Scene Before 2019 HALFTIME REPORT (And Glance Into the Future)

WARNING: The following post is over 8,000 words long. Disappointingly, it’s not over 9,000.

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Hey everyone, Jack Drees here! 2019 is midway through and this year is going by fast! As far as my personal life goes, I’m in between my first and second year of college, I am enjoying my time off, and I’m the same movie reviewing moron as usual. Things have changed, but at the same time, I’m still the same flick nerd I have always been. And I mean that literally, but we’ll get to that later. However, I wanted to try something I haven’t done before on this blog. At the end of the year, I tend to do some reflective work, most notably countdowns. And while I am not going to do that at this current midway point, I would at least like to sit myself down and go over some recent highlights related to Scene Before. At the same time, I’d like to also look into the future. Admittedly, some of this is still in planning stages, but still.

I’d like to start off with something I’d like to call “TERRIFIC 3” and “TERRIBLE 3.” I am going to list 3 movies that I have watched this year that I would recommend to people and 3 other movies that I would tell people to avoid. Now, of course, these picks are subjective, if you think differently about these films than I, it might be slightly harder to talk to each other, but you are nevertheless entitled to your different thoughts. In fact, these are not supposed to be my top 3 best or worst of the year so far. If I like a film, I’ll list it, if I don’t like a film, I’ll also list it. These are not meant to be in any particular order. Anyway, let’s begin!

TERRIFIC 3!

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Starting off the Terrific 3 is “John Wick: Chapter 3!” I went to see this film in Dolby Cinema alongside my dad, who might be a bigger “John Wick” fan than anyone else I know. He and I walked out agreeing that the action in the film is absolutely top-notch. The action in “John Wick” films is certainly the aspect that would grab my attention more than any other. Long takes, innovative setpieces, gritty violence, all of it adds up to make some of my favorite action scenes of all time. When it comes to current action franchises, I am having some slight trouble deciding whether I prefer this or “Mission: Impossible.” It’s that good!

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Up next is a stellar DreamWorks animation whose franchise I never watched religiously, but always liked, “How To Train Your Dragon: The Hidden World.” If you have ever seen the game show “Deal or No Deal,” the show always highlights the phrase “timing is everything,” and when it comes to “How To Train Your Dragon: The Hidden World,” that phrase becomes more relevant than ever. This movie came out in the middle of my second semester of college, and I could not help but feel like the people behind the movie were trying to consider me in its target audience. After all, while “How To Train Your Dragon” may be a franchise directed towards families and children, this growing adult could not help but feel like a kid again. In fact, to add more to this true masterpiece of an animated film, I became more emotional during this movie than I did during perhaps more than any other. Even more than “Toy Story 3.”

Last but not least for the Terrific 3 is a movie that I decided to list because it’s on a slightly different end of the spectrum. Because let’s face it, I’m kind of recommending movies to you, and why recommend “Avengers: Endgame” when almost everyone went to see it? So let’s recommend a smaller movie, such as Terry Gilliam’s “The Man Who Killed Don Quixote.” Now some would argue that this is a 2018 flick, but in the United States, which is where I live, this didn’t come out until 2019. For those of you who don’t know this movie, “The Man Who Killed Don Quixote” took decades to make, and it’s about a guy who reunites with someone he worked with during a production. This person he meets with is convinced that he is Don Quixote. This did not get that big of a release in theaters, but it is worth seeing just because of its history, because despite going through “development hell,” it managed to turn out quite well! The movie is now available on home video including various VOD options.

Now let’s move onto something that probably doesn’t deserve any attention, but because I believe in equality, we’re talking about it anyway, the Terrible 3!

TERRIBLE 3!

First up is a movie that I want to put on here because what’s the harm with having an unpopular opinion? Oh wait, everything. Who cares? One of the most successful movies of the year, “Captain Marvel,” just didn’t stick the landing for me. This had a lot of hype building up to it, but I personally just couldn’t relate. And when I saw the final product, I felt like… Wait, why’s everybody laughing and cheering? Yes, there are a couple of cool moments in the movie. For example, I dug the 90’s references such as Blockbuster Video and Dial-Up Internet. Brie Larson and Samuel L. Jackson have some good chemistry, but when it comes to Larson in general, her performance was kind of mediocre. Granted, I know grade-A acting isn’t the biggest component of a comic book movie, but Brie Larson, an Academy Award winner, felt more like she was in a couple straight to DVD films and that’s it. Granted, I think she did a slightly better job in “Avengers: Endgame,” but her performance here simply underwhelmed me. Plus, there’s a moment in this movie that references a significant part of the MCU lore (having to do with Samuel L. Jackson) and quite honestly, the way they go about it just killed my brain.

Up next is a movie that could have been great but was simply wasted. From the creators of NOT “Firefly” comes “Serenity.” “Serenity” could be somewhat fun, not to mention a great “thinker” movie, but it manages to become more boring the more I think about it. I love the movie “Interstellar,” so I was somewhat excited to see Matthew McConaughey and Anne Hathaway unite once again for another project. Both have talent as actors and they’ve proven they have great chemistry. Honestly, I’d just go back to watching “Interstellar” if this is the movie we’re getting. Although this movie came out in January so it should not be surprising that we would get a movie of this quality.

And finally, we have what may be my worst movie of the year should nothing surpass it, “Godzilla: King of the Monsters.” The sad thing about “Godzilla: King of the Monsters” is that I was actually desperately anticipating this movie. When I went to see it, I was ready for what was about to happen. Or was I? Seeing movies in IMAX may be great because it feels so big, but when they’re a big mess, what is the point? Maybe the monster fights could be fun, but if I wanted to watch this movie again, I’d probably have to be heavily drugged. Because let’s face it, as cool as big monsters are, the unforgivable part of “Godzilla: King of the Monsters” are the one-dimensional human characters. This could be slightly less intolerable if the human characters were less of a focal point during the movie, but they made me want to go back and check out some of the “Transformers” movies again! They’re THAT horrible!

I just showed you all my terrific and terrible picks, now let’s go over a few recent highlights from my blogging journey.

As usual, I kicked off my 2019 with my traditional countdowns to reflect on the year of 2018 in film. I went over the best of the year along with the worst of the year. Some of my top picks included “Spider-Man: Into the Spider-Verse,” “Eighth Grade,” and “Mission: Impossible: Fallout.” Some of my bottom picks included “The 15:17 To Paris,” “Uncle Drew,” and “Life of the Party.” I enjoy doing these countdowns every year and this is the first year that I started writing what I would put in the countdowns as early as August. I did not do this for every single movie, but I visualized the lists a long time prior to actually releasing them. This does not suggest that I avoided considering movies released past August, as evidenced by some of my picks.

After I did my lists, I saw my first 2019 release, which according to IMDb, is actually a 2017 release. Based on my experience and research, I’d call it a 2019 release, but still. That film by the way is “The Upside,” which is a remake of 2011’s “The Intouchables.” I personally have not seen “The Intouchables,” and while “The Upside” from my perspective is not really anything special when it comes to cinema, it is still a fun time. I went to see it at a press screening, and there were tons of laughs to be heard.

A couple weeks later I went to one of my local arthouse theatres to see a flick that I almost ended up passing on. Specifically, “Roma.” Why? Because when it comes to today’s media, Netflix is a company that I traditionally tend to avoid. But one of my local theaters managed to get access to a 70mm film print of “Roma,” which would be presented for a limited time. I took advantage of the opportunity and purchased a few tickets for a matinee show. Not only was the experience breathtaking, but the movie was one of the best of the past year. If I had to redo my top 10 lists of 2018, this would be on the best list, but I saw “Roma” after completing said lists.

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I also decided to try out a new concept this year which I have decided to make an annual tradition, the Jackoff Awards. For awhile, over the past year, I have grown to admire the Oscars based on how much respect they tend to pay towards the film industry. Granted, they’re not perfect, but what they’ve done over the years is absolutely intriguing. I thought to myself, why not do a big awards related post? Present similar categories to other major shows, I do my own comedy bits, and it was perhaps the most ambitious post I have ever done. As for Best Picture, I decided to present what was then my top 10 of 2018, which DID include “Roma,” and instead of having me choose Best Picture, I would allow my audience to choose the winner. I figured it would allow for diversity in terms of opinions, and I managed to get a surprisingly diverse number of votes. I got some votes for “Spider-Man: Into the Spider-Verse,” “First Man,” “Ready Player One,” but the winner turned out to be last year’s biggest comic book movie, “Avengers: Infinity War.” Honestly, if there were any movie to put in my Blu-ray player on a Friday night at this point, it would most certainly be that one.

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I then continued my journey in March by going to the place that I would associate with film more than any other, Los Angeles. My family and I stayed right near Hollywood Boulevard and I got to visit a few media-related sights including Warner Brothers Studios, the TCL Chinese Theatre (where I saw “Captain Marvel”), and Universal Studios Hollywood. I also got the chance to witness a live taping of “Conan.” While I didn’t make a big post related to this, I managed to briefly discuss some of my highlights here and there.

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For those of you who are curious about my “Conan” taping experience, I managed to witness almost two full shows. Why? Conan O’Brien had to be somewhere when his Thursday show would air, so naturally, he had a demand, he wanted us, Thursday’s audience, to “make Tuesday’s audience look like s*it.” We got see all of Tuesday’s show, which had a couple comedy bits and an interview with Timothy Olyphant (Live Free or Die Hard, Santa Clarita Diet) and a good fraction of a Thursday night show which featured comedian Moses Storm, who joked about cell phone users, “Shark Tank,” and revealed a story where he would tape episodes of Conan O’Brien’s older talk show episodes over his religion-related educational programming. By the way, Conan in person looks like a real life action figure. Maybe it’s the makeup. Maybe it’s the lighting in the studio, but my gosh.

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I also got to visit an RPX venue for the first time. For those who don’t know about RPX, they are a premium format that can be found exclusively in cinemas under Regal Entertainment Group ownership. I didn’t plan on attending RPX when I did, but I managed to get something off my list of movie-related things to do before I died. After all, “Us” just came out, and I was in the Boston area. I figured just to save time, I’d go for the earlier, but more expensive show that Regal Cinemas Fenway was providing, as opposed to another show which would be starting a half hour later. For your information, I was aware that I was going into an RPX screen. I didn’t mind my decision, I figured if I wanted to see “Us,” I’d go see it in full scale glory because I was really anticipating it. While I have still yet to see “Get Out” to this day, I have heard about its overwhelmingly positive reception and I was expecting that Jordan Peele would deliver another sick movie. While “Us” was not perfect, it was definitely worth seeing, and I wouldn’t mind watching it again. As for the RPX experience itself, I thought the seats were not too bad. The capacity was through the roof, the screen, while not entirely wall to wall, was huge. As for the sound… It is undeniably better than a standard theater, but I was a little underwhelmed. Maybe I went to see the wrong movie, maybe the employees turned the speakers down, but when I compare the sound to something like IMAX or Dolby Cinema at AMC, I would go back to both of those places first.

Moving onto April, I managed to survive the whole “Avengers: Endgame” ticket buying craze. For those not fully immersed into what I just stated, I must point out that “Avengers: Endgame” tickets went on sale April 2nd, and the Internet went balls to the wall nuts when it came to snagging tickets. I had to wait in Fandango’s line, AMC was having problems, and it got to the point where I had to buy tickets from a somewhat local cinema chain, on their own, slightly buggy website, just to make sure I could get into school on time. I almost took the train to one of my local AMCs because I could stop by there on the way to school. If I did that, I am willing to bet I would have missed out on opening night of “Endgame,” which was the day I was shooting for. After all I did want to get my review out as soon as possible, and I did manage to score a couple tickets on remaining good seats for a 9PM show. Not at an AMC, but at a Showcase Cinemas. While it was not my first choice, I don’t regret going there, because an hour before going into the cinema, I got a glimpse at everyone leaving the 22 MCU movie marathon the theater was showing over a few days. Everyone was being applauded, and they left with some merch. I recorded this aftermath on Facebook Live, and despite my camera’s focusing problems and poor cellular service, I managed to get some respectable footage. Also as a Bostonian, I was proud of myself to catch a reporter from one of my local news channels, WBZ, or CBS Channel 4. To be specific, Tashanea Whitlow. As for the premiere itself, the movie was fun, and the three hour runtime was rather justified given what we as an audience received. I didn’t think it was perfect, I’d much rather watch “Infinity War,” but it was a great finale to over ten years of films. I will also say, this may be due to where I went to see the movie, seeing “Infinity War” was also a better experience. Because I went to see it at a 7PM show on opening Thursday on an eight story IMAX screen. If you have ever gone to see an event-type film in India, that is one of the most solid comparisons I could make to my experience. It was like going to a Stanley Cup game or something. “Endgame,” which was in a sold out theater in regular 2D, had barely any applause (although some reactions here and there), and out of everyone in the theater, I may have been the most obnoxious. If I had to make a sports comparison, I’d probably say it was like going to a slightly more competitive golf tournament. It was lively at times, but not like the roof was being blown off the place. I know some people are not particularly fans of going to theaters where everyone is reacting to the film’s key moments, but as a fan of the MCU, it’s something that I considered to be a privilege during my “Infinity War” experience.

May was an interesting month for me, because I just finished my first year of college, so I got a little more active on the Scene Before side of things. I’m now trying to earn revenue with the blog, I saw more movies than I did in months such as March or February, and I even changed my domain name. Unfortunately, scenebefore.com was taken, so I wanted to make sure I can fit something that would associate with me, but also be precise. I thought something like moviereviewingmoron.com, while definitely appropriate, is a tad too long. Luckily, after some searching, I found out that flicknerd.com was available. Did I ever call myself “flick nerd” on this blog? No, but I figured it would be a cool name to have because its simplicity will probably gain enough traction overtime. It’s hard to tell though, because this advanced blogging journey, at least from my point of view, is just getting started. I’m looking for sponsors, more potential viewers, but I’m also trying to be the same movie reviewing moron that everyone has come to know.

One of my highlight posts of the month is titled “What THE BIG BANG THEORY Has Meant To Me: A Nerd’s Perspective.” For those who are unaware, CBS’s “The Big Bang Theory” just finished it’s twelfth and final season on the air, so I figured I’d take some time to remind the world of what the show has meant to me as a fan, as someone who would constantly tune in to new episodes, and most of all, as a nerd on the autism spectrum. I probably won’t have time to give a detailed description of everything I said, so if you want to read the post, click this link!

I also saw another one of my favorite films so far this year, “John Wick: Chapter 3 – Parabellum!” Not only that, but like I mentioned earlier, I managed to catch a Dolby Cinema presentation of it, which surprisingly, didn’t make me feel like I was getting shot in the head, which may be a good thing. Seriously though, “John Wick: Chapter 3” is probably the best installment of the franchise yet, and Keanu Reeves might now just have a better trilogy than “The Matrix!”

But I cannot say the end of the month was great, because “Godzilla: King of the Monsters” happened. Sad day. Even though I went to see the film in full scale IMAX glory, it didn’t feel like something worth my time.

Moving onto June, I managed to do something pretty cool with my dad. He and I go to the movies together a lot because for the most part we have similar tastes. We match together when it comes to sci-fi, action, comic book-based material, comedy, etc. However he has never been to an advance press screening, so I thought just for fun he and I could do so for the new movie, “Men In Black: International.” It’s a movie that I probably would have checked out had I waited for it to release everywhere. After all, “Men In Black 3” is my favorite movie of 2012. However, since this was free, not to mention, early, I thought dad and I could trek to the theater and see what this movie had in store. I personally enjoyed it. I know some people were scared of how this movie would turn out based on the marketing (Then again, it’s a Sony film, whaddya expect these days?). I thought the first trailer was alright, but not great. The second trailer was an improvement and actually got me more interested in the film. As for the film itself, it is not Shakespeare, but it’s a fun time at the movies. Chris Hemsworth and Tessa Thompson have great chemistry together and I think Kumail Nanjiani’s character is a fantastic comic relief.

The best movie I saw this month was “Toy Story 4,” which I must point out, I probably was not even looking forward to back when it was announced. Boy, times do change! Unfortunately, I had to witness brain cell erasers such as “Replicas,” which I bought on Blu-ray since I had some Best Buy rewards to waste. I also saw “The Secret Life of Pets 2,” which is worse than getting scratched in the eye by a cat. Yes, Harrison Ford is in it. Yes, he is the best part of the movie. But I might as well be at the point where I would rather have a dog sniff my butt then go so that film again!

Now that I have recapped my highlights, I just want to remind everyone of what’s being planned for the future. Here is my unofficial schedule for the second half of 2019!

JULY:

Throughout the month of July, there are not that many movies coming out compared to other months in the year (at least according to Wikipedia), but I am planning on catching a few blockbuster highlights such as “Spider-Man: Far From Home,” despite how little anticipation I have for it. I also really want to catch Disney’s live-action remake of “The Lion King.” I am not a fan of the Disney live-action remake trend, but I feel that this movie will be a great theater experience and also rather compelling. I don’t know how much it is going to be a carbon copy of the original or how much it’ll go in its own direction, but I am somewhat curious as to what will come of it. I know it is longer than the original, which slightly worries me, because it could add something that perhaps the 1990s film didn’t even need, therefore ruining my experience. Plus, it’s being directed by Jon Faverau, who also worked on 2016’s “The Jungle Book,” another Disney live-action remake, which was one of my favorite movies of said year. I also really want to check out “Crawl.” The trailer didn’t have me fully onboard, but I am still curious as to how this film will turn out. Plus, it’s being produced by Sam Raimi, who is known for his work in the horror industry, and one of my favorite comic book movie directors.

This does not mean that I want to ignore independent work, because on the same weekend as “Spider-Man: Far From Home,” A24 is releasing one of my most anticipated movies of the summer. Specifically, “Midsommar.” When your movie is A: Directed by Ari Aster, who had a phenomenal feature-length directorial debut last year with “Hereditary,” another A24 film, and B: Described by Aster as “a Wizard of Oz for perverts,” I am instantly intrigued. “Midsommar” takes place in rural Sweden as a young couple takes a vacation and settles in the area. Alongside their friends, they eventually discover that this area has a festival that takes place once every ninety years, which creeps them all out. I want to see Ari Aster succeed, so hopefully this film does well.

