Digger (2026): I Didn’t Dig It

“Digger” is directed by Alejandro González Iñárritu (The Revenant, Birdman) and stars Tom Cruise (Mission: Impossible, Top Gun), Riz Ahmed (Sound of Metal, Rogue One: A Star Wars Story), John Goodman (Revenge of the Nerds, The Big Lebowski), Sandra Hüller (Project Hail Mary, Anatomy of a Fall), Michael Stuhlbarg (Doctor Strange, Boardwalk Empire), and Jesse Plemons (Game Night, Civil War). This film is about a powerful man who must prove to mankind he is their savior before a disaster he’s unleashed destroys everything.

© Warner bros co.

When I go into a movie, I typically do so having watched at least one piece of marketing. Making a good marketing campaign for a movie is hard, because there is a line. You cannot reveal everything, but you have to show just enough to the point where you can communicate to the audience what it is you are selling. You have to set the tone. Maybe if you are doing a comedy, you need at least one joke, but not too many. If you are doing an action movie, you need to unveil the plot, if the movie is smart enough to provide one, while also utilizing some sick sequence cuts. I remember back when I was a teenager I often avoided watching horror movies when they came out. Not because I thought I would be too scared of them, but because they show a lot of scares in the trailer to the point I feel less creeped out by whatever film said scare is coming from.

Now… What does this have to do with “Digger?” Let’s just say that if there was ever a fine example of a bewildering marketing campaign, “Digger” is it. The film tries its best to give a sense of what it is about or what it is in it, but it is not entirely effective in doing so. There is a reason why “Digger,” a film that cost at least $125 million to make, only opened to $8 million domestically. The movie has been out for nearly three weeks as of this publication, and it has only made $42 million at the box office.

© Warner bros co.

This is not to say that “Digger’s” campaign did not have selling points. Tom Cruise is one of the most recognizable names in Hollywood. While not as well known as Christopher Nolan or Steven Spielberg, Alejandro González Iñárritu is a well-liked filmmaker, having done award-winning work including “Birdman” and “The Revenant.” With this actor-director combo at the forefront, it seemed like a winning pair to start the 2026-2027 awards season. Note the use of the word “seemed.”

“Digger” is not the most incompetent film of 2026. But it does not change the fact that at times it felt like watching paint dry. Though I would not say it was cheap paint. It would be some of the most exquisite, fine, pristine, and downright divine paint mankind has ever seen. Nothing about “Digger” looks cheap. Everything from the recognizable cast members to the articulate makeup work to the posh production design to the filmmaking techniques. Much like last year’s “One Battle After Another,” this film was shot on VistaVision. Both films utilize the technology well. I have very few, if any complaints about how this movie was framed. Almost every shot looked like it belonged in a snobby art museum. I also had the privilege of seeing this film at an IMAX GT Laser-equipped theater. The screen is just a smidge off of VistaVision’s aspect ratio. For nearly the entire movie, you could see the tiniest sliver of black bars.

I may be boasting about the film’s looks, but it does not mean I should forget about its personality. The film definitely has one. It is oftentimes energetic, even if most of it is just people walking or talking. The film comes off as a louder, less colorful Wes Anderson project. It is as if Wes Anderson had a baby with Rian Johnson. Iñárritu’s direction unveils a lot of attention to detail in each scene. There are a couple moments where the talent is doing extremely specific movements while sitting down, thus allowing for certain comedic sound effects or facial expressions… There is also a physical gag involving a shovel on the floor that, admittedly, got old fast, but I do appreciate the effort that was put into it.

While this is a film that did not amuse me, it is at least one that I can see particular audiences thinking it is a banger. I have talked to people since the movie came out and they seem to adore it. This is a film that I can see certain people really loving or absolutely despising. I am not saying there is no middle ground with “Digger,” but there is a pivotal moment in “Digger” that is getting some discussion amongst viewers, including myself. That is the moment where I went from being somewhat onboard with “Digger,” to thinking this film kind of went off the rails. Note the use of the phrase “kind of,” as this film was already giving an unhinged vibe from the start.

© Warner bros co.

This film does make sense. I would not go as far as to say it has any obvious, no pun intended, story holes, but it does not mean I was a fan of the way the story was executed. Two-thirds or three-quarters of the way through the story, the film, without specific spoilers, basically pulls a “Don’t Worry Darling.” For those who must know about my experience watching “Don’t Worry Darling,” I found the film to be somewhat intriguing for the first half, but there is a pivotal moment in the second half where I questioned if that first half even mattered. It felt like the stakes went from surfing on top of a giant wave to crashing head first into the sand. Was there perhaps a point to that first half? Sure. But because the stakes stooped to such a low at a certain point, it was difficult for me to get invested in anything that was going on for the remainder of the runtime. The final scene almost saved the film, but there was a moment prior where I just stopped caring.

