Movies and COVID-19: Behind the Scenes – Part 7

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Hey everyone, Jack Drees here! It is now time for part 7 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As much as I want to continue to create informative content, I’m getting to the point where this series has become an annoyance. But I continue to do it anyway because historians can look back on this and remember it as a dire time for the film industry, which it really is. And those reviews I’ve been saving for months cannot go to waste. So Scene Before is STILL your place for the apocalypse! But who knows how much longer this will last? If I have to do more than twelve or thirteen, I might shove an aluminum soda can down my throat. In other news, I still know how to put on pants, I have not been going outside, and if I’m not back in the cinema by the end of July, I am going to throw all my DVDs and Blu-rays out the window like I’m a stubborn child!

And since we are still on a downward spiral, let’s get to the news of the world!

Starting in New York, we have news regarding what could be the United States’ most famous public transportation system, the MTA (Metropolitan Transportation Authority). Andrew Cuomo, governor of New York state, made a major change to the system. The MTA is known for having a 24/7 schedule, so they never stop running. However, under Cuomo’s order, the system will be shutting down from 1 AM to 5 AM. This is likely a financially responsible decision, as nightlife in New York is nonexistent at this point. Plus, ridership is down 90% as far as the system goes. With less money, there’s more of a willingness to engage in the system’s preservation. This is also part of an effort to properly disinfect MTA property and machines, making a safer and cleaner ride for customers.

While some states are going to have to wait a bit longer to reopen, some like Georgia and Texas have begun easing on restrictions. Another state that has announced some easing on restrictions is the New England state of New Hampshire. The state plans to partially reopen starting May 11th. Certain pieces of economic industry including golf courses, campgrounds, and hair salons are permitted to reopen. Outdoor dining is also permitted to take place. Strict guidelines are still in place however as there is still a tendency to keep people 6 feet apart. New Hampshire currently has over twenty-five hundred confirmed COVID-19 cases so far. That is more than neighboring states Maine and Vermont, but is significantly less than its other neighboring state, Massachusetts, which has over seventy thousand cases.

Let’s go over to the United Kingdom and talk about Prime Minister Boris Johnson. Previously diagnosed with COVID-19, Johnson spent time in intensive care and was monitored health-wise. As he gets back into his routine, he stated that doctors were ready to announce his death in an event that he refers to as a “death of Stalin’-type scenario.” Johnson told UK newspaper The Sun that he required “liters and liters of oxygen.” During hospitalization, the Prime Minister kept asking himself: “How am I going to get out of this?” In other news, Johnson and his wife recently named their newborn son Wilfred Lawrie Nicholas Johnson. The “Nicholas” in this full name is chosen in honor of a doctor who helped aid Johnson.

Before we dive into our main topics, here’s a conglomerate of news that I ought to share because it can be packaged into a little box. While most theaters in the United States seem to have a plan on opening back up in the summer, because nothing’s out until then, some theaters are already opening their doors. For example, in Rhode Island, the Rustic Tri-View Drive-In, located in North Smithfield, is now part of the state’s reopen plan according to Governor Gina Raimondo. As for non-drive ins, Texas has three Santikos theaters reopening with a $5 ticket deal. For the record, this is a third of the company’s locations. Honestly, while it is good news for business that these theaters are reopening, I think it is also good news for health that they are taking it slow. The major chains like AMC and Cinemark still plan on a July reopening, which I think is fine, because it builds up anticipation and there’s nothing really new playing until then. Outside the U.S., Norway is reopening its theaters starting May 7th, capping the limit at 50 people per screening. The movie theater to me is a place beyond the imagination. It’s also a place where I occasionally get to see masterpieces. These masterpieces often get awards, such as Oscars. Speaking of the Oscars, let’s talk about them!

THE ACADEMY CHANGES RULES FOR THE 93RD ANNUAL OSCARS

One of my favorite days of the year is Oscar Sunday. When this crisis first started, I was a little worried that would not even be able to see an Academy Awards show next year, much less get more movies that could potentially be nominated. After all, when you are a studio or crew and cannot come out with your movie, it’s kind of a struggle. However, The Academy may have something planned next year. One indicator of this is them announcing changes to their rules and layout. Most notably, the Academy is putting its traditional rule of its nominees needing to have a theatrical release on hold. Specifically, the rule that a movie must play in Los Angeles county cinemas for at least a week with daily screenings taking place at least thrice. So if you play your movie in cities such as Los Angeles, Burbank, Santa Monica, Long Beach, Glendale, Pasadena, Culver City, or anywhere else in Los Angeles county that may have a movie theater under certain requirements, it could potentially be nominated for an Academy Award. Due to the COVID-19 crisis, the Academy is making an exception for this year. The following quote is taken from The Academy’s website, oscars.org.

“Until further notice, and for the 93rd Awards year only, films that had a previously planned theatrical release but are initially made available on a commercial streaming or VOD service may qualify in the Best Picture, general entry and specialty categories for the 93rd Academy Awards under these provisions:

  1. The film must be made available on the secure Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release;
  2. The film must meet all other eligibility requirements.”

So this means that films like “Trolls: World Tour,” “Scoob!,” and “The King of Staten Island,” which are either already On Demand or will be dropping towards On Demand soon, are considered eligible for the Academy Awards. Films that barely even got a theatrical release like “Bloodshot” or “The Hunt” also qualify. I’m willing to imagine to some extent that this *may* count a film such as “The Lovebirds,” which was going to theatrically release this year and make a debut at South by Southwest. Although the festival was canceled and Paramount is no longer putting the film out in cinemas. But unlike films such as “Trolls: World Tour,” which is available on platforms including Prime Video, Google Play, Vudu, FandangoNOW, AMC Theatres On-Demand, iTunes, and cable outlets such as Xfinity and Fios, “The Lovebirds” is going straight to Netflix. Given how Netflix has made a major presence at the Academy Awards in past years, films like “The Lovebirds” could be considered eligible, but is the Academy only considering certain platforms? Are exclusive platform deals going to tie in somehow? What about “Artemis Fowl” on Disney+? That movie was supposed to come out this month, but unfortunately that’s not happening.

Also keeping fine print in mind, these rules pertain to films that were once planning on theatrically releasing. So films like Netflix’s “Extraction,” which was intended for a streaming platform, or HBO’s “Bad Education,” which went straight to television, will not qualify. This policy is also not permanent, as the Academy intends to make this only apply for this year’s ceremony, and anticipates an end date in the future when there is a sense of normalcy, not to mention when theaters re-open. However, the Academy is also planning on expanding qualifying theaters to U.S. areas including New York City, the San Francisco Bay Area, Atlanta, Chicago, and Miami. As one who lives fairly close to Boston, I am disappointed, but we can’t have everything, even if sports prove otherwise. By the way, I hate football. I said it.

PHYSICAL MEDIA (and other electronic) SALES GO UP

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Now I imagine some people will flat out not care about this, but to me, physical media is the best way to watch a movie at home. Because when you buy a movie on Prime Video for example, you don’t own it. Yes, you possess the film digitally, but if the service goes down, crashes, or the company behind it closes its doors forever, you’ll probably never be able to watch it again. With physical media, it is all up to you. Now it is not a surprise that we have had more time on our hands to go on Netflix and watch “Extraction,” to flock over to Disney+ and watch “Star Wars,” to jump on over to FandangoNOW and give “Trolls: World Tour” a rent. But what KIND OF surprises me, and I say kind of, is how much of a presence physical media has in this pandemic. According to recent statistics, DVD and Blu-ray players went up 27% during the pandemic. Keep in mind, this is a market that Samsung recently abandoned.

Another thing to keep in mind is that DVD and Blu-ray players, which went up by 27% is not the only winner here, in fact, the increase is not as big as other categories such as TV mounts (41%), printers (61%), and streaming players (67%). So rather than just being a great boost for physical media, it is also a great boost for tech. TVs have been doing well, and so have computers. As for where the actual total of sales for DVD and Blu-ray DISCS stand, that’s another question. Although, based on this quote from NPD’s Tom Baker, that type of electronic may be doing just fine.

“Sales are up as consumers stay at home and look for multiple forms of entertainment. These include DVDs and Blu-ray discs to entertain children while their parents are working, backup access devices if Internet access is challenged by streaming, or simply the consumers’ realization that they may need a physical disc player as an alternative to streaming and either they didn’t already have one or the one they do have needs an upgrade.”

Honestly, in a time like this, I think some people are going to want physical media. Sure, it involves getting up and putting in a disc, but one of the reasons why I am such an advocate for it is the technical side of it. Outlets like YouTube and Netflix have lowered the default quality of content to standard definition. With Blu-ray, the default quality is 1080p, or if you have a smaller setup, it’ll work in 720p. Yes, standard definition is the quality of DVD, which is 480p, but again, I’ll bring up the fact that you have control over your content. Netflix, or more specifically, Warnermedia, is not going to snatch “Friends” away whenever the year ends like they did months ago. If you don’t want it, just sell it and get some money back! Plus, you get all the bonus features which can help you pass the time. I just got the “Star Wars: The Rise of Skywalker” 4K Blu-ray last month, I still need to watch the bonus content! So I still have something to do! Also, what if the Internet goes down? You don’t need any Internet to watch a DVD! If I had to come up with any downsides, maybe it involves a little more activity, but since we refuse to go outside, it could be worth taking a couple steps to the collection and popping a disc in. Or, since places like Walmart sells them, there’s always a chance, given how grocery stores are becoming petri dishes right now, that other people touched the DVDs or Blu-rays and spread their germs, which may not be the most pleasant happening for a time like this. But of course, worst case scenario, you can always order these things online. Although I can also imagine that some people are buying these devices because they have smart capabilities as well, allowing them to contain apps like Netflix, YouTube, and Prime Video.

NO MORE KEANU DAY, BUT HERE’S MORE DELAYS!

One of the actors who arguably was the “winner” of 2019 is Keanu Reeves. His year in acting brought him success through films like “John Wick: Chapter 3 – Parabellum” and “Toy Story 4.” He did films like “Replicas,” which honestly sucked, but he also became a heavy hitting piece of promotion for the upcoming game “Cyberpunk 2077,” by making a surprise appearance at E3 last year. And honestly, this might have spawned my favorite slice of all the content that went viral on the Internet last year.

In fact this year, the Keanussance is likely going to continue. After all, he is making an appearance in the third “SpongeBob SquarePants” movie in a minor role. The movie by the way for those who don’t know is titled “The SpongeBob Movie: Sponge on the Run.” Speaking of known properties, Reeves is also going to be reuniting with Alex Winter to star in “Bill & Ted Face the Music.” Although, if you are a fan of one of Keanu Reeves’ most popular franchises, specifically “John Wick,” prepare to be disappointed. “John Wick: Chapter 4,” once scheduled to come out May 21st, 2021, will now be releasing May 27th, 2022, a full year later. Taking the spot of “John Wick” is the “Saw” reboot titled “Spiral,” which was supposed to be out May 15th of this year. Speaking of Lionsgate films, “The Hitman’s Wife’s Bodyguard,” which is a sequel to 2017’s “The Hitman’s Bodyguard,” will be hitting theaters August 20th, 2021, as opposed to its prior date of August 28th, 2020. An upcoming horror drama, “Antebellum,” is set to release August 21st, 2020, as opposed to its original date which has already passed, April 24th, 2020.

However, sticking with “John Wick: Chapter 4,” this delay is a particularly interesting one. Not just because it involves a meme-worthy actor and a hit action franchise, but this film was originally supposed to come out the same day as another Keanu Reeves movie. And it’s not some indie film made by a studio like A24 or Neon. It’s not, THANKFULLY, a sequel to “Replicas,” a film Reeves starred in that turned out to be one of the worst films of 2019. It’s “The Matrix 4.” Now if you asked me five years ago about the possibility of a “Matrix 4,” I’d probably toss the idea behind my head. There didn’t seem to be much place else that the story could go. But hey, everything’s getting a reboot and a remake now, so why not “The Matrix?” I honestly don’t know what to expect from it, but the fact that this is a reboot and not a remake pleases me. Nevertheless, both films prior to the delay of “John Wick: Chapter 4” were scheduled to come out May 21st, 2021. The Internet has often called this “Keanu Day.” I will say that the delay of “John Wick: Chapter 4” is both a good thing and a bad thing. It’s good because it avoids having the crew rush on making the film, but it’s also unfortunate because as a Keanu Reeves follower, I figured it would be fun to go to the theater and do a Keanu Reeves double feature. However, if more good news needs to be said, I should also point out it’s perhaps likely that these films, which by the way, are from different companies, will be marketed to similar groups of people, and maybe both could lose their respective studios money as a result. Both films debuting on their own release dates could not only benefit Lionsgate, who is delaying “John Wick: Chapter 4,” but also Warner Bros., who is responsible for “Matrix 4.” Not everyone has the money and time to go see two seemingly similar movies. While “John Wick” fans may have to wait, this could give Lionsgate a greater chance of creating a “John Wick: Chapter 5,” because what if “John Wick: Chapter 4” doesn’t warrant a sequel after losing lots of money to “Matrix 4?” At least the studio has a “Hunger Games” prequel and “Knives Out 2” potentially coming soon so it’s not like they’ll spend years losing money from here on out.

AMC THEATRES AND REGAL ENTERTAINMENT GROUP BAN UNIVERSAL FILMS

Can I get some popcorn?! Because I’d say it’s time to enjoy the greatest battle in cinematic history, and it’s not even in a movie! Tonight’s fighters are… movie theaters and Universal Pictures! Now, “Trolls: World Tour” is a one of a kind movie, mainly because Universal decided that it should be released directly onto VOD. Universal bragged about the film’s progress so far to the point where they thought it would be a good idea to release more of their films On Demand while also putting them into theaters.

Now, I’m going to have to be very careful here, because several different outlets have reported similar sounding items that might contextualize something different.

The story here begins by bringing the mega-chain AMC Theatres into the mix. AMC Theatres saw Universal’s plan to simultaneously release movies theatrically and at home and responded by saying that they will not play any of Universal’s movies if that’s the case. While a source like The Hollywood Reporter did a story on this and cited from AMC CEO Adam Aron that the company will no longer play any of Universal’s films in its theaters worldwide, one quote from Deadline’s article suggests, also from Adam Aron, that they will not do so “on these terms.” By that, it likely means that AMC will not release Universal’s films if they just follow a simultaneous home video rollout. Keep in mind, it is traditional for films to follow a strict theatrical window. While there have been cases of films like “Black Panther” that you can still see in some theaters while it becomes available at home, tradition has suggested that a movie released for theaters must be out for about ninty days before it comes home. Universal doing a release like this not only ignores the theatrical window, but it also makes the theater potentially lose money because people could just stay home and put the movie on their TV. In fact, movie theaters were against Universal since this pandemic started. While they did manage to have a rather solid idea of making “Trolls: World Tour” a straight to On Demand movie, other studios seemingly have concretely laid out their plans and avoided giving such a last minute notice like Universal appeared to. NATO (National Association of Theater Owners) head John Fithian was against this from day one.

“Only Universal, and only on ‘Trolls,’ did one studio skip the theatrical model and go straight to the home. Universal continues to advertise to consumers that ‘Trolls’ will be released simultaneously to theaters and the home on April 10. And they are lying to consumers. Universal knows that theaters will still be closed on April 10, so unlike every other distributor who must simply delay their releases in that time period, but still understand that theatrical release is essential to their business model, Universal on ‘Trolls’ didn’t make that decision. Exhibitors will not forget this.”

Fithian also shares his thoughts on the current matter of AMC abandoning Universal films with this quote…

“Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases. Theaters provide a beloved immersive, shared experience that cannot be replicated — an experience that many of the VOD viewers of this film would have participated in had the world not been sequestered at home, desperate for something new to watch with their families. We are confident that when theaters reopen, studios will continue to benefit from the global theatrical box office, followed by traditional home release.”

Let me just say that if Universal is planning on releasing “F9” through VOD the same day as in theaters, that might be one of the worst decisions they’ve ever made. People go to those movies because they provide adrenaline rushes, the effect is not as great if watched on a TV, tablet, phone, or computer. This is why before this whole pandemic, I bought opening Thursday tickets. Luckily, I did get my money back. So if all Universal films are never coming to AMC again, it’s going to make it harder for me to review them as AMC locations are easy for me to access. The theater is a huge money-maker for Universal, to have hundreds of screens lost is not a great investment in the long run. People are inevitably going to get back into routines, and part of that routine is the movie theater. It might take awhile for some people, but if you’re someone like me who sees a difference in the experience from watching at home and in the theater, I’m going to choose the theater by a long mile. This is why I want to see “Tenet” in July. Heck, before this all happened, I probably had little to no intention of going to see the remake for “Mulan,” but I’ll show up because I want to support movie theaters.