Speaking of successful filmmakers, another well-known director in the industry, specifically Quentin Tarantino, is going to be releasing his ninth film, “Once Upon a Time In Hollywood.” And to be honest, as anticipated as I am to see this film, I have to let something out. I have not seen much of Tarantino’s work. I will most likely be going to see “Once Upon a Time In Hollywood” when it comes out, maybe in 35mm, but before I do that, I am going to be doing a small series of reviews for Quentin Tarantino movies. In fact, I already have a few lined up. Specifically, “Pulp Fiction,” “Django Unchained,” and “The Hateful Eight.” Those reviews will be done as weekly projects and they should all be up before the official release date of “Once Upon a Time In Hollywood,” July 26th.

 

AUGUST:

SAMSUNG CAMERA PICTURESRemember how I would occasionally announce I am going to cons from time to time? For some reason I have failed to do that this year. It’s not like I am not going anywhere, but I have just failed to put myself in front of my keyboard and try to say, “Hey guys, here’s where I’m going, stalk me!” Not that don’t mind the attention, I’m just saying. But if you really want to know about my next con, I do have it booked, and I will be going to Terrificon, which for those of you who have been following me for some time, you’d know that is also the first con I ever documented on this blog. And I am thinking of doing something a little different this time, just to spice things up. I’m trying to push more video content into my posts, maybe I’ll insert a compilation of the con’s highlights. I’ll record it on my camera, maybe my phone, whichever has more memory at the time. Maybe I’ll post it on YouTube and link it here. Who knows? But here on Scene Before I am trying find ways to innovate, and maybe this could be one of them.

Speaking of cons, this is NO GUARANTEE, partially because I have not even bought tickets, but there is one convention that is about a half hour away from my house that I kind of want to go to. Whether or not I am going, that’s a different story, but should things go in a certain direction, I may end up going to Fan Expo Boston, which is a con I have surprisingly never been to. And the guest list this year, aside from a couple big cancellations, is solid so far. You’ve got Zachary Levi (Shazam!, Tangled), who I will say, even if you are not into his work, he is a fun guy to meet, he is upbeat and has a massive sense of charm. Part of the cast of “Blade Runner” is going to be there including Sean Young, Rutger Hauer, and Edward James Olmos. I have a feeling there are more guest announcements coming our way, and if there are, I cannot wait to hear them, because there have been a lot of cool names who were there over the years to the point where I almost have slight regrets on missing out. If I were to get tickets to Fan Expo, I’d probably just go for one day. After all, Terrificon is the week prior, and I am staying overnight during that weekend, so my budget might be slightly higher at that event compared to Fan Expo.

Moving away from cons, I will say that my biggest film catches for August right now have to be “Hobbs & Shaw,” “Dora and the Lost City of Gold,” “Good Boys,” “Where’d You Go Bernadette?,” and “Scary Stories to Tell in the Dark.” There is not much from August that I am truly anticipating, but I will inevitably go see a few things here and there. And if you want to know something, I only put down “Dora and the Lost City of Gold” because let’s face it, “Dora the Explorer” was a part of my childhood, and nostalgia equals money nowadays. Granted, this movie looks a tad more adult-friendly than the cartoon. But am I looking forward to it? Hell no. In fact, I am thinking it is only going to ruin my childhood, but I might as well give it a chance just because I am a nice guy. I saw the recent “Power Rangers” film partially out of nostalgia and that worked for me, might as well do it with “Dora” and see if that works.

 

SEPTEMBER:
If I had to predict my least active month for the rest of the year, I have to call it right now, September is certainly a contender. For one thing, I’m going back to college, so I need to adjust to a new routine. I’m still going to keep my promise of doing at least one post within every 7 days or so, that way you can keep witnessing my constant dedication to this blog. I’m probably not gonna go see “IT: Chapter Two” mainly because I still have not seen the first one. Although the cast is pretty nifty from what I have experienced. But I am interested in “The Goldfinch,” I have some slight intrigue towards “The Report,” and maybe I’ll check out “Abominable.” I saw one of the trailers for it, and it looks like it might not be a new animated classic or anything, but I am somewhat curious to check it out, partially because even as an adult, I still have a slight need to check out animations from time to time. Plus, it is from DreamWorks, and I’m currently trying to seek out their next big thing. “Kung Fu Panda” is done, “How to Train Your Dragon” seems to be done, maybe this, or something else, can be their next kickstarter to a solid franchise. Then again, apparently they’re making sequels to “The Boss Baby,” “The Croods,” and “Trolls,” so why should I expect absolute quality? Nevertheless, it’s worth a shot.

Although if you had to ask me what my most anticipated movie would be for the month of September, it’s a no brainer, “Ad Astra.” I love space, I love compelling, dramatic stories involving space travel, even if it is close to Earth. Plus, the second half of the year for numerous ages of my life have typically contained at least one epic space movie. Maybe “Ad Astra” will be the next to join the ranks with other movies from this decade like “The Martian” and “Interstellar.”

 

OCTOBER:

This October is pretty interesting to me, because there will be a weekend where my mother and sister are out of the house and I will quite honestly, need something to do. I can’t just stay trapped behind walls! I have to see the world! Nevertheless, that particular weekend is the release of “Joker,” which I am inevitably going to check out no matter what, but for the sake of having an early review, I’m going to check it out as soon as possible. I have Fridays off from school this upcoming semester, maybe I’ll do it then. The following week is the release of Will Smith’s “Gemini Man,” directed by Ang Lee, so I might see that. And the week after is slightly bigger because Taika Waititi is coming out with his latest directorial feature, “Jojo Rabbit,” where believe it or not, Waititi himself plays Hitler. I never pictured that, but this film certainly has my attention. That same week is also the release of “Zombieland: Double Tap.” I had fun with the first “Zombieland.” I enjoyed the chemistry between Jesse Eisenberg and Woody Harrelson, and it has, at least to me, a pure highlight from Bill Murray’s acting career. And to my surprise, he’s coming back for this movie! I also want to check out “The Aeronauts” which is being released by Amazon, and the reason why I want to check it out is because it is Amazon’s first attempt at an IMAX run and it is also being released a week early in that format. The film will technically be in standard theaters in November after it’s week-long IMAX run. And if this is the case, this reminds me of the excitement I had for Robert Zemeckis’ “The Walk,” because that released a week early in IMAX and that was quite an experience.

Speaking of lesser known films, one other thing I want to check out is the South Korean flick “Parasite.” It’s getting tons of buzz at film festivals, having earned Palme d’Or at Cannes, winning the Sydney Film Festival, and already making tons of money in Korea. The film’s US release is this October, which would put it in a reasonable spot to be remembered by Academy and Golden Globe voters.

 

NOVEMBER:
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This November is particularly interesting. Because November 1st is the day I’m heading off to Providence for Rhode Island Comic Con, and that’s the day after Halloween! I’m not cosplaying (at least I have no plans to right now) at this con, but I just want to walk around the convention floor for hours and stumble upon every costumed individual and wish them a Happy Halloween. Nevertheless, I am staying true to my annual tradition of going to Rhode Island Comic Con. The guest list is usually filled to the brim, so I cannot wait to hear more announcements over these upcoming months. Even so, the convention has had some huge announcements for guests thus far. Some guests include Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), William Shatner (Star Trek: The Original Series, Boston Legal), George Takei (Star Trek: The Original Series, Kim Possible), Steven Yeun (The Walking Dead, Final Space), and to my utter surprise, and possible delight, Chevy Chase. By the way, Chase made an announcement about his upcoming appearance online and the video he made for it is very funny.

Sticking to the announcement wishlist concept, I recently made a submission on the con’s website suggesting names of five possible guests that I want to see. They include: James Murray, Curtis Armstrong, Kunal Nayyar, Doug Walker, and James Holzhauer. I could be mistaking Doug Walker for somebody else, but even if I am, he would be fun to see at the con. Of all these names, the one that really stands out to me is James Holzhauer. Out of all the people on this list, he is the least “celebrity-like” of all of them. James Murray comes close, but barely misses the mark. For those who are unaware, Holzhauer is the name of the recent “Jeopardy!” contestant who wouldn’t stop taking the show’s money. He has nearly broken Ken Jennings’ regular winnings record, only to be stopped by an opponent who beat him by more than double his final total for the game he lost. I think Holzhauer appearing at Rhode Island Comic Con would not just be unique, but also entirely appropriate. After all, it would probably bring in a new audience of people who would otherwise skip out on cons. Plus, as a game show enthusiast, I cannot help but keep talking about Holzhauer like he’s my own child. It’s almost as if being able to catch the latest “Jeopardy!” episode or at least reading up on the latest stats was the ultimate bragging right. Also, this year I’m going with a VIP ticket, which comes with various perks.

VIP Ticket Perks:

  • 3 day admission
  • Early bird admission (9AM Sat & Sun)
  • Private VIP Entrance
  • Private VIP Lounge
  • 3 Exclusive RI Comic Con Show Prints
  • Rhode Island Comic Con Swag Bag
  • 20% off RICC Branded Merchandise
  • Exclusive VIP 2019 RI Comic Con Badge
  • Exclusive RICC AR Comics-Comic Book
  • Exclusive RICC Comic Book
  • VIP Autograph Fast Pass Line
  • VIP Photo Op Fast Pass Line
  • Chance to Win 2020 VIP Pass
  • One Exclusive Mystery Item

I am personally excited for the con, and believe it or not, it is not the first time I’m getting a VIP badge, because the first time I went, which was in 2015, I managed to get said badge as well.

That same weekend is also the release of the new “Terminator” film, “Terminator: Dark Fate.” It is a cliche title, but its first trailer, personally had me intrigued. I’m excited to see what Tim Miller has up his sleeve in terms of direction. I am somewhat excited to see James Cameron involved again, although I am slightly worried because we now have more disposable “Terminator” movies than memorable “Terminator” movies. Let’s just hope we can change that.

Some of my other most anticipated films of the month include “Ford v. Ferrari,” “Knives Out,” and “A Beautiful Day in the Neighborhood.” “Ford v. Ferrari” takes place during a race to determine which of the two recently specified car brands will dominate. “Knives Out” is an upcoming mystery crime film directed by Rian Johnson. I did not like his interpretation of the “Star Wars” universe, but it does not mean I am not willing to check out his future work. Plus, this movie has a number of big names that I imagine a lot of people would like to see. Some include Daniel Craig (Casino Royale, Logan Lucky), Chris Evans (Captain America: The First Avenger, Gifted), Lakeith Stanfield (Black Panther, Sorry To Bother You), Ana de Armas (Blade Runner 2049, War Dogs), Jamie Lee Curtis (Halloween, Scream Queens), the world’s best Kevin Spacey impersonator, Christopher Plummer (All the Money in the World, A Beautiful Mind), and recent Jackoff winner Toni Collette (Hereditary, The Sixth Sense). As for “A Beautiful Day in the Neighborhood,” it is in the current conversation to be my most anticipated film for the remainder of the year. For one thing, I saw “Won’t You Be My Neighbor?” last year, which much like “A Beautiful Day in the Neighborhood,” is about Mister Rogers. That documentary not only compelled me, but reminded me of my personal flaws in my childhood, and maybe inspired me to be a better person. I still rage out on this blog a lot, but it’s something that I don’t really do for me, I do it for the entertainment of others, so that’s different. But it reminded me of how much it pays to respect those around you. Plus, TOM HANKS IS PLAYING THE STARRING ROLE?! Who else could do that?! He’s practically the nicest guy in Hollywood! SIGN ME UP! Believe it or not, that comes out the same weekend as “Frozen II,” but who cares about that?! Rogers for life!

 

DECEMBER:

The end of the year is always a crazy time for me, but just like last year, it’ll perhaps be less busy than it has been in other years. My fall semester will end during the month, and I’ll be in the cycle of watching previous movies from the year at home. This does not mean that I’ll be skipping theatrical releases, because award season is in full swing. This means I’ll be paying extra close attention to films that receive Golden Globe nominations, and as for reviewing movies I watch at home, the chances of that are very slim. But this does not mean that big blockbusters are entirely off the table. For one thing, they tend to sometimes do pretty well in certain technical categories, and we have another “Star Wars” film this year. I have intentions to go see “Star Wars: The Rise of Skywalker” opening Thursday night, mainly because I want to buy tickets as early as possible. If I can’t do that, I am going to try extra hard to find an available press screening, because aside from “Endgame,” “The Rise of Skywalker” is perhaps the biggest movie of 2019. Aside from being titled “Star Wars,” it is supposed to end “The Skywalker Saga,” and J.J. Abrams is directing again. I was not a huge fan of “The Last Jedi,” but I love “The Force Awakens” like it is my own brother. I am honestly more excited for “The Rise of Skywalker” than I was for “The Last Jedi” before that came out because I was somewhat worried that “The Last Jedi” would be a carbon copy of “The Empire Strikes Back.” Turns out it wasn’t, despite similarities to older films in the saga. And I even say this knowing how some things in “The Last Jedi” turned out. Having seen the trailer back in April, knowing certain plot points that could play out, and realizing J.J. Abrams could save this sequel trilogy, I am rather giddy for this December. But despite my excitement, I gotta ask. HOW IS PALPATINE STILL ALIVE?! I am excited to possibly see him in this film, but really?! When he was thrown down the pit in “Return of the Jedi,” yeeaah, HE F*CKING DIED. There is no coming back from that. I’m intrigued, I just need to be convinced.

When it comes to smaller films, one such film I am very excited for is “Little Women.” The film is supposed to explore the lives of sisters as they live in 1860s Massachusetts. It may not be my type of movie on paper, but one reason why I am excited is because the film is being directed by Greta Gerwig, who also helmed one of the best coming of age stories I have seen in recent years, “Lady Bird.” In addition to that, the cast is killer! This movie’s got Meryl Streep (Sophie’s Choice, The Iron Lady), Emma Watson (Beauty and the Beast, Harry Potter and the Philosopher’s Stone), Laura Dern (Big Little Lies, Jurassic Park), Saoirse Ronan (Lady Bird, Mary Queen of Scots), and Timothée Chalamet (Interstellar, Beautiful Boy)! I am also probably going to be looking into “1917,” which is a war film. Those tend to often go for awards, which is why I have my sights set on it. There are a couple films that I might check out that I would probably regret seeing, but the only real film that I’d struggle with reviewing is “Fair and Balanced.” Granted, this does not mean I am not looking forward to the film, nor am I expecting to be underwhelmed with it, in fact it sounds rather intriguing from a storytelling point of view. But the movie is about relationships between women and Fox News owner Roger Ailes, and I feel that it is going to be rather hard to keep my political opinions out of the review. I’m not saying I am a core conservative that keeps a closed mind, I try to see all sides and then form my own opinion. I have made various political jokes here and there on Scene Before, but politics is not my top priority, especially when you consider how divided we are as a country right now. Although I did manage to check out “Vice” last year, which was pretty good, but part of it had to do with the buzz it has been getting. Who knows? Maybe I’ll check out “Fair and Balanced,” for all I know it could be the best movie of the year, but I feel like it would be hard to review if I’m going to have to inject my experience with how the world operates in terms of politics. We’ll just have to see.

And of course, I’ll be finishing off the year, or perhaps more likely, kicking off next year, by recapping my top 10 BEST and WORST movies of 2019. I enjoy doing these countdowns every year, because I get to honor films one more time, and also give myself a minor stress release.

Although I must remind you, it is 2019, and here on Scene Before I am trying to constantly find new ways to deliver exciting content to you all. In 2017, I did a couple of cutaway style parodies, in 2018 I did a post talking about my Blu-ray collection, and just this year I introduced the world to the Jackoff Awards. The question is, where I do I go next? I’ve done tons of countdowns, reviews of the past, reviews of the present, what could be next? I know! ALL OF IT IN ONE. Ladies and gentlemen, if you have been following Scene Before and saw one of my posts in April, you’d know that I put out a trailer for something I once referred to as “Project 2020.” Although, based on statistics, I doubt many of you have even glanced at that post. But for those of you who know what I’m talking about, good for you. You get a “good job” sticker! But for those of you who don’t know, watch this trailer down below!

*ALL COPYRIGHTS BELONG TO THEIR RESPECTIVE OWNERS*

That’s right! I am going to be crafting a list of my highlight movies of the 2010’s, and I must have you know, I am setting this list up to be bigger than the lists I traditionally do at the end of the year. While this is still in planning stages, I will be intending to make this list perhaps a top 25, maybe a top 50. I was also debating on a top 100 as well. Depends on how much time I have. I am honestly MORE THAN EXCITED to work on this list, and release it to you all. I started Scene Before in 2016, which means I did not get too many chances to talk about films from years prior, so not only is this a personal reflection of various films I watched during my blogging journey, but a reflection of an entire ten year span that I lived through before becoming this active on the Internet. I’m not gonna say anything, but 2014 was a great year for film as far I’m concerned, so depending on how the rest of 2019 plays out, we might see a good number of films I’m passionate about from that year make the list. This is not to put down any other year from this decade, I’m just giddy of what’s to come…

And by the way, a worst list is in the works too.

At home I am making an effort to watch various films that have come out this decade just to catch up, and maybe add something to the best or worst list at the end of the year. I’m not gonna get into too much detail, because I do want to save some secrets for when the list comes out, but I am stoked just to be working on this.

Thanks for reading this post! If you like Scene Before and want to see more content, consider following me either with an email or WordPress account! As for upcoming content, I want to remind everyone, in case they forgot by now, I will soon be starting my Quentin Tarantino review series, which will eventually culminate with a review either at the end of July or beginning of August with my thoughts on “Once Upon a Time in Hollywood.” I cannot wait to get started on this, Tarantino is a filmmaker I have often admired behind the scenes, but I have barely seen any of his material. Now is a good time to start! Also, be sure to check out my Facebook page! Get your latest updates from the movie reviewing moron by using Facebook, the home of some of the all-time laziest efforts at wishing someone a happy birthday. Be sure to stay tuned for more great content! I want to know, is there something that you would like to see be done here on Scene Before, perhaps for this half of 2019? Or, what is your favorite Scene Before moment, post, anything that I have done so far this year? It can even be this one for all I care! Let me know down below! Scene Before is your click to the flicks!

