The Space Between Us (2017): I Need More Space

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“The Space Between Us” is directed by Peter Chelsom who also directed “Hannah Montana: The Movie” and “Serendipity” and stars Asa Butterfield, Carla Gugino, Gary Oldman, and Britt Robinson. This movie revolves around a guy who was born a Martian, he travels to Earth and hangs with a girl which leads to eventual self-discovery.

I’ve heard about this movie months ago when it released in theaters, but I’m reviewing it now considering I found it for ten bucks at Newbury Comics, which if you’re from New England or Long Island, you’d probably already know they’re a chain of stores whose main focus happens to be products in the realm of nerd culture. Interestingly enough, it’s where I buy a good portion of my movies. I also know someone who saw this movie. If you ever notice the header of my blog, you may notice this blog’s operated by “the #NerdArmy’s film critic.” The Nerd Army is a social media group I’m a part of, and one of my pals in that group, Kayla, saw this movie too. She thought it was horrible, so maybe I wasted ten bucks on a piece of crap. Guess what? Kayla was right! I honestly think “The Space Between Us” might just be up there with movies like “Star Wars Episode I” and “Battlefield Earth” as one of the worst science fiction movies ever made.

On paper, this sounds like a cool concept. You’ve seen movies with Earthlings on Mars like “John Carter,” now we have a Martian on Earth. Now, that has been done before generally speaking, just look at all the alien invasion movies we’ve gotten over the years. And I will say this film does look nice at times. Not as nice as Ridley Scott’s “The Martian,” that’s a whole different ballgame. While I may be praising this film from a cinematography perspective, it’s not perfect, because there are jumpcuts in this film and I have seen films like “Manchester by the Sea” where you might just find one and let it slide. Here however, I found three of them. They were all quickly paced and they aggravated the crap out me! Going back to the concept, if you take out the whole interplanetary idea and have the two main characters on the same planet, you might as well have a love story as cringeworthy as Anakin and Padme’s love story when they’re in “Star Wars Episode II.” Although I will say, the movie’s tone had been set far before the romance.

As mentioned, this movie is about the first person born on Mars, or Asa Butterfield’s character of Gardner, who we will get to. It’s established in the very beginning that one character is pregnant with him. The birth of Gardner is soon shown for us all in order to prepare ourselves for what we’re about to suffer through. And speaking of which, we as an audience aren’t the only folks suffering, because the mother dies. By the way, a pregnant woman has never been in space, so I can’t talk about any scientific inaccuracies there. Also, the mother’s death is not a spoiler because this is less than ten minutes into the film. It’s almost as if the mother dying instantly is a signal for how either this movie will make you want to die or the movie itself feeling like it’s going to die.

Asa Butterfield plays the character of Gardner Elliot, the character isn’t exactly someone I hate, in fact that would be directed towards the next character I’m gonna talk about, but the script makes him look like someone I will be eternally ashamed to hang out with. Granted he’s from Mars, but regardless of wherever the heck he’s from, seeing his character was the equivalent of a mom that tries to sound enthusiastic about something when she’s really not as enthusiastic as she sounds. …Or Tyra Banks when she hosts “America’s Got Talent.” By the way, if anyone from NBC or “America’s Got Talent” is reading this, please replace Tyra Banks in season 13 of the show.

Britt Robinson plays Tulsa and as suggested in the recent paragraph, I don’t like her. Sometimes she’s rather annoyed by Gardner which I can understand because they’re from different planets so they wouldn’t behave identically. However as I got to see more of her character, I became irritated with her for a brief period. I wouldn’t say she’s one of the worst characters of all time, but seriously, she was a nutjob!

Also in this movie you have Gary Oldman, or as I like to call him, Robert Carradine with long hair. I don’t even know if that’s all that good of a comparison, but as I watched the movie I thought that was what he looked like at a point. So Bobby–err I mean Gary plays Nathaniel Shepard. Now Oldman probably gave the best performance out of everyone in the movie, but despite what I said, it doesn’t really make the movie that much better. Because I’ve seen good performances in bad movies, such as Emily Blunt in “The Girl on the Train.” For the record, that performance was better than this one, how much better you ask? Well that one would have probably been nominated for a Golden Globe or an Oscar in my book had the movie been better! Oldman’s performance is alright, but there’s not much of anything all that redeeming about it.

