Top 10 BEST Movies of 2019

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Hey everyone, Jack Drees here! 2019 has officially concluded, Happy New Year! Happy New Decade, as well! We are now in the 2020s! And with new years, come new countdowns. It is time for me to count down my top 10 BEST movies of 2019. I just want to remind everyone, before I start this countdown, this is a subjective list. Therefore, each and every entry to this list is strictly my opinion, and in no way a fact. With that being said, listen to me! I’m important! The movies on this list may be slightly different, or maybe entirely different from the movies on your list. Maybe by some coincidence they are the same, I don’t know. I am not here to settle debates; I am just here to have some fun and spread some joy. Also, I have not seen every single movie that has come out in 2019. There have been quite a few Disney live action remakes that have come out like “Aladdin” and “The Lion King.” Guess what? Haven’t seen them, so those are off the list. I even missed out on a couple comic book movies this year, I haven’t seen “Hellboy” and I also haven’t seen “X-Men: Dark Phoenix.” So many movies, so little time. With that out of the way, I do want to address a few honorable mentions before we dive into the main event.

Honorable Mention: Joker

My first honorable mention is “Joker.” This is a comic book film that I heard about a couple years back and I was a bit confused as to why we’re getting it. I felt general audience members would be a bit turned off by a villain-centered comic book film. It could work in a comic book, but still. Ultimately, this film is a beautifully shot, well-written, expertly crafted piece of work. If Joaquin Phoenix is not nominated for best actor at the Academy Awards, there will be riots.

Honorable Mention: Blinded by the Light

The next honorable mention is “Blinded by the Light,” a film that is lovely, charming, and all round just a good time. I was never that into Bruce Springsteen, I mean, I like him, but I am not a die hard fan or anything. But “Blinded by the Light” made me feel very fulfilled as a cinemagoer. It’s a film I did not expect to end up watching, but based on the pleasantly fun time I had, I do not regret going.

Honorable Mention: Spider-Man: Far from Home

Finally, for honorable mentions, is “Spider-Man: Far from Home.” Personally, “Spider-Man: Far from Home” is my favorite comic book film of the year. More than the previously stated honorable mention, “Joker,” not to mention more than “Avengers: Endgame.” It is a film that is honestly better than its predecessor, 2017’s “Spider-Man: Homecoming,” which continues piggybacking off of its preexisting film universe material with brilliance, and if you ask me, it has one of the better villain roles in its genre.

With that out of the way, let’s dive into the goldmine! These are my top 10 BEST movies of 2019!

#10: Alita: Battle Angel

Coming in at #10 is a film that I did not think I’d particularly be fond of when the marketing started, became more worried for when it was delayed into the month of February of this year, but ended up being one of 2019’s biggest surprises, “Alita: Battle Angel.” I don’t know how many people ended up loving this movie, but I managed to find out that the community who happens to love this movie is perhaps bigger than I originally thought it would be. Either that, or they just do a really good job through social media tactics by making their voices heard. One or the other. One sign that this movie happened to be really good is that it makes me want to be a part of this futuristic world. After all, it does have some of the finest visuals I have seen all year. I am not that familiar with the original source material, and I have no real plans to go back and look upon said source material, but the filmmakers did a really good job at bringing a story like this one to life. And even though I enjoyed viewing this at home with the volume up high on my 4K TV, this is one of those movies that I honestly regret not seeing in the theater. Also, why isn’t Motorball a thing? I don’t care if it’s dangerous, it’s really f*cking cool! “Alita: Battle Angel” is ridiculously fast-paced, fun, and one of the prettiest movies of the year.

#9: John Wick: Chapter 3 – Parabellum

They say 2019 truly is the year of Keanu Reeves, and one point of evidence that everyone seems to go to in their argument is “John Wick: Chapter 3 – Parabellum.” I have been looking forward to this film ever since I saw the ending to the second installment of this franchise! My gosh! This film has the essentials for a proper modern action flick. It’s not afraid to be brutal, it’s got a variety of fight scenes that are all done well, and it has assassin dogs! I hate dogs in real life, but this movie made me root for dogs for at least one particular scene! A lot of people tend to say that in a lot of movies, the sequels usually don’t live up to its predecessors. Turns out, this is my favorite “John Wick” movie yet. I think each “John Wick” has improved upon the one that came before it. The first movie was a simple revenge story about a guy who lost his lover and dog, it was solid and had a pretty good action sequence in a nightclub. Chapter 2 was a little more upbeat, lively, and had some of the best cinematography of the decade (at least for an action movie). This third movie raises the stakes, puts you right in the action from scene one, and never backs down from being fun, yet gritty.

#8: Ford v Ferrari

Up next is “Ford v Ferrari,” one of the finest racing films ever made. Between James Mangold’s solid direction, the admirable chemistry between leads played wonderfully by Matt Damon and Christian Bale, this flick is just a damn good time. Out of the many theater experiences I have been a part of this year, “Ford v Ferrari” is by far one of the most spectacular, especially considering how I saw it in IMAX. While I don’t think this film will win Best Picture (although I do think it could potentially come close), it could end up dominating in the sound categories for sure. Just hearing the various vrooms and revs from this film alone provides an instant adrenaline rush. On top of that, this film is based on a true story that I did not really know much about, but it is one that I quickly grown to admire as soon as I saw its events play out on screen. I think the one problem is that the film comes close to overstaying its welcome when it comes to Coca-Cola product placement, but other than that, it is just about as good as a racing film can get. The movie itself is fast-paced, attention-grabbing, and intense. What more could you want? Go see this thing!

#7: Knives Out

I liked “Star Wars: The Last Jedi” when it came out, but the more I thought about it, the worse it got. At this point, it’s mediocre. Part of it mainly has to do with the screenplay delivered from Rian Johnson. However, this year, I saw “Knives Out” and it honestly blew my socks off! The cast is great, the direction is spectacular, the cinematography is some of the best of the year, and if I had to be honest, of the few movies that I have seen from Rian Johnson, this might be his best one yet! For the record, I still haven’t seen “Brick,” but I hear it’s good. Also, can we just talk about that title? Not that it has much to do with the film’s overall quality, but “Knives Out” honestly might be the sickest and most badass title of the year. As I write this, the film is still in theaters, and there’s a good chance that it might still be in theaters for some time considering how much buzz it’s getting. I was talking to a friend on social media recently and they made an interesting point. Chris Evans is in this movie, and he plays one of the major characters. If you have seen trailers or marketing for the movie, you might know that there is a moment where he points at a bunch of family members around him and tells them to “eat s*it.” This is Captain America! The embodiment of a proud, mighty, generous man who wants to do what he can to help those in need of saving. So… I guess he really IS America’s ass. Also, speaking of well-delivered and brilliantly executed performances, we need to talk about Daniel Craig and Ana de Armas. Both actors give 110% and I feel that even if they were written badly, which they ARE NOT AT ALL, they’d still be worth praising. I love how Ana de Armas’ character cannot tell a lie or else she’d throw up. It’s a really solid character trait, especially for a murder mystery. I’d enjoy seeing more adventures of Daniel Craig’s character, should Rian Johnson or Lionsgate decide to make more of these movies. Overall, it’s a really fun time at the cinema and a great movie to see with a crowd. Rian Johnson, you are officially forgiven for “The Last Jedi.”

#6: Parasite

I walked into “Parasite” thinking it was going to be really good. I was wrong, it was really GREAT. There is just about no issue that I can come up with regarding this movie. Bong Joon Ho directs the ever living crap out of this thing and it shows! The actors, even children, ALL give tremendous performances! I know the Academy is mainly an American tradition, but this better be getting some Oscar nominations for more than just Foreign film. “Parasite” is one of the craziest movies I have seen in recent memory. It’s about a poor family that eventually becomes a centerpiece of a rich family’s collective lives because they start taking up jobs to help them out, and they are not exactly how they tend to present themselves. This is one of those movies where I was watching it, expecting it to go in one particular direction, I should have known a lot better! Especially when considering how this movie won a freaking Palme D’Or from the Cannes festival! I went to see this movie by myself, and to this day, I have no memory of watching foreign films, or films that are not mainly in the English language with my parents. But if it were movie night, they were in the room, and I were in control of the movie we watch, I’d ask them to give this film a chance. Because it is THAT good.

#5: Once Upon a Time in Hollywood

2019 was the year that I finally went full depth into some of Tarantino’s work. And in July, I instantly felt hyped and prepared for one of the all-time greatest theater experiences I’ll have in my life. I’m talking about “Once Upon a Time in Hollywood!” This movie is a celebration of Hollywood’s glory, an entertaining tale about an actor and his stunt double, and it has one of the best endings I’ve ever seen in a movie. In fact, for a Tarantino film, at least from my perspective, this is kind of tame. There’s not much action or blood, but even when action ensues, the comedic vibe of this film seems to always be intact. Granted, that point can actually apply to multiple Tarantino films, but as a comedy, this may have arguably been the best of the year! Plus, both Leonardo DiCaprio and Brad Pitt give performances that are not only worthy of award nominations, but ones that make me want to have excellent bromances with others.

#4: Marriage Story

At #4, we have a film that I felt connected with probably before even setting foot in the theater, “Marriage Story,” which… is really about divorce, not marriage, but… marketing. Anyway, I think this is a film that I still kind of have to marinate on as it is one of the last films that I saw this year, but “Marriage Story” is a movie that made me want to continue glancing at the screen, and after the two hour and seventeen minute runtime, I left the theater with my head and body feeling like a wreck. If you must know, I am a child of divorce. My parents separated when I was a teenager, and as a kid, I was honestly concerned with how I felt. You know that saying about how “divorce is hardest on the children?” This movie does not really dive into that, even though the couple did have a kid, but it does dive into the multiple struggles of the divorce process and how hard it is to leave someone you have known for some time and ultimately move on with your life. Plus, the best part, for me at least, is that I could personally view both people as either heroes or monsters. Adam Driver and Scarlett Johansson give two of the finest performances of 2019. There is an argument in the middle of the film between them that’s shot and edited with quality, and the two leads just go at it with each other! It felt too real. Not in a bad way though. I am not sure what is going to happen at the Oscars this year, but Driver and Johansson deserve nominations for acting at the VERY least. It’s a different level of compelling that we’re talking about here.

#3: Honey Boy

I liked Shia LaBeouf before he did “Honey Boy.” But after seeing “Honey Boy,” I think he is a national treasure. I saw this film at a free screening at a Landmark Theatres location, and having seen the movie, it feels like one that I would have willingly paid a million dollars to see. Shia LaBeouf not only acts his heart out in this film, but he also shares some phenomenal chemistry with the lead child actor, Noah Jupe. He is someone that I believe we all have to look out for in future years, just keep an eye out. For the record, LeBeouf is not just one of the leads in this film, he wrote the damn thing, and he wrote it freaking well! In fact, I cannot say I have seen every single one of LeBeouf’s performances, but part of me is willing to bet that maybe he can write better than he can act. Also keep in mind, this is his first feature-length screenplay, and I’d say that this is beyond what I would expect for a first attempt at making one of these bad boys. Speaking of first attempts, this film is directed by Alma Har’el, making this film in particular, the first feature-length production she’s ever helmed. “Honey Boy” is one of the best, if not the best, coming of age story that I have seen in the 2010s. The cinematography and editing combine together to form a love child worth holding up into the horizon. “Honey Boy” is not just a great tale of a father and son relationship spiraling out of control, but it is also based on true events, which may make this movie just slightly better.

#2: How to Train Your Dragon: The Hidden World

They say that the months of January and Februrary are full of garbage movies. This year is no exception with films like “Serenity” and “Isn’t It Romantic?,” but this past February also contained one of my favorite DreamWorks animations of all time. Ladies and gentlemen, I give you “How to Train Your Dragon: The Hidden World.” I swear to you, I thought for a long time that this was going to be my #1. It has everything that I want out of a movie like this. Fun, wit, and rewatchability. That’s not all by the way, because this third installment to the “How to Train Your Dragon” franchise completes the trilogy and does so magnificently. I will say, I don’t watch the other two “How to Train Your Dragon” films that often, but I found them to be very enjoyable films that I felt could be watched at practically any age. Even with a couple minor criticisms I have with the film, I find it to be the best of the trilogy simply because it did pretty much everything not only a movie of its kind needed to do, which is to entertain kids and adults alike, but everything a finale needed to do. Even with movies like “Avengers: Endgame” and “Star Wars: The Rise of Skywalker,” who knew that the finale I’d be talking about most of the time would come from the “How to Train Your Dragon” franchise? I sure didn’t see this coming! Plus, this movie felt special to me. As someone who is growing up and has started college back in September of 2018, this film reminded me of the importance of friends, not to mention family, while also reminding me the significance of one day realizing that I’d most likely separate myself from them. The ending scenes of this film is the only occurrence of yours truly CRYING in a cinema. I just want to remind everyone that this is coming from a guy who saw “Toy Story 3.” I still need some time to think, but I think “How to Train Your Dragon” made a slightly better ending to its trilogy than “Toy Story” did, and that says a lot considering how I consider that film to be one of the best animations of all time. I will never forget that first time watching this movie, it is an experience that I will likely continue to carry with me until the day I die. The reasons that keep this film from going slightly higher have to do with a couple jokes that did not always land, the cliché (but rather effective) villain, and the fact that unlike my #1 pick, I do not recall this movie getting that much better on the second or third watch. Although I will give the film credit for actually being good enough for three watches in a single year. “How to Train Your Dragon: The Hidden World,” based on its popularity, is a not so hidden gem. I do not want a fourth movie though, don’t force a sequel on us! But with “Toy Story 4” being good, anything’s possible at this point.

#1: Ready or Not

Viola! #1! Do you want to hear about my top pick of my year? The most perfect of all the films on the list? The pinnacle of 2019 in film for me? Well, I’m gonna tell you about regardless of whether you are… “Ready or Not!” No other movie this year made me enjoy myself as much as this one for sure! I will say, having seen the trailer before the film came out, I was instantly intrigued by whatever could have been afoot. As far as the final product goes, it starts out great, maintains a solid pace, and packs a punch of personal shock, laughter, and cheers by the end. One complaint I heard around the time “Ready or Not” happened to be coming out was that its trailer pretty much revealed the core elements of the film. Couple things: 1. This film still has plenty of moments that aren’t in the trailer that can catalyze a solid reaction. 2. As much as I understand this complaint, I will say that given how much I enjoyed the trailer and considered it to be one of the year’s best, it shouldn’t be all that surprising that the movie ended up giving me pretty much everything I asked and hoped for. It’s a film with a neat concept that sounds silly, but for some reason, it ends up working. Seriously! How many other films have a plot where a woman needs to play a game of hide and seek, thinking that the playing of this game will allow her to be part of a family she is marrying herself into, only to eventually realize that she may be killed by her newly established in-laws?! It’s a f*cking plot. A F*CKING PLOT! As far as endings go, this film has one of the best of the year. It’s satisfying, it’s silly, and BRILLIANTLY written. Just thinking about it makes me want to go back and pop in the Blu-ray for this film! I don’t watch many horror movies, and when it comes to “Ready or Not,” it is sort of a comedy, and sort of horror, and if enough people consider it horror, I will point out that this may be my favorite horror flick of the decade. I don’t really know many of the actors in this film by name, but “Ready or Not” introduced me to an admirable cast of actors who I would love to follow more down the road. Samara Weaving kills it in this film as the lead character of Grace and I could tell that everyone here was having fun. This film looks sick due to the awesome production design and the color palette that fits right in with everything, it is just plain fun, which in reality many of these films should come down to. Can I have fun watching it? If not, why am I watching this movie to begin with? I should also point out another thing. This is one of the first Fox titles to have come out since their merger with Disney. Keep in mind, when the film opens, the first logo to be seen is from Fox Searchlight. I do not know how things will go from here, but if we keep getting films like this, and as long as the art of a lower-budget feature does not die, I will be very happy. For those who are curious the budget for this film is $6 million. Honestly, to me, this is a billion dollar film. It is a goldmine of everything that cinema itself is all about, and “Ready or Not” is my favorite movie of 2019.

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Thanks for reading this countdown! 2019 has certainly blessed me with some movies to cherish and celebrate. Movies that are fun, emotional, gritty, or just plain solid. These films have shaped the year for me. But just a reminder to everyone, that you cannot have the good without the bad. That’s right, pretty soon, specifically tomorrow, I am gonna be diving into my top 10 WORST films of 2019. We will get through this dire time, I promise you that. But if you do want to remain on the positive side of the spectrum, I will have you know that on January 11th, I am going to be releasing the first installment to my Top Movies of the 2010s countdown series, where I will kick everything off by talking about my favorite movies of the decade. If you want to get in the mood, feel free to watch a trailer I released on Christmas Eve down below!

