Missing Link (2019): Good Animation Is Not Endangered

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“Missing Link” is directed by Chris Butler (ParaNorman, Kubo and the Two Strings) and stars Hugh Jackman (X-Men, The Greatest Showman), Zoe Saldana (Guardians of the Galaxy, Avatar), Emma Thompson (Saving Mr. Banks, Love Actually), Stephen Fry (V For Vendetta, The Hobbit: The Desolation of Smaug), David Walliams (Britain’s Got Talent, Pudsey: The Movie), Timothy Olyphant (Santa Clarita Diet, Live Free or Die Hard), Matt Lucas (Doctor Who, Alice in Wonderland), Amrita Acharia (Game of Thrones, The Good Karma Hospital), and Zach Galifianakis (The Hangover, Due Date) in a film about an explorer who comes across a rare creature who we as an audience come to know as Mr. Link. It is eventually revealed that this creature has others of his kind and he calls upon the explorer who found him to help bring him to said others.

“Missing Link” comes from the brilliant folks at Laika, known for films like “Coraline,” “ParaNorman,” “The Boxtrolls,” and “Kubo and the Two Strings.” Granted, of the four films I just mentioned, I personally have witnessed two of them. But it does not change the fact that my experiences of watching those films were exhilarating and worth just about every second of my time. “Coraline” is just a blast! It’s a creative, slightly disturbing, and compelling animation from 2009 that I honestly question myself as to why I haven’t gone back to watch it just a few more times. And I’ll even say that “Kubo and the Two Strings” is even better! That film for now stands as a 10/10 in my book, and it’s up there with films like “Arrival” and “Captain America: Civil War” as one of my favorite films from 2016. As an aspiring screenwriter, it spoke to me. And wow! What Laika can do with stop motion animation is purely groundbreaking! As for “Missing Link,” it is not as good as those two films, but it’s still good enough to say it is worth a watch.

This film shines mostly for its upbeat and quick pace, and the film’s dialogue seems to fit the pace and vibe with ease. I really like the chemistry between all of the characters and there is a lot of humor in the film that didn’t feel immature. I look at particular animated films every now and then and see where they are going in terms of humor, they are CLEARLY trying to just get the attention of young children. Granted, that’s the typical stereotype when it comes to animated movies. Dancing! Fart jokes! Just write the script for the kids whose brains haven’t fully developed yet! Who cares if it’s s*it? Does Laika do that! Hell no! Instead, they are keeping all ages in mind while also trying to be smart, which is something I enjoy seeing from animated films or other movies that could probably cater towards families.

Although speaking of these films, “Missing Link” reminded me of a DreamWorks animated film that came out in 2009, specifically “Monsters vs. Aliens.” Granted, the storyline, not to mention animation style, is completely different, the ideas behind both films don’t really connect with each other. But I have a question.

Chris Butler, is “Monsters vs. Aliens” your favorite movie?

I mean, seriously! This film is called “Missing Link,” which is a decent title for a number of conceptual projects, but that’s not the point. If you have seen “Monsters vs. Aliens,” you may be aware that one of the monsters is a long-living fishman by the name of THE MISSING LINK! In fact, in the image above, he can be seen on the left! Now some of you may be thinking, “This is only a coincidence, how could this apply to what this jackass is saying?” Well, Mr. Link in this film also goes by the name “Susan.” If you are not familiar with “Monsters vs. Aliens,” Susan is the name of the main character of the film, who also goes by Ginormica, played by Reese Witherspoon. Is this film a secret tribute to a 2009 DreamWorks movie that played a part in my childhood? I ask because if that’s the case, holy s*it!

I also really like one thing the movie did towards the end, because it almost felt like a little trip into reality. It kind of reminded me of certain human issues that trace back to years before this film came out, and issues we continue to have today. It’s one reason why I really liked the character of Mr. Link so much, since I had the ability to sympathize with him. But it wasn’t like his character was a downer throughout the film. Much like some other characters, he was charismatic and had fitting dialogue to make me give him two thumbs up. In fact, compared to other animations I’ve seen, and this may be a bit of a stretch, the characters and vibe add up to be completely quirky. Granted, it makes sense as this is not entirely done on computers, unlike most modern day animated films and instead done through stop motion work. But the film felt like it could only come from one particular place. I will say, in terms of quirky animations, it’s got nothing on Wes Anderson’s “Isle of Dogs,” but this is still worth pointing out.

I will say though, adding onto something I mentioned earlier, the one major disappointment I have regarding “Missing Link” is that other than the appreciation for its likable characters, quirky vibe, and compelling screenplay, it didn’t have the oomph factor that I would want out of a lot of movies. I may sound like a spoiled brat, but it felt like something was left out. There was a part of the movie during one of the first scenes that I thought was incredibly symbolic, but I won’t go into because it’s in none of the movie’s trailers. Simply put, despite my positive thoughts on the film, there was nothing to make me want to play the Blu-ray again right after watching it. Comparing the film to “Coraline” and “Kubo and the Two Strings,” I feel like those two films left a bigger impact on me. “Coraline” was probably an easy oomph for me because I was 9 and I wasn’t really familiar with too many films with this sort of style. But when I saw “Kubo and the Two Strings,” it felt like it was everything an animated adventure film should have been. Good balance between humor and seriousness, fantastic cast of characters, and a neat concept. Maybe I’m biased there too because that film sort of pays tribute to storytellers, which is a way I sort of see myself.

Although, if you do want to be wowed in some way by this film, I will say, stick around for the credits, because it actually shows part of the process that goes into filming a stop motion scene. It’s really a sight for the eyes.

In the end, I really do recommend “Missing Link,” but it is also the weakest of the Laika films I have witnessed thus far. It’s kind of like Christopher Nolan. My least favorite film of his is “Insomnia,” but it doesn’t mean I am going to avoid recommending it, because there are qualities that make it watchable. Plus, I like it better than some of the other animated films we have gotten so far this year, specifically “The LEGO Movie 2: The Second Part” and the abomination against humanity known as “The Secret Life of Pets 2.” Laika is continuing to deliver original and exciting content, and while this film did not make much through its box office totals, I really hope it picks up on home video, especially in the family demographic. I’m going to give “Missing Link” a 7/10. Thanks for reading this review! I have couple more movies to review, I’m not sure I will be getting both out by the end of the week. To be honest, I’m not even sure if I’ll even be getting the first one out until next week because this weekend…

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I’m going to Terrificon! Terrificon is a three day event held at Mohegan Sun in Uncasville, CT! It’s a convention that caters to fans of comics, sci-fi, fantasy, animation, and gaming! If you are at Terrificon this weekend, know who I am, or even if you don’t know who I am, feel free to shout my name from the rooftops! I will be walking around the convention center and various areas of the casino (although I am not gambling), so feel free to give me a hello at any time! If you want to keep yourself updated with everything I do here, I have a Facebook page that gives automated posts every time I upload something new on here, and speaking of things that are on here, give this post a like! Give this blog a follow either with your email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Missing Link?” What did you think about it? And this question is for everybody, but if someone named Susan replies to this, I will give it a like. What are y’all’s thoughts on DreamWorks’ “Monsters vs. Aliens?” Personally, it’s not their best animation but it’s better than some of the “Shrek” sequels and it’s nice to see Stephen Colbert playing the President of the United States, especially since every other day he makes fun of the President of the United States. Let me know down below! Scene Before is your click to the flicks!