Christopher Nolan’s TENET (2020) Has A $225 Million Budget?! Should Warner Bros. Be Worried?

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Hey everyone, Jack Drees here! Over a month ago I discussed what has previously been established about Christopher Nolan’s upcoming flick, “Tenet.” And as of recently, something else has been brought up that needs to be talked about. Specifically, the budget. Why? Because it is one of the biggest in history, not to mention, Christopher Nolan’s second highest budget ever, regardless of whether or not you adjust the others for inflation. It has been announced by several sources that this film has a budget of $225 million. How big is that? Well, let’s just put it this way. Christopher Nolan also directed 2012’s “The Dark Knight Rises,” which had a budget of $230 million. According to Wikipedia, that film ties “Spectre,” “Captain America: Civil War,” “The Fate of the Furious,” and “Pirates of the Caribbean: Dead Men Tell No Tales” for the 18th highest budget for a movie. If what is being said about “Tenet” actually happens to be true, turns out it would tie the budgets of films like “Man of Steel,” “Pirates of the Caribbean: Dead Man’s Chest,” “The Chronicles of Narnia: Prince Caspian,” and “The Lone Ranger.” All of these budgets are in the top 30!

My question is this. Is it worth it? Because one simple fact about this movie and my relationship to it is that I am perhaps one of the most likely individuals to end up going to see it. I love Christopher Nolan, I am well aware of his track record, which is much more than solid, and he made some of my favorite films of all time. He is practically a movie god in my book. And if this movie were coming out some time after say “The Dark Knight” or the “The Dark Knight Rises” I think this would be a guaranteed success. However, it is coming out in 2020.

I want to bring up some numbers here regarding Christopher Nolan’s previous films, and I want to set a point straight. People love the man as a filmmaker, but I wonder if his name is going to be enough to carry this next film.

INCEPTION (2010) (released between TDK and TDKR)
Budget: $160 million
Box office: $828.3 million

INTERSTELLAR (2014) (released after TDKR)
Budget: $165 million
Box office: $677.5 million

DUNKIRK (2017)
Budget: $100-150 million
Box office: $526.9 million

By the way, for those who really want to know, the last two films in “The Dark Knight” grossed over $1 billion.

If you ask me, part of why films like “Inception” and “Interstellar” have been mega-successes is because they were released when Christopher Nolan and “The Dark Knight” were fresh in people’s minds. But I am wondering if Christopher Nolan’s clock is ticking. Because we live in a time where CGI superhero movies, Disney flicks, nostalgia bombs, and pretty much anything having to do with spectacle is what “the people” happen to be checking out.

Although at the same time, the description for “Tenet” makes it fall along the lines of a spectacle-type movie. Some have referred to “Tenet” as a “massive, innovative, action blockbuster” and “an action epic evolving from the world of international espionage.”

I will say, this film has a chance, but partially because it is not based on any preexisting material, it almost seems impossible for it to become a box office success. Besides, the summer it comes out, it will be competing against films like “Bob’s Burgers: The Movie,” “Ghostbusters 2020,” and because Disney is still running out of original ideas, “Jungle Cruise.” Granted, “Tenet” is probably not going after the family demographic, but let’s face it, it’s probably gonna lose those kinds of people to “Jungle Cruise.” If you ask me, I’d prefer seeing “Tenet” over all these movies, but I’m me, not everyone else. And basing purely on statistics and predictions, “Tenet” is probably going to have some trouble. Especially when you consider how “Tenet” is from Warner Bros., unlike these films. In fact, the only other July release announced for Warner Bros. is “Green Lantern Corps,” which I honestly wonder if it actually will happen to see the light of day. And if I must add something else to the table, one of Nolan’s recent films, “Interstellar,” didn’t win the box office on its opening weekend, instead that honor went to Disney’s “Big Hero 6,” an animated family film about the formation of a superhero team.

I have no idea what was going on when this movie was originally pitched. I would not be surprised, because I sometimes have this particular image in my head, if Christopher Nolan simply went to Warner Brothers, walked in the door, exchanged greetings with someone, said “I’d like to pitch a movie,” to which Warner Brothers responded, “We don’t care what it is, we want it!” Because Warner Brothers has helped distribute many of Nolan’s flicks, usually to be met with extremely positive feedback. Therefore, their bond is amazingly strong.

Christopher Nolan’s last few non-Batman films have been box office successes, making more than thrice their original budget. But I am wondering if based on their ultimate totals, it is perhaps a downward spiral. “Inception” came out after “The Dark Knight,” which is the #4 movie on IMDb right now. “The Dark Knight Rises” came out in 2012, which was positively received, but not to the same levels as “The Dark Knight,” which may have caused some audience members to lack the same level of faith in Nolan. Although based on the successes of “Interstellar” and “Dunkirk,” that did not seem to stop him. It’s still a question to keep in mind though because “Batman,” despite its nerdy association, is popular. Then again, a lot of nerdy things have officially become “cool” so what do I know? You’re not as likely to go to a bar and see everyone having a conversation about “Dunkirk.”

I do think “Tenet” has a chance at being a success, but it also has significant odds of failing as well. It’s an original film with an abnormally huge budget, and if the box office has taught us anything recently, most audiences are flocking to what they know. They know Christopher Nolan. But do they know him enough?

So if “Tenet” is to succeed, I do have some ideas as to how it could potentially win people over through its marketing campaign. It should insert the following:

“FROM THE DIRECTOR OF THE DARK KNIGHT TRILOGY”
The name “Christopher Nolan” in a significant manner
“GOLDEN GLOBE NOMINEE John David Washington”
Michael Caine (either the name, the actor in the film, or both)
Visually stunning moments
Enough to hide the movie’s overall structure
SHOT WITH IMAX CAMERAS

In fact on that last one, what I recommend is doing something that Nolan did for “Dunkirk.” When a big movie comes out this year or next year, perhaps maybe “Star Wars: The Rise of Skywalker,” “Black Widow,” “Birds of Prey,” “Godzilla vs. Kong,” or “Wonder Woman 1984,” perhaps attach a 5 minute preview of “Tenet” to one of these films to emphasize the scope of the film. In fact, “Wonder Woman 1984” is also being shot with IMAX cameras, this would be like an appetizer for that film.

Granted, there is a sign of hope when it comes to Nolan’s time of release, which is the fact that he is putting his film out during the third weekend of July. A lot of people have free time since it is summer, but most importantly, mainly for Nolan, is that said weekend is “a lucky date,” as once stated by Deadline Hollywood. He released four of his most recent projects at that time, to have them all be met with eventual success.

Although another thing that could help Nolan is that none of his competing films (as of now) are listed to be in IMAX. On Wikipedia’s List of films released in IMAX, “Tenet” is the only film confirmed to be released in that format during the month of July. I am willing to bet this list will change to include films like “Jungle Cruise,” but based on the specs of “Tenet,” I have a feeling that the IMAX brand is going to put more emphasis on that film during the summer more than any other. Kind of like how “Dunkirk” got an unusually long run in many of IMAX’s theaters.

At the very end though, “Tenet’s” success, at least from my point of view, is going to come down to a number of things. Positive reactions, originality, solid marketing, and giving audiences enough reasons to avoid checking out other similar films to be released in summer 2020. From what I have heard so far, the film has me onboard. I am looking for more original material to gloss over that will hopefully be remembered as time marches on. While I didn’t go see it in the theater, “Inception” won a number of people over for being innovative and something that some viewers have yet to see. I am willing to bet that “Tenet” is able to have the same effect that “Inception” did with its viewers. The film involves action and espionage, which makes the middle of summer a good time to release it. But the film should be thankful it is not going up against a “Mission: Impossible” movie.

I feel like this is a very neck and neck situation. On one hand you have a director with name power, a great track record, multiple successes. But not only is this a property nobody has ever witnessed, but the actors are not box office draws, there’s some competition for the time being, including some films that’ll probably be more likely to get kids in the theater. What’ll happen? I literally have no idea. After all, it’s more than a year until “Tenet” releases, so only time will tell.

I want to know, what are your thoughts on the budget for “Tenet?” Personally, it makes me excited for how the film will turn out, and I imagine some other people will feel the same way. Even without the budget, this is already my most anticipated film of 2020 based on everything I have heard so far. However, do you think this is financially responsible enough to allow a future box office success? If so, I’m curious, how much do you think “Tenet” will make? If you think it is going to fail, how much money do you think it’ll earn? Let me know down below! Thanks for reading this post! I just want to let everyone know that this week I am likely going to be seeing the movie “Yesterday,” directed by Danny Boyle. I’m not sure what day I am going yet, but that is on my radar at some point. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!

The 1st Annual JACKOFF Awards

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WARNING: The following post is nearly 11,000 words long. If you are able to make it through this entire post, I applaud you. However, your life is under your control, and you should decide how long you can read this for. I am not the judge of you, nor am I your boss. You should be able to decide how long you should gloss. Enjoy!

*All copyrights belong to their respective owners*

INTRO SEQUENCE!

Hey everyone, Jack Drees here! You have now entered the Cinema Zone. You are now about to witness the most important awards ceremony of all time. An event so grand that every celebrity earning such an award will brag about it to their friends and family. *Drumroll* The Movie Reviewing Moron presents… The Jackoffs!

*SEES NO AUDIENCE*

Disappointing.

But the show must go on! Today we are going to be celebrating and reflecting on what the Movie Reviewing Moron seems to see as the best in film. Similar to other awards ceremonies related to movies, there will categories dedicated to acting, directing, music, categories such as those. Also, much like those award shows, these are all appetizers for Best Picture, which I can guarantee you, will be the TRUE best picture this year. All of those other fake award ceremonies? Forget them! This is serious business! There’s also going to be some stuff on the side as well, so stay tuned. However, if you have seen my top 10 BEST movies of 2018, you’d already know what my best picture is. With that in mind, I decided to do something a little different than me picking a Best Picture winner. Given how my mind can change on what the top 10 movies of 2018 are, and I have an audience who also goes out to support film, I decided to reveal my top 10 best movies as of the point where I announce the nominees, and have others pick the best movie of the year. And for those who are curious to look back at my top 10 list from this past year, I will spoil the fact that the list has changed slightly since I’ve completed it. As for other categories, every other category from Best Actor to Best Original Song to Best Sound Editing to Best Original Screenplay is all from my mind.

Before we get to the nominees and winners however, I would like to point out that I have not seen every single film in 2018, therefore some of the nominations probably would be something where you’d beg to differ. One movie that has been getting a ton of buzz this Winter for example is Disney’s “Mary Poppins Returns.” Many people have enjoyed the movie, noted Emily Blunt’s performance, not to mention its music. I can’t say I’ve seen that movie, and I haven’t seen the original either. With that in mind, it just makes no sense for me to see this movie at this point for sake of putting it in any of the categories.

So, before we start revealing who was nominated and who won, I have to remind everyone, this IS an award ceremony. Most award ceremonies tend to be lighthearted, fun, and have some random jabs intact. This is a segment brought on despite no demand, “Jack Drees Tells Jokes to Nobody in Order to Please Himself.”

I’m going to state some facts about this year in film, and since there is no audience here, there will be no laughs. But since I want people in my life, I guess I will have to imagine there will be people laughing at my jokes, no matter how stupid the jokes really are. And I must say, 2018 really has been an excellent year for film, and I’m not just saying that. It’s one of the best years for film ever, as long as you weren’t dusted by Thanos, Tom Cruise’s broken leg, eaten by a Megalodon, or Tom Hardy attached to a parasite.

In January, the final installment of the “Maze Runner” trilogy, “Maze Runner: The Death Cure” released to the public. The main antagonistic side of the movie involves a corporation called “WCKD,” which is pronounced similarly to “wicked.” Viewers haven’t heard the word “wicked” so much since that one trip they took to Boston. Coincidentally, that last trip some of you might have taken was to see grown men and a supposed cheater hold a properly inflated trophy.

Emily Blunt appeared in a couple movies this past year, specifically “A Quiet Place” and “Mary Poppins Returns.” Both movies have a notable segment involving a bathtub. So far, Blunt has no movies scheduled for 2019, but I have a thought on the title of the movie Blunt will take on next. It’s called “The Shower.”

“First Man” released this year in October. While not everyone found it to be great, I found it personally to be one of the best films of the year. This film is partially about the Apollo 11 moon landing, and it is confirmed in this movie, that Ryan Gosling and Damien Chazelle fake the moon landing. IT WAS SHOT ON EARTH! IT’S A FAKE! IT WAS ON A FILM SET THE WHOLE TIME!

AMC Theatres introduced a new subscription service as part of their Stubs membership lineup. For $19.95 a month you can see 3 movies a week without charge in any format at an AMC location. The plan is called AMC Stubs A-List. This would be great for juvenile delinquents, because now you can sneak in the back of the theater in a slightly more sophisticated manner.

This recently mentioned plan was known to be a competitor to cheaper organizations such as MoviePass and Sinemia. I gotta give some props to MoviePass though, because the company’s CEO also happened to once be an executive at Netflix, so it’s possible they secretly have partial rights to the word “chill.” Imagine you’re a guy texting your girlfriend, “Hey, MoviePass and chill? ;)” You two decide to go to the cinema and see a romantic comedy. Then the sex scene arrives, and it’s time to take off your clothes and make physical contact with each other! The guy is probably going, “I have never been so immersed in a movie in my life!”

The guy’s probably young and got an uncontrollable sex drive.

However, it is also true that MoviePass has had some struggles this year. Their stock kept decreasing, they did a reverse stock split, the app crashed, and there were occasionally limited options of movies you were allowed to see. In other news, sneaking in the back of the theater is still free.

One of the later releases of December was “Holmes & Watson.” The movie earned low scores from critics, with many giving it the final verdict of “S*it, Sherlock.”

John Cena was in a couple films this year, including “Blockers” and “Bumblebee.” While both films aren’t widely regarded as horrible, the biggest problem is that we could actually see John Cena.

One of the releases we’ve gotten over the summer is a movie called “Billionaire Boys Club,” starring Ansel Elgort, Taron Egerton, Kevin Spacey, Jeremy Irvine, Cary Elwes, Emma Roberts, Billie Lourd, Suki Waterhouse, and Judd Nelson. This movie earned $126 on opening day, making it the worst thing Kevin Spacey’s ever d—whoops! Sorry! Did I really just say that?! I sincerely apologize!

Unsane,” a rather unique flick, released this year. What makes it unique? It was shot using an iPhone 7 Plus. It’s a good movie, but the problem is that every time it is shown in a movie theater, there would always be at least one person who wouldn’t turn off their phone.

Here is a fact some people might not know about. As of last year, Tom Cruise has starred in two films which are at the very least, partially named after Bethesda video games, Cruise did “Oblivion” in 2013, and just last year he did “Mission: Impossible: Fallout.” Neither of those movies are linked to the video game franchises, they just borrow the name. But in all seriousness, I just can’t wait for one of his future films, “The Mummy 2: The Evil Within.”

James Gunn, director of the two recent “Guardians of the Galaxy” flicks, was fired by Disney and prevented from directing the third installment in the franchise. He was eventually hired by Warner Bros. to work on “Suicide Squad 2,” which he is going to improve by adding in one thousand talking trees. Each one of them is going to say “Hodor.”

So it’s a “Game of Thrones” crossover. It’s gonna be great.

One of the more successful movies of the year, both critically and financially, is Bradley Cooper’s “A Star Is Born.”

It featured Lady Gaga’s most brilliant performance since her portrayal of the crazy lady hanging on wires from the Super Bowl 51 Pepsi Halftime Show.

“Black Panther” was a huge success this year, making the second highest box office total worldwide for 2018, not to mention, more money in the United States than “Avengers: Infinity War.” In other words, “Black Panther” is the most popular creation associated with the “What Are Those?” meme of all time.

One film that unfortunately cancelled production this year is a graphic novel-based project called “Cowboy Ninja Viking.” This movie was originally supposed to be called “The Overpolished Halloween Costume.”

Speaking of Halloween, A new “Halloween” movie came out this year, which simply went by the title, “Halloween.” Keep in mind, while some might call this lazy marketing, this just goes to show that nothing is superior to the original.

“Mamma Mia!: Here We Go Again, came out this year, featuring Meryl Streep, and just for having a job this year, Streep automatically gets an award!

“Incredibles 2” came out this June after a 14 year wait from the release of the original installment. For the parents raising kids who grew up with the first movie, you didn’t have to teach them patience. Disney and Pixar had that covered.

I remember as a kid, one of the movies I rented from Blockbuster multiple times was the original installment of the “The Incredibles.” Sadly, the store I frequented has been closed for over a decade now. And as of this point, there is only one Blockbuster Video still open. When there were three open this year, two of them were located in Alaska. A state whose stores surprisingly, seemed to have disappeared faster than the ice caps.

Hey, I said in the preview this wouldn’t be politically heavy! This is a human issue! Also, one for polar bears.

The HBO show “Last Week Tonight with John Oliver” tried to help keep the Alaskan Blockbuster stores in business by buying items from Russell Crowe’s divorce auction and donating the purchases to the stores. One of the notable purchases was a jockstrap worn by Crowe during Ron Howard’s “Cinderella Man.” Imagine if somebody wanted to rent that thing! “I’ll take this for five days, I just need it to win a contest at Comic-Con, and I’ll give it back.”

Speaking of Blockbuster, the company’s one remaining store is located in Bend, Oregon. This store managed to create its own beer to celebrate its lonely status. I didn’t do any research, but I’m pretty sure it gets you drunk really fast. So fast in fact for those who drank it, the biggest side effect was renting all the “Sharknado” movies.

It has been announced earlier this year that Illumination, the creators of “Despicable Me,” plan to make an animated “Super Mario Bros.” movie. In this movie, two brothers will show off their secret weapon, jumping.

“The Favourite” was one of the best reviewed films of the year, containing praise-worthy performances from actors including Olivia Colman, Rachel Weisz, and Emma Stone. The movie is also an accurate description of everyone’s worst experience while riding a horse.

One of the final releases from 2018 is the highly-praised “Vice,” directed by Adam McKay. This movie is about Dick Cheney, making it one of the longest dick pics in history. 