*All copyrights belong to their respective owners*

With that being said, I hope you eventually tune into the series, I’m really excited to release it. And also check out my top 10 WORST movies of 2019, coming January 2nd! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! If you are interested in supporting me further, if you have an applicable account, give this post a like and if you have Facebook, check out my Facebook page! I want to know, what are your favorite movies of 2019? What are your top 10? Top 15? Top 20? Maybe if you didn’t see that many you can make like a top 3 or 5 or something. What did you enjoy this year? Let me know down below! Scene Before is your click to the flicks!

Spider-Man Is BACK IN THE MCU!

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Hey everyone, Jack Drees here! So next week, I’ve been thinking about seeing “Joker,” the latest of the neverending trend that we like to call “comic book movies.” And I’ll tell you, the movie looks pretty freakin–WAIT A MINUTE! HOLD THE PHONE! SPIDER-MAN JUST RETURNED TO THE MARVEL CINEMATIC UNIVERSE!

This information, to me, came completely out of the blue. I was just enjoying my Friday off from school, summing up my thoughts on the latest movie I’ve gone out to see, when all of a sudden, I’m on social media, and a Variety article comes up with a headline that at this point looks too good to be true. Once I saw the headline “Spider-Man Will Stay in the Marvel Cinematic Universe,” there was only one thing to do.

DO SOME CARTWHEELS AND ALERT THE FREAKING MASSES!

I try to maintain a level of professionalism on this website. There are definitely signs that may suggest otherwise, but that’s because I want my blog to be fun, not boring, not unoriginal. I want everything to stand out. So with that in mind, THIS IS ONE OF THE BEST THINGS I’VE HEARD IN MY LIFE! HELL TO THE FREAKING YEAH! BOOM!

Now, let me just say, Spider-Man is my favorite superhero of all time, and if you have not been following my favorite superhero of all time in the news recently, you’d know that Disney and Sony had a little scrap. For some years now, Sony had the ability to spend money on a new Spider-Man movie, but Marvel Studios (owned by Disney) helps out in making those movies come to life and in return, their side gets a portion of the money, all of the merchandising rights, and a couple of chances to show Spider-Man off in other movies they happen to be making. Sony also gets the chances to retain rights to solo Spider-Man filmmaking as they have already come out with films like “Venom” and “Spider-Man: Into the Spider-Verse.” But this was recently interrupted because Disney asked Sony for greater permission on the content, but Sony said no.

The original deal had Sony making 95% of the box office totals on films that would eventually be known as “Spider-Man: Homecoming” and “Spider-Man: Far From Home.” This means for those movies, Disney would gain 5% of the box office. After the exciting news of “Spider-Man: Far From Home” becoming Sony’s highest grossing movie ever, it was a great sign that the deal seemed to have worked out. Both Disney and Sony are making money on Marvel Studios films, Disney is getting merch money, and Sony gets to make money on their own “Spider-Man” films outside the MCU. But Disney asked for Sony to co-finance and split profits on upcoming “Spider-Man” films. Sony wasn’t satisfied with Disney’s new proposal, so they were no longer involved with the MCU. But, a “Spider-Man 3” was still planned. So they were going to make the movie on their own, without Marvel Studios president Kevin Feige’s involvement, which seemed kind of difficult because if you ask me, Spider-Man currently represents an enormous part of the MCU’s current storyline. With several main characters we currently know having disappeared, Spider-Man may be the next crucial main character for Marvel’s phase 4 and on. He was taken under the wing of Tony Stark, he tried to make him proud from time to time, and now he is trying let Stark’s legacy live on. This separation would have been bad because Sony probably couldn’t use any of Marvel Studios’ other properties or characters if they needed to, and future Marvel Studios films would probably have to come up with some lame or cheesy excuse as to why Spider-Man is not with the Avengers.

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Did he have too much homework?

Is he busy with The Daily Bugle?

Did he not feel so good? I mean, come on!

Nevertheless, as of Friday, Sony and Disney have reunited with new terms that may seem to work out for both of them. And that was one thing that I personally was worried about, because as much as I want Spider-Man in the MCU, I understand why Sony left, and I would have rather had Sony leave the way they did as opposed to having them go along with the 50/50 terms because that means they lose control, or at least partial control of their biggest property, and let’s face it, if this were a game of Film Studio Monopoly, Disney would be winning. They own Boardwalk (most of Marvel), they own Park Place (Lucasfilm), there are hotels on both properties, and you might as well say that they own Pennsylvania, North Carolina and Pacific Avenues, all of which represents the remains of 21st Century Fox, and they are starting to build on those properties as we speak. If Sony were playing this game, they’d be better off landing on the go to jail spot over and over again. I’m not saying they are in danger of going out of business, but still. Luckily, things are being kept in check, because while the deal is no longer a 95/5% difference between sides, it is now 75/25%, with Sony gaining most of the profits. And while this may seem like a significant increase right now for Disney, it may be worth it in the end. Because Sony is still putting some of their eggs into the basket of their own Spidey content, including “Venom 2” which is currently in development.

Despite how much I may point out how Disney is making “too much money,” there’s not much wrong here with Disney wanting more money for these “Spider-Man” films. They’ve done their part when it comes to inserting soul into the character. But I think this deal should probably not go much higher, because Sony is the one distributing the film, and they are the ones paying for it to be made. I personally think 25% is the highest that I would be OK with Disney earning for these movies. Because if they are allowed to earn anything greater, then they might as well be snatching “Spider-Man” from Sony. Yes, Disney technically owns Marvel, but Sony is also in a position where Spider-Man movies are “their thing” and will probably end up being their greatest asset for the time being. It would be like Universal giving up “Fast & Furious” or Paramount giving up “Mission: Impossible” or STX Entertainment giving up “Bad Moms.”

I should also point out that in addition to this whole reunion, the spreading of joy and good news across the movie fandom, Sony put out a post recently of a little announcement that I think you all might enjoy.

One word. Hype.

I honestly almost couldn’t be happier because while Disney is still increasing their control on Spidey, it’s not like they’re hogging the entire plate. Sony gets to keep the rights, and Marvel Studios gets to keep Spider-Man in the MCU. And even if it is just for one more movie, it would help me as an audience member in getting some closure after the AMAZING mid-credits scene of “Spider-Man: Far From Home.” What mood am I in right now? Well, look down below!

I feel like dancin’ like I just don’t care! Booyah!

Thanks for reading this post! I just want to remind everyone that “Joker” comes out next weekend. Now, I want to go see it next weekend. I have time to go see it next weekend. But chances are, I’m not going to. I will say though, I do have tickets booked for the second weekend! I’m going to see “Joker” on Friday, October 11th in 70mm! Hopefully I can get a review up by the end of Columbus Day if I go see it then for the first time, or Indigenous Peoples’ Day depending on your preference, I cannot wait to check it out! As for this next weekend, I am not sure what’s going on. Maybe I’ll watch “The Fanatic,” the new John Travolta movie that just came out, because I kind of want to talk about it. It just seems like it would make for good material, so we’ll see what happens. Be sure to follow Scene Before with a WordPress account if you want to see new posts in your WordPress feed, or if you just want to subscribe with an email, you will be notified of new posts immediately through email. Stay tuned for more great content, and check out my Facebook page! I want to know, what are your thoughts on the latest news regarding Sony, Disney, Marvel, and Spider-Man? Are you happy to see him back in the MCU? Do you think a better deal could have been made? Or are you disappointed? Did you want to see what Sony could have done with Spider-Man without Marvel Studios? Leave your thoughts and opinions down below and I’m not sure about you guys, but bring on “Spider-Man 3!” I want it now! Scene Before is your click to the flicks!

“This is terrific, Peter Parker’s story took a dramatic turn in ‘Far From Home’ and I could not be happier we will all be working together as we see where his journey goes.” -Amy Pascal (Producer, SPIDER-MAN: HOMECOMING and SPIDER-MAN: FAR FROM HOME)

Hollywood, We Need to Talk About Film “Rereleases” and “Alternate Cuts”

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Hey everyone, Jack Drees here! Remember how “Avengers: Endgame” became the biggest film in history? Well, some may argue that it couldn’t have gotten to that point without one thing, putting a new version of the film in theaters! I remember back in June we were getting advertisements for the upcoming “Avengers: Endgame” rerelease, signifying there would be new content to witness. Granted, I already knew what audiences were in for. It’s the exact same movie, but with end credits content that audiences didn’t get to see originally. I still roll my eyes to this day that the marketing team decided to market this as a rerelease to begin with because THE FILM WAS STILL IN THEATERS BEFORE THIS HAPPENED! I figured this would be a one time thing. Granted, “Avatar” did a rerelease back in the day with extended content, but for one thing, that was a different version of the film, and it was already out on DVD.

I was able to personally let “Endgame” slide. After all, it ended up being the king of the box office as an effect. But then came August, and apparently “Spider-Man: Far From Home” was joining the party on this!

Now, I will give some credit to “Spider-Man: Far From Home” in regards to their actions during this rerelease game plan. Why? Because they at least called it the “extended cut.” This cut featured additional footage that wasn’t seen when this film originally came out, so ultimately, this wasn’t a “Spider-Man 2,” it was a “Spider-Man 2.1.”

Wait a minute…

Coincidentally, on the same weekend “Spider-Man: Far From Home” came out with its alternate cut, another movie which, believe it or not, came out at the same time as Spidey’s original cut, “Midsommar,” was doing the same thing. “Midsommar” came out with what was marketed as the “Director’s Cut.” This different cut included extended and new scenes.

I will point out, for those who are not in the know, these “rereleases” and “alternate editions” are not a new thing. “Blade Runner” has had multiple releases in various forms including “The Director’s Cut” and “The Final Cut.” The “Lord of the Rings” franchise, including installments of “The Hobbit,” would eventually release an “extended edition” on DVD of each film. And “Star Wars” has been putting out redos of the original trilogy in 1997, 2004, and 2011.

But here’s the difference, everyone behind these movies are not putting these out only a couple of months after they originally went into theaters! I don’t know how the average moviegoer feels about this, but if I had to judge from my perspective, it sort of is beginning to remind me of a path that the video game industry seems to follow. Back in the day, you would pay full price for a game, and you get the entire game. Nowadays if you typically want to buy a video game, you have to not only pay $60 if it is a big name title, but on top of that, you have all these additional downloads, in-game currencies, packs, those sorts of things! I remember I would play a lot of NBA 2K back in the day, everything I needed was included! Now, if you want the good stuff, you might as well sell your soul! This is why I refuse to buy what seems to be a pay to win-oriented NBA 2K20! If I wanted to gamble, I’d go to Vegas for crying out loud!

Movie tickets are not as expensive as video games (although if you are buying popcorn and bringing a family along, I might take that back), but it is still not cheap. The average price of a movie ticket in 2019 is $9.01, which as far as my area is concerned, is actually kind of a bargain. Where I live, specifically eastern Massachusetts, I’m usually paying somewhere in the double digits for one ticket each time I go see a movie. It could be worse, but it is certainly something that can warrant a slight complaint.

I don’t mind seeing the same movie twice in the theater. I’ve done that with a number of a titles throughout my life because a lot of them happened to be very good and perhaps worth a rewatch. But it never felt like in any of those scenarios that the studio was robbing me. I was seeing the exact same film, just at a different time.

I guess there is a curiosity factor that can come out of an extended cut or something like that. What if there’s a scene that makes the movie better? But at the same time, an extended cut of “Far From Home” feels cheap because I just saw the original.

I am not worried about this right now, but I honestly think this has the potential of becoming the next big trend in moviegoing. Audiences see a movie, and since Hollywood is running out of ideas, someone thinks, “Let’s show the same thing two months later!” Now if this is a way for the director to get out a version that they would have preferred releasing as opposed to the original, then I can approve. However, why couldn’t we have just seen that version in the first place? As a moviegoer, I want to see the next new thing as opposed to seeing studios perhaps making me obligated to see their product again because “it’s my duty.”

I just don’t want to see a future where all of our movies lose their individuality. It seems kind of pointless and just an excuse to make more money. Even if these extended editions do end up somehow being better than their original counterparts, it manages to give me this vibe that certain movies are overstaying their welcome. Who knows? Maybe this will simply be a 2019 fad that will wash away over time, but I am hoping for the sake of individuality, not to mention moviegoers’ wallets, that we don’t give into Hollywood studios putting out a bunch of changed products. And you know what? Let me just put it this way…

I make a bunch of movie reviews for Scene Before. One of them by the end of the year is inevitably going to be for “Star Wars: The Rise of Skywalker.” Let’s say I see that movie, review it, and give my thoughts on it. How would you feel? After wasting about 5-10 minutes of reading that, that I announce, “Hold your horses! Stay tuned for this February where I release the EXTENDED EDITION of this review!” Granted, if I went ahead and made a spoiler talk that is one thing, because I’d intentionally make the review filled with spoilers, but what if I came out with the exact same wording, phrases, and paragraph structures as I did in that original review, but I sprinkle tiny new bits and pieces? Wouldn’t you feel like I snatched your dignity and thrown it out the window?

So please, Hollywood… Stop grinding my gears.

Thanks for reading this post! This weekend is the release of “IT: Chapter Two.” As for whether or not I’m seeing it, that will be up for debate. And I just want to let everyone know that next week I’ll be heading back to college for the fall semester, so if you see me posting a tad less than usual, that could be a reason why. However, this all depends on the workload, so we’ll see what happens. I am not planning on losing my commitment to Scene Before, so I will do my best to stick to doing at least one post a week. I will do my best to cover topics that stand out and focus on big or important movies coming out. After all, …Oscar season is upon us. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, what are your thoughts on these alternate editions of films? Or, have you seen the recently put out versions of “Spider-Man: Far From Home” or “Midsommar?” Let me know down below! Scene Before is your click to the flicks!

Spider-Man Out of the Marvel Cinematic Universe?!

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Sony? Disney? I don’t feel so good.

Hey everyone, Jack Drees here! This past Tuesday has been one of the most peculiar days of my life. I scraped my knee pretty bad and I broke my bed. But that might not even be the biggest piece of news that I have to share with you all, because this past Tuesday I have heard that Spider-Man, my favorite superhero of all time, is leaving the hands of Disney! Now when I say that, I mean whatever hands of Disney it has, because if you are not familiar with what’s going on, a few years back, Sony (who owns rights to make Spider-Man movies) negotiated a deal with Disney to put Spider-Man in the Marvel Cinematic Universe. At the same time, Sony would still be allowed to produce and distribute their own “Spider-Man” films with the same iteration of the character in the MCU. So far, they have come out with “Spider-Man: Homecoming” and “Spider-Man: Far From Home,” both of which were critically and financially successful.

This deal was working very well for both sides. Disney would get some of the money made for the Sony-owned “Spider-Man” films, specifically 5%. Spider-Man would also be included in various Disney projects including “Captain America: Civil War,” “Avengers: Infinity War,” and “Avengers: Endgame.” Much like the recently mentioned “Spider-Man” movies, those Disney projects also received positive reviews and each one went on to gross over $1 billion, with two of them reaching past $2 billion. Disney and Marvel also had 100% of the merchandising rights to the character. This means, Sony is making money through making “Spider-Man” movies, along with titles such as “Venom” and “Spider-Man: Into the Spider-Verse” and Disney is getting some or all of the money depending on the occasion from live-action movies with Tom Holland as the webhead. Plus, Disney is getting money from toys, clothes, etc.

In fact, Sony just hit a nifty little achievement from receiving their all-time highest grossing film, “Spider-Man: Far From Home,” which grossed $1.109 billion, beating out 2012’s “Skyfall.” Sony’s making money! Disney’s making money! Everyone’s making money! And since it makes the world go round, it should not be surprising that money is the reason why Sony and Disney are separating! Sony has decided to back Spidey out of the hands of producer Kevin Feige and Marvel Studios! Why? Disney’s side wanted a raise!

