrities being selfish and entitled, even in these times. Tom Hanks suggests otherwise.

Now I’ve talked quite a bit about Donald Trump, who as of recently, just invented the “Noble Prizes!”

By the way, if you are wondering why I am not using Trump’s tweet for this, it no longer exists!

Last week, after Trump suggested that the coronavirus “may not come back at all” for a second time, Dr. Anthony Fauci begs to differ. He suggested the possibility of a second outbreak after having a discussion with Robert Redfield, director of the CDC. This outbreak could hit in the fall, and be more complexing considering how the flu pops up at the end of the year.

Speaking of Trump, time for some bleach drinking! In the ambitious search for a COVID-19 cure, Donald Trump has suggested the possibility of injecting disinfectant in order to rid one’s body of COVID-19. Let me just start off by saying, yes, injecting disinfectant will VERY LIKELY get rid of COVID-19, because you’re about to f*cking go down along with it. Putting bleach in the body is good for a lot of things. Erasing the lyrics of “Baby Shark” from your head! Forgetting whatever the “Cats” movie was! Oh, and trying to become a f*cking ghost! The COVID-19 crisis is not going to be solved through disinfectant going inside you! Besides, everyone’s afraid to go to the supermarket right now! You think everyone’s gonna want to pile on top of each other in the same aisle grabbing Clorox?!

I’m done! I’m really just done! I just want to go to a restaurant and the movies, is that too much to ask?! Wait…

Before we go any further, I’m going to remind everyone that in my post from last week, I documented that Georgia was planning to reopen on April 27th. Well, that was yesterday. But when it comes to movie theaters, those are not reopening. I mentioned this specific before, but I thought I’d bring it up as a refresher. Georgia Theater Company, otherwise known as GTC Movies, is not planning on reopening theaters anytime soon. They intend on waiting until July, when Christopher Nolan’s “Tenet” comes out, a movie which we’ll talk about later. Speaking of which, Greg Abbott, the governor of Texas, has given theaters the green light to open starting Friday with 25% capacity. Chains like AMC and Cinemark do not plan on opening until the summer. Although in addition to that, a movie theater chain that is absolutely critical to Texas is taking similar actions. Specifically, Alamo Drafthouse. For the record, these theaters are not entirely shuttered, as some are open for takeout and delivery. After all, Alamo Drafthouse is known for its food selection. However, an Alamo Drafthouse spokesperson had this to say in regards to possibly reopening…

“Opening safely is a very complex project that involves countless new procedures and equipment, all of which require extensive training. This is something we cannot and will not do casually or quickly. We will not be opening this weekend. But know this, when we do open, we will be providing the safest possible experience for both our staff and our guests and we can’t wait to see you all again!”

It seems that Alamo going to follow the footsteps of other chains and maybe reopen during mid-summer. That is, should COVID-19 not affect the safety of theater patrons. Besides, not much material is coming out in theaters these days, including a movie I am going to talk about right now.

SCOOB! GOES STRAIGHT TO DIGITAL

One of the family films that was set to come out this year is “Scoob!,” which if you cannot tell, belongs to the “Scooby-Doo” IP. Now “Scooby-Doo” has had a lot of content over the years, but in May 2020 the franchise was about to have its latest theatrically released title. A couple of films within the IP have been presented this way already, and they were written by James Gunn, who of course is now famous for his work on the “Guardians of the Galaxy” films. This film was set to release May 15th, 2020, but Warner Bros. took it off the release calendar in response to the pandemic. Turns out, it will be coming out that day all along, BUT it won’t be in theaters, given how none are practically open right now. Instead, it is going to follow in the footsteps of “Trolls: World Tour,” the animated sequel by DreamWorks, now owned by Comcast, and release onto VOD. Meaning that services including Prime Video, Vudu, FandangoNOW, and Google Play will be getting the film. I’ll be honest, had this pandemic not been going on this year, there’s a solid chance that I might miss out on “Scoob!” if it were in the theater. The only reason why I would even consider seeing it, is because I feel the need to see five animated flicks by the end of the year, because I need enough nominees at the Jackoff Awards that I do in the winter. Although, it definitely does have a market. Families would probably have gone to see it. Generations who grew up with “Scooby-Doo” will recognize the movie and pass the torch to their children. Had it stayed in theaters, it could have made for a fun outing. But of course, it’s not in theaters.

