Science Fiction

Ready Player One (2018): Pop Culture’s Ultimate Birthchild

Posted on by Jack Drees

*SPONSORSHIP ALERT* (although nobody’s payin’ me)

Before we dive into my review for one of my most anticipated movies of 2018, let me just have you know that this review is being called “Pop Culture’s Ultimate Birthchild.” If you watch “Ready Player One” and/or read the book, you’d know precisely what I’m talking about. And speaking of birthchildren, there’s one couple out there in California who are currently expecting a birthchild. The couple contains souls by the names of Genevieve and Paul, and they are going to giving birth to a child sometime in the future. You can find out the true story of this babymaking journey in “What the IVF?!”

“What the IVF?” documents the seemingly endless but also effort-filled journey of having a child. What’s so hard about it? Watching over them? Finding a babysitter? Trying to get them to fall asleep? No, you fools! The hard part is making them! Watch as Genevieve and Paul do something that will change humanity. By, you know, trying to increase its overall population by 1. But the process of doing that isn’t easy! The couple suffer through troublesome situations in regards to sex, math, testing, costs, and because they TOTALLY asked for them, infinite needles! If you want to watch the fifth episode to this series, it’s listed up above. This time, Genevieve and Paul’s marriage might be going down the toilet! Not to mention, nothing seems all that pleasant at this point. Watch the episode, comment, subscribe, hit the notification bell, share with your friends, enemies, frenemies, whoever they may be. Also check out the “WTIVF” website, and their other forms of presence on social media, all of which is listed down below! Oh yeah, and tell them Jack Drees sent ya! I’m sure they’ll appreciate it!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Ready Player One” is directed by Steven Spielberg (Jurassic Park, Lincoln) and stars Tye Sheridan (X-Men Apocalypse, Mud), Olivia Cooke (Ouija, Me and Earl and the Dying Girl), Ben Mendelsohn (Rogue One: A Star Wars Story, The Dark Knight Rises) and is based on the pop culture extravaganza of a book written by Ernest Cline, who by the way, is one of the film’s screenwriters alongside Zak Penn (The Avengers, The Incredible Hulk).

Much like the book, this movie centers around the character of Wade Owen Watts, a teenage boy who is currently living in the 2040s. Oh yeah, and just like every other movie that takes place in the future that seems to have something depressing, Earth is dying, who’d a thunk it? Nowadays he basically spends his time on the virtual reality headset universe known as the OASIS (Ontologically Anthropocentric Sensory Immersive Simulation), where you can literally live your reality meeting other avatars who go by nicknames. For example, Wade’s avatar name in the game is known as Parzival. Another example would be for a different character in the movie, Samantha, which is the name she goes by in real life, but in the OASIS, she’s known as Art3mis. There’s not just that, you can do just about anything you can think of! You want to drive a DeLorean? You’ve got yourself a DeLorean! You want an Iron Giant to hang out with? Of course you do, and you’ve got one! You want to ride the bike from “Akira?” Bingo! This is basically a future, where there’s nowhere left to go. And I’ve seen a lot of media will give this dystopian landscape where everything looks all depressing, but one thing I’ve never noticed is a hint of pop culture in there. And I feel this movie, the more I think about it, is kind of relevant. Not just for the environmental message that you’d find in films like “Wall-E” or “Interstellar,” but the fact that maybe we’re running out of ideas in terms of what could be the next big franchise or the next big movie or the next big TV show. The movie doesn’t really dive into that, but this is an unoriginal movie which centers around unoriginality and it’s all the better for it!

This was one of my most anticipated movies of the year. Most of the promotional material had me nerdgasming! The visuals looked astounding! The music, like, oh my gosh! The teaser trailer for “Ready Player One” which was revealed at San Diego Comic-Con, went on to become one of my favorite trailers of 2017, and the movie had a couple more trailers that went on to become instant favorites of mine for this current year. I went to see the movie in 70mm film! A lot of people see “Avengers: Infinity War” as their most anticipated movie of the year, and I totally get why, but when it comes to both movies, I can’t help but hype both up like the Soup Nazi when his place was in business on “Seinfeld.” I even did something that I never do before going to see a movie. I actually read the book. Let me just pull up a quote that I left in my review for “The Firm.”

“…movies are more fun! Sorry, books!”

Part of my reading of the book has to do with a challenge I gave to some friends, but still.

After reading the book and seeing the promotional material of the movie, I felt like this was a fictionalized “King of the Nerds.” If you have seen “King of the Nerds,” you’d probably know it as a part competition and part nerd culture extravaganza. This show is actually quite possibly my favorite of all time, making me even gladder to have read the book to capture the feeling of the show inside me once more after it was canceled by TBS in 2015. And speaking of “King of the Nerds,” “Revenge of the Nerds,” the movie which the show is sort of based on, is referenced in the book. In fact, there’s one part where the main character of Wade Watts goes searching for something important to the plot, and he tries going into a recreation of the house that the nerds rent and fix in the movie! If you know me in real life, if something receives a comparison to “King of the Nerds,” you know that I am jumping up and down.

Unfortunately, there’s no “Revenge of the Nerds” references in the movie. However, when you take the rest of the movie for what it is, you might as well refer to it by one word: Amazing. Am I fanboying? Sort of. I’m only fanboying because this film met, and in ways, exceeded my expectations. I am not one of those people who says this:

“This is a great book! Terrific! Unbelievable! If you change an ounce of this book, I will find you studio freaks at your filthy houses and slaughter every last one of you!”

Yes, there are changes from the book, and personally, I can understand the changes, and based on what we’ve gotten out of this movie, I don’t care! This movie itself, was probably one of the most thrilling experiences I’ve had in a theater. If the 70mm show wasn’t enough to please, some of the scenes which have now become new personal faves of mine certainly were!

Steven Spielberg directed this film, and when I first heard about him taking on this project, I was like, “cool.” As I read the book though, I thought to myself, there is NO OTHER MAN ON THIS EARTH that should direct this movie! Well, it was mainly because Spielberg was referenced in the book and it was done in a form of appreciation. Now that I’ve seen the film from start to finish, I can’t say anything else except, THERE’S STILL NO F*CKING WAY ANOTHER PERSON COULD HAVE DIRECTED THIS FILM! Steven Spielberg’s hayday was blockbusters galore, not to mention he’s a master of putting you into the action. Just watch “Saving Private Ryan” or “Jurassic Park!” The film’s opening contains this big and important race, and I guarantee you that at some point, you’ll feel like you’re in it.

Speaking of action, “Ready Player One” also contains one of the best mega-battles I’ve seen in a movie, and one of the best chases I’ve seen in a movie. There’s this big climactic battle that decides the future of both sides, and as I watched, I felt like I was back the early 2000s, going to the theater, and watching “Lord of the Rings.” I ate it up and I wanted more! Now I know that I talked about the race during the film’s starting point, and it’s sort of chase-like, but we cut to the real chase towards the end of the film. Literally. This final chase, may be one of the very best I’ve ever seen in a movie. The climactic chase of the movie almost feels like a mix of “Inception” and “The Lego Movie.” In other words, it was a mix of a heartfelt moment and the dropping of my jaw. I don’t even want to go into it, because I want you as a viewer to be surprised.

Now I mention that this movie, like the book, is really freaking good! But if there’s one thing that the book does better, it’s character development. I’m not saying that the characters in this movie sucked, in fact I really liked all of them. But in comparison to the book, the book did it better.

Let’s talk about the main character of Wade Watts, otherwise known as Parzival. In some ways, much like the book, I resemble this character. We both want to do something that will prevent our governments from harming us personally, we’re both uber nerds, and we both know a lot about a variety of popular culture. Although then again, that’s what pretty much a majority of the movie’s characters know about. In the book, Watts was actually fat in real life. I can kind of understand why they would cast a guy like Tye Sheridan for the role of Watts even though he’s not fat, but they could have paid homage to the book and done that. If they did cast someone fat, it would have increased the chance of seeing a key character moment from the book. I’m not saying I’m unsatisfied with what we got, but still, the book did it better.

Although one thing that may rival the book entirely in my opinion was the depiction of Samantha, or Art3mis. When I read the book, I always thought of the interactions in the OASIS between Parzival and Art3mis as cutesy, and as something that just developed over time. The movie feels faster, and it almost makes Samantha’s avatar look like someone a boy would usually be attracted to. Well, to me anyway, looks are subjective. Sure, in the book I can kind of buy Parzival’s infatuation towards Art3mis, but it didn’t have a raw feeling, like this movie did, and I personally thought it worked. Cooke as an actress pretty much nailed what this character needed, and I admired her performance.

Now let’s get into one of my favorite parts of the movie, and that is the character of Nolan Sorrento played by Ben Mendelsohn. Having seen him play Krennic in “Rogue One: A Star Wars Story,” it should be proof at this point that Mendelsohn can play one awesome villain! Here, he does that too! He’s basically this corporate baddie that oversees all the operations of IOI (Innovative Online Industries) and he wants to change the OASIS to make it more like what can be translated as something like Net Neutrality or EA shoving micro-transactions down your throat. As if his representation of evil was good enough, his character has one of the major highlights of the movie for me. There’s a point where he’s talking with Wade and he’s trying to act consumer-friendly, attractive, and telling Wade what he would probably want to hear, and someone is on the other end, speaking into his ear without Wade’s knowledge. Trust me, it’s kind of funny.

Now let’s state another highlight performance of the movie, and that is the character of James Halliday, played by Mark Rylance. This is Rylance’s third performance with Steven Speilberg, and he was cast perfectly in regards to this character. Halliday was charming, somewhat funny, and a mix between Willy Wonka and Steve Jobs. You’ve got the one side that seems to scream charisma and wonder and you have another that represents brains and sometimes over-stressed. I will say though, I was doing research on this movie, and while I think Rylance’s performance is terrific, there is someone I would have loved to see bring their skills to the table.

Rylance’s character is once again, comparable to Willy Wonka, and thus it kind of makes sense where Steven Spielberg’s mind would be going at one point. One idea he had for the character of Halliday before Rylance ultimately took over is to get Gene Wilder back on screen. According to the movie’s trivia page on IMDb, “Wilder respectfully declined.” Mark Rylance was cast in 2016 some time before Gene Wilder’s death. But what if Wilder were in the movie? I imagine the movie would make a hell lot more money than it already did, it would have a stronger opening weekend, and based on recent events, it might actually bring something emotional to the movie. Although then again, I wonder if they still would have been filming the scenes for Halliday at the time of Wilder’s death, so it probably wouldn’t have even mattered. Nevertheless, Wilder as Halliday would have been PERFECT, A+, 10/10 casting. However, Rylance, based on his portrayal, is just as solid.

Moving onto one thing that I heard a number of people complain about, let’s talk about references. People were nervous about this movie because they figured the only thing that it stands for is to make references down your throat. Personally, I did not have that complaint going in. I thought the movie was gonna have a fine number of references that didn’t feel bloated. Besides, references are awesome! As far as this movie goes none of the references forced (for what I remember), they were charming, and they were even sometimes hysterical! One of the biggest standouts is a moment where the main characters are going into the world of a classic movie. No, seriously, they go in, and several events from that movie play out in this one! I didn’t have too too many people in my theater, so I can’t say much noise was made, but I heard there were some presentations that people attended where audience members collectively gasped. The most references come in during the commencement of the movie and the climax, and while the middle definitely has some, it seems to come off as more story-oriented. And that’s not to say that the beginning and end aren’t story oriented. I’d say the references used at the start and finish were properly utilized while still maintaining an interesting story, thus making the movie better. You know, unlike “The Emoji Movie,” which story-wise and reference wise, is nothing but trash buried beneath the ground after being lit on fire. That movie was nothing but a complete waste of the talent from minds like Patrick Stewart, Anna Faris, and TJ Miller.

Fortunately, TJ Miller’s talent is not wasted here! If you don’t already know, TJ Miller plays the character of I-R0k, and let’s just get serious for a moment. TJ Miller’s voice, IS ASTOUNDING. If Morgan Freeman is the king of narrating serious pieces of work, then TJ Miller is the king of narrating anything that sounds hilarious. Just watch “Silicon Valley,” “Deadpool,” heck, I’ll say “Transformers: Age of Extinction.” HELL! I’d say even watch “The Emoji Movie!” Even though the movie sucks, you still get to hear the killer voice of TJ f*cking Miller. TJ Miller was TOP-NOTCH CASTING for I-R0k, and after seeing Miller play him, I probably can’t imagine anyone else taking on the role! If the remake and reboot craze continues and “Ready Player One” is the next in line, I quadruple dog dare those behind the project to find a better I-R0k.

In the end, “Ready Player One,” was a f*cking blast! I had very high expectations for the movie, and I certainly was not let down. This is also personally, almost a #1 favorite of mine for Steven Spielberg. I saw this movie on a Tuesday night, and this review was finished on a Friday. On this day, I’m still thinking to myself, “I want to see this again.” Have I seen it again? No I have not, but I’d literally cut through traffic and smash cars to pieces just to go to the theater for a second time and catch the experience once more. So with that being said, “Ready Player One” is yet another win for Spielberg and I’m going to give it a 10/10!

Thanks for reading this review! Fun fact about my experience watching this in the theater, I mentioned I went to see this in 70mm, and it actually was in this quaint theater near Boston, and they played a trailer for “2001: A Space Odyssey” since the theater was bringing it back in the 70mm format for its 50th anniversary. Just… One of the best things I’ve witnessed in my entire life. I might do something soon for “2001” if possible, maybe a movie review, maybe dissect it, or something else along those lines. As far as other content goes, I have a few ideas lined up. Maybe I’ll go see “Blockers,” “A Quiet Place,” “Pacific Rim: Uprising,” or maybe I’ll wind up seeing “Ready Player One” again. Who knows? Stay tuned for more great content! I want to know, did you see “Ready Player One?” What did you think about it? Did you read the book? What did you think about that? I personally love it, and comparing both the movie and the book side by side, they both make themselves great in their own ways. Also, if you were going to make a book or movie full of references, what would the references be and how would the movie play out? Let me know down below! Scene Before is your click to the flicks!

Annihilation (2018): Yay! Alex Garland’s Second Film!

Posted on by Jack Drees

Before dive into my review for “Annihilation,” we have some promotional material to go over. Hey! Let me just remind you, this content is free! I’m doing this! Let me just have you know something. I’m a guy, and unfortunately, and somewhat understandably, my gender’s individuals usually can’t go at least a single second of each day without thinking about sex. Before you ask, no, I’m not promoting porn. Even though that does involve sex. What I’m promoting to you doesn’t involve that kind of sex. It instead involves what can be referred to as “BIBLICALLY *APPROVED* INTERCOURSE for the PURPOSES of PROCREATION.” Ladies and gentlemen, I’m talking about “What the IVF?!”