I want to like every movie I see, but I especially wanted to like “Digger.” Not only is it an ambitious effort overseen by a revered filmmaker, but the lead is played by one of my favorite actors. Also, on its surface, it seems to serve a decent message about how much humans have screwed up the planet. And those who played a massive role in the planet’s destruction seem to know about it and refuse to care. There are great films that remind viewers about humanity’s less than stellar relationship with the environment. Heck, I rewatched “WALL-E” last month and it holds up tremendously. “Digger” on the other hand, looks like a well-oiled machine, but it did not quite stick the landing. The first two-thirds are, overall, above average. But by act three, it sinks like the Titanic. And it most definitely sinks like the Titanic, considering how the villain of this film is a gigantic chunk of ice.

© Warner bros co.

In the end, “Digger” is a project where people are clearly firing on all cylinders. From Alejandro González Iñárritu behind the camera to Tom Cruise in front of it. The film gets an A for effort, but sadly, those efforts feel like a waste. There are a fair slate of bad movies that I watched over the years that are so unappealing that I wind up forgetting them. “Digger” is probably not a film that I am going to forget, at least not in the immediate future. However, part of me wishes I could forget this experience, especially around act three where I went from being intrigued to frustrated to bored. I love Tom Cruise, and he definitely gives it his all, but I am not going to look back at this project as one of my favorites that he has done. I am going to give “Digger” a 3/10.

“Digger” is now playing in theaters. Tickets are available now.

Thanks for reading this review! If you have not done so already, be sure to check out the latest episode of the Scene Before original series “Movie Requests,” which features special guest Joe Gatto of “Impractical Jokers!” Click the video to find out his film suggestion, “Gringo,” gets a thumbs up or if it is tonight’s big loser! If you enjoy the video, leave a like and subscribe to my YouTube channel! I will have more Movie Requests episodes coming soon, so stay tuned!

My next review is going to be for “Other Mommy.” Stay tuned! Also coming soon, I will be sharing my thoughts on “The Social Reckoning,” “Sense and Sensibility,” and “Whalefall.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Digger?” What did you think about it? Or, what is a film that you did a complete 180 on as you were watching it? What is a movie that you found enjoyable until a key moment later on where the wheels fell off the wagon? Let me know down below! Scene Before is your click to the flicks!

Project Hail Mary (2026): A Spectacular, Awe-Inspiring Adaptation of Andy Weir’s Hit Novel

“Project Hail Mary” is directed by Phil Lord and Christopher Miller (Cloudy with a Chance of Meatballs, The LEGO Movie) and stars Ryan Gosling (La La Land, Blade Runner 2049), Sandra Hüller (Anatomy of a Fall, Zone of Interest), James Ortiz (Cryptid, The Woodsman), and Lionel Boyce (Loiter Squad, The Bear). This film is based on a novel by Andy Weir, who also wrote the book “The Martian,” which has since been adapted into a hit movie starring Matt Damon. “Project Hail Mary” follows a middle school teacher-turned-astronaut by the name of Ryland Grace who is put on a mission to stop a mysterious substance from destroying the earth’s sun.

I am not that much of a reader. Although there have been rare occasions where a movie would come out and I would read the book sometime before seeing it. I did this years ago for “The Martian,” by Andy Weir, which has become one of my favorite reads. The movie, while not as good as the book, is utterly amazing. Much like the book, I found the movie to be extremely funny and endlessly engaging. As someone who found myself to be a fan of Andy Weir’s writing style, I thought I would give the “Project Hail Mary” book a shot. I barely finished it before I saw the movie, but I really liked the book. It maintains the humor that Weir mastered in “The Martian,” while delivering something more complicated and adventurous. I think “The Martian” is the superior read, but both books are winners.

The hype train was real going into “Project Hail Mary.” Not just because it was based on a well received book… Not only because I happen to concur with those who say the book is great… Not just because I am a sci-fi junkie… Not just because it stars Ryan Gosling… Not just because it is directed by Phil Lord and Christopher Miller… But the trailers and the footage leading up to the movie, for the most part, looked incredible. The effects were pure eye candy. The sets looked great. The camerawork looked awe-inspiring. The film was even shot in true IMAX… Granted, it is technically digital. But still.