Once Upon a Time in Hollywood (2019): There Lived an Actor and His Stunt Double

“Once Upon a Time in Hollywood” is directed by Quentin Tarantino (Pulp Fiction, Django Unchained) and stars Leonardo DiCaprio (Inception, Titanic), Brad Pitt (World War Z, Allied), Margot Robbie (Suicide Squad, The Wolf of Wall Street), Emile Hirsch (Into the Wild, Speed Racer), Margaret Qualley (The Leftovers, Death Note), Timothy Olyphant (Santa Clarita Diet, Live Free or Die Hard), Austin Butler (Switched at Birth, Arrow), Dakota Fanning (Coraline, The Twilight Saga: New Moon), Bruce Dern (The Hateful Eight, The ‘Burbs), and Al Pacino (Scent of a Woman, Heat). This film takes place in Hollywood around the time of the Manson murders during 1969. The story focuses on the dynamic duo of the characters played by Leonardo DiCaprio (Rick Dalton) and Brad Pitt (Cliff Booth). Dalton is an actor and Booth is Dalton’s stunt double. Together, they have a hunger for fame and fortune as the Golden Age of Hollywood comes to a close.

If you have been following this blog in recent weeks, you may have gotten the implication that I have just recently introduced myself to the masterful works of Quentin Tarantino, a director known for his quirky style, gritty scripts, and his enthusiasm to deliver a rather nostalgic vibe to his films. And this film is no exception. It is shot using 35mm film, it takes place in 1969, and it is designed to be presented as a love letter to ancient Hollywood. It has callbacks to real life Hollywood figures including Roman Polanski, Bruce Lee, James Stacy, and Sharon Tate. There are tons of throwback cars that can be seen that truly highlight the automobile culture of California that seems to continue to exist today. It kind of reminded me of “Amercian Graffiti” a little bit.

My excitement for this film was through the roof as soon as the tickets went on sale. I called my dad, he and I agreed to go on opening Thursday, I picked to go to the 7:30 show at the Somerville Theatre, which if you are not from Massachusetts, it is a 100 year old theatre that has a few screens, but one of them is in a grand auditorium that shows a lot of event-type films. I was there last year for the 70mm film festival, more specifically, for when they showed John Carpenter’s “The Thing.” It was my second time watching the film, and the atmosphere was turned up to an 11 when it came to how lively the crowd happened to be. I thought we were going to get a few people to show up for this film, because let’s face it, “The Lion King” is out right now, everyone’s going to see that, and unlike “The Thing,” “Once Upon a Time in Hollywood” was playing for more than one night. Plus, it didn’t have reserved or reclined seating. People seem to flock to those two things nowadays.

And I’ll let you in on a little something about “Once Upon a Time in Hollywood.” It’s the single best movie experience I had this year. Yes, better than “Endgame.” The atmosphere was almost dead during “Endgame,” there are several moments in this movie where people would shout, yell, laugh, applaud, it felt like I went to the world premiere of a “Star Wars” film. It was the very definition of exhilerating! The theater might have been sold out, if not super close to being sold out. I got to chat to a guy in the row in front of me about Tarantino films, there was a lovely lady I got to talk to about his work and other people’s films. This was clearly going to be an experience to remember. OK… maybe this has to do with the atmosphere of the film. But how was the movie you ask? F*cking nuts! It’s a special kind of awesome! I mean, could you expect anything less from Tarantino? This is the fourth movie I have seen from him, and this is probably my 2nd favorite. This film is full of excellent scenes with great characters, lines of dialogue that made me laugh and cheer, and fantastic setpieces.

For those of you who don’t know, part of the production of this movie involved transforming Hollywood as if it were presented in the 1960s, and I think the movie did a really good job with it. All of the neon lights shining everywhere and the plethora of signs set the mood, I dug the driving scenes that really had that flair of fun attached to it, and I felt immersed into the world that happened to be presented almost to the point that I imagined myself as a part of it, and I think from watching “Pulp Fiction” and this film, that is something that I think Tarantino can do very well. And this may be a big reason why I enjoyed this film so much. No matter what movie I have seen from Tarantino so far, the appropriate vibe is automatically set. But I feel that Tarantino, from what I have seen so far, has done a better job with his films when they are slightly more grounded in reality. Even though I saw “The Hateful Eight” and there can be a definite argument that that film grounds itself in reality a little bit, it doesn’t really have characters that I can latch onto. The characters in “Once Upon a Time in Hollywood” feel raw, they feel like people I would probably run into at one point in my life. Maybe I’m biased since this takes place in Hollywood and I am an aspiring filmmaker and I can picture myself working with people who are similar in some ways to these characters, but my case still stands. “The Hateful Eight” has characters that at times are interesting, but for one reason or another, I just can’t relate to all of them.

And this is why I really enjoyed the main characters of the film, Rick Dalton and Cliff Booth. The two legitimately feel like a best friend pair, and seeing a number of scenes with the two together happened to be entertaining. Whether they were working or hanging out, they just made the movie worth watching. If I had to be honest, when it comes to acting, it’s almost difficult declaring whether DiCaprio or Pitt had the better performance because for one thing they’re both great actors. Not to mention, when you put the two together, they have the perfect recipe for a friendship. Plus, it kind of makes sense since in the movie Booth has to emulate Dalton in productions together, so in a way they have to act like they’re the same person. I’m not saying they are in real life. Both have their individual characteristics and storylines and they hypnotized me. I’ll also point out that the proper execution and quirkiness of said storylines are part of why I would want to go see this in the theater a second time.

And you want to know the best part about this movie? I can’t speak for everybody, but pretty much the entire theater, and this is a lot of people, happened to be dying laughing. This is why I enjoy going to movies with crowds, not to mention in cities (which I did technically for this film) because recent experiences have shown that my urban movie experiences (mainly during early access screenings) have usually gotten better reactions than ones I’d traditionally experience elsewhere. It felt like I was part of the worldwide Tarantino cult, they just accepted me after introducing me to their rituals, and we all came together for an experience of a lifetime.

As for myself, I am kind of in an unfortunate position because I have been exposed to tons of content, and as much as I enjoy watching certain comedies, I often feel like I have “seen it all” or seen enough to know what to expect. Here, I was laughing through a number of scenes, I was appreciating a lot of the dialogue that has been uttered, and it never felt like the movie lost its groove. It was one interesting moment after another. And this all builds up to the big. F*cking. Climax of a lifetime! It is quite literally a Tarantinogasm of super f*cked-up awesomeness on a stick! Is it the best climax or ending in movie history? No, it’s not, but it is by far one of the wildest. I cannot recall the last time, or at least the last recent time, that I laughed as hard as I did during this climax with all the s*it that was going down. I cannot go into it, but the climax alone is worth the price of admission, everything else feels like an appetizer. I, like pretty much everyone else in the world, saw “Avengers: Endgame” this year, and I thought the climax to that, especially as a geek, was fantastic. This ending, to me, wasn’t fantastic. It was bloody phenomenal!

