Zola (2020): You Wanna Hear A Story About a Negative Film Review?

“Zola” is directed by Janicza Bravo (Lemon, Gregory Go Boom) and stars Taylour Paige (Boogie, Hit the Floor), Riley Keough (The Lodge, The Devil All the Time), Nicholas Braun (Prom, How to Be Single), Ari’el Stachel (Blue Bloods, The Band’s Visit), and Colman Domingo (Fear the Walking Dead, Euphoria). This film is based on a story summed up in 148 tweets on a single account. These tweets were the foundation for where they ended up taking this film, which is about a girl who goes down to Florida with a stripper named Stefani only to find herself in a prostitution scheme with Stefani’s pimp, X.

I have a soft spot for A24. It is a studio that has made some of my favorite films of the 2010s including “Room,” “The Disaster Artist,” and “Lady Bird.” In a world of big, gigantic blockbusters, many of which I enjoy like those of the “Star Wars” and “Mission: Impossible” franchises, sometimes I need something simpler, something lower in budget and scale. Something more intimate. A24 usually hits the spot because they have a tendency to align themselves with talent that can tell a great story with a limited budget. Portions of “Zola” seem to reflect this lower budget. Certain shots go on for such a long time, there are shots that look like they fit more in a YouTube vlog compared to a typical movie. That previous statement by the way, is also one of my big critiques because despite this movie having some good framing here and there, the shot selection occasionally feels repetitive or, as I said, vlog-like. Looking like a vlog is not always a bad thing, but it sort of almost pulled me out of the movie. It lacked a slight sense of immersion if you will.

At the same time though, the movie has a number of shots that are beautifully lit. This movie gave me a fine first impression with the opening five minutes for providing one of the most vibrant scenes of the year. Technically speaking, this movie is a mixed bag. Unfortunately, it may be the best part of the movie because I progressed through “Zola” rolling my eyes, placing my hands over my head, and the desire to put a gun in my mouth. “Zola” is probably my least favorite movie of 2021. Yes, I know some would argue it is a 2020 film, but it just had a big release this year, so I’m counting it as a 2021 film. Either way, this movie has an intriguing first five minutes, but as for the rest of the hour and a half, the wheels fall off the wagon and it comes tumbling toward a cliff.

This film starts off with some catchy and magical music then tops off its candylicious intro off with some of the best lighting I have seen this year. Like many other A24 films, this one definitely has its quirks. These were some solid quirks, but examples of quirks I could give later in the runtime just get worse. Admittedly, there is this quirk that annoyed me, I don’t know if the rest of humanity would feel the same way, every time I would hear a notification noise during the movie, part of my brain wanted to check out. I know this is based off tweets, but come on!

One thing that kind of, and I repeat, KIND OF, holds this movie together is the acting. The chemistry between Zola and Stefani is not my favorite of the year, but the respective actors that play these characters, Taylour Paige and Riley Keough, are decently put together. Certain scenes made them feel like a natural pair for the story that was being told. I do want to give a shoutout to the supporting cast too. At the same time however, they honestly felt like they were occasionally overacting. This film is based on a tweetstorm and I feel like it occasionally gets overhyped for the sake of having a “big screen experience,” which is weird to say about something that is a small, independent picture. Actors like Nicholas Braun were sometimes a delight to watch and made me feel like I was not actually wasting my time. Seeing him and others made the movie feel like it was jacked up on caffeine, but it did not make for an excellent product in the end because I left feeling unsatisfied and having placed my hand on my head way too many times.

Also, I don’t know the actual story, and for all I know, some of the tweetstorm from Zola may have been fabricated, but I want to bring up Stefani’s voice. Throughout the movie, Stefani talks in this weirdly southern accent, and I don’t know why, but by the end of the movie, it felt like that voice transported me through a cheese grater. It was so annoying! I watched an interview of Riley Keough on “The Tonight Show,” so I know that her voice in “Zola” is not her actual voice. But her voice in the movie t feels over the top and similar to something out of a C-grade “Power Rangers” villain.

Honestly, what makes this movie even worse is that it has not even been a full week since I have seen “Zola” and I feel as if I have forgotten a majority of it. Thankfully, I remember some things about the movie. Both good and bad as evidenced by this review. But if I go through this review nearly blanking what to talk about and I have not even gone through a full week without seeing the movie, that’s a problem. I went through THREE weeks trying to get a review out for “Tom & Jerry” and that film was awful! I knew what to talk about in that review! “Zola” is one heck of a story, but as a movie, I just wish it stayed in my brain for just a bit longer. Is it funny? Occasionally. Is it sexy? Kinda. Is it quirky? DID YOU SEE THE A24 LOGO?! But if anything, this did not add up to ride that was compelling. It added up to something that feels sliced and diced and nearly discombobulated despite looking somewhat polished.

In the end, “Zola” is not only my worst movie of the year so far, but as of right now, it is probably also my least favorite film from A24. “Midsommar,” you’re saved. To say a film is bad is hard enough. To say a film from A24 is bad, that’s another level. Because A24 is one of my favorite studios working today. I’ve already gone on about how amazing some of their films have been over the past few years. “Zola” on the other hand, not only felt like a waste of time, but oddly forgettable too. At least I still remember why I was absolutely turned off by “Midsommar.” I still recall its ugliness to this day. Plus with “Midsommar,” you could make the argument that the film was supposed to give me the reaction that I ultimately gave it. I was supposed to be turned off by that film. With “Zola,” I was supposed to be thrilled, turned on, and maybe jumping out of my seat from time to time. The movie did not do its job and I wasted 90 minutes of my life. I’m going to give “Zola” a 2/10.

“Zola” is now playing in theaters wherever they are open. Tickets are available now.

Thanks for reading this review! This week is a big one for movies because we are continuing summer blockbuster season with arguably the strongest competitor of the bunch, Marvel Studios’s first film in two years, “Black Widow!” I’ve already got my tickets for Thursday and I cannot wait to share my thoughts on the movie with you.

Also coming this Thursday, stay tuned for my review of “Pirates of the Caribbean: Dead Man’s Chest” in the ongoing review series, “Pirates of the Caribbean: The Chest of Reviews.” If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account and like the Facebook page! I want to know, did you see “Zola?” What did you think about it? Or, what are your favorite AND least favorite films from A24? Let me know down below! Scene Before is your click to the flicks!

Avengers: Endgame Ticket Buying Insanity

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Hey everyone, Jack Drees here! In case you hate reading post titles and/or their implications, tickets for “Avengers: Endgame” have officially gone on sale this week! Several sources were suggesting that they would go on sale April 2, and whaddya know? Those sources cannot be denied! Now if you’re curious, I actually already snagged my tickets, but it wasn’t easy. I had to push people out of the way! I had to knock over an old lady who wanted to go see the film with her grandchildren when it came out! I was basically a maniac.

OK, no, not really, in the age of the Internet, that would almost be unlikely.

Nevertheless, the process of buying tickets for “Avengers: Endgame” was insane. When seeing “Star Wars Episode VII,” it was easy because I originally bought tickets for a week and a half after it came out, and I managed to snag some for opening weekend as well inside a less than popular theater because someone I knew wanted to see it right away. I also saw a few more “Star Wars” films after that and while I managed to find myself in a scenario where lots of people were buying tickets, I had little to no trouble actually getting them. With this upcoming “Avengers” movie, I knew getting tickets was going to be competitive, but I did not think it would be insane.

I don’t know what exactly happened, but when “Infinity War” was coming out, I was able to browse through movie theater and third party websites with ease, allowing me to have a critical thought process on where exactly I wanted to see the movie. This year however, I was originally planning on going to see “Avengers: Endgame” at the AMC Assembly Row 12, because it’s on the way home from school and I can meet my dad there. That did not work out.