Now the love story could definitely be worse. This isn’t like, love at first sight, the movie seemed to establish that the two grew a connection between each other. But the way the movie in general plays out when the love story builds is that it goes from random conversations on videochat to the point when the character of Gardner Elliot travels to Earth making the movie develop a fish out of water story. There was a movie that released this year that actually came out after this one, that being “Wonder Woman.” The fish out of water cliche worked in “Wonder Woman,” but it didn’t work in “The Space Between Us.” In this movie, the fish out of water segment was just awkward, it made me engage in untypical body movements, so based on that you can tell it was just plain awful. There are also moments when I can easily tell it’s supposed to be funny, and maybe it got some chuckles in theater auditoriums, but I watched this movie alone in my room, the only laughs that are going off in here are… actually none. I have not much else to say there. And when we get to a moment when the love takes full effect, guess what happens? Cheesy dialogue! WHO SAYS THE STUFF THAT IS SAID IN THIS MOVIE?! Granted, I’ve never been in love nor have I gone out with anyone with the exception of a prom night, but in real life, this isn’t how people talk! For the record, the guy from Mars is actually saying this mumbo jumbo, but it’s still cringeworthy as hell! I said part of this before, but I’ll say it again! When it comes to the Earthling, I hated her. She reminded me of that teenage girl from “Independence Day: Resurgence” who I actually recall more than a good number of the characters from that movie. Annoying, angry, and unfriendly. This was just a relationship that was just hard to watch, and when the love is in the air, you can’t just help but think about putting a gun in your mouth.

In the end, “The Space Between Us” is simply a movie I’d never want to watch again unless I was being paid. My friend Kayla wasn’t lying after she saw this movie, this really was a meteor that was about to destroy a planet. This movie was originally scheduled to come out December 16, 2016, which is the same day that “Rogue One: A Star Wars Story” came out, although STX pushed it back to February 3, 2017. While it may be good for STX because they didn’t have to compete with a much bigger film, it might just be bad for the viewing public because this probably increased chances of people suffering. By the way, when I said this movie didn’t have to compete with a much bigger film I might as well be lying to you because it competed against “Rings,” which made over thirteen million dollars in the United States as opposed to this movie which made over three million dollars in the United States. Granted the ratings for “Rings” on IMDb at least are lower than “The Space Between Us,” but it doesn’t change the fact that this was pure s*it. I’m gonna give “The Space Between Us” a 1/10. As an idea, this movie sounded cool in ways, but so did “The Girl on the Train.” My next mission is to find a t-shirt that says I survived “The Space Between Us.” One last thing is that there’s an alternate ending to this film. I was watching the Blu-Ray and it was in the bonus features. I’d probably have to watch the original ending again to compare completely, but for now I gotta say the alternate ending’s better. Thanks for reading this review. On the subject of sci-fi, I am planning to see “Blade Runner 2049” sometime soon, I think that’ll be, without argument, a better movie than this crap. Also, if you are currently in a “Blade Runner” frenzy, be sure to check out a post where I talk about what “Blade Runner” has gotten right about the future ahead of its release. Stay tuned for more reviews, and also, I have a couple questions, what is your favorite movie involving Mars? Or, what is the worst science fiction film you’ve ever seen? Answer those questions in the comments! Scene Before is your click to the flicks!

WHAT “BLADE RUNNER” GOT RIGHT ABOUT THE FUTURE: https://scenebefore.wordpress.com/2017/10/06/what-blade-runner-got-right-about-the-future/

The Firm (1993): Life’s a Mitch

Hey everyone, Jack Drees here! This Friday, there will be a new movie out called “American Made.” It stars Tom Cruise, it’s directed by Doug Liman (The Bourne Identity, Jumper), and it’s not the first time these two are teaming up together. They worked on “Edge of Tomorrow” together. By the way, an “Edge of Tomorrow” review isn’t going to be done now or anytime soon, if I had the movie I’d probably look at it and review it, but I don’t. Also, good movie, check it out. Anyway, this review is the last installment of my past Tom Cruise movie series, so far I’ve done reviews for “The Last Samurai” and “Risky Business.” What’s my last movie? If you’re seriously asking that, look at the freaking title! But seriously, today I’ll be reviewing “The Firm.” After watching this movie, I have a good number of things to talk about, so let’s get to it!

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“The Firm” is directed by Sydney Pollock (Tootsie, Out of Africa), and stars Tom Cruise, Jeanne Tripplehorn (Waterworld, Basic Instinct), and Gene Hackman (Superman, The French Connection), and revolves around the character of Mitch McDeere, a young lawyer who went to Harvard who goes to work at a firm which he soon discovers has a dark side.

For the record, this is the first time I watched “The Firm.” Last month I got a Triple Feature Blu-Ray pack featuring three Tom Cruise flicks: “Collateral,” “Days of Thunder,” and this one. When I told my mother I was watching this movie, her reaction almost sounded like she founded the Fountain of Youth. She loves this movie, and she also loves the book. By the way, the book is written by John Grisham, writer of novels such as “The Chamber,” “Skipping Christmas,” and “A Time to Kill.” After watching “The Firm.” I don’t know what to think. Part of me feels the need to read the book, and I don’t mean that in a positive way. “The Firm” made me rather want to take a bar exam as opposed to watching the movie. Before we dive into negatives, let’s dive into some positives.