“If Beale Street Could Talk” was also a big hit this year with critics. For those of you who don’t know, “If Beale Street Could Talk” is directed by Barry Jenkins, the same guy who helmed 2016’s “Moonlight.” Today, in honor of that, I’m going to announce who won Best Picture, and give a special, honorary participation trophy for reading the wrong card.

Now since this is an award ceremony dedicated to honoring film, I might as well recognize movies everywhere, no matter what genre, franchise, time length, or even overall quality rating. Before we get to our first set of nominees, let’s take a look back what Jack Drees saw in 2018.

  1. Maze Runner: The Death Cure
  2. The 15:17 to Paris
  3. Black Panther
  4. Annihilation
  5. Tomb Raider
  6. Ready Player One
  7. Blockers
  8. Pacific Rim: Uprising
  9. A Quiet Place
  10. Avengers: Infinity War
  11. Isle of Dogs
  12. The Commuter
  13. Life of the Party
  14. I Feel Pretty
  15. Solo: A Star Wars Story
  16. Revenge
  17. Adrift
  18. Tag
  19. Incredibles 2
  20. Deadpool 2
  21. Won’t You Be My Neighbor?
  22. Uncle Drew
  23. A Wrinkle in Time
  24. Ant-Man and the Wasp
  25. Hereditary
  26. Mamma Mia!: Here We Go Again
  27. Skyscraper
  28. Mission: Impossible: Fallout
  29. The Last Movie Star
  30. How to Talk to Girls at Parties
  31. The Hurricane Heist
  32. Gringo
  33. Eighth Grade
  34. Love, Simon
  35. Game Night
  36. Kin
  37. Peppermint
  38. The Meg
  39. The House with a Clock in Its Walls
  40. Venom
  41. A Star Is Born
  42. First Man
  43. Marrowbone/The Secret of Marrowbone (same movie)
  44. Bohemian Rhapsody
  45. The Grinch
  46. Second Act
  47. The Spy Who Dumped Me
  48. Ralph Breaks the Internet
  49. Red Sparrow
  50. Sorry to Bother You
  51. Operation Finale
  52. 12 Strong
  53. Spider-Man: Into the Spider-Verse
  54. Gotti
  55. Welcome to Marwen
  56. First Reformed
  57. Unsane
  58. Vice
  59. The Favourite
  60. Aquaman
  61. Hotel Artemis
  62. The Mule
  63. Instant Family
  64. Beautiful Boy
  65. Green Book
  66. Roma
  67. Cold War
  68. BlacKkKlansman

Let’s announce some winners!

First up, is Best Supporting Actor. In the world of superheroes, they’d be the sidekick. In the world of gaming, they’d be player two. In the world of driving, they’d be in the passenger seat. However, in the world of acting, they are compelling characters who have come to enlighten generations. These five nominees are likely to do the same. Here are the nominees for Best Supporting Actor.

  • Sam Elliot (A Star Is Born)
  • Timothée Chalamet (Beautiful Boy)
  • Michael B. Jordan (Black Panther)
  • Mahershala Ali (Green Book)
  • Sam Rockwell (Vice)

And the Jackoff goes to…

Mahershala Ali in “Green Book!”

Deciding on a winning nominee for this category was not easy. When you compare Ali to the other performers on the list, Chalamet is a brilliant, young performer who has a bright future ahead. Rockwell did a terrific portrayal as George W. Bush in “Vice.” For awhile I thought Sam Elliott could take the cake because he was perhaps my favorite part of “A Star Is Born” in the acting department when I think about the film sometimes. However, Ali is a fine actor, as proven already in 2016’s “Moonlight,” and once again in “Green Book.” He has played a character who starts out as stoic and emotionless to occasionally belting out a mix of feelings as the film continues. As the first winner of the very prestigious and important Jackoff Awards, Ali should feel proud of himself, congrats! Here is a clip of Mahershala Ali in “Green Book.”

Our next couple of categories involve sound. One understandable question that can be looked up on Google is the difference between sound EDITING and sound MIXING. The sound editing involves the incorporation of sound in general, but the sound mixing involves determining how exactly an audience will hear all of the movie’s sound. The hint to remember all of this, E comes before M. Appropriately, the award for sound editing will be done first. Here are the nominees for Best Sound Editing.

  • A Quiet Place
  • Avengers: Infinity War
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

And the Jackoff goes to…

“Ready Player One!”

“Ready Player One” is a movie that to me, excelled in just about every technical category imaginable. When it comes to sound editing, “Ready Player One” shines for having some of the most unique sounds of the year. Some of my favorites include the coins, the automobiles, and the Holy Hand Grenade. “Ready Player One” made my top 10 list of 2018 marking my personal best spot this year for sci-fi, and based on how the sound can immerse a viewer like me, it is easy to see why. Congrats to “Ready Player One,” hopefully its sound crew will be able to buy some bottles of wine with some nifty in-game coins as an indulgence for this award.

Let’s take a break from awards and focus on something that totally isn’t deceiving. Marketing.

For each Best Picture nominee, we are going to give them a special preview. I have copied and pasted a trailer for each movie directly from YouTube, so feel free to watch for your own pleasure.

Our first Best Picture nominee is proof that sometimes, sequels can be better than the original. Having seen several movies this year, many of the experiences of watching them have been great, but there were little to none that would get me to say to myself, “holy crap,” once the movie concluded. The film’s star, Tom Cruise, has gone through tremendous obstacles including a broken leg, helicopter flight training, real-life HALO jumping, and one of the most ambitious running scenes put on screen. The director, Christopher McQuarrie, has worked with the star before, delivering sick action, a continuation of what audiences have come to witness before, and perhaps one of the best sixth installments in a franchise ever made. Nominated for 5 Jackoff awards, THIS is “Mission: Impossible: Fallout.”

Going back to nominees, and moving away from the totally not deceptive concept of marketing, I have nearly decided to skip the sound mixing category, but that would make me more deceptive than a lot of movie trailers coming out today. Nevertheless, the sound mixing department in film is the group of people that not only lets an audience hear magic, but a certain level of magic. Here are the nominees for Best Sound Mixing.

  • Annihilation
  • A Star Is Born
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

And the award goes to…

“Mission: Impossible: Fallout!”

“Mission: Impossible: Fallout” manages to immerse me into the movie by not only having a great, up-to-date sound selection, but by making me feel like my ears are occasionally being pierced by a bullet hole. The helicopter scene puts you right in the middle of the action with an obnoxious machine, followed by a feast of flying bullets at a magnificent volume. While it is nowhere near as loud or obnoxious as last year’s “Dunkirk,” it is a feast for the ears. Well done to the “MI” team and congrats on the award, should you choose to accept it!

Up next is an award that honors all who assemble the film’s cast. They say that it does not matter what is on the outside, it’s on the inside that counts. However, some feeling inside me has decided to award a certain group of people who have dedicated their time and effort to making sure one’s outside is as presentable as possible. Here are the nominees for Best Makeup & Hairstyling.

  • Aquaman
  • Bohemian Rhapsody
  • The Favourite
  • Operation Finale
  • Vice

And the Jackoff goes to…

“Vice!”

“Vice” is a movie about Dick Cheney and how he practically oversaw the operations of the US government while W. Bush was in charge. This movie actually partially took place during the 2000s, but I gotta say, you know that meme going around now that tells others how you look now compared to a decade ago? I would love to do a post on Twitter or Instagram or something for these people in real life and their film counterparts just to show how identical they look to each other. Plus, regardless of how Cheney even turned out, whether this is really a Cheney look-a-like or not, and this movie’s Cheney IS a look-a-like, don’t argue with me. I will give enormous props to the makeup department for taking Christian Bale, a guy who is in his forties, and making him look like an uppity grandad! It kind of reminds me of “Darkest Hour” which takes Gary Oldman and turns him into Winston Churchill. Overall, “Vice” is a polished film and made up for whatever faults it made before.

Our second Best Picture nominee, if you think about it, took ten years to actually complete and release to the public. Maybe six depending on who you talk to. This film is based on a comic book franchise, so if you think about it, it’s like the “Boyhood” of comic book movies. This is a film that has been built up for a decade, for nearly twenty installments in a single series, with two of them having the identical franchise name. For many comic book fans and general audiences alike, this film managed to go in a different direction as opposed to what some would traditionally expect. Many of the characters people have come to love in this film series have returned for an epic showdown against the no good, terrible, absolutely revolting, Barney the Dinosaur who wears a glove all the time. Nominated for 4 Jackoffs, THIS is “Avengers: Infinity War.”

I honestly think this movie’s crew should feel sympathetic. It stole all the money that other movies may have deserved. But then again, it’s nice to call something the highest grossing comic book film of all time so this is also something I find to be cool.

Anyway, going back to acting, here are the nominees for Best Supporting Actress!

  • Emily Blunt (A Quiet Place)
  • Claire Foy (First Man)
  • Rachel Weisz (The Favourite)
  • Amy Adams (Vice)
  • Leslie Mann (Welcome to Marwen)

And the Jackoff goes to…

Claire Foy in “First Man!”

Claire Foy is an actress who has been gaining tons of momentum in recent years. She is well known already for her lead role in Netflix’s “The Crown.” She starred in last year’s “Breathe” alongside Andrew Garfield. And she appeared in three films this year alone, with two having Foy as the star. I have actually seen Claire Foy this year in “Unsane,” which is a creepy, intriguing thrill-ride where she shines. But Foy is a different kind of shiny in “First Man.” Captivating, emotional, and a great description of everything I felt as an audience member during the experience, not to mention everyone who grew up in the 1960s. Congratulations to Claire Foy! Here is a clip of Claire Foy in her role as Neil Armstrong’s wife, Janet, in “First Man.”

The next category of nominations is dedicated to the makers of magnificently crafted, well-realized apparel of all sorts. These pieces of clothing are all worn on set during recording and behind the scenes. No matter how beautiful, glorious, or in some cases, how hard it is to actually wear, these pieces are all created by minds who have put time and effort into letting someone have a fashionable outlook for a given motion picture. Here are the nominees for Best Costume Design.

  • Kym Barrett (Aquaman)
  • Julian Day (Bohemian Rhapsody)
  • Sandy Powell (The Favourite)
  • Marlene Stewart (The House with a Clock in Its Walls)
  • Trish Summerville (Red Sparrow)

And the award goes to…

“The Favourite!”

No matter how the movie turned out, “The Favourite” has a plethora of costumes capable enough to take me into a time of old British royalty. The level of detail of just about every outfit was astounding and very fitting for the time period involved. “The Favourite” actually got a low score for me this year, specifically a 4/10. Said score still stands, but it does not mean I was unable to recognize whatever effort was actually put into the film. Olivia Colman actually felt like an entitled, reclusive, and occasionally helpless queen in her outfit. Kudos. Well done, and congrats to “The Favourite!”

Our third Best Picture nominee is a movie that comes from the mind of a legend in the filmmaking industry, Steven Spielberg. Based on the hit book of the same name, this movie tells a story set in 2045, where people have studied pop culture of the past as they try to win a special prize. Going through a virtual world created by a Steve Jobs-like nerd, the film’s characters and audience can gaze in wonder as they notice pop culture icons including the Iron Giant, King Kong, the Back to the Future DeLorean, the Akira bike, the Rubik’s Cube, and even Chucky. As one of this year’s most visually appealing films, not to mention one of the best sounding films, both in a pitch meeting and literally, it excels to please audiences looking for an immersive experience. Nominated for 4 Jackoffs, THIS is “Ready Player One.”

Our next award category is dedicated to the makers of the sets, the builders of dreams, and the masters of visual atmosphere. It is a production designer’s job to make sure a film presents itself in the best looking way possible. Here are the nominees for Best Production Design!

  • Bill Brzeski (Aquaman)
  • Curt Beech (BlacKkKlansman)
  • Fiona Crombie (The Favourite)
  • Nathan Crowley, Katherine Lucas (First Man)
  • Eugenio Caballero (Roma)

And the award goes to…

Nathan Crowley and Katherine Lucas for “First Man!”

The biggest praise I can give to “First Man” overall is its seemingly real vibe. When it comes to the filming locations and set design, that is shown off to the tenth degree. The interior scenes in the space center felt raw, and maybe even contributed to the feeling of danger and creeps throughout the film. A house was built in Georgia just for this movie alone, which may be unneeded, but also kind of interesting. Everything in the film had not only the appropriate feel for a space movie based on true events, but a movie that took place during the 1960s. Congratulations to “First Man” for the film’s SECOND win!

While production design may be the art that allows audiences to see pure joy. There is another category to be touched upon that allows audiences to hear pure joy. These five nominees have all created music to set the mood, set the tone, set the vibe, and remind us that a world without music is a world without emotion. Here are the nominees for Best Original Score.

  • Geoff Barrow, Ben Salisbury (Annihilation)
  • Marco Beltrami (A Quiet Place)
  • Justin Hurwitz (First Man)
  • Alexandre Desplat (Isle of Dogs)
  • Lorne Balfe (Mission: Impossible: Fallout)

And the Jackoff goes to…

Geoff Barrow and Ben Salisbury for “Annihilation!”

Wow! Another team win! Part of the reason why “Annihilation” won in the first place has to do with the overall experience of watching the movie. I was very much looking forward to the film’s release, but I wondered what the music would be like. In fact, during the trailer for the film, one of the film’s iconic tunes, “The Alien” can be heard. This sounded a bit odd at first. Not life-ending, but odd. In the film however, I cannot imagine any other song replacing it when it plays. It was literally an experience of endless vibrations when I first heard this thing of beauty in the theater! This film also manages to have a nice blend of calm, joyful music, alongside a mix of creepy-crawly music. It’s this mix, and the amount of talent behind the crew that lead to this win. Congrats to “Annihilation!”

Our fourth Best Picture nominee comes from a rather strange place, Netflix. This film comes from the mind of acclaimed director Alfonso Caurón. He has had experience working with a popular IP, such as “Harry Potter,” while simultaneously producing well done original material such as “Gravity.” After those big, boisterous films, Caurón has decided to make a project that apparently people would want to watch in a select number of theaters, and for others, on cell phones. This is a film that takes place near Mexico City as a family and their housemaid go through their daily lives. We also witness joy, drama, and heartbreak in a compelling story about life itself, and how difficult it can be. Nominated for 7 Jackoffs, THIS is “Roma.”

As I have previously exposed, I have seen a lot of movies in the year of 2018. A lot of them by the way, were great! In fact, I’d say the positives for 2018 definitely outweigh the negatives. However, there is a saying for movies, much like a ton of other art forms, there is no such thing as the “perfect movie.” Even the best movie ever, like “The Godfather,” “The Shawshank Redemption,” “The Dark Knight,” “Star Wars,” “Pulp Fiction,” even “Jaws,” all of those movies don’t have what it takes to be technically perfect. You know what? Maybe that saying is right. That’s why I decided to take some movies I saw this past year and tweak them just a little bit to make them a more quality product. Enjoy.

CLICK HERE TO VIEW THE SLIGHTLY IMPROVED VERSIONS OF SOME 2018 FILMS!

The next category belongs to the makers of computerized and practical effects. No matter how complex, how flashy, how realistic, the five artists and crews behind the visual effects of their respective films have all demonstrated excellence in allowing an audience to be dazzled, wowed, and in awe. From taking them to new worlds, to providing them with previously unknown feelings, and introducing them to concepts beyond one’s imagination, all of the nominees should feel proud of themselves. Here are the nominees for Best Visual Effects.

  • Annihilation
  • Aquaman
  • Avengers: Infinity War
  • First Man
  • Ready Player One

And the Jackoff goes to…

“Ready Player One!”

To me, there was literally no other movie that even held a candle to “Ready Player One” this year from a visual perspective. Watching “Ready Player One” was like watching two different movies in one because you have this story that takes place in an entirely digital universe and you have the other one which is in the real world. While there are certain effects to be seen in the real world, it is the digital world that shines as bright as Albert Einstein. The amount of time that must have taken to actually blend a feel of realism while simultaneously feeling like a video game is seemingly unfathomable. Steven Spielberg said this movie was one of the harder ones he had to create, and understandably so. I have to give massive credit to the other contenders. “Avengers: Infinity War” is a visual effects extravaganza that looks great on the big screen. The same can also be said for “Aquaman.” “First Man” actually took me to the moon and back. F*cking well done if you ask me. And for “Annihilation,” the visual effects not only looked great, but they fit the crazy feel of the film which gave it a “2001” vibe at times. However, congrats to “Ready Player One,” and its effects are a hi-five/hi-five.

As mentioned in my nomination announcements, I didn’t announce EVERYTHING that was going to be in this post. I wanted to leave some surprises to my viewers. One of which includes TWO lifetime achievement awards.

But, before we announce the winners, I have to ask one question. What is the meaning of life? That is a question all of us seem to ask at least once. To some, life may be an overrated board game. Life could be the reason for anything. The ups, the downs, even the mediocrity. Here and now, it is my honor as mentioned, to present not one, but two lifetime achievement awards. For those of you who are wondering, I did not plan some in memorium video or line of text for this ceremony. Maybe I’ll do that in years to come, but that was not my original intention. Instead, I figured what I’d do is for one of my lifetime achievement awards, I’d figure honoring someone who is currently still with us, and someone who is no longer with us. The first prize is going to be given to the living soul, because as Agent Smith once said, in “The Matrix: Revolutions,” “Everything with a beginning has an end.” We start off with life, and finish with an inevitable death.

The winner of the first ever Jackoff Lifetime Achievement Award is a cameraman known for his work which has been around since 1975. Since then, he has collaborated with actors including Ryan Gosling, Morgan Freeman, Emily Blunt, Jeff Bridges, John Goodman, Harrison Ford, Hailee Steinfeld, Matt Damon, Daniel Craig, Josh Brolin, Tommy Lee Jones, Ana De Armas, Amanda Seyfried, Bryce Dallas Howard, Joaquin Phoenix, Tim Robbins, and Adrien Brody. His resume consists of works of art directed by Frank Darabont, Joel Coen, Ethan Coen, Denis Villeneuve, M. Night Shyamalan, Sam Mendes, Angelina Jolie, Ron Howard, and Martin Scorsese. He has been nominated and recognized for several prestigious awards, 9 BAFTAs, an AFI, 6 Critics’ Choices, and 14 Oscars. And for those of you who don’t know his story, it’s not like he is part of the New York Yankees and he keeps on winning Academy Awards. This man was nominated for 14, and out of all of them, he only won one. Also, it’s not like he could get one off the bat, because guess how long he had to wait? FOURTEEN TIMES! Now keep in mind, this is the very first Jackoff Awards ceremony. For all I know it could be the only one, we’ll just have to see. But no matter the number of award shows we have, if it is one, two, fourteen, over a thousand, I dunno, I am proud to present the first ever Jackoff Lifetime Achievement Award to Roger Deakins.