And by the way, speaking of movies I saw this year, one of my other highlights happens to be “John Wick: Chapter 3.” That franchise, as you may know, has a lot of emphasis put on dogs, and the most recent installment manages to continue highlighting their importance to everything that’s going on. In my review for that film, I said it had my favorite dog-related scene of the year. That thought has since changed because “Once Upon a Time in Hollywood” has a scene that I really cannot go into involving a dog. If you have seen the movie, you may know what I am talking about. It’s almost out of left field in the best possible way. Talking about it feels like a sin because it’s something I really want to do, but it feels wrong because, well in this case, spoilers could flood out of my mouth.

Just… See this movie, my gosh it’s f*cking ride.

I will say though…

The film is not perfect.

Yes, I have raved about this movie to death. Both in person and on here, but there is one single, solitary flaw that I have with the film.

And to my disappointment, it kind of involves Margot Robbie’s character of Sharon Tate, because despite how she may have cool scenes, and how she has a relation to one of the film’s characters who is mentioned by name, she almost had no real part in this movie, or at least one that contributes to the bigger picture of what is happening. And I will admit, it was sad to see her in this film after realizing she is watching the last film she will be alive to see herself in. But even with that, her character could have had more depth to her. She didn’t feel lifeless, Robbie portrayed the character very well, and she was charming. Kind of like how in “Suicide Squad,” the movie itself wasn’t the greatest, but Robbie did an excellent job portraying Harley Quinn. I’d probably have to watch the movie again to decide whether or not this storyline was necessary because there is a part of me that does think it is compelling and is a part of this old Hollywood love letter, but also begs to question how needed it really is.

Nevertheless, the movie is still an excitement bomb. It is still one of my favorite movies of the year, and I would INSTANTLY go back to the theater and watch this film again because I saw this film with my dad, we couldn’t stop talking about it on the way home, and he made an interesting comment. He was laughing so hard that he must have missed something. When your film is good enough to possibly allow that to happen, a repeat viewing is inevitable. Will I go back and see the film one more time? Hopefully, but only time will tell. And if I do, I will be really damn excited.

In the end, the hype is real for “Once Upon a Time in Hollywood.” Tarantino once again presents himself as the cinematic mastermind he has always been made out to be. The film utilizes a lot of practical effects to turn Hollywood back fifty years, to say the acting is solid is an understatement, and there are several scenes I will be looking forward to viewing once I see this movie again, because it is absolutely phenomenal. And again, the Sharon Tate thing, I liked certain scenes she was in, but her character almost felt tacked on. I could grow in appreciation for her. After all she’s played by Margot Robbie, who is one of the most beautiful women working in film right now, so who knows? This is not to say she can’t act, because again, she was charming. And there are several films that I have seen this year that are funny. A couple of examples include “Long Shot” and “Fighting with My Family.” But when it comes to comedic timing and writing, this film is most likely going to be the absolute best we are going to get this year in terms of comedy. Between the awesome and brilliantly written final act, the investing opening scenes where we get to know our lovely main duo, and a gag involving dog food, there is so much to enjoy in this one film. I cannot wait to talk more about this film with other people and I cannot wait for this film to come out on Blu-ray. I’m going to give “Once Upon a Time in Hollywood” a very high 9/10. I have a feeling, and it’s just a feeling for now, depending on replay value and how I feel about certain aspects of this film over time, this could increase to a 10. I’m not sure, but this was one of the best looking films of the year, one of the most well shot movies of the year, one of the most interestingly written scripts of the year despite my flak given to Sharon Tate, and one of the most compelling ensembles of the year. But seriously, Tarantino, you are a god and we do not deserve you. Thank you for this orgasmic movie! And if it means anything, I’m pretty sure this has to be the best “9” movie of the decade so far. So a score change may be possible, who knows?

Thanks for reading this review! I just want to let everyone know that next weekend is the release of the “Fast & Furious” spinoff, “Hobbs and Shaw.” I probably won’t see the film right away because I’m going out of state for a night, but I will likely make a commitment to get my ass in the theater at some point. It is a movie that I am looking forward to simply because it looks absurd for all the right reasons, so once I can see it, I will take that opportunity. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Do you have a Facebook? Check out my Facebook page! You can get all the latest info from your favorite movie reviewing moron regarding upcoming content, new posts, and more! I want to know, did you see “Once Upon a Time in Hollywood?” What did you think about it? Or, what is your favorite Quentin Tarantino movie? Let me know down below! Scene Before is your click to the flicks!

Scene Before 2019 HALFTIME REPORT (And Glance Into the Future)

WARNING: The following post is over 8,000 words long. Disappointingly, it’s not over 9,000.

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Hey everyone, Jack Drees here! 2019 is midway through and this year is going by fast! As far as my personal life goes, I’m in between my first and second year of college, I am enjoying my time off, and I’m the same movie reviewing moron as usual. Things have changed, but at the same time, I’m still the same flick nerd I have always been. And I mean that literally, but we’ll get to that later. However, I wanted to try something I haven’t done before on this blog. At the end of the year, I tend to do some reflective work, most notably countdowns. And while I am not going to do that at this current midway point, I would at least like to sit myself down and go over some recent highlights related to Scene Before. At the same time, I’d like to also look into the future. Admittedly, some of this is still in planning stages, but still.

I’d like to start off with something I’d like to call “TERRIFIC 3” and “TERRIBLE 3.” I am going to list 3 movies that I have watched this year that I would recommend to people and 3 other movies that I would tell people to avoid. Now, of course, these picks are subjective, if you think differently about these films than I, it might be slightly harder to talk to each other, but you are nevertheless entitled to your different thoughts. In fact, these are not supposed to be my top 3 best or worst of the year so far. If I like a film, I’ll list it, if I don’t like a film, I’ll also list it. These are not meant to be in any particular order. Anyway, let’s begin!

TERRIFIC 3!

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Starting off the Terrific 3 is “John Wick: Chapter 3!” I went to see this film in Dolby Cinema alongside my dad, who might be a bigger “John Wick” fan than anyone else I know. He and I walked out agreeing that the action in the film is absolutely top-notch. The action in “John Wick” films is certainly the aspect that would grab my attention more than any other. Long takes, innovative setpieces, gritty violence, all of it adds up to make some of my favorite action scenes of all time. When it comes to current action franchises, I am having some slight trouble deciding whether I prefer this or “Mission: Impossible.” It’s that good!