But just you wait! There’s more! Universal, if you do nothing, cinema chains will double the offer! That’s two cinema chains not playing your movies, for a chance to lose more money! Cineworld, which currently owns the U.S. staple, Regal Entertainment Group, also said that they “will not be showing movies that fail to respect the windows.” So, should Universal continue to release movies On Demand early, Regal, along with AMC, will not be playing those films in their venues. Alternate chains like Showcase Cinemas, Alamo Drafthouse, and Arclight for example have not really said much about this matter. But remember, the theatrical window is a sacred bond of trust. If you’re putting a movie in theaters, chances are you have to follow it or face consequences.

Also, I wonder how much longer this will go on for, because guess what? If you go to Universal Studios Hollywood, you’ll notice on the CityWalk that there is a movie theater that currently goes by the name Universal Cinema. The theater has reserved seating, recliners, a Director’s Lounge, and an IMAX with Laser. By the way, that IMAX is also equipped with a 70mm projector, which if the theaters open back up in time for “Tenet,” will probably be used. Guess who owns that theater? AMC of all possible names! Who knows what is going to happen there?! As for Universal Orlando Resort, they’re safer in this circumstance as they currently have a Cinemark. They had an AMC at one point, but that has now closed. Gotta love drama.

NEW HOME VIDEO RELEASES

First off, it is Tuesday, May the 5th! Meaning it is the day after “Star Wars Day,” AKA May the 4th! For those who have not heard it already, May the 4th be with you and as for today, enjoy your Revenge of the Fifth! With that being said, there’s some new “Star Wars” content on Disney+, including a documentary on “The Mandalorian,” the series finale of “The Clone Wars,” and since we talk about movies on here, one of the new additions is “Star Wars: The Rise of Skywalker,” the conclusion to “The Skywalker Saga.” As of now, the full “Skywalker Saga” is available on the service. The only theatrically released “Star Wars” movie not available on Disney+ at the moment is “Solo: A Star Wars Story.” However, the movie is currently on Netflix. If you are wondering when “Solo” will be coming to Disney+, it will be available starting July 9th, 2020. As for what’s coming On Demand, one example is “The Lodge,” which is about a soon-to-be-stepmom who is staying with her finace’s children at a holiday village, where strange events begin to occur. The film is available today, May 5th, on DVD, Blu-ray, and Digital. Another film getting such a release on May 5th is “Arkansas” starring Liam Hemsworth and Vince Vaughn. It is the directorial debut of Clark Duke and was supposed to be shown at this year’s South by Southwest Festival. The film is a thriller about two men who live under the orders of a kingpin whom they’ve never met. Unfortunately, a deal goes wrong, meaning they could end up facing harsh consequences. “Arkansas” was supposed to theatrically release on May 1st, the same day that “Black Widow” would have hit theaters had it not been delayed. However, it is now available physically and digitally starting today, May 5th. One more film to avoid skipping over is “I Still Believe,” which is now out on DVD and Blu-ray as of today. The film is based on the true story and journey of Christian music star Jeremy Camp.

Thanks for reading the seventh part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Happy Revenge of the Fifth, hope all the “Star Wars” fanatics in the world are happily going about their lives and not getting into fights in comments sections, because that’s impossible, right? Also, Happy Cinco de Mayo, on a Taco Tuesday coincidentally! Two days that go together quite well! Also, if you want remind yourself of a simpler time when movie theaters were open, be sure to check out my latest YouTube video where I document my experience of going to see “Star Wars: The Rise of Skywalker” on opening night. Disney has already put copyright claims on it, but I really don’t care as I enjoyed making the video. Also, if you like the video, leave a like, if you want to subscribe, go ahead! Speaking of leaving likes, be sure to check out my Facebook page and immerse yourself to posts much shorter than these while also getting the latest updates from Scene Before! Since we’re still on the topic of likes, be sure to like this post if you’re enjoying the content, and as we’re continuing promotion, why not give this blog a follow either with a WordPress account or your email? I want to know, what is the biggest piece of movie news for you in regards to the COVID-19 crisis this past week or so? Did I miss anything? Also, how did you celebrate “Star Wars” day? Me personally, I started on May 3rd! TBS had a marathon and I watched for hours! Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 4

Hey everyone, Jack Drees here! It is now time for part 4 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As usual, we deal with real world matters first. Since Easter was this past weekend, gatherings at churches and homes within one’s collective connections of a family that was commonplace in years past managed to take a backseat this year.

California has recently extended its stay at home order from April 19th to May 15th. Speaking of California, the state recently joined forces with other nearby states including Oregon and Washington in what they call the Western States Pact. The three announced a plan to put health first and deliver a more scientific-based focus compared to a political focus to stopping the coronavirus. The states are still building specific plans for their area, but they are nevertheless working together to stop the spread.

Speaking of which, the northeast portion of the United States is engaging in something similar. Massachusetts, Rhode Island, Connecticut, New York, New Jersey, Delaware, and Pennsylvania are joining forces in their own coalition. So, remember all those requests for Andrew Cuomo to run for President of the United States? That won’t be happening anytime soon, but when it comes to coronavirus matters, he is currently dealing with more than just New York. Speaking of Presidents of the United States…

President Donald J. Trump stated this Monday that he is the one that should have control on opening the country back up. He suggests, “When somebody is president of the United States, the authority is total.” Trump also stated he wants to open the United States back up by May 1st, which close medical expert Anthony Fauci declares is “a bit overly optimistic.”

Just today, Andrew Cuomo referred to Trump this morning on NBC’s “Today,” suggesting “We do not have a king, we have a president.” Cuomo is doing what he can to make sure that the state of New York opens back up at what he considers to be the right time for everyone’s health. While Trump is suggesting May 1st, Cuomo fears that this all-powerful decision made by Trump will lead to “a constitutional crisis like you haven’t seen in decades,” as he stated in MSNBC’s “Morning Joe.” Speaking of Andrew Cuomo, and somewhat transitioning to movie news a bit early here, he suggested the possibility of making drive-in theaters an exception to non-essential businesses that remain closed. Keep in mind, drive-ins have still been in operation during the ongoing crisis, but it does not mean that there are some that are not in operation, plus there are others that are just closed because it’s not the proper season for a drive-in to be open. Cuomo suggested, “Where is the public safety issue? It’s a drive-in theater. You’re in the car with the same people.” He is not wrong. Drive-ins make for a fun night out while also promoting social distancing. I would not mind drive-ins opening up, but the problem is… What movies are they going to play? Are just going to play “Trolls: World Tour” over and over? Maybe they’ll bring back some classics since there’s nothing else to do.

Going outside the United States, specifically in Wuhan, China, where early cases of the virus originated, the city opened back up after a lively lightshow and countdown declaring the disappearance of COVID-19. Despite the reopening, restrictions still appear to be in place including the closure of schools, shops, and sadly, cinemas. But one thing that has opened is the region’s wet markets. Outsiders are suggesting immediate closure of said wet markets as it serves live animals, including bats, which sources suggest is the reason why COVID-19 spread in the first place.

But of course, we have some movie news to talk about like usual. More delays, more new releases on DVD, Blu-ray, and digital, and some big news involving acclaimed filmmaker Bong Joon Ho (don’t worry, that part is all good news). Also, there’s a big movie that tried something new this weekend, going straight to digital while also having a theatrical release. Before we dive into that, I do want to point out that despite there being a major pandemic, some movie theaters are still open. Keep in mind, many of these theaters are drive-ins. This is now old news, but according to Deadline, 14 movie theaters remained open on the first weekend of April. I also want to point out another article I saw from The Wrap, which suggests that “Trolls: World Tour” played in 21 drive-in theaters this weekend. Even in desperate times, theaters are still active. Speaking of optimistic news, here’s more!

JAMES GUNN SAYS GUARDIANS 3 AND THE SUICIDE SQUAD WON’T BE DELAYED

Usually when I dive into these main topics during the series, I have often emphasized the bad news at hand. A common example is when a major film gets delayed such as “F9,” “Ghostbusters: Afterlife,” or “Top Gun: Maverick.” However, it’s about time we get some good news in here and talk about a couple of films that are not being affected by the outbreak, both of which are being directed by James Gunn. To specify, “Guardians of the Galaxy Vol. 3,” which is a big movie, especially since it’s the third consecutive entry to the franchise being helmed by Gunn himself, but also “The Suicide Squad,” which has finished filming in February and is set to release August 6th, 2021. Gunn spent time on Twitter recently taking questions from fans and he had some notable things to say regarding these two films.

Alright, this resembles some decent progress on the film, and it shows that even in a time like this, people like Gunn in the entertainment industry are still working. But let’s see the next tweet.

Keep in mind, “The Suicide Squad” is not set to come out for a bit under a year and half, so there is plenty of time to edit the film, develop a marketing campaign, and lay out all the elements needed for the film’s post-production process. So the film is coming, and should this pandemic fizzle, there is a solid chance that “The Suicide Squad” will be in theaters during 2021. Now what about that other big comic book James Gunn has up his sleeve?

“Guardians of the Galaxy Vol. 3” is not currently listed in the Marvel Cinematic Universe’s fourth phase, but there have been previously established plans to make the film. Unfortunately, the film was supposed to come out this year, but due to James Gunn’s controversial tweets leaking, his business relationship with Disney was no more and he was no longer attached to direct the third installment to the franchise. Judging by this tweet right here, Gunn still seems to be working on the film, but an official release date seems rather uncertain at this point. IMDb lists it to come out in 2021, but given how Marvel has many other projects going on, “Guardians of the Galaxy Vol. 3” might have to wait. But “Guardians of the Galaxy Vol. 3” is nevertheless a film that I will see should I get the chance to witness it come out, so this information pleases me to say the least. I was not the biggest fan of “Vol. 2,” but I am curious to see what Gunn could deliver to this third installment.

MORE MOVIES GET DELAYED

But of course, with good news, comes bad news. In this case, the bad news is that yet another delay is happening. As if Pixar didn’t suffer enough already by having to put “Onward” on digital early, they just pushed back “Soul” to November. Nobody behind Pixar seems to be popping bottles at this point. “Soul” was originally supposed to come out June 19th, but now has been pushed back to November 20th. By the way, this is releasing the same day as “Godzilla vs. Kong.” I honestly have no idea how well that movie is going to do box-office wise, but given Pixar’s name recognition and since there already has been some anticipation towards this film, there could be a chance that “Soul” is the box office champ of the two when it comes to seeing how they play out on opening weekend. The film is directed by Pete Docter, who also directed 2015’s “Inside Out,” which this film honestly reminds me of. Kemp Powers will co-direct by the way. While conceptually different, “Soul” seems to present the vibe of “Inside Out,” not to mention a somewhat similar concept. The film follows a musician (Jamie Foxx) who loses his passion for music. After being transported out of his body, he interacts with an infant soul while trying to return to said body. The film definitely sounds like it could be emotional, which would not be much of a shocker for a film by Pixar. But now here’s a problem for not just this film, but a bunch of others coming out this year. I don’t know if it is just me, but it now feels like November is CRAMMED with popular titles. From “Soul” to “No Time to Die” to “Black Widow.” While I could look at this as a benefit because it likely means this November will be a pop culture haven, it’s also a negative because I imagine some films that could potentially be big will underperform because they are in such a congested schedule. Or to make matters more interesting, November is also a big month for award season, and now there is probably a bigger focus on pop culture titles that might not be awarded much of anything as opposed to what could be nominated for the Academy’s Best Picture in a couple months.

Also, remember how “The SpongeBob Movie: Sponge on the Run” got delayed to late July? Paramount’s “Infinite,” an upcoming sci-fi flick starring Mark Wahlberg (Transformers: Age of Extinction, Ted), which was originally come out July 31st, has officially been pushed back to Memorial Day weekend in 2021. The film follows a man whose hallucinations are visions of his past lives. I would like to go into some of my past lives at this point just to get away from whatever the hell is going on right now. Think I was done talking about “SpongeBob?” Well I’m not! I say so because the film has been delayed again, but this time only by a week. As of now, “The SpongeBob Movie: Sponge on the Run” is coming out August 7th.

TROLLS: WORLD TOUR DEBUTS DIGITALLY

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I’ve talked about this news already, but given how this does document a rare incident, I might as well talk about it. Certain movies like “The Irishman” have a limited run in theaters before being put on Netflix, but for “Trolls: World Tour,” the sequel to DreamWorks’ successful 2016 flick, that’s a different story. You won’t be able to find it on Netflix, but you will be able to find it through services including Prime Video, FandangoNOW, and Vudu. The reason, Universal wanted to put “Trolls: World Tour” out on digital the same day they put it out in theaters. This is kind of an unprecedented situation as movies typically start in theaters and there is a waiting period until the movie comes out on digital and DVD. But nope, Universal thought it would be better to just digitally release the film. I have not seen the film, in fact, I have no plans on seeing the film given how I have not watched the original, but others did manage to show up for this new installment. The movie managed to make more through its digital run than “Jurassic World: Fallen Kingdom” did when it debuted digitally. “Trolls: World Tour” managed to make around $30 million according to reports. This is compared to “Fallen Kingdom,” which managed to rack up $2-3 million. Keep in mind, these reports are exclusive to the United States. Also, another thing to keep in mind, that even though many of the purchases were through digital platforms, theaters were open during the initial days of “Trolls: World Tour,” many of which are drive-ins, so it is not like everybody had to be stuck in their house to watch it. Also, while $30 million may be considered successful in this circumstance, the movie cost $90 million to make, so there could be a chance that Universal will lose money over this. Even though a $19.99 rental for 48 hours can cost more than a single movie ticket, the target demographic for “Trolls: World Tour” is families, especially kids. You can take a family of four to the theater and pay double that price to see the movie, maybe even more. It’s also short of what the first movie raked in on its opening weekend back in 2016, which was over $46 million. If this sequel was in theaters, it probably could have surpassed that due to factors such as name recognition. My biggest wonder for “Trolls: World Tour” is how well it will do over these next few days, not to mention next weekend. I say that because, sure, the movie can have excellent debut to rave about. But if we are treating this as the closest thing to a theatrical release we can get, we have to consider how much of a drop it could make this following weekend. Will it make $15 million? $12 million? $10 million? Could it possibly make more this weekend than it did last weekend? Only time will tell. This straight to digital rollout is an experiment if there ever was one, and its chances towards success have recently shown that maybe theaters COULD have been much better for “Trolls: World Tour,” but this is a new way of doing things, and if we are still in this crisis, things could change.

MY SPY GOES STRAIGHT TO PRIME VIDEO

For those of you who don’t know, “My Spy,” the film where Dave Bautista goes undercover and makes a connection with a nine-year old girl, is a movie that has been promoted from time to time by STX here in the states has already released theatrically in select regions including Canada, Australia, New Zealand, Hong Kong, and the United Kingdom. But for the United States, it’s a different story. The film has already had free screenings before it was supposed to come out, one of which I went to in January by the way. But the film has had a rough history when it comes to getting a proper release. “My Spy” was supposed to release on August 23rd, 2019. The film had a trailer put out a year ago, so the promotion and marketing process was getting into gear. However, it was pulled from STX’s release schedule in July. The next release date that was announced for the film was March 13th, 2020. And of course, to get the ball rolling on word of mouth and that sort of thing, free screenings started popping up and I got to attend one of them. But, just in the snap of a finger, the release date changed from March 13th to April 17th. I would imagine that the COVID-19 crisis could be a contributing factor, but I also wonder if STX thought if it would be a better time for the film to release in terms of financial gain compared to competition. Nevertheless, it was just announced on April 8th that the film is now going to be distributed by Amazon Studios and instead of going to theaters, it is going directly to Prime Video. So if you are a Prime member, you are likely going to be able to watch “My Spy” for free on the service.