I went on multiple sites to get tickets. AMC, Fandango, Atom Tickets, and Movietickets.com. All of my attempts to get tickets from those sites ended with failure. I start searching times at other nearby theatres. I eventually notice that one theater is missing from my Google list. Specifically, Showcase Cinemas de Lux Revere. I decided just for fun, I’d go onto the Showcase Cinemas website, which admittedly, is not a perfect website. It’s not buggy per se, it’s just not something I would call… competent. I search my information through a very confusing process and find a bunch of showtimes listed. I search through one, specifically for 9PM. I call my father and ask if he cares what time I chose, he didn’t. Granted, I didn’t tell him this was a three hour movie (seriously), but based on both of our excitement levels for this film, I don’t think he’d care all too much. So I choose the 9PM time, and I get EXTREMELY lucky by getting not necessarily the last seats, but the last good seats where dad and I can sit together. Movie theater companies, how many times do I have to tell you this? THIS IS WHY I HATE RECLINED SEATING! You get less seats, therefore you have less people getting in, and now the competition to get a seat is fiercer than it has ever been! I wouldn’t mind reserved seating in a case like this, but reclined seating is still on my enemy list. Anyway, we get our seats, we’re a little towards the back, which I don’t mind, because that means seeing the screen is a guarantee. I managed to breeze through the surprisingly simple process of getting my tickets. Now let me tell you what would have happened if I stuck with Fandango.

On Tuesdays, I leave my house at 9:30 to go to school, so I originally thought since it was almost 8:30, why not get tickets when I have the time? When I go to click on my preferred time, I get a rather unexpected screen with a background promoting the movie. On said background, I get some text saying that I have apparently entered a virtual line. O-K??? I thought the purpose of buying tickets online was to avoid ticket lines! Nevertheless, I have entered the line, and I have over fifty minutes until it is “my turn.” I am thinking to myself, “Oh no!” I’m never gonna get tickets! How does someone wait this long and get tickets? Granted, I was not the only one in line, but how long was the line half an hour ago? Why half an hour ago you ask? That is around the time tickets started going on sale. I get down to forty minutes, and this doesn’t seem too bad, I could get my tickets just before leaving my house. We get around to 35 minutes. Time is going by. Tick-tock! Tick-tock! Tick-tock! Soon thereafter, I glance at my screen, I now have to wait over an hour! So, essentially, I could either stay home and get an unexcused absence from one of my classes, or go on the train and press my luck there. Here’s the thing however, if I close the tab, I then lose my place in line. I have to pack up my laptop for school, because I do stuff on my laptop while I am out and about. What if I close my laptop? Would I lose my place then? This is really hard! I almost considered going to the theater and buying the tickets physically because the theater I originally wanted to go to is on the way to school. But I also didn’t want to disappoint myself by finding out my preferred screenings were sold out.

Let me put this into perspective, the theater is about 20 minutes away from my house by car. It can also take just a tad longer to get there by public transportation. So basically, if I wanted to by tickets AT THE THEATER LIKE A CAVEMAN, it would probably be quicker and more convenient than staying home in my comfy pants buying tickets through Fandango. I’m just thankful that we have smaller theater chains like Showcase Cinemas, because without them, I probably almost wouldn’t have gotten tickets to see this movie on its opening Thursday! OK, they’re not really THAT small, but you don’t see a lot of them on the west coast.

In fact, I am not alone, because I follow one guy on social media by the name of John Campea, here’s what he has to say.

On the bright side, he is getting to see the movie before it even comes out, but he also wanted the feeling of going to something with an energetic audience. In fact, shortly after the tickets went on sale, he did a five to six hour livestream of his daily YouTube series, “The John Campea Show,” where he talked about it alongside his co-host, Rob Meyer Burnett. As the livestream was going, he was still trying to buy tickets through AMC! Seriously! When is the last time you watched a live sports-related talk show and see someone trying to buy tickets for the Super Bowl?

One of my favorite parts of all of this happens to be the memes, because they are PERFECT.

In fact, I made my own meme about something that’s not quite the same thing as this situation, but it’s close enough.

You’re very welcome, web junkies.

This post is not necessarily meant to be important, it’s almost like a diary entry if you ask me, but let’s be real here. While AMC and other popular movie ticketing websites were in trouble, Fandango definitely had a plan. Fandango didn’t say “error” when you entered their website, you could click your time and press your luck at getting tickets. You just had to wait in line. But why the f*ck should I have to do that?!

THE WHOLE POINT OF ONLINE TICKETING is to conveniently score tickets possibly before anybody else, not having to leave your house, not having to talk to strangers, not having to talk on the phone with Kramer from “Seinfeld,” and NOT WAITING IN A LINE. Congrats, Fandango! Not only did you make me wait in line, but you allowed a bunch of people to apparently CUT ME in line, but now I could have easily compared this experience to going to the box office, except in that case I would actually be allowed to pay in cash! Also, I have an account under you, so thanks very much for disappointing your support base.

I’m not exactly sure how to fix this sort of thing since I don’t deal with IT all that much, but there’s gotta be some way to prepare better. Right? Let me know in the comments, with all of your jargon intact, on how all of these movie ticketing outlets can prepare better for the next big movie.

Thanks for reading this brief, unimportant, almost unnecessary post. This is honestly just me sharing a story that stood out to me recently, and it is also my reminder to you all that I WILL be seeing “Avengers: Endgame” on opening Thursday. As far as the review goes, I will have it up as early as possible. I might stay up Friday into the morning if I have to, but that depends on how much I am going to talk about. Granted, this is a big movie, and I know that someone’s life would ultimately be ruined if spoilers were given away, so I will guarantee no matter what, my review will be spoiler free. Be sure to stay tuned for the end of the month for that! Be sure to follow Scene Before with an email or WordPress account to stay tuned for more great content INCLUDING my “Avengers: Endgame,” or even smaller projects such as my review for “The Man Who Killed Don Quixote,” which I plan to put up next week. I want to know, do you plan to see “Avengers: Endgame?” And I also want to know, did you have any crazy stories to share about buying tickets? What about for other movies? For movies that are not “Avengers: Endgame,” what crazy ticket-buying stories do you have to share? Let me know down below! Scene Before is your click to the flicks!

Netflix FINALLY Wins Me Over! *By Theatrically Releasing Roma in 70mm*

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Hey everyone, Jack Drees here! If you have seen my recent post on the Scene Before Facebook page or if you have seen my recently posted “Green Book” review (check it out if you haven’t already), you may have noticed I have announced a “surprise post” coming your way. Well, surprise! Today we are going to talk about a company I am kind of opposed against, Netflix.

Image result for netflix

My history with Netflix is pretty simple. I don’t use them. If you are the prime killer of one of my all time most prominent childhood memories (Blockbuster Video), chances are I’m gonna have to resist you. Plus, I still collect physical media to this day and that also seems to be a market Netflix is sort of killing, much like how iTunes, Spotify, YouTube, and Pandora seem to be killing physical media for music. Although if I am correct, I could be wrong because vinyl seems to be making a comeback in some ways. I have watched things on Netflix, but I never technically had a Netflix account. For a film studies class in high school, I watched “Moana” and “Altered Carbon” on Netflix with my class. My sister, who uses Netflix, was watching “Family Guy” and I happened to be in the room with her while it was playing on the service. Netflix also produces their own original content, none of which I have watched religiously, no matter how many good things I’ve heard about “Stranger Things,” “The Crown,” or even “House of Cards.” It’s not just TV shows, they even produce and distribute movies. A couple notable Netflix movie titles include “Death Note,” “The Cloverfield Paradox,” “Mowgli,” “Bright,” “The Ridiculous 6,” and motherf*cking “Bird Box.” When is everybody gonna stop talking about “Bird Box?!” These movies have gone straight to Netflix’s service for anyone to stream if they have an account. Some of these movies, kind of to my surprise, have done pretty well. Seemingly well enough to keep a number of people out of the movie theater, yet another industry I don’t want to see taken away because of these hooligans. This not to say that they haven’t done theatrical releases through these years. Orson Welles had a lost film in the vault which has been recently distributed by Netflix, which did play in theaters for a limited run. “Mudbound” is another film that comes to mind, which actually received four Oscar nominations in the 90th Academy Awards. But if I were to watch one of these movies, part of me would hate myself, because I feel like I partially killed the movie theater industry.