The cast for “The Firm” is undoubtedly outstanding. Tom Cruise is, well, Tom Cruise. This isn’t really his best performance, you can still see a bit of Tom Cruise himself while watching this, but you can totally buy into his character. Jeanne Tripplehorn as Cruise’s wife, Abby, does her job well, the chemistry between the two is believable and there’s a scene that personally stands out. Although admittedly I didn’t really care about their relationship in the end, which I will come back to. Gene Hackman was also pretty good as the character of Avery. Also, some of the supporting characters are played by respectable actors who gave good performances throughout the picture. For example, Holly Hunter (Raising Arizona, The Incredibles), she played he character of Tammy Hemphill, Hunter’s performance delivered a lot of charm. It almost sounded fantastical and was almost shot up the sky high enough to reach over the top territory, but it doesn’t mean it wasn’t charming. Hunter’s performance was also nominated for an Academy Award by the way. One of my biggest surprises I encountered during the movie’s runtime is that Gary Busey (Point Break, Lethal Weapon) has a role in it. His performance is definitely one of the best in the entire movie and it was aced from scene one. He’s barely in it, but if you check this movie out, look forward to Busey.

The cinematography for this film, while somewhat conventional, was pretty good. This was shown during the scene towards the end of the movie with Tom Cruise running, which I personally like because it doesn’t really do any quick cutting or jumpcutting or anything like that.

Now let’s dive into my first negative of the film, and this is something which if you have seen the film, you’ll probably disagree with me on, and that is the music. Here’s the thing about the movie’s music, at times, it meshes well with the movie, but at other times, it could have been altered. In fact, the film is using a piano in a lot of it’s music, the way the piano’s being used almost reminds me of a silent film. If you like the movie’s music, that’s great! You’re allowed to like it, but it really just didn’t flow that well at times. On a sidenote, one reason why I brought up the possibility of you disagreeing with me on the music is because it received an Oscar nomination. By the way, the composer of this movie’s music, Dave Grusin, is also the composer of music featured in various films which came out before this one such as “The Goonies” and “Tootsie” and Grusin also happens to be the musical composer of various films which came out after this one such as “Hope Floats” and “Selena.”

Also, the pacing of this film seems to be all over the place. I don’t know about you, but I felt like I was watching a completely different movie than my mother (refer to third paragraph). While this is mainly a thriller, it almost felt like it wanted to focus a lot as a romance film. It almost felt like it wanted to be two different movies at once. Now don’t get me wrong, films that are about something in particular can have romances interjected in there, but this romance almost felt like unnecessary filler at times. Not to mention, I almost didn’t care for anyone because the movie itself bored me at times. There’s a moment where it becomes interesting, then it just goes back to the slow-paced borefest I was already used to. The runtime is 2 hours and 34 minutes long, I’ve witnessed longer films that are better than this, also to be fair I witnessed longer films that are worse than this. As someone who hasn’t read the book, this makes me kinda curious, why is the movie this long? I did a Google search and I found out that the book is 412 pages long, and part of me wonders how much of this movie was taken from the book. Was everything taken from the book? Was everything that was considered “necessary” taken from the book while other stuff was left behind? I kind of want to know. Although with school and everything I don’t really have much time to sit down and read right now, not to mention, movies are more fun! Sorry, books! I’m not saying the movie should completely eliminate the romance which is included in it, but the movie honestly, as a whole, feels convoluted. If it removes various things from the film, things I can’t really come up with right now due to my boredom making my brain lack material from this movie, it might be a better movie.

Before we get into the section where I deliver my verdict, I have a rather humorous story to tell you. I only watched “The Firm” once, meaning I only watched it for this review. I have a Twitter account, by the way, the handle is @JackDrees if you’re interested. On that account, one thing I do occasionally is promote my upcoming material here on Scene Before. When I promote my upcoming material, one thing I would usually do is search for GIFs, otherwise known as the video file that might as well have started a pronunciation war. When I search for GIFs, I try to find footage of something that correlates to the focal point of a post. For example, when I reviewed “Risky Business” as part of this Tom Cruise series, I searched for GIFs related to that, and in a couple promotions I went with a GIF which had Tom Cruise sliding across the floor in his underwear. Now when I decided to review “The Firm,” I went searching for GIFs right away. I typed in “the firm” and “the firm tom cruise.” Both times, I got GIFs featuring Tom Cruise, then I chose the first result. I didn’t even know what it was, it had Tom Cruise in it though, I thought it was good enough because I needed something to promote my review for “The Firm” which you are reading right now. So I inserted the GIF, tweeted, and soon started watching the movie. About an hour or so in, I go to Twitter, and I have a notification waiting for me. Some user I don’t even know who goes by the handle @MrsPetitions replies to me saying “This is from Rain Man though 😂.” First, I’d like to thank @MrsPetitions for the little factoid. Second, I’ve never seen “Rain Man,” so if you’re going to accuse me for my lack of movie knowledge, just be glad it’s not from a movie I’ve seen or a movie that doesn’t have Tom Cruise in it. Third, upon review, there were barely any GIFs I saw for “The Firm” whatsoever. Fourth, this almost set the tone for the movie. It’s almost like Twitter suffered brain damage and immediately forgot what “The Firm” was, you know, kind of like me right now. This movie is forgettable.