“What the IVF?” is a new YouTube channel and series from a couple whose members include Genevieve and Paul. The two are currently expecting a child in upcoming months and unfortunately for both of them, their journey wasn’t as sweet as chocolate ice cream. Instead, it felt more like a rocky road. As suggested, sex plays a part in this series. Not just that, but don’t forget math, tests, costs, small wins, big losses, and all of those stinkin’ needles! The video up above specifically is their second episode, but if you are interested in seeing the other videos in this series, such as the first episode and the trailer, be sure to click the link down below to the YouTube channel for “WTIVF?.” And also be sure to subscribe or hit the notification bell to keep up on their content! Also be sure to check out their other social media pages, along with their website, also down below! Be sure to tell them that Jack Drees sent you!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Annihilation” is directed by Alex Garland (Ex Machina, 28 Days Later) and stars Natalie Portman (Black Swan, V For Vendetta), Jennifer Jason Leigh (The Hateful Eight, Mrs. Parker and the Vicious Circle), Tessa Thompson (Thor: Ragnarok, Creed), Gina Rodriguez (Deepwater Horizon, Jane the Virgin), Tuva Novotny (Eat Pray Love, Dag), and Oscar Isaac (X-Men Apocalypse, Star Wars: The Force Awakens). This movie is about a biologist who sets up a secret expedition where the laws of nature are thrown out the window. The film is also based on a book by Jeff VanderMeer which is one of the three books in the Southern Reach trilogy. On that topic, according to Alex Garland, he didn’t really think much about making a trilogy. His focus is mainly shifted towards the first book of the same name, so I don’t think we’ll be getting any sequels to this movie in the future.

Before we go any further and dissect “Annihilation,” I just want to bring up one of the banes of my existence. And no, for all of you who don’t know grammar entirely, this has nothing to do with “Batman.” This does however, have to do with Netflix. I recently did a post called “Why I Won’t Review The Cloverfield Paradox.” In it, I explain my prior anticipation to “The Cloverfield Paradox,” and how I won’t review or even watch the movie based on something I didn’t really expect to happen. That unexpected happening by the way is the fact that the movie wouldn’t be released in theaters and instead went straight to the Netflix streaming service. I explain how they basically killed Blockbuster, a nostalgic store I adore that I will surely miss. I go on to say that the way they’re changing movie and TV watching is making certain experiences dwindled from what they could be. Not to mention, they’re also killing movie theaters, which are basically “other homes” of mine, because they think it’s a good idea to have all of their movies go straight to the platform. So I never inserted this in the post, but I’ll say it here. You know the phrase “Netflix & chill?” People nowadays know it as either an invitation to watch Netflix with someone else, or just an excuse to have sex. So I hate to kill the mood, if you know what I mean, but I might as well describe some of the scenarios I recently mentioned as “Netflix & kill.”

Before going to see this movie, I found out apparently that Netflix is apparently distributing “Annihilation” internationally (except for China). I live in the United States, meaning Netflix isn’t distributing the movie to my people. Paramount is doing said job. Let me just say, this movie is very lucky to get its own review, because if it lacked any release in theaters, or if Netflix was doing total distribution, I would have saved some time. In fact, I’m willing to bet that Alex Garland, the director of “Annihilation” might also be somewhat disappointed in what happened to this film. Just read this quote spoken by him down below:

“We made the film for cinema. I’ve got no problem with the small screen at all. The best genre piece I’ve seen in a long time was “The Handmaid’s Tale,” so I think there’s incredible potential within that context, but if you’re doing that – you make it for that and you think of it in those terms. Look… it is what it is. The film is getting a theatrical release in the States, which I’m really pleased about. One of the big pluses of Netflix is that it goes out to a lot of people and you don’t have that strange opening weekend thing where you’re wondering if anyone is going to turn up and then if they don’t, it vanishes from cinema screens in two weeks. So it’s got pluses and minuses, but from my point of view and the collective of the people who made it – [it was made] to be seen on a big screen.”

I hate to sound like a propaganda machine, but I’ll say this anyway. Netflix may have chopped this movie’s head off, but it still has a beating heart. It didn’t totally “annihilate” the film. 😉 Getting back on track, let’s talk about “Annihilation!”

Going into “Annihilation,” I was excited. That’s because I’ve seen a film from Alex Garland which released in 2015 and it was one of the most beautiful looking films of the decade. That film by the way, is “Ex Machina.” While “Ex Machina” isn’t what I’d personally call a 10/10 movie, I have to give major props to the film from a production and directorial perspective because it made me want to be a part of the movie. Heck, it won Best Achievement in Visual Effects at the Oscars! I will also say, “Ex Machina” was Alex Garland’s directorial debut! Garland’s second movie, “Annihilation,” has arrived in various territories, I didn’t know too much about it. I’ve seen a trailer for it, I knew Natalie Portman would have the starring role, I knew it was based on a book, but not much else.

Oh wait, there was one more thing, kind of going off of something I just mentioned.

As suggested, “Annihilation” is based on a book, specifically a book of the same name. The book is part of what’s known as the Southern Reach trilogy, which is named due to a secret agency which plays an important part in the overall plot. All three books were written by Jeff VanderMeer, and were met with positive verdicts.

Funny enough, all of them start with the letter “A.” So I guess if you don’t like calling the series the Southern Ranch trilogy, you can instead call it the AAA trilogy. It’s the perfect series for going out to CVS in your car with three of your friends. Their names are Albert, Alec, and Alex (AAA). You decide to go inside the CVS store, where you end up buying AAA batteries, finding three guys at the register named Aaron, Adam, and Andy (AAA), going back to your car to realize the doors are locked, you left your keys inside, so now you have to call AAA to get this situation settled. Once that’s over, you get back in your car, you’re about the leave the shopping center where CVS is, a very small one at that. It contains other shops including AT&T, Avenue, and Applebee’s (AAA). You suddenly realize, you have some time to kill, so it leads you to pulling out one of the AAA books from the back seat, you start reading it, and you remain in the parking lot going nowhere for a period of time. Oh yeah, and your friends are just questioning why you aren’t driving.

Alright, rambling’s over, let’s get serious.

Since “Annihilation” has some of the stuff it has in it, it’s easy to imagine some people are looking forward to it if they haven’t seen it. I haven’t even read the books and I was kind of stoked! Although there were people who happen to be giving it some flak before it even came out. Why is this? Well apparently, this movie has miscast its characters, and the reason why they’re miscast is because they’re not the correct ethnicity.

Let me just say, I’ve never read the books, so what I’m gathering is from random research. And the research tells me that these complainers have justifiable reasons behind their thoughts. Do I agree with them? Sure I do. It doesn’t mean I don’t like the actors playing these characters or how they perform as these characters, but it doesn’t change the fact that these mistakes are still there. Although I will say, there are two characters when it comes to this complaint. Specifically Natalie Portman’s character of Lena and Jennifer Jason Leigh’s character of Dr. Ventress. Of the two characters, Portman might be the bigger problem here. Again, I like her as an actress, so I don’t see Portman herself as a problem, but I do see this casting choice as a problem. For one thing, she’s the lead role. Also, her ethnicity was revealed in the first book of the trilogy whereas the other character had hers revealed in the second book of the trilogy. When it came to the overall adaptation of this book to film. Garland was more focused towards story than character looks. And while I look for more great stories than I do correct adaptations, this was something that could have easily been altered. While I REALLY enjoyed “Annihilation,” this will subtract its score.

Onto the movie itself, I actually went to see this over a week ago, so I apologize if some of my comments come off as weak. I usually review movies right after I see them depending on the case, but this wasn’t one of them. My Oscar recap was more important. This movie starts off in a small room with a conversation between Natalie Portman and Benedict Wong, and I knew that part of the movie was going to take place there. The overall setting there set the tone for what’s to come. We occasionally cut back and forth between that and some plot-unfolding events of the film. And with all that put together, the tone doesn’t really ever feel ruined. There’s a lot of cutting back and forth, but it doesn’t feel all jumbled together like a pizza with topping options so endless it has toppings like TNT, screws, and LEGO bricks. In other words, this movie’s edited competently and the tone doesn’t feel messed up.

I’ll mention once more, one of the biggest positives I can give to Alex Garland’s directorial debut, “Ex Machina,” is how beautiful-looking the movie is. The movie won Best Visual Effects at the Oscars and it’s easy to see why. Plus, all the scenery might make you feel like you’re on an exotic getaway and you’re on a nature walk. Oh yeah, and robots are there too! Much like “Ex Machina,” this movie has you feeling as if you’re entering a majestic new world. Once all the scientists are together on their journey, they enter an anomaly known as the shimmer. Inside, it can simply just be described as wondrously gorgeous. But not all of it is pretty.

“Annihilation,” at its core, is a sci-fi film. Although it has some elements of horror in there as well. This movie to my personal surprise, features one of the more terrifying scenes I’ve seen in a science fiction film. If you’ve seen the trailer, you may remember that wolf with the sharp teeth, holy s*it!

I also have to talk about the ending. And without spoiling anything, I’ll tell you all upfront. This is one of the best endings I’ve seen this decade. Why do I love sci-fi so much? Well, there’s many reasons that can qualify as an answer to that question for me, but one thing I’ve noticed is how many of those movies have endings that I just often look back on. This movie is no exception. I mentioned in my post titled “Annihilation (2018): NOT Now In Theaters Everywhere” that “Annihilation” originator Jeff VanderMeer gave praise towards this film’s ending and even said in some ways, the movie might actually be better than his own book. That’s a much better reaction than the one given by Paramount financier David Ellison, who thought the film was apparently too complicated for some minds! By the way, f*ck David Ellison. You can clearly tell I’m siding with VanderMeer in this circumstance. The ending overall felt like I was watching “2001: A Space Odyssey.” I can’t talk much about it, but given some of the situations that happen in this film and when you piece it all together. This film feels like “Arrival,” “Jurassic Park,” and “2001: A Space Odyssey” all meshed together in one wonderful package. One more thing about the ending, the music in that moment can only be described as one word, and that’s orgasmic.

Moving onto characters, let’s talk about Natalie Portman’s character of Lena. While I did mention before that Lena is not entirely cast the way that a good number of people think she should be, I’ll add, Portman did a fine job here. I was able to buy her as a biologist. Every single frame I was convinced that she could possibly have a shot at becoming a professor at Princeton. Her husband, Kane, played by Oscar Isaac, also delivers an excellent performance.

All of the characters in this film overall seem to have no qualities that I hate about them, whether they’re in the category of annoying, off-putting, or so hatable because they killed someone you love so much that they must get similar treatment. They all seem to be redeemable and I really think they all did their role quite well. I will admit, some of this movie is kind of dwindling on me. And it’s not because I didn’t like the movie. I thought it was great! I’ll say once again, it’s been over a week since I saw this, and other things mattered more to me than this review. No offense to “Annihilation” and its crew.

One last thing I’ll mention is this. I said already that if you combine “Arrival,” “Jurassic Park,” and “2001: A Space Odyssey,” you might as well get this movie. You might also say that if you combine JUST A HINT of “Ghostbusters,” you get this film too. Just look at this shot and tell me otherwise!

In the end, “Annihilation” is certainly one of those films that I’m gonna have to watch again, and it’s also one of those films that I want to talk about with others for years to come. Is this movie perfect? I wouldn’t say so. I’ve already gone over some minor casting issues that are somewhat understandable after doing some research, but are still there regardless. I must say though, Alex Garland, you’ve done it again! I’m going to give “Annihilation” an 8/10! By the way, if you can’t get this in theaters in your area, chances are you may have this movie available to you now on Netflix. It actually released on the Netflix platform in several areas a day ago, so go watch it if you haven’t already! I don’t use Netflix, but I’ve talked enough about that. Thanks for reading this review! Pretty soon I’ll have a review up for “Mission: Impossible” starring Tom Cruise, which will kick off my “Mission: Impossible” review series in preparation for “Mission: Impossible: Fallout.” Also, for my next movie to see in theaters, I just realized how many options I have. I want to go see “Game Night,” “A Wrinkle in Time,” (can’t believe I’m saying that) “Gringo,” “Red Sparrow,” and you’ve even got “Tomb Raider” coming out next weekend. I don’t know if I’ll catch a movie this weekend, but only time will tell. If you need some more content to hold yourself over, be sure to check out my recap for the 90th Academy Awards, where I talk about “four men and Greta Gerwig,” a jet ski, and what could be regarded one of the of the most well deserved Academy Award wins of all time. If you want to check that out, click the box down below, and will take you to the post! Stay tuned for more great content! I want to know, have you seen “Annihilation?” What are your thoughts? What did you think about the ending? Also, if you saw it, how did you see it? Leave that info down below as a way of annihilating some time! Scene Before is your click to the flicks!

Annihilation (2018): NOT Now In Theaters Everywhere. Will I See/Review It?

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Before we go any further with this current post, I made a promise to someone recently. Her name is Genevieve. If you have followed my blog or know me in real life, you’d know that I’m a tremendous fan of “King of the Nerds.” I don’t watch much reality TV, but that show shaped my life. Genevieve was on that show as a contestant, and she even worked on it after she appeared on camera. Since she was a part of something that altered my life for the better, I’ll return the favor by… well… letting you know about her own life. Genevieve and her husband, Paul, are having a baby. The journey to get there, provided a level of irritation that you probably couldn’t imagine unless you were in their position… is all explained… in “What the IVF?.”

As mentioned, “What the IVF?” focuses on the recently stated couple, Genevieve and Paul, who make a two year journey through Painsylvania just to have a baby. This will be a series on YouTube where the couple document their way through various struggles, such as sex, tests, math (can’t wait to see what formulas there are when it comes to having a baby), costs, and ahh! The needles! Get them away! For those of you who are actually reading this post not long after it got published and want to know how you can watch it, I’ve got some news, you can’t. I’m sorry, there is positively no way you’re allowed to watch this, there’s no absolute way you can even hack the system to allow yourself to view this content. I’m sorry, this promotion is completely pointless, and I shouldn’t have done it.

*VOICE IN BACKGROUD*

Wait, what’s that?

*VOICE CONTINUES*

It’s not even out yet? What a revelation!

*VOICE SPEAKS*

Oops! I mean, what a thing that I previously knew that also happens to be a revelation!