“Trolls: World Tour” was not the worst option of all the movies that could go straight to VOD instead of theaters. A lot of younger kids recognize the film, and since sometimes bringing kids to the movies can be obnoxious, putting it in a home environment is not the worst idea. That is until Amazon’s 48 hour rental period expires and they beg for the parents to spend another $20. “Trolls: World Tour” landed one of the biggest digital debuts ever, and “Scoob!” could do the same, but that is going to depend on how many kids are looking forward to it. I think there was more of an appetite for a “Trolls” sequel among children than there was for a “Scooby-Doo” movie. At the same time however, “Scooby-Doo” has had a long history of being a product for the home environment. I grew up having a piece “Scooby-Doo” media in my collection. A lot of television shows and cartoons have been a part of the “Scooby-Doo” brand. From a production standpoint, this could come off as something that was meant for theaters, but may be remembered as another fine entry to the “Scooby-Doo” home media collection.

THE KING OF STATEN ISLAND GOES STRAIGHT TO DIGITAL

Had South by Southwest happened this year, one of the films that I would have been eager to see was Judd Apatow’s “The King of Staten Island.” The film had an advantage of being a higher-profile title, alongside such movies including “The Lovebirds,” which is now going to Netflix. This film had a bright future on the big screen. Aside from a SXSW debut this March, it was supposed to come out June 19th of this year in theaters. I have some good news and some bad news. The good news is that “The King of Staten Island” is getting bumped up a week to June 12th, 2020. So it’ll come out a week earlier. The bad news is, if you were looking forward to seeing Judd Apatow’s latest film in theaters, that’s not happening, and this does not come as a surprise. I have a feeling that part of this not only has to do with analyzing the potential box office results ahead, but maybe it has a bit to do with “Tenet,” which I think is going to be a better example of a film that is going to try to entice people to get back in the theaters (again, more on that later). However, starting June 12th, “The King of Staten Island,” a semi-autobiographical comedy-drama starring Pete Davidson will be available On Demand through various services. This is a release technique similar to the recently mentioned “Scoob!.” The film also features notable names including Marisa Tomei (Spider-Man: Homecoming, My Cousin Vinny), Pamela Adlon (Bob’s Burgers, Better Things), Steve Buscemi (Miracle Workers, Fargo), and Bill Burr (Breaking Bad, Date Night).

While this technique has been done for a film like “Trolls: World Tour,” which again, was fairly successful. A film with this much name power that was supposed to be in theaters has not really gotten this treatment all that much during the pandemic. I see at light at the end of the tunnel, but as of now, “The King of Staten Island” is perhaps an adult version of the “Trolls: World Tour” experiment. I honestly don’t know how this is going to go, as “Trolls: World Tour” likely had several advantages. First, that movie was going for a wider audience including children, families, etc. “The King of Staten Island” is an R rated picture. No kids allowed on this flick! Plus, since this film probably won’t be heading to a platform like Netflix, where you can watch the movie for free as long as you have a monthly subscription, it could suffer from less views because people are cheap and they’d rather watch something free than pay a rental price. “Trolls: World Tour” might as well be a product that can be put on bunches of times just to shut kids up on some occasions. It may be expensive, but the peace and quiet could be worth it. Although, Comcast’s streaming service, Peacock, which is now available for Xfinity customers, is hoping to expand its customer base starting July 15th. Maybe “The King of Staten Island” will end up on the service as soon as possible for everyone to enjoy.

Also, side note, this movie is incorrect. Pete Davidson IS NOT the king of Staten Island. The Impractical Jokers are the kings of Staten Island. That’s a fact. Prove. Me. Wrong. I dare you.