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Up next is a stellar DreamWorks animation whose franchise I never watched religiously, but always liked, “How To Train Your Dragon: The Hidden World.” If you have ever seen the game show “Deal or No Deal,” the show always highlights the phrase “timing is everything,” and when it comes to “How To Train Your Dragon: The Hidden World,” that phrase becomes more relevant than ever. This movie came out in the middle of my second semester of college, and I could not help but feel like the people behind the movie were trying to consider me in its target audience. After all, while “How To Train Your Dragon” may be a franchise directed towards families and children, this growing adult could not help but feel like a kid again. In fact, to add more to this true masterpiece of an animated film, I became more emotional during this movie than I did during perhaps more than any other. Even more than “Toy Story 3.”

Last but not least for the Terrific 3 is a movie that I decided to list because it’s on a slightly different end of the spectrum. Because let’s face it, I’m kind of recommending movies to you, and why recommend “Avengers: Endgame” when almost everyone went to see it? So let’s recommend a smaller movie, such as Terry Gilliam’s “The Man Who Killed Don Quixote.” Now some would argue that this is a 2018 flick, but in the United States, which is where I live, this didn’t come out until 2019. For those of you who don’t know this movie, “The Man Who Killed Don Quixote” took decades to make, and it’s about a guy who reunites with someone he worked with during a production. This person he meets with is convinced that he is Don Quixote. This did not get that big of a release in theaters, but it is worth seeing just because of its history, because despite going through “development hell,” it managed to turn out quite well! The movie is now available on home video including various VOD options.

Now let’s move onto something that probably doesn’t deserve any attention, but because I believe in equality, we’re talking about it anyway, the Terrible 3!

TERRIBLE 3!

First up is a movie that I want to put on here because what’s the harm with having an unpopular opinion? Oh wait, everything. Who cares? One of the most successful movies of the year, “Captain Marvel,” just didn’t stick the landing for me. This had a lot of hype building up to it, but I personally just couldn’t relate. And when I saw the final product, I felt like… Wait, why’s everybody laughing and cheering? Yes, there are a couple of cool moments in the movie. For example, I dug the 90’s references such as Blockbuster Video and Dial-Up Internet. Brie Larson and Samuel L. Jackson have some good chemistry, but when it comes to Larson in general, her performance was kind of mediocre. Granted, I know grade-A acting isn’t the biggest component of a comic book movie, but Brie Larson, an Academy Award winner, felt more like she was in a couple straight to DVD films and that’s it. Granted, I think she did a slightly better job in “Avengers: Endgame,” but her performance here simply underwhelmed me. Plus, there’s a moment in this movie that references a significant part of the MCU lore (having to do with Samuel L. Jackson) and quite honestly, the way they go about it just killed my brain.

Up next is a movie that could have been great but was simply wasted. From the creators of NOT “Firefly” comes “Serenity.” “Serenity” could be somewhat fun, not to mention a great “thinker” movie, but it manages to become more boring the more I think about it. I love the movie “Interstellar,” so I was somewhat excited to see Matthew McConaughey and Anne Hathaway unite once again for another project. Both have talent as actors and they’ve proven they have great chemistry. Honestly, I’d just go back to watching “Interstellar” if this is the movie we’re getting. Although this movie came out in January so it should not be surprising that we would get a movie of this quality.

And finally, we have what may be my worst movie of the year should nothing surpass it, “Godzilla: King of the Monsters.” The sad thing about “Godzilla: King of the Monsters” is that I was actually desperately anticipating this movie. When I went to see it, I was ready for what was about to happen. Or was I? Seeing movies in IMAX may be great because it feels so big, but when they’re a big mess, what is the point? Maybe the monster fights could be fun, but if I wanted to watch this movie again, I’d probably have to be heavily drugged. Because let’s face it, as cool as big monsters are, the unforgivable part of “Godzilla: King of the Monsters” are the one-dimensional human characters. This could be slightly less intolerable if the human characters were less of a focal point during the movie, but they made me want to go back and check out some of the “Transformers” movies again! They’re THAT horrible!

I just showed you all my terrific and terrible picks, now let’s go over a few recent highlights from my blogging journey.

As usual, I kicked off my 2019 with my traditional countdowns to reflect on the year of 2018 in film. I went over the best of the year along with the worst of the year. Some of my top picks included “Spider-Man: Into the Spider-Verse,” “Eighth Grade,” and “Mission: Impossible: Fallout.” Some of my bottom picks included “The 15:17 To Paris,” “Uncle Drew,” and “Life of the Party.” I enjoy doing these countdowns every year and this is the first year that I started writing what I would put in the countdowns as early as August. I did not do this for every single movie, but I visualized the lists a long time prior to actually releasing them. This does not suggest that I avoided considering movies released past August, as evidenced by some of my picks.

After I did my lists, I saw my first 2019 release, which according to IMDb, is actually a 2017 release. Based on my experience and research, I’d call it a 2019 release, but still. That film by the way is “The Upside,” which is a remake of 2011’s “The Intouchables.” I personally have not seen “The Intouchables,” and while “The Upside” from my perspective is not really anything special when it comes to cinema, it is still a fun time. I went to see it at a press screening, and there were tons of laughs to be heard.

A couple weeks later I went to one of my local arthouse theatres to see a flick that I almost ended up passing on. Specifically, “Roma.” Why? Because when it comes to today’s media, Netflix is a company that I traditionally tend to avoid. But one of my local theaters managed to get access to a 70mm film print of “Roma,” which would be presented for a limited time. I took advantage of the opportunity and purchased a few tickets for a matinee show. Not only was the experience breathtaking, but the movie was one of the best of the past year. If I had to redo my top 10 lists of 2018, this would be on the best list, but I saw “Roma” after completing said lists.

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I also decided to try out a new concept this year which I have decided to make an annual tradition, the Jackoff Awards. For awhile, over the past year, I have grown to admire the Oscars based on how much respect they tend to pay towards the film industry. Granted, they’re not perfect, but what they’ve done over the years is absolutely intriguing. I thought to myself, why not do a big awards related post? Present similar categories to other major shows, I do my own comedy bits, and it was perhaps the most ambitious post I have ever done. As for Best Picture, I decided to present what was then my top 10 of 2018, which DID include “Roma,” and instead of having me choose Best Picture, I would allow my audience to choose the winner. I figured it would allow for diversity in terms of opinions, and I managed to get a surprisingly diverse number of votes. I got some votes for “Spider-Man: Into the Spider-Verse,” “First Man,” “Ready Player One,” but the winner turned out to be last year’s biggest comic book movie, “Avengers: Infinity War.” Honestly, if there were any movie to put in my Blu-ray player on a Friday night at this point, it would most certainly be that one.

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I then continued my journey in March by going to the place that I would associate with film more than any other, Los Angeles. My family and I stayed right near Hollywood Boulevard and I got to visit a few media-related sights including Warner Brothers Studios, the TCL Chinese Theatre (where I saw “Captain Marvel”), and Universal Studios Hollywood. I also got the chance to witness a live taping of “Conan.” While I didn’t make a big post related to this, I managed to briefly discuss some of my highlights here and there.