In the end, “The Firm” was disappointing. I went into it with, not necessarily high expectations, but based on my mother’s thoughts towards the movie, I was expecting it to be good. I like the cast of the movie, sometimes the dialogue works, the cinematography isn’t all that bad, the film does look presentable, but there aren’t really many qualities that stand out about this film. “The Firm” got some things right, but ultimately needs some improvement. Is the book any better? I don’t know, I never read it, but it will be some time before I come back to this film unless I need something to fall asleep to. I’m gonna give “The Firm” a 5/10. Thanks for reading this review, that’s the end of this Tom Cruise series, I hope to see “American Made” this weekend or some other time soon. I’ll also have you know this Wednesday I’ll be seeing “Kingsman: The Golden Circle,” which I’m really excited for. As far as other upcoming movies go, I’m desperately hoping to catch “Blade Runner: 2049” on opening weekend, but I don’t know whether or not that’ll happen.

Also, I want to let you know that in the future I do have other reviews in mind for past movies, for example, next month I’ll probably review “Thor” and “Thor: The Dark World” in preparation for “Thor: Ragnarok” which comes out November 3rd. If you have any movies in mind that I should review for one reason or another, let me know about it and I’ll keep it in mind. Also, if you want to check out my other entries in this Tom Cruise review series, links to those are down below if you want to read those posts! Stay tuned for more reviews! Scene Before is your click to the flicks!

“THE LAST SAMURAI” REVIEW: https://scenebefore.wordpress.com/2017/09/11/the-last-samurai-2003-not-a-perfect-blossom-but-not-a-bad-one-either/

“RISKY BUSINESS” REVIEW: https://scenebefore.wordpress.com/2017/09/18/risky-business-there-is-no-substitute/

Risky Business (1983): There Is No Substitute

Hey everyone, Jack Drees here! Today I’m continuing my series of Tom Cruise movie reviews. Tom Cruise is one of the most revered actors working today. Over his lifetime, he’s had a lot of movies under his belt, no Oscars, but he was nominated for three of those bad boys. His film acting career began in 1981 with the romantic comedy “Endless Love,” and on September 29, 2017, as far as the United States goes, a new film starring Cruise will be released, which is called “American Made.” Leading up to that film, we’re gonna dive into some of Cruise’s earlier work. To start off the series, I did my review for “The Last Samurai,” which came out in 2003. Today, we’re going back to 1983, to review “Risky Business.” So without further ado, let’s start the review!

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“Risky Business” is directed Paul Brickman, stars Tom Cruise and Rebecca De Mornay (Flipped, Wedding Crashers), and is about a teenage boy whose parents go away and leave him alone at his house. While this happens, the boy is looking for chances to have fun, but this situation gets out of hand soon.

I own the DVD for “Risky Business” and when I actually first got the DVD, my mother said I’d love this movie, and love it I did. This movie seems to be one of those films a lot of people like for one reason or another. It features iconic scenes such as when Tom Cruise is sliding on the floor and dancing in his house to “Old School Rock and Roll.” It has a stellar cast, they all seem to ace their role and pull you into the movie. It feels realistic, it doesn’t feel like a cartoon like “Blues Brothers,” which works as a cartoon-like film, but if you put “Risky Business” side-by-side with “Blues Brothers” right in front of me, chances are I’m gonna say “Blues Brothers” is a fun ride with interesting characters and great humor, but I’m also gonna say “Risky Business” is an art film. It’s not complete goofiness, it’s not absolute absurdity, it’s unquestionable authenticity. Granted there are moments in the film that feel like they can’t be done in real life, but the whole vibe of the movie and the scenes it has can be convincing enough to let you know that this can happen. In some ways this almost feels like a John Hughes film, which is kind of interesting to me because this came out around a time before a lot of his famous movies which he wrote were released. Movies like “The Breakfast Club,” “Ferris Bueller’s Day Off,” “Weird Science,” and “Home Alone,” that is if any of those films were rated R, so this is more like “The Edge of Seventeen,” in some ways when it comes to the mood, which came out in 2016.

Let’s talk about the main character of Joel Goodsen, played by Tom Cruise. Joel is the character that is staying home while his parents are away. While this happens, we see him taking on various responsibilities, hanging with his friends, dancing in his underwear, trying to increase his chances of getting into a high-achieving college, shaping his future, and screwing around with a chick, we’ll get to her in a second. If you ever saw the movie “Home Alone” and ever felt that Kevin in that movie was having the time of his life because his family was away, that is something these two had in common at a point in this movie. The two characters also find themselves in troublesome situations. If you put these two movies alongside each other and tweak them a little bit, you get almost the exact same movie. Joel is simply just a kid trying his best to succeed and at the same time he’s just trying to have some fun, I can relate to that. I might not call a sex worker, I’m 17 after all so I can’t really do that. I live in an area where the age of consent is 16 years old, but still I can’t really do that.