CBS SCHEDULES SUNDAY MOVIE NIGHTS

CBS is a leading name for television. Their standard channels air daytime staples like “The Price Is Right” and “The Young and the Restless” along with notable shows at night such as “Young Sheldon,” “MacGyver,” and “Mom.” Meanwhile, they have been building a name for themselves through streaming by providing material such as a couple of “Star Trek” original shows and a spinoff of “The Good Wife” known as “The Good Fight” through CBS All Access. But if you get access to the main CBS channel, which I’m sure a lot of you do, one thing you might want to keep an eye on is their schedule for May. Every Sunday, CBS is going to air movies under the Paramount label. This will begin with a movie that is very likely to garner attention, “Raiders of the Lost Ark.” In addition to that “Indiana Jones” film, the network is also airing “The Last Crusade.” Oddly enough, they are skipping over “Temple of Doom.” Other movies to be aired by CBS will include “Titanic,” “Forrest Gump,” and “Mission: Impossible.” This run will last for five Sundays from May 3rd to May 31st. By the way, all the movies are scheduled to begin at 8PM, except for “Titanic,” which will start at 7PM. Earlier on in the series, I discussed that ESPN was going to air movies on Friday nights, said movies are all Disney-owned and focus on sports. One thing that I think would help CBS in a case like this compared to ESPN just a little bit is its accessibility. CBS is a slightly more recognizable channel and unlike ESPN, you can get it on an antenna.

HULU ACHIEVES BEST PICTURE WINNER PARASITE

One of my favorite films of the past year is the Bong Joon Ho-directed masterpiece, “Parasite.” Lucky for me, I own the Blu-ray, therefore I have the ability to watch the film as much as I please through a physical disc. But if you have Hulu, you can consider yourself lucky because “Parasite” is now available on the service. For the record, the film is not the first of its kind to be on Hulu. To be clear, the film was distributed in the States by Neon, which also helped distribute titles including “I, Tonya,” “The Beach Bum,” and “Honeyland.” Films like these have also made it to Hulu. So if you wanted to watch “Parasite” without paying much, just make sure you have a Hulu subscription and you’re good to go. And remember, it won the Academy’s vote for Best Picture, so every film aficionado will tell you that it is bloody important. If you are a little skeptical on watching “Parasite” because it is in Korean, let me just remind you of this quote given by director Bong Joon Ho himself.

“Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.”

Speaking of Bong Joon Ho, his 2013 work “Snowpiercer,” which is being adapted into a series set to air on TNT, is coming out for the first time in the United Kingdom on DVD and Blu-ray. The film is set to release on May 25th. It’s one heck of a time to be Bong Joon Ho.

NEW HOME VIDEO RELEASES

Stuck at home? Jack’s here to help! This week for digital has got a few new movies coming your way. For starters, we have “Underwater,” one of the last films to display the 20th Century Fox label. For the record, Disney did complete their acquisition of Fox’s assets during March 2019, but for a little under a year, they kept putting out films like “Ford v Ferrari” that had the studio label that has achieved fame. Although, with the recent release of “The Call of the Wild,” they are now using 20th Century Studios instead. Sticking with “Underwater,” the film stars Kristen Stewart alongside a crew of researchers as their underwater facility is hit with an earthquake. The film is a box office bomb, making $37.2 million on a $50 million budget. It has a 47% critic rating on Rotten Tomatoes and a 60% audience rating, so it’s hard to know what exactly you’ll think of it upon first glance. The film is also now available on DVD and Blu-ray if you prefer the physical copy.

“Fantasy Island,” which is based on a TV show of the same name, is now available for digital purchase. If you want to wait for a rental option, that is coming May 12th, the same day the film comes out on DVD and Blu-ray. Keep in mind, the film has a 4.6 on IMDb, which might not be the best of signs.

Also coming out, “The Rhythm Section.” This action flick stars Blake Lively and Jude Law, and is about a woman whose family dies in a plane crash. This woman joins the world of espionage as she seeks vengeance. The film is not out on DVD and Blu-ray until April 28th, but it is available for digital purchase today.

Thanks for reading the fourth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Even in the apocalypse, there is one thing I can promise, and that my friends, is content. Maybe not the content that I want to make, but content nevertheless. Last week I said that I’d probably get shoved into an abyss by STX executives if I talk about “My Spy” at this point. So with that in mind, now that it is owned by Amazon and has no official release date, I will probably be shoved into an abyss by Amazon executives, or maybe even Jeff Bezos himself, if I talk about “My Spy” at this point. So what is happening with the movie is clear, but when I will review it, is unclear. Only time will tell. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, is there any big news I missed regarding COVID-19 and entertainment over the past week? Also, since it is appropriate, what are your thoughts on “Parasite?” Personally, I think it is one of the most twisted movies I have seen in recent memory and it is a blast from start to finish. Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes Part 3

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Hey everyone, Jack Drees here! It is now time for part 3 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

The spread continues! The United States is still the most affected country by this virus and one can only wonder when collective optimism will set in. What is happening? Masks weren’t safe then but they’re safe now? The New England Patriots sent protective equipment to New York? Speaking of New York, apparently it is just recently reported that the state has suffered its highest death toll yet. Although at the same time, Gov. Andrew Cuomo feels that the decrease in hospitalizations could bring hope. Speaking of hope, the death toll in Italy and Spain seem to be falling.

There’s also continuous talk about about a drug. President Trump is suggesting to use hydroxychloroquine in order to stop the virus. For the record, this is a drug that is used to cure malaria and mosquito bites. Trump has a financial interest in Sanofi, which is a French drugmaker that makes a brand-name edition of the drug. He also suggested that if the drug is combined with azithromycin, an antibiotic, it could be “a game-changer.” However, not everyone is onboard, including expert Anthony Fauci, who has stood alongside Trump from day to day during this crisis. Fauci suggests that there is only “anecdotal evidence” of the drug helping people.

Also, Easter is this Sunday, and given how there are strong recommendations for people to stay home nowadays, there is a high likelihood that family gatherings will be avoided. I often visit relatives out of town on Easter Sunday, but given the current situation, that does not seem to be happening. But, if you live in New Zealand and you have kids that are feeling down, feel free to cheer them up by letting them know that the Prime Minister, Jacinda Ardern, considers the Easter Bunny an essential worker.

As stated in the video, it may be tough for the bunny to get everywhere, but if you want to spread some positivity to your children, here you go. Also, remind them that the Tooth Fairy is essential as well. Although if that Tooth Fairy shows up as The Rock, then reconsider what I just said.

Once again, this has been a rather uneventful weekend for the box office, and one of the biggest concerns as far as box office goes has to do with AMC Theatres, which I’ll get to eventually. But as a continual substitute to the theater, many movies are constantly being dropped onto VOD services early. Some recent highlights include “Bad Boys For Life,” the highest grossing January film of all time, and “Impractical Jokers: The Movie,” which appropriately dropped on April Fools Day. But with physical life in abandonment for the time being, there may be some concerns about big festivals. San Diego Comic-Con, arguably the most important comic convention in relation to film, is still on. However, weeks ago, Cannes, the annual festival held in France, has been postponed from May to sometime in June or July. And it was just announced from festival director Thierry Fremaux that there are no plans to digitally transform the event, suggesting that “it’s a model that won’t work.” And this doesn’t even cover all of the festival news that is relevant for this post. Here’s more!

SOUTH BY SOUTHWEST IS BACK ON (Sort of)

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One of the benefits of a large gathering like South by Southwest is the ability to mix the intention of interacting with other people, networking, while also putting the idea of entertainment into the mix. In fact, I was going to go to South by Southwest this year, but unfortunately, it got canceled the week I was supposed to depart. I also highly detest the recent actions of South by Southwest, because even though they are allowing people to move their purchased tickets to an alternate date in an upcoming year (which my mother did do for 2021), there is no option for a refund. While I am all for making money, SXSW is the kind of organization to me that purely resembles greed. In fact, they didn’t even cancel their event, the city of Austin did!  However, they do seem to be somewhat sympathetic to their vendors. According to various sources, Amazon Prime Video is going to be digitally showcasing various projects that were supposed to play at the festival last month. All the people behind the projects need to present a fee in order to let their work shine. Keep in mind that the revealing of work that was supposed to be presented in person in front of the masses on Prime is optional, so if you were expecting to see something in particular at the festival, maybe it won’t make it to Amazon’s service. Also keep in mind, if you are planning seeing on these pieces of work, you do not need to pay for Amazon Prime, but you do need an Amazon account. As long as you have that, you’re good to go.

VENICE FILM FESTIVAL DENIES GOING DIGITAL

Last year, the Venice Film Festival honored Todd Phillips’ “Joker” with the Golden Lion, which is the festival’s highest honor. This year, there is perhaps some wonder if it would be a joke to keep the festival running in September. Keep in mind that Italy has the second highest count of COVID-19 cases to date and who knows about a second wave and if that’s a possibility? However, according to Variety, a Venice spokesperson reported “The Venice Film Festival cannot be replaced by an online event.” This is in response to a recent interview between festival director Alberto Barbera and Italian news agency ANSA who said he is not weighing digital options. That by the way, is in response to what is happening with the Toronto International Film Festival, where there is consideration for both physical and digital aspects. At this point, it may be too early to tell given how the festival is about five months into the future. We’ll have to see if Italy is stable by then, and if there is enough reason to keep the festival on in person.

DELAYED MOVIES AND NEW RELEASE DATES

Well, it appears that COVID-19 is doing its own stunts now. “Top Gun: Maverick” has officially been delayed, which honestly disappoints me because it was one of my most anticipated films of the summer. It looked like another one of those films, kind of like the recent “Mission: Impossible” movies, where Tom Cruise does everything he can to nearly kill himself. Instead, the film is now coming out in December, which really has me scared, because this puts my most anticipated film of the year, “Dune” in a tough position. While I have no real idea how much money “Dune” will make, this is giving me the creeps because while I cannot exactly anticipate how well of a marketing campaign “Dune” is going to have, if it weren’t for a nostalgic, somewhat recognizable property stepping in, I figured “Dune” would have a massive chance at succeeding. Plus, I recall early reports of one person suggesting that the footage that has already been seen of “Dune” is on the level that matches “Lord of the Rings” and “Star Wars.” Can the praise get any better than that?! The 2020 adaptation of “Dune” could arguably be the greatest story ever told if the movie matches this previous word of mouth! Although at the same time, I’ll mention it again, as far as this summer goes, “Top Gun: Maverick” is one of my most anticipated films. Don’t think I’m trying to take it out behind the barn and shoot it. If anything, I want the movie to succeed, but I also want “Dune” to succeed. Maybe this could be a case where “Dune” heavily succeeds, thus leaving “Top Gun: Maverick” in the dust, which would also be disappointing. It feels like there’s no winning in this case. Speaking of Paramount films, they are also delaying “The SpongeBob Movie: Sponge on the Run,” the third “SpongeBob SquarePants” idea that will ultimately be brought to the big screen. The movie will follow the titular sponge as he goes on a quest with Patrick Star to find his missing snail, Gary. Also in Paramount movie news, “A Quiet Place Part II” has a new release date, specifically September 4th, giving it a Labor Day weekend slot. For the record, the movie has already been delayed as of March 12th from its original release date, March 20th, but has not received a new date until now. I am beyond thankful that “A Quiet Place Part II” is not considering the streaming route, because having seen the original installment, it is one of those movies that you have to be in the theater to truly feel its impact. At least that’s what I got with the first one. When I saw “A Quiet Place” a couple years back, it was a highlight in my movie experience journey because it was one of the few movies that FORCED me to be quiet to fully enjoy the product. I could barely chew my popcorn, I almost couldn’t even take as big of sips of my drink as I usually would, it was a one of a kind time at the movies. I’m willing to bet that John Krasinski made “A Quiet Place Part II” with the same thoughts in mind that he had for the first one. SILENCE THE AUDITORIUM AS MUCH AS POSSIBLE. I’m looking forward to September, let’s just hope that there are enough reasons to go to the movies by then.

While “A Quiet Place Part II” is sticking to a theatrical release, one movie that I was kind of looking forward to seeing in theaters is no longer going to be there, and will end up heading straight to that tenth streaming service you guys have, Disney+. Ladies and gentlemen, I’m talking about “Artemis Fowl.” For those of you who don’t know, “Artemis Fowl” is based on a book about a 12-year-old criminal mastermind who must find his father while facing underground fairies. I was kind of looking forward to seeing “Artemis Fowl” even though I have not read the book personally. The movie sort of looked like a visual trip, and if successful, could have spawned the next big fantasy franchise. I wonder if this is a sign that Disney may end up throwing in the towel on the franchise before it even starts. After all, the film was made on a $125 million budget, so I guess they were expecting a return of hundreds of millions. The real question is, could the film have broken even? Who knows? I have not heard much word of mouth about “Artemis Fowl” from anybody else, but the trailers do intrigue me. It at least had my attention.

Speaking of Disney+, one of the suggestions people happened to make is to release “Black Widow” early on the service. Quite honestly, I think that is a ridiculous idea that could cost Disney a lot of money, and it seems that we are sharing a thinking cap because Disney has officially pushed back the MCU timeline, and placed “Black Widow” on the November 6 release slot. When I say the MCU timeline, I mean it almost 100%. Every movie that is supposed to eventually come out in the MCU has been delayed except “Black Panther 2.” Even “Captain Marvel 2,” originally set to release in June 2022, is moving up a couple weeks for a new July 8th release during the year. For those who don’t know, “Eternals” was originally supposed to come out November of this year, but having two MCU films come out at once is a little extreme, so now it is coming out February 12th, 2021. At this point, November is looking like a respectable month for popular nerd culture. Between “Black Widow,” a movie that Marvel fans are FINALLY getting to see. “No Time to Die,” the 25th Bond film that is supposed to be Daniel Craig’s final outing as the character. Plus, “Godzilla vs. Kong,” which I am curious to hear more about. I think one of these is going to get bumped to a different release date to guarantee avoidance of being a box office bomb, because November is a pretty big month for movies, and even though there are blockbusters at the time, a lot of focus from those who are heavily invested is going to be leaning towards the Oscar bait films.

As far Disney’s live-action “Mulan” remake goes, that is now coming out on July 24th. Should it get delayed again, I think that is another film that Disney is going to keep in theaters with all their might, because part of the marketing emphasizes the big battles of the film, and those could be stellar to see on the silver screen. The one thing that I think will be diminished though is its IMAX run. Because unless Christopher Nolan’s “Tenet” gets delayed and “Mulan” still comes out, “Tenet” is going to have a long run in many IMAX theaters. It was shot on IMAX cameras after all! “Mulan” now takes the place of theme park ride-inspired “Jungle Cruise,” starring Dwayne Johnson and Emily Blunt, which has now been pushed back to July 30th, 2021. Another big pushback comes from the Lucasfilm side of things, specifically for “Indiana Jones 5,” which is kind of unfortunate because Harrison Ford ain’t getting any younger. At this point with a film like “Indiana Jones 5,” I will believe it when I see it.

Remember how Disney bought Fox? Guess what? Their slate is getting kicked in the ass too! Wes Anderson was supposed to come out with “The French Dispatch” on July 24th, but now it is being pushed back to October. This could be some good news for Wes Anderson as the director behind the film has a history of being acclaimed, and having a unique style to his films. This unique style can be reinserted into everyone’s heads and perhaps bring up a reason for this film to contend for awards. If this came out in the summer, maybe it would have as much of a chance, but keep in mind. Award season pretty much gets into full swing in the fall. Summer is mainly for blockbusters and popcorn movies. Those movies don’t usually rack up the Oscars.

Universal is also in the news, because they recently pushed back Illumination Entertainment’s “Minions: The Rise of Gru.” That film was supposed to come out July 3rd this year, but it has been pushed back to July 2nd of next year. In addition, “Sing 2,” which is a sequel to a well-liked film starring Matthew McConaughey as a mouse who runs a theater, is also getting pushed back. “Minions: The Rise of Gru” is currently sitting where “Sing 2” was originally going to be, but much like the situation I mentioned earlier with Marvel, it could be weird to have two of the same types of movies releasing at once. Therefore, “Sing 2” will be coming out December 22nd, 2021. Keep in mind, the film was supposed to come out this year in December, but was delayed to its previous July spot. Honestly, this delay is not that bad, because the original “Sing” came out in December 2016, and ended up being a hit for Illumination. Maybe this sequel will do the same. Speaking of keeping things in mind, Universal was making a movie based on the popular play “Wicked,” which was set to release in the current spot where “Sing 2” resides. Due to “Sing 2’s” recent pushback, it could be possible that “Wicked” will be out in 2022. By the way, not steering away from animated features, this week is interesting for film, because remember “Trolls: World Tour?” It’s in the middle of its marketing campaign and if you are a parent who wants to torture yourself in order to please your kids, it comes out digitally this Friday, April 10th. Advertisements have suggested that the movie will also be playing in theaters. But the real question is, what theater in the United States is still open at this point? When you are increasingly going to get shamed for not wearing a mask outside, what theater is open?