A SURPRISING SUCCESS FOR TROLLS: WORLD TOUR

Thought I was done talking about “Trolls: World Tour?” Well, I’m not! Because according to The Wall Street Journal, it turns out “Trolls: World Tour” has officially made over $100 million in a matter of just a few weeks! This ultimately means that this digital experiment Universal was trying out happened to be relatively successful so far. Again, I think part of this mainly has to do with “Trolls: World Tour” being a family movie that kids will probably be watching over and over again to the point of becoming annoying. However, it’s an interesting success story as movies like this, including “Trolls: World Tour’s” predecessor, happen to gain massive successes from big theatrical runs. I should also point out that the first film currently has made more money at the domestic box office, specifically $153.7 million. But who knows? Maybe that will be broken. Will this mean Universal does more straight-to-digital releases in the future? Honestly, I hope not. While this may have worked for a film like “Trolls: World Tour,” which I think kids were going to watch no matter what, movies in general are often built up best by word of mouth in an attempt to get people out of the house. I just hope for the love of Pete that the ninth “Fast & Furious” DOES NOT get a straight to digital treatment. As for other factors to consider, “Trolls: World Tour” is also one of the only new films to watch right now, and since we can’t leave our house, maybe that has a contributing factor to how willing we are to stay in and pay a rental price on the movie. If we were in normalcy, who knows how this would have played out? But if you ask me, EVERY MOVIE is better in a theater. Mark my words.

SPIDER-DELAY! SPIDER-DELAY! DOES WHATEVER A SPIDER-DELAY DOES!

In part 5, I’ve practically given DC Comics its own section to talk about in terms of delays. This time, I’m going to be doing this for Marvel, both on the sides of Disney and Sony. Starting off with Sony, one of their hit movies, the Academy Award-winning “Spider-Man: Into the Spider-Verse” was supposed to get a sequel released on April 8th, 2022. That’s not happening anymore as the sequel has officially been pushed back to October 7th, 2022. It is hard to know what could come of “Spider-Verse 2” from this release date. Maybe it could do what “Venom” did and be able to separate itself in a month full of horror movies, not that “Venom” didn’t have some elements of the genre. For all I know this could work, because the first film won an Oscar, a Golden Globe, a Critics’ Choice, and seven Annies. The first film by the way released in December. I feel like the Best Animated Feature category is the least important one when it comes to releasing a film at a certain time, but experience has suggested that when a film releases later in the year, it usually gets some awards buzz. “Spider-Verse 2” could not just be a big hit, but another award winner.

Speaking of “Spider-Man,” the third Tom Holland “Spider-Man” movie was delayed! This third “Spider-Man” film was supposed to be connected to the MCU and release in theaters July 16th, 2021 as part of Marvel’s fourth phase of films. However, the film now sits in the month of November, taking a spot on the fifth day of the month. I am disappointed that I have to wait for the film, but the film opens on my birthday weekend, so I’ll take the wins as they come along. This news may have ties to how filming has not really been happening, and I am willing to bet that the delay for Sony’s “Venom: Let There Be Carnage,” now coming out on June 25th, 2021, plays a bit into this. After all, that too is technically a “Spider-Man” property. Having these two movies very close to each other could potentially be weird. Speaking of Marvel…

THOUGHT SPIDEY WAS ALONE? THE MARVEL RELEASE CHANGES SHALL ASSEMBLE!

One of the most complex questions right now in regards to the pandemic is the wonder of what is going to happen to the Marvel Cinematic Universe. It was not that long ago that “Black Widow” was delayed from this May to November, taking “Eternals'” spot on the release calendar. This resulted in pushback upon pushback upon pushback. Guess what? “Spider-Man” is not the only Marvel character affected this week. “Doctor Strange in the Multiverse of Madness,” which was supposed to release the same weekend as “Spider-Man 3,” is now getting pushed back to March 25th, 2022. Interestingly however, “Thor: Love and Thunder,” which was supposed to come out February 18th, 2022 as of recent times, is getting bumped up a week and is now coming out February 11th, 2022. Why is that? I don’t know for sure, but maybe to get couples to go see it on Valentine’s Day. With a title like “Love and Thunder,” that’s probably the reason. And now, for everything else!

THE DELAYS NEVER END!