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For those of you who are curious about my “Conan” taping experience, I managed to witness almost two full shows. Why? Conan O’Brien had to be somewhere when his Thursday show would air, so naturally, he had a demand, he wanted us, Thursday’s audience, to “make Tuesday’s audience look like s*it.” We got see all of Tuesday’s show, which had a couple comedy bits and an interview with Timothy Olyphant (Live Free or Die Hard, Santa Clarita Diet) and a good fraction of a Thursday night show which featured comedian Moses Storm, who joked about cell phone users, “Shark Tank,” and revealed a story where he would tape episodes of Conan O’Brien’s older talk show episodes over his religion-related educational programming. By the way, Conan in person looks like a real life action figure. Maybe it’s the makeup. Maybe it’s the lighting in the studio, but my gosh.

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I also got to visit an RPX venue for the first time. For those who don’t know about RPX, they are a premium format that can be found exclusively in cinemas under Regal Entertainment Group ownership. I didn’t plan on attending RPX when I did, but I managed to get something off my list of movie-related things to do before I died. After all, “Us” just came out, and I was in the Boston area. I figured just to save time, I’d go for the earlier, but more expensive show that Regal Cinemas Fenway was providing, as opposed to another show which would be starting a half hour later. For your information, I was aware that I was going into an RPX screen. I didn’t mind my decision, I figured if I wanted to see “Us,” I’d go see it in full scale glory because I was really anticipating it. While I have still yet to see “Get Out” to this day, I have heard about its overwhelmingly positive reception and I was expecting that Jordan Peele would deliver another sick movie. While “Us” was not perfect, it was definitely worth seeing, and I wouldn’t mind watching it again. As for the RPX experience itself, I thought the seats were not too bad. The capacity was through the roof, the screen, while not entirely wall to wall, was huge. As for the sound… It is undeniably better than a standard theater, but I was a little underwhelmed. Maybe I went to see the wrong movie, maybe the employees turned the speakers down, but when I compare the sound to something like IMAX or Dolby Cinema at AMC, I would go back to both of those places first.

Moving onto April, I managed to survive the whole “Avengers: Endgame” ticket buying craze. For those not fully immersed into what I just stated, I must point out that “Avengers: Endgame” tickets went on sale April 2nd, and the Internet went balls to the wall nuts when it came to snagging tickets. I had to wait in Fandango’s line, AMC was having problems, and it got to the point where I had to buy tickets from a somewhat local cinema chain, on their own, slightly buggy website, just to make sure I could get into school on time. I almost took the train to one of my local AMCs because I could stop by there on the way to school. If I did that, I am willing to bet I would have missed out on opening night of “Endgame,” which was the day I was shooting for. After all I did want to get my review out as soon as possible, and I did manage to score a couple tickets on remaining good seats for a 9PM show. Not at an AMC, but at a Showcase Cinemas. While it was not my first choice, I don’t regret going there, because an hour before going into the cinema, I got a glimpse at everyone leaving the 22 MCU movie marathon the theater was showing over a few days. Everyone was being applauded, and they left with some merch. I recorded this aftermath on Facebook Live, and despite my camera’s focusing problems and poor cellular service, I managed to get some respectable footage. Also as a Bostonian, I was proud of myself to catch a reporter from one of my local news channels, WBZ, or CBS Channel 4. To be specific, Tashanea Whitlow. As for the premiere itself, the movie was fun, and the three hour runtime was rather justified given what we as an audience received. I didn’t think it was perfect, I’d much rather watch “Infinity War,” but it was a great finale to over ten years of films. I will also say, this may be due to where I went to see the movie, seeing “Infinity War” was also a better experience. Because I went to see it at a 7PM show on opening Thursday on an eight story IMAX screen. If you have ever gone to see an event-type film in India, that is one of the most solid comparisons I could make to my experience. It was like going to a Stanley Cup game or something. “Endgame,” which was in a sold out theater in regular 2D, had barely any applause (although some reactions here and there), and out of everyone in the theater, I may have been the most obnoxious. If I had to make a sports comparison, I’d probably say it was like going to a slightly more competitive golf tournament. It was lively at times, but not like the roof was being blown off the place. I know some people are not particularly fans of going to theaters where everyone is reacting to the film’s key moments, but as a fan of the MCU, it’s something that I considered to be a privilege during my “Infinity War” experience.

May was an interesting month for me, because I just finished my first year of college, so I got a little more active on the Scene Before side of things. I’m now trying to earn revenue with the blog, I saw more movies than I did in months such as March or February, and I even changed my domain name. Unfortunately, scenebefore.com was taken, so I wanted to make sure I can fit something that would associate with me, but also be precise. I thought something like moviereviewingmoron.com, while definitely appropriate, is a tad too long. Luckily, after some searching, I found out that flicknerd.com was available. Did I ever call myself “flick nerd” on this blog? No, but I figured it would be a cool name to have because its simplicity will probably gain enough traction overtime. It’s hard to tell though, because this advanced blogging journey, at least from my point of view, is just getting started. I’m looking for sponsors, more potential viewers, but I’m also trying to be the same movie reviewing moron that everyone has come to know.

One of my highlight posts of the month is titled “What THE BIG BANG THEORY Has Meant To Me: A Nerd’s Perspective.” For those who are unaware, CBS’s “The Big Bang Theory” just finished it’s twelfth and final season on the air, so I figured I’d take some time to remind the world of what the show has meant to me as a fan, as someone who would constantly tune in to new episodes, and most of all, as a nerd on the autism spectrum. I probably won’t have time to give a detailed description of everything I said, so if you want to read the post, click this link!

I also saw another one of my favorite films so far this year, “John Wick: Chapter 3 – Parabellum!” Not only that, but like I mentioned earlier, I managed to catch a Dolby Cinema presentation of it, which surprisingly, didn’t make me feel like I was getting shot in the head, which may be a good thing. Seriously though, “John Wick: Chapter 3” is probably the best installment of the franchise yet, and Keanu Reeves might now just have a better trilogy than “The Matrix!”

But I cannot say the end of the month was great, because “Godzilla: King of the Monsters” happened. Sad day. Even though I went to see the film in full scale IMAX glory, it didn’t feel like something worth my time.

Moving onto June, I managed to do something pretty cool with my dad. He and I go to the movies together a lot because for the most part we have similar tastes. We match together when it comes to sci-fi, action, comic book-based material, comedy, etc. However he has never been to an advance press screening, so I thought just for fun he and I could do so for the new movie, “Men In Black: International.” It’s a movie that I probably would have checked out had I waited for it to release everywhere. After all, “Men In Black 3” is my favorite movie of 2012. However, since this was free, not to mention, early, I thought dad and I could trek to the theater and see what this movie had in store. I personally enjoyed it. I know some people were scared of how this movie would turn out based on the marketing (Then again, it’s a Sony film, whaddya expect these days?). I thought the first trailer was alright, but not great. The second trailer was an improvement and actually got me more interested in the film. As for the film itself, it is not Shakespeare, but it’s a fun time at the movies. Chris Hemsworth and Tessa Thompson have great chemistry together and I think Kumail Nanjiani’s character is a fantastic comic relief.