AMC MAY NOT SURVIVE

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Now I understand that there are more important things in life than film. There’s health, happiness, and safety. Unfortunately, the news makes me feel ill, unhappy, and like I’ll never ever be safe again. If you all know me, you’d be aware that my safe place in life is the movie theater, and one of my regular stops for my experiences happen to be AMC locations. It’s where I often go for my press screenings, as an excuse to use Stubs points, and on occasion, for Dolby and IMAX. Depending on where you live in the United States, there is a solid chance that you have at least one AMC location near you. In fact, I recently went to downtown Burbank, California and they have three locations within minutes of each other, and this is walking distance I’m talking about! Even though AMC technically is a large chain that owns a lot of theaters, they do a good job at giving a sense of prioritization on the moviegoing experience. In fact, in recent years, they’ve been expanding their fleet, renovating theaters, putting in new seats (which admittedly, sometimes underwhelmed me), implementing reserved seating options, and one of their most notable innovations to the American movie market was their Stubs A-List program, which is basically their response to MoviePass as it began to die down. They even have an On Demand service now! In fact, even though I am a physical media junkie, that is probably a place where I’ll consider renting a movie one night (as long as Sony Android TVs) can get it. AMC just recently used to be the biggest chain in North America, but has recently been dethroned since Europe’s Cineworld bought the Canadian chain Cineplex. Now that Cineworld owns both Cineplex and Regal Entertainment Group, they are now the largest theater chain in regards to the continent.

Having said that, AMC Theatres is a pretty big chain. But the bigger they are, the harder they fall. AMC Theatres has spent a lot of money on changes in recent years, recently laid off a ton of employees, and is currently in debt. To make matters worse, S&P Global has recently downgraded AMC Theatres to a CCC-. The association to insert here is “Default imminent, with little prospect for recovery.” Keep in mind, that if you live in the United States, that means if AMC Theatres closes down for good, you are likely to lose a country-wide total of over six hundred cinemas. Just a couple weeks ago, I was reminding people that the smaller, indie theaters might be in a bit of trouble right now. They’re making AMC look like RadioShack! In fact, one of the cool ideas I have been seeing recently is that theaters are doing pop-up sales, where they are selling popcorn to paying customers even though there are no movies going on. This has happened at a couple locations near my house, specifically the Somerville Theatre and Capitol Theatre, both of which are in Massachusetts and owned by Frame One Theatres. I don’t know if a chain like AMC would do that, because I think they are more concerned about protecting what they have by letting people go than continuing operations and getting mocked. But, again, if any theater wants to take up my suggestion on a popcorn or candy delivery service, be my guest! I’ll probably order from it twice a day just to provide some support. That, and I love my movie theater popcorn. It could be through the organization itself, maybe through Uber Eats, maybe Grubhub could be a good idea. After all, pretty much the only thing I can do in life right now is stay inside and put on a movie. I need decent popcorn to go with it! But sticking with the main idea, the loss of AMC, can bring a tremendously dark impact to the industry. Because that means no more Prime Theatres, no more specifically branded Dolby Cinema, and no more A-List. But also, keep in mind the large theater count the chain has and how much of a reduction this truly can provide. There will be significantly less places to go to watch a movie. If you’re lucky enough to have somewhere like a Regal or Cinemark nearby, then you’re probably in luck. I’ve got Showcase Cinemas. Even though I’ve been to their theaters a number of times, I really think they are overhyped and their setup is occasionally bonkers (although their Providence location might have my favorite IMAX theater). And I don’t know if another chain is going to swoop in and take all the AMC locations that could die as a result of this. AMC is not the only chain hurting here. For all I know, maybe one of the big toilet paper companies can come in and start something new. Come on in to “Angel Soft Theater!” Your ass is safe on both our toilets and our auditorium chairs!

One YouTuber I regularly watch goes by the name of John Campea (Collider Movie Talk, The John Campea Show) and he suggested that studios should step in and help AMC financially during this dire time. If the studios have enough money, this is a swell idea. After all, there is a strong bond between movie theaters and studios. One cannot essentially exist without the other. And given how studios are perhaps likely to lose money should they rely on digital sales for their films, they are probably well off giving some of what they have to a chain that has given them tons of strength over the years. I often make fun of how much money Disney has, but wouldn’t it be a great story if Disney gave some money to AMC? I’d dig it. Time will tell when it comes determining the fate of AMC Theatres, but that is largely going to depend on when this crisis diminishes or ends, if people are not too scared to go out into the masses again, and if movies are even going to release by the time this ends. Again, if “Tenet” is not in theaters this July, I think I can officially call it quits on this year for film. Because that news will break me. Pixar’s “Soul” hasn’t been delayed yet. Maybe that will come out in June. Again, it’s hard to tell at this point given how confusing this virus really is.

NEW RELEASES GOING ON DEMAND

I did do this last week, and to be honest, I don’t know if I’ll continue this trend, but given how On Demand is becoming more of a core element to the movie-viewing experience given the current situation, I figured I’d share some new releases that are out On Demand this week. First off is “Ip Man 4: The Finale.” I have not seen any of these movies, but one things that intrigues me is that it stars Donnie Yen, who has been brought to my attention in recent years. The actor is probably one of the more badass men I have seen in an action film as far as newer material goes. While I will declare that “xXx: Return of Xander Cage” is not exactly the “Citizen Kane” of action, Donnie Yen may have been the best part of the movie. Up next is “Like a Boss,” which came out in January. This does not look or feel like my type of movie, but I believe I almost went to a press screening for it. Not sure though. The film stars Tiffany Haddish, Rose Byrne, alongside Salma Hayek and it is about friends who are trying to start a beauty company. The film clocks in with a total of an hour and twenty-three minutes. Did the editor want to finish their job as soon as possible or something? By the way, for those of you who prefer buying the physical copy, both films are scheduled to come out on DVD and Blu-ray on April 21st. If you have Disney+, there is heavy promotion going on right now to get people to watch Pixar’s “Onward,” and if you have the service, it is now watchable any time you want.

Thanks for reading the third part of the ongoing series “Movies and COVID-19: Behind the Scenes!” As long as this crisis is unfortunately still with us, this series is going to continue, and maybe even get me to delay my scheduled film reviews. Although, for all I know, my review of “My Spy” might not even come out until next year given how I would probably be shoved into an abyss by STX executives if I open my mouth about it right now. As for myself, I have not left my house in awhile, and I continue to remain healthy. If you want to use your time wisely, be sure to follow Scene Before either through an email or WordPress account so you can stay tuned for more great content! Since we’re all online right now, why not take a break from learning how to use Zoom for a quick second and check out the Scene Before Facebook page! You won’t regret it! I want to know, is there any COVID-19 movie news that happens to be significant that I missed? What have you been doing during this crazy time? Any movies you want to recommend? TV shows maybe? Let me know down below! Scene Before is your click to the flicks!

Top 10 WORST Movies of 2019

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Hey everyone, Jack Drees here! 2019 may be the first year in a while without a new “Sharknado” movie, but I still have ten other stinkers to talk about. That’s right! Now that I have talked about my top 10 favorite movies of 2019, I’m about to dive deep into my top 10 LEAST favorite movies of 2019. Much like in the best list, I do want to state a few rules, because without them, there’d be chaos. First things first, this is a subjective list. What do I mean? Everything you see here is strictly my opinion! I am in no way saying that these are the top 10 objectively horrible movies of the year, they are just the bunch that didn’t work for me compared to all the others. My list may be different than your list, that’s what makes us human. That’s why we have souls. Also, I have not seen every single movie that has come out in 2019. In some cases, I may have been busy, or I just put something far down on my priority list, or there may have been a movie that looked bad enough to the point where I thought, “F*ck it, I’m taking a day off.” There have been several bad movies that have come out this year, but there are some that others considered to be bad that I missed out on. Some include “The Curse of La Llorna,” “Rambo: Last Blood,” “X-Men: Dark Phoenix,” and “47 Meters Down: Uncaged.” Those are the movies I didn’t see! But we’re not here to talk about those, we’re here to talk about those I did see! Before we dive into the main ten, let’s get a few dishonorable mentions out of the way.

Kicking off the dishonorable mentions, we have “Cold Pursuit.” For awhile, I had no idea that this film was actually a remake. Goes to show that remakes don’t always work. I will say, this film had a couple scenes that were worth paying attention to, but it’s not really enough. This film is truthfully forgettable, but it did not bore me or make me blow a gasket as much as some of the other entries on here.

Continuing the dishonorable mentions, let’s talk about “Last Christmas.” This perhaps prompted me to want to start playing Whamageddon, you know that game where you have to blaze through much of December avoiding the song “Last Christmas?” Overall, “Last Christmas” is almost charming, but it has one or two unlikable characters that stand out, and in a time where we have iconic holiday films like “Home Alone,” “A Christmas Story,” “Die Hard” even, I’d rather watch those in December than this trash.

Concluding the dishonorable mention section, let’s dive into “Midsommar.” Out of all the movies that I have to talk about on here, maybe aside from one in the actual top 10, “Midsommar” is maybe the most disappointing one to see on here. For starters, it is directed by Ari Aster, who also directed “Hereditary,” which made my HONORABLE mentions last year. Speaking of which, the direction is visionary, solid, and pristine, but the script is what makes this film fall apart. Overall, “Midsommar” is underwhelming.

Now that we have briefly talked about some crap, let’s continue this post by flushing ourselves down the crapper! These are my top 10 WORST movies of 2019!

#10: Jexi

Starting off this list is “Jexi!” Following in the footsteps of say “The Emoji Movie,” “Jexi” officially continues the trend of bad movies heavily revolving around phones. I will admit, this film was almost charming at times and I could tell that there are maybe one or two moments that can probably get a laugh out of a number of first time viewers in the future, but this film honestly shattered itself to the ground for me. I guess you can make the argument that this is almost a satire, perhaps almost even an allegory, for how technology is practically taking over our lives, not to mention the world. But if that’s the case, this idea has been presented better in other films like “2001: A Space Odyssey” and “The Terminator.” Basically, the film revolves around a basic pasty white dude character played by Adam Devine who often relies on his phone for everything. If this were an adventure film, he’d probably be the least likable hero of all time, because he’d probably Google how to fulfill his quest! Early on, there’s a situation where he ends up getting a new phone. Only thing is that this new phone, or at least the AI inside it, is a psychotic, backstabbing, mind-blowingly corrupt bitch that needs to die. The movie starts out in a less than satisfying manner, kinda gets better as it goes along, and just ends up slitting its own throat by the end of it. Just goes to show, bad endings can ruin good movies. Not that this was anything great, it was itself up to be at least mediocre, but still.

#9: Yesterday

#9 is a movie that I probably want to not watch today, not tomorrow, not ever again! I’m talking about “Yesterday!” This film is directed by Danny Boyle! WHAT HAPPENED?! Seriously! This is the guy who directed “Slumdog Millionaire” for crying out loud! I guess if you really admire the Beatles, maybe you’ll like this film, the same way I can see someone really liking Elton John to find enjoyment in “Rocketman,” but this film just felt stupid. I like the Beatles a lot, but Jack Malik? Eh… Not so much. I get that this film is sort of supposed to present some sort of highly altered reality, but the process of getting there is rather tacky and it caused me to question the art of screenwriting. I cannot even talk about it without cringing! And if you ask me, my personal favorite Beatles song is “Let It Be.” Honestly, this movie sullies that song’s reputation and all it stands for. I get that the scene with “Let It Be” in it is trying to go for comedy, but it just felt RIDICULOUS. And speaking of bad endings, this movie has one as well. No spoilers, but this movie made me not want to live to see tomorrow.

#8: Dora and the Lost City of Gold

Coming in at #8 is “Dora and the Lost City of Gold.” I saw the original trailer for this film and I thought it was one of the most unsatisfying and horrible pieces of media I have witnessed this year. Can’t say the movie is all that much better! I was born in 1999, so as some of you might expect, I grew up with a generation of people who had “Dora the Explorer” pop on their TV screens from time to time. At the time, it was a fairly reasonable time-waster, and I will say that one thing this film gets right is that it seems to pay as much respect to the source material while still somehow managing to be its own thing. But the thing about “Dora the Explorer” is that when I look back on it, I do have memories that I can cherish, but it’s also a cartoon that either does not completely hold up, or feels somewhat cringeworthy. Overall, this film is cliché, boring, and a little bit embarrassing to watch at times. I have never imagined myself in a situation where Dora would be singing a song about turds. Will the kids enjoy the movie if it is in front of them? Maybe. But as for me, I cannot say it was one of my more pleasant experiences this year. Also, I mentioned it in my review, and I’ll mention it again, Swiper was pretty badass. But it’s not enough!

#7: The Fanatic

“Moose didn’t just cross the line. He f*cking nuked it.” That is a line from the epic, bombastic disasterpiece of crap known as “The Fanatic” starring John Travolta. To this day, the only real reason why I watched this film is because of Chris Stuckmann’s Hilariocity video on YouTube. By the way, if you want to watch a video as amazing as that, click the link at the end of the paragraph! John Travolta is one of the most… “interesting” actors working today. Yes, he’s had praise over the years with films like “Grease” and “Pulp Fiction.” But he just did FREAKING “GOTTI” LAST YEAR! I REPEAT, “GOTTI!” That film was s*it! Unlike “The Fanatic,” I failed at getting around to doing a review for “Gotti,” but I did mention it on my 2018 worst movies list. In that countdown I mentioned that film has a sort of so bad it’s good element intact. “The Fanatic” is the same way, perhaps a bit more so. It feels like I’m watching something such as “Samurai Cop” or “The Room.” One of those cult movies that is mainly regarded as watchable because of how perhaps unintentionally funny it happens to be. But to be serious, this film partially fails as a story because I don’t really know who to root for. It’s almost an interesting allegory on the relationship (or perhaps a relationship that should not be formed) between a celebrity and one of their mega fans. However, it’s just not enough to make a good movie.

#6: The Secret Life of Pets 2

I saw “The Secret Life of Pets” when it first came out in theaters. It was… OK. Not great, but OK. But that film made WAAAAAAY more than its budget, so naturally a sequel had to happen. AND IT SUCKS! The secret’s out! “The Secret Life of Pets 2” is utter garbage! This movie had Harrison Ford in it for Pete’s sake! HE COULDN’T EVEN SAVE THIS HOT MESS! Fun fact, if you watch this movie and stay for the credits, you can hear Harrison Ford’s voice at the end of the credits just letting you know that the movie’s over. I know Harrsion Ford is never obnoxious or lively when it comes to how he traditionally expresses himself, but his delivery of that message was a symbol of how I felt while watching this movie. Lifeless and less than satisfied. This is not the worst animated film I have ever seen. It’s not like I just watched “The Emoji Movie” or something, but it’s just plain stupid! The characters are boring and badly written, the ending is so convoluted and insane that I couldn’t even buy it for a second, and there is a scene that I think you can ONLY appreciate if you were on acid. If you have seen the movie, you may know what I’m talking about. Get your grip together Illumination, you just had “The Grinch” last year, which was horrible. And now you have this dogs*it, which is two times worse!

#5: Replicas

In my best list of the year, I suggested that this is the year of Keanu Reeves. Everybody might as well have Keanu fever. After all, he did films like “John Wick 3” and “Toy Story 4,” both of which were met with enormous praise. But I shouldn’t be too sure on such a sentiment. After all, this is the guy who also decided to do “Replicas” of all movies! “Replicas” originally came out in January in my area. I waited until June to see it partially because it was eventually on sale at Best Buy. Turns out when I saw it, it eventually became one of the most forgettable movies I have seen all year. Everything about this movie is just terrible! The chemistry between the characters, the CGI, the writing! My gosh! I’m almost surprised that this movie is not a reason for which I have decided to seek therapy! Then again, writing on a blog is therapeutic enough. So, I think we’re good here. I think the only upside that can come from “Replicas” in any way, shape, or form, is that this movie came out in January, before “John Wick 3,” before “Toy Story 4,” before it was confirmed that Keanu Reeves was going to be in the video game “Cyberpunk 2077,” before it was revealed that he was gonna have a small role in the next “SpongeBob SquarePants” movie. Work first, play later.