Congratulations to Roger Deakins, had he known he was getting this award, he would probably have something to say. But I have to say, I love his camerawork, his style never ceases to amaze, and I hope his future work will continue showcasing his excellence!

Our fifth Best Picture nominee is a documentary. Given how I have seen very little documentary titles this year, there will be no category for Best Documentary, but this film managed to stand out to me. They say the world is full of ridiculous people who are idiotic, lacking care, and selfish. This movie manages to show a man who only wanted to spread joy to the world and all of its children, Mister Fred Rogers. It also shows a man who is the perfect embodiment of a friendly, loving, and caring person. Revealing steps forward in diversity, tolerance towards minorities and sexual orientation, and proof that silence can be a great gift, this documentary succeeds to please its audience and deliver an emotionally charging feel good story. Best Picture happens to be the only nomination this film is receiving during this ceremony, but keep in mind, this is a documentary, and had I done a documentary category, this movie would win it. For the record, this is the only documentary I have seen this year. THIS is “Won’t You Be My Neighbor?.”

Before moving onto the rest of the show, I would just like to have everyone know in case they are reading this at a time that is later than February 10th, 2019 or if they aren’t from the US, the Super Bowl happened a week prior to this. Now, the Super Bowl is often regarded as one of the biggest televised events ever. However, this year, some people would call it a failure, including myself. Maybe everyone is getting bored of the New England Patriots constantly being involved, but one fact to take into consideration regardless is that the ratings for this year’s Super Bowl is the lowest its been in a decade. To be fair though, this has applied to various types of live broadcasts all over as time has progressed. For those who did watch though, they got to watch what many to be found a boring game, with only 3 points scored by one team in the first half. The final score was the lowest in Super Bowl history (13-3), with only one touchdown executed during the entire game. However, if you’re me. One thing that I found absolutely atrocious and ridiculous this year was the Pepsi Halftime Show. For those who don’t know me, the Halftime Show is something I don’t tend to care about. Don’t get me wrong, even though I don’t care, some of the shows were pretty well done. Part of me was surprised that I actually liked the Lady Gaga Halftime Show from a couple years ago. No, I’m being serious, I’m not saying that only because I nominated her for Best Actress. She was pretty good! This year however, a petition was going around to get “Sweet Victory,” a song made famous from the “Spongebob Squarepants” episode “Band Geeks,” to be performed at this year’s halftime show as a tribute to the recently deceased Stephen Hillenburg, the show’s creator. The petition actually gained quite a bit of traction. So much in fact that it currently has over a million signatures. In fact, I signed it when it first came up. For the record, this song was performed during the show’s version of the Super Bowl, making it more than appropriate for this type of setting.

After awhile, it seems that the crew behind the Super Bowl responded. Just look at this tweet right here.

After all the teasing and announcements that lead to the absolute possibility of this happening… It did.

Well, sort of.

(Video unavailable to WordPress, click Watch on YouTube to view video)

https://www.youtube.com/watch?v=IriNGaX0IzA

Some time into Maroon 5’s performance, audiences saw a clip of Squidward Tentacles introducing “a true musical genius who needs no introduction.” We then see the opening horn fanfare of the song. This was getting EPIC. Then… It stopped. Instead of “Sweet Victory,” we get Travis Scott performing “Sicko Mode.”

What. The. Actual. Ass?

As a “Spongebob” fan, and someone who NEVER watches the Super Bowl for the Halftime Show, NOT EVEN FOR THE FOOTBALL, I cannot possibly feel more ashamed to have witnessed this in my lifetime, and I think the crew behind the next Super Bowl ought to make it a TOP PRIORITY to REDO “Sweet Victory” and actually PERFORM the song to millions of people! How about that? Well, I’m just a nobody. I have no power. But I do have editing skills. I don’t think I’ll ever do this again, but in honor of Stephen Hillenburg, the legendary creator of “Spongebob Squarepants,” a Nickelodeon cartoon which defined many childhoods of my generation… THIS… IS THE JACKOFF AWARDS HALFTIME MONTAGE!

CLICK HERE TO WATCH THE HALFTIME MONTAGE!

And THAT… NFL and Pepsi, is how you pay tribute to a legend!

The next nominees are the ones who have taken the work of writers and directors, and realized them even further than they previously been realized. With constant time and effort on computers, software, flipping through video files, and more, these five nominees have taken moving images and audio, then eventually turned them into ambitious compilations. These are the nominees for Best Film Editing.

  • Barry Alexander Brown (BlacKkKlansman)
  • Tom Cross (First Man)
  • Benjamin Rodriguez Jr. (First Reformed)
  • Alfonso Caurón, Adam Gough (Roma)
  • Hank Corwin (Vice)

And the Jackoff goes to…

Alfonso Caurón and Adam Gough for “Roma!”

Another team win! Who knew? The nominees here were all equally excellent, making this one of the harder categories which I had to determine a winner. The reason why I chose “Roma” is a reason I feel could also associate with direction, screenplay, and cinematography. Keep in mind, this movie is nominated for all three of those other categories. With the excellence of those other categories in mind, the way those were executed in an editing job such as this, honestly makes this movie better as a whole. Another thing to keep in mind is how personal of a project this is for Alfonso Caurón, because all those things I just mentioned: the screenplay, cinematography, and direction. He did all those things for this one movie. I have a soft spot for people who are willing to take on projects with personal values. Granted, that is something Tommy Wiseau tried with “The Room,” but still. Congrats to “Roma” and its editors!

We live in a world where an apple can fall on one man’s had and enable him to create the “laws of motion.” However, in cinematic environments, not everyone comes from the same place. Sometimes there are worlds entirely dedicated to a religious holiday. Sometimes there is a world of heroes desperately waiting for work. Sometimes there is a multiverse of a Spider-people waiting to unite. Sometimes there is a world where arcade game characters can interact with each other and even go inside each other’s games. Sometimes there is a world where believe it or not, dogs talk and often like saying the word “I.” These five nominees have shown excellence in animated film and have inspired many to think outside the box. Here are the nominees for Best Animated Feature.

  • The Grinch (Yarrow Cheney, Scott Mosier)
  • Incredibles 2 (Brad Bird)
  • Isle of Dogs (Wes Anderson)
  • Ralph Breaks the Internet (Phil Johnston, Rich Moore)
  • Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman)

And the award goes to…

“Spider-Man: Into the Spider-Verse!”

If you were thinking anything else, I want you to think again. Because out of every movie that I’ve seen this year that’s animated, this was the only one which I gave a Best Picture nom to. In fact, one of these films is a dishonorable mention on my worst list. “Spider-Man: Into the Spider-Verse” is not only a surprisingly great film during such a fantastic time for comic books and superheroes, but also a unique take on the typical superhero flick. This is the film debut of the Miles Morales Spider-Man, and it is easy to say, I want more. Aside from the likable story and acid-trippy experience, this movie manages to separate itself from every other animated film this year based on its style alone. Literally every frame resembles a comic book! This is the 2nd best standalone “Spider-Man” film I’ve seen to date, so congrats to “Spider-Man: Into the Spider-Verse!”

Our sixth Best Picture nominee is a little independent film that tackles big topics. To me, I found it to be the perfect combination of science and religion coming together. This film begs the questions, should we stop having children? Is having children a sin in this current age? How much longer do we have before the Earth is no more? From a technical perspective, this film delivers excellent cinematography and images, all of which are presented in a full screen aspect ratio. With stellar performances from actors including Ethan Hawke and Amanda Seyfried, this film manages to have a place in a constantly changing world that may not be around forever. Nominated for 3 Jackoff awards, THIS is “First Reformed.”

These next two categories involve something a film can’t live without. A screenplay. Having gone through years of movie-watching, the screenplay has always been one of the most crucial elements to whether or not a movie could succeed. A comedy can’t succeed without humorous lines. A horror flick can’t succeed without outrageous scares. An action film can’t succeed without thrilling sequences. The nominees represented in these two categories have brought visions from the pages to the screen. Here are the nominees for Best Adapted Screenplay!

  • A Star Is Born (Eric Roth, Bradley Cooper, and Will Fetters)
  • Avengers: Infinity War (Christopher Markus, Stephen McFeely)
  • BlacKkKlansman (Charlie Wachtel, David Rabinowitz, Kevin Willmot, Spike Lee)
  • First Man (Josh Singer)
  • Welcome to Marwen (Robert Zemeckis, Caroline Thompson)

And the Jackoff goes to…

Eric Roth, Bradley Cooper, and Will Fetters for “A Star Is Born!”

Yet another category that could have been won by almost any of its nominees. I will admit, when I did my review for “A Star Is Born,” one of my minor criticisms involves some of the song lyrics. The same can be said about Lady Gaga’s nose, which I was not able to buy. But let’s be real about the movie. It’s a damn good story. It’s a story about two singers who find each other, make each other’s careers better, never back down from each other, and find love. It’s basically a perfect analogy for what happens when you become super popular and end up becoming a product as opposed to someone who just wants to share their visions with the world. Also, I got to give kudos to Bradley Cooper because he’s more known for acting, which he does in this movie, but now I am curious to see more of his writing material in the near future. Congrats to the writers of “A Star Is Born!”

Moving right along and sticking with the screenplay motif, here are the nominees for Best Original Screenplay!

  • A Quiet Place (Bryan Woods, Scott Beck, and John Krasinski)
  • Eighth Grade (Bo Burnham)
  • First Reformed (Paul Schrader)
  • Roma (Alfonso Caurón)
  • Vice (Adam McKay)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

Thought I was done talking about Caurón? Think again. While all five screenplays were worthy of a nomination, while some made me laugh, while some got me intrigued, there is not one screenplay to display the intensity and shock that I’ve seen this year than what I’ve received with “Roma.” There’s a lot of lines that make you want to feel like a part of the family in the movie. Some lines make you feel like you are along for the ride in this slice of life. And then there’s other moments where I almost wanted to crawl into the fetal position. There are many elements that go into the screenplay of “Roma.” Insanity, unexpected moments, complexity of life, tearjerkers, humor, sensuality, and perhaps even moments that nearly qualify as ones that can fulfill thrills. Congratulations to “Roma!”

Our seventh Best Picture nominee is a film that may be, to me, under a lot of people’s radars. Or, maybe I’m just plain stupid, and this nomination is an unpopular opinion. Steve Carell has shown himself to be one of 2018’s hardest working and overall best performing actors. His performances in “Beautiful Boy” and “Vice” were great, but there is one other film he was heavily involved in aside from those two. With his unique performance and collaboration with critically acclaimed director Robert Zemeckis, Carell manages to tell the true story of a grown man who plays an expansive version of dollhouse, and is absolutely proud of it. Nominated for 3 Jackoffs, THIS is “Welcome to Marwen.”

The next set of nominees have demonstrated excellence in camerawork. From wides done brilliantly to mediums done well and close-ups done extreme, the five nominees have all put in a tremendous amount of effort into their craft. Similar to how a movie’s story cannot exist without a screenplay, a movie’s display of a story cannot exist without camerawork. Here’s to those who have taken their best shots. Here are the nominees for Best Cinematography!

  • Cold War (Lukasz Zal)
  • First Reformed (Alexander Dynan)
  • Hereditary (Pawel Pogorzelski)
  • Mission: Impossible: Fallout (Rob Hardy)
  • Roma (Alfonso Caurón)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

And Alfonso strikes once more! If you ask me, one talent I find amazing in films is when one can produce a very long shot. Granted, there are times in “Roma” where they make it look easy. In fact, if you want to see a film that makes it look hard, I recommend “Mission: Impossible: Fallout!” However, there are several sequences where the camera never cuts and it is really just a thing of beauty. Part of me even wonders how they came up with a good amount of the material presented in the film. Plus, the rehearsals must have been tedious, but worth it. This is especially considering the fact that the star actually had no prior acting experience up to this point. Well done, “Roma!” Congratulations!

While a film’s score may often be recognized as its signature music, it does not mean that it is the only kind of signature music. While a film’s score can develop a reputation for being catchy, iconic, or magnificently crafted, it is the original songs that will likely receive many downloads on iTunes. These five songs have been partially synonymous with their specific films this year. Here are the nominees for Best Original Song!

  • I’ll Never Love Again- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Shallow- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Ashes- Celine Deon (Deadpool 2)
  • A Place Called Slaughter Race– Sarah Silverman, Gal Gadot (Ralph Breaks the Internet)
  • What’s Up Danger- Blackway & Black Caviar (Spider-Man: Into the Spider-Verse)

And the Jackoff goes to…

“Shallow” from “A Star Is Born!”

Did I mention in my review that I had lyric problems when it comes to the songs shown in “A Star Is Born?” Yes. However, this song was actually perfect. Not only was it a well crafted song, but the way it was executed during the movie was brilliant. You have a song written by the character of Ally, who has never performed live before. When she actually has the guts to perform live, the way Lady Gaga portrays her character is unbelievable when you remember that Lady Gaga herself has actually been singing for years. The song has perhaps been in association with this movie more than any other song, and honestly, I think it deserves to be that way. Congratulations to Bradley Cooper and Lady Gaga!

Our eighth Best Picture nominee is a film that either tells a true story that took place in outer space, or a faked attempt meant to fool TV viewers on a soundstage. This film is a look into the buildup, drama, and execution of one of the most ambitious scientific projects of the 1960s. Helmed by “Whiplash” and “La La Land” director, Damien Chazelle, one man and his crew prepare forever for a life-changing mission that takes them into the stars, and it is almost seemingly impossible that they’ll ever return home. It is a story of hope, aspiration, courage, and danger. Nominated for a shattering 10 Jackoff awards, THIS is “First Man.”

If you remember the bit I did earlier with the three movies where I slightly improve them, let me remind you, that was just the beginning. Because I really only improved one minor portion of the film. However, there is one film where I decided to improve a good chunk of it. If you have ever seen the movie “Ready Player One,” it is seemingly regarded as one of the nerdiest movies of 2018. Tons of Easter eggs, references, and inclusions of various IPs are seen throughout. Honestly, despite being one of my favorite movies of 2018, part of me is willing to argue that it’s not nerdy enough. Some of you might be thinking, “Hey, Jackass! Are you out of your mind?” No. Because I just made it nerdier! Ladies and gentlemen, I give you… “Ready Player One: NERDVANA EDITION!” Take a look!

CLICK HERE TO VIEW READY PLAYER ONE: NERDVANA EDITION!

Going back to the nominees, we have got some heavy hitters remaining, it is only a matter of time until Best Picture, but let’s just build up to it. Starting with Best Director. The director of the film is the one responsible for overseeing the key components of production. It is the director’s duty to guide, aid, and encourage people to complete a project. These five nominees have all created cinematic achievements that are likely to stand the test of time. Here are the nominees for Best Director!

  • John Krasinski (A Quiet Place)
  • Damien Chazelle (First Man)
  • Ari Aster (Hereditary)
  • Alfonso Caurón (Roma)
  • Adam McKay (Vice)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

Unreal! This is the FOURTH win during the same ceremony by Alfonso Caurón! Can you guys tell this is a passion project? “Roma” was one of the final movies I saw before I announced my nominations, and I knew before going in that some considered it to be a wonderful piece of art. Those people who have made those claims are absolutely right! Not only is this one of the most moving, emotional movies of 2018, it is also one of the most well put together movies of 2018! Again, with the efforts of Caurón in multiple positions, this movie just shows a little passion goes a long way. When I saw “Gravity” a few years ago, also directed by Alfonso Caurón, I was wowed. When I saw “Roma,” I wondered how Caruón still had a hint of sanity left in him. Congratulations, once again, to Alfonso Caurón!

Our ninth Best Picture nominee is a film that is filled to the brim with truth. It’s a film that shows how truly awful middle school can be. It’s a film that shows how truly stressful making friends can be. It’s a film that shows how truly confusing talking to your first crush can be. With the breakout performance given by the young Elsie Fisher, not to mention the brilliant screenplay and direction delivered by Bo Burnham, the two crew members and many more reveal the horrors of being a teenage girl in the 2010s. It also successfully showcases the pressure and stress of being a small YouTuber, who may be delivering positive content meant to please everyone, but doesn’t get enough attention in return. Nominated for 3 Jackoff awards, THIS is “Eighth Grade.”

Let’s move onto the final acting categories!

Each and every day on set, it is an actor’s job to obey the director, follow the script, and break a leg. From playing pretend as a kid to being a part of a production crew, acting is a universal pasttime. For actresses in 2018, some highlights include a singer who won’t sing her own songs, a teenager trapped in a world of social media and pleas for popularitya queen who requires assistance maintaining the thronea mother who must deal with the worst events of her family’s lives, and a housemaid who may be an employee, but also a welcome member to an alternate family. Here are the nominees for Best Actress!

  • Lady Gaga (A Star Is Born)
  • Elsie Fisher (Eighth Grade)
  • Olivia Colman (The Favourite)
  • Toni Collette (Hereditary)
  • Yalitza Aparicio (Roma)

And the Jackoff goes to…

Toni Collette in “Hereditary!”

“Hereditary” is a movie that is mainly solid due to its execution of technical genius. The opening shot is a thing of beauty. However, with technical stuff aside, Toni Collette doesn’t fail to impress in the realm of acting. In “Hereditary,” Collette plays a mother to a couple of kids. This is not to say her life as a mother is normal, which could be explained, but that would involve spoiling the movie. There are several scenes where I still recall Collette’s excellence as a performer since my first viewing of “Hereditary” in July. One example is during a scene where she, along with her husband and son, are sitting together at the dinner table. Such a scene can remind you of how to talk to your mother, not to mention how awkward family dinners truly can be. In fact, I have the scene down below! Here’s a glance at Toni Collette in “Hereditary!”

And now… after watching that clip, you have been hypnotized to NEVER sit at a table full of food with your family ever again.