Rebecca De Mornay plays Lana, when we first witness her in the film, she’s actually a call girl who Joel calls one night, and their one night interaction eventually turns into something more. When it comes to casting, there COULD NOT have been a better pick when this movie was in production back in 1982. If you look at De Mornay, she’s basically a dream girl. I’ve gathered this based on her seductive attitude that is executed throughout the film, in terms of overall acting ability, I never really discovered a moment when she was out of character, and JUST LOOK AT HER! She’s also rather funny at times, there’s one line in particular given by her that I find laughable, not sure how many of you agree, but if you watch the movie and hear the tone which it’s delivered and have a realization of the situation at hand, it’s probably gonna make some people laugh. I personally think it’s humorous, so I don’t see why someone else wouldn’t.

JOEL: Don’t steal anything. If I come back here and anything’s missing, I’m going straight to the police. I mean it.

LANA: Joel, go to school. Go learn something.

As far as their relationship goes, this is a relationship that almost seems like it can’t happen in real life, but when watching this movie, you can totally buy into it. This is one of multiple reasons why I’d say this is one of my favorite relationships in all of cinema. Not to mention, how the relationship itself begins is interesting. You see, Lana is a call girl, and she’s someone who Joel calls one night when he has nothing better to do while his parents are gone. When Joel calls Lana, Joel doesn’t even say his actual name to her. Instead of referring to himself as Joel, he says his name is Ralph. Unfortunately for Joel, he failed to realize the cost of what was originally meant to be a one-night stand, which happened to be $300. The acting was perfect during the scene, Joel was questioning Lana, getting a little nervous, and tries to find a way to pay her.

There are a number of supporting characters in “Risky Business,” however my personal favorite would have to be the one in the red shirt you can see in the image above on the left. If you don’t know who I’m talking about, that’s Miles, played by Curtis Armstrong (Revenge of the Nerds, Better Off Dead). And speaking of favoritism, I’m actually going to be talking about something in association with the topic in just a moment, but for now, let’s focus on Miles. Miles is basically a bad influence to Joel, and out of all the supporting characters shown throughout the movie, Miles definitely moved the story along more than any other. One of the redeeming qualities of “Risky Business,” at least to me, is the screenplay. In fact, if you have seen my recent countdown, “Top 10 BEST Movie Quotes,” one of the quotes from this movie, given specifically by Miles himself, is on that list, in fact, let’s reveal that quote once more.

MILES: “Every now and then, say, “What the f*ck.” “What the f*ck” gives you freedom, freedom brings opportunity. Opportunity makes your future.”

In my countdown I described the quote as something that can apply a lot to reality. Think about it. In life, people have ideas, doesn’t matter how brilliant or dumb said ideas are, they’re just around. When it comes to certain ideas, one may be uncertain of how it’ll turn out, it could work out, it might not. But some people might say “What the f*ck,” or “What the hell,” or “What the heck,” because while they have no idea where this idea will lead to or how it will turn out, they feel the show must go on. This is not the only great line Miles gives in this movie, there’s more, including this one early on in the film.

MILES: “I don’t believe this! I’ve got a trig midterm tomorrow, and I’m being chased by Guido the killer pimp.”

That line actually took place during a chase scene, and this took place in a Porsche, speaking of which, let’s talk about this exchange between Miles and Joel once the chase ends.

JOEL: Porsche. There is no substitute.
MILES: (Face peeps from back seat of the car) F*ck you.

Curtis Armstrong literally nailed his performance, and keep in mind, this was his first movie. Then again he has done stage work prior to the making of this film. Much like Tom Cruise, if Curtis wasn’t in this movie, he probably wouldn’t have a film career the size he does today. If Tom weren’t in this movie and showed himself off in a breakout role, it’s possible the chance of Cruise starring in the “Mission: Impossible” movies would be impossible, we would have never seen him ask Goose to talk to him in “Top Gun,” we would have never witnessed him live the same day over and over again in “Groundhog Da–err I mean “Edge of Tomorrow.” Regardless of how much you might end up enjoying this film, this film set the stage for both of these careers to take off. The film was a big hit when it came out, film enthusiasts admired it, both actors played likable characters while giving off good performances. Armstrong may have played the character he was most well known for in the next movie he did, “Revenge of the Nerds,” but if it weren’t for “Risky Business,” it’s quite possible that Armstrong would have never had roles in various pieces of work including “Better Off Dead” and “Moonlighting.” Now let’s bring the subject of favoritism back into play here.

I mentioned this before, and I’ll mention this again. From a fanatical standpoint, I admire Curtis Armstrong. You guys may be thinking that I’m just talking about all of this because of my admiration for the man himself, and while my admiration has encouraged me to discover more about him, he has proven from a critical standpoint, not just in my mind, but in other people’s minds, to be a respectable actor. If you watch some of his work you’d understand. Just watch this movie, “Revenge of the Nerds,” “Ray,” or even some of his voiceover work in shows like “American Dad!.”