#4: Isn’t It Romantic

Here’s a question for you all. “Isn’t It Romantic?” NO, IT’S NOT! And speaking of questions, who is Rebel Wilson’s agent? Because they need to find better opportunities for this woman. Granted, I may have an unpopular opinion in terms of REALLY disliking “Pitch Perfect,” but she always seems to get roles that are forgotten overtime or in movies or programs that just don’t do all that well. I mean… There’s “Jojo Rabbit,” but still! You want to know how bad “Isn’t It Romantic” is? Well guess what? Here in the United States, Argentina, and Canada, it is being released theatrically, but elsewhere, it went straight to Netflix! Based on certain Netflix releases here last year such as “The Cloverfield Paradox,” that’s not always the best sign! One of the worst parts about this movie, and maybe one of the best parts as well depending on how you look at it, is that it is 89 minutes long, just short of an hour and a half. While this movie did not end up feeling like two hours for me, it did end up feeling like an abomination. The dialogue is cringy, the plot, while straightforward, is as bonkers as letting a beer bottle compete on a game of “Wheel of Fortune,” and as a parody, it’s insulting. I may ask for a lot of things during my moviegoing experience, because I am ultimately an entitled f-hole, but don’t make me feel stupid. Romantic comedies are not my thing, so maybe I am not the target audience for this film, but to have a movie make fun of a genre that I tend to think is sort of too sappy for my taste and fail is a bit of a letdown. Overall, this is not romantic, and most importantly, not worth your time!

#3: Cats

I think Peter Travers from Rolling Stone said it best, “Cats” is a “disaster of a movie shouldn’t happen to a dog.” I mean what is this catastrophic hairball?! This is arguably, the worst collectively reviewed movie of the year, definitely one of the worst of the decade. I will say this. I was not alive back in 1977, so I never got to witness one of the first screenings of “Star Wars” including the premiere at the Chinese Theatre in Hollywood. But I got very lucky, I managed to RSVP for “Cats,” particularly for a screening in Boston on the Tuesday before it came out. I went in the snowy cold, and I can confirm that I am now a part of film history. I was one of the first to witness one of the most poorly received movies ever! This is honestly something that I would put on my resume, especially if I were applying to some outlet that needs a film critic. I’ll just insert “One of the first to sit through ‘Cats’ so nobody else had to.” I’d be their hero. As for the movie itself, I TRIED being generous in my review. I left the movie not liking it, but I thought one song was neat, and some of the visuals worked. But the editing, the casting, the nonsensical storytelling, the rest of the music, the dreadfully abysmal pacing, the cat puns, it’s all a clowder of deplorables! As soon as the Universal logo came up and I began watching this movie, a part of my brain wanted to puke. Then as I sat through this anger-inducer, it became increasingly boring. People laughed in the theater, but I am willing to bet that some of the laughs given were in regard to how truly awful this monstrosity really is. When the end credits hit, people somehow applauded either because it’s classy, maybe they had a good time, maybe a time so bad it’s good, or maybe because the movie was over at last. Speaking of that, I just let out an almighty “THANK GAAAAWWWSH!” because this was simply worse than watching other people watch paint dry. And I originally thought seeing Nick Fury get his eye removed by Goose the Cat to be the worst feline-related thing to happen in a movie this year. Not only does this entire production of utter blasphemy top that, but eradicates it with heat vision. For the record, I have not seen the new adaptation of “The Lion King,” I cannot talk much about that. I think one of my mistakes this year as a critic was being generous to this film, because as much as I think I made a solid review, I think everybody else who saw this movie and hated it, ripped it to shreds whenever the opportunity struck. Before we movie on, here are some AMAZING “Cats” review highlights.

“For the most part, “Cats” is both a horror and an endurance test, a dispatch from some neon-drenched netherworld where the ghastly is inextricable from the tedious.” -Justin Chang (The San Diego Union-Tribune)

“I truly believe our divided nation can be healed and brought together as one by “Cats” — the musical, the movie, the disaster. In other news, my eyes are burning. Oh God, my eyes.” -Ty Burr (The Boston Globe)

“I have been processing this movie for the last 24 hours trying to understand anything as terrifying and visceral a trainwreck as Cats. You have to see Cats.” -Alex Cranz (io9)

“There are a few moments of inadvertent entertainment to be found, but it turns out that in this case, leg warmers have more life than digital fur.” -Katie Walsh (Star Tribune)

First off, full disclosure – I am not a cat person. Second off – after watching this frankly mortifying film adaptation of Andrew Lloyd Webber’s Cats, I’m not altogether sure I am a movie person anymore either. -Alan Corr (RTE Ireland)

#2: Godzilla: King of the Monsters

There was a point when I saw this movie that I thought it was going to be a lock for my worst movie of the year. Well, guess not! Goes to show how s*itty some of 2019’s movies truly are! I am here to remind you that “Godzilla: King of the Monsters” is not only one of the worst movies of 2019, but one of the most disappointing film experiences I have ever witnessed. That is the thing that probably makes “Godzilla: King of the Monsters” as bottom of the barrel for me as it is, because unlike various other films on the list such as “Replicas,” I had this as one of my most anticipated films of the year. I remembered seeing 2014’s “Godzilla” and thinking it was “fine,” but just like that movie, the trailers were bloody fantastic. Plus, it introduced more monsters like King Ghidorah, Rodan, and Mothra. The film had some potential. But guess what wastes it? The same thing that repeatedly wastes “Transformers” movie after “Transformers” movie: Underdeveloped, unlikable, undeniably forgettable human characters. And if they were played by no-name actors maybe I’d let it slide because they are building their career, so props to them. But they’re not! You have Millie Bobby Brown, okay, she may still be building a career, but she’s still famous. Nevertheless, this movie has Millie Bobby Brown who plays perhaps the most well-known character from “Stranger Things,” Vera Farmiga, who has been nominated for an Oscar, Golden Globe, and a few Primetime Emmys! They got Thomas Middleditch to be in this s*it! To do what? Waste time?! GAH! I said it once, I’ll say it again. Ken Watanabe’s back? Who f*cking cares? I’ll give the movie an ounce of credit because one of the criticisms everybody supposedly had with “Godzilla” 2014 is that there was not enough Godzilla in the movie. This movie seems to expand the creature’s runtime and focus more on monster business. However, if you ask me, as I look back on Godzilla’s presence in the last movie, it felt special when he showed up. There was never really a point where I wanted to roll my eyes when he appeared. Here, I didn’t care about almost anything. I know a lot of people have pointed out, including myself, in their reviews that the script didn’t not allow for a moment for me to care about the human characters. A lot of general moviegoers’ opinions I have come across have gone something along the lines of “It’s monsters fighting, whaddya expect?” First off, bad writing is bad writing. PERIOD. Second, I would love to say I immensely enjoyed all the monster fighting, but I almost don’t even remember any of the monster fighting from this film. In fact, part of that may be due to a supposed migraine I must have received upon leaving the theater. I mean, I remember they fight in various locations around the world, including Boston of all places. I must say, as a Bostonian, this movie is an insult to my intelligence, and just because you have a big fight in my city, it doesn’t make anything better. I’d say the destruction of my city is practically a symbol of how I view this movie. A monstrous mess, nothing more. The only things this movie has going for it are some neat visuals, some cool sounds, and one or two nice shots. Other than that, the writing is all over the place, the casting is embarrassing based on the well-known or high-profile actors who are reduced to speck of dust, and as much as I want to look forward to “Godzilla vs. Kong,” this movie has left an unfortunate hole in my heart that can be difficult to sew back together.

#1: The Haunting of Sharon Tate

Here we are guys! It’s rock bottom! It’s time to talk about #1! In my top 10 best list, one of the entries was Quentin Tarantino’s “Once Upon a Time in Hollywood,” which partially featured Sharon Tate. As much as I love that movie, the only standout problem with it involves various scenes with Sharon Tate as it almost seems like she has little to no effect on the final outcome. But this entry to the worst list makes that Sharon Tate look like the second coming of Jesus. Why? Because my #1 worst movie of 2019 is “The Haunting of Sharon Tate!” There is a small part of me that almost refrained from putting this film on the list to begin with as there was not much of a theatrical release. But it did have one overall so I’m counting it, I don’t care! I cannot describe to you the utter misery I felt as I went through several scenes of the movie. The cinematography looked like it lacked proper craftsmanship and skill. The color grading at times looks a tad odd. And don’t even get me started with the screenplay of death! I do not mind rewriting history some of the time. For this movie, they decided to put a supernatural twist on the Tate murders. Honestly, it sucks. It just sucks. It really just feels shameful and full of poor of taste simply to exist. All of it is honestly ridiculous! I will say, Hillary Duff, for the most part was okay as Sharon Tate, but there are times, and this may be due to writing, maybe directing, that she did not come off as an experienced actor. Keep in mind, this a star on “Younger” and “Lizzie Maguire,” she has to have developed some sort acting ability by now! There is one scene that was incredibly disturbing and gory that I almost was able to see what the folks behind this film may have been going for, but it ultimately just turned me off. That’s what this movie is. A turn off! It turned me off as a viewer, and it made me regret not shutting my TV off sooner to save myself from further idiocy! Some of the other movies on this list are competently made. “The Secret Life of Pets 2” has some nice-looking animation. “Godzilla: King of the Monsters” has some cool visual effects! This movie on the other hand is the film equivalent to what it must be like to drink a dog’s urine! It’s both crappy in terms of presentation and substance! The interpretation of Sharon Tate herself almost felt mean-spirited and nonsensical from what I imagine the real Sharon Tate must have been. She was moody in a rather unsettling manner, not to mention often more depressed than Sheldon Cooper whenever someone sits in his spot! And even though Hillary Duff is not the worst actress in the world or anything, this movie probably would have been better if maybe they got somebody else to fill Tate’s shoes. Or, maybe it wouldn’t because everything else in it is just about as lifeless and catastrophic as a brick that fell stories from the sky from a wrecking ball. I am curious to know if there is an afterlife. If there really is an afterlife of some sort, I am also curious to know if Sharon Tate herself is capable of watching this film in some sort of way, perhaps through gazing upon someone else’s screen in real life without being seen. What would she think of it? If I were her, I’d be disappointed. Regardless, this is a film that never should have happened. It’s horribly told, poorly crafted, and feels cringeworthy to the tenth degree! And to know that we are getting a conceptually similar film from the guy who directed and wrote “The Haunting of Sharon Tate,” specifically Daniel Farrands, it’s kind of intimidating. Yeah, coming soon to streaming services and theaters, be on the lookout for “The Murder of Nicole Brown Simpson!” Or don’t… Save your money. Maybe I’ll watch it out of curiosity, but we’ll see. But speaking of seeing, if you have not watched these films, be sure to avoid seeing my picks for the top 10 worst movies of 2019!

Thanks for reading this countdown! 2019 personally contained a bunch of good movies, some mediocre movies, and as much as it has been a fairly decent year for film, I think the bad movies truly stood out. As usual, I enjoy doing these countdowns whenever I get the opportunity, it’s a solid form of therapy, and it gives me a chance to remind you, the consumer, to maybe save your money every once in awhile. I don’t think every person behind every film is a bad egg. For all I know, all of these films are passion projects, which can make it somewhat challenging to talk about in a format like this. But I still enjoy it, I find this to be some of my finest work, and it allows me to get creative in terms of what I have to say. It’s really fun process overall. If you have not gotten your countdown fix yet, this is your reminder that on January 11th, I will begin revealing my picks for the Top Movies of the 2010s. If you want to get in the mood, I will once again share the trailer I made for it originally presented here around Christmastime. Feel free to sit back, watch the trailer, and enjoy!

*All copyrights belong to their respective owners*

Remember to keep your eyes open for the upcoming countdown series, I am super excited to share it with you all! Ten years will go by starting January 11th! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! If you want to support me further, if you have an applicable account, give this post a like, maybe leave a comment if you want, and go like my Facebook page! I want to know, what are your picks for the worst movies of 2019? You can state however many bad movies you want, 10, 15, 20, whatever. If you want to go smaller than that, be my guest, it’s up to you! You have the power! Leave your thoughts down below, and welcome to the new decade! Let’s get nuts, everybody! Scene Before is your click to the flicks!

The 1st Annual JACKOFF Awards

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WARNING: The following post is nearly 11,000 words long. If you are able to make it through this entire post, I applaud you. However, your life is under your control, and you should decide how long you can read this for. I am not the judge of you, nor am I your boss. You should be able to decide how long you should gloss. Enjoy!

*All copyrights belong to their respective owners*

INTRO SEQUENCE!

Hey everyone, Jack Drees here! You have now entered the Cinema Zone. You are now about to witness the most important awards ceremony of all time. An event so grand that every celebrity earning such an award will brag about it to their friends and family. *Drumroll* The Movie Reviewing Moron presents… The Jackoffs!

*SEES NO AUDIENCE*

Disappointing.

But the show must go on! Today we are going to be celebrating and reflecting on what the Movie Reviewing Moron seems to see as the best in film. Similar to other awards ceremonies related to movies, there will categories dedicated to acting, directing, music, categories such as those. Also, much like those award shows, these are all appetizers for Best Picture, which I can guarantee you, will be the TRUE best picture this year. All of those other fake award ceremonies? Forget them! This is serious business! There’s also going to be some stuff on the side as well, so stay tuned. However, if you have seen my top 10 BEST movies of 2018, you’d already know what my best picture is. With that in mind, I decided to do something a little different than me picking a Best Picture winner. Given how my mind can change on what the top 10 movies of 2018 are, and I have an audience who also goes out to support film, I decided to reveal my top 10 best movies as of the point where I announce the nominees, and have others pick the best movie of the year. And for those who are curious to look back at my top 10 list from this past year, I will spoil the fact that the list has changed slightly since I’ve completed it. As for other categories, every other category from Best Actor to Best Original Song to Best Sound Editing to Best Original Screenplay is all from my mind.

Before we get to the nominees and winners however, I would like to point out that I have not seen every single film in 2018, therefore some of the nominations probably would be something where you’d beg to differ. One movie that has been getting a ton of buzz this Winter for example is Disney’s “Mary Poppins Returns.” Many people have enjoyed the movie, noted Emily Blunt’s performance, not to mention its music. I can’t say I’ve seen that movie, and I haven’t seen the original either. With that in mind, it just makes no sense for me to see this movie at this point for sake of putting it in any of the categories.

So, before we start revealing who was nominated and who won, I have to remind everyone, this IS an award ceremony. Most award ceremonies tend to be lighthearted, fun, and have some random jabs intact. This is a segment brought on despite no demand, “Jack Drees Tells Jokes to Nobody in Order to Please Himself.”

I’m going to state some facts about this year in film, and since there is no audience here, there will be no laughs. But since I want people in my life, I guess I will have to imagine there will be people laughing at my jokes, no matter how stupid the jokes really are. And I must say, 2018 really has been an excellent year for film, and I’m not just saying that. It’s one of the best years for film ever, as long as you weren’t dusted by Thanos, Tom Cruise’s broken leg, eaten by a Megalodon, or Tom Hardy attached to a parasite.

In January, the final installment of the “Maze Runner” trilogy, “Maze Runner: The Death Cure” released to the public. The main antagonistic side of the movie involves a corporation called “WCKD,” which is pronounced similarly to “wicked.” Viewers haven’t heard the word “wicked” so much since that one trip they took to Boston. Coincidentally, that last trip some of you might have taken was to see grown men and a supposed cheater hold a properly inflated trophy.

Emily Blunt appeared in a couple movies this past year, specifically “A Quiet Place” and “Mary Poppins Returns.” Both movies have a notable segment involving a bathtub. So far, Blunt has no movies scheduled for 2019, but I have a thought on the title of the movie Blunt will take on next. It’s called “The Shower.”

“First Man” released this year in October. While not everyone found it to be great, I found it personally to be one of the best films of the year. This film is partially about the Apollo 11 moon landing, and it is confirmed in this movie, that Ryan Gosling and Damien Chazelle fake the moon landing. IT WAS SHOT ON EARTH! IT’S A FAKE! IT WAS ON A FILM SET THE WHOLE TIME!

AMC Theatres introduced a new subscription service as part of their Stubs membership lineup. For $19.95 a month you can see 3 movies a week without charge in any format at an AMC location. The plan is called AMC Stubs A-List. This would be great for juvenile delinquents, because now you can sneak in the back of the theater in a slightly more sophisticated manner.

This recently mentioned plan was known to be a competitor to cheaper organizations such as MoviePass and Sinemia. I gotta give some props to MoviePass though, because the company’s CEO also happened to once be an executive at Netflix, so it’s possible they secretly have partial rights to the word “chill.” Imagine you’re a guy texting your girlfriend, “Hey, MoviePass and chill? ;)” You two decide to go to the cinema and see a romantic comedy. Then the sex scene arrives, and it’s time to take off your clothes and make physical contact with each other! The guy is probably going, “I have never been so immersed in a movie in my life!”