“What the IVF?,” or if you’re a mega acronym enthusiast, “WTIVF?,” is gonna have its first episode uploaded on March 5th, be sure to stay tuned, so you can enjoy the unfortunate hardships and the wonderful successes between Paul and Genevieve. If you want to watch the trailer for this, the video’s located up above. Also be sure to click the links to their website, their YouTube, their Facebook, their Twitter, their Instagram, all those links are down below, make the couple happy, and if you want, tell em I sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

If you have followed this blog recently, chances are that one of my recent posts may have caught your eye. That post goes by the name “Why I Won’t Review “The Cloverfield Paradox (2018).”” In that post I explain that I have seen “Cloverfield” and “10 Cloverfield Lane.” I enjoyed both movies and I even reviewed “10 Cloverfield Lane” since it was 2016 and I figured I’d talk about a recently released title (by that I mean a title released in what was then the current year). But the one thing holding “The Cloverfield Paradox” back for me, despite its clever marketing, the fact that it’s a another “Cloverfield” movie, and it being a film that looked good from the spots I saw on TV, is where it was placed. Specifically, Netflix. I said I refused to review the movie simply because of where it was placed. With some exceptions (mainly “Sharknado” films), I only review movies released in theaters. Not to mention, I despise Netflix mainly because of what they’re doing to video rental stores like Blockbuster, what they’re doing to physical media, and what they’re doing to movie theaters. Netflix is a streaming service, and while I do happen to use Amazon Video and Crackle from time to time, I much prefer watching movies on physical media. Also, for a company that’s known for making effective content that doesn’t belong on a time slot a “straight to TV” film could take, why aren’t they putting their movies in theaters? And apparently people aren’t even caring, because the movie’s right there in front of them. They don’t have to get off the couch and head to the theater. Heck, they might not even be watching the film on a TV, maybe a phone!

Weeks later, another movie comes out, named “Annihilation.” This has nothing to do with “Cloverfield.” If you watch this movie and think to yourself, “Wow! That was a good “Cloverfield” movie,” just do the world a favor. Either seek some help, or if you SOMEHOW manage to have a movie buff card, turn it in. This movie has recently been released all over the world and people are loving it, calling it a masterpiece, a tour de force, a movie that’s not a sibling to something such as “Batman & Robin.” How is it to me? I don’t know, I didn’t see it. My first memory of hearing about “Annihilation” was when I went to see “Star Wars: The Last Jedi” on opening night. One of the trailers that played was for “Annihilation” and I was pretty freaking stoked simply because of one guy. And that guy… is Alex Garland.

If you don’t know who Alex Garland is, he’s the director of a film that despite how I have praise for it, I don’t really think I have as much praise for it as other people do, but I still think it’s amazing nonetheless. That film by the way is “Ex Machina,” a beautiful looking film about a guy (Domnhall Gleeson) who is flown into this man’s (Oscar Isaac) house. While he is there, he is observing the owner’s work, specifically his AI. From there, it’s a well written, well directed, visually appealing film. From seeing promotional material for “Annihilation,” I didn’t exactly know entirely what to expect, although I thought the movie was gonna be sick, and much like “Ex Machina,” it would be like walking through an art museum at times. Although once I found out something that shocked me harder than electricity, I questioned whether or not this movie was really worth seeing. That something, involved Netflix.

I can’t recall exactly when the first instance happened to be when I saw the name Netflix somewhere in association with “Annihilation,” but still, it doesn’t leave out the fact that a part of me panicked. I wondered whether or not I would need to rethink my decision to go see “Annihilation.” My thoughts on going to see “Annihilation” could have been, well, you know, annihilated. I even told everyone on this blog in the past that I had an “Annihilation” review planned sometime in the future so this would end up being a broken promise depending on the decision I had to make. And that decision was, should I watch the movie? Let me tell you the whole story.

This movie was being released by Paramount Pictures, and it still is, but a deal was struck with Netflix on December 7, 2017. Why? There was a test screening for “Annihilation” and a Paramount financier who goes by the name David Ellison, wanted changes made to the film because he was concerned that it was “too intellectual” and “too complicated.” Garland didn’t approve of any sort of alteration, and a Paramount producer known as Scott Rudin sided with him. The two clashed and this eventually resulted in what exactly cannot be called a total loss in distribution rights, but it’s more of a partial removal than anything else. While Paramount was still set to release the film theatrically in the US and China, those were to be the only two areas they were going to release the movie in that fashion. Netflix would handle the rest of the distribution in other areas and it would go out on their streaming service seventeen days after the film’s theatrical release by Paramount. Alex Garland represented his personal disappointment about this, as shown below.

“We made the film for cinema. I’ve got no problem with the small screen at all. The best genre piece I’ve seen in a long time was “The Handmaid’s Tale”, so I think there’s incredible potential within that context, but if you’re doing that – you make it for that and you think of it in those terms. Look… it is what it is. The film is getting a theatrical release in the States, which I’m really pleased about. One of the big pluses of Netflix is that it goes out to a lot of people and you don’t have that strange opening weekend thing where you’re wondering if anyone is going to turn up and then if they don’t, it vanishes from cinema screens in two weeks. So it’s got pluses and minuses, but from my point of view and the collective of the people who made it – [it was made] to be seen on a big screen.”

Personally, I side with Garland for a number of reasons.

As someone who is such an advocate for movie theaters, I know, sounds political, I don’t care, it rolls off the tongue. I can totally see this as a film that can come off as a success in the theater. I know various films based on books and other material have been released in mediums that aren’t theatrical. Although my view is this, if you want more money, release your film in the theater. Sure, I sound like a greedy moron, but in reality I’m just stating the truth. You’re paying a good amount of money for what perhaps could be an exhilarating experience. In some places, it’s cheaper than others, but it’s usually pricey. If you actually want to watch your movie on your phone instead of in the theater, you’re either a millennial or you don’t know what you’re missing. Also, if it adds anything, I’m a millennial.

Also, what I don’t understand is the request to change the movie to be simpler. Yes, I don’t mind simple movies. Anything, even Emojis, can make a great movie, no matter how simple or complex it is. It depends on how it’s written, directed, etc. With that being said, it’s obvious that Alex Garland had a vision of how this would turn out. Maybe it’s not just Garland, but since this movie’s based on a book written by Jeff VanderMeer, maybe he had a vision too. If the book was complex for a lot of people, I can’t say it is or isn’t, I never read it, I don’t know. It has occurred to me recently how much I appreciate it when studios don’t interfere with films. I mean, look what happened to “Risky Business!” While it’s a near-perfect film, if they kept the original ending, I would have given the film a minor boost in terms of likability. But no, Warner Brothers just had to get in the way! Also, another thing, experience has taught many people that movies that have complex layers, make people think, or take their time at telling a story are artistically well done pieces of work that turned out to be absolute masterpieces. Why do you think people are still talking about movies like “Inception” to this day?

While I didn’t fully form my opinion for “Annihilation” due to my lack of seeing the movie, I know a guy wo did. That guy, is freaking Jeff VanderMeer, who as mentioned, is the author of the book this movie’s based on! According to Collider, after VanderMeer witnessed “Annihilation,” around nine months prior to the film’s release, he said it was “extremely horrific” and “mind-blowing.” Here’s an actual quote from the author.

“It’s actually more surreal than the novel. There are a couple places where I was like, ‘I might need an anchor here.’ The ending is so mind-blowing and in some ways different from the book that it seems to be the kind of ending that, like “2001” or something like that, people will be talking about around the watercooler for years… Visually, it’s amazing. I must say that and that’s all I probably should say.”

Let me just say, I can understand a director getting mad or disappointed over having to change something that they might perhaps be proud of due to studio interference, but this is actually extremely horrific, and not the kind VanderMeer thought of. When the author of a book sees their own story on screen done by somebody else, praises it to the tenth degree, and even calls it better in various aspects, you better respect that author! Yes, it’s Alex Garland’s movie, but you got to remember, this was also Jeff VanderMeer’s book! Let the two have their way!

Although then again, Stephen King hated the movie adaptation of “The Shining” and there’s evidence of Rohld Dahl disapproving of “Willy Wonka and the Chocolate Factory” and yet those are considered absolute classics so what do I know really? It all comes down to personal taste, but when there is LITERAL CONCRETE EVIDENCE of an original storyteller adoring a piece of work which happens to be an adaptation of their story, other people BETTER KEEP THEIR STINKING PAWS OFF! You know, kind of like how I said Netflix should have kept their paws off “God Partic– err I mean “The Cloverfield Paradox.”

I said in “Why I Won’t Review The Cloverfield Paradox (2018)” that my reason behind what the title suggests has to do with Netflix and my personal disconnect with the company. I can’t imagine myself reviewing a Netflix movie. I can’t imagine myself passionately looking at trailers for Netflix movies. I can’t even imagine myself watching a Netflix movie. But here’s the thing about “Annihilation…”

I ALSO said in “Why I Won’t Review The Cloverfield Paradox (2018)” that Netflix doesn’t release movies in theaters. I might not be serious about this, but I said I’d probably get rid of my Netflix boycott if they start putting films in theaters And while Netflix is keeping this like their other films and keeping it away from theaters, Paramount isn’t. And as far as my country (USA) is concerned, we’re getting it theatrically released here. So, to answer the question, will I see the movie? Yes I will!

Well… Maybe… If I get the opportunity.

I’m really looking forward to “Annihilation.” I never read the book it’s based on, I don’t know if I will, but this movie looks like a great sci-fi film! I said before, I loved Alex Garland’s work on “Ex Machina,” and who knows? Maybe this movie will be even better. Yes, from what I heard from a racial perspective, the characters apparently aren’t accurately presented, but that’s a topic I might touch on a little more if I a post a review for this movie. So yes, “Annihilation,” you’re not on my enemy list. Thanks for reading this post, pretty soon I’ll hopefully have a review up for “Annihilation” as mentioned before, but I also might go see “Game Night” in the near future, and who knows, maybe I’ll go see “Red Sparrow” if the opportunity comes up.

Also I want to make an announcement, I’m not exactly sure when I’ll start this, but I can tell you it is happening at some point, I’ll be doing a series of “Mission: Impossible” reviews. I don’t have exact dates planned out for each one, because I’m not exactly what you call a schedule follower, I can tell you my plans are to do one “Mission: Impossible” film per month and these are going to be all the Tom Cruise installments. In March I’m gonna be doing “Mission: Impossible” from 1996. In April I’m gonna be doing “Mission: Impossible II.” I’m gonna follow up from that in May with “Mission: Impossible III.” I’ll then continue on in June with “Mission: Impossible: Ghost Protocol.” And I’ll conclude the series in July with “Mission: Impossible: Rogue Nation.” This is all being done in preparation for “Mission: Impossible: Fallout,” which is due to come out in theaters July 27 of this year. Stay tuned for those reviews, should you choose to accept them. Also, stay tuned for other great content as well! I want to know, what are your thoughts on this Paramount/Netflix deal? Do you think it’s a good idea? Also, since it’s still somewhat relevant, what are your thoughts on “The Cloverfield Paradox?” Did you see it? I know some people weren’t exactly satisfied with it, but I want to know if you’re in that territory or somewhere else! Let me know down below! Scene Before is your click to the flicks!

Maze Runner: The Scorch Trials (2015): The Continuation of Teen Angst, Starring Dylan O’Brien- PART 2, To Be Concluded In Almost 2.5 Years. Also, This is WCKD Boring

Posted on by Jack Drees

Hey everyone, Jack Drees here! Last week I reviewed “The Maze Runner,” and I’m letting you know about this because one, it feels appropriate, and two, just about nobody saw it. Sure, people saw “The Maze Runner” as in they saw the movie, but nobody clicked on my review. I’ll have a link down below to my review for “The Maze Runner,” and if you’re lucky enough, you’ll be one of the first people to check it out! This week, I’m going to be following up on my “Maze Runner” review I did last week and I’ll be showing you all my thoughts on “Maze Runner: The Scorch Trials,” as suggested in the title of this post. A title so stupid that it’s nearly a copypaste of the title to my first “Maze Runner” review, but with more s*it sprinkled into it. Enough with that, let’s start the review!

“THE MAZE RUNNER” REVIEW: https://scenebefore.wordpress.com/2018/01/18/the-maze-runner-2014-the-continuation-of-teen-angst-starring-dylan-obrien/

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“Maze Runner: The Scorch Trials” is directed by Wes Ball, who also directed the first “Maze Runner” installment, and stars Dylan O’Brien (The Internship, Teen Wolf), Kaya Scodelario (Now Is Good, The Truth About Emanuel), and Thomas Brodie-Sangster (Love, Actually, Phineas and Ferb) and is the sequel to “The Maze Runner,” which came out one year prior to this installment, and is based on a popular teen angst book by James Dashner. Now that the Gladers we know from the first movie are out of the maze, they have to deal with a new landscape, with new obstacles. And this landscape looks like it’s seen some s*it.

When it comes to the first “Maze Runner,” I really enjoyed the movie for what it was. It’s a lighthearted teen angst movie with a bunch of folks trapped in a maze, trying to get out. Several moments had me glued to the screen, and now that these people are out of the maze, the question is, what’s next? This movie goes into that. In honest truth, I can barely tell you what comes next, because this movie. Was. Boring as f*ck! The first “Maze Runner” was engaging and entertaining, and while the first forty minutes of this thing is quite the same way, although maybe not as much, it just didn’t work out in the end. I actually saw ads for this film in 2015, and I haven’t seen the first installment to this series yet, but I knew about it and everything. Compared to the first film, this looked uninspired, and looked like it was there to have something happen as filler before the last film. I’m not entirely against the young adult genre, there is some good stuff that has come out of it. Although this is one major example of the bad. While not as intolerable as “The Fifth Wave,” I certainly can’t say this had a likable feel to it.

Don’t get me wrong, the vibe that’s present for the movie kind of works. Most of it is in a desolate landscape and given the music, story, not to leave out the motivations and attitudes of the characters, I’d say everything was logical. Although as far as the movie’s progression goes, that’s where the weaknesses start to pour in. This movie honestly, as I watched it, felt like a cash-in. I don’t know how much planning went into this particular installment, nor do I know how much planning went into writing the book for it, but if the book was lazy, the laziness of this movie therefore wouldn’t be all that surprising. I mean, I know the sequel was planned because of the semi-cliffhanger ending the first film gave, but it doesn’t change how poor the execution here was.

The first forty minutes, as mentioned, were entertaining to me. In fact, you know how this movie is called “The Scorch Trials?” Basically the Scorch is what the desolate landscape is called. Everything that happens prior to getting towards the scorch scenes was the entertaining chunk of the movie. As I got to the Scorch portion of the film, I wanted to take out my phone and do something on there instead of watch the movie. I assure you whatever it was I did on my phone, was ten times as fun as the movie. You might as well say that as we got to the scorch scenes, my mind was instantly “scorched” by Dullivan, the god of boredom. Even one or two fast paced chase scenes couldn’t keep me intrigued. I tried my best not to fall asleep, and while I succeeded, I can’t say I feel like I benefited from this experience.

