The Invite (2026): Olivia Wilde Swings for the Fences On and Off Camera in This Intimate, Fun Dramedy

“The Invite” is directed by Olivia Wilde (Booksmart, Don’t Worry Darling) who also stars in the film as Angela. Joining her is Seth Rogen (Sausage Party, The Super Mario Bros. Movie), Penélope Cruz (Pirates of the Caribbean: On Stranger Tides, Ferrari), and Edward Norton (The Incredible Hulk, American History X). This film is about a couple in a declining marriage who decide to invite their neighbors over for dinner, only for the night to go in an unexpected direction.

Olivia Wilde is one of those Hollywood insiders I respect, but I sometimes forget just how much of a footprint she has in the industry. When I found out about her directorial debut, “Booksmart,” in 2019, I was excited to see what skills she could bring behind the camera. And while I thought the film was not my favorite of the year, I found some parts quite funny, and the two leads were excellent.

Then came “Don’t Worry Darling…” It is a film that has quite a bit going for it in the first couple of acts, but topples like a house of cards by its conclusion. It was a frustrating film to watch, despite a sometimes great performance from Florence Pugh. It was not the worst film of 2022, but it nearly turned me off of seeing “The Invite,” a film that I wound up watching after hearing positive word of mouth.

I am proud to say that not only did I enjoy “The Invite,” but it is Olivia Wilde’s best directorial effort yet. It is a film that showcases a married couple’s drama as both sides do their best to play things cool in front of their neighbors. This is also perhaps Wilde’s most grounded film yet, even if it does involve a series of extreme scenarios faced by several characters.

While Olivia Wilde seems to be growing as a director, she has spent most of her career as an actress, and therefore it is no surprise that the performances in “The Invite” are perhaps the highlight of the film. Some highlights are shown through the sometimes funny, other times riveting relationship between Joe and Angela. Seth Rogen plays the former while the latter is played by Wilde herself. The cast in this film is quite small. The movie revolves around four characters and for the most part, is set in one location. The other two characters, Piña and Hawk, are played by Penélope Cruz and Edward Norton. What the film lacks in quantity it most certainly has in quality, which is by no means a bad thing.

The story is quite digestible, moves at a steady pace, and it is easy to buy each of the characters as individuals and as members of their particular relationships. Each actor plays off each other incredibly well and it also helps that they have such remarkable material to work with.

The more I reflect on the film, I do not necessarily think the story has one character that is a true protagonist or antagonist. The film feels more like an exciting game of two equally balanced teams or players. Each one has their strengths and weaknesses, and the movie finds a way to make you root for or appreciate each character in the cast.

Despite being a drama and mostly about a couple’s failing marriage, the film is surprisingly funny. I should not be that surprised considering how Rogen has a knack for comedy on camera, and Wilde has experience with directing good comedy through “Booksmart,” but comedy is all about timing, and it could not be better when it comes to how everything is executed in “The Invite.”

Speaking of timing, this is a film that truly takes its time. There is not a single scene that feels rushed, even if the characters find themselves in a fast-paced situation. “The Invite” does a phenomenal job at hinting at each character’s motivation and taking advantage of those motivations in future scenes. Plot-wise, this film starts as one thing and almost becomes something else entirely. I would not call “The Invite” the twistiest film of all time. In fact, I had a slight idea as to where things would go given how I have heard other viewers talk about the film’s vibe before I had a chance to check it out. But the film starts off as a conversational dramedy and morphs into something more complex and nearly bonkers. And while, again, this is not the twistiest movie I have ever seen, this film marks an improvement from Olivia Wilde’s last movie, “Don’t Worry Darling.” That film, much like this most recent one, was not written by Wilde. But when it comes to the films Wilde helmed, “Don’t Worry Darling” had a gargantuan twist, but bigger does not always mean better. If anything, it made that movie fall off a cliff. While “The Invite” definitely heightens its reality in the second half, it stays fairly consistent with the film’s grounded nature, and it is all thanks to a particular reveal that I will let you see for yourself.

Although it should be noted, while Will McCormick and Rashida Jones did in fact craft one of the best screenplays of the year, it is not an original idea, as this film is inspired by a 2020 Spanish picture called “The People Upstairs.” I have not seen that movie, nor have I heard of it prior to watching “The Invite,” but if anything, this film serves as the greatest piece of marketing “The People Upstairs” could ask for. “The Invite” serves as a piece of marketing to its predecessor in the same way that “The Departed,” a 2006 Hollywood film, was arguably the greatest piece of marketing for the 2002 Hong Kong film “Infernal Affairs.” “The Departed” was not only nominated for multiple Academy Awards, it won Best Picture. “Infernal Affairs” had less relevance in the United States, much like “The People Upstairs,” so it is no surprise that the Academy did not recognize either film. But I have a strong feeling that “The Invite” will be recognized for sure. Based on its top notch direction by Olivia Wilde, brilliant writing by McCormick and Jones, smart editing choices by Yorgos Mavropsaridis and Anthony Boys, and excellent performances by the four actors who command the screen in each scene, “The Invite” is one of the year’s finest movies.

In the end, “The Invite” is Olivia Wilde’s best work so far as a director. There is a saying that you are only as good as your last project, and that made me somewhat hesitant to check out this movie as I was not exactly fond of Wilde’s previous outing, “Don’t Worry Darling.” But not only is her latest film a vast improvement as far as I am concerned, but it makes me look forward to what she has up her sleeve next. This film is proof that big things come in small packages. The cast may be tiny, but the story packs a punch. Do not miss this one. I am going to give “The Invite” an 8/10.

“The Invite” is now playing in theaters and it is also available to rent or buy on VOD.

Thanks for reading this review! I am happy to announce that the next episode of Movie Requests officially drops Monday September 7th and it is going to feature Melissa Barrera! You may know her from movies like “Abigail” and “Your Monster,” as well as shows like “The Copenhagen Test” and “Keep Breathing.” You can also catch her on Broadway in the musical comedy “Titanique,” which I have seen twice and find to be an utter riot. Check out the episode when it drops Monday September 7th here on Flicknerd.com and YouTube! If you want to see the episode as soon as possible, please subscribe to my YouTube channel!

Also, be sure to check out my most recent episode of “Movie Requests,” featuring Amy Sedaris! In this episode, I talk about two of her favorite films, “The Elephant Man” and “Babe!” What did I think of them? Watch the video to find out.

My next review is going to be for “Cookie Queens!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Tony,” “Spa Weekend,” “Coyote vs. Acme,” and “Idiots.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Invite?” What did you think about it? Or, what is a movie featuring a small cast that you enjoyed recently? Let me know down below! Scene Before is your click to the flicks!

I Want Your Sex (2026): A Wilde, Sexy Ride

“I Want Your Sex” is directed by Gregg Araki (13 Reasons Why, Now Apocalypse) and stars Olivia Wilde (Don’t Worry Darling, Tron: Legacy), Cooper Hoffman (The Long Walk, Licorice Pizza), Mason Gooding (Ballers, Love, Victor), Chase Sui Wonders (The Studio, Generation), Johnny Knoxville (Jackass, Action Point), Margaret Cho (30 Rock, All American Girl), Roxane Mesquida (Now Apocalypse, Gossip Girl), Charli XCX (The Moment, UglyDolls), and Daveed Diggs (Black-ish, The Boys). This film is about a man named Elliot who takes a job at a company specializing in erotic art. Soon after taking said job, he finds himself in a sexual relationship with his boss.

© 2026 – Magnolia Pictures

Sex sells. End of story. Well, unless your sex-centric movie comes out against “Spider-Man,” then that’s a different conversation entirely. As Tom Holland, Zendaya, and Jon Bernthal continue their box office domination with “Spider-Man: Brand New Day,” released just two weeks after their smash hit “The Odyssey,” a significantly smaller title is getting, unsurprisingly, nowhere near as much spotlight. That movie being “I Want Your Sex.”

The concept of this film is intriguing, as it places a 23 year old man with a much more experienced woman in a series of sexual situations. The kicker to this, the 23 year old man just so happens to be working for said woman at, amazingly enough, a company dedicated to erotic art.

Couple things to note… First off, my family does read this blog, and I have no problem with them knowing that I very much enjoyed this raunchy, sexy movie. I would like to shoutout one cool aunt who was confused as to why I recommended “Anora,” which she deemed “pornagraphic.” Auntie… That’s tame compared to what “I Want Your Sex” has to offer. You’ve been warned. Now for all the sick human beings who have not clicked away from this review, you are in for a good time.