The guy’s probably young and got an uncontrollable sex drive.

However, it is also true that MoviePass has had some struggles this year. Their stock kept decreasing, they did a reverse stock split, the app crashed, and there were occasionally limited options of movies you were allowed to see. In other news, sneaking in the back of the theater is still free.

One of the later releases of December was “Holmes & Watson.” The movie earned low scores from critics, with many giving it the final verdict of “S*it, Sherlock.”

John Cena was in a couple films this year, including “Blockers” and “Bumblebee.” While both films aren’t widely regarded as horrible, the biggest problem is that we could actually see John Cena.

One of the releases we’ve gotten over the summer is a movie called “Billionaire Boys Club,” starring Ansel Elgort, Taron Egerton, Kevin Spacey, Jeremy Irvine, Cary Elwes, Emma Roberts, Billie Lourd, Suki Waterhouse, and Judd Nelson. This movie earned $126 on opening day, making it the worst thing Kevin Spacey’s ever d—whoops! Sorry! Did I really just say that?! I sincerely apologize!

Unsane,” a rather unique flick, released this year. What makes it unique? It was shot using an iPhone 7 Plus. It’s a good movie, but the problem is that every time it is shown in a movie theater, there would always be at least one person who wouldn’t turn off their phone.

Here is a fact some people might not know about. As of last year, Tom Cruise has starred in two films which are at the very least, partially named after Bethesda video games, Cruise did “Oblivion” in 2013, and just last year he did “Mission: Impossible: Fallout.” Neither of those movies are linked to the video game franchises, they just borrow the name. But in all seriousness, I just can’t wait for one of his future films, “The Mummy 2: The Evil Within.”

James Gunn, director of the two recent “Guardians of the Galaxy” flicks, was fired by Disney and prevented from directing the third installment in the franchise. He was eventually hired by Warner Bros. to work on “Suicide Squad 2,” which he is going to improve by adding in one thousand talking trees. Each one of them is going to say “Hodor.”

So it’s a “Game of Thrones” crossover. It’s gonna be great.

One of the more successful movies of the year, both critically and financially, is Bradley Cooper’s “A Star Is Born.”

It featured Lady Gaga’s most brilliant performance since her portrayal of the crazy lady hanging on wires from the Super Bowl 51 Pepsi Halftime Show.

“Black Panther” was a huge success this year, making the second highest box office total worldwide for 2018, not to mention, more money in the United States than “Avengers: Infinity War.” In other words, “Black Panther” is the most popular creation associated with the “What Are Those?” meme of all time.

One film that unfortunately cancelled production this year is a graphic novel-based project called “Cowboy Ninja Viking.” This movie was originally supposed to be called “The Overpolished Halloween Costume.”

Speaking of Halloween, A new “Halloween” movie came out this year, which simply went by the title, “Halloween.” Keep in mind, while some might call this lazy marketing, this just goes to show that nothing is superior to the original.

“Mamma Mia!: Here We Go Again, came out this year, featuring Meryl Streep, and just for having a job this year, Streep automatically gets an award!

“Incredibles 2” came out this June after a 14 year wait from the release of the original installment. For the parents raising kids who grew up with the first movie, you didn’t have to teach them patience. Disney and Pixar had that covered.

I remember as a kid, one of the movies I rented from Blockbuster multiple times was the original installment of the “The Incredibles.” Sadly, the store I frequented has been closed for over a decade now. And as of this point, there is only one Blockbuster Video still open. When there were three open this year, two of them were located in Alaska. A state whose stores surprisingly, seemed to have disappeared faster than the ice caps.

Hey, I said in the preview this wouldn’t be politically heavy! This is a human issue! Also, one for polar bears.

The HBO show “Last Week Tonight with John Oliver” tried to help keep the Alaskan Blockbuster stores in business by buying items from Russell Crowe’s divorce auction and donating the purchases to the stores. One of the notable purchases was a jockstrap worn by Crowe during Ron Howard’s “Cinderella Man.” Imagine if somebody wanted to rent that thing! “I’ll take this for five days, I just need it to win a contest at Comic-Con, and I’ll give it back.”

Speaking of Blockbuster, the company’s one remaining store is located in Bend, Oregon. This store managed to create its own beer to celebrate its lonely status. I didn’t do any research, but I’m pretty sure it gets you drunk really fast. So fast in fact for those who drank it, the biggest side effect was renting all the “Sharknado” movies.

It has been announced earlier this year that Illumination, the creators of “Despicable Me,” plan to make an animated “Super Mario Bros.” movie. In this movie, two brothers will show off their secret weapon, jumping.

“The Favourite” was one of the best reviewed films of the year, containing praise-worthy performances from actors including Olivia Colman, Rachel Weisz, and Emma Stone. The movie is also an accurate description of everyone’s worst experience while riding a horse.

One of the final releases from 2018 is the highly-praised “Vice,” directed by Adam McKay. This movie is about Dick Cheney, making it one of the longest dick pics in history. 

“If Beale Street Could Talk” was also a big hit this year with critics. For those of you who don’t know, “If Beale Street Could Talk” is directed by Barry Jenkins, the same guy who helmed 2016’s “Moonlight.” Today, in honor of that, I’m going to announce who won Best Picture, and give a special, honorary participation trophy for reading the wrong card.

Now since this is an award ceremony dedicated to honoring film, I might as well recognize movies everywhere, no matter what genre, franchise, time length, or even overall quality rating. Before we get to our first set of nominees, let’s take a look back what Jack Drees saw in 2018.

  1. Maze Runner: The Death Cure
  2. The 15:17 to Paris
  3. Black Panther
  4. Annihilation
  5. Tomb Raider
  6. Ready Player One
  7. Blockers
  8. Pacific Rim: Uprising
  9. A Quiet Place
  10. Avengers: Infinity War
  11. Isle of Dogs
  12. The Commuter
  13. Life of the Party
  14. I Feel Pretty
  15. Solo: A Star Wars Story
  16. Revenge
  17. Adrift
  18. Tag
  19. Incredibles 2
  20. Deadpool 2
  21. Won’t You Be My Neighbor?
  22. Uncle Drew
  23. A Wrinkle in Time
  24. Ant-Man and the Wasp
  25. Hereditary
  26. Mamma Mia!: Here We Go Again
  27. Skyscraper
  28. Mission: Impossible: Fallout
  29. The Last Movie Star
  30. How to Talk to Girls at Parties
  31. The Hurricane Heist
  32. Gringo
  33. Eighth Grade
  34. Love, Simon
  35. Game Night
  36. Kin
  37. Peppermint
  38. The Meg
  39. The House with a Clock in Its Walls
  40. Venom
  41. A Star Is Born
  42. First Man
  43. Marrowbone/The Secret of Marrowbone (same movie)
  44. Bohemian Rhapsody
  45. The Grinch
  46. Second Act
  47. The Spy Who Dumped Me
  48. Ralph Breaks the Internet
  49. Red Sparrow
  50. Sorry to Bother You
  51. Operation Finale
  52. 12 Strong
  53. Spider-Man: Into the Spider-Verse
  54. Gotti
  55. Welcome to Marwen
  56. First Reformed
  57. Unsane
  58. Vice
  59. The Favourite
  60. Aquaman
  61. Hotel Artemis
  62. The Mule
  63. Instant Family
  64. Beautiful Boy
  65. Green Book
  66. Roma
  67. Cold War
  68. BlacKkKlansman

Let’s announce some winners!

First up, is Best Supporting Actor. In the world of superheroes, they’d be the sidekick. In the world of gaming, they’d be player two. In the world of driving, they’d be in the passenger seat. However, in the world of acting, they are compelling characters who have come to enlighten generations. These five nominees are likely to do the same. Here are the nominees for Best Supporting Actor.

  • Sam Elliot (A Star Is Born)
  • Timothée Chalamet (Beautiful Boy)
  • Michael B. Jordan (Black Panther)
  • Mahershala Ali (Green Book)
  • Sam Rockwell (Vice)

And the Jackoff goes to…

Mahershala Ali in “Green Book!”

Deciding on a winning nominee for this category was not easy. When you compare Ali to the other performers on the list, Chalamet is a brilliant, young performer who has a bright future ahead. Rockwell did a terrific portrayal as George W. Bush in “Vice.” For awhile I thought Sam Elliott could take the cake because he was perhaps my favorite part of “A Star Is Born” in the acting department when I think about the film sometimes. However, Ali is a fine actor, as proven already in 2016’s “Moonlight,” and once again in “Green Book.” He has played a character who starts out as stoic and emotionless to occasionally belting out a mix of feelings as the film continues. As the first winner of the very prestigious and important Jackoff Awards, Ali should feel proud of himself, congrats! Here is a clip of Mahershala Ali in “Green Book.”

Our next couple of categories involve sound. One understandable question that can be looked up on Google is the difference between sound EDITING and sound MIXING. The sound editing involves the incorporation of sound in general, but the sound mixing involves determining how exactly an audience will hear all of the movie’s sound. The hint to remember all of this, E comes before M. Appropriately, the award for sound editing will be done first. Here are the nominees for Best Sound Editing.

  • A Quiet Place
  • Avengers: Infinity War
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

And the Jackoff goes to…

“Ready Player One!”

“Ready Player One” is a movie that to me, excelled in just about every technical category imaginable. When it comes to sound editing, “Ready Player One” shines for having some of the most unique sounds of the year. Some of my favorites include the coins, the automobiles, and the Holy Hand Grenade. “Ready Player One” made my top 10 list of 2018 marking my personal best spot this year for sci-fi, and based on how the sound can immerse a viewer like me, it is easy to see why. Congrats to “Ready Player One,” hopefully its sound crew will be able to buy some bottles of wine with some nifty in-game coins as an indulgence for this award.

Let’s take a break from awards and focus on something that totally isn’t deceiving. Marketing.

For each Best Picture nominee, we are going to give them a special preview. I have copied and pasted a trailer for each movie directly from YouTube, so feel free to watch for your own pleasure.

Our first Best Picture nominee is proof that sometimes, sequels can be better than the original. Having seen several movies this year, many of the experiences of watching them have been great, but there were little to none that would get me to say to myself, “holy crap,” once the movie concluded. The film’s star, Tom Cruise, has gone through tremendous obstacles including a broken leg, helicopter flight training, real-life HALO jumping, and one of the most ambitious running scenes put on screen. The director, Christopher McQuarrie, has worked with the star before, delivering sick action, a continuation of what audiences have come to witness before, and perhaps one of the best sixth installments in a franchise ever made. Nominated for 5 Jackoff awards, THIS is “Mission: Impossible: Fallout.”

Going back to nominees, and moving away from the totally not deceptive concept of marketing, I have nearly decided to skip the sound mixing category, but that would make me more deceptive than a lot of movie trailers coming out today. Nevertheless, the sound mixing department in film is the group of people that not only lets an audience hear magic, but a certain level of magic. Here are the nominees for Best Sound Mixing.

  • Annihilation
  • A Star Is Born
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

And the award goes to…

“Mission: Impossible: Fallout!”

“Mission: Impossible: Fallout” manages to immerse me into the movie by not only having a great, up-to-date sound selection, but by making me feel like my ears are occasionally being pierced by a bullet hole. The helicopter scene puts you right in the middle of the action with an obnoxious machine, followed by a feast of flying bullets at a magnificent volume. While it is nowhere near as loud or obnoxious as last year’s “Dunkirk,” it is a feast for the ears. Well done to the “MI” team and congrats on the award, should you choose to accept it!

Up next is an award that honors all who assemble the film’s cast. They say that it does not matter what is on the outside, it’s on the inside that counts. However, some feeling inside me has decided to award a certain group of people who have dedicated their time and effort to making sure one’s outside is as presentable as possible. Here are the nominees for Best Makeup & Hairstyling.

  • Aquaman
  • Bohemian Rhapsody
  • The Favourite
  • Operation Finale
  • Vice

And the Jackoff goes to…

“Vice!”

“Vice” is a movie about Dick Cheney and how he practically oversaw the operations of the US government while W. Bush was in charge. This movie actually partially took place during the 2000s, but I gotta say, you know that meme going around now that tells others how you look now compared to a decade ago? I would love to do a post on Twitter or Instagram or something for these people in real life and their film counterparts just to show how identical they look to each other. Plus, regardless of how Cheney even turned out, whether this is really a Cheney look-a-like or not, and this movie’s Cheney IS a look-a-like, don’t argue with me. I will give enormous props to the makeup department for taking Christian Bale, a guy who is in his forties, and making him look like an uppity grandad! It kind of reminds me of “Darkest Hour” which takes Gary Oldman and turns him into Winston Churchill. Overall, “Vice” is a polished film and made up for whatever faults it made before.

Our second Best Picture nominee, if you think about it, took ten years to actually complete and release to the public. Maybe six depending on who you talk to. This film is based on a comic book franchise, so if you think about it, it’s like the “Boyhood” of comic book movies. This is a film that has been built up for a decade, for nearly twenty installments in a single series, with two of them having the identical franchise name. For many comic book fans and general audiences alike, this film managed to go in a different direction as opposed to what some would traditionally expect. Many of the characters people have come to love in this film series have returned for an epic showdown against the no good, terrible, absolutely revolting, Barney the Dinosaur who wears a glove all the time. Nominated for 4 Jackoffs, THIS is “Avengers: Infinity War.”

I honestly think this movie’s crew should feel sympathetic. It stole all the money that other movies may have deserved. But then again, it’s nice to call something the highest grossing comic book film of all time so this is also something I find to be cool.

Anyway, going back to acting, here are the nominees for Best Supporting Actress!

  • Emily Blunt (A Quiet Place)
  • Claire Foy (First Man)
  • Rachel Weisz (The Favourite)
  • Amy Adams (Vice)
  • Leslie Mann (Welcome to Marwen)

And the Jackoff goes to…

Claire Foy in “First Man!”

Claire Foy is an actress who has been gaining tons of momentum in recent years. She is well known already for her lead role in Netflix’s “The Crown.” She starred in last year’s “Breathe” alongside Andrew Garfield. And she appeared in three films this year alone, with two having Foy as the star. I have actually seen Claire Foy this year in “Unsane,” which is a creepy, intriguing thrill-ride where she shines. But Foy is a different kind of shiny in “First Man.” Captivating, emotional, and a great description of everything I felt as an audience member during the experience, not to mention everyone who grew up in the 1960s. Congratulations to Claire Foy! Here is a clip of Claire Foy in her role as Neil Armstrong’s wife, Janet, in “First Man.”

The next category of nominations is dedicated to the makers of magnificently crafted, well-realized apparel of all sorts. These pieces of clothing are all worn on set during recording and behind the scenes. No matter how beautiful, glorious, or in some cases, how hard it is to actually wear, these pieces are all created by minds who have put time and effort into letting someone have a fashionable outlook for a given motion picture. Here are the nominees for Best Costume Design.

  • Kym Barrett (Aquaman)
  • Julian Day (Bohemian Rhapsody)
  • Sandy Powell (The Favourite)
  • Marlene Stewart (The House with a Clock in Its Walls)
  • Trish Summerville (Red Sparrow)

And the award goes to…

“The Favourite!”

No matter how the movie turned out, “The Favourite” has a plethora of costumes capable enough to take me into a time of old British royalty. The level of detail of just about every outfit was astounding and very fitting for the time period involved. “The Favourite” actually got a low score for me this year, specifically a 4/10. Said score still stands, but it does not mean I was unable to recognize whatever effort was actually put into the film. Olivia Colman actually felt like an entitled, reclusive, and occasionally helpless queen in her outfit. Kudos. Well done, and congrats to “The Favourite!”

Our third Best Picture nominee is a movie that comes from the mind of a legend in the filmmaking industry, Steven Spielberg. Based on the hit book of the same name, this movie tells a story set in 2045, where people have studied pop culture of the past as they try to win a special prize. Going through a virtual world created by a Steve Jobs-like nerd, the film’s characters and audience can gaze in wonder as they notice pop culture icons including the Iron Giant, King Kong, the Back to the Future DeLorean, the Akira bike, the Rubik’s Cube, and even Chucky. As one of this year’s most visually appealing films, not to mention one of the best sounding films, both in a pitch meeting and literally, it excels to please audiences looking for an immersive experience. Nominated for 4 Jackoffs, THIS is “Ready Player One.”