Now let me just say, if they went to Sony and asked them for 10% of the money earned on the next “Spider-Man” film, maybe 20% or 25%. That would be a different story. But Disney, otherwise known as the box office kings of 2019, said “MORE! We want more!” And wanting more is not a bad thing. But ten times more? This is easily comparable to Spongebob asking Mr. Krabs for a raise because he has recently shown to be doing such quality work for him. Of course, being the krabby snob he is, he’d probably say no. But if Krabs were a gentleman, he would definitely raise Spongebob’s pay just a little bit. I’m fine with Disney getting a little more because financially speaking, this situation has been working out for both sides to the point where they can both give themselves a pat on the back. But the fact that Disney literally wants half of the box office intake for the next “Spider-Man” film reveals their true colors to me. Let’s face it, all movies, in some way, are made for the purpose of profit, but Disney is a different animal when it comes to this. They recently remade one of their most popular films, “The Lion King,” an animated classic which I happen to adore. But the new one is exactly the same as the original! It has little to no differences, and whatever differences do exist don’t seem to stand out. And let me just remind you, it has the same formula as “Hamlet” and “Kimba the White Lion.” Let me just remind you all, it is now in the top 10 films in terms of box office of all time. That happened. Granted, I also feel bad for Disney because as much as I *HATE* them for buying Fox, they have to deal with a slew of several finished films that will barely see the light of day. Plus, they laid off tons of employees and shut down Fox 2000. Although at the same time, they made “Avengers: Endgame,” which is now the Mount Everest of box office champions so there is a hint of achievement in sprinkled somewhere.

Is Disney doing this because of the recent failures of Fox? I have no idea, but based on their recent achievements, I don’t know if it is necessary. I understand the desire to go bigger, be bolder, but with Disney, they already have such a stronghold on the film industry to the point where I feel the need to remind them that they need to calm down. This is one reason why I get Sony backed out of the deal. “Spider-Man” is their highest-grossing property. And for Disney to come in and ask, “Hey, you know that ‘Spidey’ thing, can we take half the money?” It is the literal definition of unexpected and it makes them look like a giant s*ithead of a jerk. As a kid, one important lesson some people are taught is that “sharing is caring.” Both companies have hands in about a half of the deal. Why does one want the high ground?

Wait…

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This is Disney right now. I don’t know if they intentionally want to dismantle or destroy Sony, but the only way that I could see a deal like this working is if not only both companies earn 50/50 on box office, but they put 50/50 into the budget. But as far as I know, Sony is the one spending money on the film to begin with. I don’t want to point any fingers, but if I had to make an assumption, I am pretty sure this one could be on the money.

Now some of you might be thinking of past experience when it comes to Spidey and how Sony would usually tend to screw it up at a certain point. Let me just say first off, I LIKE “Spider-Man 3.” Sorry, it’s true. As for “The Amazing Spider-Man 2” however, that is a different story. But if this is a matter of Disney wanting more money, I would say that this is a sacrifice worth taking. Disney has enough. They have merchandising rights to the character, they have two to three Marvel films every year now. They have the profitable live-action remakes. They have “Star Wars.” They have the entirety of some people’s childhoods. AND… they have most of Fox. They are literally the Veruca Salt of entertainment. Granted, I imagine everyone at Disney is MUCH more well behaved (for the most part, I don’t have enough insider information). But this is honestly a reminder to Disney to sometimes be thankful for what you have, otherwise there will be consequences.

And let’s address another big issue, getting Spidey out of the MCU’s relevance. One of the biggest problems for this dealbreaker when it comes to both Sony and Disney is trying to get Spider-Man to not interact or have connections with the Avengers anymore. This begs a question. Is he still going to be part of the team but without mention towards said connection? Will either side try to find a way to get rid of his “Avenger” status? A few movies ago, he was just declared an Avenger. From “Avengers: Infinity War” to “Spider-Man: Far From Home,” there was an important story in Peter Parker’s arch to allow him to emphasize his importance as an Avenger. Granted, that arch has come a long way since “Infinity War,” but at least from my view, there is still more to be explored regarding Parker and this story of his.

Oh, let’s not forget this…

*IF YOU HAVE NOT SEEN “SPIDER-MAN: FAR FROM HOME,” THIS IS AN END CREDIT SCENE FROM THE FILM, DO NOT WATCH IF YOU DON’T WANT SPOILERS*

Yeah… I want answers. Now.

So in all honesty, this breakup may end up being good for nobody. Granted, Sony agreeing to Disney’s terms would be be bad too, but this reminds me of divorce. You know how they say divorce is hardest on the children? This is hard on all fans of “Spider-Man” who happen to be enjoy both his solo films and MCU crossovers. It’s hard for Disney because they lost an interesting character, and as for Sony, we’ll just have to wait and see what kind of movie they end up making in order to determine how hard this is for them. The MCU will very likely survive without Spider-Man. After all, they have a bunch of other characters they can work with, and since Disney owns Fox, this now gives them the opportunity to insert “Fantastic Four” and “X-Men” into the mix. This leave may hurt them a little bit, because in a future project they’ll probably have to come up with some sort of excuse as to why Parker would be out of the realm. And for all I know, we may never see another Tom Holland “Spider-Man” story again, which would be disappointing, because, again, I want answers. Maybe Sony will do another reboot where Uncle Ben dies, which, I’ll say, I don’t mind seeing again. I get why people wouldn’t want to see it again, but seeing it can highlight the pain Parker goes through and it could emphasize the drive the character will have down the road.

Do I want Spider-Man in the MCU? Sure, he’s a cool character and I like Tom Holland’s portrayal. I think it is very well done, and when it comes to how the character is written in films like “Avengers: Infinity War,” he had my seal of approval. But I understand why Sony did what they did. I personally think “Homecoming” could have been slightly better when comparing it to other “Spider-Man” films, but I ended up loving “Far From Home” even more than “Endgame.” I have very mixed thoughts, but this is a tough time in the trendy comic book movie genre.

AND JUST BECAUSE SONY AND DISNEY ARE NOT GIVING YOU WHAT YOU WANT, DOES NOT MEAN YOU CAN RAID THE STUDIOS! IF THERE IS GOING TO BE A BIG RAID AGAINST EITHER STUDIO, MY FAITH IN THE HUMAN RACE IS GOING TO GO DOWN THE CRAPPER! DON’T. EVEN. THINK. ABOUT IT. CAPICHE?!

I’m just about done. I have nothing else to say except… Disney, stop your plan for world domination. This is the same corporation that gobbled up Fox for Pete’s sake! Give Sony a reason to be with you, or move on. Thanks for reading this post! I just want to remind everyone that I just recently saw “Ready or Not” which just opened in theaters a few days ago. This is the first full weekend the movie will be shown and I imagine a lot of its money will be earned over the course of said period of time. If you want to check out my review for that film, click the red box below and see what I have to say! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! And if you want, check out my Facebook page! Go to my Facebook page for the latest info from the Movie Reviewing Moron cluttered inside a space full of “friends.” I want to know, what are your thoughts on this whole “Spider-Man” fiasco? Do you want him in the MCU? Do you want Sony to keep making movies with him outside the MCU? Do you think there should be some sort of reboot? Let me know down below! Scene Before is your click to the flicks!

Midsommar (2019): Can Ari Aster Top Hereditary?

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“Midsommar” is directed Ari Aster, who is known for directing numerous shorts along with his feature-length debut which came out last year, “Hereditary.” This film stars Florence Pugh (Fighting with My Family, The Commuter), Jack Reynor (Sing Street, Free Fire), William Jackson Harper (The Good Place, The Electric Company), Vilhelm Blomgren (Gösta, The Days the Flowers Bloom), and Will Poulter (We’re the Millers, The Maze Runner). This film involves a couple and a bunch of close friends going away together to rural Sweden. While the main characters intended to take a simple vacation to view a mid-summer festival, they eventually find themselves becoming more involved with various activities having to do with a Pagan cult.

If you asked me about my thoughts on Ari Aster as a filmmaker before this movie came out, I would have simply told you that I love him. Granted, I could be biting off more than I can chew because he only directed one feature film, but it does not change the fact that said feature film, specifically, “Hereditary,” floored me as soon as I witnessed it in the theater for the first time. The interactions between the family was truly worth appreciating. The cinematography is eye candy as delicious as white chocolate Kit-Kats. And Toni Collette gave one of my favorite performances of the decade as Annie. Naturally, the more I heard about “Midsommar,” the more excited I got. In fact, of all the movies coming out this summer season, “Midsommar” might be the one I anticipated the most, which is surprising when you consider how I waited over a month to go see it in the theater. But I just checked it out, so here we are! I feel like I have some weight off my shoulders!

Although before we go any further, I want to give a special shoutout to a friend of mine. His name is Choyon, and he went to go see this movie in July, only to tweet the following:

I cannot say I have seen the original “Wicker Man” film, but from what I gathered by this tweet, that was probably an enormous insult towards “Midsommar.” Having said that, I replied to him saying that I’ll probably instead check out “Spider-Man: Far From Home” that weekend, which in reality I didn’t do until two weeks after tweeting that out. He replied to me saying “Spider-Man” sounds like a better choice, calling “Midsommar” “pretentious crap.” These were followed by two more tweets.

I love Hereditary, I am almost scared for how I’ll feel about this thing after seeing that film. –Me

It may be a letdown, just saying –Choyon

I’ll remind you that Choyon has previously been a contestant on “Jeopardy!” and “Who Wants to Be a Millionaire” so I for one am able to trust him in an assortment of ways. Then again, while he appeared on “Jeopardy!,” he participated in the final round only to do this:

Yeah, that happened! It even got featured in a video from SGSA (Stupid Game Show Answers), a famous name in providing game show fail compilations for years.

But even with that, he is right. “Midsommar” broke me, tore me apart, and ignited me into scorching flames. If I had to judge this as if it were two movies, I would point out the movie’s excellence in terms of direction, cinematography, and location choices. The technical aspects stand out for good reason. But there is a lot that I can’t stand when it comes to how the film plays out as to what characters do on camera.

From the very start of the film, I am instantly reminded of one of my problems involving “Hereditary.” Below is a quote from my review of said film.

“I heard him crying and made me think he was doing a terrible impression of Matthew McConaughey.”

If you put that in context, I will point out that “Hereditary” had a ton of terrific performances by its cast, including Jackoff winner Toni Collete, but one performance that caught my eye at a certain scene was the one given by Alex Wolff. Why? Because he happened to be crying in a manner that managed to lack any sort of match to realism, and overall, it made me think of him as some cartoon who fails at animating their own expressions. This movie gave me the worst possible first impression it could by having Florence Pugh’s character also cry in a manner that just irked me. Granted, I know crying is a natural thing, I know people do it in various situations, but again, I just don’t know if these actors would cry in the movie in the same way they would in real life. And having seen two movies from Ari Aster now, it makes me wonder as to what he will have stored in the future for his projects. Is this going to become a cliche? Is this going to be an Ari Asterism? Is he going to have at least one oddball, Lifetime movie-esque sobbing scene for each one of his films? And I will say, this crying, while annoying, was not even the worst part of this sack of crap!

I will say, when it comes to the characters in general, they are very off and on. For one thing, I kind of hate the main group of guys in this film because they all seem to just be less than friendly to the main character at times and it is sort of off-putting. There’s a scene where everyone completely establishes they don’t want to go on this trip to Sweden with her, only to pretend to be nice to her when she’s in the room and invite her to the trip. I understand why they would invite her, even if they have something against the main character to begin with. But even so, upon first seeing all the guys, they all had this rather unlikable vibe to them. It’s like if a speeding ticket was a person!

But I will say, upon first seeing rural Sweden and the setting for the movie’s main events, I was undeniably impressed. The setting looked vibrant and beautiful, almost to the point where I wanted to go there. All the costumes stand out and it brought this feeling of immersion. Sadly though, as the movie progressed, there was not much of interest when it came to various happenings in Sweden. Granted, the movie does a good job at letting us as an audience experience the traditions of the cult, but when it comes to shock value, which this movie seems to promise, I almost felt nothing. Maybe because I saw it coming though. I remember going into this movie being told it’s more gross than scary, and honestly I can see why, but I won’t go into it.

One comment about this film before it came out that admittedly made my hype levels rise as high as a skyscraper came from director Ari Aster himself. Back in March, he referred to “Midsommar” as “a ‘Wizard of Oz’ for perverts.” Honestly, I took that as a bit of a joke. I did expect this movie to be somewhat gory, I did expect a lot of the costumes to pop, I also expected the locations and setpieces to set the tone for what’s to come, but holy s*it, he’s right. I won’t go into complete detail, but that is a good way to describe this film based on certain scenes.

But it does not change one thing. THIS MOVIE SUCKS!

I–I can’t believe it! This is Ari Aster I’m referring to! I should be praising him like he is god or something! But now, he has diminished some of my hopes for his future projects! As if the movie itself was bad enough based on the beginning and the main events as everyone happens to be in Sweden, the ending just takes those two concepts and makes them look like a breeze to sit through. Why? Because, again, without spoiling anything, it is simply one of the most repulsive things I have witnessed in recent memory. In fact, I might even go as far to say that the ending to “Midsommar” could qualify to be a part of my top 10 worst endings in film history! Granted, I saw where the film was going with the ending, trying to have this compelling vibe that maybe could get some viewers to be speechless or something. It could possibly get them to activate their brain a little bit. In a way, if I had to use a recent example, it kind of had a similar feel to the ending I witnessed in last year’s “Annihilation,” only that movie was ten times better and more interesting than this piece of crap!

In fact, if I really had to make a comparison between this film and something else it has to be “The Favourite.” It’s a film that I heard a lot about, it has a reasonable amount of hype behind it for various reasons, it looks beautiful (both in previews and the final product), but it turned out to be a colossal disappointment. Granted, I will point out this movie is superior to “The Favourite” in terms of how invested I was from start to finish. It was less boring, better paced, and overall a slightly more hypnotizing story. But it does not change the fact that when it comes to “Midsommar,” it is a film that had tons of potential to be associated with prestige, and sadly, it ends up falling flat on its own face.

The best way I could describe the ending to “Midsommar” without further context is by once again going back to the idea of this movie being gross as opposed to scary. To me, it was neither, it was simply annoying. If you think hearing Jar Jar Binks and his hellish voice is ridiculous at home on your living room TV, try going to a cinema with surround sound and listening to every single utterance during this film’s climax. I imagine when this film comes out on DVD, it is not going to change how nearly headache-inducing the ending could possibly get.

Ari Aster, I love you! Please make a better film than than this! I was rooting for you!

In the end, “Midsommar” might as well have as much of a chance of completely impressing me during a repeat viewing as White Castle does of creating a pancake-sized burger. The worst thing about “Midsommar” is not necessarily how bad it is, but how disappointing it is. I say that because there are lot of movies out there that I knew were going to be terrible before watching them like “Batman & Robin” and “The Emoji Movie,” but “Midsommar” looked fantastic. In fact when I call this my most anticipated film of the summer compared to another film that opened the same day, “Spider-Man: Far From Home,” which ended up surprising me to the point of absurdity, it leaves a hole in my heart. I cannot even recommend this movie as background noise, because again, this film has an ending that is probably just as annoying to me as annoying as Teletubbies may be to parents who are raising newborn children. But again, I cannot give this movie a 1/10 because it is well shot, it does look impressive, and I say that to the point where it would make for a good tech demo. Well, as long as the product is on mute at certain points. I’m going to give “Midsommar” a 3/10. Thanks for reading this review! I just want to remind everyone that pretty soon I’ll have my review up for “Crawl,” a film about a father and daughter who are caught in the middle of a Florida hurricane. If you want to read a review for an Ari Aster flick that I think is worth your time, my link to my “Hereditary” review is down below! Be sure to follow Scene Before with an email or WordPress account, also be sure to like my Facebook page if you have an account there as well! Stay tuned for more great content! I want to know, did you see “Midsommar?” What did you think about it? Am I crazy right now or something? Or, who is a director working today who doesn’t have much background that you are curious about? Aside from Aster, Tim Miller would be one of my picks. I’m somewhat curious as to what he’s going to do with “Terminator: Dark Fate.” Let me know down below! Scene Before is your click to the flicks!

Hereditary (2018) REVIEW

Regal Cinemas Releases REGAL UNLIMITED Plans (Is This a Good Deal?)