© 2026 – Magnolia Pictures

The best thing about this movie is the cast, not necessarily because of anyone’s star status, although it does contain a few recognizable names including Cooper Hoffman and Olivia Wilde, whose chemistry together is electric. For those who have followed me for a while, you may be aware that I was not the biggest fan of another film in which Hoffaman stars, “Licorice Pizza.” It is not entirely his fault the movie did not work for me, Hoffman played his part as he was instructed to do so. But the dynamic between Hoffman and Wilde in this latest film reminded me a bit of the dynamic the former had with Alana Haim in “Licorice Pizza.” This is yet another case of a much younger man having feelings of some sort for a woman much older than him. While the relationship in “Licorice Pizza” felt uncomfortable, I actually found quite a bit of enjoyment in what “I Want Your Sex” had to offer. Partially because one, the relationship is… Well, legal… Also, whereas I found Hoffman’s character in “Licorice Pizza” to be a pervy creep, I found myself occasionally sympathizing with the one he plays in “I Want Your Sex…”

As for the opposite end of the dynamic, Olivia Wilde, she is a knockout. Erika is packed with all kinds of range. Every once in a while you can see Wilde portraying her as a stern conversationalist. Sometimes she enters boss mode. Other times she gloriously loses her temper. And then there are those moments where her actions speak louder than her words. Every scene between Erika and Elliot had my eyes glued to the screen because I genuinely had no idea where things were going to go with them at certain points. This movie is a rather unpredictable ride.

The surprise star of the film… Charlie XCX. I never cared for her music, but even I must admit that she is brilliant here. On top of everything that is going on between Hoffman and Wilde, the former also just so happens to be in a relationship with XCX’s character of Minerva. One would think that my favorite sex-centric moment of the movie is between Hoffman and Wilde, but it is actually between the former and Charlie XCX, because it says a lot about where both characters were in the relationship and further tapped into Hoffman’s sexual tendencies. The scene perfectly establishes Hoffman’s need for sex in order to stay sane, as opposed to Charlie XCX, who clearly could not give two craps about it in addition to the relationship itself. Of all the characters in the film, Charlie XCX’s seems to be the least expressive, perhaps on purpose. I have no problem with it. The character works.

On top of the awkward intimate moments shared between Minerva and Elliot, the film occasionally has a hint or two that highlights how, let’s just say, important sex is to the latter. Elliot’s roommate, Apple (Wonders), asks him if he has ever faked an orgasm, to which he responds, “Well, I’m a guy, so…” It also puts a spotlight on unrealistic standards people seem to have for sex, especially when one is so often exposed to it in parts of their daily life outside of the actual activity.

If anything, the film is a love letter to, and at the same time, a parody of Gen Z, which I happen to be a part of. There is a lot of media coverage suggesting that some members of this generation do not exactly have a complete interest in sex, or have fears about engaging in said activity. Granted some of these people are younger, so sex is probably not something they want to think about. But others, like myself, are in their twenties, which some would stereotype as a time where sex winds up playing some kind of role in one’s life.

At the same time, I wonder how accessible this film will wind up being to my generation, considering how part of said media coverage on Gen Z suggests they want to see less sex in film and television. That said, this film has a lot of sex, and just about every scene ends up contributing to the story in some way.

But this film is a lot more than just sex. It is often quite funny and dramatic. The film, in addition to being about a May-December sexual relationship, also interweaves an intriguing part of the story having to do with the Los Angeles art gallery scene. There is never a boring moment in “I Want Your Sex,” which if there were, would be shocking, as the film is only 90 minutes. Is this the best film I have seen this year? No. But in terms of pacing and messaging, it is top-notch. This is my first Gregg Araki film, and I can say I am a new fan. He has a knack for brisk storytelling. I would love to see him helm another feature down the line.

© 2026 – Magnolia Pictures

In the end, “I Want Your Sex” is wildly entertaining. The film combines comedy, drama, romance, and blends everything together in a neat package. This is not a film for everyone. It is also one that should be watched only with certain individuals. But it was certainly a film for me. Olivia Wilde and Cooper Hoffman have incredible chemistry as the leads, and the film’s supporting cast members are also by every means an asset to the production. I am not the biggest Charli XCX guy, but even I was surprised with her performance as Minerva. She was perfect. I am going to give “I Want Your Sex” a 7/10.

“I Want Your Sex” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! For those new here to Scene Before, in addition to written reviews, I also have recently been doing video reviews! Be sure to check out my latest episode of Movie Requests, the original series where I ask celebrities what movies they think I should talk about, and give my official thoughts! My latest episode features the very funny Amy Sedaris, who suggests I should review two of her favorite movies, “The Elephant Man” and “Babe.” To find out if I liked these movies as much as her, click the video above! And if you enjoy the video, please leave a like and subscribe to my YouTube channel. I have more episodes coming featuring celebrities including Adam Conover, Rosario Dawson, Joe Gatto, Michael Rooker, and Tessa Thompson,. The next episode, which will be released on a future undetermined date, will feature Melissa Barrera (Abigail, In the Heights). Be sure to look out for that when it drops!

My next review is going to be for “The Invite!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Cookie Queens,” “Tony,” “Spa Weekend,” and “Coyote vs. Acme.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “I Want Your Sex?” What did you think about it? Or, what is your favorite film that you would think twice before watching with your family? Let me know down below! Scene Before is your click to the flicks!

Obsession (2025): Partner Problems Ensue in This Terrifying Film

© 2026 – Focus Features

“Obsession” is directed by Curry Barker (Milk & Serial, The Chair) and stars Michael Johnston (Teen Wolf, Slash), Inde Navarette (Superman & Lois, 13 Reasons Why), Cooper Tomlinson (Roommates, Milk & Serial), Megan Lawless (The Hate U Give, The Girl from Plainville), and Andy Richter (Conan, Madagascar). This film is about Baron “Bear” Bailey, who has a crush on his friend and co-worker Nikki. When he uses a One-Wish Willow to get his crush to love him, Bear soon realizes that Nikki becomes a bit a more clingy than he anticipated.

So, I finally saw it. This is the movie that I said I would watch week after week after week after week. Even when it dropped on VOD, I said to myself, no, I am going to check this out in a theatre. I essentially have a self-imposed rule that I will only review movies as long as I see them in theaters. Therefore, “Obsession” is getting my two cents.“Obsession” is one of several films recently that has caught my eye, not just because of the content, but because of who was making it. This film is the product of Curry Barker, who prior to this film, was known for his YouTube background. Barker is just the latest YouTuber to take their talents and translate them to feature filmmaking for the cinema. I am glad to see more of these people getting their foot in the door, especially if they make a good movie. In the case of “Obsession,” I would say this is a good movie.

Is “Obsession” groundbreaking? No. It is very simple in terms of its concept and structure. But it does not mean it lacks cleverness. The concept of the film is that Bear wishes that his crush, Nikki, would love him more than anything in the world. The good news for him is that the wish comes true! The bad news is the wish comes with various consequences. And this should not come as a huge surprise based on the exact wording Bear uses to declare his wish. He wishes that Nikki would love him more than anything in the world, and boy does she. There is love, and then there’s whatever kind of attachment Nikki has for Bear. It is a kind of love that is so deep that you would think she would never leave Bear’s side. It results in some eerie scenes and concepts that kind of makes me glad I am still single at the age of 26. I will not spoil what happens in this movie, and while I recommend it to a lot of audiences, I may steer clear of recommending it to cat people given one or two of the horrific concepts that this movie handles.

Despite being single, I have had a crush or two throughout my life. As a single man who wonders where things could have gone with those crushes had I made the right move at the right time, I adored this movie. And I think many other people are going to find something to appreciate about it too. Relationships are hard, I will not deny that. But arguably just as hard, at least in today’s world, is initiating a relationship. We see this play out between Bear and Nikki, who are good friends at the start of the film. As the story progresses, Bear increasingly gives Nikki the idea that he has feelings for her. When Bear fails to confess those feelings, he uses a Wish Willow to make Nikki fall in love with him. If only it were that easy. Not all relationships are created equal, but one of my biggest fears is if I had a good friend, and I wanted to be more than friends with said person. Asking for that to become a reality is daunting, considering what we have is supposedly great.

As highlighted earlier, “Obsession” is good, but not groundbreaking. Part of that is highlighted by some of the choices in the screenplay. The first two acts of the film to me are clear highlights. I found them relatable, sometimes fun, and they kept me hooked. As soon as this movie dived into act three, I found just about everything that happened next to be quite predictable. I do not mind predictable movies, but there was a level of predictability in this one that sort of lessened the experience. There is also a moment where two people are talking on the phone, only for one person to say to meet them at “x location,” suggesting “it’s important.” If you are familiar with this frankly, beyond insufferable cliche, I think you can probably imagine what happens next.

The screenplay is not entirely flawed. Not even close. The dialogue, even from some extremely minor characters like Carter Harper (Andy Richter) is brilliantly executed. The film’s standout star, Inde Navarette, is given a goldmine of material to work with as Nikki. She nails each scene. I did not know her name before this movie, but I am ecstatic to know it now, because I think her killer performance is likely an indicator of how bright her career is going to be.