I was however engaged by the ending. While part of it was predictable, I was constantly thinking to myself, when was this s*it going to conclude? I wanted to do something that would have been worth my time. I won’t go into much detail, but it was a big turnaround for my interest towards the film. I got engaged for a moment, but it wasn’t enough for me to say this film is competent.

This film once again stars Dylan O’Brien, or for this movie to make sense, Dullen O’Brien. He’s not a bad actor and once again, I buy him as this teenager. He does a fine job playing Thomas and the transition from one movie to the next was very fluid. During the first forty minutes, I was able to root for this guy not to mention with those alongside him. Even though this movie is wicked boring. Whoops! Sorry, I meant, WCKD boring.

I can’t even talk about this movie anymore! I honestly want to have more to say, but in the long run, I have to stop here! I’ve been running this maze too long and it’s time to collapse in fetal position! If you think that I’m lazy for not going on, let me just remind you that this movie felt lazy so it all comes together! So yeah, this movie sucked, it was boring, and that’s pretty much the gist of it. Badabing badabang badaboom.

Guys, if you can’t tell by how much I wanted to get this review off my belt, I hated this movie. “Maze Runner: The Scorch Trials” is yet another flop in the young adult genre and I just hope that when it comes to “The Death Cure,” I don’t have a similar experience. When it comes to teen angst movies, this may not be the most horrible of every single one I watched, but it might be the most boring. I only described one character! You know why I did that? Because this movie f*cking sucks and I hate talking about it! Part of me doesn’t even want to rate it! But rules are rules, I gotta rate this bitch. I’m gonna give “Maze Runner: The Scorch Trials” a 3/10. Once again, if you watch this movie, chances are you won’t be totally bored through the whole thing, but there’s barely any good parts in it. I have never read the “Scorch Trials” book, but I imagine it’s better than this junk. Thanks for reading perhaps one of my most intentionally lazy reviews ever despite having a descriptive title. I barely survived the horrendous killer maze that was “Maze Runner: The Scorch Trials,” and in the end, that’s what really matters. This weekend, I hope to see “Maze Runner: The Death Cure” and I just hope for humanity that it’s better than this movie, or at the very least, just a good movie. Although this is a January film and if you know how movies are, January is a s*itshow. Stay tuned for that review and more great content! I want to know, did you see “Maze Runner: The Scorch Trials?” What did you think about it? Did you read the book? What did you think about that? How would you compare the two pieces of work alongside each other? Let me know in the comments! Scene Before is your click to the flicks!

Star Wars Episode VIII: The Last Jedi (2017): Another Year, Another Star Wars Movie

Posted on by Jack Drees

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“Star Wars Episode VIII: The Last Jedi” is directed by Rian Johnson (Looper, Brick) and has a cast including Daisy Ridley (Only Yesterday, Murder on the Orient Express), Mark Hamill (Batman: The Animated Series, Kingsman: The Secret Service), John Boyega (The Circle, Detroit), Adam Driver (Logan Lucky, Girls), Domhnall Gleeson (American Made, Ex Machina), Carrie Fisher (Family Guy, The Blues Brothers), Andy Serkis (Lord of the Rings: The Two Towers, Rise of the Planet of the Apes), Oscar Isaac (Ex Machina, Drive), Gwendoline Christie (The Hunger Games: Mockingjay Part 2, Game of Thrones), Laura Dern (The Founder, Jurassic Park), Billie Lourd (Scream Queens, American Horror Story), and Benicio Del Toro (Snatch, Sicario) and continues the journey of Rey, Finn, Poe, all of those people in the second installment of the “Star Wars” sequel trilogy.

Before we go any further, I’m just gonna give a little information towards the reality of this movie. The movie just came out, there are some films that maybe some people would care about that others wouldn’t, and there are also films that people just don’t care about at all. As far as I’m aware, a significant portion of the world’s population cares about “The Last Jedi.” So let me have everyone know, for the sake of the world’s population, this review is SPOILER-FREE for those who haven’t gotten a chance to see this film yet. If I spoil anything in the movie, perhaps regardless of whether I warn anyone or not, the Internet, and by that I mean pretty much the ENTIRE INTERNET will want to kill me.

This film is a follow-up to “The Force Awakens,” I love that movie, I saw it in the theater four times, I think it’s the best movie released in 2015 despite it being a rip-off the 1977 “Star Wars.” Although there is a positive to that, specifically that this may be the best “special edition” of “A New Hope.” In this brand new sequel, I was hoping for one thing. It’s no ripoff! I wouldn’t mind them tinkering around with certain ideas from “The Empire Strikes Back,” after all, this is the second installment in the sequel trilogy, much like how “Empire” is the second installment in the original trilogy. Does this movie take some ideas from “The Empire Strikes Back?” It does, but having seen this, I wouldn’t say it goes overboard. In fact, I’d even say it takes an idea from “Return of the Jedi.” Going back to “The Force Awakens,” I wouldn’t say it’s a complete ripoff of “A New Hope,” because it borrowed a trait shared by multiple characters from “The Empire Strikes Back.” In a way, you can say the two movies are similar that way.

Going into this film, I couldn’t help but think to myself “They better not freaking redo “Empire,” which as mentioned, didn’t happen. Walking out of it, it exceeded my expectations. This film continues to show why “Star Wars” is one of the greatest franchises ever. Is it as good as “The Force Awakens?” In my personal opinion, no. Some people will probably say it’s better given it’s less of a copy-paste type film, even though elements of that do exist here. However, there are those that will probably appreciate this film based on what it does with its characters. There are flaws, and I will touch upon them right now.

In the movie, there’s a subplot involving the character of Finn. There’s a point in the movie’s first act where Finn meets this girl named Rose, played by Kelly Marie Tran (Hot Girls on the Beach, Untouchable). There were a couple moments that I wasn’t really all that invested, and as far as the rest of the film goes, their relationship builds to a point where I thought their current status wasn’t exactly earned. It didn’t affect much of the movie, although it is a problem.

Next up we have Porgs. Say what you want about them. You think they’re cute, annoying, unneeded, whatever. My thoughts: They added NOTHING to the film! All they really are, to my lack of surprise, are a bunch of puny guinea pig-esque creatures that turned this movie into a toy commercial for a brief moment! On a positive note, it’s NOWHERE near as bad as what “Guardians of the Galaxy Vol. 2” did with Baby Groot! The Porgs weren’t even in the movie that much! It’s not like they’re the next Jar Jar Binks or something! Seriously though, as much as I’m surprisingly not annoyed by the Porgs, I am still unhappy they had no real use character-wise. But what do you expect? This is a Disney product after all…

Everything else in the movie however, was excellent. The progression of the characters was pretty much perfect! Seeing Luke again was a treat, and Mark Hamill didn’t fail to impress me at all! The visuals, whether they’re practical or not, as usual, are spectacular! The movie managed to convince me with its darkness, I’m so amazed that this came out as well as it did!

As mentioned, I consider “The Last Jedi” to be an effective character movie. For example, you have the character of Rey. You may remember in “The Force Awakens” she has a strong connection with the force, and she went off to meet Luke Skywalker. This sequel continues right where the last film left off, the two talk and they seem to have different attitudes and mindsets. Daisy Ridley as an actress is absolutely impressive, I want to see more of her in other movies. I’d probably have to wait a bit to get that because “Star Wars Episode IX” is happening. I will also say, there’s one scene where she’s on the island, there are Reys in a line, just prepare yourself for that scene because it’s awesome.

Speaking of characters who make a return in this film, Adam Driver is back as the evil Kylo Ren. In the last movie, Adam played a very convincing villain, I loved his performance as Kylo, and his relationship to Han Solo made the movie better. Now he’s here in this movie and he’s just awesome. I will say though, I do have a minor complaint, and it’s a continuity error. At the beginning of the movie, we see Kylo with his mask on. If you remember Kylo in “The Force Awakens,” we last see him with his mask off. This is on Starkiller Base, where he takes his mask off in a different part of the planet-wide facility. Based on what this movie suggests, and you can say this is suggested in the last movie as well, Kylo made it off the planet just in time before it completely exploded. They never really showed Kylo going back for his mask. Maybe General Hux, who played a part of the First Order in the last film, got it as the planet was collapsing. Given Kylo’s condition, it’s unlikely he went back, so what happened in all actuality? Nevertheless, Kylo was an absolute beast and he continues to prove his effectiveness as a villain. One more thing before I move on, in “The Force Awakens,” Rey roasts Kylo with this line:

“You. You’re afraid. That you’ll never be as strong as Darth Vader.”

In that film, the line literally made Kylo at a loss not only for words, but for actions. The roast party isn’t over, because there’s another one in “The Last Jedi” that regardless of which one I technically like better, I thought had greater execution. Instead of making Kylo speechless, we got to see him rage out like a five year old who wants to run away from home. I won’t say who says the roast, but it’s amazing.

Speaking of characters on the Dark Side, let’s talk about Andy Serkis’s character of Supreme Leader Snoke. In “The Force Awakens,” we’ve only seen Snoke through a hologram. Since his first appearance, fans have developed theories about Snoke’s true identity, some of which I found interesting. Is he Jar Jar? Is he Mace Windu? Is he Boba Fett? And this last one that absolutely intrigues me, is he Darth Plagueis the Wise? Heck! There’s even a Ranker list called “12 Theories About The Identity of Supreme Leader Snoke In Star Wars.” All theories aside, Snoke was awesome! He was as evil as he needed to be and there’s one scene with him that’s a huge highlight of the film for me.

John Boyega also returns here as Finn and I mentioned how Finn meets a certain character whose relationship I couldn’t appreciate as much as I would have wanted, but there’s more to Finn in this movie than just meeting someone. For example, he has a more active role in the Resistance, he’s fighting more than he did in the last movie and comes off as more confident, and speaking of fights, he reunites with Captain Phasma, who is a character that has gained a fan following in the last movie, and the two have a duel.

Speaking of characters from the last movie, Poe Dameron returns here. I see Poe as the “new Han Solo.” I say this based on his hairstyle, his mannerisms, and his ability to pilot a ship. Granted it’s not a freighter and it’s a simple X-Wing, but he reminds me of Han Solo. I’ve seen many people on social media saying they love this character. I don’t think he’s terrible, but I also would say the reactions to the character happened to be a little overhyped. OK, yes, he did take out a bunch of fighters in one sick shot, but there’s not really much that made Poe stand out there compared to other characters. I’d say after watching this movie, I’d say Poe was better here than he was in “The Force Awakens.” He added more to the story, and seeing him struggle at a point in the film made him stick out. As you can see in the image above, Poe is running alongside BB-8, who was once again, charming. One of my favorite scenes in the film is actually when BB-8 is “disguised” as an MSE-6 droid. Don’t know what that is? It’s basically this tiny car that is often something that rolls around any floor that is the property of the Imperial forces. BB-8 is copying the sounds it makes and I love it!

I cannot explain Mark Hamill’s role as Luke in “The Force Awakens” better than the movie’s Honest Trailer did:

“THE EASIEST MONEY MARK HAMILL EVER MADE.”

Basically, it’s just him standing on an island, looking at Rey. Here in “The Last Jedi,” Mark Hamill does a lot more as the character of Luke. I don’t know how many people will agree with me when I say this, but this must be my all time favorite performance when it comes to Mark Hamill as Luke Skywalker. As if the writing wasn’t great enough already, Hamill aced his character as an old hermit. Luke has become a regretful, anti-social, and broken person after a long period of time. The transition is extremely fluid and made me truly care for Luke. You know how in the teaser for the movie, it’s exposed that Luke wants the Jedi to end? That’s explained in this film, and the explanation just made me feel sorry for Luke in general.

On the topic of original trilogy characters, let’s move on to the saddest thing about the movie, Carrie Fisher. Her final “Star Wars” performance was a thing of beauty. Much like in the previous film, she didn’t have too much to do, but for what she had, it kept me interested. There’s one scene that’s actually kind of exposed in the trailers, and it’s one of the best parts of the entire film. The one where Kylo Ren is flying in his ship, Leia’s aboard another ship, and the two notice each through the power of the force. Also, much like the other “Star Wars” films, there’s no credit scenes, however, during the credits, right before the scrolling segment begins, there’s a text stating “In loving memory of CARRIE FISHER.”

Let’s take a look at two previous “Star Wars” installments, “The Empire Strikes Back” and “Attack of the Clones.” This film, like those, was advertised to be dark. “The Empire Strikes Back,” to me, was dark based on the conflicts going on and the upper hand which the Empire has during the film. “Attack of the Clones” tries to be dark but ends up failing by not making you believe in what’s going on and focusing on the romance between Anakin and Padme that just makes the movie feel like a fantasy novel of some kind. The darkness of this film was present and I felt it deeply. The Resistance is getting wiped out all over the place, Luke is broken, and the climax isn’t all that fortunate either. It gives a similar feeling to the climax of “Empire,” which ends on a cliffhanger. After seeing this movie, I’m just eager to see the ninth installment!

John Williams (right) returns in this film as the composer. He’s done all the main films in the saga, but he didn’t do last year’s spinoff, “Rogue One.” Out of all the scores I’ve heard from John Williams in the “Star Wars” saga, I didn’t really think this one impressed me as much as the others. I’ll probably have to either watch the movie again or listen to the soundtrack to be sure, but the soundtrack just sounded repetitive, there was nothing really new. At least that’s what I recall. Granted, there were times where the music was awesome, but it just felt like stuff I’ve heard before. Speaking of that, the opening song from “The Last Jedi” has a similarity to the opening song from “A New Hope.”

Staying on that topic, not to put the movie down or anything, but the opening felt, well, unexpectedly fast paced. I mean, none of the “Star Wars” openings ever felt “slow,” but the movie quickly got to dialogue which was unexpected.

I won’t really go on for too much longer, but another highlight from the film is the sound editing. Out of any “Star Wars” film I’ve seen, I have to say, this might be the best when it comes to sound. There were moments when the sound literally made me feel tense. It reminds me of “Interstellar” during the docking scene and the sound literally just goes out.