The best movie I saw this month was “Toy Story 4,” which I must point out, I probably was not even looking forward to back when it was announced. Boy, times do change! Unfortunately, I had to witness brain cell erasers such as “Replicas,” which I bought on Blu-ray since I had some Best Buy rewards to waste. I also saw “The Secret Life of Pets 2,” which is worse than getting scratched in the eye by a cat. Yes, Harrison Ford is in it. Yes, he is the best part of the movie. But I might as well be at the point where I would rather have a dog sniff my butt then go so that film again!

Now that I have recapped my highlights, I just want to remind everyone of what’s being planned for the future. Here is my unofficial schedule for the second half of 2019!

JULY:

Throughout the month of July, there are not that many movies coming out compared to other months in the year (at least according to Wikipedia), but I am planning on catching a few blockbuster highlights such as “Spider-Man: Far From Home,” despite how little anticipation I have for it. I also really want to catch Disney’s live-action remake of “The Lion King.” I am not a fan of the Disney live-action remake trend, but I feel that this movie will be a great theater experience and also rather compelling. I don’t know how much it is going to be a carbon copy of the original or how much it’ll go in its own direction, but I am somewhat curious as to what will come of it. I know it is longer than the original, which slightly worries me, because it could add something that perhaps the 1990s film didn’t even need, therefore ruining my experience. Plus, it’s being directed by Jon Faverau, who also worked on 2016’s “The Jungle Book,” another Disney live-action remake, which was one of my favorite movies of said year. I also really want to check out “Crawl.” The trailer didn’t have me fully onboard, but I am still curious as to how this film will turn out. Plus, it’s being produced by Sam Raimi, who is known for his work in the horror industry, and one of my favorite comic book movie directors.

This does not mean that I want to ignore independent work, because on the same weekend as “Spider-Man: Far From Home,” A24 is releasing one of my most anticipated movies of the summer. Specifically, “Midsommar.” When your movie is A: Directed by Ari Aster, who had a phenomenal feature-length directorial debut last year with “Hereditary,” another A24 film, and B: Described by Aster as “a Wizard of Oz for perverts,” I am instantly intrigued. “Midsommar” takes place in rural Sweden as a young couple takes a vacation and settles in the area. Alongside their friends, they eventually discover that this area has a festival that takes place once every ninety years, which creeps them all out. I want to see Ari Aster succeed, so hopefully this film does well.

Speaking of successful filmmakers, another well-known director in the industry, specifically Quentin Tarantino, is going to be releasing his ninth film, “Once Upon a Time In Hollywood.” And to be honest, as anticipated as I am to see this film, I have to let something out. I have not seen much of Tarantino’s work. I will most likely be going to see “Once Upon a Time In Hollywood” when it comes out, maybe in 35mm, but before I do that, I am going to be doing a small series of reviews for Quentin Tarantino movies. In fact, I already have a few lined up. Specifically, “Pulp Fiction,” “Django Unchained,” and “The Hateful Eight.” Those reviews will be done as weekly projects and they should all be up before the official release date of “Once Upon a Time In Hollywood,” July 26th.

 

AUGUST:

SAMSUNG CAMERA PICTURESRemember how I would occasionally announce I am going to cons from time to time? For some reason I have failed to do that this year. It’s not like I am not going anywhere, but I have just failed to put myself in front of my keyboard and try to say, “Hey guys, here’s where I’m going, stalk me!” Not that don’t mind the attention, I’m just saying. But if you really want to know about my next con, I do have it booked, and I will be going to Terrificon, which for those of you who have been following me for some time, you’d know that is also the first con I ever documented on this blog. And I am thinking of doing something a little different this time, just to spice things up. I’m trying to push more video content into my posts, maybe I’ll insert a compilation of the con’s highlights. I’ll record it on my camera, maybe my phone, whichever has more memory at the time. Maybe I’ll post it on YouTube and link it here. Who knows? But here on Scene Before I am trying find ways to innovate, and maybe this could be one of them.

Speaking of cons, this is NO GUARANTEE, partially because I have not even bought tickets, but there is one convention that is about a half hour away from my house that I kind of want to go to. Whether or not I am going, that’s a different story, but should things go in a certain direction, I may end up going to Fan Expo Boston, which is a con I have surprisingly never been to. And the guest list this year, aside from a couple big cancellations, is solid so far. You’ve got Zachary Levi (Shazam!, Tangled), who I will say, even if you are not into his work, he is a fun guy to meet, he is upbeat and has a massive sense of charm. Part of the cast of “Blade Runner” is going to be there including Sean Young, Rutger Hauer, and Edward James Olmos. I have a feeling there are more guest announcements coming our way, and if there are, I cannot wait to hear them, because there have been a lot of cool names who were there over the years to the point where I almost have slight regrets on missing out. If I were to get tickets to Fan Expo, I’d probably just go for one day. After all, Terrificon is the week prior, and I am staying overnight during that weekend, so my budget might be slightly higher at that event compared to Fan Expo.

Moving away from cons, I will say that my biggest film catches for August right now have to be “Hobbs & Shaw,” “Dora and the Lost City of Gold,” “Good Boys,” “Where’d You Go Bernadette?,” and “Scary Stories to Tell in the Dark.” There is not much from August that I am truly anticipating, but I will inevitably go see a few things here and there. And if you want to know something, I only put down “Dora and the Lost City of Gold” because let’s face it, “Dora the Explorer” was a part of my childhood, and nostalgia equals money nowadays. Granted, this movie looks a tad more adult-friendly than the cartoon. But am I looking forward to it? Hell no. In fact, I am thinking it is only going to ruin my childhood, but I might as well give it a chance just because I am a nice guy. I saw the recent “Power Rangers” film partially out of nostalgia and that worked for me, might as well do it with “Dora” and see if that works.

 

SEPTEMBER:
If I had to predict my least active month for the rest of the year, I have to call it right now, September is certainly a contender. For one thing, I’m going back to college, so I need to adjust to a new routine. I’m still going to keep my promise of doing at least one post within every 7 days or so, that way you can keep witnessing my constant dedication to this blog. I’m probably not gonna go see “IT: Chapter Two” mainly because I still have not seen the first one. Although the cast is pretty nifty from what I have experienced. But I am interested in “The Goldfinch,” I have some slight intrigue towards “The Report,” and maybe I’ll check out “Abominable.” I saw one of the trailers for it, and it looks like it might not be a new animated classic or anything, but I am somewhat curious to check it out, partially because even as an adult, I still have a slight need to check out animations from time to time. Plus, it is from DreamWorks, and I’m currently trying to seek out their next big thing. “Kung Fu Panda” is done, “How to Train Your Dragon” seems to be done, maybe this, or something else, can be their next kickstarter to a solid franchise. Then again, apparently they’re making sequels to “The Boss Baby,” “The Croods,” and “Trolls,” so why should I expect absolute quality? Nevertheless, it’s worth a shot.