Anyway, back to the review. One thing I don’t want to forget is the perhaps slightly overlooked performances given by Joel’s parents. Part of this may have to do with some of the movie’s writing, but as I watched this movie more and more, I’ve grown in terms of admiration towards these two characters. The mother is played by Janet Carroll and the father is played by Nicolas Pryor. While these two barely have any screentime, they certainly serve their purpose. The father comes off as stern, although he never really goes over the top with it with obnoxious yelling and the mother seems to be rather worried. She doesn’t really show it emotionally, but it’s something I picked up on while Joel was with her and the father in the airport as she handed money to Joel. If you watch “Risky Business,” listen very carefully to the dialogue in that scene to see what I mean. A line that’s somehow funny to me that comes out of the father’s mouth is “Do I hear others there?” If this line were given in some other way as opposed to how it sounds in this movie than it wouldn’t be funny, but the delivery here is what makes it humorous to me.

There are a lot of things that I like about this movie, but it doesn’t mean it doesn’t have flaws. One of the most interesting things I discovered concerning the movie’s production is how the ending turned out. The ending that everyone who has watched the film from beginning to end witnessed was not the ending that director Paul Brickman had in mind. His original ending was mostly similar to the one you see in the movie. However when we get to a conversation which takes place in a restaurant Joel and Lana are eating in, we don’t cut away from it. We do get the same cutaways to a couple of young folks giving speeches about their products and the profits they made. Although in the theatrical ending, we cut away from the restaurant and the two are in a park, they’re talking to each other. The talking consists of lines reminiscent of a conversation the two had earlier in the film. Soon we hear this line:

JOEL: “My name is Joel Goodsen. I deal in human fulfillment. I grossed over eight thousand dollars in one night. Time of your life, huh kid?”

The alternate ending is basically the same thing without the cutaway, we see a continuation given to Joel and Lana’s conversation, then Lana sits on Joel’s lap as the two begin to show affection for each other. Then we hear this line:

JOEL: “My name is Joel Goodsen. I deal in human fulfillment. I grossed over eight thousand dollars in one night. Isn’t life grand?”

I personally prefer the alternate ending, and so does Brickman. I prefer it because the original ending feels very tacked on. It doesn’t entirely fit with the movie itself. That’s not to say the ending’s an abomination, it’s not as bad as say, “The Amazing Spider-Man 2,” but it just feels like something that would belong in a different movie. The original ending has a rather comedic vibe, and yes, the movie is funny, but the dramatic tone of the alternate ending seems to fit the movie better and highlight how life isn’t always going to be pretty. Not only that, but it also makes Joel and Lana’s relationship more believable. Now, I mentioned before, there are parts that feel fantastical, but this ending makes this relationship feel more like a relationship. It’s not often that you are in a boyfriend/girlfriend status and talk about bonds in the bank twice in a short period of time. I mean, heck, I can’t recall many times in my life where I hear people talk about bonds in any sort of perspective! Unless we’re talking about possibly Daniel Craig, Sean Connery, Roger Moore, David Niven, Timothy Dalton, Pierce Brosnan, Barry Nelson, or George Lazenby.

If there’s one common genre of movies to come out during the eighties whose movies still hold up today according to many people, that is in fact, the coming of age genre. One guy who has mastered this is John Hughes. Now “Risky Business” came out in 1983, John Hughes has done some work before it came out, including “National Lampoon’s Vacation” which actually came out the week prior to “Risky Business.” Although a lot of John Hughes’s movies came out after “Risky Business” and when I watch this movie, I can’t help but connect them together sometimes with comparisons. Between this movie and “Ferris Bueller’s Day Off,” both have an incident involving a valuable car. Based on my memory, the movie also has a similar vibe to “Sixteen Candles” at various times. Another John Hughes film I like is “Weird Science,” and much like this movie, that one has a fast-paced scene in a car, a rather seductive woman, and younger people doing things that their parents would find troublesome. So in a way, it’s possible that John Hughes’s writing may have been inspired by this movie.

Speaking of kids getting into trouble, part of this movie’s conclusion involves Joel having to own up to actions which occurred earlier in the movie. I love this because it shows the imperfections of Joel, he doesn’t exactly earn complete victory. There are lots of movies where we see someone go down, then go completely up. In this movie, we see someone fluctuating up and down as time goes on.

Another part of the movie I’ve found out others admire is the music. The music in this movie is done by Tangerine Dream, who you may also know as the composer of the music heard in 1984’s “Flashpoint,” the 2013 video game “Grand Theft Auto V,” and the 1987 movie “Three O’Clock High.” The score in this movie overall flows naturally and at times it really takes the movie from being a movie and turns it into art. This is shown during the train scene when Joel and Lana are removing each other’s clothes and are about to make love to each other. Not to mention, when it comes to the movie’s music from a general perspective, it’s kinda catchy. Also the inclusion of outside songs worked too for the scenes they were in. A lot of people say that the “Old School Rock and Roll” scene is iconic, but one scene that I personally feel is overlooked is the scene featuring the song “In the Air Tonight.” This is in the same scene towards the end of the movie that Joel and Lana are about to make love to each other on a train. I love how this music blends into this scene. This just screams sensual. The song is not only groovy, but it does a good job at providing the perfect vibe to the scene that’s at hand, and when it comes to Tangerine Dream’s score, that’s something I can say for that too.