I also like how this film handles the character of Bear (Michael Johnston). Because the moments leading up to that big wish of his, I was rooting for him, and I did not envy being out of his shoes. This is a character that in very little time, I found myself attached to based on his one fantasy. Some say there are plenty of fish in the sea, but he seemed so dedicated to his future with his crush that I could not help but admire his efforts to make that happen. If anything, Bear’s journey felt like it could have belonged in an excellent short film. But to my pleasant surprise, the film expands its simple concept and fleshes out its main character nicely. Though it should be noted that “Obsession” just so happens to be inspired by Curry Barker’s own short. Regardless of the length, this project made me a Curry Barker fan. I am curious to see what he does next, whether it is another small budget horror movie, or a super-sized epic. Even though this movie is yet another spin on “The Monkey’s Paw” or any other “be careful what you wish for” tale, I think Barker did a good job at bringing it to life and I would like to see him continue making quality cinema.

In the end, “Obsession” is a solid horror flick, even if it is fairly familiar. In fact, Curry Barker himself says he based this movie partially on an episode of “The Simpsons.” Even so, I thought this was a lot of fun. It showcases some pure chemistry between Bear and Nikki, from the moments where the two are simply friends to the point where they become something else entirely. The entire cast does a good job, but Inde Navarette in particular is given quite a bit to do and she kills her role. This is a role with awards potential written all over it. The third act of the film is the weakest point, but it does not mean it is necessarily awful. It is just the most inferior part of what is ultimately an enjoyable flick. If you are into horror, this is worth checking out at least once. I am going to give “Obsession” a 7/10.

“Obsession” is now available to watch in theaters, on VOD, and on Peacock for all subscribers.

Thanks for reading this review! As a reminder, THIS SUNDAY, AUGUST 2ND, I will be sharing my latest episode of Movie Requests, featuring special guest Elijah Wood! If you want to see the promo for the episode featuring my interaction with him, click the video above! I had a chance to meet Wood in Philadelphia earlier this year. On Movie Requests, one does not simply walk in and do a film review, they must go find the one guest to rule them all! If you want to see this episode as soon as it drops, please subscribe to my YouTube channel! It will also be available here on Flicknerd.com in a dedicated post.

My next review is going to be for “Maddie’s Secret!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Gail Daughtry and the Celebrity Sex Pass,” “The Odyssey,” “Her Private Hell,” “Haunted Heist,” and “Spider-Man: Brand New Day.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Obsession?” What did you think about it? Or, given the recent stream of online content creators transitioning to feature filmmaking, what is a movie you enjoyed recently made by someone famous for creating online content? Let me know down below! Scene Before is your click to the flicks!

The Drama (2026): Zendaya and Robert Pattinson Kill it as a Couple Caught in Personal Chaos

“The Drama” is written and directed by Kristoffer Borgli (Dream Scenario, Sick of Myself) and stars Zendaya (Spider-Man: Homecoming, The Greatest Showman) and Robert Pattinson (The Batman, Tenet) as a couple who are preparing for their wedding. While the two get ready for their big day, they have a conversation with some friends that ends up becoming much bigger than any of them could have anticipated. When Emma reveals a key part of her past, it changes the way everyone sees her, including her future spouse, Charlie (Pattinson).

“The Drama” has one of the best trailers I have seen in recent memory due to its quick pace and effective messaging of the film’s main idea. Add a pinch of star power, and you have a recipe for hype. Zendaya and Robert Pattinson not only have busy years ahead of them, but they are in a few films together, including this one. Naturally, I was excited for this movie.

I am not saying skip the trailer before you see the movie, because, again, it is a great piece of marketing. It got me in the door. But if you want my two cents, the trailer does not even do this movie justice. It does a great job giving a spec of the main idea, and what unfolds from said main idea is completely bonkers. This is a film that is likely to inspire conversations, make people think, and whether for good or bad, could potentially ruin a relationship.

I am a believer that nobody, including myself, is perfect. Everyone does something stupid at some point in their life. This movie does a great job at showcasing the dangers of having your past come back to haunt you in the worst possible way. This is done through a simple conversation where two couples talk to each other discussing the worst things they have ever done. It is an innocent game where harsh truths come to light, but everyone seems to take the information and brush it aside. That is until Zendaya’s character, Emma Harwood, reveals something she has not even told her partner. I am not going to say what she did, as I had no idea what it was prior to watching the movie, but this ruins her friendship with the couple across from her, and puts a bad taste in her partner’s mouth.

Harwood’s revelation sets the tone for what’s next, and could not come at a worse possible time. Throughout the film we see her and Charlie Thompson (Pattinson) get ready for their wedding. Planning for a wedding, as exciting as it can be, is already stressful enough between getting people together, choosing and setting up the venue, making sure everyone assumes their role, and now it has become ten times harder.

Throughout the film, we see Thompson writing his wedding vows. We see him tinker with the document where he has them stored. It is not just a matter of giving a speech from the heart. It is a matter of knowing his partner. The revelation essentially turned things upside down for Thompson. He does not feel like he knows her the way he did before. He sees an entirely new side to her. The longer the film goes on, the more we find Thompson in a sense of personal debate. Does he know his partner? Or is she a complete enigma? What else does he not know?

This movie kind of makes me glad I am single. What if I end up doing something stupid that I will have to bring up to my partner one day? Will they accept it? Or perhaps vice versa? What if I am dating someone and I find out they killed a guy? I find myself to be quite an accepting person, but if I find out my partner killed a guy, I think it would be an understatement to suggest that idea gives off a bad vibe.

I also dig the start of the movie. The movie begins with our main couple meeting each other in a cafe, where Thompson notices Harwood reading a book and tries to win her over by saying he loves said book. We find out early on that Harwood is deaf in one ear. The way the movie establishes this point is rather cute.

Perhaps the biggest strength, arguably to no one’s surprise, is the on-screen talent. Of course, Robert Pattinson and Zendaya lead this film, both of whom are great actors on their own. But this film does them favors by putting them together. I buy that these two are a couple from, as mentioned recently, the moment they meet in a cafe, to their eventual decline. As good as they are together, the two are not alone when it comes to showcasing tour de performances.

While Zendaya and Robert Pattinson are naturally going to be the first two people that come to mind when I think of this movie, trailing ever so slightly behind them is Alana Haim, who plays Rachel, Emma’s maid of honor. The movie easily allows her to shine due to the already excellent material she is given, but it also helps that Haim takes said material and goes to town with it. Everything from finding out about her personal revelation, which as much as the other characters seem to let it slide, made me gulp in my throat a bit, to what she ends up doing as the film gets to the big wedding itself. This film is called “The Drama” for a reason, and as it progresses, Rachel often accentuates it.

While there is a somewhat grounded feel to this movie, if there is any character that most resembles a cartoon, Rachel would probably be the closest candidate. This is not meant to come off as a dig. If anything, her exaggerated tendencies seem to stand out. As much as I did not like “Licorice Pizza,” one thing is for sure, it put Alana Haim on the map for me. She did a terrific job in that movie. Not only does she do just as swell of a job in “The Drama,” but it also helps that the movie itself is just as riveting.

In the end, “The Drama” is one of those films that you kind of have to see to believe. Just about everything in this film stands out in some way. The acting. The location choices. The dialogue. The direction. Everything in this movie works. I do not think “The Drama” is going to end up being the best movie of the year. In fact, part of me thinks it could have been slightly shorter. But it does not change the fact that “The Drama” lives up to its name. It is a film that for better or worse, is going to make you think. I am going to give “The Drama” an 8/10.

Also, I would like a personal note. Between this movie and “Dream Scenario,” both of which are helmed by Kristoffer Borgli, the filmmaker seems to have an attachment to setting his work in Massachusetts. It seems like a minute point, but I am glad Borgli is not only making good movies, but manages to do so while shining a spotlight on my home state. If Borgli is ever in the Boston area again, let me know if you’re up for some candlepin bowling.

“The Drama” is now playing in theaters. Tickets are available now.

Thanks for reading this review! I have an update regarding my ongoing video series Movie Requests, where I take film suggestions from other people and talk about them. I am pleased to announce that the fourth episode is coming soon and it is going to feature none other than “The Mandalorian” star Katee Sackhoff! She suggested a movie for me to review last November, and I am finally going to talk about it on May the 4th, otherwise known as “Star Wars Day.” How appropriate. What movie do you think she requested? Leave your comments! You can catch the video as soon as it drops on Flicknerd.com or my YouTube channel, which you should absolutely and positively subscribe to. You’ll get it faster that way.

And if you have not done so by now, please check out my last episode of Movie Requests, featuring “Avatar” actor Joel David Moore! He requested I should watch “Force Majeure.” What did I think about it? Click the video and find out for yourself!

My next review is going to be for “Exit 8.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Normal,” “Lorne,” and “Michael.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Drama?” What did you think about it? Or, what is your favorite movie about a couple who happen to be in a not so perfect relationship? If you want my two cents, please go check out “Marriage Story” if you have not done so already. It is on Netflix, but if you prefer your physical media, like me, it is available on the Criterion Collection. Give it a shot. Scene Before is your click to the flicks!