Sticking with acting, it would be impossible to forget 5 more nominees who have dedicated their voice, physicality, and time into their respective roles. For actors in 2018, some highlights include a music star who finds lovea talented showman and vocalist who has inspired millionsa cop who tracked down white supremacistsa priest who is concerned for future generations of the Earth, and an artist who developed his own village of dolls. Here are the nominees for Best Actor!

  • Bradley Cooper (A Star Is Born)
  • John David Washington (BlackKkKlansman)
  • Rami Malek (Bohemian Rhapsody)
  • Ethan Hawke (First Reformed)
  • Steve Carell (Welcome to Marwen)

And the Jackoff goes to…

Rami Malek in “Bohemian Rhapsody!”

Well well well, well well. Yet another tough category! All of these actors are deserving of their nomination and have all killed it in their respective roles, but at the end of the day, I have to pick one. The reason why I chose Rami Malek is because he took someone who I have known about, I even did a project heavily involving him in sixth grade, and the actor transformed himself into this other person with excellence. “Bohemian Rhapsody” may not have made me look at all of its characters as much as Mercury, although that may just be a personal issue more than anything else, but I have to give it respect because it turned Malek into Mercury in the blink of an eye. Another thing I must point out, that might be significantly underrated is Malek’s ability to recreate Mercury’s movements. There is a comparison video online that can show the difference between Mercury and Malek during the Live Aid concert. Rami Malek, well done! Here is a clip of Rami Malek in “Bohemian Rhapsody!”

Our tenth and final Best Picture nominee is a film about what it means to be a hero. Well, guess what? It is what everybody asked for. ANOTHER “Spider-Man” movie! But this time, it’s animated. In a year of great superhero movies, this is one of the definite highlights. As one of the few movies this year featuring “Spider-Man” or characters related to his franchise, this film not only shows that Spider-Man is a role model type of hero that can truly take names, but that there is more than one “Spider-Man” out there. As the film debut of the Miles Morales “Spider-Man,” I personally almost couldn’t be giddier about how this film turned out. It has a unique animation style resembling a comic book, whacky action scenes, and fast-paced writing with smart humor that is delivered with excellence. Nominated for 3 Jackoffs, THIS is “Spider-Man: Into the Spider-Verse.”

All that remains for movie award giving tonight is Best Picture, however, we are not there just yet. First things first, I am handing out the second Lifetime Achievement Award of the ceremony.

The Jackoff Posthumous Lifetime Achievement Award is appropriately, being given towards the ceremony’s conclusion. While this year’s recipient is no longer with us, their legacy shall live on. The winner of the award is a man who has dedicated his life to inspiring millions, and unleashing his own imagination to share with the world. While he may not primarily be known for film, his inspiration over the years has translated into the art form, including a modern trend of comic book-based films, an innovative and successful cinematic universe, and a plethora of memorable cameos. Some of his notable movie lines include “I think I know that guy,” “I thought he’d be taller,” and “Oh man, I am so fired.” This winner is known for creating many of the characters that readers, TV and movie watchers, gamers, and nerd culture junkies have followed as time has passed. From Spider-Man to Iron Man. From The Incredible Hulk to the Fantastic Four. From Captain America to Captain Marvel. From Black Panther to Black Widow. All of these characters have established a legacy under one similar brand name, much like the creator himself. To this day, all of these characters have a place in popular culture, and are constantly changing the game in various art forms. It is my honor to declare the first winner of the Jackoff Posthumous Lifetime Achievement Award, is Stan Lee.

If Stan Lee were here today, he probably wouldn’t give two craps about this award unless I did a video of him doing a walk-on cameo. However, Stan Lee has proven to the world that he has had a magnificent life to share with mankind. Lee has given a tremendous gift to millions, so why not have someone hand a gift to him? Congratulations to Stan Lee, and should there be a second Jackoff Awards next year, this award will be named after him!

And finally, the moment you have probably all skipped to by endlessly scrolling down, Best Picture. These ten movies have all made an impact on me personally this year, however, it is not my decision to declare one of these films the best of the best under this current scenario. The reality is, all of these films are great, but to determine which film is the best, I left it up to the people to decide, and you guys decided! These are YOUR votes, not mine! According to the results, the poll for Best Picture has received 17 responses, and luckily, there is a true winner without any sort of tie. These ten movies were created for audiences everywhere to think, be entertained, enjoy themselves, and escape from reality. Through the hard work and ideas of crews of all sorts, it is hard to imagine another ten movies worthy of replacing this lineup. Here are the nominees for Best Picture!

  • Avengers: Infinity War (Kevin Feige)
  • Eighth Grade (Scott Rudin, Eli Bush, Lila Yacoub, Christopher Storer)
  • First Man (Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle)
  • First Reformed (Jack Binder, Greg Clark, Victoria Hill, Gary Hamilton, Deepak Sikka, Christine Vachon, David Hinojosa, Frank Murray)
  • Mission: Impossible: Fallout (J.J. Abrams, Tom Cruise, Christopher McQuarrie, Jake Myers)
  • Ready Player One (Steven Spielberg, Donald De Line, Dan Farah, Kristie Macosko Krieger)
  • Roma (Alfonso Caurón, Gabriela Rodriguez, Nicolas Celis)
  • Spider-Man: Into the Spider-Verse (Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, Christina Steinberg)
  • Welcome to Marwen (Jack Rapke, Steve Starkey, Robert Zemeckis)
  • Won’t You Be My Neighbor? (Morgan Neville, Caryn Capotosto, Nicholas Ma)

And the Jackoff goes to…

“Avengers: Infinity War!”

“Avengers: Infinity War” has gathered its first and sole win of the ceremony. The movie was also nominated for three other Jackoffs including Best Sound Editing, Best Visual Effects, and Best Adapted Screenplay.

It just goes to show, when you give an audience the power to choose a movie to win Best Picture, chances are they’re going to snap their fingers and dust the other films away. This is a film that has been in development for a long, but effectively put together time. It takes the iterations of characters people have followed for a decade and puts them all in a love letter to blockbusters and comic book films. The screenplay is one of the most unique ever written for a comic book film, to the point where people in my life were shocked and dismayed by it, but based on their final verdicts of the film, they felt such feelings were delivered in a positive way. My review for the film was also unique, because I had to hide SO MANY THINGS from the eyes of the public because the reality is that “Avengers: Infinity War” has details that are meant to be witnessed for the sake of shock or surprise. Even now, almost a full year after the release of “Avengers: Infinity War,” there is a chance that someone would want to end my life, or at least threaten to do so over the Internet depending on what I say about “Avengers: Infinity War.” I personally to this day, find the film to be a game-changer. Sure, it is the nineteenth installment of a comic book-based movie series that has been going on for years, but that is part of the point. There are many movies out there that can succeed for being an original hit. There are many movies that can have stellar technical aspects or acting. However, how often can you say that we have a cinematic universe which has been built for ten years, with about twenty films, with the nineteenth being an ambitious culmination that made billions of dollars, became the highest grossing comic book film ever, and somehow manages to be a new favorite film for many people? Should Marvel Studios continue their efforts, is it possible that their cinematic universe could become more important than the “Star Wars” franchise? And if it is, that is certainly saying a lot. Congratulations to Kevin Feige and everybody else who worked on “Avengers: Infinity War!” You have won Best Picture!

Thanks for reading whatever this is! If you made it to the end of the post, I congratulate you for doing so. Well done. If you felt bored the entire time, I will remind you, there are worse things out there: jury duty, root canals, losing all your gambling money! This is the most experimental post I have ever done, I would appreciate any and all feedback if you feel it is necessary. If I listen to said feedback is currently a mystery, but I’ll certainly at least keep it in mind. I personally enjoyed doing this, despite how much time it actually took to complete the damn thing, but I found myself having a ball nonetheless. Will I do another one of these in the future? It MIGHT depend on the response, but I already have ideas for what I am going to do should I do a second year. Thanks to everyone for reading this! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, do you agree with my picks for the Jackoff Awards? What would you change, if anything? Let me know down below! Scene Before is your click to the flicks!

The 1st Annual JACKOFF Awards (NOMINATIONS)

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Hey everyone, Jack Drees here! Today is a big day in Scene Before history! As some of you may be aware, last year I announced something called the “Jackoff” awards. I described it as an award show that is not quite noteworthy enough to be on TV. For one thing, Scene Before does not have the same power that the rest of Hollywood does. Not to mention, I have not developed my own TV station. So unfortunately, you’re gonna have to settle for the lack of my voice, and the less entertaining platform, WordPress.com. But then again, they say that the Internet is the future, so maybe this ceremony will grow with time. Nevertheless, today is the day that I announce the nominees for this future event. I should note, that all of these were picked by me, and me alone. However, this is not completely under my authority, as I will explain further down the road. This year alone, I saw 68 new releases. Many of them are deserving of recognition. Some would argue I saw 69 (not making a sex joke, just stating the facts), but I am only counting films that had some sort of theatrical run, therefore “The Last Sharknado: It’s About Time” does not qualify for any nominations. I am also only counting films I have seen. One movie that was sort of on my radar was “On the Basis of Sex,” but I have a deadline with this thing, so I missed out on that movie. Same goes with other titles that are getting some buzz including “If Beale Street Could Talk,” “Mary Poppins Returns,” “Mary Queen of Scots,” and “Can You Ever Forgive Me?.”

For each category, I am going to announce five nominees. This excludes the final category, Best Picture, which will be receiving ten.

Just a warning, you may notice that the announcements may look a tad jumbly, and what I mean specifically is the fact that sometimes I’ll share a person’s name before a movie title, or a movie’s title before a person’s name with such a formula alternating. I wouldn’t call this disorganized, but at the same time I feel it is worth pointing out before someone else does. For the record, I don’t have OCD, so I don’t care.

Anyways, let’s get the show on the road! Here are the nominees!

BEST SUPPORTING ACTOR:

  • Sam Elliot (A Star Is Born)
  • Timothée Chalamet (Beautiful Boy)
  • Michael B. Jordan (Black Panther)
  • Mahershala Ali (Green Book)
  • Sam Rockwell (Vice)

BEST SOUND EDITING

  • A Quiet Place
  • Avengers: Infinity War
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

BEST SOUND MIXING

  • Annihilation
  • A Star Is Born
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

BEST MAKEUP & HAIRSTYLING

  • Aquaman
  • Bohemian Rhapsody
  • The Favourite
  • Operation Finale
  • Vice

BEST SUPPORTING ACTRESS:

  • Emily Blunt (A Quiet Place)
  • Claire Foy (First Man)
  • Rachel Weisz (The Favourite)
  • Amy Adams (Vice)
  • Leslie Mann (Welcome to Marwen)

BEST COSTUME DESIGN

  • Kym Barrett (Aquaman)
  • Julian Day (Bohemian Rhapsody)
  • Sandy Powell (The Favourite)
  • Marlene Stewart (The House with a Clock in Its Walls)
  • Trish Summerville (Red Sparrow)

BEST PRODUCTION DESIGN

  • Bill Brzeski (Aquaman)
  • Curt Beech (BlacKkKlansman)
  • Fiona Crombie (The Favourite)
  • Nathan Crowley, Katherine Lucas (First Man)
  • Eugenio Caballero (Roma)

BEST ORIGINAL SCORE

  • Geoff Barrow, Ben Salisbury (Annihilation)
  • Marco Beltrami (A Quiet Place)
  • Justin Hurwitz (First Man)
  • Alexandre Desplat (Isle of Dogs)
  • Lorne Balfe (Mission: Impossible: Fallout)

BEST VISUAL EFFECTS

  • Annihilation
  • Aquaman
  • Avengers: Infinity War
  • First Man
  • Ready Player One

BEST FILM EDITING

  • Barry Alexander Brown (BlacKkKlansman)
  • Tom Cross (First Man)
  • Benjamin Rodriguez Jr. (First Reformed)
  • Alfonso Caurón, Adam Gough (Roma)
  • Hank Corwin (Vice)

BEST ANIMATED FEATURE

  • The Grinch (Yarrow Cheney, Scott Mosier)
  • Incredibles 2 (Brad Bird)
  • Isle of Dogs (Wes Anderson)
  • Ralph Breaks the Internet (Phil Johnston, Rich Moore)
  • Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman)

BEST ADAPTED SCREENPLAY

  • A Star Is Born (Eric Roth, Bradley Cooper, and Will Fetters)
  • Avengers: Infinity War (Christopher Markus, Stephen McFeely)
  • BlacKkKlansman (Charlie Wachtel, David Rabinowitz, Kevin Willmot, Spike Lee)
  • First Man (Josh Singer)
  • Welcome to Marwen (Robert Zemeckis, Caroline Thompson)

BEST ORIGINAL SCREENPLAY

  • A Quiet Place (Bryan Woods, Scott Beck, and John Krasinski)
  • Eighth Grade (Bo Burnham)
  • First Reformed (Paul Schrader)
  • Roma (Alfonso Caurón)
  • Vice (Adam McKay)

BEST CINEMATOGRAPHY

  • Cold War (Lukasz Zal)
  • First Reformed (Alexander Dynan)
  • Hereditary (Pawel Pogorzelski)
  • Mission: Impossible: Fallout (Rob Hardy)
  • Roma (Alfonso Caurón)

BEST ORIGINAL SONG

  • I’ll Never Love Again- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Shallow- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Ashes- Celine Deon (Deadpool 2)
  • A Place Called Slaughter Race– Sarah Silverman, Gal Gadot (Ralph Breaks the Internet)
  • What’s Up Danger- Blackway & Black Caviar (Spider-Man: Into the Spider-Verse)

BEST DIRECTOR

  • John Krasinski (A Quiet Place)
  • Damien Chazelle (First Man)
  • Ari Aster (Hereditary)
  • Alfonso Caurón (Roma)
  • Adam McKay (Vice)

BEST ACTRESS

  • Lady Gaga (A Star Is Born)
  • Elsie Fisher (Eighth Grade)
  • Olivia Colman (The Favourite)
  • Toni Collette (Hereditary)
  • Yalitza Aparicio (Roma)

BEST ACTOR

  • Bradley Cooper (A Star Is Born)
  • Rami Malek (Bohemian Rhapsody)
  • John David Washington (BlackKkKlansman)
  • Ethan Hawke (First Reformed)
  • Steve Carell (Welcome to Marwen)

Before we get into Best Picture, I must have everybody reading this know a couple of facts. Despite how this is my ceremony, and I am choosing what awards will be given to which movies, I am only going to ANNOUNCE the nominations for Best Picture. This award in particular is going to be chosen by viewers, friends, people I know, anyone who has access to a computer who doesn’t happen to be me. These categories are based on my CURRENT list for my top 10 BEST movies of 2018. Without further ado, here are the nominees along with their producers!

BEST PICTURE

  • Mission: Impossible: Fallout (J.J. Abrams, Tom Cruise, Christopher McQuarrie, Jake Myers)
  • Avengers: Infinity War (Kevin Feige)
  • Ready Player One (Steven Spielberg, Donald De Line, Dan Farah, Kristie Macosko Krieger)
  • Roma (Alfonso Caurón, Gabriela Rodriguez, Nicolas Celis)
  • Won’t You Be My Neighbor? (Morgan Neville, Caryn Capotosto, Nicholas Ma)
  • First Reformed (Jack Binder, Greg Clark, Victoria Hill, Gary Hamilton, Deepak Sikka, Christine Vachon, David Hinojosa, Frank Murray)
  • Welcome to Marwen (Jack Rapke, Steve Starkey, Robert Zemeckis)
  • First Man (Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle)
  • Eighth Grade (Scott Rudin, Eli Bush, Lila Yacoub, Christopher Storer)
  • Spider-Man: Into the Spider-Verse (Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, Christina Steinberg)

BEST PICTURE VOTING FORM

If YOU want to vote for best picture, click this link right here! You can choose from one of these ten movies, and maybe your pick will end up as the king of the Jackoffs! In the event of a tie, multiple movies will claim Best Picture together. Voting is open until February 10th at 12AM. Once the clock hits the start of February 10th, boom, the votes are locked and loaded! Believe it or not, these are actually not all of the awards, there will be a select couple of awards I am choosing to reveal once the ceremony is published, because it would probably have a greater effect on my viewers. Be sure to stay tuned for the 1st Annual Jackoff Awards, coming February 10th, on Scene Before! Thanks for reading this post! If you want to keep looking forward to more movie-related posts down the line, I should have you know that I will soon have my review up for “Serenity” starring Matthew McConaughey and Anne Hathaway. Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, do you agree with any of my picks for this ceremony? Do you disagree? Let me know in the comments down below! Scene Before is your click to the flicks, and just for the sake of further promoting this event, in case you haven’t seen it already, I have posted down below my trailer for the 1st Annual Jackoff Awards, featuring a good portion of the movies to be recognized and honored during the ceremony.

If you’re watching, please enjoy.

NOTE FOR VIDEO: All copyrights belong to their respective owners

The 1st Annual Jackoff Awards PREVIEW and RELEASE ANNOUNCEMENT

Top 10 BEST Movies of 2018

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Hey everyone, Jack Drees here! We have reached that time! The year is over, which means we get to one of my favorite parts of doing Scene Before, my annual countdowns! That’s right, it’s time to count down my top 10 BEST movies of 2018! Before we get into the countdown however, let me just have you know that when it comes to this year in film, just like every other, there are movies that I have missed. If there is a certain movie you thought might have been on my list that is not on my list, I have a newsflash for you. I either didn’t see it or I just didn’t like it enough to call it top 10 list worthy. One example is “Mary Poppins Returns.” Not only is it not my type of movie, but I also never saw the original film, so I missed out on that. When it comes to bigger budget films to come out in December, “Aquaman” was more important. Also, this is a subjective list. Art creates all sorts of opinions across the board, therefore it is subjective. If you think that a certain movie on this list is your least favorite movie of the year, you are entitled to that opinion and I respect you completely. However, maybe this will encourage you to make your own top 10 list when it comes to this year in film. In my countdowns last year, I stated a couple of honorable mentions before I got on to doing my top ten. However, this year, I’ve seen a few more movies compared to last year, so I decided instead of two honorable mentions, I’d include three. Let’s state them right now.