In the end, “Risky Business” is a movie that gets better the more I think about it. There are multiple great characters in the movie. Joel, Lana, Joel’s parents, Miles, Guido, a lot of people shine here. From an editing perspective, this film is amazing. The music blends perfectly with every scene it’s featured in, and the screenplay has numerous quotable lines. On IMDb, this film has less than a 7/10. I think this is a little bit underappreciated as far as entertainment value goes, and as far as moviemaking goes. I’m kind of disappointed that Paul Brickman didn’t do much other work after this movie because this is something I’d watch over and over again. I’m gonna give “Risky Business” a 10/10. But wait! Some of you might be thinking, “Jack! You imbecile! You said this movie had flaws!” A movie can still be a 10/10 and contain flaws. YouTube user Chris Stuckmann reviewed “Batman Begins” and said it had an editing problem but ended up giving it an A+, another YouTuber named Jeremy Jahns reviewed “Baby Driver” and said it was ten minutes too long and ended giving it an “awesometacular,” which is his highest grade. I love “Star Wars Episode VII,” I currently have that as a 10/10 movie, but that movie borrows a lot from the original “Star Wars” trilogy. I loved that movie so much in fact that it was my favorite movie of 2015! So yeah, for now I stand by my 10, it could change, who knows? I originally had this movie at a 9/10. This doesn’t mean the movie’s perfect, it just needs a little extra pieces to complete the puzzle and than I’d say bingo. But seriously, this movie’s underrated and depending on what happens, might be my favorite movie I review in this series of Tom Cruise reviews. Thanks for reading this review, I would like to let you know that next week we will be looking at the final entry in the Tom Cruise series, I’m still deciding on what that movie should be, but if you have any suggestions, leave a comment as to what that movie should be down below and who knows, I might review it. If you want to check out my previous entry to the Tom Cruise series, be sure to check out my review for “The Last Samurai.” If you want to read that review, you’ll either find a red box down below that will take you to it or if you’re on my page where all my posts are in order, it’s the post right below this one. Stay tuned for more reviews! Also, I want to know, what are some interesting stories you have about being home alone without your parents? Or if you are someone who is still living with their parents, perhaps a teenager, what are some interesting things you would do if your parents are gone? Let me know all that down below! Scene Before is your click to the flicks!

The Big Sick (2017): Kumail Nanjiani Plays Himself for Two Hours, and It’s Not Bad

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“The Big Sick” is directed by Michael Showalter and stars Kumail Nanjiani (Silicon Valley, Central Intelligence), Zoe Kazan (What If, Ruby Sparks), Holly Hunter (The Incredibles, Batman v. Superman: Dawn of Justice), and Ray Romano (Everybody Loves Raymond, Ice Age) in a movie which is marketed stating that it’s based on “an awkward true story.” This movie, starring Kumail Nanjiani, as actually about Kumail himself, and this is actually based on the relationship between Kumail and the movie’s love interest, Emily, whose relationship has some blunders having to do with their cultural differences.

Going into this film, I didn’t really know what to think, I believe I do remember seeing ads for this film on TV, and I like Kumail Nanjiani. I’m also a huge fan of Ray Romano, even though in my book he hasn’t really done much of anything worth remembering in recent years. And if you know me well enough in real life, I’m not the type of person who flocks to the theater for rom-coms, although I did see something special in this movie considering it’s based on a true story involving one of the movie’s stars, producers, and writers, not to mention it has excellent scores given by Rotten Tomatoes, IMDb users, Metacritic, etc.

Usually when I talk about characters in a movie, the traditional thing I do is find an image of them related to the movie they’re in. For Kumail Nanjiani’s character, you may notice I’m doing something a little different. Why? Well, as I mentioned earlier, Kumail is playing himself in this movie. In other movies, this would usually be a complaint from some people, like how Melissa McCarthy, Ed Helms, or Adam Sandler might play the same character from movie to movie in some way, shape, or form. Although here, since it’s based on a true story involving an actor playing a past version of himself, this should be the one of the easiest acting gigs in the entire universe. So how does Nanjiani do? He does quite well, I didn’t like him as a character at first, but watching him in this movie, it felt nice seeing him grow as a person. His character was a shining star through this movie, and at times I felt his pain. There’s also one action that happens just about a quarter of the way through the movie as the main plot is developing that took this movie from being good to great.

While we’re on the topic of actors playing themselves, we can’t say the same for the actress playing Emily in this film, however this is Emily in real life. In the movie, she’s played by Zoe Kazan, although I couldn’t find a picture of her in this movie where she’s alone, so this is what you’re gonna have to settle for. Anyways, Emily in this film had some of the funniest lines, I thought she was a truly compelling character, and I thought she brought a lot to the table, although when I say that, consider how she’s a main character in this movie.