You’re Dating a Narcissist! (2025): Marisa Tomei Gives a Performance That’s Way Out of This Comedy’s League

“You’re Dating a Narcissist!” is directed by Ann Marie Allison (Don’t Neg Meg, Lift) and stars Marisa Tomei (Spider-Man: Homecoming, The King of Staten Island), Sherry Cola (Joy Ride, Good Fortune), Ciara Bravo (Cherry, Wayne), Marco Pigossi (Invisible City, High Tide), José María Yazpik (Madame Web, Narcos), and Jonah Platt (The List, Trolls: The Beat Goes On!). This film follows a psychologist who is trying to stop her daughter from getting married from someone who she claims is a narcissist.

If there is anything that got me into “You’re Dating a Narcissist,” it would be the stars. Not just because they are who they are, but some of them have the bonus of being in a film I previously reviewed. A couple years ago I had the privilege of attending South by Southwest in Austin, Texas. I was not there the entire time, but I did end up going to a couple screenings during my visit, one of which includes “High Tide.” I do not remember the entirety of that movie, but I do remember enjoying it and finding it to have likable characters. Two of the films’ stars included Marisa Tomei and Marco Pigossi. Little did I know these two would reunite within a year or two for another movie, that being this one. Not to mention, this film stars Sherry Cola, who has grown on me as a performer. She has proven she a has knack for comedic roles through “Joy Ride,” one of the finest comedies of 2023.Not to mention “Good Fortune,” which made me laugh consistently.

Although just because this movie has stars on screen, does not automatically guarantee it is going to be a five star experience. Is this film worth watching? Eh…

This is not the worst film I have ever seen. But saying that comes off as if I am trying my darndest to be nice.

I truly want to like this movie, because it is based on the experience of the director, Ann Marie Allison, being in a relationship with someone she realized was a narcissist. Yet there are times where I found Judy (Tomei) to be annoying as a lead. I understand the movie dolls her up as a psychologist who happens to have written a book on the movie’s titular subject matter. However, she often comes off as judgy in her line delivery and mannerisms. Sure, in her mind, she is trying to do what she sees as the right thing, protecting her daughter from marrying someone she believes would not be the right person. But watching her overanalytical tendencies and hearing her critical dialogue is sometimes cringe-inducing. Overall, the relationship between Judy and her daughter, Eva (Bravo) is somewhat uncomfortable to watch at times. Perhaps one could argue that is the point, but even so, as a viewer, I would watch these two on screen together and find certain moments between them to come off as mind-numbing.

It took me awhile to think about why exactly Marisa Tomei was the lead of this movie, rather than Ciara Bravo, who is the one who happens to be dating the… Well, “narcissist.” On the surface, Tomei is the most recognizable star in the cast and has top-billing. But there is more than name recognition alone. There is a connective tissue tying the story together, specifically clips featuring Tomei letting out an endless stream of thoughts. These clips match several scenes of the movie and the characters’ actions within them. The way these scenes are put together are neatly edited and well-timed. In fact, as much as I at times was not exactly fond of Tomei’s character, her acting is nevertheless top-notch in these scenes. She kills every moment despite sitting down in front of a camera the entire time. At the same time though, having Tomei’s character as the lead is what occasionally makes the movie irritating. The movie spends so much time with this character, who deep down, means well, but gives off such an overcritical vibe.

Going back to the idea that this film is based on Ann Marie Allison’s personal experience, part of me thinks Judy is almost designed to be the character that most resembles her, having gone through the troubles of her relationship. If anything, Allison resembles two characters. The recently mentioned Judy, as well as the more obvious candidate, her daughter Eva. Each time Eva does something in this movie, Judy often sounds like the voice that is trying to tap into her head telling her, “I’ve seen this, girl! Get out of there!” In that way, the film tends to work. But I had no idea prior to this review that this film was based on reality, so it took me time to further appreciate the film. Why? Because this is designed to be a comedy. It is kind of an unusual subject matter to try to make funny, but having watched enough “Family Guy,” people can take heavy topics and whip upan effective joke or two out of them. That said, this movie is not that funny. I did not laugh much, and anything that I found funny at the time of watching this movie, I have likely forgotten. I could not quote a single line at this point that had me chuckling. Not the best of signs.

Parts of the movie are mildly entertaining as we see the characters sometimes getting into some wild, goofy antics. Some of the secondary characters stand out, such as Daniel (Yazpik), a charismatic hotel employee. Although the film is somewhat predictable the further the story goes. I can see this movie working as PSA on narcissism. Whether it means reminding people that they might know someone who is a narcissist, or heck, maybe it could warn that a viewer that they themselves could be a narcissist. You never know. When it comes to being a comedy, that is where this movie fails at times. When it comes to being a romance, or something along that line, that is where this movie fails at times. There are ingredients for a decent movie somewhere and while I appreciate the message, I thought the delivery could have been better.

© Cool Girl Productions

In the end, “You’re Dating a Narcissist!” is not the greatest movie I have ever seen. Is it an abomination against humanity? Absolutely not. Is it a masterpiece? Not quite. The movie falls somewhere in the middle of those two extremes. I am sure Ann Marie Allison has some good ideas ahead for future projects. I am glad she got to tell a personal story, but I wish that story were presented differently. I am rooting for her in whatever she does next, but I have to be honest. I am going to give “You’re Dating a Narcissist!” a 5/10.

“You’re Dating a Narcissist” is now playing in theaters. Tickets are available now!

Thanks for reading this review! Tomorrow, look forward to my third episode of Movie Requests featuring “Dodgeball” actor Joel David Moore! Movie Requests is a series featuring yours truly asking celebrities what movies they think I should watch. You can check out the promo teasing the episode. What film do you think Joel suggested? Find out tomorrow, Sunday, April 19th! And if you want to see the episode as soon as possible, be sure to subscribe to my YouTube channel!

I also have plenty more reviews coming! Look forward to my thoughts on “The Super Mario Galaxy Movie,” “The Drama,” “Exit 8,” “Normal,” and “Lorne!” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “You’re Dating a Narcissist?” What did you think about it? Or, what is a film that you think has a good message on dating and relationships? For me, I would highly recommend everyone should watch “Don Jon” at least once in their life. Specifically, men. The film has a lot to say about male behavior. Scene Before is your click to the flicks!

The Bride! (2026): Buckley and Bale Do Their Best with This Unexciting Cinematic Enigma

Photo by Courtesy of Warner Bros. Pictures – © Warner Bros. Pictures

“The Bride!” is written and directed by Maggie Gyllenhaal (The Dark Knight, White House Down) and stars Jessie Buckley (Hamnet, Women Talking), Christian Bale (Batman Begins, Thor: Love and Thunder), Peter Saarsgard (Shattered Glass, The Batman), Annette Bening (American Beauty, Nyad), Jake Gyllenhaal (Stronger, Spider-Man: Far from Home), and Penélope Cruz (Pirates of the Caribbean: On Stranger Tides). This film is set in 1930s Chicago, at which point Frankenstein’s monster, or Frank, asks Dr. Euphronius to create a companion. Once the companion is brought to life, the film follows both creatures as they go on a wild journey together in which they become romantically involved.

“The Bride!” was on my radar ever since I saw the trailer back in October in the best possible way… On a giant IMAX screen. Any movie that is shot in the coveted 1.43:1 format, even if it is digital, has my attention. Of course, having looked at the many shots the trailer had to offer, the film definitely would dazzle in scope widescreen if I were to see it that way too. The film had a dirty, rugged, sometimes sexy feel to it that felt unlike anything I would not recall witnessing before. Sure, in terms of vibe, this film did remind me a bit of “Joker” and its severely insulting sequel, especially considering some of the crew members on those films also work on this one. Some of the names attached to this film include cinematographer Lawrence Sher and composer Hildur Guðnadóttir. But “The Bride!” appeared to have its slight differences from “Joker.” “The Bride!” seemed to lean more towards the horror route rather than a pure drama route, though “Joker” did manage to insert an eerie moment or two.

Speaking of the “Joker” movies, if you are aware of how I scored them, you would know I did so on opposite sides of the spectrum. The first was pretty positive, while the second was highly negative. “The Bride!” falls somewhere between these two projects. Frankly, this movie is kind of a hot mess. If I had to compare “The Bride!” to any other film experience in my life, the “Joker” movies are an easy target because they do have similar tones and concepts. The movie takes familiar characters and puts an odd spin on them. As much as I do not mind odd movies, this experience felt too odd at times. It was odd to the point where I did not really feel any emotion in certain scenes. Overall, Maggie Gyllenhaal puts something together that is pleasing to the eye, but at times, it strikes a vibe that feels like “Dollar Tree Tim Burton.” That is almost unfair to say because this movie was by no means cheap. Variety reports the budget is a hefty $90 million. While the film looks nice, it does not really feel nice. It reminded me of “Jupiter Ascending,” which is one of the most beautiful looking pieces of crap that someone has the audacity to call a film. One moment after another, the movie sounded like it was trying to welcome me into its environment, but as a viewer, I was consistently hesitating on the film’s invitations.

The film is not all bad. It has a decent cast, and its two leads do a fantastic job despite the average at best material given to them.