In the end, “Star Wars: The Last Jedi” is a terrific ride, I loved every minute. This was one of the most engaging movie experiences I’ve had all year, and after seeing this, I cannot wait for “Episode IX!” The characters continue to progress to points where I appreciate them more than ever, there are multiple scenes I want to go back and watch again, and again, I’ll mention, the sound work is unbelievable in this film, some of the best I’ve heard all year! I’m gonna give “Star Wars Episode VIII: The Last Jedi” a 9/10. This movie is not as good as “The Force Awakens” in my personal opinion, but it’s slightly better than “Rogue One.” Part of me just wants to time travel into the future, just so I can see “Episode IX,” but until then, I’ll just have to wait. I really enjoyed this movie, I think you guys will feel the same way, and I’m just glad this isn’t a total ripoff of another great “Star Wars” film. Thanks for reading this review, if you are interested in seeing “The Last Jedi,” there’s a good chance you can go see it anywhere, but I have a link below that will take you to a list of some of the best possible ways to view the movie. “The Last Jedi” is playing in eleven theaters that contain IMAX 70mm equipment. To find out which theaters are on the list, click the link below and read the post. Stay tuned for more reviews and other content! I want to know, did you see “The Last Jedi?” What are your thoughts? Are you going to see it? Also, where does this movie rank in the “Star Wars” universe for you? Let me know all of that down below! Scene Before is your click to the flicks!

Star Wars Episode VIII: The Last Jedi is Getting the IMAX 70mm Treatment and a History of Star Wars in IMAX!: https://scenebefore.wordpress.com/2017/10/17/star-wars-episode-viii-the-last-jedi-is-getting-the-imax-70mm-treatment-and-a-history-of-star-wars-in-imax/

Top 10 WORST Star Wars Original Trilogy Special Edition Changes *SPOILERS*

Posted on by Jack Drees

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Hey everyone, Jack Drees here! In 1977, George Lucas released “Star Wars.” It became an instant hit with critics, audiences, and has spawned a fandom that has lasted for decades. Years ahead, two sequels which have also been met with positive reception have been released. I have just watched Harmy’s Despecialized Edition of the original “Star Wars” trilogy, and going through all three movies in HD quality was an utter blast. These editions eliminate the changes provided over the years to the original trilogy by George Lucas since 1997 which have been bashed by fans over the years, and I wholeheartedly approve of these editions. As much as I appreciate George Lucas for starting the “Star Wars” craze, he has also brought tons of chaos tons of chaos to the franchise from making notable changes to it in the series’s so-called “Special Editions” in 1997, again in 2004, and once more in 2011. Today, we’re going to look at the worst of these changes, specifically the top 10 WORST of these changes. If you like these changes, that’s your opinion, not mine. You’re allowed to have that thought, even though we are on opposite sides of the spectrum. Just because I have a certain change listed here that you like, it doesn’t make your opinion invalid. If you like these changes, rock on. Also, just in case you didn’t look hard enough, these changes pertain towards the original trilogy only. There have been changes made overtime in the prequel trilogy as well, but that’s not what this list is about. So let’s dive into it, these are the top 10 WORST “Star Wars” original trilogy “Special Edition” changes.

#10: Echo Change (Episode IV: A New Hope)

This change here is one that I’m surprised I don’t hear more people don’t talk about. Maybe it doesn’t bother other people all that much, but in reality, it kind of irks me. As our heroes are escaping from the Death Star, we see them running around in various directions. We also see Luke and Leia together, they pass through a door, and they almost fall into an abyss. It’s at this point that Luke says “I think we took a wrong turn!” A few lines of dialogue are spoken by Luke and Leia as they try to find their way through to the opposite side, because after all, you can’t get there by foot. In the original version, as this dialogue is uttered, we hear echos. Although in 2004, this has been redone. According to Wookiepedia, AKA Wikipedia for “Star Wars,” this has been “redone more realistically.” Regardless of realism, the original echo had an effect that felt rather chilling. There was something about that echo when I watched the movie that just felt like it was irreplaceable. This echo, doesn’t even feel like it’s there. When I watched the movie and I heard what I heard, I just wondered, where’s the echo? I don’t even hear an echo. This is an early spot on the list as I’m able to tolerate this and it doesn’t really have much an effect on what I’m watching. Speaking of this spot, I almost put the “Jedi Rocks” song on here, but it barely lost because there was some music playing before it that wasn’t in the original cut of the film that sounded fine. These two could change, but you never know.

#9: “It’s all right, I can see a lot better!” (Episode VI: Return of the Jedi)

It was established in “The Empire Strikes Back” that Han Solo has a relationship with Lando Calrissian. Unfortunately, in “Return of the Jedi,” the relationship was nearing an end. During the battle that takes place on Tatooine during the movie, the Sarlacc which has been introduced during around said time frame, snatches Lando. He’s about to be consumed, but luckily, Han Solo’s here to save the day! In the original movie, the way it goes down is pretty much how I explained it, Han is aiming at the creature with his body upside down. At one point, Lando shouts “No, wait! I thought you were blind!” Han replies saying “It’s all right, trust me!” Han soon pulls the trigger of his blaster thus saving Lando. The 1997 Special Edition didn’t exactly play out the same way. Instead of Han saying “It’s all right, trust me” he said “It’s all right, I can see a lot better!” For those of you who forgot or haven’t seen the movie, the beginning of “Return of the Jedi” is when Han Solo was released from the carbonite which kept him frozen. He couldn’t see a thing, but according to Leia, who at that point was dressed as a bounty hunter, his eyesight would return in time. This is one of those moments on this list, where a line happened to be changed when it didn’t need to be because it was already good enough. I’m not entirely against line changing as long as it’s effective, but in my view, the first line was good, but this wasn’t. Speaking of Han Solo…

#8: Greedo Shoots First (Episode IV: A New Hope)

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This is a change that pretty much every single “Star Wars” fan has known about if they’ve paid close enough attention. I have three words for you: HAN SHOT FIRST! Although according to the first Special Edition, he didn’t. Instead, the bounty hunter referred to as Greedo pulls his trigger first. For those of you who don’t know, the first “Star Wars” film had a scene where we get information that Han Solo was being searched by bounty hunters all over. This is because he hasn’t yet paid Jabba the Hutt. So in the scene where we find this out, one bounty hunter by the name of Greedo stops him and Han Solo tells him that he doesn’t have money at the moment to pay Jabba. Their conversation goes down until a point where Greedo is shot by Han. Greedo getting shot doesn’t change, but the execution of the scene has gone through multiple changes. Let’s go through them one by one.

In 1997, when the first Special Editions released, most of the dialogue in the scene is the same as the original, but there’s one piece that’s missing. The line last line given by Greedo here is this: “That’s the idea… I’ve been looking forward to this for a long time.” That line wasn’t changed, however the following line given by Han Solo, which was originally “Yeah, I’ll bet you have,” changed in the first Special Edition to “I’ll bet you have.” Here we see a shot fired not only by Han, but also by Greedo. Also, if you observe closely in the shot, you can see Greedo’s shot coming out of his blaster before Han’s! This is a change which from a general perspective, has probably outraged more fans than any other when it comes to the “Star Wars” saga. In fact, it doesn’t end there!

In 2004, when the original trilogy released on DVD, George Lucas decided to change it again! He took the 1997 “I’ll bet you have” and altered it back to the way it was in 1977 which was “Yeah, I’ll bet you have.” After that, Greedo still shoots first, but Han pulls his trigger faster than he did in the 1997 version, not to mention he dodges Greedo’s shot. Guess what? THIS TRAIN KEEPS ON ROLLING!

We then get to 2011, which is the year the entire saga came out on Blu-Ray. The change here is minor, no lines have been altered this time around, but the scene is shorter.

What’s so striking to me about these changes is that George can’t even make up his mind. The scene has been changed not once, not twice, but thrice! The change in general also makes Han Solo look like less of a badass. In the original cut, you see him talking and you get this sense that he’s just capable of handling himself in battle or in near death experiences. And while he was still able to handle himself, this almost feels like a lighter version of the scene we’ve gotten before, the other one just had a feel that made Han Solo Han Solo. He took no nonsense and you don’t want to mess around with him. Let me just say, if someone asks me, “Who shot first?” I’d always respond with, “Han Solo.”

#7: “You were lucky to get out of there.” (Episode V: The Empire Strikes Back)

When it comes to “The Empire Strikes Back,” I own both the 2004 and original edition, but I watched the 2004 version many more times, so this was one of those changes I either didn’t notice or didn’t care about for awhile. So, Luke is in his X-Wing, he’s entering the Dagobah system, which he assures to the droid alongside him, R2-D2, is “perfectly safe for droids.” Yeeeeah. Totally safe. It’s so safe that R2-D2 drowns in water moments upon entering the planet! To be accurate, he didn’t drown due to not being suited to being in water, he was still able to to move just fine. Although his disappearance was due to a dragonsnake swallowing him. Apparently R2 wasn’t down for that long because he’s spat out and goes flying. Luke moves over to R2 as he lands on the ground. At one point he helps get R2 back on his “feet.” It’s here when Luke says “You’re lucky you don’t taste very good.” That was what many audiences may have heard for the first time until 1997. When 1997’s Special Editions came out, the line was changed to “You were lucky to get out of there.” It’s a change that dwindles a chuckle from viewers and ultimately makes the moment feel a little more cliche. Let me ask you something. You are in the ocean, and a great white shark is approaching, you are the one that’s almost about to get eaten as everyone is escaping. Somehow you make it out, but you wasted a lot more time getting out. Would you feel more satisfaction hearing “You’re lucky you don’t taste very good” or “You were lucky to get out of there?” Not to mention, the way these two phrases are uttered kind of make a difference. Luke almost sounds more depressed when he says the “Special Edition” quote. Luke seems a little more optimistic when he says the original quote. Sure, he is in a strange situation, but you can still be in a strange situation and provide at least a glass half full tone.

#6: Boba Fett Voice Change (Episode V: The Empire Strikes Back)

Many people who watched “The Empire Strikes Back” were introduced to the character of Boba Fett, a bounty hunter who is contacted by Darth Vader in order to help in the pursuit for Han Solo. Believe it or not, this wasn’t the fellow’s first appearance. Those who were unfortunate enough to watch “Star Wars: The Holiday Special” on TV back in 1978 got a glimpse of Boba Fett before he appeared in “Empire.” Also, if you watch the newer editions of “A New Hope,” he appears in that too after being digitally remastered. In 1980, people may not have been curious to know who did the voice for Boba Fett. By the way, that person is Jason Wingreen. Although in George Lucas’s universe, that’s false. In 2004, he changed the voice in order to match with how Boba Fett was portrayed in “Star Wars Episode II: Attack of the Clones.” This didn’t just apply to Boba Fett in that movie, but also his father, Jango Fett. In “Attack of the Clones,” it is established that Boba Fett is an unaltered clone raised by Jango. This lead to a change that involved replacing the execution of four lines given by Boba considering those four lines happen to be all the dialogue he said. Who did the talking for this? Temuera Morrison, AKA the guy who played Jango Fett in “Attack of the Clones.” I wouldn’t mind this if it were done with a sense of enthusiasm or a lack of robotic talking. The original voiceover artist for Boba Fett seemed to display more emotion in terms of their delivery. These newer voiceovers done by Morrison, just feel like the actor went into a booth, didn’t care about what they were doing, maybe they either never saw “Empire” or its been awhile since they’ve seen it to understand the character of Boba Fett, and it just turned a great voiceover to a crappy voiceover. The original voice sounded like Boba Fett was constantly on the hunt, always on the move. This new voice just sounded like a guy who just served people of higher power. I will say, if George Lucas actually got Gilbert Gottfried to do the voice of Boba Fett as a Special Edition change, I’d actually watch that non-stop, because Gilbert Gottfried’s f*cking awesome! Gilbert Gottfried can appear in “Super Mario Bros.: The Movie” and I’d probably watch it just for him. Maybe not the whole movie, but the scenes featuring Gilbert Gottfried as long as he’s not in the whole picture.

#5: Jabba the Hutt (Episode IV: A New Hope)

In 1983, audiences everywhere were introduced to the chubby slug known as Jabba the Hutt. These viewers may have heard Jabba’s name before, specifically in 1977 during the Han and Greedo conversation, but they never saw Jabba on screen in that film, nor did they see him in “The Empire Strikes Back.” Well, that all changed in 1997. Turns out prior to our heroes escaping Mos Eisley in the Millennium Falcon, Han Solo has a conversation with Jabba. Harrison Ford didn’t come back to shoot this, the scene was actually done while the film was originally in production, and Jabba wasn’t even a slug. He was actually human. Although when the 1997 release came out, the Jabba and Solo conversation was added on and Jabba received CGI achievement. For those of you who don’t know, CGI is short for computer-generated imagery. In this circumstance, I think CGI actually stands for completely gruesome insanity! LOOK AT THIS CRAP (top image)! To be fair, it was 1997, but it’s still revolting! So the two have a conversation that has similar dialogue given in the Han and Greedo scene, which just contributes to redundancy. At one point, Han steps on Jabba’s tail, making him utter a sound the world would have never heard had he been a human. Han says he’ll pay Jabba back with extra, to which Jabba is happy to hear, but if Han fails, he would be searched for and the price on his head would be significantly enormous. The thing that really makes this scene fail is Han’s final line. “Jabba, you’re a wonderful human being.” If this were the original movie in 1977 and they kept this scene in, it would have worked better. Not completely, but it would work. George Lucas would have kept human Jabba, that way we don’t have to see terrible CGI and Han stepping on a tail. This would have still failed as a scene due to what’s written in the script, but it still would have been better. The final line given by Han Solo would have worked better too. After all, why would A SLUG be called A HUMAN BEING?! Not to mention, a WONDERFUL HUMAN BEING?! So basically, Jabba says that he’d put a price on Han’s head, and the conversation ends by saying “You’re a wonderful human being?!” Oy vey! Not to mention, this change takes away some of the suspense people originally had about Jabba the Hutt. Imagine if someone who watched this movie a lot prior to the Special Editions showed these flicks to their kids, and that person ends up showing an unoriginal version. The kid would know what Jabba looks like before progressing into “Return of the Jedi!” It just takes away some of the mystery of Jabba as a character and now he’s just shoved in your face. You know, like pie. Unfortunately, this change has not been erased in any of the newer versions, although in 2004, the CGI for Jabba was redone (bottom image) and it looks a lot better.

#4: R2-D2 Behind Rocks (Episode IV: A New Hope)

One thing that has been changed more than once throughout the original “Star Wars” film is the scream given when Obi-Wan appears to scare off the Tusken Raiders. For the record, neither of those on the list. A change that IS however on this list takes place around the same time. In the 2011 Blu-Ray release, you might notice R2 before and after the scream occurs. Although guess what? He’s covered behind lots of rocks! I hate this change because it basically insults your intelligence! Sure, Han not shooting first is irritating to see because of how it diminishes the character in terms of how badass he is, but in reality, you can show Han shooting first to someone that’s observant enough and they won’t question the realism or accuracy of what’s happening on screen. Here with this, you just question humanity itself! How does R2, a droid the size he is with the capabilities he’s got, get in that hiding spot? There was no establishment behind how he got there! If you look at the hole, it’s smaller than R2 itself! In the original scene, you can see R2 near some rocks, but it’s not enough to create a shadow upon him! I have one thing to say about this scene, it doesn’t ROCK!