However, there has been a single exception to this list that I’m aware of (well, sort of). Last year, I watched “Annihilation” on its second weekend. Part of me was excited for that film because I saw it was directed by Alex Garland, who directed “Ex Machina,” an artsy, well put together sci-fi flick that shows what happens when we try to get robots to be as realistic and lifelike as possible, and perhaps contain emotional thoughts, including ones related to sexuality. I saw “Annihilation” because where I live, specifically the United States, they released the film in theaters. But I also took into consideration that the film is also a straight to Netflix flick in other countries. I even know someone who attended my high school film studies class I mentioned earlier who said they went to Brazil and they had “Annihilation” running on their Netflix service so that person watched the movie. I will also say, for the record, Netflix didn’t technically release the film in the United States, Paramount did. So from my point of view, I am supporting Paramount, not Netflix. If I saw Netflix was doing a complete worldwide distribution, chances are I would have skipped seeing “Annihilation.”

This leads me to my next point, which is actually going to be the main topic of this post, one of the most recent releases from Netflix, “Roma” has been getting a lot of buzz lately. It has a 96% on both Rotten Tomatoes and Metacritic. Popular and notable sources like Time, Variety, Rolling Stone, Vulture, and Vanity Fair have all considered it to be the Best Picture of the year. Not to mention, it won Best Foreign Film at the Golden Globes, and happened to be nominated for two other awards, including Best Director, which the movie took home. At the Critics Choice Awards, the movie was nominated for eight awards and ended up taking home four, including Best Picture. I heard a lot regarding this film, and even some people in the industry have noted this film’s excellence. Once I saw the Netflix brand name though, I took a step back and ignored all possible opportunities of trying to watch “Roma.” By the way, for those who have a Netflix account, the movie is free to watch at the moment. Hey, I said I’m against Netflix! Not their customer base!

I would love to be able and sit back, turn on Netflix, watch “Roma,” but based on personal values, I can’t. But something happened recently that caught my attention.

If you know me in real life, chances are I try to catch as many movie screenings on film as I can. Most of the movie theater industry has now settled for digital projection, which may be easier to operate, but the reality is that film projection is kind of an art form, and some would even point out differences in detail between film and digital with film being better. I’m on the side that says film is typically more detailed. “Roma” is taking advantage of film stock to my surprise. Now, the film was shot digitally on an Arri Alexa, so in terms of filmmaking, the advantage wasn’t present there, although the film is presented in black and white so that could add an old-timey touch. But the thing that stood out to me is that Netflix is surprisingly trying to put this in more theaters than I’d expect, INCLUDING ones with 70mm equipment.

Article from Last December on Roma’s 70mm Locations (Published by IndieWire)

When I first heard about this, I thought this was very cool. There is actually a list of theaters to be doing this online, but none of them were closeby. For the record, I live in eastern Massachusetts, and the closest theater to me was in Hartford, Connecticut. While I would have LOVED to go all the way to Hartford, I don’t have my own car, nor do I have a license. Plus, if I were to make the trek there with anyone else, they’d probably be bored driving out of their minds. But who knows? Maybe the trip would have been worth it. We could have grabbed some food on the way, watched the movie, maybe even stay in Hartford overnight and see some notable sights the following day. That is… if it already happened, but it didn’t. So I still have the opportunity to go to Hartford.

But I am not taking it. I just got back to college and I want to make sure I stay as close to home as possible on various occasions. I’ll still go out and see movies, I mean, why wouldn’t I? But just not in Hartford. Maybe in Providence if something is playing there in IMAX 70mm.

I am not suggesting or implying that there are no 70mm equipped theaters less than an hour or so away from me, even 35mm equipped theaters for that matter. In fact, there are a couple. In the Boston area, they have the Somerville Theatre and the Coolidge Corner Theatre. I went to both theaters last year and they are nothing short of fantastic. This brings me to another main point. I have a Twitter account.

*SHAMELESS SELF-PROMOTION ALERT*

Follow me on Twitter! If you want to see more of my moronic thoughts, go to Twitter, type JackDrees in the search bar, find my account, which as mentioned, has the handle “@JackDrees” and let the magic happen! Over there you’ll find crazy statements, livetweets (beware of spoilers), my quick two cents on things that I decided not to post on here, and occasional appearances in hashtag games. DO IT NOW!

MY TWITTER

Anyway, on Twitter, I was typing away, trying to look over more grammatical mistakes than my current president tends to look over. One of my final posts of 2018 was this:

I tweeted this back on December 21st, and I don’t know whether or not Netflix, Alfonso Caurón, or someone else behind this movie happened to be stalking my account, but several days later, this could be found on Coolidge Corner Theatre’s Twitter feed.

Once I saw this, I knew there was a treat, and I was likely just about to be in for it.

AND I AM!

This Saturday, I’m actually going to see this movie at the Coolidge Corner in 70mm. I never thought that Netflix would actually consider being at least a minor force in the movie theater business, but now, they seem to be teaming up with theaters more often. Granted, they still have ways to go before they can become a true force, they need to do more releases in multiplexes as opposed to just doing limited releases. In fact, maybe what they could do is operate like Amazon. While Amazon is yet another one of those companies I can’t stand, I can tolerate them compared to Netflix because their business model is to come out with a movie in theaters, and after awhile, it becomes free on their service, while still managing to release physical media. The point is, Netflix won me over for once. I’m actually going to see “Roma.” I said some time ago that perhaps the only way that Netflix will get me to subscribe to their service is if they revive “King of the Nerds” for a fourth season. This will not get me to subscribe to their service, but it’s getting me to see Netflix content, which to me, is a true feat.

Again, I am seeing “Roma” on Saturday, and my review for it will be up maybe a day or two after. I am admittedly busy on Saturday and Sunday, but Monday is Martin Luther King Day so I may have some free time to do things like blogging. Only time will tell. Nevertheless, I want to thank Netflix for keeping moviegoers in mind in an age where digital streaming, not to mention digital projection, is seeming to trump other ways which we consume media. Thanks for reading this post! I don’t know how “surprised” you guys are, but to me, this felt like a surprise, so this is why I marketed the post as such a thing. But still, hope you enjoyed the post and look forward to my review for “Roma!” Speaking of movies, I might be going to see “On the Basis of Sex” pretty soon, so if I do, my review for that will be up as soon as possible. Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, have you checked out, or are you going to check out “Roma” in 70mm? I’m actually quite curious about it because the movie was actually shot digitally from start to finish so I don’t know what it will be like on the screen. Let me know down below! Scene Before is your click to the flicks!

International Men’s Day: Is This Holiday Worth Celebrating?

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Hey everyone, Jack Drees here! Today is November 19th, 2017. Today is World Toilet Day, although there is another holiday that is getting a little more recognition than that and it’s International Men’s Day. This holiday was conceived on February 8th, 1991, and inaugurated on February 7th, 1992. The holiday is now observed annually on November 19th, much like how International Women’s Day is observed on March 8th. I’ve been thinking recently and a lot of other people have as well, what is the true significance of International Men’s Day?

To answer that, I was on Twitter earlier today and I managed to come across a variety of tweets. Many people are saying things along the lines of: More men have mental illnesses than women, you should recognize men who may as well be considered role models, and this day shouldn’t even be worth celebrating because “every day is International Men’s Day.” My response to that last one is this: Yes, it is true that men are more privileged than women. Men are traditionally paid more, they’re not sexually harassed as often, and they never had to ask for the right to vote (with exceptions). However, to say that every day is International Men’s Day is like saying that the Hulk is always incredible. That’s not true, the Hulk is sometimes angry too. While I was on Twitter, I came across a tweet from a user I follow who happens to work for Teen Vogue, @laurenduca, a user who I admire because basically she’s fighting for women’s rights and she’s written a great article I read in the past. However she recently crafted a tweet that personally, I disagree with:

Let’s get something straight here. I was going through some of the replies to this and some of them were rather chuckleworthy. They were talking about Louis CK and Harvey Weinstein. As I was reading this, I wasn’t necessarily “surprised” she would tweet something like this, but it made me question this very holiday. I already have questioned it in the past, but it brought the questioning back into my mind. Not to mention, it brought a new question into mind as well. That question is: How many women hate men? Also, how much do they hate them? I’m not saying Lauren Duca hates all men. If she did, there’s a good chance she wouldn’t have liked some of my tweets praising her. Although let’s dive a little deeper into this by talking about the concept of feminism, because a little birdie told me Donald Trump is a little too controversial.