Jessie Buckley is on a roll lately. Right alongside Timothee Chalemet in “Marty Supreme,” I think she gave the best performance captured on film in 2025 through her lead outing in “Hamnet.” While her lead role in “The Bride” is not as compelling, Buckley nevertheless manages to bring a performance that makes me think I am getting a five-star meal despite slumming it in the middle of a Buffalo Wild Wings. Buckley is diabolical as the titular character. I almost cannot imagine anyone else in her shoes.

Alongside her is Christian Bale as Frankenstein’s monster. Technically his character is credited as Frankenstein, even though he is not the scientist… Anyway… The timing of this film is interesting, as it was made around the same time as Guillermo del Toro’s “Frankenstein,” which I thought was pretty good. Much like Jacob Elordi, who played the Creature in that movie, Bale is excellent here. Is he as strong as Elordi? Perhaps not. But I also feel that part of it is more the fault of the material given to Bale rather than his performance. Much like Buckley, Bale makes the most of what is given to him. This is not to say everything about his presence is bad. In fact, I really liked getting to see the two leads when they’re close as a couple. It brought out both of their wild sides and showed they have chemistry. That said, Bale’s performance did feel rather familiar. It almost reminded me of his portrayal of Gorr the God Butcher from “Thor: Love and Thunder.” It is a character who is mildly scary, odd-looking, but complicated beneath their wretched surface.

Technically speaking, this film is rather impressive. The cinematography is beautiful. The makeup work is stunning. The production design is off the charts. I bought into every location and set. When it comes to immersion, “The Bride!” really tries. Though I cannot say it always succeeds.

The color palette feels weirdly mute. Note my use of the word “weirdly.” I was convinced by the marketing that this film was going to be big and exciting. While it was definitely the former, I cannot say the same for the latter. The film looked oddly dry for something that simultaneously was trying to deliver something of utter extravagance. It is an enigma.

I am sure many people are familiar with the phrase “do not judge a book by its cover.” Bear with me as I go against this philosophy for a moment. If you look closely at the title for “The Bride!”, you would notice that it has an exclamation mark. “The Bride!” is not the first project to contain such a thing. You would notice this if you ever get a good look at the game show “Jeopardy!”, or the animated series “American Dad!”, or the movie “Airplane!”. In terms of punctuation, an exclamation mark is meant to signify an extreme. “Jeopardy!” is extremely fast-paced. “American Dad!” is extremely action-packed. “Airplane!” is extremely funny. Meanwhile, I find it difficult to come up with an extreme for “The Bride,” that is unless I were to resort to negatives. I could say the movie is extremely bland. I could say it is extremely wasted. On paper, “The Bride!” sounds like a project that should be a big ball of energy. But at times I am watching it and find myself surprised that I barely happen to be awake.

Chances are I am not going to remember much about “The Bride” by the end of the year. Part of it is because other than the visuals and the unique way of telling the story, there was nothing to write home about. Sure, the two leads are great, but never once did I feel captivated by anything the story had to offer. If I were presented the story in a pitch meeting, I think it would sell. If I saw the full picture, like what we got in this film, that is a different scenario. If anything, “The Bride!” does feel like a film that comes from a singular mind. I would have never have been able to come up with the vision that Maggie Gyllenhaal had intended. While I have one or two gripes about Warner Bros. Discovery since their merger three years ago, I will credit them for hiring filmmakers with unique visions, with Gyllenhaal being the latest example. I would love to see what other projects she has in mind, and sincerely hope they are better than what this one had to offer.

In the end, “The Bride!” is by no means the worst movie ever. In fact, part of me is glad I saw it because it has some great acting and setpieces. But from one moment to the next, I thought there was something missing. There was barely a sense of a wow factor. It is really sad I did not like this more. I was genuinely looking forward to “The Bride!”. I do not think Gyllenhaal should give up on her work behind the camera. I can see her knocking another project out of the park, but she struck out on this one. I am going to give “The Bride!” a 4/10.

“The Bride!” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Hoppers.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Project Hail Mary” and “Ready or Not 2: Here I Come.”

Also, feel free to check out the new promo for the second episode of Movie Requests! The next guest on my list is actor Jason Mewes, who requested a movie he has watched in the past with his collaborator Kevin Smith. Make your guesses! The movie will be revealed this Saturday, March 28th! If you want to see me review whatever movie Jason Mewes asked me to talk about, subscribe to my YouTube channel and hit the notification bell that way you know exactly when the video drops! If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Bride!”? What did you think about it? Or, what is the most disappointing movie you have seen recently? Let me know down below! Scene Before is your click to the flicks!

Solo Mio (2026): Kevin James Misses the Bride

Hey you! Yes! You! Do you like movie reviews? You should! Because you are reading one right now! And TOMORROW, you can check out another! As Scene Before begins its brand new series, “Movie Requests!” You can check out the promo for the first episode now, featuring Bryce Dallas Howard requesting a film she says is “extraordinary!”

And if you want to see the video as soon as it drops, please subscribe to my YouTube channel! Otherwise, if you are following Scene Before either with an email or WordPress account, you can see the video shortly after it is uploaded! Now, on with the review!

“Solo Mio” is directed by Charles and Daniel Kinnane, and this is their latest collaboration with this film’s star, Kevin James, after the three worked together on the straight to Netflix film “Home Team.” Alongside James, the film has a cast including Nicole Grimaudo (Medicina generale, Loose Cannons), Alyson Hannigan (Penn & Teller: Fool Us, American Pie), Jonathan Roumie (Jesus Revolution, The Chosen), Julee Cerda (The Mighty Ducks: Game Changers, Homeland), Julie Ann Emery (Absolute Dominon, Preacher), and Kim Coates (Van Helsing, Sons of Anarchy). This film follows a man named Matt Taylor, whose wedding is upended when his bride never walks down the aisle. Not only does this put an end to his marriage before it starts, but also prompts him to continue with the couple’s honeymoon activities by himself. Throughout the film, we see Taylor make the most of the situation, while meeting new faces along the way.

Life is beautiful. No. Genuinely. It is. Part of this is because of its unpredictability. As a moviegoer, I have, to quote Roy Batty from “Blade Runner,” seen things you people wouldn’t believe. Part of this harkens back to my experience with Kevin James, whose projects in recent years may not be as notable as his earlier work. Yet at the same time, his more recent efforts showcase some diversification in his resume. “Becky” was a huge surprise. Not only was the movie better than I thought it would be, but Kevin James does an excellent job in his role as the film’s antagonist. I never imagined Kevin James as a villain-type character, but that movie completely changed my mind. Also, while Kevin James may not be on the same level as Tom Cruise or Keanu Reeves, he showed some potential as an action star in last year’s “Guns Up.” Kevin James, whether he likes it or not, will always be tied to comedy. But I think he has done a good job at spicing up his resume a bit recently.

Compared to “Becky” and “Guns Up,” “Solo Mio” feels a bit more like a return to form for Kevin James. That is to a certain degree. While the film is definitely lighthearted, it does not quite have the same DNA as a typical Happy Madison project. Frankly, that works in the film’s favor. It comes close at times, but I guarantee you that this movie would have been a different animal if the crew found an excuse to put Adam Sandler in it. “Solo Mio” is a romcom, and James is no stranger to films where he seeks love, like “Paul Blart: Mall Cop.” Another example is “Hitch,” which features him playing a character who lacks the “game” in the dating game. In this film, we see James’ character, Matt Taylor, deal with his emotions and make the most of his time in Rome when the love of his life ditches him at their wedding. James also had a hand behind the scenes as one of the film’s writers and producers.

But the most beautiful story behind the scenes is not James’, but rather the family that came together to make this movie happen.

Following my screening of this movie, I did some research on the Internet about it to see what minor details would come up. Next thing I knew, I found myself on a Reddit page where one of the film’s writers, John Kinnane, was talking about how this was his first film. That would be a cool bragging right by itself, but it gets better. Turns out said writer is one of seven brothers, and the rest of those siblings collaborated on the film’s production. John Kinnane co-wrote the film alongside his brother Pat. Charles and Daniel Kinnane directed the movie. Pete Kinnane handled editing. And as for producing, Wil and Brendan Kinnane took care of that alongside their brother-in-law, Jeff Azize.

…Which is why it breaks my heart to say that this movie is okay at best.

It is difficult to find something in “Solo Mio” that outright made my blood boil, but I can pinpoint to some things in the film that did annoy me at one moment or another. Some of the supporting characters are a bit exaggerated compared to James as the lead. There is sometimes a sense of tonal inconsistency when they are on camera together. Speaking of characters, the film debatably has too many of them. I could not tell you everyone’s name on the cast. I was not fully intrigued by each character’s role in the story. By the end of the film, things become rather convoluted and random subplots feel as if they are being thrown in at the last minute.