Hey everyone, Jack Drees here! In today’s society, there are lots of things that are going towards the subscription-based model. We have tons of monthly plan streaming services to pick from, there are a lot of specific item boxes that get delivered to your house every month, and the cinema industry has recently popularized this in regards to products relating to themselves. MoviePass was something to buzz about towards the end of 2017 and beginning of 2018, despite its shady business practices and eventual downfall. By the way, it’s somehow still in business! Speaking of downfalls, Sinemia introduced their unlimited model in 2018 despite mocking MoviePass for their similarly laid out model. Unfortunately for them, they shut down in April of this year. Then, sort of taken from an idea done by Europe’s Cineworld, AMC Theatres, which is popular throughout the United States, developed their top-tier plan to their Stubs program called A-List. This also spawned separate programs in chains including Cinemark, Showcase Cinemas, and even though the website still says it is currently in beta, Alamo Drafthouse.

But the question I had for awhile was this. When was Regal Cinemas going to join the party?

Regal Entertainment Group is the second largest cinema chain in terms of the number of theaters they have in the United States. Aside from having the Regal Cinemas name, they also possess the names United Artists Cinemas and Edwards Theatres, and their parent company is one of the early entrants to the subscription-based cinema trend, Cineworld! Guess what? After a number of rumors and bits of supporting evidence, Regal has joined the cinema subscription party! And unlike A-List, which I talked about on here before. Regal has three different tiers for their upcoming plan.

LOW TIER:
REGAL UNLIMITED ($18 per month + tax)

  • Unlimited free 2D movies
  • Usable at over 200 select theaters
  • Surcharges apply to premium formats
  • Surcharge of $1.50 to use at Unlimited Plus theater and $3.00 to use at Unlimited All Access theater

MIDDLE TIER:
REGAL UNLIMITED PLUS ($21 per month + tax)

  • Unlimited free 2D movies
  • Usable at over 400 theaters
  • Surcharges apply to premium formats
  • Surcharge of $1.50 to use at Unlimited All Access theater

HIGH TIER:
REGAL UNLIMITED ALL ACCESS ($23.50 per month + tax)

  • Unlimited free 2D movies
  • Usable at all theaters
  • Surcharges apply to premium formats

As for other benefits, they consist of the following (as suggested on Regal’s website):

  • 10% off all food and non-alcoholic drink purchases
  • No blackout dates
  • Free large popcorn and soft drink on your birthday
  • Earn Regal Crown Club® credits with every dollar spent using your Regal Unlimited™ subscription

Now let’s talk about these tiers in depth.

I mentioned earlier that this service is specifically usable on all regular 2D screenings. You can go to the theater and watch a standard 2D movie for free. That means you cannot get any of Regal’s premium offerings such as IMAX, 3D, ScreenX, or even the company’s own large format experience, RPX. That is unless you are okay with paying a surcharge. Speaking of surcharges, there are a number of theaters that will accept only one or two versions of the program without making you pay extra to get into your desired screening. For example, I live in Massachusetts. The closest Regal Cinemas to where I live is in the city of Boston, specifically the Regal Fenway & RPX. That means if I have Regal Unlimited All Access, I can use it there, pay $23.50 a month, and not be charged any extra money to go see whatever movie I want in 2D. That’s partially due to how such a theater specifically is only going to avoid surcharging people for said screenings if they have the All Access plan. If you have either the cheaper Unlimited Plus or even less expensive Unlimited plan, you will be forced to pay a surcharge for using your plan at a theater like the one I just mentioned. But there are also theaters in the state that will be a bit more friendly to those who have cheaper plans. There are several venues that allow you to use two plans without surcharge consequences in the state and others that permit all three and give no surcharges at all. To view what each theater is doing regarding these plans, click this link!

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Even though this may have already been effectively suggested, I must point out that there is a requirement to pay additional charges when going into premium screenings like IMAX or RPX. So in a way, this is almost like MoviePass where users can only get a free movie if they go see it in 2D. But I’m not holding my horses yet, because if you reserve tickets through the app, guess what? You get charged a $0.50 convenience fee!

But I’m not gonna deny that any of these deals have perks behind them, especially if you live in a state or city where individual movie tickets are expensive! Take New York City for example. Let’s base this on an actual showtime that I found online. This Wednesday, July 31st, I’ll be in New York City and have nothing else to do. I have done a lot of walking this morning and I just need to relax for a bit. I’m in the Times Square area, which has a couple cinemas. I choose to go see “Spider-Man: Far From Home” in the Regal E-Walk at 1:10. Keep in mind, this is in 2D with no premium perks. They still have chairs available, I pick my seat, boom. Then the guy at the register goes “$17.15, please.” So I choose to support corporate America because it gives me the awesome things that I want. But let’s face it, I’m paying a little bit more than $17 to rent a chair for a couple of hours. Then I am instantly reminded of how kick-ass “Spider-Man: Far From Home” was because this happened to be my second time watching it! And because it is so kick-ass, I’m like, “AGAIN!” So I trot downstairs to the register, ask for a ticket for the 4:20 show, pick my seat, get charged yet another $17.15, pay up, go back upstairs, watch the movie again, have a good time, and decide to leave. Simple math indicates that when you multiply 17.15 by 2 you get 34.30. Therefore, if I had ANY of Regal’s new plans, I would have been able to see the same movie twice and pay nothing at the counter both times. I’d just be paying for a monthly subscription, which ends up being cheaper than paying to see the same film twice at similarly priced times in a theater like this one.

And I will say, this does suggest one major benefit of Regal’s plans that I have yet to see anywhere else, because even though you do get additional charges at select theaters depending on what plan you have and which theater you go to, you don’t have a daily limit, you don’t have a weekly limit, nor do you have a monthly limit. You can see one movie a month, four or five a week, you can do a few showtimes in a single day, you have the power. MoviePass had a great idea of letting consumers see one movie a day, but what if that movie sucked? What if you wanted to see another movie that could have been better? Plus, you can’t see the same film twice! I mentioned Showcase Cinemas, which is pretty popular where I live. They have a plan for individuals and groups, which I think is creative. However, once I looked at the individual portion, it looked terrible! Because it gives you a choice between 2 or 3 tickets per month. I imagine it would be good for certain casual moviegoers, but if you review a ton of films like me, that would not be the case. AMC A-List lets people see three movies a week in any format. While the lack of surcharge on the premium formats is pretty cool, having an unlimited option would probably make the consumer feel like they’re the king of the world.

But this isn’t all rainbows and butterflies. Because in order to use this subscription, you must have a digital app. There is no physical card you can obtain, and if you are still in the dark ages and have a flip phone, chances are you can’t get this subscription. Plus, while I don’t imagine a case that involves this problem for every user, you cannot reserve tickets for more than three screenings at a time. Another issue that I think a lot of people can put up with to be honest is that this is not applicable to things like certain double features and Fathom Events screenings. One issue that I would probably think is more concerning, although still somewhat fine, is that if I wanted to use this service and buy a ticket at the box office, it has to be done on the same day that a certain show starts. That means if I wanted to see “Once Upon a Time in Hollywood” tomorrow, I’d be required to buy a ticket online and pay a $0.50 convenience fee.

Plus, I will admit, I do not like the idea of having three different plans that can be either be applied at a few theaters, many theaters, or all theaters. This is why I like the simplicity of AMC’s A-List. Granted, they have different prices based on the area where you live, but I still like it better because that price does not restrict you from visiting outside of said area. There are slight restrictions, but it still lets you go from a state that is charging $19.95/month (Ex: Texas) to a state that is charging $21.95/month (Ex: Florida). If you live in either one of those states and for some reason you end up somewhere like California, which charges $23.95/month, you can still go see a movie there, but you have two more chances to see a movie in a state that does not cater to your price zone. Not only that, but if I lived in a certain area of my state that maybe would have been close to a lower tier theater if it were owned by Regal, I wouldn’t have to worry about that if it were owned by AMC. As long as it has the AMC name on it and it is in my state, I can go to it.

I was admittedly worried about this at first, because on paper, it sounded like Regal was going to outright rob consumers who got cheaper plans simply because they don’t work at all locations. And I will admit, the surcharges could be an inconvenience, and if I lived in a certain area, it would keep me away from more expensive Regal locations. But just the fact that surcharges exist as opposed to the concept where a higher tier theater makes you pay full price for a ticket puts a bit of a bigger smile on my face.

And you know what? Part of me even wonders how good this deal is from a business standpoint. I don’t see Regal going bankrupt anytime soon. But one of the things that killed MoviePass is how many movies a consumer can see per month. Because the idea was that MoviePass would start out by giving consumers an opportunity to watch a movie a day. Then more and more limits set in as time passed to the point where you couldn’t see certain movies, the site would crash, and you might not get the time you want either. Depending on how much free time someone has, someone can possibly go check out one movie a day, and that could end up being a lifestyle for many consumers. Granted, Regal has a slight advantage compared to MoviePass because MoviePass worked at several theater chains and operations, whereas Unlimited, Unlimited Plus, and Unlimited All Access are all exclusive to Regal Entertainment Group. I don’t think Regal should have anything to worry about, but depending on how much it affects their ticket sales, it is a thought to keep in the back of their mind. Although at the same time, movie theaters traditionally have a split of money that goes in their pockets and the studios’ pockets, so what they should really be paying attention to is how often people buy food. If this plan causes an uptick in concession purchases at Regal locations, then it’s possible that this new Unlimited concept is a win.

So… Is this a good deal? For me, if I had to compare it to perhaps its top competitor, AMC Stubs A-List, I could do better. But I do think this could work for a lot of people. I know that in a state such as New Hampshire, which has more Regal locations as opposed to Cinemark or AMC locations, it can definitely help. Upon a quick Google Maps search, there is only one AMC in the entire state located in the town of Londonderry. Regal however has a few locations in Concord, Newington, and Hooksett. And if you live in a state like Maine, good luck finding an AMC because there are none in the entire state. There are Regal locations however! This can definitely save you a ton of money and if you go to Regal more than AMC, this might be for you. But as someone who has more AMC locations nearby and overall prefers some of the details behind the AMC A-List deal, I would stick with A-List. You don’t get extra charges for premium formats, it is much more open-minded as to what theater you go to on a locality perspective, and your convenience fees are waived when buying tickets online! But if you go to Regal often, I do recommend giving this a shot and you could potentially save yourself a ton of money.

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Thanks for reading this post! I just want to remind everyone that in a week and a half I am going to be heading down to Connecticut once again to visit Mohegan Sun for Terrificon. I have gone two years in a row, this is going to be my third, and per usual, I’ll be doing a review and haul post. I’m thinking of implementing more video elements this time around because I want to avoid doing the same thing over and over again. Only time will tell, but I cannot wait. I’ll be there all three days (August 9-11) so I’ll have plenty to report. And I’ll soon make a post about what’s in store at this con coming up in a week and a half. I would have done it earlier, but I wanted to make sure I had enough details to share with everybody. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Speaking of being subscribed to things, be sure to like my Facebook page! I want to know, are you going to be taking advantage of Regal’s new Unlimited concept? Which plan are you going to choose? If you want to know more about this, click the link below to find out more information! Also, I am curious. Have you ever had a cinema subscription service? Like, do you have AMC A-List? Do you have Cinemark Movie Club? Or… MoviePass, maybe? And if you have a MoviePass card at this point, can you tell me whether or not you have a MySpace? Just curious. Let me know down below! Scene Before is your click to the flicks!

Click here to find out more about the new REGAL UNLIMITED Plans!

Marvel Cinematic Universe PHASE 4 Plans Announced

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Hey everyone! Jack Drees here! You thought we were in the endgame? Think again, because, to my lack of surprise, as well as others perhaps, the Marvel Cinematic Universe is not going anywhere, and as part of this year’s San Diego Comic-Con, Kevin Feige and crew have officially announced their gameplan going forward in regards to movies and television. While I could not make it to San Diego this year (just like every other year), I had the pleasure of receiving a number of these announcements through social media, which is something Captain Marvel should have brushed up on by now.

This first announcement, doesn’t relate to what some would call “phase 4,” but it happens around that certain timeline and takes place in the same universe, so why not leave it in? Anyway, as you may or may not know, Marvel is finishing up their series “Agents of S.H.I.E.L.D..” It’s a series that I tried watching when it first started, but for one reason or another, I just couldn’t latch onto it. It just didn’t work for me. The show will begin its seventh season during the 2019-20 television season, and will air for 13 episodes. However, if you are caught up with the series, you’d know that season 6 is still in progress, so the show still has time left before ABC dusts it away from its current lineup.

Speaking of television, Marvel in general is seemingly changing the norm of how they release their television programming. Before now, they would release various MCU-related content on ABC such as the recently mentioned “Agents of S.H.I.E.L.D.,” “Agent Carter,” and the short-lived “Inhumans.” Netflix also had a fair share of content, all of which was recently cancelled such as “Iron Fist,” “Jessica Jones,” “Luke Cage,” and to what I believe is to a lot of people’s surprise, “Daredevil.” These platforms, for all I know, could lose the ability to air new Marvel content for awhile whereas the TV channel Freeform, and streaming services Hulu and the yet to be released Disney+ are going to be the big three for some time. Speaking of Disney+, Marvel announced a plethora of shows to be exclusively released on the upcoming service.

For the record, Disney+ is expected to be released during the fall. So just a reminder, none of these shows will be available on day one.

The first show to premiere on Disney+ is going to be “The Falcon and the Winter Soldier.” As you can tell by the title, the series revolves around the known characters played by actors Anthony Mackie and Sebastian Stan. It is expected to start filming October 2019 and premiere in August 2020. While there are not many details about the series just yet, Mackie and Stan have previously wanted to do their own spinoff film at some point, particularly in the style of a buddy cop story. So who knows? Maybe this series could have some sort of comedic buddy vibe. But only time will tell.

Moving onto 2021 programming, up next we have “WandaVision,” which is short for the characters Wanda Maximoff and Vision meshed together. This series is going to star actors Elizabeth Olsen and Paul Bettany as the characters we have previously come to know throughout the Infinity Saga. Although I must point out. This takes place after “Avengers: Endgame,” and Vision died in “Infinity War” only to never come back to life. So my question is… How will they allow him to return? Let me guess, time travel. Because now if the Marvel universe has a problem. Boop! You got a time machine! Want to save Nick Fury from losing an eye? Boom! You got a a time machine! Want to stop Tony Stark’s home from being destroyed like it was in “Iron Man 3?” Boom! You got a time machine! Want to give Captain America the most advanced pop culture lessons of his life? Boom! You got a time machine! Granted, there’s probably more to it, but a time travel element would not be surprising. The show will hit Disney+ in Spring 2021.

Also coming in Spring 2021 is a “Loki” series. Without going into much detail, because this does involve a spoiler for “Avengers: Endgame,” which as of writing this, is still in theaters, it will involve a Loki of the past. That’s all I’ll say. The series will of course star Tom Hiddleston. I don’t know if I am going to watch any of these series, but I think out of all the series on this list, I feel like this is the one I’d be least likely to watch. It almost seems like an idea from a think tank meeting (even though a number of these shows feel the same way). “Remember that mysterious guy from ‘Thor’ who keeps dying and coming back to life? Nobody knows if he’s good or evil? Let’s not deal with any new characters, let’s use this guy some more! Yay!” The way I wrote that sounds generous, but when I imagine it, it sounds like a business meeting all involving out of shape guys in suits smoking cigars.

OK… I take my last statement back, this is a series I’d probably watch. Granted, I don’t want to pay for Disney+, I don’t see any reason to. Plus, as someone who wants to avoid witnessing Disney’s plan for world domination put into action, I want to spend as little money towards them as possible. Although I kinda do want to go to Disneyland to see Galaxy’s Edge the more I think about it. Nevertheless, the next series is “What If…?” For those of you who don’t know, “What If…?” is a franchise that creates and realizes perhaps unlikely or alternate scenarios related to Marvel characters. Some examples from comics include: “What if the Fantastic Four all had the same power?,” “What if Captain America had been elected president?,” and “What if Jane Foster had found the hammer of Thor?.” While I’m not getting Disney+, if they are ever to release any of these shows on DVD or Blu-ray I am very likely to pick up “What If…?” simply for the concept. The stories presented in the show will not affect the MCU’s timeline, but merely exist just to answer questions through the power of imagination. It is simply something that just provides a unique take of some sort.

Hawkeye in the MCU is an “interesting” character to say the least, because just about every time he appeared in an MCU movie when he first started, I did not care about him as much as the other characters. Then I saw “Endgame” and thought he was one of the best characters of the whole thing. Coincidentally, of the upcoming shows on Disney+, “Hawkeye” is one of them. Also, according to what I have gathered, this series will introduce Kate Bishop, who in the comics is the first woman to earn the Hawkeye title. She’s also a member of the Young Avengers. Here, this show will seemingly spend some time on allowing Jeremy Renner’s Hawkeye to pass the torch to this younger character. The question is… Will I care about her? Or will she just be another boring bow and arrow fetishist?