Our next award category is dedicated to the makers of the sets, the builders of dreams, and the masters of visual atmosphere. It is a production designer’s job to make sure a film presents itself in the best looking way possible. Here are the nominees for Best Production Design!

  • Bill Brzeski (Aquaman)
  • Curt Beech (BlacKkKlansman)
  • Fiona Crombie (The Favourite)
  • Nathan Crowley, Katherine Lucas (First Man)
  • Eugenio Caballero (Roma)

And the award goes to…

Nathan Crowley and Katherine Lucas for “First Man!”

The biggest praise I can give to “First Man” overall is its seemingly real vibe. When it comes to the filming locations and set design, that is shown off to the tenth degree. The interior scenes in the space center felt raw, and maybe even contributed to the feeling of danger and creeps throughout the film. A house was built in Georgia just for this movie alone, which may be unneeded, but also kind of interesting. Everything in the film had not only the appropriate feel for a space movie based on true events, but a movie that took place during the 1960s. Congratulations to “First Man” for the film’s SECOND win!

While production design may be the art that allows audiences to see pure joy. There is another category to be touched upon that allows audiences to hear pure joy. These five nominees have all created music to set the mood, set the tone, set the vibe, and remind us that a world without music is a world without emotion. Here are the nominees for Best Original Score.

  • Geoff Barrow, Ben Salisbury (Annihilation)
  • Marco Beltrami (A Quiet Place)
  • Justin Hurwitz (First Man)
  • Alexandre Desplat (Isle of Dogs)
  • Lorne Balfe (Mission: Impossible: Fallout)

And the Jackoff goes to…

Geoff Barrow and Ben Salisbury for “Annihilation!”

Wow! Another team win! Part of the reason why “Annihilation” won in the first place has to do with the overall experience of watching the movie. I was very much looking forward to the film’s release, but I wondered what the music would be like. In fact, during the trailer for the film, one of the film’s iconic tunes, “The Alien” can be heard. This sounded a bit odd at first. Not life-ending, but odd. In the film however, I cannot imagine any other song replacing it when it plays. It was literally an experience of endless vibrations when I first heard this thing of beauty in the theater! This film also manages to have a nice blend of calm, joyful music, alongside a mix of creepy-crawly music. It’s this mix, and the amount of talent behind the crew that lead to this win. Congrats to “Annihilation!”

Our fourth Best Picture nominee comes from a rather strange place, Netflix. This film comes from the mind of acclaimed director Alfonso Caurón. He has had experience working with a popular IP, such as “Harry Potter,” while simultaneously producing well done original material such as “Gravity.” After those big, boisterous films, Caurón has decided to make a project that apparently people would want to watch in a select number of theaters, and for others, on cell phones. This is a film that takes place near Mexico City as a family and their housemaid go through their daily lives. We also witness joy, drama, and heartbreak in a compelling story about life itself, and how difficult it can be. Nominated for 7 Jackoffs, THIS is “Roma.”

As I have previously exposed, I have seen a lot of movies in the year of 2018. A lot of them by the way, were great! In fact, I’d say the positives for 2018 definitely outweigh the negatives. However, there is a saying for movies, much like a ton of other art forms, there is no such thing as the “perfect movie.” Even the best movie ever, like “The Godfather,” “The Shawshank Redemption,” “The Dark Knight,” “Star Wars,” “Pulp Fiction,” even “Jaws,” all of those movies don’t have what it takes to be technically perfect. You know what? Maybe that saying is right. That’s why I decided to take some movies I saw this past year and tweak them just a little bit to make them a more quality product. Enjoy.

CLICK HERE TO VIEW THE SLIGHTLY IMPROVED VERSIONS OF SOME 2018 FILMS!

The next category belongs to the makers of computerized and practical effects. No matter how complex, how flashy, how realistic, the five artists and crews behind the visual effects of their respective films have all demonstrated excellence in allowing an audience to be dazzled, wowed, and in awe. From taking them to new worlds, to providing them with previously unknown feelings, and introducing them to concepts beyond one’s imagination, all of the nominees should feel proud of themselves. Here are the nominees for Best Visual Effects.

  • Annihilation
  • Aquaman
  • Avengers: Infinity War
  • First Man
  • Ready Player One

And the Jackoff goes to…

“Ready Player One!”

To me, there was literally no other movie that even held a candle to “Ready Player One” this year from a visual perspective. Watching “Ready Player One” was like watching two different movies in one because you have this story that takes place in an entirely digital universe and you have the other one which is in the real world. While there are certain effects to be seen in the real world, it is the digital world that shines as bright as Albert Einstein. The amount of time that must have taken to actually blend a feel of realism while simultaneously feeling like a video game is seemingly unfathomable. Steven Spielberg said this movie was one of the harder ones he had to create, and understandably so. I have to give massive credit to the other contenders. “Avengers: Infinity War” is a visual effects extravaganza that looks great on the big screen. The same can also be said for “Aquaman.” “First Man” actually took me to the moon and back. F*cking well done if you ask me. And for “Annihilation,” the visual effects not only looked great, but they fit the crazy feel of the film which gave it a “2001” vibe at times. However, congrats to “Ready Player One,” and its effects are a hi-five/hi-five.

As mentioned in my nomination announcements, I didn’t announce EVERYTHING that was going to be in this post. I wanted to leave some surprises to my viewers. One of which includes TWO lifetime achievement awards.

But, before we announce the winners, I have to ask one question. What is the meaning of life? That is a question all of us seem to ask at least once. To some, life may be an overrated board game. Life could be the reason for anything. The ups, the downs, even the mediocrity. Here and now, it is my honor as mentioned, to present not one, but two lifetime achievement awards. For those of you who are wondering, I did not plan some in memorium video or line of text for this ceremony. Maybe I’ll do that in years to come, but that was not my original intention. Instead, I figured what I’d do is for one of my lifetime achievement awards, I’d figure honoring someone who is currently still with us, and someone who is no longer with us. The first prize is going to be given to the living soul, because as Agent Smith once said, in “The Matrix: Revolutions,” “Everything with a beginning has an end.” We start off with life, and finish with an inevitable death.

The winner of the first ever Jackoff Lifetime Achievement Award is a cameraman known for his work which has been around since 1975. Since then, he has collaborated with actors including Ryan Gosling, Morgan Freeman, Emily Blunt, Jeff Bridges, John Goodman, Harrison Ford, Hailee Steinfeld, Matt Damon, Daniel Craig, Josh Brolin, Tommy Lee Jones, Ana De Armas, Amanda Seyfried, Bryce Dallas Howard, Joaquin Phoenix, Tim Robbins, and Adrien Brody. His resume consists of works of art directed by Frank Darabont, Joel Coen, Ethan Coen, Denis Villeneuve, M. Night Shyamalan, Sam Mendes, Angelina Jolie, Ron Howard, and Martin Scorsese. He has been nominated and recognized for several prestigious awards, 9 BAFTAs, an AFI, 6 Critics’ Choices, and 14 Oscars. And for those of you who don’t know his story, it’s not like he is part of the New York Yankees and he keeps on winning Academy Awards. This man was nominated for 14, and out of all of them, he only won one. Also, it’s not like he could get one off the bat, because guess how long he had to wait? FOURTEEN TIMES! Now keep in mind, this is the very first Jackoff Awards ceremony. For all I know it could be the only one, we’ll just have to see. But no matter the number of award shows we have, if it is one, two, fourteen, over a thousand, I dunno, I am proud to present the first ever Jackoff Lifetime Achievement Award to Roger Deakins.

Congratulations to Roger Deakins, had he known he was getting this award, he would probably have something to say. But I have to say, I love his camerawork, his style never ceases to amaze, and I hope his future work will continue showcasing his excellence!

Our fifth Best Picture nominee is a documentary. Given how I have seen very little documentary titles this year, there will be no category for Best Documentary, but this film managed to stand out to me. They say the world is full of ridiculous people who are idiotic, lacking care, and selfish. This movie manages to show a man who only wanted to spread joy to the world and all of its children, Mister Fred Rogers. It also shows a man who is the perfect embodiment of a friendly, loving, and caring person. Revealing steps forward in diversity, tolerance towards minorities and sexual orientation, and proof that silence can be a great gift, this documentary succeeds to please its audience and deliver an emotionally charging feel good story. Best Picture happens to be the only nomination this film is receiving during this ceremony, but keep in mind, this is a documentary, and had I done a documentary category, this movie would win it. For the record, this is the only documentary I have seen this year. THIS is “Won’t You Be My Neighbor?.”

Before moving onto the rest of the show, I would just like to have everyone know in case they are reading this at a time that is later than February 10th, 2019 or if they aren’t from the US, the Super Bowl happened a week prior to this. Now, the Super Bowl is often regarded as one of the biggest televised events ever. However, this year, some people would call it a failure, including myself. Maybe everyone is getting bored of the New England Patriots constantly being involved, but one fact to take into consideration regardless is that the ratings for this year’s Super Bowl is the lowest its been in a decade. To be fair though, this has applied to various types of live broadcasts all over as time has progressed. For those who did watch though, they got to watch what many to be found a boring game, with only 3 points scored by one team in the first half. The final score was the lowest in Super Bowl history (13-3), with only one touchdown executed during the entire game. However, if you’re me. One thing that I found absolutely atrocious and ridiculous this year was the Pepsi Halftime Show. For those who don’t know me, the Halftime Show is something I don’t tend to care about. Don’t get me wrong, even though I don’t care, some of the shows were pretty well done. Part of me was surprised that I actually liked the Lady Gaga Halftime Show from a couple years ago. No, I’m being serious, I’m not saying that only because I nominated her for Best Actress. She was pretty good! This year however, a petition was going around to get “Sweet Victory,” a song made famous from the “Spongebob Squarepants” episode “Band Geeks,” to be performed at this year’s halftime show as a tribute to the recently deceased Stephen Hillenburg, the show’s creator. The petition actually gained quite a bit of traction. So much in fact that it currently has over a million signatures. In fact, I signed it when it first came up. For the record, this song was performed during the show’s version of the Super Bowl, making it more than appropriate for this type of setting.

After awhile, it seems that the crew behind the Super Bowl responded. Just look at this tweet right here.

After all the teasing and announcements that lead to the absolute possibility of this happening… It did.

Well, sort of.

(Video unavailable to WordPress, click Watch on YouTube to view video)

Some time into Maroon 5’s performance, audiences saw a clip of Squidward Tentacles introducing “a true musical genius who needs no introduction.” We then see the opening horn fanfare of the song. This was getting EPIC. Then… It stopped. Instead of “Sweet Victory,” we get Travis Scott performing “Sicko Mode.”

What. The. Actual. Ass?

As a “Spongebob” fan, and someone who NEVER watches the Super Bowl for the Halftime Show, NOT EVEN FOR THE FOOTBALL, I cannot possibly feel more ashamed to have witnessed this in my lifetime, and I think the crew behind the next Super Bowl ought to make it a TOP PRIORITY to REDO “Sweet Victory” and actually PERFORM the song to millions of people! How about that? Well, I’m just a nobody. I have no power. But I do have editing skills. I don’t think I’ll ever do this again, but in honor of Stephen Hillenburg, the legendary creator of “Spongebob Squarepants,” a Nickelodeon cartoon which defined many childhoods of my generation… THIS… IS THE JACKOFF AWARDS HALFTIME MONTAGE!

CLICK HERE TO WATCH THE HALFTIME MONTAGE!

And THAT… NFL and Pepsi, is how you pay tribute to a legend!

The next nominees are the ones who have taken the work of writers and directors, and realized them even further than they previously been realized. With constant time and effort on computers, software, flipping through video files, and more, these five nominees have taken moving images and audio, then eventually turned them into ambitious compilations. These are the nominees for Best Film Editing.

  • Barry Alexander Brown (BlacKkKlansman)
  • Tom Cross (First Man)
  • Benjamin Rodriguez Jr. (First Reformed)
  • Alfonso Caurón, Adam Gough (Roma)
  • Hank Corwin (Vice)

And the Jackoff goes to…

Alfonso Caurón and Adam Gough for “Roma!”

Another team win! Who knew? The nominees here were all equally excellent, making this one of the harder categories which I had to determine a winner. The reason why I chose “Roma” is a reason I feel could also associate with direction, screenplay, and cinematography. Keep in mind, this movie is nominated for all three of those other categories. With the excellence of those other categories in mind, the way those were executed in an editing job such as this, honestly makes this movie better as a whole. Another thing to keep in mind is how personal of a project this is for Alfonso Caurón, because all those things I just mentioned: the screenplay, cinematography, and direction. He did all those things for this one movie. I have a soft spot for people who are willing to take on projects with personal values. Granted, that is something Tommy Wiseau tried with “The Room,” but still. Congrats to “Roma” and its editors!

We live in a world where an apple can fall on one man’s had and enable him to create the “laws of motion.” However, in cinematic environments, not everyone comes from the same place. Sometimes there are worlds entirely dedicated to a religious holiday. Sometimes there is a world of heroes desperately waiting for work. Sometimes there is a multiverse of a Spider-people waiting to unite. Sometimes there is a world where arcade game characters can interact with each other and even go inside each other’s games. Sometimes there is a world where believe it or not, dogs talk and often like saying the word “I.” These five nominees have shown excellence in animated film and have inspired many to think outside the box. Here are the nominees for Best Animated Feature.

  • The Grinch (Yarrow Cheney, Scott Mosier)
  • Incredibles 2 (Brad Bird)
  • Isle of Dogs (Wes Anderson)
  • Ralph Breaks the Internet (Phil Johnston, Rich Moore)
  • Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman)

And the award goes to…

“Spider-Man: Into the Spider-Verse!”

If you were thinking anything else, I want you to think again. Because out of every movie that I’ve seen this year that’s animated, this was the only one which I gave a Best Picture nom to. In fact, one of these films is a dishonorable mention on my worst list. “Spider-Man: Into the Spider-Verse” is not only a surprisingly great film during such a fantastic time for comic books and superheroes, but also a unique take on the typical superhero flick. This is the film debut of the Miles Morales Spider-Man, and it is easy to say, I want more. Aside from the likable story and acid-trippy experience, this movie manages to separate itself from every other animated film this year based on its style alone. Literally every frame resembles a comic book! This is the 2nd best standalone “Spider-Man” film I’ve seen to date, so congrats to “Spider-Man: Into the Spider-Verse!”

Our sixth Best Picture nominee is a little independent film that tackles big topics. To me, I found it to be the perfect combination of science and religion coming together. This film begs the questions, should we stop having children? Is having children a sin in this current age? How much longer do we have before the Earth is no more? From a technical perspective, this film delivers excellent cinematography and images, all of which are presented in a full screen aspect ratio. With stellar performances from actors including Ethan Hawke and Amanda Seyfried, this film manages to have a place in a constantly changing world that may not be around forever. Nominated for 3 Jackoff awards, THIS is “First Reformed.”

These next two categories involve something a film can’t live without. A screenplay. Having gone through years of movie-watching, the screenplay has always been one of the most crucial elements to whether or not a movie could succeed. A comedy can’t succeed without humorous lines. A horror flick can’t succeed without outrageous scares. An action film can’t succeed without thrilling sequences. The nominees represented in these two categories have brought visions from the pages to the screen. Here are the nominees for Best Adapted Screenplay!

  • A Star Is Born (Eric Roth, Bradley Cooper, and Will Fetters)
  • Avengers: Infinity War (Christopher Markus, Stephen McFeely)
  • BlacKkKlansman (Charlie Wachtel, David Rabinowitz, Kevin Willmot, Spike Lee)
  • First Man (Josh Singer)
  • Welcome to Marwen (Robert Zemeckis, Caroline Thompson)

And the Jackoff goes to…

Eric Roth, Bradley Cooper, and Will Fetters for “A Star Is Born!”

Yet another category that could have been won by almost any of its nominees. I will admit, when I did my review for “A Star Is Born,” one of my minor criticisms involves some of the song lyrics. The same can be said about Lady Gaga’s nose, which I was not able to buy. But let’s be real about the movie. It’s a damn good story. It’s a story about two singers who find each other, make each other’s careers better, never back down from each other, and find love. It’s basically a perfect analogy for what happens when you become super popular and end up becoming a product as opposed to someone who just wants to share their visions with the world. Also, I got to give kudos to Bradley Cooper because he’s more known for acting, which he does in this movie, but now I am curious to see more of his writing material in the near future. Congrats to the writers of “A Star Is Born!”

Moving right along and sticking with the screenplay motif, here are the nominees for Best Original Screenplay!