Going back to Sony, one of the interesting projects that they have held onto for some time is a movie based on the popular video game franchise “Uncharted,” which, appropriately, is a Playstation exclusive. Even though Tom Holland’s “Spider-Man 3” is getting pushed back to November 2021, “Uncharted,” which he is set star in, is getting bumped up. Finally! Some positive news about this movie! I have never played the video games, even though I have heard solid things about them, but as for the movie, it just goes to show that even in development, video game movies are cursed. However, “Uncharted,” which was supposed to release October 16th, 2021, is moving up to the summer of that year! As of now, it is taking the spot where “Spider-Man 3” once was! Hopefully, this optimistic bump means that production will be happening as soon as possible, considering how filming was shut down due to COVID-19 on day one. Who knows what’ll happen? This movie is an enigma! As for other projects under Sony’s control, “Fatherhood,” a new comedy starring Kevin Hart is being pushed back from October 23rd, 2020 to April 2nd, 2021. Speaking of Kevin Hart, another movie where he’ll appear, “Man From Toronto,” once set for a September 17th, 2021 release, is now coming out November 20th, 2021. And if you thought “Spider-Verse 2” was going to be the only affected animated title, you’re wrong. “Connected,” the upcoming film produced by Phil Lord and Christopher Miller, was delayed a month. The film, which was previously expected September 18th, 2020, will now be coming out October 23rd, 2020. “Vivo,” featuring songs from Lin-Manuel Miranda of “Hamilton” fame, was supposed to release April 26, 2021, but now is getting pushed back to June 4, 2021. Can’t believe this is a thing, “Hotel Transylvania 4!” I guess this is also known as, “Adam Sandler needs an excuse be in a movie that won’t go straight to Netflix.” By the way, “Uncut Gems” is brilliant and you should watch it if you haven’t done so already. That is even if it does try to convince an audience that the Mohegan Sun casino in Connecticut has a sportsbook. Anyway, “Hotel Transylvania 4” is yet another movie that is not going down the calendar, but up! Originally set for a December 22nd, 2021 release, the animated sequel will now take the August 6th, 2021 spot. This could be a strategic move as it could give families something to do over the summer, while not having to compete with Universal’s “Sing 2,” which is set to release the same day “Hotel Transylvania 4” was once supposed to come out.

Also getting delayed, Tom Cruise is gonna have to wait a little bit longer before he attempts to kill himself once more, or more specifically, twice more. The seventh and eighth installments to the “Mission: Impossible” franchise, which will be directed by Christopher McQuarrie, also known for helming the fifth and sixth installments in the franchise, both have previous release dates set to self-destruct. The seventh “Mission: Impossible” installment was supposed to come out July 23rd, 2021, once again standing out as a summer staple. As of now, the film is coming out November 19th, 2021, just before Thanksgiving. As for the eighth installment, once planned to release August 5th, 2022, that is now set for a release date that I am personally digging, November 4th, 2022. Why am I stoked? Because it’s my birthday. From what I could imagine however, these two movies may have quite a bit to do with each other and could probably go well together in back to back viewings. Kind of similar to putting “Avengers: Infinity War” and “Avengers: Endgame” together. There is always a chance that “Mission: Impossible 7” could suck more than anything that has sucked before, thus lowering my hype levels for the eighth installment. However, “Mission: Impossible” is a peculiar series that honestly has gotten better with each installment, so anything is possible.

NEW HOME RELEASES

I usually save this for last, but this time, my next post has more of a climactic vibe, so this is going to be my penultimate section. When it comes to digital releases, perhaps one of the most notable titles coming out this week is “The Photograph.” This debuted in theaters last February, stars LaKeith Stanfield (Sorry To Bother You, Knives Out) alongside Chelsea Peretti and features intertwining love stories. This seems appropriate, because, again, this movie came out in February. Although for Netflix, one movie that just came out is “Extraction,” starring Chris Hemsworth (Thor, Ghostbusters) as a black market mercenary. The film is not one that I plan to review, however it is also one that I am hearing solid things about. Granted, the story is nothing to write home about, but if this film were to be solely judged based on action, I’m hearing it slaps. And this honestly does not surprise me as it is written by Anthony and Joe Russo and directed by Sam Hargrave, a stunt coordinator behind “The Hunger Games: Catching Fire,” “Atomic Blonde,” and “Avengers: Endgame.” As for whether or not this is the next “John Wick” is something that you will have to decide for yourself. Also, if you have any plans to tune into Amazon, the SXSW lineup is now available, which was made in response to the cancellation of the ambitious annual event held in Austin, TX. If you have Disney+, your inner “Star Wars” nerd is going to be happy, because not only are you soon going to be getting more of “The Clone Wars,” you’re not only getting a documentary on “The Mandalorian,” but “Star Wars: The Rise of Skywalker” will be available on Disney+ starting May 4th, known by the fan community as “Star Wars Day.” From then on, the complete “Skywalker Saga” will be available on the service. Speaking of action-packed films…