That’s it for TV shows. I’ll probably watch NONE of them. Mainly because I feel that the way that everyone is trying to push streaming service upon streaming service towards the consumers is going to eventually make streaming as a whole a significantly worse deal than cable. My family and I have not cut the cord, and honestly, I’m happy. Especially considering how I still have my game shows (streaming IS NOT a good alternative if you are a game show fan for the most part), plus it’s nice to watch a new episode of a show and have it feel like an event, whereas an episode or two of a show, or a whole season, drops on Amazon or Hulu and it’s almost like you unintentionally DVRed something. Plus, I enjoy my livetweeting. It makes me feel like I am part of a community. Another reason why I’ll probably miss out on all these shows is because I REVIEW MOVIES DAMMIT! Movies are a top priority of mine and because I watch and review them excessively, I barely have time for TV. And speaking of movies, let’s reveal what Marvel has planned for that realm of entertainment in phase 4.

First up for movies is a project that I think a good number of people know has been in full swing, “Black Widow.” The plot and details are mostly unknown at this time, but Scarlett Johansson, the woman that I have a crush on who says she should be allowed to play trees, well then, if that’s the case… Vin Diesel? Watch out, you might be fired soon! She is returning as the title character who we have seen in several parts of the MCU such as the “Iron Man,” “Avengers,” and “Captain America” franchises. From speculation, I would imagine this would take place long before the main events of the MCU, kind of like in “Captain Marvel.” I am also willing to bet this will be a grittier film in the franchise (even though they aren’t going for an R rating), while also trying to be fun. After all, Black Widow isn’t really a superhero, kind of like Iron Man, she just plays with toys. And based on what we have seen from her character in comics and movies, this is very likely to be a spy flick. If you ask me, this is not my most anticipated spy-related film of next year, I’d reserve that spot to “Tenet,” directed by Christopher Nolan, but I’ve been eager to see a “Black Widow” solo film for quite some time, so I’m excited!

Plus, ScarJo is a dream girl. Just saying. The film will be released on May 1st, 2020.

Up next is a newcomer to the MCU, specifically, “Eternals.” Some big name actors in the film include Salma Hayek (Grown Ups, Desparado), Kumail Nanjiani (Stuber, Silicon Valley), Angelina Jolie (Kung Fu Panda, Mr. and Mrs. Smith), Richard Madden (Rocketman, Game of Thrones), among others. It is going to be about a bunch of eternally living beings who have spent infinite portions of their lives fighting a force of evil referred to as The Deviants. One character, Makkari, played by Lauren Ridloff is going to be the MCU’s first deaf hero. The film will be released on November 6th, 2020.

The third movie is one that I personally think will be a mega hit at the box office. It’s not to say the others won’t be, but if “Black Panther” from phase 3 has proven anything, it’s that if you put a “visually different” person at the forefront of a superhero project, people will see it. That’s because this movie we’re talking about is “Shang-Chi and the Legend of the Ten Rings.” I don’t know if the final product will have a title this long, but only time will tell. Then again, it’s not as much of a mouthful as say “Percy Jackson and the Olympians: The Lightning Thief.” The main reason why I’d say this film has a bonkers chance of success is because Shang-Chi is Chinese, and in this film, he is going to be played by Chinese Canadian actor Simu Liu. Not to mention, based on comic-related images I have seen, this movie could be a visual treat. Another thing to consider is the Chinese movie market. If this movie is as visually impressive as I think it will be, not to mention as honorable to the Chinese culture as I think some would want it to be, I think a lot of people will go see this in the theater. China, at least to my knowledge, seems to go to a lot of spectacle type films. Some historical examples that come to mind include “Transformers; Age of Extinction,” which to be fair, was partially shot in China, and “Warcraft.” While “Transformers” is popular in the United States, “Warcraft’s” domestic returns led to its underwhelming final box office total despite making more than twice its budget. But it couldn’t reach the total $450 million needed to completely break even. But if anything has been proven, Marvel is an automatic success in the United States. In the US and Canada, “Black Panther,” a culturally significant film for the African community, managed to make over $700 million, which for those countries specifically, is actually more than “Infinity War.” But with the massive potential for winning over China and perhaps other somewhat related Asian communities, plus Marvel’s domestic success, it has a chance of being possibly a bigger success than “Black Panther.” The movie is scheduled for a February 12th, 2021 release.

Another film I saw coming was “Doctor Strange 2,” and we got it! But it technically has a more specific title, “Doctor Strange and the Multiverse of Madness.” Based on what I’ve heard, Scott Derrickson could be coming back to direct this sequel. It is also suggested that Benedict Cumberbatch and Benedict Wong, or in this case, just for fun, I’ll call them Team Benedict, will be returning to reprise their roles. One thing that I found interesting though is that Wanda Maximoff will be in the be in the movie as well, and it will be tied directly to the Disney+ series “WandaVision.”

OK… You gotta be kidding me. I know people give flak to DC for how they do their movies, but at least you don’t have to watch a freaking TV show to perhaps understand or comprehend what is happening in one of the DCEU’s films! Guess I’ll just read the Wikipedia entries for the WandaVision episodes, because I ain’t paying for Disney+. But one thing that does intrigue me, is the notion that this is going to be a more horror-esque movie compared to a lot of the other MCU installments. So who knows? Maybe this could have a wacky funhouse vibe, or maybe be the MCU’s version of “The New Mutants.” Although now that I think about it, “The New Mutants” could possibly end up being another version of this movie depending on how many more times it gets pushed back. Man, that movie premiere is gonna be one big realistic version of a FaceApp demo. This is definitely a movie I would want to see on an IMAX screen, maybe in 3D. Because I saw the original “Doctor Strange” in IMAX 3D, which made for one of the best visual trips of 2016. This film is expected to drop into theaters May 7th, 2021.

But my one request for this movie. JUST GIVE A MORE MEMORABLE VILLAIN. Then again, it’s Marvel, it’s not their strong suit.

When 2015 first started, the YouTube channel RedLetterMedia made a video where they jokingly predicted that we’d eventually get a fourth “Thor” movie called “Thor 4: More Thor.” Believe it or not, “Brooklyn Nine-Nine” used that title in their show. Unfortunately, we’re not getting “Thor 4: More Thor.” But we are getting a fourth “Thor” movie titled “Thor: Love and Thunder.” I have mixed thoughts on this movie, because I REALLY enjoy 2011’s “Thor,” probably more than I should. I know some people don’t like it, but I enjoyed Thor’s character arch and Loki was a solid villain. Granted, the followup in 2013, “Thor: The Dark World,” is in the conversation to be my least favorite Marvel Cinematic Universe movie. And even though “Thor: Ragnarok” was… “better,” it’s not what I wanted. I thought it was too comedic, and some of the jokes didn’t land. While it is visually stunning, somewhat appealing from a story perspective, the tone just didn’t work. Basically, Asgard is in a state beyond repair in this film. It could have been dark, gritty, maybe a little funny, but not like it was “Deadpool” for kids. I don’t think Taika Waititi is a bad director, in fact, I thought he would be a better suit for something like “Guardians of the Galaxy,” but he did a “Thor” film instead. It just didn’t stick the landing for me. I’m hoping “Thor: Love and Lightning” will be better, but from what I can imagine, it could be tonally similar to the previous “Thor” installment, which if that’s the case, I’m just hoping that the story actually fits the tone.

One thing that could be interesting is that Jane Foster, played by Natalie Portman, is making a comeback. And similar to a comics storyline, Foster is going to be taking on the mantle of Thor. And based on visuals presented from San Diego Comic-Con, it looks like her character will be holding Mjölnir at some point during the film. As long as Kat Dennings doesn’t show up to play her character from “2 Broke Girls” everything should be rather fine and dandy. The film is predicted to be out November 5th, 2021, so I demand there should be at least one reference to “V For Vendetta,” ESPECIALLY since Natalie Portman is returning!

Now let me just say, I have no idea when these next films are going to be released, part of me is willing to bet that one or two of them, are not even in phase 4, but Marvel Studios chairman Kevin Feige has confirmed that these movies are in development, therefore we are going to cover them. So let’s continue!

Remember the 1998 film “Blade?” Guess what? Marvel is getting to do another project with the character. I personally can’t say I have seen “Blade,” but part of me is willing to imagine that this will be a somewhat different take on the character because the original trilogy was rated R, whereas all the MCU films so far have gotten a PG-13. If you ask me, I would not mind seeing an R version of the character in the MCU, kind of like with Black Widow, but you cannot have everything. One thing that does intrigue me though is that Mahershala Ali (Moonlight, Green Book) is attached to playing the lead role. He’s a fantastic actor who has a ton of range, and he actually pitched this sort of idea to Marvel Studios through a call. Coincidentally, Ali has been attached to a couple of alternate recent comic book-based products including Sony’s “Spider-Man: Into the Spider-Verse,” and Netflix’s own MCU show, “Luke Cage.”

There’s not much to say on this next film, but I KNEW this was gonna be made at some point, perhaps soon. Why? Because again, it made SO MUCH money. I guess this is what happens when Disney remakes “The Lion King” for a new generation. Wait… I’m talking about “Black Panther 2.” There’s not much to say about this movie yet, but Ryan Coogler suggested that he’d write and direct this film, which does intrigue me because I thought he did a rather decent job with the first one despite its flaws. So… what Disney movie are they gonna retread next? Are they gonna do “Dumbo” because Black Panther is learning to fly for some reason? Are they gonna do a film in the style of “Wreck-It Ralph” where it is revealed that Wakanda is in an arcade cabinet? Are they gonna do one like “Frozen” where Shuri or Okoye just breaks out into an annoying catchy tune? By the way, screw “Frozen,” that movie can rot in hell!

Up next is a film that was supposed to come out in 2020, but based on recent controversy, that’s not happening anymore. Specifically, “Guardians of the Galaxy Vol. 3.” This is a film that I am honestly curious to see, because while I imagine this could potentially be a capper for a trilogy, director James Gunn has previously exposed that this installment is not meant to be a powerhouse of emotion. It is still going to be fun and lively. But if you have been following the news in terms of film recently, you’d know that Gunn was fired by Disney/Marvel over the resurfacing of less than family friendly tweets. Tweets that even he admits, he’s not proud of. If you ask me, I believe James Gunn is a competent director, who may have deserved the criticism that he received, but I’m not sure if Disney should have gone as far as firing him, especially when you consider how much he has changed over the years in terms of his outlook. Nevertheless, I am quite curious to see how this upcoming “Guardians” film turns out, and I do have a shortlist of soundtrack ideas, but I think I should save that for another time. The movie is not expected to begin filming until 2020, but that’s because James Gunn is currently doing a DC movie, specifically “The Suicide Squad.”

Here’s another no-brainer, “Captain Marvel 2.” When your film has the sixth biggest opening of all time, you know you have to make a followup. I’ll be honest, the first “Captain Marvel” did not work for me. I thought the chemistry between Fury and Danvers was kind of hit and miss. The scene where “Just a Girl” plays honestly, while I guess it was trying to be empowering, felt really off for an action scene that was most likely trying to be kick-ass. The final fight, which I imagine was trying to be funny, just ended up being questionable to me. And don’t even get me started on Goose the Cat! But, we are getting another movie, and I’m honestly hoping it is better than this one, but only time will tell. I like Brie Larson as an actress, but when she plays Captain Marvel, she honestly sounds like she’s only been in straight to DVD content. Come on, Brie! You won an Oscar for “Room!” Show me the magic! She did alright in “Endgame,” but she was not in the movie that much so there is that to consider. Then again, I’m a straight white male. So is my opinion even valid to begin with?

Another film on the list of “in development” is a third “Spider-Man” movie. By the way, by the time you finish reading this post, five more “Spider-Man” movies will be released, because they keep cranking them out! I finally saw “Spider-Man: Far From Home” the other day, and honestly, after seeing that film, I’d say a third one HAS to be made. And without going into detail, Kevin Feige suggested that the mid-credits scene from that film implies the third film will involve “a Peter Parker story that has never been done before on film.” And it does not surprise me that this is happening. I believe Sony is already satisfied with making their own “Spider-Man” movies in their universe and still enjoys the success they can get from spinning their webs in the MCU. Nevertheless, can’t wait. But if I had any requests, make sure the word “home” is in the title. That way I don’t have to end up confusing “Spider-Man” trilogies and can refer to this as the “Home” trilogy. Seriously! Even if it simply means that there is a minute of the two of the film where we find Peter Parker watching a Mets game, and for that reason it is called “Home Run,” it would still work because the other two movies have the word “home” in their titles too!

The next two films are a couple of projects that I think a lot of people have been asking for. Why? Because Disney just acquired 21st Century Fox recently, meaning they have retained the rights to a couple of big name franchises. One example is “X-Men.” I have no idea how the film will present itself. If anything, it is definitely going to be a complete reboot, staying away from the timeline Fox originally showcased to audiences since the early 2000s. After all, while I didn’t go see “Dark Phoenix,” probably just like everyone else in the world, maybe that movie tarnished the franchise enough to say, “Screw it, it’s over.” But some movie franchises or IPs are like Jenga, you can end the game by collapsing the tower, but you can always start a new one by rebuilding it. Maybe “X-Men” has a place in the MCU. And honestly, if a couple of the phase 1 heroes are going away, I think this is the perfect time to add in new heroes, because if they were still there, I’d honestly worry about clutter in the MCU. Granted, even with them showing up now, that is still a worry. But I also have a slight intrigue as to what this mega franchise can bring to the cinematic universe.

Speaking of Fox, one other franchise they once had, not to mention wasted, is “Fantastic Four.” Since Marvel has the rights to them, they can now possibly… NOT screw it up this time… Hopefully? I imagine it’ll be good, but I’m keeping experience in my back pocket. It’s in different hands, but for all I know, despite its popularity in the comic book world, maybe “Fantastic Four” is simply cursed as a movie franchise. But I am curious about this film and how it’ll turn out, and perhaps a little more excited about this than “X-Men.” Will Dr. Doom be the main villain again? Will the movie have the four in the middle of its title? Or… How about this? How about we get Chris Evans to play Johnny Storm again? Do it just to get some other character in the movie for a second. Maybe the group will be going around New York City grabbing lunch or something and they run into Peter Parker walking with Ned, which leads to Peter pointing at Johnny saying, “Hey! You look like someone I know!” I highly doubt that will happen, but it certainly would make for a proper more realistic “What If…?” scenario. Plus, with Stan Lee gone we’re gonna need new cameo ideas.

That’ll probably do it for all of the MCU-related announcements for phase 4, and again, a lot of these films and TV shows are in development. So who knows? One could get pushed back, maybe one gets cancelled. Perhaps it ends up being a part of an eventual phase 5. Nevertheless, I’m excited for a large number of these projects, and hopefully they will all end up being good! Also, James Gunn, I know it is a little late, but welcome back. I want to know, is there something I’m missing from this list? I think I’ve covered all the ground, after all I have 4,000 words inserted into this thing! Or, what is something that you want to see from the MCU as a TV series, as a movie, as a concept? It doesn’t even have to be for phase 4 if you want it someplace else. Let me know down below! Thanks for reading this post! Pretty soon I am going to be reviewing Quentin Tarantino’s “Once Upon a Time in Hollywood,” which is out this upcoming weekend. I’m going to one of my local theaters for their first screening of the film in 35mm, can’t wait! Also, speaking of Tarantino, be sure to stay tuned for my final installment in my Quentin Tarantino review series, “The Hateful Eight.” Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, if you could do me a favor, like this post, share it around with those you know, it really helps me out. And speaking of that, like my Facebook Page! Scene Before is your click to the flicks!