  • A Quiet Place (Bryan Woods, Scott Beck, and John Krasinski)
  • Eighth Grade (Bo Burnham)
  • First Reformed (Paul Schrader)
  • Roma (Alfonso Caurón)
  • Vice (Adam McKay)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

Thought I was done talking about Caurón? Think again. While all five screenplays were worthy of a nomination, while some made me laugh, while some got me intrigued, there is not one screenplay to display the intensity and shock that I’ve seen this year than what I’ve received with “Roma.” There’s a lot of lines that make you want to feel like a part of the family in the movie. Some lines make you feel like you are along for the ride in this slice of life. And then there’s other moments where I almost wanted to crawl into the fetal position. There are many elements that go into the screenplay of “Roma.” Insanity, unexpected moments, complexity of life, tearjerkers, humor, sensuality, and perhaps even moments that nearly qualify as ones that can fulfill thrills. Congratulations to “Roma!”

Our seventh Best Picture nominee is a film that may be, to me, under a lot of people’s radars. Or, maybe I’m just plain stupid, and this nomination is an unpopular opinion. Steve Carell has shown himself to be one of 2018’s hardest working and overall best performing actors. His performances in “Beautiful Boy” and “Vice” were great, but there is one other film he was heavily involved in aside from those two. With his unique performance and collaboration with critically acclaimed director Robert Zemeckis, Carell manages to tell the true story of a grown man who plays an expansive version of dollhouse, and is absolutely proud of it. Nominated for 3 Jackoffs, THIS is “Welcome to Marwen.”

The next set of nominees have demonstrated excellence in camerawork. From wides done brilliantly to mediums done well and close-ups done extreme, the five nominees have all put in a tremendous amount of effort into their craft. Similar to how a movie’s story cannot exist without a screenplay, a movie’s display of a story cannot exist without camerawork. Here’s to those who have taken their best shots. Here are the nominees for Best Cinematography!

  • Cold War (Lukasz Zal)
  • First Reformed (Alexander Dynan)
  • Hereditary (Pawel Pogorzelski)
  • Mission: Impossible: Fallout (Rob Hardy)
  • Roma (Alfonso Caurón)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

And Alfonso strikes once more! If you ask me, one talent I find amazing in films is when one can produce a very long shot. Granted, there are times in “Roma” where they make it look easy. In fact, if you want to see a film that makes it look hard, I recommend “Mission: Impossible: Fallout!” However, there are several sequences where the camera never cuts and it is really just a thing of beauty. Part of me even wonders how they came up with a good amount of the material presented in the film. Plus, the rehearsals must have been tedious, but worth it. This is especially considering the fact that the star actually had no prior acting experience up to this point. Well done, “Roma!” Congratulations!

While a film’s score may often be recognized as its signature music, it does not mean that it is the only kind of signature music. While a film’s score can develop a reputation for being catchy, iconic, or magnificently crafted, it is the original songs that will likely receive many downloads on iTunes. These five songs have been partially synonymous with their specific films this year. Here are the nominees for Best Original Song!

  • I’ll Never Love Again- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Shallow- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Ashes- Celine Deon (Deadpool 2)
  • A Place Called Slaughter Race– Sarah Silverman, Gal Gadot (Ralph Breaks the Internet)
  • What’s Up Danger- Blackway & Black Caviar (Spider-Man: Into the Spider-Verse)

And the Jackoff goes to…

“Shallow” from “A Star Is Born!”

Did I mention in my review that I had lyric problems when it comes to the songs shown in “A Star Is Born?” Yes. However, this song was actually perfect. Not only was it a well crafted song, but the way it was executed during the movie was brilliant. You have a song written by the character of Ally, who has never performed live before. When she actually has the guts to perform live, the way Lady Gaga portrays her character is unbelievable when you remember that Lady Gaga herself has actually been singing for years. The song has perhaps been in association with this movie more than any other song, and honestly, I think it deserves to be that way. Congratulations to Bradley Cooper and Lady Gaga!

Our eighth Best Picture nominee is a film that either tells a true story that took place in outer space, or a faked attempt meant to fool TV viewers on a soundstage. This film is a look into the buildup, drama, and execution of one of the most ambitious scientific projects of the 1960s. Helmed by “Whiplash” and “La La Land” director, Damien Chazelle, one man and his crew prepare forever for a life-changing mission that takes them into the stars, and it is almost seemingly impossible that they’ll ever return home. It is a story of hope, aspiration, courage, and danger. Nominated for a shattering 10 Jackoff awards, THIS is “First Man.”

If you remember the bit I did earlier with the three movies where I slightly improve them, let me remind you, that was just the beginning. Because I really only improved one minor portion of the film. However, there is one film where I decided to improve a good chunk of it. If you have ever seen the movie “Ready Player One,” it is seemingly regarded as one of the nerdiest movies of 2018. Tons of Easter eggs, references, and inclusions of various IPs are seen throughout. Honestly, despite being one of my favorite movies of 2018, part of me is willing to argue that it’s not nerdy enough. Some of you might be thinking, “Hey, Jackass! Are you out of your mind?” No. Because I just made it nerdier! Ladies and gentlemen, I give you… “Ready Player One: NERDVANA EDITION!” Take a look!

CLICK HERE TO VIEW READY PLAYER ONE: NERDVANA EDITION!

Going back to the nominees, we have got some heavy hitters remaining, it is only a matter of time until Best Picture, but let’s just build up to it. Starting with Best Director. The director of the film is the one responsible for overseeing the key components of production. It is the director’s duty to guide, aid, and encourage people to complete a project. These five nominees have all created cinematic achievements that are likely to stand the test of time. Here are the nominees for Best Director!

  • John Krasinski (A Quiet Place)
  • Damien Chazelle (First Man)
  • Ari Aster (Hereditary)
  • Alfonso Caurón (Roma)
  • Adam McKay (Vice)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

Unreal! This is the FOURTH win during the same ceremony by Alfonso Caurón! Can you guys tell this is a passion project? “Roma” was one of the final movies I saw before I announced my nominations, and I knew before going in that some considered it to be a wonderful piece of art. Those people who have made those claims are absolutely right! Not only is this one of the most moving, emotional movies of 2018, it is also one of the most well put together movies of 2018! Again, with the efforts of Caurón in multiple positions, this movie just shows a little passion goes a long way. When I saw “Gravity” a few years ago, also directed by Alfonso Caurón, I was wowed. When I saw “Roma,” I wondered how Caruón still had a hint of sanity left in him. Congratulations, once again, to Alfonso Caurón!

Our ninth Best Picture nominee is a film that is filled to the brim with truth. It’s a film that shows how truly awful middle school can be. It’s a film that shows how truly stressful making friends can be. It’s a film that shows how truly confusing talking to your first crush can be. With the breakout performance given by the young Elsie Fisher, not to mention the brilliant screenplay and direction delivered by Bo Burnham, the two crew members and many more reveal the horrors of being a teenage girl in the 2010s. It also successfully showcases the pressure and stress of being a small YouTuber, who may be delivering positive content meant to please everyone, but doesn’t get enough attention in return. Nominated for 3 Jackoff awards, THIS is “Eighth Grade.”

Let’s move onto the final acting categories!

Each and every day on set, it is an actor’s job to obey the director, follow the script, and break a leg. From playing pretend as a kid to being a part of a production crew, acting is a universal pasttime. For actresses in 2018, some highlights include a singer who won’t sing her own songs, a teenager trapped in a world of social media and pleas for popularitya queen who requires assistance maintaining the thronea mother who must deal with the worst events of her family’s lives, and a housemaid who may be an employee, but also a welcome member to an alternate family. Here are the nominees for Best Actress!

  • Lady Gaga (A Star Is Born)
  • Elsie Fisher (Eighth Grade)
  • Olivia Colman (The Favourite)
  • Toni Collette (Hereditary)
  • Yalitza Aparicio (Roma)

And the Jackoff goes to…

Toni Collette in “Hereditary!”

“Hereditary” is a movie that is mainly solid due to its execution of technical genius. The opening shot is a thing of beauty. However, with technical stuff aside, Toni Collette doesn’t fail to impress in the realm of acting. In “Hereditary,” Collette plays a mother to a couple of kids. This is not to say her life as a mother is normal, which could be explained, but that would involve spoiling the movie. There are several scenes where I still recall Collette’s excellence as a performer since my first viewing of “Hereditary” in July. One example is during a scene where she, along with her husband and son, are sitting together at the dinner table. Such a scene can remind you of how to talk to your mother, not to mention how awkward family dinners truly can be. In fact, I have the scene down below! Here’s a glance at Toni Collette in “Hereditary!”

And now… after watching that clip, you have been hypnotized to NEVER sit at a table full of food with your family ever again.

Sticking with acting, it would be impossible to forget 5 more nominees who have dedicated their voice, physicality, and time into their respective roles. For actors in 2018, some highlights include a music star who finds lovea talented showman and vocalist who has inspired millionsa cop who tracked down white supremacistsa priest who is concerned for future generations of the Earth, and an artist who developed his own village of dolls. Here are the nominees for Best Actor!

  • Bradley Cooper (A Star Is Born)
  • John David Washington (BlackKkKlansman)
  • Rami Malek (Bohemian Rhapsody)
  • Ethan Hawke (First Reformed)
  • Steve Carell (Welcome to Marwen)

And the Jackoff goes to…

Rami Malek in “Bohemian Rhapsody!”

Well well well, well well. Yet another tough category! All of these actors are deserving of their nomination and have all killed it in their respective roles, but at the end of the day, I have to pick one. The reason why I chose Rami Malek is because he took someone who I have known about, I even did a project heavily involving him in sixth grade, and the actor transformed himself into this other person with excellence. “Bohemian Rhapsody” may not have made me look at all of its characters as much as Mercury, although that may just be a personal issue more than anything else, but I have to give it respect because it turned Malek into Mercury in the blink of an eye. Another thing I must point out, that might be significantly underrated is Malek’s ability to recreate Mercury’s movements. There is a comparison video online that can show the difference between Mercury and Malek during the Live Aid concert. Rami Malek, well done! Here is a clip of Rami Malek in “Bohemian Rhapsody!”

Our tenth and final Best Picture nominee is a film about what it means to be a hero. Well, guess what? It is what everybody asked for. ANOTHER “Spider-Man” movie! But this time, it’s animated. In a year of great superhero movies, this is one of the definite highlights. As one of the few movies this year featuring “Spider-Man” or characters related to his franchise, this film not only shows that Spider-Man is a role model type of hero that can truly take names, but that there is more than one “Spider-Man” out there. As the film debut of the Miles Morales “Spider-Man,” I personally almost couldn’t be giddier about how this film turned out. It has a unique animation style resembling a comic book, whacky action scenes, and fast-paced writing with smart humor that is delivered with excellence. Nominated for 3 Jackoffs, THIS is “Spider-Man: Into the Spider-Verse.”

All that remains for movie award giving tonight is Best Picture, however, we are not there just yet. First things first, I am handing out the second Lifetime Achievement Award of the ceremony.

The Jackoff Posthumous Lifetime Achievement Award is appropriately, being given towards the ceremony’s conclusion. While this year’s recipient is no longer with us, their legacy shall live on. The winner of the award is a man who has dedicated his life to inspiring millions, and unleashing his own imagination to share with the world. While he may not primarily be known for film, his inspiration over the years has translated into the art form, including a modern trend of comic book-based films, an innovative and successful cinematic universe, and a plethora of memorable cameos. Some of his notable movie lines include “I think I know that guy,” “I thought he’d be taller,” and “Oh man, I am so fired.” This winner is known for creating many of the characters that readers, TV and movie watchers, gamers, and nerd culture junkies have followed as time has passed. From Spider-Man to Iron Man. From The Incredible Hulk to the Fantastic Four. From Captain America to Captain Marvel. From Black Panther to Black Widow. All of these characters have established a legacy under one similar brand name, much like the creator himself. To this day, all of these characters have a place in popular culture, and are constantly changing the game in various art forms. It is my honor to declare the first winner of the Jackoff Posthumous Lifetime Achievement Award, is Stan Lee.

If Stan Lee were here today, he probably wouldn’t give two craps about this award unless I did a video of him doing a walk-on cameo. However, Stan Lee has proven to the world that he has had a magnificent life to share with mankind. Lee has given a tremendous gift to millions, so why not have someone hand a gift to him? Congratulations to Stan Lee, and should there be a second Jackoff Awards next year, this award will be named after him!

And finally, the moment you have probably all skipped to by endlessly scrolling down, Best Picture. These ten movies have all made an impact on me personally this year, however, it is not my decision to declare one of these films the best of the best under this current scenario. The reality is, all of these films are great, but to determine which film is the best, I left it up to the people to decide, and you guys decided! These are YOUR votes, not mine! According to the results, the poll for Best Picture has received 17 responses, and luckily, there is a true winner without any sort of tie. These ten movies were created for audiences everywhere to think, be entertained, enjoy themselves, and escape from reality. Through the hard work and ideas of crews of all sorts, it is hard to imagine another ten movies worthy of replacing this lineup. Here are the nominees for Best Picture!

  • Avengers: Infinity War (Kevin Feige)
  • Eighth Grade (Scott Rudin, Eli Bush, Lila Yacoub, Christopher Storer)
  • First Man (Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle)
  • First Reformed (Jack Binder, Greg Clark, Victoria Hill, Gary Hamilton, Deepak Sikka, Christine Vachon, David Hinojosa, Frank Murray)
  • Mission: Impossible: Fallout (J.J. Abrams, Tom Cruise, Christopher McQuarrie, Jake Myers)
  • Ready Player One (Steven Spielberg, Donald De Line, Dan Farah, Kristie Macosko Krieger)
  • Roma (Alfonso Caurón, Gabriela Rodriguez, Nicolas Celis)
  • Spider-Man: Into the Spider-Verse (Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, Christina Steinberg)
  • Welcome to Marwen (Jack Rapke, Steve Starkey, Robert Zemeckis)
  • Won’t You Be My Neighbor? (Morgan Neville, Caryn Capotosto, Nicholas Ma)

And the Jackoff goes to…

“Avengers: Infinity War!”

“Avengers: Infinity War” has gathered its first and sole win of the ceremony. The movie was also nominated for three other Jackoffs including Best Sound Editing, Best Visual Effects, and Best Adapted Screenplay.

It just goes to show, when you give an audience the power to choose a movie to win Best Picture, chances are they’re going to snap their fingers and dust the other films away. This is a film that has been in development for a long, but effectively put together time. It takes the iterations of characters people have followed for a decade and puts them all in a love letter to blockbusters and comic book films. The screenplay is one of the most unique ever written for a comic book film, to the point where people in my life were shocked and dismayed by it, but based on their final verdicts of the film, they felt such feelings were delivered in a positive way. My review for the film was also unique, because I had to hide SO MANY THINGS from the eyes of the public because the reality is that “Avengers: Infinity War” has details that are meant to be witnessed for the sake of shock or surprise. Even now, almost a full year after the release of “Avengers: Infinity War,” there is a chance that someone would want to end my life, or at least threaten to do so over the Internet depending on what I say about “Avengers: Infinity War.” I personally to this day, find the film to be a game-changer. Sure, it is the nineteenth installment of a comic book-based movie series that has been going on for years, but that is part of the point. There are many movies out there that can succeed for being an original hit. There are many movies that can have stellar technical aspects or acting. However, how often can you say that we have a cinematic universe which has been built for ten years, with about twenty films, with the nineteenth being an ambitious culmination that made billions of dollars, became the highest grossing comic book film ever, and somehow manages to be a new favorite film for many people? Should Marvel Studios continue their efforts, is it possible that their cinematic universe could become more important than the “Star Wars” franchise? And if it is, that is certainly saying a lot. Congratulations to Kevin Feige and everybody else who worked on “Avengers: Infinity War!” You have won Best Picture!

Thanks for reading whatever this is! If you made it to the end of the post, I congratulate you for doing so. Well done. If you felt bored the entire time, I will remind you, there are worse things out there: jury duty, root canals, losing all your gambling money! This is the most experimental post I have ever done, I would appreciate any and all feedback if you feel it is necessary. If I listen to said feedback is currently a mystery, but I’ll certainly at least keep it in mind. I personally enjoyed doing this, despite how much time it actually took to complete the damn thing, but I found myself having a ball nonetheless. Will I do another one of these in the future? It MIGHT depend on the response, but I already have ideas for what I am going to do should I do a second year. Thanks to everyone for reading this! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, do you agree with my picks for the Jackoff Awards? What would you change, if anything? Let me know down below! Scene Before is your click to the flicks!