TENET IS LOCKED FOR JULY 17TH

This is going to be the main topic of this entire post. For those of you who don’t know, Christopher Nolan is coming out with his latest blockbuster title, “Tenet,” which had a trailer release this past winter. At the same time, a short preview attached to IMAX screenings of “Star Wars: The Rise of Skywalker,” was shown for a limited time. This film, among all others, HAS NOT been delayed. And if you have talked to me at all recently, it is a film that is almost my most anticipated of the year. It’s just one spot under “Dune” if you are all curious. “Tenet” is a film that has literally been designed for the movie theater experience. It was shot using film stock through IMAX and 70mm cameras, it’s got a labyrinth of a concept similar to Nolan’s other films, and the cast looks promising. Some attached names include John David Washington, Robert Pattinson, Kenneth Branagh, and of course, the one and only Michael Caine. I have been worried for the longest time that this film would get gravitated from this summer, taking away yet another big movie. It’s happened with “Top Gun: Maverick,” it’s happened with “Ghostbusters: Afterlife,” it’s also happened with “Morbius.” However, “Tenet” happens to be one of the last men standing in this battle against the invisible enemy. That’s also what it will continue to be going forward, because IndieWire suggests that “Tenet” will be ready to open July 17th of THIS YEAR unless theaters are closed. Is this wishful thinking? It’s possible, but this article gives me hope, and I will state, this is not the first time I am hearing this statement. However, just to hear this be reinforced a month later, is extremely fulfilling. One of my big worries when it comes to “Tenet” is the possibility of it being a lone wolf in the movie theater, there is not much of a reason for the film to play in seemingly dead space. But at the same time, Christopher Nolan has constantly marketed “Tenet” as an event film. It’s an expensive blockbuster clearly meant for the summer. It’s got a similar vibe to Nolan’s own “Inception.” I will also point out that should quarantine end around the country starting July, Christopher Nolan can utilize a huge marketing push at the end of the game, maybe reminding people how exciting it is to go see a movie in a theater. Nolan is all about that atmosphere. Nolan is not a streaming guy. In fact, when this all started in the US, Nolan wrote an opinion article in The Washington Post where he called movie theaters “a vital part of American social life.” Before hearing what IndieWire suggests in their article, I had a rather bleak thought process as to what theaters would look like only being able to show “Tenet.” A few screens would be open, while every other one is some classic title that maybe not everybody is gonna pay $12 to see when they can they rent it on Amazon. Turns out, IndieWire sees a much more optimistic point of view. IndieWire suggests the following:

“Even if theaters start opening in June (Georgia’s aggressive early plan could permit openings in early May, but NATO has stated it prefers a nationwide, concerted rollout), few will attend without new films. Going before other big films would allow “Tenet” to play on virtually every screen in the country.”