Spider-Man: Far From Home (2019): The Truth Is… I Am Spider-Man

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Well, I waited over two weeks, I finally get to say it. “Spider-Man: Far From Home” is directed by Jon Watts (Cop Car, The Onion News Network), who also was the director and one of the writers behind the preceding film in this franchise, “Spider-Man: Homecoming.” This film stars Tom Holland (The Lost City of Z, In the Heart of the Sea), Samuel L. Jackson (Pulp Fiction, Snakes on a Plane), Zendaya (The Greatest Showman, Shake It Up), Cobie Smulders (How I Met Your Mother, Safe Haven), Jon Favreau (The Jungle Book, Chef), Jacob Batalon (Blood Fest, Every Day), Martin Starr (Silicon Valley, Knocked Up), J.B. Smoove (Uncle Drew, Hall Pass) with Marisa Tomei (My Cousin Vinny, Chaplin) and Jake Gyllenhaal (Nightcrawler, Stronger). This is the 23rd film in the Marvel Cinematic Universe, the second Spider-Man film in the Marvel Cinematic Universe, and the eighth big screen “Spider-Man” film of the 21st century. So much for originality! Yay! This film continues the adventures of Tom Holland’s Peter Parker in a post universe-wide snappening setting. As everyone adapts to a world that has changed forever, Peter Parker and his classmates are going on a field trip to Europe, only to run into chaos through unexpected encounters including Mysterio, and Nick Fury himself.

When it comes to Spider-Man, he is by far my favorite superhero of all time. Spider-Man is the perfect embodiment of your average teenager trying to live a normal life, but various struggles and obstacles beyond their control manage to get in their way. As for Tom Holland’s Spider-Man, my love for him is unbelievable. While I wasn’t the biggest fan of “Homecoming,” I really enjoyed him in other films including “Captain America: Civil War” and “Avengers: Infinity War.” If I had to a superhero to relate to more than any other, Spider-Man is definitely number one. This is a reason why I really enjoyed a movie like Sam Raimi’s “Spider-Man 2,” because it emphasizes the internal conflict of what Peter wants vs. what he needs. That film by the way, is my favorite comic book flick of all time. And in some ways, “Spider-Man: Far From Home” sort of takes me back to the time frame of Sam Raimi’s films.

Mary Jane has a screen presence in this film that I personally did not expect.

This movie has the result of Sandman getting a makeover due to incoming tides.

Not to mention, the film is freaking awesome!

In fact, you know how “Avengers: Endgame” perhaps stands as the most anticipated film? Like, ever? As the release for “Endgame” got closer and closer, my hype levels increased. Can’t say that for “Spider-Man: Far From Home.” I saw the first trailer, thought it sucked, and while going into the film, I appreciated this film’s efforts to try reminding everyone of the effects of “Endgame,” I was still somewhat nervous. Then I came out of the film, got home, and made the following tweet.

For all I know, this could be due to just seeing the film, my opinion could change, but I felt a bigger impact through the smaller and slightly more individualistic story of “Spider-Man: Far From Home” than I did for perhaps what has been marketed as the biggest geekfest in history. But much like that giant nerdgasm-inducing experience, “Spider-Man: Far From Home” is not perfect.

Much like “Avengers: Endgame,” “Spider-Man: Far From Home” suffers from minor pacing issues, but similar to “Endgame,” “Far From Home” has pacing issues which I can live with simply because of everything else that is happening. And this is not an issue in every sense of the word, but this movie has a lot of moments in its script that are incredibly convenient to what is happening on screen. But at the same time, I feel like that is one of the big improvements I can give to “Far From Home” when comparing it to “Homecoming.” Why? One of my biggest issues with “Homecoming” had to do with the script in a crapton of ways, one of which included the unbelievable amount of comedy inserted. And honestly, there was not a lot that landed. When it comes to Spidey’s quips and one-liners in “Homecoming,” they don’t feel as hysterical as they could be. I could tell that Tom Holland was trying his hardest with the material that may have sounded great on paper, but for one reason or another, the jokes just didn’t stick the landing for me. Here however, there seems to be a lot less comedy, and the bits of comedy they have in this film, when present, completely works. Because let’s face it, this movie is the first installment in the MCU that has to reflect on the past couple of “Avengers” flicks, which honestly would present the need for a slightly more serious script. Plus, Sony’s distributing this film instead of Disney. When the mouse is away, the spiders will play!

Also, while I keep talking about “Spider-Man: Homecoming” as if it happens to be the last “Spider-Man” film to be released, keep in mind that we just got “Spider-Man: Into the Spider-Verse,” which many consider to be the best “Spider-Man” film to date. While I don’t know whether or not I enjoyed this film or “Spider-Verse” more, I can confirm that when I saw “Spider-Verse,” it was perhaps the biggest acid trip of a superhero film I have ever watched. Guess what? I might need to rethink that statement, and I won’t go into why, BUT LET ME HAVE YOU KNOW THAT “SPIDER-MAN: FAR FROM HOME” IS ONE HELL OF A DRUG! If you drop acid before this movie, I wish you luck on getting out of the movie theater when the film ends because there are a couple of head-spinning moments that kind of left me speechless.

And you know something? Another shocker for this film to me is MJ, because when I saw her in “Homecoming,” I did not like her, I thought she some clowny individual who barely had a personality. This time there is depth to her, and even though I was nervous back in 2016 when they announced who was playing MJ, specifically Zendaya, she pulled it off in this movie! Mainly because she had a take on it that made the character her own. After all, her name isn’t really Mary Jane, it’s actually Michelle. If she was a redhead, I’d want the character a certain way. But I appreciate Zendaya’s take not only because her character was well written, not just because she did her part with excellence, but because it did not feel like the type of MJ I thought she would be, which would be a black person trying to playing the typical white Mary Jane, almost as if it were a s*itty impression. Zendaya has her individual flair which brought some pizzazz to the final product. Rock on! Granted, seeing her in the beginning of the film was a little sloppy, in fact, that’s not the only issue I have with the start of the film (there are a couple minor moments leaning towards cringe), but as it went on, I began to admire her.

And the surprises don’t even end there, because this time around I actually liked Ned! If you don’t remember my “Homecoming” review, this is what I said about Ned.

“One character in this movie goes by the name of Ned Leeds, he was played by Jacob Batalon, and there was a point in this movie where I wanted some sort of technology that existed which could allow me to jump into a movie’s universe. I could go into this one, find Ned, and give him the finger!”

You know what? Forget about that statement, f*ck it! Because in this movie, Ned is the opposite of annoying. In fact, he’s pretty charming at certain times. There’s this portion of the film dedicated to this relationship he has with this one girl, which honestly, had its ups and downs, but there are moments when I can approve of it.

Also, if anything, it reminded me of the Schmoopie relationship from “Seinfeld.”

And while I won’t dive too deep into this, another problem I had with “Homecoming” that somehow gets fixed here is my displeasure with the AI from that film. Remember Karen? I do. And I don’t like her. While she could have been charming in that film, she had a few quirks that did not sit well with me. Karen does not make a return here and I won’t go into detail, but there’s an AI here that is honestly charming, and even sets up an entertaining and thrilling sequence on a bus.

Moving onto our main character, Peter Parker is back and now the important question is this: What would be a bigger feat for him than going to space? Europe? That’s nothing! Any idiot can fly a plane to Europe! But nevertheless, Parker is vacationing in Europe, and now he has to deal with a side mission, which takes away from whatever relaxation he can get. This is why I really enjoy the character of Spider-Man, because other heroes, specifcally in the MCU, always seem to be built with this sort of drive to save the world. Granted, with an interpretation such as Tony Stark, maybe he’d get a little drained from it and prefer to lay low for awhile like he did in “Iron Man 3,” but there are not many moments where I have seen an MCU hero flat out refuse to do hero work. When the Avengers got together, just about everyone showed up. Thor always seemed to have a knack for defending Asgard with a hammer by his side. Captain America would always be willing to sacrifice himself for the greater good. But Spider-Man… Needs his alone time. While in some instances, I imagine this would make a hero look like a dick or a coward, it works for Peter Parker because he’s just a normal, likable, not to mention, relatable kid. He just wants a normal life despite various perks of being a superhero. In fact, Peter’s story and actions in this film kind of remind me of what is like to be me when I was younger. I had my crushes, perhaps constantly imagined plans to get together with said crushes, and if you know me, they did not work out, and I’m fine with that. By the way ladies, I’m single! Plus, Peter in this film has to deal with following in the footsteps of those above him, which is something that I did think about out sometimes when I was younger. Granted, probably not a lot, but the thought definitely did come up in my head once or twice.

I also really liked Mysterio in this film, they managed to go in a direction with the character that I for one personally did not expect, and as for Jake Gyllenhaal, he was basically perfect casting for this role. I remember back in the day I wanted him to be the next Batman if Affleck were to leave. Granted, he’s not, but still. But even though I never imagined Jake Gyllenhaal as Mysterio, I cannot help but dig him. He did a really good job, and I love his costume! It’s amazing!

Now despite what the box office can make me think, there are still people out there who have yet to see “Avengers: Endgame.” But in “Endgame,” there is a lot that happens that leads to this film’s events. In fact, the beginning of this film is a tribute to a couple of major characters who have encountered a common barrier in “Endgame.” And this movie, while I won’t go into context, shows off perhaps the most heart-wrenching footage of the snappening I’ll ever see in my life. If you thought that collection of deaths on Wakanda was disturbing, I’ll remind you, the effects to me were personally diminished (although still slightly powerful) because going into “Infinity War,” I kinda knew we were going to see people die. Granted, I didn’t know who, how, or when, but I knew something was coming. What made it really disturbing is that it was just a bunch of innocent people going through their everyday lives. Granted, that was sort of already shown during “Infinity War’s” end credits, but this movie did it better because for all I know it was shot on somebody’s phone or some other everyday camera. It almost reminds me of the found footage movie “Cloverfield” the more I think about it, because in a way, I felt immersed into such a disturbing situation, not to mention from a rather shaky first person perspective.

In the end, “Spider-Man: Far From Home” can be summed up in one word. Fun. It has a vibe that is almost reminiscent of Sam Raimi’s “Spider-Man” films while also managing to be a product of its own. The movie, in more ways than one, made me feel young again. I talked to death about the relatable teen year experiences this film provided, but I grew up watching Sam Raimi’s “Spider-Man” films and in some ways, this film managed to take me back to when I was somewhere between 6 to 14 years old. “Spider-Man 2” still stands as my favorite comic book movie ever, but I cannot deny that this is definitely another solid second “Spider-Man” movie. As I was writing this review, I’ve been having a constant debate in my head on whether or not this is better than “Spider-Verse,” and this debate is far from over. I’m willing to bet that this won’t end for awhile. I’d probably have to rewatch both films to know for sure. But if I had to make my thoughts on this film as finalized as possible, I’d say that unlike “Spider-Verse,” I felt that “Spider-Man: Far From Home,” while just as entertaining, if not more, had a greater quantity of issues that stood out to me. So with that being said, “Spider-Man: Far From Home,” despite “Endgame” being a more conclusive chapter to the entire three phase saga of the MCU, is a damn fine way for Marvel to cap off their third phase. I’m going to give “Spider-Man: Far From Home” a high 8/10. I love the constant joke about how we are getting too many “Spider-Man” movies or movies that have Spidey in them. Well, if we’re getting films that are this good, why should they stop making them? I’ll wait for the next “The Amazing Spider-Man 2” and then we’ll revisit this topic later. And I also will say, I almost forgot to consider this about “Spider-Verse,” it basically was a game-changer for the comic book genre in cinema. The animation style was unlike anything I have seen on the big screen up until that point. How many live-action “Spider-Man” films do we have right now? I don’t care about real numbers at this point. Let’s just go with umpteen because it sounds kind of fun. Thanks for reading this review! I just want to let everyone know that next Monday, July 22nd, will be the release date for my final Quentin Tarantino review series installment, specifically, “The Hateful Eight.” I’ll be reviewing this film just in time for Tarantino’s new film coming out next week, “Once Upon a Time in Hollywood.” Stay tuned!

Also, if you love “Spider-Man” like I do, or if you simply want to know more of my thoughts on the “Spider-Man” movies, I posted a review for every big screen “Spider-Man” film since the original Sam Raimi flick from 2002. If you want to check these out, click the links down below! Be sure to follow Scene Before through a WordPress account or email so you can stay tuned for more great content! Also, I have a Facebook page, if you could do me a favor and give it a like or follow it would be very much appreciated! I want to know, did you see “Spider-Man: Far From Home?” What did you think about it? Or, as painful of a reminder as it may be, this is the first MCU film without a Stan Lee cameo. RIP, by the way. So with that being said, what is your personal favorite Stan Lee cameo? If you ask me, I’d go with the one where he tries to get into Reed and Susan’s wedding in “Fantastic Four: Rise of the Silver Surfer,” Tony Stank from “Captain America: Civil War,” the bus driving scene from “Avengers: Infinity War,” or even though it’s not Marvel, “Teen Titans Go! To the Movies,” which basically takes the Stan Lee cameo and manages fetishize it to the core. Nevertheless, let me know your pick, that way your name will make a random appearance as a cameo in this post! Scene Before is your click to the flicks!

Spider-Man (2002)

Spider-Man 2 (2004)

Spider-Man 3 (2007)

The Amazing Spider-Man (2012)

The Amazing Spider-Man 2 (2014)

Spider-Man: Homecoming (2017)

Spider-Man: Into the Spider-Verse (2018)

Scene Before 2019 HALFTIME REPORT (And Glance Into the Future)

WARNING: The following post is over 8,000 words long. Disappointingly, it’s not over 9,000.

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Hey everyone, Jack Drees here! 2019 is midway through and this year is going by fast! As far as my personal life goes, I’m in between my first and second year of college, I am enjoying my time off, and I’m the same movie reviewing moron as usual. Things have changed, but at the same time, I’m still the same flick nerd I have always been. And I mean that literally, but we’ll get to that later. However, I wanted to try something I haven’t done before on this blog. At the end of the year, I tend to do some reflective work, most notably countdowns. And while I am not going to do that at this current midway point, I would at least like to sit myself down and go over some recent highlights related to Scene Before. At the same time, I’d like to also look into the future. Admittedly, some of this is still in planning stages, but still.

I’d like to start off with something I’d like to call “TERRIFIC 3” and “TERRIBLE 3.” I am going to list 3 movies that I have watched this year that I would recommend to people and 3 other movies that I would tell people to avoid. Now, of course, these picks are subjective, if you think differently about these films than I, it might be slightly harder to talk to each other, but you are nevertheless entitled to your different thoughts. In fact, these are not supposed to be my top 3 best or worst of the year so far. If I like a film, I’ll list it, if I don’t like a film, I’ll also list it. These are not meant to be in any particular order. Anyway, let’s begin!

TERRIFIC 3!

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Starting off the Terrific 3 is “John Wick: Chapter 3!” I went to see this film in Dolby Cinema alongside my dad, who might be a bigger “John Wick” fan than anyone else I know. He and I walked out agreeing that the action in the film is absolutely top-notch. The action in “John Wick” films is certainly the aspect that would grab my attention more than any other. Long takes, innovative setpieces, gritty violence, all of it adds up to make some of my favorite action scenes of all time. When it comes to current action franchises, I am having some slight trouble deciding whether I prefer this or “Mission: Impossible.” It’s that good!

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Up next is a stellar DreamWorks animation whose franchise I never watched religiously, but always liked, “How To Train Your Dragon: The Hidden World.” If you have ever seen the game show “Deal or No Deal,” the show always highlights the phrase “timing is everything,” and when it comes to “How To Train Your Dragon: The Hidden World,” that phrase becomes more relevant than ever. This movie came out in the middle of my second semester of college, and I could not help but feel like the people behind the movie were trying to consider me in its target audience. After all, while “How To Train Your Dragon” may be a franchise directed towards families and children, this growing adult could not help but feel like a kid again. In fact, to add more to this true masterpiece of an animated film, I became more emotional during this movie than I did during perhaps more than any other. Even more than “Toy Story 3.”

Last but not least for the Terrific 3 is a movie that I decided to list because it’s on a slightly different end of the spectrum. Because let’s face it, I’m kind of recommending movies to you, and why recommend “Avengers: Endgame” when almost everyone went to see it? So let’s recommend a smaller movie, such as Terry Gilliam’s “The Man Who Killed Don Quixote.” Now some would argue that this is a 2018 flick, but in the United States, which is where I live, this didn’t come out until 2019. For those of you who don’t know this movie, “The Man Who Killed Don Quixote” took decades to make, and it’s about a guy who reunites with someone he worked with during a production. This person he meets with is convinced that he is Don Quixote. This did not get that big of a release in theaters, but it is worth seeing just because of its history, because despite going through “development hell,” it managed to turn out quite well! The movie is now available on home video including various VOD options.

Now let’s move onto something that probably doesn’t deserve any attention, but because I believe in equality, we’re talking about it anyway, the Terrible 3!

TERRIBLE 3!