Maybe I am overexaggerating my excitement a bit. If there is any movie this year I would have been looking forward to more than any other, it would be “The Odyssey,” but “Project Hail Mary” was up there based on everything that I have seen, heard, and read prior to checking it out, including the overwhelmingly positive reviews.

Ladies and gentlemen, believe the hype. Actually… No. The hype might actually be too small.

“Project Hail Mary” is the best movie I have watched in years.

It has not been since “Godzilla Minus One” that I walked out of a movie buzzing so excessively.

As previously mentioned, I have read the book. I thoroughly enjoyed the book. I thought the way Weir told the story was unique. I think I prefer the movie. If you told me that Steven Spielberg directed this film, I would believe you. I said this some time ago with “Arco,” but I meant that more as a statement on the film’s style rather than its quality. This not only reminds me of some of Spielberg’s past movies, but it is just as watchable as some of his greatest hits. My dad, who for the record did not read the book, saw the movie with me. He had a great time. He said the movie reminded him of “Close Encounters of the Third Kind.” To me, “Project Hail Mary” feels like “E.T.” for a new generation. Only this time around, not as much of the story is set on earth.

Honestly, there are a number of filmmakers whose work I could compare this to, and I mean that as a positive. This film reminds me of some of my favorite projects said filmmakers have done. In addition to this film delivering Spielberg vibes, it comes off as what would happen if a Christopher Nolan epic had a baby with a James Gunn adventure. It has the scope and ambition of one of Nolan’s blockbusters and the humor and fun of Gunn.

This movie is a pure bundle of joy. I should not be surprised, as this movie is done by Phil Lord and Christopher Miller, who have produced some of my favorite films of the past decade like “The Mitchells vs. the Machines” and the “Spider-Verse” movies.

They have also done “The LEGO Movie,” which is so much better than it should be. If I ever have a conservations with people discussing my personal favorite films of all time, I am proud to say “The LEGO Movie” and “Project Hail Mary” will both likely be part of said conversations.

No, seriously, who is Ryan Gosling’s agent? Because his resume, especially over the past ten years, is filled with banger after banger after banger, with this film being the latest example. “La La Land” is extravagant and otherworldly. “Blade Runner 2049” was amazing despite not doing so hot at the box office. “First Man” was moving. “Barbie” was not just a good movie, but Gosling practically stole the show. When I think of the best actors working today without an Oscar, Gosling is somewhere close to the best of the best. After seeing “Project Hail Mary,” I am convinced that not only is Gosling capable of being nominated, but also of winning an Oscar next year. Granted, it is only spring. The Oscars are practically a year from now. But I have a feeling that Gosling’s performance can sit well with people through the coming months as he is given lots to do and handles all of it with excellence.

It also helps that he plays such a likable character. There is a line in this film where Ryan Gosling’s character, Ryland Grace, says he puts the “not” in astronaut. As corny as that may sound, that line solidifies his entire journey. I do not want to spoil everything that happens in this movie, but the narrative constantly unfolds bits and pieces of the character as it goes along through its clever non-linear format. Much of the film is set in space, but there are portions that take place on earth, and those portions are surprisingly engaging. Grace is a middle school teacher, which only adds to his likability. Remember “Interstellar?” Arguably the biggest drive Cooper has in that film that allows him to try to save earth are his children. Grace does not have any kids, but his middle school class, while temporary, almost comes off as a set of children he never had.

In a multitude of other possible movies, Grace would be the star of the show. But one character constantly steals the spotlight, and that is Rocky. Much of the film features these two in close quarters as they learn about each other, their worlds, their backstories on how they found each other, to the point where they end up working together not only to save earth, but Rocky’s own planet.

Remember the Grogu craze when “The Mandalorian” came out? It felt like for months that Grogu fever, and by extension, merchandise, was everywhere. Heck, I own a pair of Grogu socks that are worn out, but I cannot get rid of them. They’re comfortable, and I like the design. There is a fine line that a film rides with a “merchandisable” character, which I would say Rocky just so happens to be. For me, to get me to buy a character’s merchandise, I would prefer to realize I like said character before wasting my money. Thankfully for this film, Rocky is a riot. Having read the book, I had no clue how they were going to portray him in the movie, but I was actually surprised with how much I loved his first moments on screen. He is adorable, but also rather smart. Rocky is a winning combination. James Ortiz does an excellent job on the voice. Given how Rocky is an alien, the communication styles vary significantly between him and Grace, but I enjoyed getting to see how the movie showcases both characters as they learn how to communicate back and forth.