Feminism by definition is the advocacy of women’s rights in the realm of gender equality. If you ask me, I believe women deserve an equal amount of rights as men. Although here’s the thing. We already have an International Women’s Day, and I actually happen to recognize that holiday more than I recognize International Men’s Day. International Women’s Day is recognized because women fought for rights, mainly the right to vote. I recognize this holiday more because I feel that men get a lot of credit, and there are times when women don’t really get much spotlight so I feel the need to give it to them. On Twitter, I give shoutouts to women in honor of this day. I literally search for random Twitter users who happen to be female or I choose from female users I already know and give them a shoutout. In 2015, I did this for a month. In 2016, I did it for a few days, and in 2017, I made a whole day out of it. My question is when it comes to these holidays, if you want gender equality, why can’t both genders get a holiday? Yes, women, throughout history, had more struggles, but both men and women deserve recognition. At the risk of sounding like Donald Trump, I’m referring to the good ones. We don’t need to recognize men like Adolf Hitler or Osama Bin Laden or Joseph Stalin, we can honor those who have done good for the world. People like John F. Kennedy, Benjamin Franklin, Martin Luther King Jr., or Alexander Graham Bell. The same goes with women on their day. Forget about people such as Abby Lee Miller, Kim Kardashian, or Irma Grese. Try to remember those who have brought positivity from your gender. People like Elizabeth Cady Stanton, Lucretia Mott, Amelia Earhart, or Oprah Winfrey.

Down below is an image I’ve seen from multiple Twitter users.

If you ask me, you could probably do without the domestic abuse victim statistics because when it comes to basic math, 40% is below the majority between the genders (I assume these stats possibly include men who identify as transgender). Also, the fact that men serve longer in prison isn’t exactly worth pointing out either. It’s almost like saying “Hey! We committed crimes! So give us more credit for our time!” Although at the same time maybe they’re talking about the average time spent for similar crimes committed by both genders so this kind of makes sense if that’s the case. Granted, prison is awful, plus there’s always a chance that someone might be there for a reason they don’t deserve. Let’s say that there’s a law broken that the majority of people disagree with, or there are people who have been falsely accused, etc. Nevertheless, these statistics are valid and are worth recognizing. Suicide is a major issue, it’s executed multiple times a day and it’s very unfortunate whenever it happens. I just want to say to everyone who’s thinking of committing suicide, don’t. You won’t know what you’re missing. Why not live life a bit longer? See if it turns around if it’s got you down. Homelessness is also a big issue, if I were homeless, I wouldn’t be writing this. I want people, regardless of gender to have a home that way they can be who they want to be. …As long as they don’t become an asshole. Pretty much all of these issues are important.

When it comes to mental health, that’s a focal point for this year’s International Men’s Day. Men are more likely than women to find themselves living with antisocial disorders or substance abuse. Also, there are men who have been raised to to become masculine, and there are also those folks who can’t join that club. They remain silent for themselves and don’t express their feelings as much as other people.

In reality, the real reason why I think people question the idea of International Men’s Day is the fact that men are often viewed as privileged compared to women (which is true) but the thing is, I feel that a number of people fail to recognize that there are good men out there. There are also men out there who need help. Going back to Lauren Duca, to “cancel” a holiday like this one is discrimination. Yes, men have done this to women for years. Although in reality, we all want equality. The whole idea of feminism is to not only make progress in terms of giving more rights to women, but to make sure they have AS MUCH, NOT MORE, rights and power aside men. Sure, there are different rights women can have as opposed to men, like rights having to do with being able to get abortions. After all, men can’t get pregnant, but I’m pretty sure my point is made. Stuff like this is why I hate the new “Ghostbusters” reboot, it’s saying “women are superior to men.” They’re not. Men aren’t superior to women either. As genders, we’re supposed to work together. We have our differences, but in the end, said differences are just in existence. Think of it this way. If a woman said the male gender doesn’t deserve International Men’s Day, imagine what would happen if a man said the female gender don’t deserve International Women’s Day! Also, what if we took away Father’s Day? It would also be fair to take away Mother’s Day. Actually, you know what? A small part of me wants those taken away that way Hallmark has less cash-cows on their hands. By the way, love you mom and dad! We have holidays for food, for f*cking food! National Cheeseburger Day is on September 18! National Lobster Day is on June 15! We even have… a holiday… FOR CROUTONS! CROUTONS! FOR F*CKING CROUTONS! I’M NOT MAKING THIS UP! We, a civilized society, have a holiday, for f*cking croutons! Look it up! I’m not kidding! National Crouton Day! Observed on May 13th! EVERY F*CKING YEAR! I mean, people like croutons. So… I better let them have their day.

Ultimately, I think International Men’s Day is not a bad idea. Sure, International Women’s Day is a day that I recognize more, but it doesn’t mean I just completely ignore the idea of International Men’s Day because there are men who deserve recognition. Whether it be the brains like Albert Einstein, Stephen Hawking, or Neil DeGrasse Tyson, or the brawn like Mahatma Gandhi, William Wallace, or Aron Ralston, or even those men who can’t speak for themselves. So people, if you think all men are bad or get too much attention, look further. Women are advancing up the charts in terms of achievement and recognition and part of me sees what the future will be like for them. Although while women will have their rights, part of me wonders if we’ll be seeing a role reversal in the future where women get all the rights and men don’t get as much. I’m not saying that this will happen, and I believe a good portion of us are capable of knowing what “equality” means, but it’s something that I wondered if it will ever happen. I don’t mind a future where mostly women have power, I just want a future where people of any gender will have rights as equal as the person next to them. So yeah, happy International Men’s Day.

Thanks for reading this post, and I want to know your thoughts. Do you think International Men’s Day is worth celebrating? Do you think it’s stupid? Let me know your thoughts down below! Also, as far as movie reviews go, I have tickets to see “Justice League,” I’m seeing it the day before Thanksgiving so look forward to that review and a couple days later I’m gonna be seeing “Wonder,” which stars Jacob Tremblay, who also starred in one of my favorite movies of the decade, “Room.” Stay tuned for those reviews and other great content! Scene Before is your click to the flicks!

 

What the Heck is Up with Justice League (2017)?

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Hey everyone, Jack Drees here! Last weekend we got a new movie from Marvel Studios, specifically “Thor: Ragnarok,” and while many people, including myself, say that Marvel has proven to create excellent films, there are also many that say DC, isn’t like Marvel. Now, I will say this, I saw “Wonder Woman” in the theater this year, and as of now, I actually think I like that movie better than any of the movies released thus far in the MCU. Based on Marvel’s past records and reception, it’s guaranteed that “Thor: Ragnarok” will be a box office success and a likable movie according to many viewers. Now the real question I have is, can DC deliver on the same thing?

As much audiences and critics loved “Wonder Woman,” not everyone thought movies like “Man of Steel,” “Batman v. Superman: Dawn of Justice,” and “Suicide Squad” were worth watching. Also, this upcoming “Justice League” movie is being directed by Zack Snyder, who I haven’t seen GREAT films from yet, but many people like him for his work on “Watchman” and “300.” I haven’t seen “Watchman,” but I have seen “300.” If you ask me, I enjoyed “300,” I thought it was a visually stunning movie with a very fitting vibe, some great music, but it ultimately rounded out to a 7/10 experience for me. I’ve also seen “Sucker Punch,” which like “300” is visually appealing, although not as good. However there’s one action sequence in that movie that was f*cking amazing! Zack Snyder’s films, from memory, don’t usually have much substance, but a good amount of style interjected into them. That style has worked for our eyes even in the DCEU (Detective Comics Extended Universe), the way the action is shot in “Man of Steel” is extremely exhilarating to the point that even Doug Walker, AKA Channel Awesome’s Nostalgia Critic, someone who in a video said “‘MAN OF STEEL’ SUCKS!”, said that the action in the movie was super awesome and felt like “Dragonball.” In “Batman v. Superman: Dawn of Justice,” part of the movie was shot in the IMAX format, which looked great when presented on IMAX screens. Interestingly, when the movie came out on home video, the aspect ratio changes which were shown in IMAX theaters, weren’t shown on the home video version. The movie is also full of eye candy visuals all over the place. Not to mention, Wikipedia suggests “Batman v. Superman” is the 7th most expensive movie ever made, which is tied with “Harry Potter and the Half Blood Prince,” “The Hobbit: The Battle of the Five Armies,” “Captain America: Civil War,” and “The Fate of the Furious.” Zack Snyder isn’t the only one who has a major say in the production of “Justice League” however…