First up is a movie that I want to put on here because what’s the harm with having an unpopular opinion? Oh wait, everything. Who cares? One of the most successful movies of the year, “Captain Marvel,” just didn’t stick the landing for me. This had a lot of hype building up to it, but I personally just couldn’t relate. And when I saw the final product, I felt like… Wait, why’s everybody laughing and cheering? Yes, there are a couple of cool moments in the movie. For example, I dug the 90’s references such as Blockbuster Video and Dial-Up Internet. Brie Larson and Samuel L. Jackson have some good chemistry, but when it comes to Larson in general, her performance was kind of mediocre. Granted, I know grade-A acting isn’t the biggest component of a comic book movie, but Brie Larson, an Academy Award winner, felt more like she was in a couple straight to DVD films and that’s it. Granted, I think she did a slightly better job in “Avengers: Endgame,” but her performance here simply underwhelmed me. Plus, there’s a moment in this movie that references a significant part of the MCU lore (having to do with Samuel L. Jackson) and quite honestly, the way they go about it just killed my brain.

Up next is a movie that could have been great but was simply wasted. From the creators of NOT “Firefly” comes “Serenity.” “Serenity” could be somewhat fun, not to mention a great “thinker” movie, but it manages to become more boring the more I think about it. I love the movie “Interstellar,” so I was somewhat excited to see Matthew McConaughey and Anne Hathaway unite once again for another project. Both have talent as actors and they’ve proven they have great chemistry. Honestly, I’d just go back to watching “Interstellar” if this is the movie we’re getting. Although this movie came out in January so it should not be surprising that we would get a movie of this quality.

And finally, we have what may be my worst movie of the year should nothing surpass it, “Godzilla: King of the Monsters.” The sad thing about “Godzilla: King of the Monsters” is that I was actually desperately anticipating this movie. When I went to see it, I was ready for what was about to happen. Or was I? Seeing movies in IMAX may be great because it feels so big, but when they’re a big mess, what is the point? Maybe the monster fights could be fun, but if I wanted to watch this movie again, I’d probably have to be heavily drugged. Because let’s face it, as cool as big monsters are, the unforgivable part of “Godzilla: King of the Monsters” are the one-dimensional human characters. This could be slightly less intolerable if the human characters were less of a focal point during the movie, but they made me want to go back and check out some of the “Transformers” movies again! They’re THAT horrible!

I just showed you all my terrific and terrible picks, now let’s go over a few recent highlights from my blogging journey.

As usual, I kicked off my 2019 with my traditional countdowns to reflect on the year of 2018 in film. I went over the best of the year along with the worst of the year. Some of my top picks included “Spider-Man: Into the Spider-Verse,” “Eighth Grade,” and “Mission: Impossible: Fallout.” Some of my bottom picks included “The 15:17 To Paris,” “Uncle Drew,” and “Life of the Party.” I enjoy doing these countdowns every year and this is the first year that I started writing what I would put in the countdowns as early as August. I did not do this for every single movie, but I visualized the lists a long time prior to actually releasing them. This does not suggest that I avoided considering movies released past August, as evidenced by some of my picks.

After I did my lists, I saw my first 2019 release, which according to IMDb, is actually a 2017 release. Based on my experience and research, I’d call it a 2019 release, but still. That film by the way is “The Upside,” which is a remake of 2011’s “The Intouchables.” I personally have not seen “The Intouchables,” and while “The Upside” from my perspective is not really anything special when it comes to cinema, it is still a fun time. I went to see it at a press screening, and there were tons of laughs to be heard.

A couple weeks later I went to one of my local arthouse theatres to see a flick that I almost ended up passing on. Specifically, “Roma.” Why? Because when it comes to today’s media, Netflix is a company that I traditionally tend to avoid. But one of my local theaters managed to get access to a 70mm film print of “Roma,” which would be presented for a limited time. I took advantage of the opportunity and purchased a few tickets for a matinee show. Not only was the experience breathtaking, but the movie was one of the best of the past year. If I had to redo my top 10 lists of 2018, this would be on the best list, but I saw “Roma” after completing said lists.

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I also decided to try out a new concept this year which I have decided to make an annual tradition, the Jackoff Awards. For awhile, over the past year, I have grown to admire the Oscars based on how much respect they tend to pay towards the film industry. Granted, they’re not perfect, but what they’ve done over the years is absolutely intriguing. I thought to myself, why not do a big awards related post? Present similar categories to other major shows, I do my own comedy bits, and it was perhaps the most ambitious post I have ever done. As for Best Picture, I decided to present what was then my top 10 of 2018, which DID include “Roma,” and instead of having me choose Best Picture, I would allow my audience to choose the winner. I figured it would allow for diversity in terms of opinions, and I managed to get a surprisingly diverse number of votes. I got some votes for “Spider-Man: Into the Spider-Verse,” “First Man,” “Ready Player One,” but the winner turned out to be last year’s biggest comic book movie, “Avengers: Infinity War.” Honestly, if there were any movie to put in my Blu-ray player on a Friday night at this point, it would most certainly be that one.

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I then continued my journey in March by going to the place that I would associate with film more than any other, Los Angeles. My family and I stayed right near Hollywood Boulevard and I got to visit a few media-related sights including Warner Brothers Studios, the TCL Chinese Theatre (where I saw “Captain Marvel”), and Universal Studios Hollywood. I also got the chance to witness a live taping of “Conan.” While I didn’t make a big post related to this, I managed to briefly discuss some of my highlights here and there.

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For those of you who are curious about my “Conan” taping experience, I managed to witness almost two full shows. Why? Conan O’Brien had to be somewhere when his Thursday show would air, so naturally, he had a demand, he wanted us, Thursday’s audience, to “make Tuesday’s audience look like s*it.” We got see all of Tuesday’s show, which had a couple comedy bits and an interview with Timothy Olyphant (Live Free or Die Hard, Santa Clarita Diet) and a good fraction of a Thursday night show which featured comedian Moses Storm, who joked about cell phone users, “Shark Tank,” and revealed a story where he would tape episodes of Conan O’Brien’s older talk show episodes over his religion-related educational programming. By the way, Conan in person looks like a real life action figure. Maybe it’s the makeup. Maybe it’s the lighting in the studio, but my gosh.

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I also got to visit an RPX venue for the first time. For those who don’t know about RPX, they are a premium format that can be found exclusively in cinemas under Regal Entertainment Group ownership. I didn’t plan on attending RPX when I did, but I managed to get something off my list of movie-related things to do before I died. After all, “Us” just came out, and I was in the Boston area. I figured just to save time, I’d go for the earlier, but more expensive show that Regal Cinemas Fenway was providing, as opposed to another show which would be starting a half hour later. For your information, I was aware that I was going into an RPX screen. I didn’t mind my decision, I figured if I wanted to see “Us,” I’d go see it in full scale glory because I was really anticipating it. While I have still yet to see “Get Out” to this day, I have heard about its overwhelmingly positive reception and I was expecting that Jordan Peele would deliver another sick movie. While “Us” was not perfect, it was definitely worth seeing, and I wouldn’t mind watching it again. As for the RPX experience itself, I thought the seats were not too bad. The capacity was through the roof, the screen, while not entirely wall to wall, was huge. As for the sound… It is undeniably better than a standard theater, but I was a little underwhelmed. Maybe I went to see the wrong movie, maybe the employees turned the speakers down, but when I compare the sound to something like IMAX or Dolby Cinema at AMC, I would go back to both of those places first.

Moving onto April, I managed to survive the whole “Avengers: Endgame” ticket buying craze. For those not fully immersed into what I just stated, I must point out that “Avengers: Endgame” tickets went on sale April 2nd, and the Internet went balls to the wall nuts when it came to snagging tickets. I had to wait in Fandango’s line, AMC was having problems, and it got to the point where I had to buy tickets from a somewhat local cinema chain, on their own, slightly buggy website, just to make sure I could get into school on time. I almost took the train to one of my local AMCs because I could stop by there on the way to school. If I did that, I am willing to bet I would have missed out on opening night of “Endgame,” which was the day I was shooting for. After all I did want to get my review out as soon as possible, and I did manage to score a couple tickets on remaining good seats for a 9PM show. Not at an AMC, but at a Showcase Cinemas. While it was not my first choice, I don’t regret going there, because an hour before going into the cinema, I got a glimpse at everyone leaving the 22 MCU movie marathon the theater was showing over a few days. Everyone was being applauded, and they left with some merch. I recorded this aftermath on Facebook Live, and despite my camera’s focusing problems and poor cellular service, I managed to get some respectable footage. Also as a Bostonian, I was proud of myself to catch a reporter from one of my local news channels, WBZ, or CBS Channel 4. To be specific, Tashanea Whitlow. As for the premiere itself, the movie was fun, and the three hour runtime was rather justified given what we as an audience received. I didn’t think it was perfect, I’d much rather watch “Infinity War,” but it was a great finale to over ten years of films. I will also say, this may be due to where I went to see the movie, seeing “Infinity War” was also a better experience. Because I went to see it at a 7PM show on opening Thursday on an eight story IMAX screen. If you have ever gone to see an event-type film in India, that is one of the most solid comparisons I could make to my experience. It was like going to a Stanley Cup game or something. “Endgame,” which was in a sold out theater in regular 2D, had barely any applause (although some reactions here and there), and out of everyone in the theater, I may have been the most obnoxious. If I had to make a sports comparison, I’d probably say it was like going to a slightly more competitive golf tournament. It was lively at times, but not like the roof was being blown off the place. I know some people are not particularly fans of going to theaters where everyone is reacting to the film’s key moments, but as a fan of the MCU, it’s something that I considered to be a privilege during my “Infinity War” experience.

May was an interesting month for me, because I just finished my first year of college, so I got a little more active on the Scene Before side of things. I’m now trying to earn revenue with the blog, I saw more movies than I did in months such as March or February, and I even changed my domain name. Unfortunately, scenebefore.com was taken, so I wanted to make sure I can fit something that would associate with me, but also be precise. I thought something like moviereviewingmoron.com, while definitely appropriate, is a tad too long. Luckily, after some searching, I found out that flicknerd.com was available. Did I ever call myself “flick nerd” on this blog? No, but I figured it would be a cool name to have because its simplicity will probably gain enough traction overtime. It’s hard to tell though, because this advanced blogging journey, at least from my point of view, is just getting started. I’m looking for sponsors, more potential viewers, but I’m also trying to be the same movie reviewing moron that everyone has come to know.

One of my highlight posts of the month is titled “What THE BIG BANG THEORY Has Meant To Me: A Nerd’s Perspective.” For those who are unaware, CBS’s “The Big Bang Theory” just finished it’s twelfth and final season on the air, so I figured I’d take some time to remind the world of what the show has meant to me as a fan, as someone who would constantly tune in to new episodes, and most of all, as a nerd on the autism spectrum. I probably won’t have time to give a detailed description of everything I said, so if you want to read the post, click this link!

I also saw another one of my favorite films so far this year, “John Wick: Chapter 3 – Parabellum!” Not only that, but like I mentioned earlier, I managed to catch a Dolby Cinema presentation of it, which surprisingly, didn’t make me feel like I was getting shot in the head, which may be a good thing. Seriously though, “John Wick: Chapter 3” is probably the best installment of the franchise yet, and Keanu Reeves might now just have a better trilogy than “The Matrix!”

But I cannot say the end of the month was great, because “Godzilla: King of the Monsters” happened. Sad day. Even though I went to see the film in full scale IMAX glory, it didn’t feel like something worth my time.

Moving onto June, I managed to do something pretty cool with my dad. He and I go to the movies together a lot because for the most part we have similar tastes. We match together when it comes to sci-fi, action, comic book-based material, comedy, etc. However he has never been to an advance press screening, so I thought just for fun he and I could do so for the new movie, “Men In Black: International.” It’s a movie that I probably would have checked out had I waited for it to release everywhere. After all, “Men In Black 3” is my favorite movie of 2012. However, since this was free, not to mention, early, I thought dad and I could trek to the theater and see what this movie had in store. I personally enjoyed it. I know some people were scared of how this movie would turn out based on the marketing (Then again, it’s a Sony film, whaddya expect these days?). I thought the first trailer was alright, but not great. The second trailer was an improvement and actually got me more interested in the film. As for the film itself, it is not Shakespeare, but it’s a fun time at the movies. Chris Hemsworth and Tessa Thompson have great chemistry together and I think Kumail Nanjiani’s character is a fantastic comic relief.

The best movie I saw this month was “Toy Story 4,” which I must point out, I probably was not even looking forward to back when it was announced. Boy, times do change! Unfortunately, I had to witness brain cell erasers such as “Replicas,” which I bought on Blu-ray since I had some Best Buy rewards to waste. I also saw “The Secret Life of Pets 2,” which is worse than getting scratched in the eye by a cat. Yes, Harrison Ford is in it. Yes, he is the best part of the movie. But I might as well be at the point where I would rather have a dog sniff my butt then go so that film again!

Now that I have recapped my highlights, I just want to remind everyone of what’s being planned for the future. Here is my unofficial schedule for the second half of 2019!

JULY:

Throughout the month of July, there are not that many movies coming out compared to other months in the year (at least according to Wikipedia), but I am planning on catching a few blockbuster highlights such as “Spider-Man: Far From Home,” despite how little anticipation I have for it. I also really want to catch Disney’s live-action remake of “The Lion King.” I am not a fan of the Disney live-action remake trend, but I feel that this movie will be a great theater experience and also rather compelling. I don’t know how much it is going to be a carbon copy of the original or how much it’ll go in its own direction, but I am somewhat curious as to what will come of it. I know it is longer than the original, which slightly worries me, because it could add something that perhaps the 1990s film didn’t even need, therefore ruining my experience. Plus, it’s being directed by Jon Faverau, who also worked on 2016’s “The Jungle Book,” another Disney live-action remake, which was one of my favorite movies of said year. I also really want to check out “Crawl.” The trailer didn’t have me fully onboard, but I am still curious as to how this film will turn out. Plus, it’s being produced by Sam Raimi, who is known for his work in the horror industry, and one of my favorite comic book movie directors.

This does not mean that I want to ignore independent work, because on the same weekend as “Spider-Man: Far From Home,” A24 is releasing one of my most anticipated movies of the summer. Specifically, “Midsommar.” When your movie is A: Directed by Ari Aster, who had a phenomenal feature-length directorial debut last year with “Hereditary,” another A24 film, and B: Described by Aster as “a Wizard of Oz for perverts,” I am instantly intrigued. “Midsommar” takes place in rural Sweden as a young couple takes a vacation and settles in the area. Alongside their friends, they eventually discover that this area has a festival that takes place once every ninety years, which creeps them all out. I want to see Ari Aster succeed, so hopefully this film does well.

Speaking of successful filmmakers, another well-known director in the industry, specifically Quentin Tarantino, is going to be releasing his ninth film, “Once Upon a Time In Hollywood.” And to be honest, as anticipated as I am to see this film, I have to let something out. I have not seen much of Tarantino’s work. I will most likely be going to see “Once Upon a Time In Hollywood” when it comes out, maybe in 35mm, but before I do that, I am going to be doing a small series of reviews for Quentin Tarantino movies. In fact, I already have a few lined up. Specifically, “Pulp Fiction,” “Django Unchained,” and “The Hateful Eight.” Those reviews will be done as weekly projects and they should all be up before the official release date of “Once Upon a Time In Hollywood,” July 26th.

 

AUGUST:

SAMSUNG CAMERA PICTURESRemember how I would occasionally announce I am going to cons from time to time? For some reason I have failed to do that this year. It’s not like I am not going anywhere, but I have just failed to put myself in front of my keyboard and try to say, “Hey guys, here’s where I’m going, stalk me!” Not that don’t mind the attention, I’m just saying. But if you really want to know about my next con, I do have it booked, and I will be going to Terrificon, which for those of you who have been following me for some time, you’d know that is also the first con I ever documented on this blog. And I am thinking of doing something a little different this time, just to spice things up. I’m trying to push more video content into my posts, maybe I’ll insert a compilation of the con’s highlights. I’ll record it on my camera, maybe my phone, whichever has more memory at the time. Maybe I’ll post it on YouTube and link it here. Who knows? But here on Scene Before I am trying find ways to innovate, and maybe this could be one of them.