Think about it. How many films have been delayed? From smaller titles that nobody has even heard of to the big blockbusters like those that Marvel cranks out every few months, despite their differences, they have something in common. They got delayed. A few got delayed not too far up calendar while others got kicked into another year, but nevertheless, they got delayed. “Tenet,” as the last man standing, could literally possess every auditorium in every theater, at least in the United States. This is something that during NORMAL times, I would be scared of a movie doing, but now, it makes sense and I am flat out encouraging it, because something needs to light the spark. Plus, should theaters reduce capacity for safety concerns, “Tenet” has themselves covered. They have more theaters and auditoriums that could supply everybody. If you have an AMC near you that has a bunch of standard screens, an IMAX screen, a Dolby Cinema screen all in one place, there’s a solid chance that they’ll use one or two, maybe another auditorium for standard screenings of a blockbuster. In addition, the IMAX or Dolby, depending on the deal they’ve made regarding the film, will also feature said blockbuster. If you have a decent-sized theater, for all I know, “Tenet” could take every screening possible. Can you imagine a 25 screen theater with “Tenet” on virtually every single one? It’s going to be the State of the Union Address of movies. There’s no alternate program you can resort to, it’s “Tenet” or bust! And if this were a film that could easily fit in for a streaming environment, had a small budget, or lacked some of name recognition, I’d probably say maybe this theater project is overblown and a bit beyond one’s reach. However, the film was designed for the theatrical experience, is a blockbuster, and is helmed by the man who I personally think is my favorite director of all time. For all I know, he could get another Oscar nomination for this film depending on how this year pans out.

The slogan of “Tenet” by the way, and hopefully I am not scaring anybody, is “time runs out.” Let’s just hope that time will not run out on this film and our chances of seeing it as early as possible, in as lively of an environment as possible. In a season of movies getting delayed like flights for United Airlines, “Tenet” is possibly going to be the last man standing. The fight against the invisible enemy shall continue, and we shall not stop until we can successfully get millions of butts sitting in cinema seats. Warner Bros., Christopher Nolan, the entire cast and crew of “Tenet,” to say I am rooting for you is an understatement. For all I know, if “Tenet” successfully enters theaters in July, I will be there opening night for IMAX 70mm. This virus is ruining Hollywood, and now we need to give it the Hollywood ending it absolutely deserves.

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Thanks for reading the sixth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Look, I love doing Scene Before, but if this is what I’ll be talking about for the rest of my life, it’s going to get tiresome. I will point out that I left the house for the first time all month on the 25th. There’s that. I just want to go see a movie. If movie theaters collectively do not survive this crisis, I think I might almost be done with movies. One of the reasons why I love movies is because they are experiences, and these experiences are best had in a distraction-free environment either by myself, a few other people, or even a full house. Are the tickets and food sometimes overpriced? Sure, but moviegoing is a staple of the economy and I would flat out scream up to sky if they disappeared. PLEASE… Stay home as much as you can. Do *your* part if you want a better chance of me giving my thoughts on movies for you to possibly see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! While it may not cure the coronavirus, if you want a better use of your time than drinking bleach, check out the Scene Before Facebook page! I want to know, did I miss anything related to COVID-19 and film? What big piece of news stands out to you? Or, since it relates to this post, what do you think are the odds of “Tenet” getting delayed? At this point, it’s a competitive and strategic game of chess. Who knows at this point? Leave your thoughts down below! Scene Before is your click to the flicks!

The LEGO Movie 2: The Second Part: Another Excuse to Make a Batman Movie

Posted on by Jack Drees

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“The LEGO Movie 2: The Second Part,” AKA “The LEGO Movie 2,” AKA “The LEGO Movie 2: Part 2,” AKA “The LEGO Movie 2: The Fourth LEGO Movie In This Current Franchise,” AKA “The LEGO Movie 2: The One After The LEGO Movie” is directed by Mike Mitchell. This film stars Chris Pratt (Guardians of the Galaxy, Jurassic World), Elizabeth Banks (Power Rangers, The Hunger Games), Will Arnett (Teenage Mutant Ninja Turtles, Arrested Development), Tiffany Haddish (Girls Trip, Uncle Drew), Stephanie Beatriz (Brooklyn Nine-Nine, Ice Age: Collision Course), Charlie Day (Fist Fight, Pacific Rim), Alison Brie (BoJack Horseman, The Disaster Artist), Nick Offerman (Parks and Recreation, The Founder), and Maya Rudolph (Grown Ups, Saturday Night Live). This film takes place five years after its predecessor, exposing what exactly happened as a new, invasive LEGO army referred to as LEGO Duplo turns the happy go-lucky land of all its LEGO citizens into pieces of crap. Survivors are camping out in a city referred to as Apocalypseburg, which is basically a Mad Max-like wasteland in LEGO form. However, that’s not all, because the main character of Emmet must go on a quest to save his recently captured friends.