If you have seen or heard “The Avengers” and “Avengers: Age of Ultron,” you may know those movies were directed by Joss Whedon, who is also known for creating the TV shows “Buffy the Vampire Slayer” and “Firefly,” both of which have received followings from nerds over the years. Whedon is also involved with “Justice League’s” post-production and that’s because Zack Snyder’s daughter died after committing suicide. This happened March 20th, 2017, and this lead to Snyder initially hiring Whedon to take over. Speaking of replacements, when it came to the movie’s score, Junkie XL (Mad Max: Fury Road, Deadpool), who also did part of the score with Hans Zimmer for “Batman v. Superman,” was originally hired to do “Justice League’s” score, however Joss Whedon hired Danny Elfman to take his place. This does make a lick of sense if you think about it, because Elfman has worked with Whedon in the past during “Avengers: Age of Ultron.” If you ask me, that score wasn’t very good. Nothing stood out about it except for the end of the movie when the theme you hear from the first “Avengers” film pops up, which wasn’t even an original piece from Elfman, that was done by Alan Silvestri, who also did another score I admire, specifically “Night at the Museum.” Now, I like Danny Elfman. The man’s done some of my favorite scores (Spider-Man trilogy, Oz the Great and Powerful), but given the vibe we’ve seen from this universe thus far, and having heard Elfman’s past scores, I seriously wonder how the music would go with the movie in terms of meshing together properly. Although this might be good for “Batman” fans, because reports have come up lately that his theme for Batman will be in the upcoming “Justice League” movie. You know, the one audiences first heard back in 1989. Also, this might be interesting for “Superman” fans as well because another report came out suggesting that his score will feature a dark twist on the iconic “Superman” theme, originally done by John Williams. As interesting as that is, the future, as far as this movie goes, seems shaky. But on a positive note, specifically for myself, the music we’ve gotten in the Detective Comics Extended Universe thus far is miles better than most of the music in the Marvel Cinematic Universe.

It’s hard to know what to expect from this film, considering you have multiple minds taking control of it. You have Zack Snyder’s and you have Joss Whedon’s, whose mind came into play during post-production. In fact, I’ve seen a change in terms of the vision when it comes to the film’s look as a whole. I went to YouTube and took screenshots of a similar part of both the trailer released in March and the most recently released trailer. In the trailer released in March, the sky looks dark and blue, whereas in the latest trailer it looks fiery and red. Just compare the scene where Aquaman is car surfing and see what I mean. Two different visions might ruin the movie and affect it significantly. Not to mention, it just begs a ton of questions. These include “How much has changed?” “Why was there change?” “How will the changes affect the final product?” If you ask me, Joss Whedon can direct better stories than Zack Snyder whereas Zack Snyder is better with style. This movie has reportedly gotten reshoots since Whedon took over, so maybe the original product had not much story and it’s possible that Whedon could be changing that. Although there was another movie that has gotten reshoots in the DCEU that while it ended up pleasing certain people, it couldn’t make everyone happy, specifically “Suicide Squad.” There’s a good chance that the reshoots might not end up paying off and leaving certain people rather unsatisfied with the results. Also, what if these reshoots are making this movie a simple carbon copy of “The Avengers?” I ask that because Whedon directed that movie and if you think about it, in fact if you know the material you don’t even have to think about it, they’re very similar in terms of concept.

Speaking of shooting troubles, let’s talk about Henry Cavill. It was reported that he would be in the movie, but at the same time, it was also reported that he was shooting for “Mission: Impossible 6” which is set to come out in 2018. In fact when he was shooting “Mission: Impossible 6,” his role required him to have a beard. He had to go back and forth between productions, which by the way, different studios are behind the two films. Paramount is behind “Mission: Impossible” and Warner Bros. is behind Justice League. Cavill couldn’t shave his beard during his time working on “Justice League” so essentially it was removed digitally during post production. That’s pretty much all I’ll say about him because if I go on with certain thoughts related to Cavill, it would spoil “Batman v. Superman.”

Speaking of actors in this movie, let’s talk about Ben Affleck. A lot of people like Ben Affleck, both as an actor and a director. Here he’s acting as Batman, which going into “Batman v. Superman,” some people were worried about, but as audiences walked out, they actually didn’t mind his interpretation. Although some might wonder what the future is going to be for this man. You may be aware of the whole Harvey Weinstein fiasco going on at the moment. You know, the sexual harassment scandal. Turns out that Affleck is chums with Weinstein and he made a tweet containing the image below:

Fun fact about this tweet, someone noticed it, that someone being Rose McGowan, she called Affleck a liar, because he knew about Harvey Weinstein’s actions. She later tweeted “Ben Affleck fuck off.” I will say though, there is a time that she took this kind of case too far, when it came to another person who tweeted about this, Ryan Gosling. He tweeted saying he felt bad about everything that’s going on, and she quote tweeted Ryan’s tweet saying this: “you could at least do us the courtesy saying our names.” My response, just be thankful. Ryan Gosling is trying to remind people this is a serious issue and this is his way of doing it. It’s like saying every single birthday card must have a gift certificate inside it, otherwise it’s not a birthday card. Although in all seriousness, this is literally where we are at! A cinematic universe’s biggest star caught in a scandal that’s larger than the Mall of America! It doesn’t even end there, in the wake of this, several people have called out on Affleck for sexually harassing them. For example, in 2003, he groped Hilarie Burton’s breasts on MTV’s “TRL.” Another example is during a Golden Globes party in 2014 with Annamarie Tendler. On October 11 of this year, she made the following tweets:

As far as other cast members go, they’re not exactly involved in any of this Harvey Weinstein business, but this is a serious matter. Ben Affleck has such a major role in the DCEU, so he’ll either be kept around, which I think might result in slight controversy at the very least, or he’ll be fired, needing to find a new actor to play Batman. After all, this universe’s Batman is getting a standalone film directed by Matt Reeves, director of “Cloverfield” and this year’s “War for the Planet of the Apes.” Not to mention, Jason Momoa, the fellow playing Aquaman, was recently under a similar situation. You may or may not know he happened to be Khal Drogo on “Game of Thrones,” otherwise known as the one reason many people either subscribe to HBO, or the one reason some people pirate it. Jason Momoa attended a San Diego Comic-Con panel in 2011, which was for “Game of Thrones.” He said at one point that he loved the show because he got to “rape beautiful women.” Based on what I’ve read, this is a much smaller case than Harvey Weinstein’s super-sized scandal, but it is something that many would consider a distasteful comment. Although to be fair, he did apologize for it.