Although if you had to ask me what my most anticipated movie would be for the month of September, it’s a no brainer, “Ad Astra.” I love space, I love compelling, dramatic stories involving space travel, even if it is close to Earth. Plus, the second half of the year for numerous ages of my life have typically contained at least one epic space movie. Maybe “Ad Astra” will be the next to join the ranks with other movies from this decade like “The Martian” and “Interstellar.”

 

OCTOBER:

This October is pretty interesting to me, because there will be a weekend where my mother and sister are out of the house and I will quite honestly, need something to do. I can’t just stay trapped behind walls! I have to see the world! Nevertheless, that particular weekend is the release of “Joker,” which I am inevitably going to check out no matter what, but for the sake of having an early review, I’m going to check it out as soon as possible. I have Fridays off from school this upcoming semester, maybe I’ll do it then. The following week is the release of Will Smith’s “Gemini Man,” directed by Ang Lee, so I might see that. And the week after is slightly bigger because Taika Waititi is coming out with his latest directorial feature, “Jojo Rabbit,” where believe it or not, Waititi himself plays Hitler. I never pictured that, but this film certainly has my attention. That same week is also the release of “Zombieland: Double Tap.” I had fun with the first “Zombieland.” I enjoyed the chemistry between Jesse Eisenberg and Woody Harrelson, and it has, at least to me, a pure highlight from Bill Murray’s acting career. And to my surprise, he’s coming back for this movie! I also want to check out “The Aeronauts” which is being released by Amazon, and the reason why I want to check it out is because it is Amazon’s first attempt at an IMAX run and it is also being released a week early in that format. The film will technically be in standard theaters in November after it’s week-long IMAX run. And if this is the case, this reminds me of the excitement I had for Robert Zemeckis’ “The Walk,” because that released a week early in IMAX and that was quite an experience.

Speaking of lesser known films, one other thing I want to check out is the South Korean flick “Parasite.” It’s getting tons of buzz at film festivals, having earned Palme d’Or at Cannes, winning the Sydney Film Festival, and already making tons of money in Korea. The film’s US release is this October, which would put it in a reasonable spot to be remembered by Academy and Golden Globe voters.

 

NOVEMBER:
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This November is particularly interesting. Because November 1st is the day I’m heading off to Providence for Rhode Island Comic Con, and that’s the day after Halloween! I’m not cosplaying (at least I have no plans to right now) at this con, but I just want to walk around the convention floor for hours and stumble upon every costumed individual and wish them a Happy Halloween. Nevertheless, I am staying true to my annual tradition of going to Rhode Island Comic Con. The guest list is usually filled to the brim, so I cannot wait to hear more announcements over these upcoming months. Even so, the convention has had some huge announcements for guests thus far. Some guests include Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), William Shatner (Star Trek: The Original Series, Boston Legal), George Takei (Star Trek: The Original Series, Kim Possible), Steven Yeun (The Walking Dead, Final Space), and to my utter surprise, and possible delight, Chevy Chase. By the way, Chase made an announcement about his upcoming appearance online and the video he made for it is very funny.

Sticking to the announcement wishlist concept, I recently made a submission on the con’s website suggesting names of five possible guests that I want to see. They include: James Murray, Curtis Armstrong, Kunal Nayyar, Doug Walker, and James Holzhauer. I could be mistaking Doug Walker for somebody else, but even if I am, he would be fun to see at the con. Of all these names, the one that really stands out to me is James Holzhauer. Out of all the people on this list, he is the least “celebrity-like” of all of them. James Murray comes close, but barely misses the mark. For those who are unaware, Holzhauer is the name of the recent “Jeopardy!” contestant who wouldn’t stop taking the show’s money. He has nearly broken Ken Jennings’ regular winnings record, only to be stopped by an opponent who beat him by more than double his final total for the game he lost. I think Holzhauer appearing at Rhode Island Comic Con would not just be unique, but also entirely appropriate. After all, it would probably bring in a new audience of people who would otherwise skip out on cons. Plus, as a game show enthusiast, I cannot help but keep talking about Holzhauer like he’s my own child. It’s almost as if being able to catch the latest “Jeopardy!” episode or at least reading up on the latest stats was the ultimate bragging right. Also, this year I’m going with a VIP ticket, which comes with various perks.

VIP Ticket Perks:

  • 3 day admission
  • Early bird admission (9AM Sat & Sun)
  • Private VIP Entrance
  • Private VIP Lounge
  • 3 Exclusive RI Comic Con Show Prints
  • Rhode Island Comic Con Swag Bag
  • 20% off RICC Branded Merchandise
  • Exclusive VIP 2019 RI Comic Con Badge
  • Exclusive RICC AR Comics-Comic Book
  • Exclusive RICC Comic Book
  • VIP Autograph Fast Pass Line
  • VIP Photo Op Fast Pass Line
  • Chance to Win 2020 VIP Pass
  • One Exclusive Mystery Item

I am personally excited for the con, and believe it or not, it is not the first time I’m getting a VIP badge, because the first time I went, which was in 2015, I managed to get said badge as well.

That same weekend is also the release of the new “Terminator” film, “Terminator: Dark Fate.” It is a cliche title, but its first trailer, personally had me intrigued. I’m excited to see what Tim Miller has up his sleeve in terms of direction. I am somewhat excited to see James Cameron involved again, although I am slightly worried because we now have more disposable “Terminator” movies than memorable “Terminator” movies. Let’s just hope we can change that.

Some of my other most anticipated films of the month include “Ford v. Ferrari,” “Knives Out,” and “A Beautiful Day in the Neighborhood.” “Ford v. Ferrari” takes place during a race to determine which of the two recently specified car brands will dominate. “Knives Out” is an upcoming mystery crime film directed by Rian Johnson. I did not like his interpretation of the “Star Wars” universe, but it does not mean I am not willing to check out his future work. Plus, this movie has a number of big names that I imagine a lot of people would like to see. Some include Daniel Craig (Casino Royale, Logan Lucky), Chris Evans (Captain America: The First Avenger, Gifted), Lakeith Stanfield (Black Panther, Sorry To Bother You), Ana de Armas (Blade Runner 2049, War Dogs), Jamie Lee Curtis (Halloween, Scream Queens), the world’s best Kevin Spacey impersonator, Christopher Plummer (All the Money in the World, A Beautiful Mind), and recent Jackoff winner Toni Collette (Hereditary, The Sixth Sense). As for “A Beautiful Day in the Neighborhood,” it is in the current conversation to be my most anticipated film for the remainder of the year. For one thing, I saw “Won’t You Be My Neighbor?” last year, which much like “A Beautiful Day in the Neighborhood,” is about Mister Rogers. That documentary not only compelled me, but reminded me of my personal flaws in my childhood, and maybe inspired me to be a better person. I still rage out on this blog a lot, but it’s something that I don’t really do for me, I do it for the entertainment of others, so that’s different. But it reminded me of how much it pays to respect those around you. Plus, TOM HANKS IS PLAYING THE STARRING ROLE?! Who else could do that?! He’s practically the nicest guy in Hollywood! SIGN ME UP! Believe it or not, that comes out the same weekend as “Frozen II,” but who cares about that?! Rogers for life!