Honorable Mention: Blockers

My first honorable mention is “Blockers.” 2018 was admittedly a surprisingly great year for comedy. This movie is basically a female-oriented “American Pie” for a new generation. There is also an argument to be made that this is also “Revenge of the Nerds” for a new generation because of how many layers this movie surprisingly manages to pack in despite being marketed as what looks like a disposable comedy. Overall, I ate this movie up.

Honorable Mention: Deadpool 2

My next honorable mention is “Deadpool 2.” I saw this film when I was staying in Disney World, which is basically a combination of two polar opposites, and I don’t regret it in the least. “Deadpool 2” is a sequel that is not as good as the first, but still manages to deliver quality action, humor, and possibly even better opening titles than the original! I’d like to give a special shoutout to one of the two guys who killed the dog in “John Wick!”

Honorable Mention: Hereditary

And finally for honorable mentions, we have “Hereditary.” A24 manages to deliver an excellent horror story with quality directing, cinematography, a killer performance by Toni Collette, and some of the most disturbing scenes of the year! Speaking of scenes, it’s possible that “Hereditary” contains my favorite standalone scene of the year, specifically the one towards the middle to end, at the dinner table.

Without further ado, let’s start the annual tradition with a bang! These are my 10 BEST movies of 2018!

#10: Incredibles 2

2018 is FINALLY the year we get a sequel to my favorite animation of all time, “The Incredibles,” and I must say that “Incredibles 2” did not disappoint! Brad Bird returns once again, both with his own screenplay and in the director’s chair! And I must say, animation is where Bird excels. I’ve seen a couple of movies he directed in live-action form, specifically “Mission: Impossible: Ghost Protocol” and “Tomorrowland,” and while they were decent, they were nowhere near as masterfully done as say, “The Incredibles” or “Ratatoullie.” Most of the original cast made a return to play their roles they’ve portrayed in the first film (it’s hard to keep Dash’s young and hyper-sounding voice going on forever), and I’ll say while I do consider “The Incredibles” to be better than “Incredibles 2,” I will personally add that I find “Incredibles 2” to be the funniest of both films. Jack-Jack is a scene stealer, the part where the family is at the restaurant is a gutbuster considering what Violet has to go through, and while this movie displays the harsh reality of being a stay-at-home parent, it’s just done with charm and wit. “Incredibles 2” just goes to show that Pixar played their cards right, not only with marketing, but with waiting to make a sequel that could potentially rival the original film in terms of likability.

#9: Spider-Man: Into the Spider-Verse

Coming in at #9 is “Spider-Man: Into the Spider-Verse!” One of my favorite movies of all time is 2004’s “Spider-Man 2,” directed by the very talented Sam Raimi. “Spider-Verse” does not quite match “Spider-Man 2,” however, it is the second best “Spider-Man” film I’ve ever seen. It is also one of the trippiest movies I have seen all year, and I mean that in the absolute best possible way. When I first heard about this movie, I kind of thought it was mainly trying to cash in on the name Spider-Man. Boy was I wrong! This is a movie that has heart, humor, action, and likable characters! Usually I’m used to seeing Peter Parker on screen, but it was interesting to see a different Spidey behind the mask for one film. Granted, Peter Parker is in the movie, but he’s not the main character. Also, Aunt May in “Spider-Verse” might just be the best Aunt May I’ve ever seen. I mean, holy f*ck! All the characters here were awesome, Kingpin is an excellent villain, the animation style, while it seemed to be tacky at first when seeing trailers, paid off and was only a benefit to the final product!

#8: Eighth Grade

John Hughes gave us some great coming of age stories revolving around teenagers like “Ferris Bueller’s Day Off.” Unfortunately, he passed away in 2009, so his wonderful writing can only be a reflection. However, Bo Burnham is still alive and we have a new coming of age story to remember. I’m talking about “Eighth Grade!” There are still days where I look at my life in middle school and realize that in some ways that my life is a hell lot better than it was back then. I’ve met nicer people, more mature people, people who want to get to know me better. “Eighth Grade” reminded me of the horrors of middle school, of not only presenting experiences that were relatable, but by also showcasing other happenings that I can’t really say I’ve had. One of my lesser preferred genres when it comes to film is horror, only because I don’t get terrified all that easily therefore destroying the purpose of the genre. This is not a horror movie, but seeing Kayla, played by the amazingly talented Elsie Fisher, in various situations, was almost heart-stopping based on the potential horrors that could be unleashed.

#7: First Man

I was never alive back in the 1960s, so I never got to experience the space race or the moon landing, but it’s always been a subject I’ve personally been fascinated with. With that being said, it’s no surprise that I adored “First Man.” This movie has always been something I’ve personally been looking forward to since it was announced, and when it came out, I was extremely pleased. Nobody went to see it, but this guy did and he doesn’t regret it in the least. In terms of directing, this movie shines. There are several scenes where shaky cam is used, and if you know me, I’m kind of anti-shaky cam. When I watch something such as an action movie, I find it much more preferable for all of the action scenes to be played out with a much more standstill approach. This movie, while it didn’t make me pro-shaky cam for all of eternity, made me reconsider my anti-shaky cam motives. When it comes to the score, the cinematography, the atmosphere, the vibe was perfect. It was a somewhat terrifying and jaw-dropping adventure. One of my favorite scenes in the film involves a conversation before Neil Armstrong leaves his family to go to the moon. The pacing of all the dialogue which happened to be given and the acting was 100% spot on!

#6: Welcome To Marwen

I can usually agree with a majority of people that a certain movie is good or bad. However there are times when I fall into a minority. That is the case with my next pick, “Welcome To Marwen.” PLEASE DON’T SHOOT ME! This is a movie that I went to see early, and when I saw it, it was truly revolutionary. One of the best animated franchises of all time is “Toy Story.” “Welcome To Marwen” is essentially a live-action version of that, featuring someone who has PTSD. The performances are top notch, the directing is beautiful, the concept is wonderful to tenth degree! I stand by my statements, even if that means I’m going to die within the next few days. But this is a film that is HATED by critics. I can probably say the same applies to moviegoers as well given how the film has a 5.5/10 on IMDb. Then again, the Cinemascore rating was a B-, so it does have some positive reviews from audience members. Nevertheless, this is a film that is not only original, but reminded me of why I love telling stories and listening to stories. Well done, Robert Zemeckis!

#5: First Reformed

Coming in at #5 is a film I actually didn’t get around to reviewing this year but enjoyed watching nevertheless, “First Reformed.” One of the most pressing issues of my time is climate change, this movie paints a picture of climate change like I’ve never seen before. There is one scene in the film where the main character, a priest, sits down with somebody whose wife is currently pregnant. He wants his future child aborted so it does not have to live in a nearly or perhaps inevitably uninhabitable world. I said to myself before that when I grow to be a certain age, specifically the time when perhaps most people would want kids, I’d probably pass up on that opportunity. I’d usually say that I just don’t want to screw up someone’s life because I’d be nervous about the responsibility at hand, I’d possibly even screw up my own life. Now, this movie made me think, I’d feel deeply sorry if I had to bring a child into this world. Granted, having children is not a bad thing necessarily, but I would feel more than terrible bringing in someone who has to deal with constantly changing normality in terms of climate and weather, decreasing resources, and the fact that ways we try to amuse ourselves and survive affects our very own planet. In fact, part of me wonders if I’ll be one of the last generations to survive on Earth. Part of me wonders if we’ll ever even see a shift to another planet to start a new way of life. “First Reformed” truly got me thinking about my own future. Not only that, but it manages to make a Christian priest skeptical about his own beliefs, which is something I never tend to think about when someone has a high religious position. The acting in this movie from performers like Ethan Hawke and Amanda Seyfried is simply lovable. The directing by Paul Schrader is basically the definition of a vision. It kind of reminded me of “No Country For Old Men” meets “La La Land” meets “The Grand Budapest Hotel.” Bravo!

#4: Won’t You Be My Neighbor?

Who says people don’t go out to see documentaries nowadays? Well guess what, this guy did, and this guy saw “Won’t You Be My Neighbor?.” Talk about an amazing, sweet, memorable experience. I never had Mr. Rogers in my childhood, however my grandmother always sang the opening song to “Mister Rogers’ Neighborhood” to me. This movie made me want more of him in my life. I was reminded of how a lot of shows that children are subjected to are flashy and noisy and all other sorts of stuff. As a child I watched “Power Rangers,” where grown people are flipping around uttering random sounds as they annihilate others. Had I watched “Mister Rogers’ Neighborhood” however, I would probably have had a better childhood, by which I mean, I would have been a smarter, and perhaps a more well-behaved child. This movie must be seen by every individual in the universe, even if you are the toughest manly man out there with tons of facial hair who rides a motorcycle across the country occasionally stopping to chow down the biggest baddest burgers and steaks in the world, you will enjoy this documentary!

#3: Ready Player One

I’ve read the book for “Ready Player One,” it was awesome! Then I saw the movie for “Ready Player One,” that was awesome too! While there are many changes from the book, I will say that I’m not complaining about it. What we’ve got with “Ready Player One” is nothing short of just a plain old epic adventure with a bunch of people who wish they grew up in the 1980s. I will say, I am not a psychic, but if “Ready Player One” wins Best Visual Effects at the Academy Awards, that would be killer! Also, may I add, if you like Chucky or “Child’s Play,” do yourself a favor and check this movie out just for the thirty seconds Chucky happens to be on screen! Do I have problems with the movie? Yes, I have problems with many movies I see and some like this one that happened to make it on the list, but it does not change the fact that this movie not only was fun, glorious, and all-around just immersive, but it also had a chase sequence towards the end that is sitting somewhere in my top 10 of all time.

#2: Avengers: Infinity War

Coming in at #2 is the movie event of the year, and some of you might be thinking like the last couple of years, it’s a “Star Wars” movie. Nope, this year’s “Star Wars” flick was painfully average so that’s not making the list. Instead, I’m talking about “Avengers: Infinity War!” I remember a couple years ago I saw “Captain America: Civil War” and I once declared it to be my favorite movie of 2016. Not only that, but it was also my favorite MCU movie. Forget I said that, because this movie is not just a good comic book movie. It’s a good MOVIE. While I might have my gripes for Marvel for seeming to never want to end their cinematic universe at any given point, it also allows us to see something truly groundbreaking. Because the reality is that “Avengers: Infinity War” is a culmination to a franchise that has been built up for ten years. It’s almost like watching a nearly conclusive TV show finale. I mean, originally, “Infinity War” was supposed to be marketed as a two part thing, but that’s not happening anymore. Not to mention, it provided one of the most epic experiences I’ve had at the movies this year. It was basically like watching a big sporting event as opposed to a movie in the theater, especially on opening Thursday night in a sold out IMAX. Another reason why I love this movie so much is because without getting into spoilers, is because it did a couple of things that I wouldn’t really see in something like a Marvel movie or some film featuring superheroes. Other than that, it’s really just a fun yet emotional ride. I don’t run the Oscars, but if the voters happened to pay more attention to big blockbusters, this would possibly get nominated, or even win Best Picture. Did I mention Thanos? Oh my gosh! Thanos! THANOS IS ONE OF THE GREATEST VILLAINS EVER PUT ON SCREEN! I am not sure how 2019’s list of films to come out is going to be compared to 2018, but hopefully, “Avengers: Endgame” does not suck, or even ruin “Avengers: Infinity War.”

#1: Mission: Impossible: Fallout

Alright, we have reached the #1 spot! We finally made it! This is the movie that I had the most fun watching, I had a great time reviewing, and once it finished, my first words were “HOLY CRAP.” What movie could get me to say that? How about Tom Cruise’s latest attempt at killing himself? At the #1 spot, we have “Mission: Impossible: Fallout!” The latest installment to the “Mission: Impossible” franchise was something I was looking forward to as its release got closer and closer. Little did I know how much I’d love it! If “First Reformed” is the definition of a vision for an independent film, then “Mission: Impossible: Fallout” is the definition of a vision for a big blockbuster film. Much like the MCU, the “Mission: Impossible” movies have been going on for a long time. “Mission: Impossible: Fallout” is not necessarily a culmination, but it takes a lot of the characters you know from previous “Mission: Impossible” films and inserts them in one epic story. Not only that, but Tom Cruise provides the best stunt performance I’ve ever seen from him. If you ever thought there was no way he would ever top hanging on the side of an airplane in “Rogue Nation,” I personally thought he topped it 110% in “Fallout!” The cinematography, the score, the sound, the editing, HOLY CRAP the editing. There is a scene towards the end of the movie that I remember being in awe watching it during my second viewing! Seeing this film in a theater was an experience. Twists, turns, craziness, the action scenes in this film are all memorable! The helicopter scene is a thing of f*cking beauty! When your lead actor breaks his leg during a stunt, and chooses to go on with a scene like nothing happened, you know you have a movie worth watching. Tom Cruise has still got the goods when it comes to action and stuntwork! This is possibly the best Tom Cruise movie I have seen personally since 1983’s “Risky Business!” I would like to thank Tom Cruise, Christopher McQuarrie, Paramount, Bad Robot for making an action-packed extravaganza that I will probably watch many years to come! I’m glad to call “Mission: Impossible: Fallout” my favorite movie of 2018!

Thanks for reading this countdown! Tomorrow I am gonna have a new post for you all to read, and I know it is a new year and it is time to celebrate, but the reality is, sometimes it is reasonable to relieve some stress. That is why tomorrow I’m switching my mood, and I’m going to be talking about my top 10 WORST movies of 2018. I will admit, this year for movies has been awesome. I’ve seen A LOT of movies that have come out this year, a third of which I currently consider to be at least an 8/10. I’m serious. I will say that with at the very least, a majority of these movies, and possibly others that I’ve yet to see, these are going to apply in a future event I’m going to unveil to you all here on Scene Before. In my first awards show that I’m doing here weeks from now, I’m going to be including my top 10 movies for my Best Picture category. Instead of having me choose the Best Picture, partially due to already revealing my personal favorite film of the year, I’m going to have viewers and followers vote for what they think should win Best Picture of the year. Once the nominees are announced, voting will be open. My nominees are to be announced in a few weeks from now or so, and I officially have no date for the awards ceremony to be posted, but trust me when I say that it is going to be one of the most ambitious posts I’ve ever done. Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, what are your favorite movies of 2018? Feel free to count down your picks, or if you want to be exclusive and only include one film, feel free to do that too. The top 10 WORST is coming tomorrow, stay tuned! Scene Before is your click to the flicks!

PREVIEW: The 1st Annual Jackoff Awards…

Coming to Scene Before…

*cue classical buildup music*

The event of a lifetime.

An amazing…

Ambitious…

Epic…

Dazzling…

Insane…

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Awesome…

Fierce…

Lit…

Awe-inspiring…

Wicked…

…awards ceremony that is not quite noteworthy enough to be on TV.

*cue opening theme music to “Wipeout”*

Get ready for movies, nominations, wins, and LITTLE TO NO POLITICS.

The celebrities probably won’t be able to accept the award.

Even though Halle Barry accepted a Razzie in 2005.

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You’ll probably complain that something didn’t win.

You may also complain that something didn’t get nominated.

But it’s not your show, it’s someone else’s.

The Movie Reviewing Moron is proud to deliver his latest creation… The most important movie review blog awards ceremony in history…

THE 1ST ANNUAL JACKOFF AWARDS!

Coming in 2019 to Scene Before, your click to the flicks!

Henry Cavill (Superman) OUT of DC Extended Universe (Or is he?)

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Hey everyone, Jack Drees here! Look up in the sky! It’s a bird! It’s a plane! The bird is getting crashed by the plane! Today we are going to discuss some of the most shocking movie news I’ve ever witnessed this year! When it comes to comic book movies, we’ve had our fair share of standouts this year when it comes to news. We’ve gotten news about records being broken by “Black Panther” and “Avengers: Infinity War,” James Gunn, director of “Guardians of the Galaxy” and “Guardians of the Galaxy Vol. 2,” had his Disney business relationship severed over nasty tweets, thus making him unable to direct “Guardians of the Galaxy Vol. 3.” The Russo Brothers, the directors behind “Avengers: Infinity War,” essentially sent out a reminder that spoiling the movie is wrong and is just as bad as committing murder. We also received word that both “X-Men: Dark Phoenix” and “The New Mutants” were pushed back from their original release dates. While “Dark Phoenix” is a somewhat understandable pushback, the one for “The New Mutants” is basically an electric shock and a half, moving from April of this year to August of next year!

Aside from the James Gunn situation, this news we are going to talk about may be the most shocking comic book movie related news I have to take on this very year. Henry Cavill, otherwise known as the star of 2013’s “Man of Steel,” which was essentially THE KICKSTARTER of the Detective Comics Extended Universe, has apparently parted ways with Warner Brothers and will no longer appear in any of the future DC films as Superman.

Before we go any further, there’s probably a spot open in the DC Extended Universe for a role, so I gotta ask, Nicolas Cage, what are you waiting for?! You had a chance to play Superman before and that didn’t work out! This is a second chance for you! Take it while it’s here!

Oh yeah, right, this happened. Still, you can play a LIVE-ACTION Superman!

Nevertheless, to me, this news is something that didn’t even cross my mind. Out of everyone that would slip away from the Detective Comics Extended Universe, I didn’t think Cavill would be the last one. Maybe Amy Adams, maybe Laurence Fishburne, maybe Ben Affleck (in fact at this point, it’s quite possible he’s completely out), all those people would consider parting ways or exit the DC Extended Universe before Cavill. I mean, it”s pretty certain that folks like Gal Gadot want to stay. I thought Cavill had no problem with staying in a franchise like this. It certainly pays well, he gets to be an iconic character, and it’ll definitely help with name recognition. I mean, if he wasn’t Superman, there’s a chance I’d probably have no idea who this guy was once I saw “Mission: Impossible: Fallout.” This almost sounds like something you’d hear about a maniac who insults women becoming president. But then you look at the source where this pretty much all started, The Hollywood Reporter.

Henry Cavill Out as Superman Amid Warner Bros.’ DC Universe Shake-Up (Exclusive)

According to the article, Warner Brothers, the studio behind all of the movies in the DCEU, has been making attempts to enlist Cavill to make a cameo appearance in the upcoming Zachary Levi-lead “Shazam” set to release in 2019. However, that is not happening, and when it comes to Cavill’s representatives WME (William Morris Endeavor) and the studio, the two sides were in talks and it basically lead to the end of Cavill’s Superman appearances.