#3: Luke Screams Down the Pit (Episode V: The Empire Strikes Back)

A lot of people consider “The Empire Strikes Back” the best “Star Wars” film and one of the best sequels of all time. Part of this is due to its iconic scenes, how its characters develop. it’s emotional score, and how it brought a twist that not many people saw coming, the fact that Darth Vader is Luke’s father. Interesting fact by the way, the Dutch word for father is vader (fah-der), and the German word is vater (pronounced similarly to Dutch word), so as much as audiences may have been shocked by this reveal, this does leave me to wonder, how shocked were the Dutch and Germans? Anyway, if you’ve seen the movie, chances are you’d be familiar with this reveal. Luke and Vader are in a duel, Luke’s hand gets sliced off by Vader’s lightsaber, Vader is trying to convince Luke to join the Dark Side, and he also tells Luke the truth about his father, the fact that Vader himself, is Luke’s father. Moments later, Luke falls down a pit. In the original version, Luke is just falling, he isn’t really making any random noises. However in the 1997 version, he is. After Darth Vader says “Come with me, it is the only way,” Luke makes his dissent down the pit, and at one point, comes out this strange, peculiar, ridiculous noise. If you want to be more simplistic, that noise was a scream. That scream by the way, wasn’t even Mark Hamill’s voice. That voice, was Ian McDiarmid’s. If you don’t know who Ian McDiarmid is, he plays the Emperor and Palpatine in the saga. For the record, McDiarmid didn’t come in to let out a scream, they actually took the scream from when he died in “Return of the Jedi.” This moment might as well be called “Return of the Scream.” I for one, admittedly, haven’t watched the 1997 Special Edition all the way through, but I’ve seen a clip on YouTube where this all goes down. Luckily, when George Lucas was making more changes to the trilogy in 2004, this scream of insanity has been removed. And no, it has not been brought back when the Blu-Ray release came out in 2011.

#2: Get Out of the Way, Dinosaur! (Episode IV: A New Hope)

This is a change that starts out as somewhat tolerable. Just a little extra bits to introduce Mos Eisley. Granted it’s unnecessary, but it’s not like we’re watching a couple of Stormtroopers engage in intercourse or something. Then we get to footage audiences have seen prior to the Special Editions’ arrival. As the four Stormtroopers from the mind-trick scene gather around Luke’s speeder, we get one of the worst uses of CGI of all time! While these four troops are moving, a giant dinosaur is literally blocking EVERYTHING on the screen! What’s going on?! Let us see the damn movie! We don’t want to see some random green piece of s*it covering the frame! It’s abominable! If I wanted to see a movie where there was CGI covering the frame, I’d go watch “Guardians of the Galaxy!” The whole dinosaur placement just doesn’t make sense in general because it doesn’t let you observe the landscape of Mos Eisley unlike the original scene. There’s not really much to say about this except that it just makes you want more than one galaxy to have its dinosaurs extinct.

#1: Darth Vader Yells “No!” (Episode VI: Return of the Jedi)

Before we get into my #1 pick, let me just have you know that I don’t own the 2011 Blu-Ray for “Return of the Jedi,” however I have seen this online and when it played on TV once on Halloween in the year of 2016 on TBS. If I owned the Blu-Ray, I’d feel like a completionist, although at the same time, I’d be ashamed because that means I own the version where Darth Vader screams “no” at the end of the movie! I’ve watched “Return of the Jedi” countless times as a kid. Both the original and 2004 edition since I possessed the 2006 limited release. I’ve never had to deal with this crap then. It wasn’t awhile til I found out this change existed and it literally just changed everything. I could tolerate minor dialogue changes! I could tolerate random CGI moments! I could tolerate Han shooting second! But this! THIS! I’ll be back, I just gotta go jump out a window!

*OPENS WINDOW*

*JUMPS*

*FALLS FLAT ON THE GROUND WITH BLOOD EVERYWHERE, SCREAMS IN PAIN, SWEARING, TAKING THE LORD’S NAME IN VAIN, GETS WEAKER BY THE SECOND. SOMEONE SEES ME, THE NARRATOR, TRUST ME, THE NARRATOR, ON THIS STATEMENT, AND USES MAGICAL POWERS TO REHABILITATE ME, THE NARRATOR, BACK TO NORMAL*

(CATCHES BREATH) OK, I’m back! Just so you know, one of my favorite scenes in the original trilogy is in “Return of the Jedi” where Luke is being electrocuted by The Emperor. Before that, Darth Vader’s hand is cut off by Luke, almost as if it were revenge from when Vader cut Luke’s off in “Empire.” We see through symbolism that Luke has a line between the light and dark sides. We see one hand that’s without a glove and one that’s with a black glove. The Emperor is telling Luke to fulfill his destiny and join the Dark Side. Luke then decides that he won’t turn. This leaves the Emperor to start killing him with his bare hands (and the lightning coming out of them). Darth Vader is standing up, watching all of this go down. The Emperor is just brutally striking him down (literally) and Luke is begging to Darth Vader for help. There’s a brief pause, we see The Emperor’s face and he says, “Now young Skywalker, you will die.” Seconds later, The Emperor’s hands are releasing lightning again and Luke is screaming like crazy. We see Darth Vader moving his helmet back and forth toward Skywalker and the Emperor, the music achieves cinematic bliss levels as if it weren’t at those levels to begin with, and Darth Vader uses the strength he has left to lift up the Emperor and throw him down a pit where he screams like a wimp. We then see tons of smoke signifying he died from an explosion after hitting a core and it’s just a small portion of what I consider to be one of the most powerful scenes in the “Star Wars” saga, and possibly cinematic history. It’s a scene that I feel covers conflict, not to mention resolving it and choosing to do good. The music is one of the greatest musical achievements (as far as my opinion is concerned, in all of cinema). The explosion sends chills down my spine whenever I see it. Unfortunately, Lucas had to ruin a defining scene in the saga. Just. F*ck. My. Life.

Leading up to the electrocution, the scene is similar to how it was in previous versions, but as soon as we get to the part after the brief pause, we see Darth Vader once again, glancing in one direction and switching to the other, then we hear this:

DARTH VADER: No. (Turns to The Emperor) NOOOOOOOOOO!

As the second, everlasting “no” is uttered by Vader, he lifts up the Emperor, and like in the original scene, throws him down the pit.

As if changing the movies in 1997 and 2004 weren’t crazy enough, Lucas had this “brilliant” idea to screw it up just a tad more. Here’s the thing about that scene, not only is it, like these movies, somewhat nostalgic, but also powerful. That power is lost because Vader spoke, ruining the scene’s dramatic and chilling effect. You hear that music swell up from one level to another, you realize, this is the moment Darth Vader changed his ways, he’s now a good soul. Now, the movie shoves it in your face. During this scene, we KNOW Darth Vader isn’t happy about this situation, we KNOW how he feels! This whole change, I imagine, not only erases history, but it also just vandalizes a moment where we can all see what’s going down, and get the point. Here on the Blu-Ray, it feels like we are viewed as unintelligent and need something as simple as pressing a button explained to us. Not to mention, it reminds a lot of fans the time Darth Vader yelled “no” at the end of “Revenge of the Sith,” which a lot of those folks didn’t like. There have been multiple scenes that have been altered in any way, shape, or form, and when that has been done in 1997 and 2004, I imagine some people thought “Hey, at least the last moments before The Emperor dies is fine!” Well according to George Lucas, it wasn’t. He’s an interesting man. He spent the seventies establishing childhoods, and went on later in life to ruin them.

That’s all for this post. Thanks for reading this countdown! Please stay tuned for more content as I will have you know if you didn’t already that I’m going to see “Star Wars Episode VIII: The Last Jedi” on December 14th, which is the night it opens. While I am admittedly, worried for how this film will turn out, I am also stoked because this is the first main film in the “Star Wars” universe that I’m seeing it the night it comes out. Also, for those of you who are planning to go see the new “Star Wars” movie in theaters, I’ll remind you that yes, it’s playing just about anywhere, but there are ELEVEN special theaters, which is technically TEN in the United States and ONE in the United Kingdom, that will be playing “Star Wars Episode VIII” in IMAX 70mm. You don’t want to miss out on this one of a kind experience, so if you want more information on that plus a history of “Star Wars” in IMAX, click the link below and that’ll take you right where you need to go. Stay tuned for more reviews and posts! Also, what do you think is the worst change in the original “Star Wars” trilogy? Why do you despise it? Do you like any of the changes? If so, tell me why you do. Leave your thoughts in the comments below and let’s see if we can agree with each other! Scene Before is your click to the flicks, and to conclude this post, here’s a line from “Blade Runner” that describes how I feel about these Special Edition changes.

I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-Beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time… like tears in rain… Time to die. –Batty

“STAR WARS EPISODE VIII: THE LAST JEDI IS GETTING THE IMAX 70MM TREATMENT AND A HISTORY OF STAR WARS IN IMAX https://scenebefore.wordpress.com/2017/10/17/star-wars-episode-viii-the-last-jedi-is-getting-the-imax-70mm-treatment-and-a-history-of-star-wars-in-imax/

Blade Runner 2049 (2017): Is the 35 Years Worth the Wait?

Posted on by Jack Drees

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“Blade Runner 2049” is directed by Denis Villeneuve (Prisoners, Arrival), stars Ryan Gosling (La La Land, Crazy Stupid Love) and Harrison Ford (Star Wars, Raiders of the Lost Ark), and is the sequel to 1982’s “Blade Runner” which was directed by Ridley Scott (Gladiator, The Martian), a movie considered by many people to be one of the greatest sci-fi films, if not one of the greatest films, ever made. “Blade Runner 2049” takes place in the year of 2049 in the US state of California, the plot is that there’s a young blade runner (Ryan Gosling) who discovers a long-kept secret which leads him into tracking down former blade runner Rick Deckard (Harrison Ford), who’s been out of sight for three decades.

When it comes to the original “Blade Runner,” it’s a movie I haven’t actually watched until fairly recently. For the record, when I say that, I’ll have you know I didn’t even watch the original version of the film, which by the way the version I watched which isn’t original, is the one I viewed five times at this point. I say that because if you know this movie’s history, you’d be aware of how it has received endless cuts. In 1982, they started out with a movie that not many people saw but was on the rise to prove its influence to film. I mean, seriously! If you look at films and material which came out after it, you’ll understand what I’m talking about. Just check out “Ghost in the Shell,” “The Matrix,” the “Star Wars” prequels, “The Fifth Element,” all of these just look at them and don’t tell me you don’t see a bit of “Blade Runner” in them. The redo of the TV series “Battlestar Galactica,” according to the producers, cited “Blade Runner” was a major source of influence to the series. It has also been parodied in material such as the British science fiction TV show “Red Dwarf.” Based on what I have told you, it’s not surprising that people revere this movie. Overtime it has gained a cult following, and has been considered one of the greatest science fiction films, not to mention one of the greatest films in general, ever made. It was nominated for two Oscars (Best Effects, Visual Effects, Best Art Decoration-Set Decoration), it was also nominated for a Golden Globe (Best Original Score-Motion Picture), which I wholeheartedly approve of because the score is probably one of my favorites in movie history. BAFTA also praised the score by nominating it, which was one of the eight nominations the movie received in that particular show. By the way, it won three. It currently has a spot on the IMDb top 250, it’s on AFI’s 10 Top 10 as the #6 science fiction film, and IGN put it as the #1 spot in its “Top 25 Sci-Fi Films of All Time.” I watched the film multiple times now, specifically “The Final Cut,” and it gets better with multiple watches. So, how is “Blade Runner 2049?” Holy crap, this movie was an experience. I went to see this movie in IMAX, and I don’t regret it, because this is one of those films that MUST be seen in a theater! You know how I kept talking about “Dunkirk” and what an amazing experience that was? This was just as great! And with that I’m gonna give you guys a little sidenote…

I don’t use Netflix, in fact, I’d go as far as to say that Netflix is slightly overrated. I may be biased because they killed Blockbuster Video, a significant memory from my childhood, but I’m gonna let you know a little information about them that you may or may not be aware of at the moment. Netflix may be known for its selection of movies and TV programs to watch which are available at your fingertips, but they’ve also done original content. They’ve done TV shows such as “House of Cards,” “Orange is the New Black,” and “Stranger Things,” all of which received positive reviews and a following by many people. That’s not to say all Netflix shows were considered watchable, there are disliked ones such as “Iron Fist” despite it having a following. They’ve also done movies such as “Gerald’s Game,” “The Ridiculous Six,” and “Beasts of No Nation.” What I’m going to say next is rather unnecessary for their TV shows, but can fit for their movies. When it comes to Netflix movies, they go straight to the streaming service. There’s no theatrical release for it, it just hops straight on over to the service, so people might get a theatrical experience depending on their setup, but chances are someone might end up watching the movie on their laptop without headphones, or heck, even their phone! Critically acclaimed director Christopher Nolan agrees with me when say that this is bullcrap, because Netflix is missing out on a opportunity for their movies to be shown in theaters, where audiences pay money to go see it in an immersive setting. Want to know something else? There’s an event called Cinemacon, which is a convention dedicated to film, it shows off what upcoming movies have in store, it also does screenings for flicks, stars show up, and it also has has a focus on cinemas themselves and technologies related to them. When “Blade Runner 2049” footage was being presented to attendees at the show, Sony chairman Tom Rothman said this…

“Netflix, my ass.”

Well said, Tom. For the record, Netflix has never presented at Cinemacon, so that shows what they stand for in the realm of cinema. At least Amazon releases content in theaters!

If this movie were released on Netflix, I would have been outraged, partially because I don’t use the service, but having seen this movie, this movie looked and sounded SPECTACULAR! Yeah, that was a long point, but I felt it had to be made. This movie was directed by Denis Villenevue, who also directed “Arrival,” one of my favorite movies from last year. I think he’s a great director, and his vision for this movie was brilliant. Every single frame had something worth appreciating. I can only imagine the detail that went into storyboarding this thing! Although, I can’t exactly say that he’s only in this fest of praise, because I gotta give kudos to Roger Deakins, the cinematographer of the film. For the record, this isn’t the first time Deakins and Villenevue worked together. They’ve also collaborated in “Sicario” and “Prisoners.” I haven’t seen those films, but I will say that Deakins is a fine cinematographer, just watch “No Country for Old Men” to see what I mean.