Once again, this film was put together by seven brothers. I wonder how collaborative their process must have been. Part of me worries, given the result of this movie, that it could have been overly collaborative. Maybe John and Pat Kinnane had their own ideas of how the movie should go, but perhaps the other brothers, who, for the record, were not credited with writing the script, had their own ideas that ultimately overstuffed the runtime. While I appreciate the film’s fast pace, part of me wonders if we could have settled things down a tad and padded out the runtime to give some more depth to everything going on. Granted, I was not involved in the making of the movie. So, this may as well remain a baseless assumption. But my experience of watching “Solo Mio” reminded me of “Fackham Hall,” which I also found okay at best. That film was written by four people, two of whom happen to be brothers. Sure, like “Fackham Hall,” some things work in “Solo Mio,” but at a certain point more than halfway through, the film overcomplicates itself and almost becomes something it probably should never have been in the first place.

The film has its attempts at humor, but if I had to average everything out, the film lands somewhere around the middle in terms of landing all its jokes.

Yet for all the film’s faults, the film has one aspect that is worth the price admission. There is a celebrity who happens to play themself that made the movie for me. The appearance, which if you ask me, is way too long to be considered a cameo, does require some suspension of disbelief. But if you can live with that, you are in for a treat.

I had one big question regarding “Solo Mio” going into it. How preachy would this film turn out to be? I asked this to myself because I did some research prior to my screening and found out the film was being distributed by Angel Studios, which is a company that tends to have an association with Christian or faith-based projects. Having seen this film, most of it comes off as if it lacks a religious identity, though there is one scene at a dinner table that does have an ongoing gag about prayer. The film does not appear to accuse or shame anyone of having a different viewpoint. That said, when it comes to the romantic connections in this film, there appears to be more of a focus on love rather than lust. If you are looking for something that lacks the filth of “Wuthering Heights” at this time of year, then “Solo Mio” may be for you.

I should also note that the film is G-rated, so this film may be okay for the younger crowds too. That said, I do not think every kid is gonna round the block for a ticket to see this. In fact, at my screening, which was about three-quarters full, I may have been the only person in the auditorium under 30.

In the end, I cannot quite say “Solo Mio” is in fact… for me-oh. There are things to like about this film. Kevin James gives an okay lead performance. Some of jokes are funny. There is a certain arc involving Ed Sheeran I thought was well realized. The unnamed celebrity appearance is a highlight. The movie has a compelling hook, I just wish the rest of it were as smooth as what it was at the start. It feels weird to say as someone living in the 2020s, where just about everything is at my fingertips, but I thought “Solo Mio” might have been too short. I congratulate the family who came together to make the film of their dreams, and I am rooting for them to hopefully churn out another project sometime in the future. I just hope whatever they do next is an improvement over this. The film is not bad, but definitely not perfect. I am going to give “Solo Mio” a 6/10.

By the way, this is not my first exposure to the Kinnane brothers. Years ago, they created a series of online videos called “Sound Guy,” where its titular character reacts to popular movie scenes while said scenes were being made. The series, like this movie, also starred Kevin James. The videos are often quite funny, including this one where the sound guy gets early access to the big twist in “The Empire Strikes Back.” If you ever have a chance to check the videos out, please do. They are such a riot, especially if you are a film fanatic like yours truly.

“Solo Mio” is now playing in theaters. Tickets are available now.

Thanks for reading this review! And as a reminder, Movie Requests begins tomorrow! And if you are following Scene Before already, you will get access to the first episode as soon as it is posted here, but the fastest way to check out the episode is to be subscribed to my YouTube channel! If you have not subscribed yet, do it now!

My next reviews in terms of new releases are going to be for “GOAT” and “EPIC: Elvis Presley in Concert.” If you are a fan of acronyms, this is a good time to be alive! And if you are a fan of movies and people who talk about them excessively, follow Scene Before either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Solo Mio?” What did you think about it? Or, what is your favorite performance of a celebrity playing themselves? For me, as much as I do not think it is Kevin Smith’s best film, Stan Lee in “Mallrats” was beautiful to see. I love his scene. Also, Bob Barker in “Happy Gilmore” is freaking riot. Let me know your favorite celebrity appearances down below! Scene Before is your click to the flicks!

Hamnet (2025): Chloe Zhao’s Latest Vision Breaks Your Heart and Puts it Back Together

“Hamnet” is directed by Chloé Zhao (Eternals, Nomadland) and stars Jessie Buckley (Wild Rose, Men), Paul Mescal (Gladiator II, All of Us Strangers), Emily Watson (Hilary and Jackie, Chernobyl), and Joe Alwyn (The Brutalist, Kinds of Kindness). This film showcases what happens as Agnes and William Shakespeare deal with the loss of their son, inspiring the latter’s play, “Hamlet.”

I was not aware that Chloé Zhao was working on a movie this year, but after seeing “Nomadland” and “Eternals” earlier this decade, I found her directorial efforts to be delivered with a sense of grace. There is something wholesome and calming with how her work is executed. Maybe it is because of the stories she chooses to tell. “Nomadland” is in a sense an inviting tale about real people. “Eternals” may be a Marvel movie with tons of CGI and fast-paced action, but it has a set of likable characters. I found Sprite’s arc in particular to be quite compelling. When I saw the marketing for “Hamnet,” I was less interested in the concept of the story as opposed to who was telling it. When I saw Chloé Zhao’s name pop up in the trailer, I was onboard. Is this film worth the hype? I would say so.

“Hamnet” is not my favorite film of the year. Though I have fiddled with at the least, making it an honorable mention on my best list this year. Spoiler alert, it is probably not going to make the list. I think select scenes throughout the film lack memorability compared to others. A number of factors play into this claim, because I found the atmosphere to be inviting. I thought the story, while it may not be the most thrilling, to be moving. But most of all, this film may have, collectively, the best acting I have seen in a film this year. The cast may not be the most recognizable, but every performer here is on their A-game. The chemistry between Jessie Buckley and Paul Mescal as Agnes and William Shakespeare is unbelievable, and the drama that is hankered in from their families also make for some compelling scenes.

The child actors were also incredible, and not just by the standards of “child actors.” They are so good that they honestly rival the grown-ups. In fact, as I watched this movie, I got the sense that just about every scene was presented in somewhat of a child-like spirit. It is a weird way to describe this movie, but every scene feels energetic. Even ones that are clearly drawn out. If a scene goes on for a while, it is supplemented by a satisfying dramatic effect. Part of this spirit is likely enhanced by the film’s location choices. Every place on camera looks gorgeous and I would not mind escaping into each one if I had the chance. Speaking of child-like spirit, I really enjoyed getting to see specific scenes from Hamnet’s youth. Seeing him swordfight with his dad emitted oodles of joy.

Before going to see “Hamnet,” I was told by friends who had already seen it that Jessie Buckley gave what may have been the best performance of the year. This set the bar really high for me. But even I was not prepared for the acting chops Buckley was bound to unleash. She is given so much to do in this film. You see her character, Agnes Shakespeare (left) through multiple portions of her life. You see her when she finds love, becomes a parent, deals with tragedy. Of course, she is no ordinary woman, as the film reveals she is a healer. Yes, there is quite a fantastical element to this story. After all, it is based on a fictional book. This is not my first film featuring Buckley that I have seen, but much like my previous review, “The Secret Agent,” this film does for Buckley what “The Secret Agent” did for Wagner Moura. It took someone I have seen in other movies and liked in other movies, but now that I have seen them in this one, it essentially put their name on the map for me. Buckley previously starred in Alex Garland’s “Men.” I barely remember that movie but I do remember Buckley giving her all in each scene. “Hamnet,” however, is a different animal entirely. I think this performance will be studied for quite a long time.

Of course, this is also a film about William Shakespeare (right), played brilliantly by Paul Mescal, and his portion of the story is not only compelling, but it sometimes paints him as a loving, but also imperfect father. I would not go as far as to say Shakespeare is a jerk. In fact, I often get a calming vibe from his character. But there is a fantastic scene between Agnes and William where the two argue and Agnes reminds her husband that he misses important life moments. The scene plays out in a way where I feel bad for both people.

There are many great films in recent years that do a good job at not just telling a marvelous story, but honoring storytellers while doing so. A lot of these have noticeably been about movies themselves, as seen in projects like “Babylon” and “The Fabelmans.” But “Hamnet” proves that there is room to pay tribute to the stage. The film sort of takes elements from “The Disaster Artist,” where a sequence of events happen, granted such events that happen in this story follow a significantly different structure. Then, instead of showing a movie at the end, “Hamnet” has a scene where a large crowd gathers to watch a play. The film reinforces a motto that I hear a lot when it comes to storytelling, specifically to write about and tell the stories you know. Seeing William Shakespeare tell the story of “Hamlet” really hits emotionally given the background the film offers through every moment leading up to said scene. In fact, there are multiple moments, especially towards the end, where the film plays out as if it was trying to make one tear up.

There is one music choice I was not expecting at the end of the film, but as soon as I recognized the song, it only made the scene hit that much harder. I am not saying the scene would not have hit without it, because that part of the movie by itself is as heavy as it is fulfilling, but the music choice was a bonus. If you know the name of this film’s composer, Max Richter, and one particular piece he crafted, you are in for a treat.