This film is the sequel to the box office and critical success that is “The LEGO Movie,” which to me is one of the most surprising flicks ever made. On paper, “The LEGO Movie” is one of the dumbest ideas of all time, despite how it somehow worked for video games over the years. It’s a movie about plastic building blocks that take forever to assemble and will instantly kill you once you step on them, and it somehow worked. And I don’t just mean worked, it’s up there with “The Hobbit: The Battle of the Five Armies,” “Whiplash,” and “Interstellar” as one of my favorite movies of 2014. Such a great year for movies. AND I’M STILL PISSED IT DIDN’T GET NOMINATED FOR BEST ANIMATION AT THE ACADEMY AWARDS! Dumb f*ckery indeed! In fact, when I go to the movies, one of my frequent partners is my father, and I never see him have such a passion for many of the new releases we go see together. “The LEGO Movie” is one of the few exceptions. In fact, I’d say I’m willing to bet he likes “The LEGO Movie” more than I do, which says something especially given how I gave it a 10/10 score when I reviewed it here on Scene Before.

When it comes to the sequel however, it’s… just… good.

I am somewhat disappointed with the results of “The LEGO Movie 2: The Second Part.” While there is still LOTS of fun to be had, while there is still TONS of humor, while there are still MANY grand ideas, it just suffers from being less of a “family” movie, and catering a little more towards the kids. “The LEGO Movie 2” may be an enjoyable experience, but it drags a bit from its occasionally kiddy and less than satisfying original song track. I am not saying that the original “LEGO Movie” had no original songs put in, “Everything Is Awesome” was the definition of “catchy pop earworm.” In fact, I think there’s a song from “The LEGO Movie” that is significantly underappreciated.

Darkness!
No parents!
Continued darkness!
More darkness, get it?
The opposite of light!

Genius! Those are the actual f*cking lyrics to Batman’s Untitled Self Portrait! Sadly, we don’t get any songs as cool as that, or even as cool as the kick-ass opening number in “The LEGO Batman Movie.” However, I must say, Batman is as cool as ever.

Comic book nerds, if you guys are having a debate as to who the best on-screen Batman happens to be, this universe’s LEGO Batman (Will Arnett) interpretation BETTER qualify in your future debates, because he is freaking spectacular! There’s a meta joke in this movie between him and another character where he goes on about how awesome he is just because there were “nine movies already made about him and three currently in development.” Batman shines once again as being the ultimate version of a superhero narcissist. I can’t dive much deeper than that because, well, spoilers.

When it comes to the main character of Emmet (Chris Pratt), one part of this movie that I kind of dug is how despite being able to save an entire universe, Emmet is still technically lacking any special traits, which is pointed out in the first few moments of the flick. In fact, he’s literally back to being the same old hyperactive, giddy, happy go-lucky optimist that we were introduced to into the first movie. There’s a rehash of the first scene from the original movie when Emmet wakes up and says good morning to his city, but this time it is to his apocalyptic wasteland.

Speaking of things taken from the first movie, the movie continues its meta humor trend. I already mentioned the Batman thing, but there is a vast amount of other insertions of meta humor throughout. They make fun of convenient movie tropes. For example, hasn’t anyone ever noticed how slow doors close in movies for dramatic effect? There’s a brooding scene where the characters realize exactly how angsty they are. And there’s even an entire character dedicated to making fun of Chris Pratt!

“The name’s Rex. Rex Dangervest. GALAXY-DEFEDING ARCHAEOLOGIST, COWBOY, AND RAPTOR TRAINER WHO LIKES BUILDING FURNITURE, BUSTIN HEADS, AND HAVING CHISELED FEATURES PREVIOUSLY HIDDEN UNDER BABY FAT!”