Next up, you have the release date. This film is being released on November 17, 2017, which is two weeks after “Thor: Ragnarok.” That movie owned the box office on its opening weekend. It soared past the first “Thor” at an 84% increase, and also flew by “Thor: The Dark World” at a 41% increase. As far as the US goes, this is the fourth largest opening of the year. There’s a chance that while this movie is out, people might still be thinking about “Thor: Ragnarok.” Plus, people in general have gone to see Marvel movies and liked Marvel movies as opposed to DC movies. This takes us into an interesting battle: “Batman v. Superman: Dawn of Justice” vs. “Captain America: Civil War.” Both movies had heroes fighting against each other and despite the fact that two of DC’s most popular heroes were duking it out in a fight that many fans have waited to see for years in a live action movie, “Captain America: Civil War” ended up making more money. According to Box Office Mojo, “Captain America: Civil War” is in the top 3 films, in terms of gross, released in 2016, with a total of $408,084,349 domestically and $1,153,304,495 worldwide. “Batman v. Superman” earned a spot as the highest grossing film released by Warner Bros. in 2016, and it made it to the #7 spot in terms of all films for the particular year. That film’s total gross came out to $330,360,194 domestically and $873,260,194 worldwide. Now there are multiple factors that could have contributed. People seemed to give more positive reception towards “Civil War,” which in my opinion it deserves. Although I will say the audience score for “Batman v. Superman” on Rotten Tomatoes is at 63%, which is a positive score. However the critic score is much lower at a total of 27%. Compared to “Captain America: Civil War,” both scores are lower. The audience score and critic score are nearly identical for “Civil War” with the audience one being 89% and the critic score being 90%. By the way, Rotten Tomatoes in general should be taken into consideration since it is a source that a good number of moviegoers seem to rely on before they decide whether or not a movie is worth their time and money. There’s a possible chance that more families went to see “Civil War” as well, which I wouldn’t be too surprised by considering Marvel has shown to advertise themselves as slightly more family friendly than some DC films. Also keep in mind there are more heroes in “Civil War.” While “Batman v. Superman” has two heroes in a fight, a mega-throwdown is a crucial part to “Captain America: Civil War.” “Batman v. Superman” has Batman, Superman, and Wonder Woman interjected in there. “Captain America: Civil War” has Captain America, Iron Man, Ant-Man, Black Widow, Hawkeye, Falcon, Vision, Rhodes, Bucky (yes, he counts here), Scarlet Witch, plus the introductions of this universe’s interpretations of Black Panther and Spider-Man. The biggest thing that triggered people like me to go to this movie aside from being in the MCU is that Spider-Man was in the movie! Also, he was being played by a teenager! Plus, you gotta consider, Marvel’s owned by Disney, the creator of Scrooge McDuck, and as of now, a literal Scrooge McDuck. Maybe the world is used to Marvel movies, know they’re good according to personal opinions, and have less to say about DC. Also, there’s a possibility that certain individuals ended up seeing the movie more than once during its theatrical run. I will admit, I was one of those people. I went on opening night and I went again during its third weekend. I didn’t see “Batman v. Superman” twice in the theater, I did however watch it more times overall compared to “Captain America: Civil War” when I bought the Blu-ray. Speaking of weekends, “Batman v. Superman” also suffered a significant box office drop from its first to second weekend. The total drop happened to be 69.1% (not counting Thursday previews), compared to 1997’s “Batman & Robin,” which dropped 63.3% from the first to second weekend. I’ll remind you, “Batman & Robin” is a movie considered by an enormous number of people to be the worst “Batman” film ever made, and quite possibly the worst, if not one of the worst comic book films ever made. You never know what could happen. Maybe people will see it. Maybe people will like it. Although there is a good chance that if this movie fails to impress people, it could drop dramatically, in a result that’s possibly worse than “Batman v. Superman,” because if the world has taught us anything about movies and opening weekends, comic book movies are the bomb. Not to mention more money is given towards it if more than one hero is part of the story, unless we’re talking about a movie I’ll mention in just a moment. Also less people will go see it the more negativity they hear about it. In 2015, “Fantastic Four” was widely disliked and that also suffered a tremendous drop from the first to second weekend. To be specific, it turned out to be 68.2%. Also, I won’t go into much detail about this because it’s kind of in assumption territory, but I wonder how many people are avoiding this because they think we don’t need “another Marvel deal.”

Another thing that has some people worried, including myself, is that as of now, no reviews of this film have been put out yet, and there’s a reason for that. The review embargo doesn’t lift until the day before the movie comes out, specifically November 16th. Let’s compare this to other movies based on comic books. The “Logan” review embargo was lifted on February 15th, 2017, which was multiple weeks before the movie released and that movie is considered by many to be one of this year’s best films. “Thor: Ragnarok’s” release date was placed two weeks prior to the one for “Justice League,” specifically November 3, 2017. The embargo for that movie was lifted on October 19th, two weeks prior to opening night. Many people praised that film and commercials even stated by MCU standards, it’s the best reviewed movie yet. 2015’s “Fantastic Four” had its review embargo lifted August 6th, which was the day before the film came out. So “Justice League” ultimately has something in common with a film that was considered terrible by comic book fans, terrible by average moviegoers, and may as well have just been for Fox to just keep the rights to the franchise so it doesn’t go to Marvel Studios. There was a point this year where I thought based on my personal tastes, “Thor: Ragnarok” was going to be slaughtered by “Justice League,” but now I’m increasingly thinking the opposite. The production for this film is so clunky that it makes the production for “Suicide Squad” look like a walk in the park! The trailers have evidence of used footage which has been changed from one trailer to the other! And in the end it almost feels like some of this is just being rushed!

I can describe my current excitement for “Justice League” in the same way I did at a point for “Thor: Ragnarok.” I’m excited, but also worried. Part of me really wants to enjoy this movie because it’s “Justice League.” You’ve got all the DC heroes coming together, the effects look good, the casting choices are stellar! However the behind the scenes stuff and the review embargo news makes me apprehensive. I also wonder what certain theaters are going to do now that Ben Affleck is constantly being called out for his actions related to sexual abuse, not to mention I wonder how audiences will react to this movie now that this is going on. If this movie fails, the DCEU might die hard and that would personally be disappointing news because I wanted to see what Warner Brothers would do with a cinematic universe related to DC Comics. Also, I want to see more work from Gal Gadot. Although if I could make a suggestion, if Affleck is fired, I’d like Warner to ask Christian Bale if he would like to return as the caped crusader. On a lighter note, let’s talk about a convention.

This weekend, specifically November 10-12, I will be in Providence, RI for this year’s Rhode Island Comic Con! I will be going all three days, Friday through Sunday. This will be taking place at the Rhode Island Convention Center, the Dunkin Donuts Center, and a hint of the Omni Providence hotel. I’ll be walking around the convention, making purchases, attending panels, all that jazz. I’ll even make a post documenting my time at the convention for you all to read if you’re interested in checking that out. This convention is dedicated to comic books, movies, and TV. You’ll be seeing a good number of artists there, not to mention vendors, but you’ll also run into a ton of celebrities. Some of the headliners include William Shatner, Elijah Wood, Michael Colter, Mark Ruffalo, Ian McDiarmid, Jerome Flynn, Dave Bautista, and Norman Reedus. There will also be some music related guests including Gene Simmons and Al Yankovic. What I’m personally most excited for is the “Revenge of the Nerds” reunion, where several cast members from “Revenge of the Nerds” will be coming to the con, signing autographs, doing photo ops, and will be talking at a panel together. This is gonna be sick! If you want to find me at Rhode Island Comic Con, you do need a ticket to get in, they are still on sale by the way, and chances are you might see me in blue sunglasses. This is my third year in a row going to this event, it’s a lot of fun, I highly recommend it, and I hope to see you there!

Thanks for reading this post, hope to see you at the convention this weekend if you can make it and if you can’t make it, that’s fine. Also, if you are part of a convention or convention organization and want me to review a con related to it, either comment or email me! I do have a contact page so don’t be shy. Stay tuned for more reviews and posts! Also, how do you feel about this buildup to “Justice League?” Worried? Calm? Let me know down below! Scene Before is your click to the flicks!

The Emoji Movie (2017): A Literal Pile of Sir Patrick Stewart (WARNING: STRONG LANGUAGE)

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Before we begin this review of the piece of crap they call “The Emoji Movie” I would like to remind everyone that I’m not doing this for clicks, as you can see above, I have proof I saw this. I’m doing this review for a couple of reasons. 1: To give you a movie review. 2: I’ve gotten requests to do this. I would like to say to those people, thanks for the request and I’m happy to deliver on it, but at the same time, f*ck you. But seriously, who doesn’t love hearing a guy complain about a s*itty movie? If you have children, let them read at their own risk, and enjoy my review!

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“The Emoji Movie,” AKA an animated s*itshow, is directed by Tony Leondis, who you may know for directing “Igor,” an animation from 2008, and it stars TJ Miller (Silicon Valley, Deadpool), James Corden (The Late Late Show with James Corden, Gavin and Stacey), Anna Faris (Cloudy with a Chance of Meatballs, Mom), Maya Rudolph (Bridesmaids, Grown Ups), Steven Wright (Mad About You, Son of the Mask), Jennifer Coolidge (Legally Blonde, 2 Broke Girls), and Patrick Stewart (Star Trek: The Next Generation, X-Men). This movie revolves around the Meh Emoji, played by TJ Miller, and if you know the Emojis and are familiar with them, you’d know they represent symbols and they can’t really change, so naturally in this movie about Emojis which actually live inside a person’s phone, each Emoji is only capable of making one expression. However, TJ Miller’s Meh is a bit more expressive, making him unique from other Emojis. However Meh isn’t intending on having that unique quality about him last so he sets out on a quest in order to make him a normal Emoji.