In the end, “Hamnet” is a beautifully done movie. Upon walking out, I debated as to whether this was my favorite Chloé Zhao film. Given time to marinate, I would probably give “Eternals” the edge at this point. But that does not mean I cannot appreciate her efforts here. The acting is some of the best I have ever seen, and I would not be surprised if this film dominates the SAG Awards. The film has brilliant cinematography, it is decently paced, and also finds time to both break your heart, then suddenly put it back in one piece. The film is definitely not for everyone, but I think if you are in the right mood, this movie could hit you where you live. I am going to give “Hamnet” a 7/10.

“Hamnet” is now playing in theaters everywhere. Tickets are available now.

Photo by 20th Century Studios/20TH CENTURY STUDIOS – © 2025 20th Century Studios. All Rights Reserved.

Thanks for reading this review! My next review is going to be for “Avatar: Fire and Ash!” Stay tuned! Also coming soon, stay tuned for my thoughts on “Is This Thing On?” and “Marty Supreme.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Hamnet?” What did you think about it? Or, have you ever read the “Hamnet” book? What did you think about that? Let me know down below! Scene Before is your click to the flicks!

Wicked: For Good (2025): Can This Second Half Follow the Yellow Brick Road?

© Universal Pictures

“Wicked: For Good” is directed by Jon M. Chu, who also directed the prior “Wicked” installment. This film stars Cynthia Erivo (Genius, Widows), Ariana Grande-Butera (Victorious, Scream Queens), Jonathan Bailey (Jurassic World: Rebirth, Bridgerton), Ethan Slater (Lost on a Mountain in Maine, Gen V), Bowen Yang (Awkwafina is Nora from Queens, Saturday Night Live), Michelle Yeoh (Everything Everywhere All at Once, Transformers: Rise of the Beasts), and Jeff Goldblum (Jurassic Park, Independence Day). This film is the second in a two-part adaptation of the “Wicked” musical, which itself is based on a book of the same name. In this story, we see our main characters from the first film return as they embrace their identities of Wicked Witch of the West and Glinda the Good.

© Universal Studios. All Rights Reserved.

If you read my review for “Wicked” over the past year, you would notice that I have not offered the fondest of opinions regarding the film. While I acknowledge the film is by no means broken, I found it to be mostly slow. I thought a lot of the musical numbers were not doing it for me. And I thought some of the film’s technical aspects such as the color grading needed improvement. That said, I know that movie has its fans. I will even say there are things I liked about it. While most of the music failed to impress me, signature songs like “Popular” and “Flying Gravity” were well executed. Cynthia Erivo and Ariana Grande are excellent as the main duo. And even though I thought the film could have been more aesthetically pleasing in certain regards, I was impressed by the production design.

I was quite nervous for this sequel, because I acknowledge that I probably pooped on a lot of people’s parties when it comes to my opinion on the first film. A lot of people I know really dug it. Those people were also looking forward to this one. The film was a shining star over the past awards season, but I wish I aligned with those who praised it. Given how I am a Movie Reviewing Moron of the people, I used one of my A-List reservations to see this film opening weekend.

Having now seen the film, I cannot say “Wicked: For Good” surprised me in any way. I expected to not like the film, and that is exactly what happened. Of course, I go into every movie wanting it to be good. But in the case of “Wicked: For Good,” it did not do it for me.

© Universal Studios. All Rights Reserved.

Believe it or not, there are plenty of positives in “Wicked: For Good.” Many of the things that I found to work in the first film also work here. Then again, this should not be a big surprise given how both titles were shot back to back. That said, much like the original film, the sequel wowed in terms of its production design. Oz feels just as grand as I recall it feeling a year ago. I thought the music was great, and in some ways, it was an improvement over the first part. There were bits of the first film where it felt like the characters were singing almost unnecessarily. In this sequel, every song seemed to have a purpose. They either fit the moment or enhanced a character’s arc. During my review for the first film, I pointed out that the music became so loud at my screening to the point where I almost had a headache. At the risk of torturing myself, I ended up seeing “Wicked: For Good” at the exact same theater and auditorium, which is a Dolby Cinema at an AMC location. I do not know if they turned the volume down in that theater, but I found the soundtrack much more comfortable to listen to than the one from the original. Speaking of sound, the sound editing was top notch. For example, I like the attention to detail the movie gives whenever Glinda is in her bubble. You can hear a little blockage coming through whenever she talks because the camera’s point of view is from the outside of the vehicle.

Another point of praise I would have to give is that most of the cast does a good job with the material they are given. Of course, Cynthia Erivo and Ariana Grande, who had dynamite chemistry in the first film, work well together this time around, that is during whichever moments allow the two to be on screen together.

© PHOTO BY: UNIVERSAL PICTURES – © 2025 UNIVERSAL STUDIOS. ALL RIGHTS RESERVED.

I am not going to pretend that I found the first film’s screenplay to be phenomenal, but there was at least a novelty to it even though it was based on both a play and a book. This film’s script is consistent with the first film in certain ways. Therefore, like the first film, I found a lot of the fantastical vocabulary to be rather annoying. I get that this film is not directly set on earth, but a lot of the diction dropped by select characters including “thrillifying,” “obsessulated,” and most especially “clock tick” felt too over the top. Every time a character in this film said the words “clock tick,” it felt tacked on. It did not feel authentic, even for Oz. It came off as a fantasy version of “Mean Girls” where instead of people trying make fetch happen, they were trying to make “clock tick” happen.

When I reviewed “Wicked” last year, I pointed out that there was a pink and green tint attached in my presentation. That was not the case this time. I can only make an assumption, but maybe the projector had a filter that should have been removed. I do not know if it was a 3D filter because the screen did not look that dark. Point is, the screen looked normal during “Wicked: For Good.” Shoutout to the staff at the AMC Liberty Tree Mall 20 for the upkeep. I found “Wicked: For Good” to look much better than the original “Wicked” did during my initial watch. The sequel’s viewing experience fully allowed me to see the film the way Jon M. Chu intended. Sadly, I do not know if his vision satisfied me all that much. “Wicked: For Good,” like its predecessor, feels lacking in color. Again, the set design is great. I will even say a quite a bit of the framing is pretty good. But I think the color grading could have been pinched up a little bit, and a lot of the shots seem to lack personality. I hate saying this, because I have a soft spot for these movies, but these “Wicked” films look like select MCU films. They look slapped together and almost done on the fly. Like the original, “Wicked: For Good” has some decent shots, but it is also packed with a lot of shots that look gray, digital, and lifeless.

© PHOTO BY: UNIVERSAL PICTURES – © 2025 UNIVERSAL STUDIOS. ALL RIGHTS RESERVED.

Overall, I found this film to engage me more than the original did. That said, this film will definitely be enhanced by watching the original, as much as I do not recommend doing so. I found “For Good” to start off with a bang. It quickly establishes the Wicked Witch as a threat amongst Oz, or at least a threat in people’s minds. That said, despite establishing Elphaba as a threat to Oz’s population, I can say that this film feels uneventful by the conclusion. Does this film have a beginning, middle, and end? Yes. But by the time the film is over, I had little attachment to any of the characters. Not Elphaba. Not Glinda. Not a single soul in the cast. This is a film that is supposed to cap off the story and instead of going out with an emotional bang, it closes things off with a dull whimper. I get that “Wicked” in essence paints the story told in “The Wizard of Oz” as an anti-Elphaba propaganda piece, but the way that the film showcases some of the events from “The Wizard of Oz” lacks something the classic tale had. Sure, “The Wizard of Oz” is a formulaic hero’s journey, but like a lot of formulaic hero’s journeys, it had stakes. As I watched parts of “Wicked: For Good,” I almost did not care about a single character in the cast. The film barely paints the Wizard as a threat, even if Elphaba most definitely sees him that way. The closest thing to an unforgivable act I can say he pulled off is him capturing a bunch of animals, which, okay, that is not something reasonable people do. Not to mention, such an action piggybacks off of material from the first film. But even that plot point feels like it barely gets any spotlight. It comes off as an afterthought.

Do things happen in “Wicked: For Good?” Sure. Do characters develop in “Wicked: For Good?” Sure. We see some characters change more than others, but there is some character development to be had. That said, by the film’s conclusion, I felt like nothing really mattered that much. There was not much in the film that left a significant impact on me.

There is quite a bit in this film that I do not like. I did say there are plenty of positives, but I utter such a sentiment with as much generosity as I can provide. That said, if there is one reason why you should watch this movie, especially on the big screen, I think I might be able to pull one out of my sleeve. The soundtrack to “Wicked: For Good” is not as solid as the original. In fact, the parts of the soundtrack I found to be the most memorable are throwbacks to songs from the original movie. There are some good songs, but not anything on the level of say “Defying Gravity,” except for one number. That number being “No Good Deed Goes Unpunished.” There are so many fantastic elements that make this sequence worth writing home about. I almost want to shout out Cynthia Erivo for her ability to carry a tune in this scene like it is nothing. But then I remember that this sequence contains some incredibly dazzling showcases of visual effects. And while I do think the film could have been improved from a color perspective, I thought the overall aesthetic of this scene was perfect at times. Despite a lot of pizzazz going on in the frame, several shots feel kind of dry and rugged. It kind of matched the tension of the film at the time. It came at one of this film’s closest moments to what somebody could call a tipping point. The soundwork in this scene is great, and this was most definitely a treat to hear in Dolby. After seeing these two “Wicked” films, I would be totally fine if I never had any chance to watch them a second time. But I will not lie, part of me could see myself going on YouTube and either watching this clip again for fun, or listening to this song through my headphones.