As much as this is ultimately Kumail Nanjiani’s movie, he’s one of the people that came up with an idea for it as a whole, I gotta say that in terms of aspects I thought were compelling throughout the movie, Holly Hunter is probably at the top of my list. Casting, GREAT JOB! I have no idea how much this character relates to the actual story, but nevertheless, seeing Holly Hunter as Beth at several points of the runtime just made me want to see more of her. If this were a film released during the fall, Hunter would have a higher chance of being up for an Oscar in my book.

Also, let’s not forget, Ray Romano. As mentioned, this guy hasn’t really done much of anything worth mentioning, and by that, I mean anything relatively acceptable, since “Ice Age: Dawn of the Dinosaurs” back in 2009. He was on Parenthood, which I heard was good, although it’s not aimed at my demographic and I never watched it. I saw him as a guest on an episode of “Kevin Can Wait,” but I completely forgot about it because the show was barely watchable. I can officially say, Ray’s back! I thought he aced his role, I was able to buy into his character, and he played a really good older dad character.

The chemistry shown between Kumail and Emily throughout this movie was believable, and if it wasn’t believable I probably would have taken major points off of this movie’s score, because this is based on true events involving the film’s main character, who is being played by the same person who experienced said events, not to mention that guy wrote and produced the movie with someone else who’s crucial to the film itself. I can’t exactly tell you I’m a guru who oversees every single detail of every person’s life and confirm that what is being shown on screen is entirely true, because I don’t know everything. There’s a good chance that someone could be reading this right now and I don’t know who it is. Granted since WordPress allows you to view what country a reader is from, or the name of the source they found this post, or perhaps a search term somebody used, I might get to know something about a certain reader, but not every detail is revealed. All I can say is, this movie set a very believable mood throughout. Some of the dialogue almost crossed the border to cheesy but it doesn’t go overboard with it and who knows, maybe those cheesy words were spoken.

As far as other complaints in this movie go, I do have a couple. First off, let’s talk about the editing. Overall this movie is well crafted and doesn’t have many flaws when it comes to editing. Although just because it doesn’t have many flaws, doesn’t mean it can’t have a few. There’s one scene in this movie which we see Kumail on a cell phone, it just cuts randomly a couple times, and yet we’re still looking at the same subject, the subject being Kumail in the same situation. It almost reminded me of “You Can’t Have It,” a movie that only 23 users on IMDb gave a verdict to, including me, only that movie had a s*itton more jumpcuts than this movie did, by the way don’t watch “You Can’t Have It.” That’s just a minor problem I have and on the subject of minor problems, is the product placement. I get it, films need product placement sometimes. But I remember seeing numerous scenes with a laptop in it, and just about every time, there was a MacBook. Oh yeah, the same goes with an IPhone. I remember seeing an IPhone in a lot of this movie’s scenes as well. Granted I recall seeing a Dell laptop too, but I think that was only one time. I might be somewhat OK with this if every single product shown here is true to the story, although it might remain as an issue. Although I don’t think something like this would be true because I’m looking at the technology and from my memory, the technology probably looked a little too futuristic. There’s a black IPhone in the movie and I believe it’s a newer model because I RECALL seeing the home button not having a square on it, which is a flaw for this movie because in real life, this movie takes place in the 2000s based on research, and the first IPhone with a home button to not have a square on it was the IPhone 5S which was released to the public in 2013. MAYBE I’M WRONG, MAYBE I’M IMAGINING THINGS, BUT THIS COMPLAINT STANDS *FOR NOW.* However, this movie is from Amazon Studios and when it releases on home video, it’s very likely that this movie won’t take a long time to become free on Amazon so I could probably watch it again and see if I was imagining things or not.

In the end, “The Big Sick” is worth seeing. I thought the performances all around were excellent, I thought this movie was well written, and there were little to no issues overall when it comes to this movie. Admittedly, it starts off rather slow, but it didn’t take much longer until my eyes were glued to the screen. I’m gonna give “The Big Sick” an 8/10. Thanks for reading this review. This Tuesday, I’m going to see the movie, “Dunkirk” in IMAX 70mm, words can’t describe my excitement! Also, I just want everyone to know, in case it actually interests you, “The Emoji Movie” comes out this upcoming Friday, July 28th. I have no intentions to see it, but, I would imagine a lot of you would want me to see it because of how atrocious this movie looks, so I DON’T KNOW if I’ll deliver on this, we’ll see what happens. But, if you want me to see “The Emoji Movie,” and I’m also not saying I’ll do this opening weekend if this manages to be a common request, leave a comment to this post with the following hashtag, you can include it by itself or in a comment with other words in it: #GOSCREWYOURSELFEMOJIMOVIE. I’m not saying it has to be all capital letters, but you get my point. I interacted with some people in my school, and they want me to see this movie. I’m wondering if I’ll even do that, but I might do this movie review for you if I get enough requests. And besides, “Atomic Blonde” is coming out the same weekend and I kinda wanna see that, not to mention “Valerian and the City of a Thousand Planets” is out now too. Anyway, stay tuned for more reviews, and if you want to increase the chances of a review for “The Emoji Movie,” get cracking in the comments section. Scene Before is your click to the flicks!