The original “Blade Runner” came out in 1982, and when it comes to movies with great lighting, as of right now, it’s probably the first movie that comes to my mind. The lighting in “Blade Runner 2049” personally isn’t as great as the original, but that doesn’t mean the lighting’s bad. However, from an overall perspective, much like its three decade old predecessor, “Blade Runner 2049” has terrific effects. Every single effect in the movie felt realistic. Sure, there are moments of the movie containing visuals that probably would be impractical (the giant sex doll with blue hair for example), but in all reality, even those felt like they actually existed for the universe this movie was presenting.

Speaking of things that aren’t as good as the original, I gotta say the music isn’t as great. Once again, this doesn’t mean the music was bad, the music was almost as brilliant as the 1982 film. But the thing about the 1982 film, is that it was unique. The music by the way in that film was done by Vangelis, who also did the score for “Chariots of Fire.” Also, Vangelis did not return for this movie, and yes, he’s still alive. The guy doing the score this time around is one of my favorite composers. I’ve brought him up in a number of posts this year, Hans Zimmer. Like the original score, it’s techno, and at times you do hear booms, which is pretty much the first thing you hear in the original movie when the titles show up. By the way, those booms sound amazing in IMAX. Also, this score at times felt a little more traditional than the original “Blade Runner.” The “Blade Runner” score is something you’d rarely hear, and while this newer film does have qualities of the older score, the new doesn’t have the absolute uniqueness of the old. I say that because I remember the original having moments that almost sounded like chimes, it was different. You could also hear vocalizing in the score, and I mentioned how much of an influence this had on “Ghost in the Shell” and I wouldn’t be surprised if the original movie’s score was partially influential. The vocalizing, the more I think about it, reminds me of “Ghost of the Shell’s” intro music. “Blade Runner 2049” was just released, so only time will tell how much the music, plus the rest of the movie will influence future products. Nevertheless, “Blade Runner 2049” had a GREAT score and I’d love to listen to it again and again.

Let’s talk about one of the leads in the film, specifically Ryan Gosling. This fellow has proven to be an excellent actor. By the way, there’s a couple scenes in this movie where Ryan Gosling is in front of a piano, and that’s not the only film where Gosling is in front of a piano, just watch “La La Land” to see what I mean. Gosling plays K and he’s basically this movie’s young Blade Runner. He’s given a mission at the beginning of the film, and seeing his character progress throughout the picture was entertaining and very moving. At times, Gosling’s acting chops were unleashed to full potential, which happened to be prominent during the movie’s emotional scenes which I won’t get into to avoid spoiler territory. K also had some qualities which were noticeable that could be compared to Harrison Ford’s character of Rick Deckard, who we’ll get to momentarily. K starts off in the movie as being directed by Lieutenant Joshi, a character played by Robin Wright, who in terms of looks and attitude, almost reminds me of your typical Charlize Theron role such as the ones she’s done in “A Million Ways to Die in the West” and “Hancock.” Anyway, seeing Gosling focus on his objectives was fascinating and despite this movie, like the original, appearing to be a slow burr, my eyes were never taken off the screen. Yes, this applies to more than Ryan Gosling in all technicality, but I’m just making a point. There’s also a spouse Ryan Gosling has, by that I mean a futuristic spouse, and by THAT I mean a spouse that is basically holographic, oh yeah, and she can change form. I can’t even get into the mission Ryan Gosling does in the film because I have a feeling this is something the trailers are hiding. I’ve seen all the main trailers, but it’s been awhile since I’ve seen one in particular, and I’m not sure if the hidden details are there, but for the sake of keeping some information a secret to possibly have some folks savor the movie’s flavor, I’m going to ignore uttering these details.

Now let’s talk about Harrison Ford. If you remember the original “Blade Runner,” Harrison Ford played Rick Deckard, the main character of the film. He was hunting down replicants just because he had a job to do. Speaking of the original film, we do get some callbacks. As mentioned recently, the music can qualify as a callback, but we do get some audio from the first film. During the film I heard Harrison Ford’s voice as it was in 1982, and I remember hearing Sean Young’s voice too. The origami unicorn makes a return here, which has brought up an interesting theory of whether Deckard’s actually a human or a replicant. By the way, I’d say he’s human. Also, I may have said that Ryan Gosling did a great job, but in all reality, Harrison Ford probably did better. By the way, out of all the performances I’ve seen Ford do, this might be his best one. Also, Deckard’s introduction is definitely one of the best scenes in the entire flick. You may have gotten a glimpse at it in the trailers, but there is more to it then what was there. I won’t go into detail though.

As much as I praise this movie, it’s not perfect. For example, some characters didn’t stand out as much as others, and speaking of characters, there’s one character who goes by the name of Mariette. She’s not unlikable, but she didn’t really add much of anything to the movie in terms of story except for maybe one part where she and K’s holographic wife are shown to have no clothes on. Also, this isn’t really a complaint but it’s mainly something I noticed, Jared Leto is barely in this movie. In fact I think he may have spent less time here than “Suicide Squad,” although I liked Leto better here than “Suicide Squad.” I may be nitpicking, and from experience, this is probably one of those movies I have to watch more than once to fully appreciate, so maybe I’m just imagining things. Other than what I mentioned, this movie’s pretty much a masterpiece, which is saying something considering what many people say about 1982’s “Blade Runner.”

Now I just mentioned this could take multiple watches to fully appreciate. And I’ll have you know I watched the original “Blade Runner” four times from start to finish since early September. I also saw it not long ago and I fell asleep to it, but to be fair, it was late. This is one of those movies, like the original “Blade Runner” that I’m probably gonna watch over and over.

In the end, “Blade Runner 2049” is a movie that defines how sequels should be made. This to me is 2017’s “Tron: Legacy,” by that I mean you’ve got this film which came out a long time ago, in fact the original “Blade Runner” actually came out the same year as the original “Tron.” The film now has a sequel, years in the making, and people enjoy it. Granted “Blade Runner 2049” has gotten more positive reception, but it doesn’t mean people didn’t appreciate “Tron: Legacy.” I love the film from a technical perspective, this movie and “Dunkirk,” so far, have been my two favorite cinematic experiences of 2017. Hans Zimmer created a great score, the screenplay hit every necessary emotion, the direction and cinematography are stellar, I’m glad to see Harrison Ford return as Rick, Ryan Gosling was great as well. Overall, this movie did what it needed to do. I’m gonna give “Blade Runner 2049” a 9/10. If you saw “Blade Runner” thinking that this movie could never be recreated, chances are you’ve just been proven wrong. This is a sequel worth remembering, and as far as sequels go, this is probably the best one I’ve seen so far this year. I can’t wait to buy this movie when it comes to home video, I want to see it again, possibly pick up on some details I missed, we’ll see what happens. Thanks for reading this review! As far as upcoming reviews go, I hope to see “Stronger” starring Jake Gyllenhaal, which is about a guy who manages to survive the Boston Marathon bombing, and I also am planning on reviewing “Thor” and “Thor: The Dark World” in preparation for “Thor: Ragnarok.” Stay tuned for those reviews, and more reviews! Also, if you’re into “Blade Runner,” you might be interested in checking out my post dedicated to things “Blade Runner” got right about the future. Here’s a question, which “Blade Runner” was better? The first one or the second one? Also, one more question, what is a movie that gets better the more you watch it? Let me know down below in the comments! Scene Before is your click to the flicks!

WHAT “BLADE RUNNER” GOT RIGHT ABOUT THE FUTURE: https://scenebefore.wordpress.com/2017/10/06/what-blade-runner-got-right-about-the-future/

Star Wars Episode VIII: The Last Jedi (2017) OFFICIAL TRAILER: Lightsabers! Space Battles! Training! …Possible Ripoff…

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Tonight I was doing something rather strange for me. I was watching football. Yeah, it was a game between the Minnesota Vikings and the Chicago Bears, and I’ll have you know I’m from Massachusetts so you can probably tell I don’t care about either of those teams. Oh yeah, and when I said I was watching the game, I wasn’t even technically watching it, I had it on mute. However, I watched the game for one reason and one reason only, which is to catch the new trailer for “Star Wars Episode VIII: The Last Jedi.” Having seen it now, I will say this. As a trailer, it’s better than the teaser we got in April, not to mention this trailer got me more hyped up for the film as opposed to that teaser. If you remember my review for the teaser, I said it made me afraid of what the movie is going to be like. Now that I’ve seen this trailer for the film, do those fears still exist? I guess you can say so, but this trailer does convince me that this movie has a tone that might be consistent throughout, and it might be at the very least, entertaining. So let’s break it down and analyze it.

The first voice we hear in the entire trailer is Snoke’s, and if you don’t know who Snoke is, he’s basically the giant in “The Force Awakens” who was in a number of scenes with General Hux and Kylo Ren. By the way, for those who don’t know, he’s played by Andy Serkis, who you may know as Gollum in “Lord of the Rings” and Caesar in the recent “Planet of the Apes” reboot installments including “Rise of the Planet of the Apes,” “Dawn of the Planet of the Apes,” and the recent “War for the Planet of the Apes.” He says “When I found you, I saw raw, untamed power, and beyond that, something truly special.” Throughout we get various shots, and based on a number of shots presented throughout this voiceover, I believe he’s talking about Kylo Ren. In fact according to “Episode VII” Kylo still had training left to do, so he could be training under Snoke’s wing and somewhere in the process, this is uttered. Afterwards, we get our last shot before the Lucasfilm logo appears, which is Rey unleashing a lightsaber.

We then cut to what seems to be early on in the movie, where we see the island Rey and Luke met. Rey’s telling Luke that something’s inside her, going by what I know, that’s undoubtedly the force, unless of course it’s the desire to save the galaxy. We get to see some shots that were shown in the teaser, including a shot of Rey training, followed by some shots we haven’t seen before, which by the way, makes her look like a badass. Speaking of badassery, Rey’s using the force, which makes the ground crack, kind of like what the acorn from “Ice Age” does. Luke then says “I’ve seen this raw strength once before, it didn’t scare me enough then, it does now.” This brings up two things. First of all, I have a question, how many times will the word “raw” be used in the movie? Second, I have a feeling that out of every performance Mark Hamill has given in this franchise thus far, this might end up being his best. That’s the assumption going into my mind after hearing that line.

We soon see Kylo Ren again, he’s in an elevator, and he’s doing what he does best, complaining. For some characters, you might think of this as a quality that makes them horrible to watch. But based on my experience of watching “The Force Awakens” and seeing Kylo Ren in that movie, this is something that has been proven to be funny. Not to mention, it shows how Kylo Ren is human. Let me ask you something, did Darth Vader rage out like this? No. That’s not to say that Darth Vader’s a bad character, I think he’s one of the greatest villains of all time, but this is what makes Kylo Ren, Kylo Ren. Oh yeah, and we also see him in is own ship which looks kinda cool. The best part of this montage has to be the final shots there, we hear Kylo’s voice, he’s talking in an evil manner and we see shots back and forth between him and Leia, who you may know is his mother. There’s a huge part of me that thinks that this could turn into an amazing part of the story where Kylo is terrified within his own boundaries, but at the same time, I wonder if it would be out of character for him, because he did kill his dad and he seemed not to have much of a problem with it. Maybe he’s developed since the last movie, who knows? I love the idea, but I’m skeptical towards the execution.

In the next montage, we’ve got shots of the Millennium Falcon, and one thing you may notice is the bird next to Chewbacca. That creature by the way is referred to as a Porg, and I honestly think he’s gonna be this movie’s best-selling toy. I mean, look at him! I think many kids will want that! I just really hope that he won’t turn into this movie’s version of Baby Groot, which in “Guardians of the Galaxy Vol. 2,” only came off to me as a toy, nothing more. I’m just hoping for at least a bit of substance with this Porg. We also get our first shots of Poe and Finn, who both seem to be in explosive situations. Oh yeah, and Finn’s facing off against Captain Phasma. In the shots showcasing the two duking it out, Phasma seems to be handling some beam or a generic sword and Finn is holding onto what appears to be a sparkly lightsaber. Also this begs the question, does Finn really have the force in him? Because the last movie says otherwise. He almost got slaughtered in the last movie in a lightsaber duel! I hope he makes it!

Next we get into a sign of my fear of the movie just being a ripoff of “The Empire Strikes Back,” which happen to be some shots that take place in what looks like a cave. You know how in “The Empire Strikes Back” Luke is training and he goes into this cave, he finds Darth Vader and there’s this very short duel between them, it’s in slow motion? Yeah, it reminds me of that. I just hope this isn’t a carbon copy or an in your face homage. If it is a homage, I personally hope it’s rather subtle. Another part that could be ripping off “Empire” is when Luke says “This is not going to go the way you think.” It almost reminds me of when Luke goes off from Dagobah to Cloud City and he hasn’t completed his training. You know, after he had a force vision, which quite honestly, is something I wouldn’t be surprised seeing Rey have in this movie. After all, the first moment of the teaser which came out in April gave me the assumption that was going to happen. We soon hear Snoke speak as we see certain shots including some containing action. He says “Fulfill your destiny,” which I can tell he’s probably saying to Kylo Ren, although the next shot of Rey might say otherwise. I personally think he’s saying something else in that circumstance and they’re hiding it. By the way, Rey looks like she’s DOOMED in that shot. If they damage her all over in that shot, I’d say this could be worth your money. I can tell she’s gonna make it, but still.

The last words we hear in the trailer comes from Rey, she says “I need someone to show me my place in all of this.” We then cut to a shot of Kylo Ren’s face, then he casts his hand out. Is he done being evil here? First off, why would the trailer show this? This seems like a little bit too much information revealed in just a number of seconds. Second, this could be really compelling and it would be interesting to see the two band together. Also, speaking of evil, I want to talk about Snoke. I have a feeling that Snoke is going to be this trilogy’s version of The Emperor. You’ve already seen him in hologram form from what it looked like, now you seen him here, he looks smaller, not to mention damaged. He’s kind of similar in terms of attitude with the exception of how he lacks a maniacal laugh. Only time will tell for sure. The trailer then ends suggesting that TICKETS HAVE NOW GONE ON SALE! Woo! Although if I can get invited to a press screening I’d love that. Hey, I review movies! Where’s my press screening?!