I have not seen the “Wicked” play. Yes, I know, “No Good Deed Goes Unpunished” is not a song that is original to this film’s soundtrack. That said, I like the way the song is utilized in this film. It satisfies both the eyes and ears. One thing I also like is that in the moments that follow, we have a crowd of people singing a similar sounding song called “March of the Witch Hunters” that changes the core lyrics ever so slightly. It is executed rather chillingly.

Speaking of singing, watching Jeff Goldblum try to sing in this movie is something else. Do not get me wrong, Jeff Goldblum as the Wizard, like many of his other roles, is charismatic. But the guy cannot sing. He can change your apartment, he can change the world, but he cannot sing. He tries. He puts some effort into his material, and even as he fails he still has a sense of star power. Although when the film has Goldblum singing, he comes off like a reserved, yet somewhat noticeably drunk dad who drags his family into the basement so he can try out his new karaoke machine for the first time. I love Jeff Goldblum, but this is not his best work. If I were to judge Goldblum for his performance in the first “Wicked” I would say his performance was perfectly acceptable. But when this movie asks him to sing, which is one of the most important parts of making a musical, that is where the corniness ensues.

In the end, the “Wicked” movies are 0 for 2. I do not mind musicals. I enjoy fantasy movies. To quote that one kid from “A Christmas Story,” “I like ‘The Wizard of Oz.'” If there is one adjective that I could use to describe these movies, it would be “consistent.” The films are consistently boring, consistently colorless, and consistently annoying. I never latched onto the universe that these two movies were trying to sell me. It has simply never once appealed to me. When I reviewed the first “Wicked,” I said it failed on the most important thing a part one is supposed to do, which is get me excited for this film, part two. Wait, sorry, I mean for “For Good…” The title card in the original says “Part One,” why does this one not say “Part Two?” Kind of weird. Anyway, now that I have seen “Wicked: For Good,” it fails at something of equal importance, which is getting me to care about the cast of characters. I like the actors in the film, and I think like the last movie, Ariana Grande easily gives the best performance. But their characters, like the story, rarely, if ever, engage me by the film’s conclusion. I am going to give “Wicked: For Good” a 4/10.

“Wicked: For Good” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Sentimental Value!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Zootopia 2,” “Wake Up Dead Man: A Knives Out Mystery,” “Jay Kelly,” and “Bugonia.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Wicked: For Good?” What did you think about it? Or, which of the two “Wicked” movies is superior? Let me know down below! Scene Before is your click to the flicks!

Eternity (2025): Romance Isn’t Dead in This Clever Take on the Afterlife

“Eternity” is directed by David Freyne (Dating Amber, The Cured) and stars Miles Teller (Whiplash, Top Gun: Maverick), Elizabeth Olsen (Avengers: Age of Ultron, Godzilla), Callum Turner (Fantastic Beasts: The Crimes of Grindelwald, The Boys in the Boat), John Early (Search Party, At Home with Amy Sedaris), Olga Merediz (Blockbuster, Orange is the New Black), and Da’Vine Joy Randolph (The Holdovers, People of Earth). This film is set in an afterlife where people are presented with endless realms called eternities, one of which they can choose to remain for as long as they are dead. The story revolves around a love triangle in which a woman named Joan is forced to choose between spending the rest of her afterlife with her first love who died at war, or the man with whom she built the rest of her life.

Prior to watching “Eternity,” I have not seen a single trailer for the film. Anytime I go into a film without having seen a trailer, part of me gets a pep in my step, as blindness can often lead to a great surprise. I ended up checking out “Eternity” about a week before its release. The film had a press screening in Boston, a city from which I live 20 minutes north. I thought I would take advantage since I had a free Thursday night.

I am pleased to say that “Eternity” is quite good. It is not my favorite film of the year, and there are some notable problems I will bring up during the review. But it is a film that keeps a good pace, contains a likable cast, develops its characters nicely, and offers a fun take on what may happen after people die.

“Eternity” is not the first story I have seen brought to the screen that focuses on the afterlife. The film does tend to remind me a bit of other takes on it I have seen. This film reminds me of is the NBC series “The Good Place.” While I have not seen the whole series, the production design feels very similar with lots of bright colors filling the frame. As for both properties’ takes on the afterlife, that is where some of the differences start to come in. For instance, “Eternity” gives people some options on how exactly they spend their afterlife. There is a whole area of tents set up advertising all sorts of places where people can go spend the rest of their afterlives, and the possibilities feel nearly infinite. “Eternity” also establishes that there is not exactly a “Hell” or some equivalent to it where people wind up when they die. Everyone gets a chance to pick their eternity, and if they try to leave, they get chased down and sent to this film’s closest concept to Hell, which is a black void. More on that later… Also, one thing to note about these distinctions… It should not come as a surprise that there is no Hell because some of the eternities are based on seemingly unattainable desires, or bad habits. There is even an eternity dedicated solely to cigarette smoking!

A24 is a distributor whose movies always tends to get a reaction out of me, and “Eternity” is no exception. As I watching “Eternity,” a thought popped in my head that I do not tend to experience that often. Of all the A24 movies I have seen, “Eternity” may have the most franchise potential. Sure, A24 has the “X” trilogy and “The Souvenir” has two parts, but there is some really good world building and lore establishment in this film to the point where if another story in its universe were announced, I would be onboard. This film ends in a way where its main trio might not have much more of a story to tell, but I would not mind seeing another installment featuring new characters. This movie focuses on a love triangle, but it would be interesting to see what it is like for someone who never found love to have a chance to do so once they enter the afterlife. This could even spin off into a TV show. Maybe each new episode could feature the staff dealing with new people who are dying each day. They could probably make a whole season about someone who died if they wanted to go in that direction.

This film does not have a major antagonist. The biggest problem our characters face throughout the movie is that Joan is forced to choose between two men she’s loved at certain points of her life. That is the everlasting dilemma affecting our main trio. Although as mentioned earlier in the review, if someone leaves their eternity, they have to go on the run and avoid getting placed in a black void. Frankly, I think this movie would be better off if it did not have this consequence. It basically shames people for making the wrong choice even if they had the best of intentions while making it. For those who read my review for “Bone Lake,” sorry if this comment sounds familiar, but it works here too. The consequence sounds like something brought up during an episode of YouTube’s “Pitch Meeting” series, where the Executive Guy asks why a particular concept is a thing, to which the Screenwriter Guy responds “So the movie can happen!”

That said, “Eternity” is still pretty funny. In fact, this whole movie feels like an extended “Simpsons” episode. I cannot tell you every single joke or sight gag in this film, but for the most part, the movie seems to be running at a mile a minute. If you like that kind of humor, I think you will dig “Eternity.” This movie might be worth watching a second time to see if there are any jokes I missed.

Overall, this film is quite creative. There is a whole world built around what happens when people die. It gives its characters a week to choose where they would like to spend the rest of their time. I like how the film establishes there being a whole staff that has to acquaint dead people to their new environment. That said, when it comes to being a romcom, that is where things become a little more familiar. When it comes to the breakdown of how Joan navigates her dilemma, I could see certain key points of her journey coming from a mile away. That said, never once did I get the sense that any point in her journey was broken, and I do think said journey was slightly enhanced by both men being in her actual life. She had someone she was getting to know, but lost too soon. Then she had another man with whom she spent more than sixty years. It is a compelling dilemma and makes for a great story. All three of the main characters are layered and give all the exposition the audience needs to know for the rest of the movie to play out exquisitely.

In the end, “Eternity” is not only funny, but it made me think. I am 26 years old and I have never had a partner. If anything, this film made me not only think about what happens after I die, but it makes me wonder what is going to happen throughout the rest of my life. If the afterlife somehow ends up being similar to what this film presents, it makes me think much harder about any crucial life decisions I am going to make. Also, one last note, this film proves that Da’Vine Joy Randolph is a comedic force. I would love to see her as the lead in a comedy one day. I loved her in “The Holdovers.” She is also fantastic in “Eternity.” She is incredible at what she does. I am going to give “Eternity” a 7/10.

“Eternity” is now playing in theaters everywhere. Tickets are available now.

© Universal Studios. All Rights Reserved.

Thanks for reading this review! My next review is going to be for “Wicked: For Good!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Sentimental Value,” “Zootopia 2,” and “Wake Up Dead Man: A Knives Out Mystery.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Eternity?” What did you think about it? Or, if you could choose to spend the afterlife in one place, real or imaginary, where would it be and why? Let me know down below! Scene Before is your click to the flicks!