Rocky also has the best line in the movie, and without giving any context to the situation, all I will say is that it involves a guy named Mark. You will know it when you hear it.

I said before that this film reminded me a lot of “E.T. the Extra-Terrestrial” and I could sum up the basic reasons… Both films heavily feature bonds between a human and an alien. Both have inspiring musical scores. Both have characters who want to do what they can to get home. But the real reason why I find this to be “E.T.” for the next generation is that the film is an incredibly emotional experience. I did not cry during “Project Hail Mary,” but I would not be surprised to be sitting during this film again and seeing other people wiping tears off their faces. This film has everything that reminds me of why I love the movies. Well-realized characters with their own quirks… A great story that enlightens the soul… Stunning visuals and audio that excite on every level.

Some could argue that I am rather predisposed to liking “Project Hail Mary.” Not only did I read the book and like it, but if you know me well, you would know that sci-fi is my preferred genre. It does not mean every science fiction tale is great. I have seen a few “Star Wars” movies I would rather forget. In fact, having read the book, I recognize that not everything from the source material is going to find its way into the film. It is too long, and I think the general audiences can only take so much technical and scientific jargon. Are there things from the book that I am disappointed are not in the movie? Yes. There is a pinch of backstory involving Stratt towards the book’s end that moved me. But these are two separate things. I am not going to let the dismissal of that material affect my verdict of the film, because as a general movie, regardless of what it was based on, this was one of the most unbelievable experiences I have ever had.

“Project Hail Mary” presents a universal problem, as a mysterious creature is causing the sun to die. On the surface, one would think this film is about saving the world. And in a way, it is. But as soon as Rocky is brought into the picture, the film basically gets to the point where both he and Grace think bigger. The journey these two go on together as friends is truly something. I could honestly watch a weekly sitcom starring these two. But the film, as fun and joyous as it is, is simultaneously sad. You have this protagonist who minute by minute is trying to remember every little thing about himself. He finds out he is alone. He is tasked with mankind’s most important mission, and his only escape appears to be Rocky. And you might think he has people back on earth to save. Sure, he has the people he knows from his school. But he has no lover, no pets. Nobody. All he has is himself, the children he will likely only see for portions of his life, and Rocky. But the film manages to balance the sadness with more optimistic moments, hilarious lines, and a satisfying ending. This is the kind of movie that I can see a lot of people going to multiple times, bringing new people with each go. Heck, I am already thinking about who I would bring for a second viewing. If you are still reading this and have not seen this movie, please stop what you are doing and go check it out. Do not pirate the film. Go to a theater. See it on a big screen. Do it as soon as you possibly can.

In the end, I cannot stop thinking about “Project Hail Mary.” I read the book before checking out this movie, but I have to say I enjoyed the movie more than I did the book. There are certain scenes in this film that honestly play out ten times better as visuals rather than text. I have a pretty active imagination, but even I have to say some of these scenes were better than how I interpreted them. Ryan Gosling gives the performance of a lifetime. James Ortiz is fantastically cast as the voice of Rocky. Sandra Hüller does a great job as Stratt. Overall, the cast brings their A-game. The musical score is riveting. The cinematography is easy on the eyes. Phil Lord and Christopher Miller deliver a spectacle for the ages. Everything in the story from the beginning to end had me hooked. It is a longer film at two hours and thirty-six minutes, but it is never boring! Please go see this movie. It will make you laugh. It may even make you cry. Amazon does not have a long history as a film distribution company, but this is easily my favorite film they have put out thus far. If you are reading this review around its publication, do not wait for Prime, if there is a prime time to go see “Project Hail Mary,” it is now. I am going to give “Project Hail Mary” a 10/10.

“Project Hail Mary” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! I want to remind everyone that in honor of Scene Before’s 10th anniversary, I started a new series called Movie Requests and if you would like, you can now check out my latest episode, where “Jay and Silent Bob Strike Back” star Jason Mewes requests I talk about “House Party.” And if you want to see future episodes, please consider subscribing to my YouTube channel that way you can see them as soon as they drop!

My next review is going to be for “Ready or Not 2: Here I Come!” Also, coming soon, I will be sharing my thoughts on “They Will Kill You,” “You’re Dating a Narcissist!,” “The Super Mario Galaxy Movie,” and “The Drama.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Project Hail Mary?” What did you think about it? Or, did you read the “Project Hail Mary” book? What did you think about that? Let me know down below! Scene Before is your click to the flicks!