After seeing this trailer I do have to say that I’m a little more excited than I originally was. I still think I will end up enjoying certain movies more this year, both movies I already saw such as “Colossal” and “Dunkirk,” along with those I’ve yet to see such as “Blade Runner 2049” and “The Disaster Artist,” however I will say that this movie does look good. I still think it might rip off “Empire,” but maybe it can take certain elements, which I personally consider fine, and make something new out of it. This is also going to be the longest movie in the “Star Wars” saga, at a total of 150 minutes, which I personally find interesting because this installment has the least wipe transitions. If you ask me, I probably will be seeing this opening night, after all I’m a fan so I personally feel it’s my duty. I hope the movie’s good and I don’t think we’ll be seeing many more trailers before this film’s release. December 14th can’t come soon enough!

Having soon both trailers now, my combined excitement received from both trailers, isn’t exactly all that high, however that doesn’t stop me from thinking that “The Last Jedi” will be good. Will it be good? Who knows? We’ve got a couple months to fully determine that. As far as upcoming content goes, I am planning on seeing “Blade Runner 2049” over the upcoming weekend, and I also have a mini series of reviews coming up soon and it’s gonna be for the Marvel Cinematic Universe’s “Thor” installments, which I plan to review in preparation for “Thor: Ragnarok,” which comes out November 3. Stay tuned for more great content, and if you have any thoughts on the new “Star Wars” trailer, tell me what they are. Also, I want to know if you’re planning on seeing “Star Wars Episode VIII.” Are you? Are you not? Let me know down below! Scene Before is your click to the flicks, and may the force be with you!

The Space Between Us (2017): I Need More Space

Posted on by Jack Drees

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“The Space Between Us” is directed by Peter Chelsom who also directed “Hannah Montana: The Movie” and “Serendipity” and stars Asa Butterfield, Carla Gugino, Gary Oldman, and Britt Robinson. This movie revolves around a guy who was born a Martian, he travels to Earth and hangs with a girl which leads to eventual self-discovery.

I’ve heard about this movie months ago when it released in theaters, but I’m reviewing it now considering I found it for ten bucks at Newbury Comics, which if you’re from New England or Long Island, you’d probably already know they’re a chain of stores whose main focus happens to be products in the realm of nerd culture. Interestingly enough, it’s where I buy a good portion of my movies. I also know someone who saw this movie. If you ever notice the header of my blog, you may notice this blog’s operated by “the #NerdArmy’s film critic.” The Nerd Army is a social media group I’m a part of, and one of my pals in that group, Kayla, saw this movie too. She thought it was horrible, so maybe I wasted ten bucks on a piece of crap. Guess what? Kayla was right! I honestly think “The Space Between Us” might just be up there with movies like “Star Wars Episode I” and “Battlefield Earth” as one of the worst science fiction movies ever made.

On paper, this sounds like a cool concept. You’ve seen movies with Earthlings on Mars like “John Carter,” now we have a Martian on Earth. Now, that has been done before generally speaking, just look at all the alien invasion movies we’ve gotten over the years. And I will say this film does look nice at times. Not as nice as Ridley Scott’s “The Martian,” that’s a whole different ballgame. While I may be praising this film from a cinematography perspective, it’s not perfect, because there are jumpcuts in this film and I have seen films like “Manchester by the Sea” where you might just find one and let it slide. Here however, I found three of them. They were all quickly paced and they aggravated the crap out me! Going back to the concept, if you take out the whole interplanetary idea and have the two main characters on the same planet, you might as well have a love story as cringeworthy as Anakin and Padme’s love story when they’re in “Star Wars Episode II.” Although I will say, the movie’s tone had been set far before the romance.

As mentioned, this movie is about the first person born on Mars, or Asa Butterfield’s character of Gardner, who we will get to. It’s established in the very beginning that one character is pregnant with him. The birth of Gardner is soon shown for us all in order to prepare ourselves for what we’re about to suffer through. And speaking of which, we as an audience aren’t the only folks suffering, because the mother dies. By the way, a pregnant woman has never been in space, so I can’t talk about any scientific inaccuracies there. Also, the mother’s death is not a spoiler because this is less than ten minutes into the film. It’s almost as if the mother dying instantly is a signal for how either this movie will make you want to die or the movie itself feeling like it’s going to die.

Asa Butterfield plays the character of Gardner Elliot, the character isn’t exactly someone I hate, in fact that would be directed towards the next character I’m gonna talk about, but the script makes him look like someone I will be eternally ashamed to hang out with. Granted he’s from Mars, but regardless of wherever the heck he’s from, seeing his character was the equivalent of a mom that tries to sound enthusiastic about something when she’s really not as enthusiastic as she sounds. …Or Tyra Banks when she hosts “America’s Got Talent.” By the way, if anyone from NBC or “America’s Got Talent” is reading this, please replace Tyra Banks in season 13 of the show.

Britt Robinson plays Tulsa and as suggested in the recent paragraph, I don’t like her. Sometimes she’s rather annoyed by Gardner which I can understand because they’re from different planets so they wouldn’t behave identically. However as I got to see more of her character, I became irritated with her for a brief period. I wouldn’t say she’s one of the worst characters of all time, but seriously, she was a nutjob!

Also in this movie you have Gary Oldman, or as I like to call him, Robert Carradine with long hair. I don’t even know if that’s all that good of a comparison, but as I watched the movie I thought that was what he looked like at a point. So Bobby–err I mean Gary plays Nathaniel Shepard. Now Oldman probably gave the best performance out of everyone in the movie, but despite what I said, it doesn’t really make the movie that much better. Because I’ve seen good performances in bad movies, such as Emily Blunt in “The Girl on the Train.” For the record, that performance was better than this one, how much better you ask? Well that one would have probably been nominated for a Golden Globe or an Oscar in my book had the movie been better! Oldman’s performance is alright, but there’s not much of anything all that redeeming about it.

Now the love story could definitely be worse. This isn’t like, love at first sight, the movie seemed to establish that the two grew a connection between each other. But the way the movie in general plays out when the love story builds is that it goes from random conversations on videochat to the point when the character of Gardner Elliot travels to Earth making the movie develop a fish out of water story. There was a movie that released this year that actually came out after this one, that being “Wonder Woman.” The fish out of water cliche worked in “Wonder Woman,” but it didn’t work in “The Space Between Us.” In this movie, the fish out of water segment was just awkward, it made me engage in untypical body movements, so based on that you can tell it was just plain awful. There are also moments when I can easily tell it’s supposed to be funny, and maybe it got some chuckles in theater auditoriums, but I watched this movie alone in my room, the only laughs that are going off in here are… actually none. I have not much else to say there. And when we get to a moment when the love takes full effect, guess what happens? Cheesy dialogue! WHO SAYS THE STUFF THAT IS SAID IN THIS MOVIE?! Granted, I’ve never been in love nor have I gone out with anyone with the exception of a prom night, but in real life, this isn’t how people talk! For the record, the guy from Mars is actually saying this mumbo jumbo, but it’s still cringeworthy as hell! I said part of this before, but I’ll say it again! When it comes to the Earthling, I hated her. She reminded me of that teenage girl from “Independence Day: Resurgence” who I actually recall more than a good number of the characters from that movie. Annoying, angry, and unfriendly. This was just a relationship that was just hard to watch, and when the love is in the air, you can’t just help but think about putting a gun in your mouth.

In the end, “The Space Between Us” is simply a movie I’d never want to watch again unless I was being paid. My friend Kayla wasn’t lying after she saw this movie, this really was a meteor that was about to destroy a planet. This movie was originally scheduled to come out December 16, 2016, which is the same day that “Rogue One: A Star Wars Story” came out, although STX pushed it back to February 3, 2017. While it may be good for STX because they didn’t have to compete with a much bigger film, it might just be bad for the viewing public because this probably increased chances of people suffering. By the way, when I said this movie didn’t have to compete with a much bigger film I might as well be lying to you because it competed against “Rings,” which made over thirteen million dollars in the United States as opposed to this movie which made over three million dollars in the United States. Granted the ratings for “Rings” on IMDb at least are lower than “The Space Between Us,” but it doesn’t change the fact that this was pure s*it. I’m gonna give “The Space Between Us” a 1/10. As an idea, this movie sounded cool in ways, but so did “The Girl on the Train.” My next mission is to find a t-shirt that says I survived “The Space Between Us.” One last thing is that there’s an alternate ending to this film. I was watching the Blu-Ray and it was in the bonus features. I’d probably have to watch the original ending again to compare completely, but for now I gotta say the alternate ending’s better. Thanks for reading this review. On the subject of sci-fi, I am planning to see “Blade Runner 2049” sometime soon, I think that’ll be, without argument, a better movie than this crap. Also, if you are currently in a “Blade Runner” frenzy, be sure to check out a post where I talk about what “Blade Runner” has gotten right about the future ahead of its release. Stay tuned for more reviews, and also, I have a couple questions, what is your favorite movie involving Mars? Or, what is the worst science fiction film you’ve ever seen? Answer those questions in the comments! Scene Before is your click to the flicks!

WHAT “BLADE RUNNER” GOT RIGHT ABOUT THE FUTURE: https://scenebefore.wordpress.com/2017/10/06/what-blade-runner-got-right-about-the-future/

What Blade Runner Got Right About the Future

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Just about a month ago, I watched “Blade Runner” for the first time ever. For the record, no, I didn’t intend on doing so because the new one was coming out, however I would have done that anyway. By the way, the main reason I watched it is because it was part of a class curriculum in my school. Anyway, that movie takes place in 2019, which is two years away, and if you read the title of this post, you’d probably already know I’m going to be talking about what “Blade Runner” got right about the future. You’re probably thinking, why you doing this in 2017 and not 2019? I figured it would be appropriate to do it now since there’s gonna be a new “Blade Runner” installment coming out this weekend called “Blade Runner 2049” and I had no review planned for the original. If you’re asking, yes, I do want to see it, but I’m not sure when I will. However, I’ve watched the movie multiple times now, specifically “The Final Cut.” As mentioned, I watched it in school, but I later picked up the 4K Blu-Ray edition even though I don’t have a 4K Blu-Ray player. Throughout watching the movie I picked up on a number of things: The endless inspiration it had on material which arrived after it, the visually pleasing world and effects, and also, considering we are two years away from this movie’s setting, how much it got right about the future, along with how much it could get right in the meantime.

A lot of people are saying that it’ll probably be a bit longer before flying cars become a reality. While they certainly aren’t seen on the streets all that much, it doesn’t mean they haven’t been partially realized. There’s a company called Terrafugia who has made this happen. According to the Wikipedia page labeled “Flying car (aircraft),” Terrafugia announced the first autonomous flying vehicle on May 7, 2013. Now, these babies have not come to market yet and development is going to likely take 8-12 years. So this means these cars might come to market somewhere between 2021-2025. By the way, the name of this vehicle is the TF-X and there is a page on Terrafugia’s website about it. If you’re interested in checking it out, click the link down below! Also something interesting I just found out, their headquarters, located in Woburn, Massachusetts, is actually a couple towns away from where I live! So that means I’m currently a couple towns away from possibly future history in the making!

https://www.terrafugia.com/tf-x/

In “Blade Runner,” you’re seeing Replicants, artificial creatures, and scanners to confirm one’s identity, so it’s not really much of a surprise that another thing they’ve gotten right is the rise of technology. Sure, this can apply to flying cars, but I feel that deserves its own topic. This is something that a movie thought of before the release of “The Terminator.” Not only does technology control our everyday lives, but it comes off as superior to humanity in various ways. For example, with the rise of chess computers in the 1980s, they’ve beaten some of the world’s best chess players. Also, stores are now commonly using self-checkout, heck! People aren’t even going to stores anymore! Just look at what Amazon’s doing right now! It’s not just stores that are doing this, McDonald’s put self-checkout in its locations in 2016. By the way, they already had a number of these, this was the time when it was put to absolute use. They did this because the employees at McDonald’s wanted a $15 minimum wage. By the way, f*ck McDonald’s. I’ve been on the MBTA (Massachusetts Bay Transportation Authority) to ride trains into Boston and they barely even announce anything manually anymore! In fact, they’re soon replacing their Orange Line trains with newer models, some of their last trains that only allow manual announcements. Not to mention on the topic of computers, not just ones that can play chess and win, we’ve even had IBM Waston, a computer that can play “Jeopardy!” and take victory against two of its winningest contestants, Ken Jennings and Brad Rutter! I wouldn’t be surprised to go to restaurants in the future and instead of seeing waiters or waitresses, I just see robots coming to you and taking orders! Who knows really, only time will tell.

I want you to take a moment to observe this shot, what do you notice? If you’re thinking that’s Harrison Ford holding a gun, you’re right, but that’s not what I’m talking about. What I’m talking about in this shot, is the rain. 2017 has been a hard year in terms of natural disasters, specifically hurricanes. This year we’ve seen hurricanes such as Harvey, Maria, and Irma. This is more rain than usual in any sense of the word. I won’t get into climate change or global warming because the movie didn’t really suggest any of that specifically, but the rain may have suggested all the pollution we’re getting. Who knows what it could be from? Maybe all the flying cars aren’t as efficient as those on the ground. If you watch the movie, look very carefully, because you’ll be able to see it’s raining a good portion of the runtime. In movies, it usually rains during certain situations such as a dramatic fight scene like in “The Matrix Revolutions” or to move the story along like in “Bee Movie.” The rain is much more common here than those films.

Much like flying cars, this isn’t really something that’s technically happened, but it is potential to happen soon, which is people living off of Earth. In the movie, they talk about off-world colonization, suggesting that people started living their lives on planets that aren’t Earth. Right now in the real world, people are actually getting ready to colonize Mars. There’s actually a couple of missions that are planned in future decades from SpaceX and Mars One. SpaceX wants to see colonization begin in 2022 and Mars One wants to see it begin in 2032. Not only are organizations planning to colonize it, but people are just planning to just travel to and fro. This is something that both the US and Russian governments are planning in the 2030s.

If you think I missed something that “Blade Runner” got right about the future, please let me know about it. I actually almost put sex robots on here, but the furthest we’ve gotten with them as far as I know happens to be prototypes plus I don’t even know if I fully trust the sources I’m getting this info from. For those of you wondering what I’m talking about, just watch the character of Pris in this movie. If you want to talk about something different related to “Blade Runner,” well then what are your thoughts on the movie? Are you excited for the sequel? I’m personally excited if you ask me, I will hopefully have my review of “Blade Runner 2049” very soon. Also, in terms of upcoming reviews that AREN’T “Blade Runner 2049” I do want to see “Stronger,” and I might also have interest in another film coming out this weekend, “The Mountain Between Us,” starring Idris Elba and Kate Winslet as two people who crash a plane on a mountain and go on a journey together. Stay tuned for more great content! Scene Before is your click to the flicks!