I bet you’re asking, “Jack! What the f*ck are you doing?! This movie has no potential! Why are you seeing this?!” My answer to you is, I don’t know. Going in, I expected this movie to make me want to kill myself. On opening night, “The Emoji Movie” was leaked to have gotten a 0% on Rotten Tomatoes. Granted the rating has gone up since I found out about that, but it’s worth pointing out. If I weren’t doing this blog, I’d probably ignore this movie, but the thing is, quite a few people have requested that I’d do this. I made a Twitter poll not long ago and when the results came in, it turned out more people wanted me to review “The Emoji Movie” than not review it. So ultimately, I wanted to see how deplorable this movie actually was. And trust me fellas, this movie was crap! This is probably the worst animation I’ve ever seen. This movie copypastes elements from other animations which have been released over the years but has none of the charm, heart, humor, or likability needed to make a good product. This movie makes “Ice Age: Collision Course” look like “How to Train Your Dragon.” This movie makes “Transformers: The Last Knight” look like “Pacific Rim.” This movie makes “Terminator: Salvation” look like “TRON.” This movie makes “Battlefield Earth” look like “Interstellar.” This movie makes “Fant4stic” look like “Spider-Man 2.” “The Emoji Movie” is so bad that it doesn’t come as much of a shock when you think about it, it’s a movie about Emojis! A concept which on paper, sounds dumb as s*it and is also dumb as s*it in reality. When I talked about the first teaser trailer for this atrocity, I knew something bad was going to happen, and damn I turned out to be right!

Let’s talk about TJ Miller’s character of Meh in depth. If you ask me, I like TJ Miller, I enjoy him in “Silicon Valley,” I appreciated his character in “Deadpool,” and I also like his voice. Even if he’s doing crap, he still does a fine job. For example, he was in “Transformers: Age of Extinction,” which in my book is mediocre at best. He played a character named Lucas Flannery and at one point while watching that character, he might as well come off as some sex pervert or something. Granted he’s not on screen as long as other characters, but this is something many people saw in that character. If you watch him in the beginning of the film, you’d probably have a good guess as to what I’m talking about. TJ Miller wasn’t terrible casting-wise for Meh, which utterly surprised me, he also isn’t TERRIBLE as a character, but the thing that this movie was trying to do with a lot of the characters, this one included, was make them funny, although the movie failed to deliever on that. Although I will say, one thing that’s kind of funny about TJ Miller being cast in this movie, is that in “Deadpool,” another movie he’s in, he has to explain to the main character of Wade Wilson, what the poop Emoji is.

WADE WILSON (Ryan Reynolds): (Looking at a text from Ajax) What is that?

WEASEL (TJ Miller): That’s the s*it Emoji. You know the turd with the smiley face and eyes. I thought it was chocolate yogurt for so long.

Along Meh’s journey over the course of the runtime, we meet a couple supporting characters. Hi-Five (James Corden) and Jailbreak (Anna Faris). This is part of where the elements from other animations come into play. Hi-Five is basically the comic relief of the film, it’s almost like your typical “scene stealer” you’ve seen in movies like “Up” (Dug), “The Secret Life of Pets” (Snowball), or “Frozen” (Olaf). I’m fine with this movie having a character like that, but the big problem I have with the character has to do with the most basic quality a comic relief character needs, which is humor! I don’t recall any funny moments from the character, same for the movie itself. I wanted this character to literally DIE. There was one moment where there was some sort of giggle coming out of my mouth, but I need more than a giggle! In fact there were actually kids in this theater with me, they almost didn’t utter a sound. I actually was in the second upper row in the theater, there was barely anyone in my row, but one row above me, there was a family. I don’t know what their final thoughts are on this movie, but I remember one part of the movie scaring a kid, and I recall that more than making them laugh. By the way, the character who caused the kid to get terrified was Smiler, played by Maya Rudolph, we’ll get to her in a bit, but let’s talk about Jailbreak for now. Jailbreak wasn’t the worst character on screen, although there were some things I didn’t like about her for sure. One thing that was noticeable was how much she was like Wyldstyle (Yes, that’s how her name is spelled) from “The LEGO Movie.” The only difference between her and Wyldstyle is that Jailbreak doesn’t have a boyfriend when we first meet her, and she’s basically displayed as some sort of feminist. I don’t have too big of a problem with that, but still. Not only do we get a rather cliche character, but as she develops during the film, she just becomes more and more cringeworthy! Oh yeah, speaking of cliche characters from animations, TJ Miller’s Meh, who we recently talked about, actually is kind of stock too! In a way, he’s almost like Emmett from “The LEGO Movie” and Ralph from “Wreck-It Ralph!” I imagine some of the people imagined this is part of went on behind the scenes. Some dumbasses watched some animations and said “Oh yeah, that was the s*it!,” and thought “Let’s try to recreate those, but with Emojis!” So they went to Sony Pictures Animation and suggested this s*itshow of an idea to them and Sony Pictures Animation told them, “Welcome aboard! Time to capitalize on the name “Emoji!” Who cares if it’s s*it? We decided that “The Angry Birds Movie” was a good idea so let’s become known as the phone movie gods!” My response to that is, thanks Sony Animation! Thanks for being a bunch of f*cking twerps that don’t understand the concepts of art and storytelling (flips two birds)!

On a different subject, let’s talk about Maya Rudolph’s character of Smiler, she was the film’s main antagonist. I find this character to be one of the most annoying villains I’ve seen in my life. And by annoying, she didn’t exactly annoy any of the movie’s characters, she annoyed me. I HATED her voice. She’s basically what would happen if Joy from “Inside Out” went insane. I despised this character! As a villain, her motivation was clear, but as a character, her personality didn’t make me smile, IT MADE ME RAGE! Speaking of things that made me rage, we get ANOTHER similarity to “The LEGO Movie” when it comes to the villain! She has these minions that are supposed to look menacing, you know how in “The LEGO Movie” they have these characters referred to as Micromanagers? They’re all black and red and they essentially, well, micromanage stuff. Guess what’s in this piece of crap?! MORE BLACK AND RED MINIONS! They look different and they don’t exactly do the same thing the Micromanagers do, but it just comes off as unoriginal especially when you keep a lot of the other elements from this film in mind. What are the names of the minions? I don’t know and I don’t give a f*ck!

One of my absolute biggest disappointments concerning “The Emoji Movie” is Sir Patrick Stewart. Now keep in mind, when say Patrick Stewart is a disappointment, I didn’t hate him in this movie, it’s just that I wanted to see more of him. He plays the Poop Emoji, and I think it’s a superb casting choice, by far the best one in the movie. Who doesn’t want to see a British piece of s*it walking around with a remarkably soothing voice? I will say, regardless of what you think of Patrick Stewart in this film, there’s one interview where Stewart is talking about the movie, it’s on “Conan.” The interview was meant to promote “Logan,” but Patrick Stewart and Conan O’Brien talked about “The Emoji Movie” at one point. I don’t know, I just love it. The video’s down below if you want to watch it.

Although one of the biggest flaws when it comes to this character, is something concerning him and his son, Poop Jr., or PJ. There’s this one scene from the trailer containing a poop joke, you know what I’m talking about if you’ve seen it. Before that even happens, Patrick Stewart comes out of a stall with his son, who is established to be ten years old. I’d be OK with this if the son was like, I don’t know, three and he wasn’t toilet trained, or if he was puking at one point or had diarrhea or something, but the problem here is, he’s toilet trained, shouldn’t he be in his own stall? Does he or his father have some sort of fetish with watching people eliminate waste? OK, no, that’s probably not the case, this is a kids movie, but still. In fact, during the same scene, TJ Miller’s Meh is in the bathroom too, he’s actually in there with his mother and father. One thing I want to know, is this a unisex public restroom? Because if it isn’t, this would be really awkward. Also the record, it’s easy to tell based on the qualities of the characters that none of the Mehs are transgender or anything. Just put the father Meh in the bathroom without the mother and you would avoid me questioning this scene! Speaking of which, let’s talk about Meh’s parents.