In other words, you have Chris Pratt from other movies, combining his own characters from “Guardians of the Galaxy,” “The Magnificent Seven,” “Jurassic World,” and even Emmet himself! THANK! YOU! WRITERS! I will say, he was not as funny as I was expecting him to be (I may have hyped him up a little more than necessary), but he was still pretty dope. I will say, should they make another “LEGO Movie,” I really hope Universal undoes the cancellation of “Cowboy Ninja Viking,” because that was supposed to star Chris Pratt and if that movie comes out before “The LEGO Movie 3” and if Rex Dangervest makes a return, it would be interesting to see a modernized version of him where he partially contains the personality of the main character of that movie. That way, instead of being a galaxy-defending archaeologist, cowboy, and raptor trainer, he will then become a galaxy-defending archaeologist, cowboy ninja viking, and raptor trainer. Make it happen Warner Animation Group! Also, Universal, make that other project happen too.

If worst comes to worst, they can evolve him to “galaxy-defending archaeologist, cowboy, raptor trainer, and ship roamer.”

If you don’t get that last one, just watch “Passengers.”

On second thought, don’t watch “Passengers,” it’s not a good movie.

This movie, much like the first one, has a handful of cameos. You’ve got the DC Universe, Gandalf, Abraham Lincoln, Ruth Bader Ginsberg, Gary Payton, Sheryl Swoopes, even John McClane from “Die Hard” (or if you are IMDb, Bruce Willis)! And by the way, Bruce Willis actually has a voice in this movie! That is brilliant in every sense of the word! When it comes to this movie, it is a frenzy of fantastic ideas that are sadly hindered by musical numbers that are occasionally a pain to get through (although there is a good one featuring DC characters). I just feel like this movie is a kiddier version of its predecessor. Granted, it could definitely be worse. There aren’t many poop jokes that I recall, which is DEFINITELY a good thing.

Phil Lord and Christopher Miller worked on this movie, not the in the directing department, but they still worked on it, just like they did with the first one, and the duo are becoming two of my favorite people working in the industry. Between “The LEGO Movie,” “Spider-Man: Into the Spider-Verse,” “Cloudy with a Chance of Meatballs,” and what I imagine would could MAYBE be a better version of “Solo: A Star Wars Story???” I feel that this duo is becoming more and more relevant by the day, with this movie being the duo’s latest success. Granted it falls more into “Cloudy with a Chance of Meatballs” territory as opposed to “Spider-Man: Into the Spider-Verse” territory, but still. These two have a pretty solid track record thus far, and it is quite possible they could end up building a legacy similar to that of Christopher Nolan, Steven Spielberg, or Wes Anderson in the near future. Granted, I have not seen all of Lord and Miller’s work. I still haven’t seen “21 Jump Street” despite having owned it on Blu-ray for quite some time. I have faith in the Lord and Miller duo, and while this is be one of their inferior films, they still have my respect.

In the end, “The LEGO Movie 2” is a solid time at the movie theater. I’d say bring the kids, chances are they will end up enjoying it. If you really enjoyed the first “LEGO Movie,” you might find enjoyment in this as well. I will give praise to the “The LEGO Movie” franchise as a whole for having a consistent feel that doesn’t really come off as tiring. It’s lighthearted, wacky, creative, and amazingly fast-paced. I can’t confirm entirely given how I skipped on “The LEGO Ninjago Movie,” but I’ve seen three of this universe’s films at this point, and all of them have been at the very least, entertaining from start to finish. Is this the worst of the LEGO franchise? Yes, but it’s better than stepping on a LEGO brick. But to be completely real, just about anything is. I’m going to give “The LEGO Movie 2: The Second Part” a 7/10. Thanks for reading this review! If you are subscribed to this blog, stay tuned because it is currently Oscar season, and there is a good chance that I’ll have at least one post related to the Academy Awards coming up in the near future. I’ve made it a tradition to do a recap, which I may do again this year. And to be honest, I have the exact opposite of good feelings for this year’s ceremony. Between how the Academy has treated its technical members, to nearly implementing a Best Popular Film category, to not having a host this year, I am just scared at this point! But fear not! Because I just did my own awards show! If you want to view the 1st Annual Jackoff Awards, there’s a box down below that will take you right where you need to go! I should warn everyone who plans on reading this thing, BUCKLE UP, because it is a LONG post. But it is intentionally long, it’s a creative choice! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “The LEGO Movie 2: The Second Part?” What did you think about it? Or, of the current franchise of LEGO movies, which is your favorite? Let me know down below! Scene Before is your click to the flicks!