 

DECEMBER:

The end of the year is always a crazy time for me, but just like last year, it’ll perhaps be less busy than it has been in other years. My fall semester will end during the month, and I’ll be in the cycle of watching previous movies from the year at home. This does not mean that I’ll be skipping theatrical releases, because award season is in full swing. This means I’ll be paying extra close attention to films that receive Golden Globe nominations, and as for reviewing movies I watch at home, the chances of that are very slim. But this does not mean that big blockbusters are entirely off the table. For one thing, they tend to sometimes do pretty well in certain technical categories, and we have another “Star Wars” film this year. I have intentions to go see “Star Wars: The Rise of Skywalker” opening Thursday night, mainly because I want to buy tickets as early as possible. If I can’t do that, I am going to try extra hard to find an available press screening, because aside from “Endgame,” “The Rise of Skywalker” is perhaps the biggest movie of 2019. Aside from being titled “Star Wars,” it is supposed to end “The Skywalker Saga,” and J.J. Abrams is directing again. I was not a huge fan of “The Last Jedi,” but I love “The Force Awakens” like it is my own brother. I am honestly more excited for “The Rise of Skywalker” than I was for “The Last Jedi” before that came out because I was somewhat worried that “The Last Jedi” would be a carbon copy of “The Empire Strikes Back.” Turns out it wasn’t, despite similarities to older films in the saga. And I even say this knowing how some things in “The Last Jedi” turned out. Having seen the trailer back in April, knowing certain plot points that could play out, and realizing J.J. Abrams could save this sequel trilogy, I am rather giddy for this December. But despite my excitement, I gotta ask. HOW IS PALPATINE STILL ALIVE?! I am excited to possibly see him in this film, but really?! When he was thrown down the pit in “Return of the Jedi,” yeeaah, HE F*CKING DIED. There is no coming back from that. I’m intrigued, I just need to be convinced.

When it comes to smaller films, one such film I am very excited for is “Little Women.” The film is supposed to explore the lives of sisters as they live in 1860s Massachusetts. It may not be my type of movie on paper, but one reason why I am excited is because the film is being directed by Greta Gerwig, who also helmed one of the best coming of age stories I have seen in recent years, “Lady Bird.” In addition to that, the cast is killer! This movie’s got Meryl Streep (Sophie’s Choice, The Iron Lady), Emma Watson (Beauty and the Beast, Harry Potter and the Philosopher’s Stone), Laura Dern (Big Little Lies, Jurassic Park), Saoirse Ronan (Lady Bird, Mary Queen of Scots), and TimothĂ©e Chalamet (Interstellar, Beautiful Boy)! I am also probably going to be looking into “1917,” which is a war film. Those tend to often go for awards, which is why I have my sights set on it. There are a couple films that I might check out that I would probably regret seeing, but the only real film that I’d struggle with reviewing is “Fair and Balanced.” Granted, this does not mean I am not looking forward to the film, nor am I expecting to be underwhelmed with it, in fact it sounds rather intriguing from a storytelling point of view. But the movie is about relationships between women and Fox News owner Roger Ailes, and I feel that it is going to be rather hard to keep my political opinions out of the review. I’m not saying I am a core conservative that keeps a closed mind, I try to see all sides and then form my own opinion. I have made various political jokes here and there on Scene Before, but politics is not my top priority, especially when you consider how divided we are as a country right now. Although I did manage to check out “Vice” last year, which was pretty good, but part of it had to do with the buzz it has been getting. Who knows? Maybe I’ll check out “Fair and Balanced,” for all I know it could be the best movie of the year, but I feel like it would be hard to review if I’m going to have to inject my experience with how the world operates in terms of politics. We’ll just have to see.

And of course, I’ll be finishing off the year, or perhaps more likely, kicking off next year, by recapping my top 10 BEST and WORST movies of 2019. I enjoy doing these countdowns every year, because I get to honor films one more time, and also give myself a minor stress release.

Although I must remind you, it is 2019, and here on Scene Before I am trying to constantly find new ways to deliver exciting content to you all. In 2017, I did a couple of cutaway style parodies, in 2018 I did a post talking about my Blu-ray collection, and just this year I introduced the world to the Jackoff Awards. The question is, where I do I go next? I’ve done tons of countdowns, reviews of the past, reviews of the present, what could be next? I know! ALL OF IT IN ONE. Ladies and gentlemen, if you have been following Scene Before and saw one of my posts in April, you’d know that I put out a trailer for something I once referred to as “Project 2020.” Although, based on statistics, I doubt many of you have even glanced at that post. But for those of you who know what I’m talking about, good for you. You get a “good job” sticker! But for those of you who don’t know, watch this trailer down below!

*ALL COPYRIGHTS BELONG TO THEIR RESPECTIVE OWNERS*

That’s right! I am going to be crafting a list of my highlight movies of the 2010’s, and I must have you know, I am setting this list up to be bigger than the lists I traditionally do at the end of the year. While this is still in planning stages, I will be intending to make this list perhaps a top 25, maybe a top 50. I was also debating on a top 100 as well. Depends on how much time I have. I am honestly MORE THAN EXCITED to work on this list, and release it to you all. I started Scene Before in 2016, which means I did not get too many chances to talk about films from years prior, so not only is this a personal reflection of various films I watched during my blogging journey, but a reflection of an entire ten year span that I lived through before becoming this active on the Internet. I’m not gonna say anything, but 2014 was a great year for film as far I’m concerned, so depending on how the rest of 2019 plays out, we might see a good number of films I’m passionate about from that year make the list. This is not to put down any other year from this decade, I’m just giddy of what’s to come…

And by the way, a worst list is in the works too.

At home I am making an effort to watch various films that have come out this decade just to catch up, and maybe add something to the best or worst list at the end of the year. I’m not gonna get into too much detail, because I do want to save some secrets for when the list comes out, but I am stoked just to be working on this.

Thanks for reading this post! If you like Scene Before and want to see more content, consider following me either with an email or WordPress account! As for upcoming content, I want to remind everyone, in case they forgot by now, I will soon be starting my Quentin Tarantino review series, which will eventually culminate with a review either at the end of July or beginning of August with my thoughts on “Once Upon a Time in Hollywood.” I cannot wait to get started on this, Tarantino is a filmmaker I have often admired behind the scenes, but I have barely seen any of his material. Now is a good time to start! Also, be sure to check out my Facebook page! Get your latest updates from the movie reviewing moron by using Facebook, the home of some of the all-time laziest efforts at wishing someone a happy birthday. Be sure to stay tuned for more great content! I want to know, is there something that you would like to see be done here on Scene Before, perhaps for this half of 2019? Or, what is your favorite Scene Before moment, post, anything that I have done so far this year? It can even be this one for all I care! Let me know down below! Scene Before is your click to the flicks!