Speaking of cons, this is NO GUARANTEE, partially because I have not even bought tickets, but there is one convention that is about a half hour away from my house that I kind of want to go to. Whether or not I am going, that’s a different story, but should things go in a certain direction, I may end up going to Fan Expo Boston, which is a con I have surprisingly never been to. And the guest list this year, aside from a couple big cancellations, is solid so far. You’ve got Zachary Levi (Shazam!, Tangled), who I will say, even if you are not into his work, he is a fun guy to meet, he is upbeat and has a massive sense of charm. Part of the cast of “Blade Runner” is going to be there including Sean Young, Rutger Hauer, and Edward James Olmos. I have a feeling there are more guest announcements coming our way, and if there are, I cannot wait to hear them, because there have been a lot of cool names who were there over the years to the point where I almost have slight regrets on missing out. If I were to get tickets to Fan Expo, I’d probably just go for one day. After all, Terrificon is the week prior, and I am staying overnight during that weekend, so my budget might be slightly higher at that event compared to Fan Expo.

Moving away from cons, I will say that my biggest film catches for August right now have to be “Hobbs & Shaw,” “Dora and the Lost City of Gold,” “Good Boys,” “Where’d You Go Bernadette?,” and “Scary Stories to Tell in the Dark.” There is not much from August that I am truly anticipating, but I will inevitably go see a few things here and there. And if you want to know something, I only put down “Dora and the Lost City of Gold” because let’s face it, “Dora the Explorer” was a part of my childhood, and nostalgia equals money nowadays. Granted, this movie looks a tad more adult-friendly than the cartoon. But am I looking forward to it? Hell no. In fact, I am thinking it is only going to ruin my childhood, but I might as well give it a chance just because I am a nice guy. I saw the recent “Power Rangers” film partially out of nostalgia and that worked for me, might as well do it with “Dora” and see if that works.

 

SEPTEMBER:
If I had to predict my least active month for the rest of the year, I have to call it right now, September is certainly a contender. For one thing, I’m going back to college, so I need to adjust to a new routine. I’m still going to keep my promise of doing at least one post within every 7 days or so, that way you can keep witnessing my constant dedication to this blog. I’m probably not gonna go see “IT: Chapter Two” mainly because I still have not seen the first one. Although the cast is pretty nifty from what I have experienced. But I am interested in “The Goldfinch,” I have some slight intrigue towards “The Report,” and maybe I’ll check out “Abominable.” I saw one of the trailers for it, and it looks like it might not be a new animated classic or anything, but I am somewhat curious to check it out, partially because even as an adult, I still have a slight need to check out animations from time to time. Plus, it is from DreamWorks, and I’m currently trying to seek out their next big thing. “Kung Fu Panda” is done, “How to Train Your Dragon” seems to be done, maybe this, or something else, can be their next kickstarter to a solid franchise. Then again, apparently they’re making sequels to “The Boss Baby,” “The Croods,” and “Trolls,” so why should I expect absolute quality? Nevertheless, it’s worth a shot.

Although if you had to ask me what my most anticipated movie would be for the month of September, it’s a no brainer, “Ad Astra.” I love space, I love compelling, dramatic stories involving space travel, even if it is close to Earth. Plus, the second half of the year for numerous ages of my life have typically contained at least one epic space movie. Maybe “Ad Astra” will be the next to join the ranks with other movies from this decade like “The Martian” and “Interstellar.”

 

OCTOBER:

This October is pretty interesting to me, because there will be a weekend where my mother and sister are out of the house and I will quite honestly, need something to do. I can’t just stay trapped behind walls! I have to see the world! Nevertheless, that particular weekend is the release of “Joker,” which I am inevitably going to check out no matter what, but for the sake of having an early review, I’m going to check it out as soon as possible. I have Fridays off from school this upcoming semester, maybe I’ll do it then. The following week is the release of Will Smith’s “Gemini Man,” directed by Ang Lee, so I might see that. And the week after is slightly bigger because Taika Waititi is coming out with his latest directorial feature, “Jojo Rabbit,” where believe it or not, Waititi himself plays Hitler. I never pictured that, but this film certainly has my attention. That same week is also the release of “Zombieland: Double Tap.” I had fun with the first “Zombieland.” I enjoyed the chemistry between Jesse Eisenberg and Woody Harrelson, and it has, at least to me, a pure highlight from Bill Murray’s acting career. And to my surprise, he’s coming back for this movie! I also want to check out “The Aeronauts” which is being released by Amazon, and the reason why I want to check it out is because it is Amazon’s first attempt at an IMAX run and it is also being released a week early in that format. The film will technically be in standard theaters in November after it’s week-long IMAX run. And if this is the case, this reminds me of the excitement I had for Robert Zemeckis’ “The Walk,” because that released a week early in IMAX and that was quite an experience.

Speaking of lesser known films, one other thing I want to check out is the South Korean flick “Parasite.” It’s getting tons of buzz at film festivals, having earned Palme d’Or at Cannes, winning the Sydney Film Festival, and already making tons of money in Korea. The film’s US release is this October, which would put it in a reasonable spot to be remembered by Academy and Golden Globe voters.

 

NOVEMBER:
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This November is particularly interesting. Because November 1st is the day I’m heading off to Providence for Rhode Island Comic Con, and that’s the day after Halloween! I’m not cosplaying (at least I have no plans to right now) at this con, but I just want to walk around the convention floor for hours and stumble upon every costumed individual and wish them a Happy Halloween. Nevertheless, I am staying true to my annual tradition of going to Rhode Island Comic Con. The guest list is usually filled to the brim, so I cannot wait to hear more announcements over these upcoming months. Even so, the convention has had some huge announcements for guests thus far. Some guests include Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), William Shatner (Star Trek: The Original Series, Boston Legal), George Takei (Star Trek: The Original Series, Kim Possible), Steven Yeun (The Walking Dead, Final Space), and to my utter surprise, and possible delight, Chevy Chase. By the way, Chase made an announcement about his upcoming appearance online and the video he made for it is very funny.

Sticking to the announcement wishlist concept, I recently made a submission on the con’s website suggesting names of five possible guests that I want to see. They include: James Murray, Curtis Armstrong, Kunal Nayyar, Doug Walker, and James Holzhauer. I could be mistaking Doug Walker for somebody else, but even if I am, he would be fun to see at the con. Of all these names, the one that really stands out to me is James Holzhauer. Out of all the people on this list, he is the least “celebrity-like” of all of them. James Murray comes close, but barely misses the mark. For those who are unaware, Holzhauer is the name of the recent “Jeopardy!” contestant who wouldn’t stop taking the show’s money. He has nearly broken Ken Jennings’ regular winnings record, only to be stopped by an opponent who beat him by more than double his final total for the game he lost. I think Holzhauer appearing at Rhode Island Comic Con would not just be unique, but also entirely appropriate. After all, it would probably bring in a new audience of people who would otherwise skip out on cons. Plus, as a game show enthusiast, I cannot help but keep talking about Holzhauer like he’s my own child. It’s almost as if being able to catch the latest “Jeopardy!” episode or at least reading up on the latest stats was the ultimate bragging right. Also, this year I’m going with a VIP ticket, which comes with various perks.

VIP Ticket Perks:

  • 3 day admission
  • Early bird admission (9AM Sat & Sun)
  • Private VIP Entrance
  • Private VIP Lounge
  • 3 Exclusive RI Comic Con Show Prints
  • Rhode Island Comic Con Swag Bag
  • 20% off RICC Branded Merchandise
  • Exclusive VIP 2019 RI Comic Con Badge
  • Exclusive RICC AR Comics-Comic Book
  • Exclusive RICC Comic Book
  • VIP Autograph Fast Pass Line
  • VIP Photo Op Fast Pass Line
  • Chance to Win 2020 VIP Pass
  • One Exclusive Mystery Item

I am personally excited for the con, and believe it or not, it is not the first time I’m getting a VIP badge, because the first time I went, which was in 2015, I managed to get said badge as well.

That same weekend is also the release of the new “Terminator” film, “Terminator: Dark Fate.” It is a cliche title, but its first trailer, personally had me intrigued. I’m excited to see what Tim Miller has up his sleeve in terms of direction. I am somewhat excited to see James Cameron involved again, although I am slightly worried because we now have more disposable “Terminator” movies than memorable “Terminator” movies. Let’s just hope we can change that.

Some of my other most anticipated films of the month include “Ford v. Ferrari,” “Knives Out,” and “A Beautiful Day in the Neighborhood.” “Ford v. Ferrari” takes place during a race to determine which of the two recently specified car brands will dominate. “Knives Out” is an upcoming mystery crime film directed by Rian Johnson. I did not like his interpretation of the “Star Wars” universe, but it does not mean I am not willing to check out his future work. Plus, this movie has a number of big names that I imagine a lot of people would like to see. Some include Daniel Craig (Casino Royale, Logan Lucky), Chris Evans (Captain America: The First Avenger, Gifted), Lakeith Stanfield (Black Panther, Sorry To Bother You), Ana de Armas (Blade Runner 2049, War Dogs), Jamie Lee Curtis (Halloween, Scream Queens), the world’s best Kevin Spacey impersonator, Christopher Plummer (All the Money in the World, A Beautiful Mind), and recent Jackoff winner Toni Collette (Hereditary, The Sixth Sense). As for “A Beautiful Day in the Neighborhood,” it is in the current conversation to be my most anticipated film for the remainder of the year. For one thing, I saw “Won’t You Be My Neighbor?” last year, which much like “A Beautiful Day in the Neighborhood,” is about Mister Rogers. That documentary not only compelled me, but reminded me of my personal flaws in my childhood, and maybe inspired me to be a better person. I still rage out on this blog a lot, but it’s something that I don’t really do for me, I do it for the entertainment of others, so that’s different. But it reminded me of how much it pays to respect those around you. Plus, TOM HANKS IS PLAYING THE STARRING ROLE?! Who else could do that?! He’s practically the nicest guy in Hollywood! SIGN ME UP! Believe it or not, that comes out the same weekend as “Frozen II,” but who cares about that?! Rogers for life!

 

DECEMBER:

The end of the year is always a crazy time for me, but just like last year, it’ll perhaps be less busy than it has been in other years. My fall semester will end during the month, and I’ll be in the cycle of watching previous movies from the year at home. This does not mean that I’ll be skipping theatrical releases, because award season is in full swing. This means I’ll be paying extra close attention to films that receive Golden Globe nominations, and as for reviewing movies I watch at home, the chances of that are very slim. But this does not mean that big blockbusters are entirely off the table. For one thing, they tend to sometimes do pretty well in certain technical categories, and we have another “Star Wars” film this year. I have intentions to go see “Star Wars: The Rise of Skywalker” opening Thursday night, mainly because I want to buy tickets as early as possible. If I can’t do that, I am going to try extra hard to find an available press screening, because aside from “Endgame,” “The Rise of Skywalker” is perhaps the biggest movie of 2019. Aside from being titled “Star Wars,” it is supposed to end “The Skywalker Saga,” and J.J. Abrams is directing again. I was not a huge fan of “The Last Jedi,” but I love “The Force Awakens” like it is my own brother. I am honestly more excited for “The Rise of Skywalker” than I was for “The Last Jedi” before that came out because I was somewhat worried that “The Last Jedi” would be a carbon copy of “The Empire Strikes Back.” Turns out it wasn’t, despite similarities to older films in the saga. And I even say this knowing how some things in “The Last Jedi” turned out. Having seen the trailer back in April, knowing certain plot points that could play out, and realizing J.J. Abrams could save this sequel trilogy, I am rather giddy for this December. But despite my excitement, I gotta ask. HOW IS PALPATINE STILL ALIVE?! I am excited to possibly see him in this film, but really?! When he was thrown down the pit in “Return of the Jedi,” yeeaah, HE F*CKING DIED. There is no coming back from that. I’m intrigued, I just need to be convinced.

When it comes to smaller films, one such film I am very excited for is “Little Women.” The film is supposed to explore the lives of sisters as they live in 1860s Massachusetts. It may not be my type of movie on paper, but one reason why I am excited is because the film is being directed by Greta Gerwig, who also helmed one of the best coming of age stories I have seen in recent years, “Lady Bird.” In addition to that, the cast is killer! This movie’s got Meryl Streep (Sophie’s Choice, The Iron Lady), Emma Watson (Beauty and the Beast, Harry Potter and the Philosopher’s Stone), Laura Dern (Big Little Lies, Jurassic Park), Saoirse Ronan (Lady Bird, Mary Queen of Scots), and Timothée Chalamet (Interstellar, Beautiful Boy)! I am also probably going to be looking into “1917,” which is a war film. Those tend to often go for awards, which is why I have my sights set on it. There are a couple films that I might check out that I would probably regret seeing, but the only real film that I’d struggle with reviewing is “Fair and Balanced.” Granted, this does not mean I am not looking forward to the film, nor am I expecting to be underwhelmed with it, in fact it sounds rather intriguing from a storytelling point of view. But the movie is about relationships between women and Fox News owner Roger Ailes, and I feel that it is going to be rather hard to keep my political opinions out of the review. I’m not saying I am a core conservative that keeps a closed mind, I try to see all sides and then form my own opinion. I have made various political jokes here and there on Scene Before, but politics is not my top priority, especially when you consider how divided we are as a country right now. Although I did manage to check out “Vice” last year, which was pretty good, but part of it had to do with the buzz it has been getting. Who knows? Maybe I’ll check out “Fair and Balanced,” for all I know it could be the best movie of the year, but I feel like it would be hard to review if I’m going to have to inject my experience with how the world operates in terms of politics. We’ll just have to see.

And of course, I’ll be finishing off the year, or perhaps more likely, kicking off next year, by recapping my top 10 BEST and WORST movies of 2019. I enjoy doing these countdowns every year, because I get to honor films one more time, and also give myself a minor stress release.

Although I must remind you, it is 2019, and here on Scene Before I am trying to constantly find new ways to deliver exciting content to you all. In 2017, I did a couple of cutaway style parodies, in 2018 I did a post talking about my Blu-ray collection, and just this year I introduced the world to the Jackoff Awards. The question is, where I do I go next? I’ve done tons of countdowns, reviews of the past, reviews of the present, what could be next? I know! ALL OF IT IN ONE. Ladies and gentlemen, if you have been following Scene Before and saw one of my posts in April, you’d know that I put out a trailer for something I once referred to as “Project 2020.” Although, based on statistics, I doubt many of you have even glanced at that post. But for those of you who know what I’m talking about, good for you. You get a “good job” sticker! But for those of you who don’t know, watch this trailer down below!

*ALL COPYRIGHTS BELONG TO THEIR RESPECTIVE OWNERS*

That’s right! I am going to be crafting a list of my highlight movies of the 2010’s, and I must have you know, I am setting this list up to be bigger than the lists I traditionally do at the end of the year. While this is still in planning stages, I will be intending to make this list perhaps a top 25, maybe a top 50. I was also debating on a top 100 as well. Depends on how much time I have. I am honestly MORE THAN EXCITED to work on this list, and release it to you all. I started Scene Before in 2016, which means I did not get too many chances to talk about films from years prior, so not only is this a personal reflection of various films I watched during my blogging journey, but a reflection of an entire ten year span that I lived through before becoming this active on the Internet. I’m not gonna say anything, but 2014 was a great year for film as far I’m concerned, so depending on how the rest of 2019 plays out, we might see a good number of films I’m passionate about from that year make the list. This is not to put down any other year from this decade, I’m just giddy of what’s to come…

And by the way, a worst list is in the works too.

At home I am making an effort to watch various films that have come out this decade just to catch up, and maybe add something to the best or worst list at the end of the year. I’m not gonna get into too much detail, because I do want to save some secrets for when the list comes out, but I am stoked just to be working on this.

Thanks for reading this post! If you like Scene Before and want to see more content, consider following me either with an email or WordPress account! As for upcoming content, I want to remind everyone, in case they forgot by now, I will soon be starting my Quentin Tarantino review series, which will eventually culminate with a review either at the end of July or beginning of August with my thoughts on “Once Upon a Time in Hollywood.” I cannot wait to get started on this, Tarantino is a filmmaker I have often admired behind the scenes, but I have barely seen any of his material. Now is a good time to start! Also, be sure to check out my Facebook page! Get your latest updates from the movie reviewing moron by using Facebook, the home of some of the all-time laziest efforts at wishing someone a happy birthday. Be sure to stay tuned for more great content! I want to know, is there something that you would like to see be done here on Scene Before, perhaps for this half of 2019? Or, what is your favorite Scene Before moment, post, anything that I have done so far this year? It can even be this one for all I care! Let me know down below! Scene Before is your click to the flicks!