The parents of Meh are referred to as Mel Meh (Steven Wright) and Mary Meh (Jennifer Coolidge), and they serve their purpose. They’re there when they need to be, but my biggest problem with them is that maybe they’re in the movie a little too much. OUT OF THE MOTHERF*CKING BLUE, some subplot comes up that has to do with them separating, which basically does nothing for the film as a whole! You may as well consider this the opposite of “Seinfeld” because “Seinfeld” is a show about nothing and yet it turned out to be something, and here, you get something, but it turns out to be nothing! By the way, there’s a f*cking “Casablanca” reference thrown in somewhere into this subplot. THIS MOVIE TRIED TO REFERENCE “CASABLANCA!” A critically acclaimed, black and white film, was referenced, in this movie! I’m a sucker for references, but movies, TV shows, video games, whatever it may be, in my book, have to make sure these references are utilized properly and doesn’t end up feeling forced! I haven’t seen “Casablanca,” but this reminds me of the “Ghostbusters” remake when they try to reference “Scarface!”

Now part of movie takes place in this inside a real world and another part of it is in a virtual world. Does it sound like something that’s been done before? If you said yes, I’m with you because this idea has been done before. Three movies that pop in my mind when it comes to this are “Wreck-it Ralph,” “The LEGO Movie,” and “Inside Out,” all of which I consider to be great. You can also say this was done in 2011’s “The Smurfs,” but you’d be wrong, that has transporting between dimensions, not to mention it’s just hilarious to call “The Smurfs” a MOVIE. Here, the virtual world is inside a cell phone with all of these apps and Emojis and all sorts of other s*it. The real world is basically during present day, and we see a teenage boy who has a crush on a girl. While they did happen to exchange phone numbers, he’s still a little apprehensive towards the status between him and the girl because he’s having trouble deciding what to say to her and what Emoji to send to her. Now one movie reviewer whose content I frequently check out is Jeremy Jahns, he has an “awesometacular” YouTube channel. He mentions in his review that this makes no sense because the boy and the girl already has given out phone numbers to each other so the boy should have no problem contacting this girl. Believe it or not, I don’t use Emojis quite often, but I am in high school, and IF I have a crush on a girl, I might sometimes not know what to say or type, or if I know there’s something I know I want to say or type, I might not know exactly when I want to say or type it. The boy in this movie, the one who owns the phone all of these Emojis are in, wasn’t a horrible character, but watching him at times in this movie was just weird. His role in the movie involves trying to ask out Addie, the girl he has a crush on to what is referred to as the “Fall Dance.” That’s a pretty cliche dance name if you ask me, but that’s not important. He also is trying to take his phone to tech support because it’s starting to go crazy due to all the activity going on in there with the Emojis. He certainly moved the plot along, but when you combine the world of the Emojis with reality, it suddenly becomes cringeworthy. This is especially noticeable during the “Candy Crush” segment of the movie. In fact, let’s compare this to two other animations, “Wreck-It Ralph” and “Inside Out.” This also just goes to show you how much this movie is like those!

When it comes to both of these movies, both of those take place in two different dimensions which can’t be crossed. In Wreck-It Ralph, you have the real world, which is basically inside an arcade, and for the virtual world, it’s inside the games which make up the arcade. In “Inside Out,” the movie took place in the real world, where we see the life of Riley, the film’s main character who moves to San Francisco with her parents, along with the virtual world, which is inside Riley’s head and we get to look at all of the emotions such as Joy, Fear, and Anger. What makes “Wreck-It Ralph” and “Inside Out” great is that they focus a lot on their story and happen to remain smart, which is kind of funny because this movie takes place in a “smartphone.” Also, “Wreck-It Ralph” was a fun ride for kids and adults alike, “Inside Out,” wowed me and almost made me cry at the end. Another similarity is that these three films contain a character going on an adventure away from where they primarily belong, which is fine, I don’t mind that, but the other movies did it better. Also, the inclusion of “Candy Crush” kind of reminded me of “Sugar Rush” from “Wreck-It Ralph.” The way the characters and apps are in “The Emoji Movie” remind me of “Wreck-It Ralph” too because in “Wreck-It Ralph” you’ve got all of these iconic video game characters like Pac-Man, Q*bert, Bowser, Zangief, and Sonic the Hedgehog, who actually was played by the same guy who did the voice for him in “Sonic Free Riders” and “Sonic Generations.” In this movie, it’s kind of hard not to include these characters, after all, this is “The Emoji Movie,” but “Wreck-It Ralph” did a better job at including those characters by not including anything that would be considered forced or cringeworthy. Not to mention, the characters that are all in the Wreck-It Ralph video game are exclusive to this movie, they aren’t based off of any sort of video game, they were made up for the “Wreck-It Ralph” movie. When I first heard about “The Emoji Movie,” I thought this movie wasn’t necessary. I gave kudos to the animators for making it look good, but then again you can look at an animation like “Ice Age: Collision Course” and say it looks good. Also, in “Wreck-It Ralph,” the video game the main character belongs in goes out of order due to “technical difficulties,” and in “The Emoji Movie,” the phone might not have much time left because of its own technical difficulties. And there’s one moment in this movie, specifically towards the end, which reminded me of a flashback that occurred in “Wreck-It Ralph” in Sugar Rush.

One thing I DETESTED in this movie is the obnoxious product placement! This movie has more product placement than a Michael Bay “Transformers” film! You can argue that “The LEGO Movie” was a commercial, but here’s the thing, the story came first. It almost felt like Sony Animation or someone else behind this film thought about contacting a bunch of companies who make apps and say “Hey, you want to be in our s*itf*ck in the ass?” and they somehow put them all in there so they can just make s*itloads of money! “The LEGO Movie” utilized product placement to a certain degree and there’s only one moment in the movie that feels commercial-esque (the moment that talks about a bunch of LEGO sets) but not only does it fly by, it’s kind of makes me laugh. This movie has an entire segment inside “Candy Crush” that moved the plot along, and when it comes to other stuff, it’s almost like this: “You guys know Facebook? Oh look, here’s Facebook!” “You guys know YouTube? Here’s YouTube!” “You guys know Instagram? Oh look, there’s Instagram!” There’s also a segment containing a dance sequence which was PAINFUL to watch. Guess where it takes place? “Just Dance!” There’s even a moment where our heroes have to get to Dropbox! Not only that, but guess how they get there? Twitter! No, they don’t go through the app, instead, the Twitter bird mascot shows up! What the f*ck?!

I want to ask something, were you expecting a good movie out of this? Because I sure wasn’t. This was one of my least anticipated films of the year, and the reason why I saw it is basically people wanted me to go see it. I’m doing this for others, not myself. “The Emoji Movie” is nothing but a rip off of better animations, a s*itty idea which became a s*itty movie, and a poorly written, anger-inducing f*ckpile of a film created by a bunch of c*cksucking jackasses that just want to capitialize on a trend! If this movie makes enough money, there’s a slight chance that some motherf*cker might make a “Fidget Spinner” movie! I have a good idea for one, but we DON’T NEED ONE! If you bring your family to this film, you’d all probably be bored. If you bring your boyfriend or girlfriend to this film, they’ll dump you. If you bring your husband or wife to this film, they’ll divorce you. If you bring your best friend to this film, they’ll call the friendship off. If you bring your boss to this movie, they’ll fire you. If you bring a celebrity or someone like that whom you admire because they like you well enough and want to hang out with you, they’ll need a restraining order in order to protect themselves from you. “The Emoji Movie” is a quality example of a s*itty Hollywood movie that f*cks up people’s minds and makes them all explode. I’m gonna give “The Emoji Movie” a Sir Patrick Stewart/10, which can translate to 💩/🔟 if you speak Emoji, which can also mean s*it/10, although if you’re a kid it would be better for you to say poop/10, which in plain English, comes out to 1/10. There’s no reason for this movie to exist, I’ve only seen a few movies in my life that are worse than this damn pile of holy s*itness. I would probably much rather go back in time and f*ck Adolf Hitler in the ass than watch this movie again. Also for the record, I’m heterosexual so that makes it extra embarrassing. Thanks for reading this rant–err–I mean, review. Please don’t see this movie. You’re better off watching “Dunkirk” with your kids. Sure, it may be a war film with scary events happening, but at least you’ll be watching art. Speaking of which, check out my review for “Dunkirk,” the link is down below, it’s a good read, I highly suggest you check it out. Stay tuned for more reviews! Scene Before is your click to the flicks!

“DUNKIRK” REVIEW: https://scenebefore.wordpress.com/2017/07/26/dunkirk-2017-a-bloodless-yet-realistic-depiction-of-war/