So when that “Justice League” sequel comes around, not only will Cavill’s facial hair be erased, but so will his entire body.

The article goes on to state that Warner is shifting its gears towards making a “Supergirl” movie, which will focus on a teen heroine. Because ya know, we need some buildup toward “Batgirl v. Supergirl: Dawn of Injustice: Gods Among Us.”

One quote from the article states the following: “Superman is like James Bond, and after a certain run you have to look at new actors.” Funny enough, Daniel Craig is supposed to be doing his final “Bond” movie. So if Henry Cavill becomes James Bond, which honestly would be my preferred pick for the next Bond other than maybe Tom Hiddleston, it would be interesting to see a trade in roles between him and Daniel Craig. I doubt Craig wants to be the next Man of Steel, and I never really imagined him as such a characater, but nevertheless. I should also mention that Cavill was the runner-up to play Bond before the crew ultimately decided on Daniel Craig.

I will also point out that Henry Cavill does have another recently announced commitment. Netflix has decided to do a series on “The Witcher.” Cavill will be playing Geralt of Rivia. This started out as a series of short stories and novels, eventually leading to tabletop games, video games, a film, and a TV series separate from this one we’re currently discussing. Based on what I’m reading from IMDb, there’s eight episodes listed and they’ll be released in 2019. From what I’m imagining, this is essentially Netflix trying to start their own “Game of Thrones.”

Other than that, Cavill actually recently completed a project that has yet to be released, specifically “Nomis,” where he will star alongside Alexandria Daddario (Texas Chainsaw 3D, Baywatch) and Nathan Fillion (Firefly, Castle).

View this post on Instagram

Today was exciting #Superman

A post shared by Henry Cavill (@henrycavill) on

And as if this situation couldn’t get any more insane, I have a couple things I need to spit out. For one thing, Henry Cavill posted a video on his Instagram some time after this was announced of him wearing a shirt that said “Krypton Lifting Team,” as he slowly presents his own Superman action figure, all the while some dog-bark version of “The Blue Danube” happens to be playing. He lifts it up very slowly and brings it back down at the same pace. I have a ton of questions, so let’s start with question one.

WHAT THE F*CK?!

HOW DOES THIS HELP ANYTHING?!

WHY DOES THIS EXIST?!

One of the best parts of this post is what’s being said in it, specifically, “Today was exciting.” So… What does that mean? Is this all a joke? Is this to get into the Halloween spirit and scare all the DC fans out there? Are you excited to exit the DCEU? Are you disappointed because you didn’t make this decision on your own? I don’t understand anything about this! Is the shirt a joke? Are you trying to just make a video for fun where you’re pretending to lift weights and instead of lifting a weight you happen to lift a Superman action figure?! I don’t understand!

So let’s move on from the actor and focus on the studio once again, specifically Warner Brothers. Here’s what a Warner Brothers spokesperson said about this s*itshow after the publication of the story.

“We have a great relationship and great respect for Henry Cavill that continues to remain unchanged. Additionally we have made no current decisions regarding any upcoming Superman films.”

I have something to ask.

WHAT THE F*CK?!

HOW DOES THIS HELP ANYTHING?!

WHY DOES THIS EXIST?!

When I was younger, I’ve always been asked “yes” or “no” questions, and apparently for some reason my answers may not have been valid enough for said questions. In this case, this does not answer the question of whether or not Henry Cavill is out as Superman. Is Henry Cavill Superman? That’s the question we want answered!

This news is not only shocking, not only big, but overall it just makes me question a number of things. Is Warner going to hit the reset button on the entire DC Universe? If so, will this cancel movies like “Wonder Woman 1984?” What is humanity? What is the meaning of life? And most importantly, despite the title of the post, IS HENRY CAVILL STILL SUPERMAN?!

If you say yes, it’s all cool, we can move on with our lives. If you say no, then I do recommend probably continuing this current DCEU, personally because I’m curious to see where it goes. And if you do need another person to play Superman, allow me to throw out a few suggestions.

Leonardo DiCaprio (The Wolf of Wall Street, Titanic)
Alexander Skarsgård (The Legend of Tarzan, True Blood)
Tom Cruise (Top Gun, Mission: Impossible)
Oscar Isaac (Star Wars: The Force Awakens, Ex Machina)
Channing Tatum (21 Jump Street, Jupiter Ascending)
Toby Kebbell (The Hurricane Heist, Warcraft)

And just for the fun of it, Nicolas Cage (Raising Arizona, The Wicker Man).

And just for the ABSOLUTE fun of it, Daniel Craig (Casino Royale, Logan Lucky).

These suggestions are sort of on the fly, so bear with me. I almost put down Jason Bateman (Horrible Bosses, Game Night) but I don’t know how much interest he’d have doing a superhero movie.

And sticking with the idea of how much this news honestly shocked me, this does sound like something you’d hear on that one day in the year. Specifically, April Fools Day, the holiday that celebrates being a total dick to those you know. This honestly makes me wonder something, and I guess this kind of falls in the hot take category. Is this actually a joke? The Hollywood Reporter is said to be one of the most credible sources in the entertainment industry. They’ve been in operation for almost ninety years. Maybe they wanted to do something for fun where they could create their own fake news. I legit think this is actually happening, either that or I am just really hoping it’s happening. Seriously though,

WHAT THE F*CK?!

HOW DOES THIS HELP ANYTHING?!

WHY DOES THIS EXIST?!

Thanks for reading this post! I just recently bought “12 Strong” on Blu-ray, so a review of that might be coming rather soon, and also stay tuned for my review for “2001: A Space Odyssey,” which will kick off my series of space movie reviews in preparation for “First Man,” which is set to release in October. There’s no official date for when I’m going to post such a review, but the latest it’ll be delivered is September 27th. Be sure to follow Scene Before either with a WordPress account or email and stay tuned for more great content! I want to know, what are your thoughts on Henry Cavill hanging up the cape as Supes? Or, who do you think should replace him? Let me know down below! Scene Before is your click to the flicks!

Mission: Impossible: Fallout (2018): Tom Cruise Is A Madman!

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Your mission, should you choose to accept it, can simply be referred to as “out with the old, in with the new.” After reviewing five “Mission: Impossible” movies starring Tom Cruise, it is time to focus on a new chapter while it is still in theaters. With the same amount of Jackassery as ever, you will find some things that if you read the other Scene Before “Mission: Impossible” reviews, or even the Scene Before reviews that aren’t related to “Mission: Impossible,” they’d be like a trip down memory lane. Whether you choose to read this sitting down, standing up, or if you’re Tom Cruise, running around the world, be sure to observe every detail of the review very carefully. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

“Mission: Impossible: Fallout” is directed by Christopher McQuarrie, the director of the previous “Mission: Impossible” film, “Rogue Nation,” and stars Tom Cruise (American Made, Risky Business), Henry Cavill (Man of Steel, The Man From U.N.C.L.E.), Ving Rhames (Pulp Fiction, Bringing Out the Dead), Simon Pegg (Star Trek, Shaun of the Dead), Rebecca Ferguson (Life, The Girl on the Train), Sean Harris (The Borgias, Harry Brown), Angela Bassett (Olympus Has Fallen, American Horror Story), Michelle Monaghan (Eagle Eye, Patriots Day), and Alec Baldwin (The Boss Baby, The Departed). This film is the sixth installment in the “Mission: Impossible” movie franchise that has been going on since 1996. While the plot of this film may have a familiar feel to it when compared to other installments in the franchise, there is no denying that it totally works. Now that the IMF is stable again, the same can’t be said for the world. The villain from “Rogue Nation,” Solomon Lane, has some remaining members of his terrorist organization, The Syndicate. These remaining members have now formed a new group by the name of The Apostles. Now it is up to Ethan Hunt and his allies to stop havoc from happening after The Apostles gain possession of plutonium. And no, they are not using it to power a DeLorean in order to travel through time, the reason is much more deadly.

Let me just start off this review as a flashback to those who read my stuff regularly and a newsflash to all of the newcomers or some of you viewers who don’t check out my content as much as some other people. Before the release of “Mission: Impossible: Fallout,” I made an effort to get through each one of the Tom Cruise “Mission: Impossible” installments. This would also help me in creating my review series for all of these movies before “Fallout” was even able to be witnessed by the public. One thing I noticed is that the franchise always seems to step up their game (personally) from one installment to the next. I thought the first movie was great, the second one, stupid, the third one, alright, the fourth one, pretty good, the fifth one, f*cking fantastic. I started to wonder, how would the sixth one be? I had tremendous faith based on how much I appreciated the trailers, the positive buzz, Christopher McQuarrie being in the director’s chair again, all that sort of jazz. I was beginning to wonder to myself, given how much I enjoyed “Mission: Impossible: Rogue Nation,” the fifth movie in the franchise, which just so happened to be my absolute favorite, how could this be topped? Is there any possible chance that they could top the awesome opening sequence with the A400 plane? Is there any possible chance they could top all of the crazy s*it that happened in the opera house? Is there any possible chance that they could top the scene where Tom has to deal with a security system underwater? Is there any possible chance that “Mission: Impossible: Fallout” could top “Mission: Impossible: Rogue Nation?”

Well, it did.

Actually, ya know what? I take that previous statement back. “Mission: Impossible: Fallout” DID NOT top “Mission: Impossible: Rogue Nation,” it DESTROYED it. I’ve seen a lot of movies over the past few years, many of which I’ve actually reviewed here on Scene Before, and I still find it amazing that after all of the movies I’ve seen, my jaw still drops to this day at new content. This movie literally has everything an action movie should have. Some may say the story is cliche or familiar. And while I’m not gonna say that’s an unfair or invalid criticism, I’d personally say that this familiar story was very well done. In fact, I’d say the “Mission: Impossible” movies are doing what the “Transformers” movies should be doing, because both movies seem to have plots or elements of the story that repeat from movie to movie, but the thing about “Mission: Impossible” is that it is either a little less obvious, or I care more about the characters, or perhaps both. This movie has scenes that feel raw. There is reliance on actual stunts as opposed to a green screen. You have your adrenaline rushes, you have exposition that isn’t really that boring, great characters, not too many jump cuts or quick cuts, and moments you just don’t want to end.

There have been many great action movies throughout the 2010s. Some of these include “John Wick,” “Atomic Blonde,” “Skyfall,” “Kingsman: The Secret Service,” “Deadpool,” “Baby Driver.” Comparing “Fallout” to all of the other movies I listed, this movie beats every single one of them. A couple movies on this list, they have an action sequence that I deeply remember. In “John Wick” you have the nightclub scene where Wick basically kills everyone to some kick-ass music. You also have “Atomic Blonde” where there is this beautifully shot one-take sequence where the main character of Lorraine is basically taking everyone down on a stairwell. It was magic. A good action movie can contain a memorable sequence. But an amazing action movie can contain a bunch of sequences worth talking about. In “Mission: Impossible: Fallout,” you get an awesome bathroom fight where Tom Cruise smashes a guy into a mirror. You get a killer chase in the streets where there’s cars, motorcycles, and it’s just epic. You get a great duel on a mountain near a cliff. You get what might possibly be the best chase scene of the decade, the one where there’s a duel between two helicopters. That scene is LIFE.

Seriously, that helicopter scene alone is worth the price of admission! You thought Tom Cruise hanging on the side of a plane in “Rogue Nation” was thrilling? The thrill levels only rise from there! Tom Cruise learned how to fly a helicopter for this movie! I’m not even going to get too much into the helicopter scene, because I want to savor the flavor for those who have not been exposed to the true work of art I like to call “Mission: Impossible: Fallout.” Although I will say once the scene started, not to mention progressed, I was on the edge of my seat with my jaw dropping. Once the scene ended, I wanted more! It was THAT GOOD. Another advantage I had with the helicopter scene is that it was one of the sequences which gave me a bigger image in IMAX theaters. I went to a local AMC which had an IMAX screen, which in reality, is not the IMAX that I would usually go for, but it’s still a very fun experience. Not to mention, since I’m a Stubs member, it was $5 ticket Tuesday so I got a pretty good deal. Once the scene began, the aspect ratio would go from scope format to covering the entire IMAX screen through a scrolling process. It was just epic! Now, without getting into spoiler territory, one thing that I didn’t complain about but I imagine some people seeing this in IMAX would probably complain about is that there is a scene that actually cuts in between moments of the helicopter chase, and the scene is in the scope aspect ratio, so there’s brief moments where you go from the bigger IMAX exclusive aspect ratio to the scope aspect ratio and back to IMAX once again. If this were “Transformers: The Last Knight,” I’d be complaining a whole lot, because all of the aspect ratio changes in that son of a bitch, just happens to be worse than finding lots of hair on a guestroom bed.

Guys, I think it’s especially clear at this point that Tom Cruise might just be one of the greatest action stars of all time! The guy is in his mid-fifties, he still looks and acts like he’s a lot younger than that, and he just commits to his craft. While I can definitely praise Cruise for his portrayal as Ethan Hunt, making it believable, charming, and an overall delight, most of my praise for Cruise has to do with his stunts. One of the reasons why I consider the “Mission: Impossible” franchise to be some of the better action movies is that this is not done on green screen sets. I actually remember hearing that Tom Cruise broke his ankle, which by the way, there’s a moment where the ankle break is caught in the movie. Not only that, but Cruise, as mentioned, learned how to fly a helicopter. He even trained awhile to do a HALO (high altitude low open) jump. This makes Cruise the first ever person to do a HALO jump on camera. There have been HALO jumps in movies before, there was one earlier this decade in “Godzilla,” but this is basically the first REAL HALO jump. It doesn’t rely as much on stock footage, CGI, green screen, none of those cheap tricks. The tricks here are f*cking expensive! These tricks are expensive enough to make this film have a $178 million budget!

Each movie in the “Mission: Impossible” franchise always seems to have at least one notable newcomer in the mix when it comes to the cast. This time, the most notable newcomer is Henry Cavill. He plays a character named August Walker. I liked a lot of things about this character. Seeing him in action was pretty cool, the chemistry he has with Ethan, not to mention Erica Sloan was definitely charming, and I also kind of dig his mustache.

Wait a minute… Should I say that? Henry Cavill had the same mustache in “Justice League” and I didn’t like that. I don’t want to look like a hypocrite!

Another personal standout character for me is also a standout from the last “Mission: Impossible” as well and that is the character of Benji played by Simon Pegg. To me, Benji just seems like a guy who would make a lovely assistant in life. If you need something done, just get Benji to help and you’re good! If you need moral support, Benji will be your cheerleader! If you need a question answered, Benji will do his best to get the best possible answer to you as soon as he can. There’s something about Benji that just makes me want to hang out with him, maybe grab some lunch. I dunno, Benji just seems like a pretty cool dude even though he may sound like a geek. Then again, I’m a geek so yeah…

One returning character is Alan Hunley, played by Alec Baldwin. At the end of “Rogue Nation” it is revealed that Hunley becomes the secretary of IMF. Here, you actually get to see Hunley in said position. Having seen this movie, I think Baldwin is definitely a good pick for this character. That previous thought probably sounds like something I would say in a review for “Rogue Nation,” but in all seriousness, given his transition from “Rogue Nation” to “Fallout,” Hunley is probably in a very believable position and Alec Baldwin continues to play his character very well. My one disappointment however, and this has nothing really much to do with the movie itself, it doesn’t affect my final verdict at all, but it is a thing that I want to bring up. There is a scene in the movie where CNN, the cable news channel, has a heavy presence. Alec Baldwin happens to play Donald Trump on “Saturday Night Live.” There’s not even one point in the script that just MAYBE could have utilized a fake news joke? I do think that there are times in my life where I’d go ahead and say that I’ve had it with politics and hearing about it, but I’d probably admire the use of that sort of joke if it were to have been uttered in the movie.

And of course, we have one of my favorite cast members/characters of the film, Ving Rhames returns once again as Luther. Rhames just knows how to be charming and maintain a presence that doesn’t feel over the top. One of my favorite scenes with his character actually occurs in the start of the movie, when the plot is just beginning to unfold. Without getting into specific details, there’s this one moment where Tom Cruise is just getting pumped with rage and he basically has to take it out on someone. Rhames is trying to avoid this from happening and attempts to calm Cruise down, it’s really engaging.

In the end, there are so many things I can continuously talk about that’s related to “Mission: Impossible: Fallout” until the day I die. From the action to the twists and turns to the cinematography, there’s so much to love about this movie. But one thing that needs to be addressed is that this is pretty much the opposite of what someone like myself would expect out of a movie franchise. Usually you start off good and your future is full of inferiority. While I wouldn’t call each movie a complete step up from the one before it, most of the movies in the franchise are worthy of that label, and “Fallout,” when compared to “Rogue Nation,” to my surprise, is no exception. The first thing I said once I finished watching the movie was a slow but steady “Holy crap.” There was multiple parts where I whispered to myself “Oh my gosh.” There were several moments where my jaw dropped. Every single frame had my attention and I was totally entertained, not to mention appreciative of the genius filmmaking efforts. Towards the end of the movie, I couldn’t breathe. It was one of the best feelings I had in my life, and when I was breathing, that felt equally fulfilling. When it comes to 2018 movies, I can declare that “Mission: Impossible: Fallout” has something in common with “Ready Player One,” “Avengers: Infinity War,” and “Won’t You Be My Neighbor?.” Why? That’s because I’m gonna give “Mission: Impossible: Fallout” a 10/10! This might just be my best movie of the year so far. I can’t say for sure, because a part of me is still trying to process what exactly I just saw, but I really couldn’t help but love every minute of my kick-ass experience. One last thing I will mention, Tom Cruise has an EPIC running scene in this movie. Look forward to it! Thanks for reading this review! I’d just like to take a moment to remind my viewers that I’m going to be utilizing a Facebook page specifically dedicated to Scene Before. If you want to like it or follow it, click the link below that way you can take yourself to the page and do your thing. Also, if you guys currently have “Mission: Impossible” fever, feel free to check out my reviews for the other “Mission: Impossible” movies. Be sure to check all of that out and stay tuned for more great content! I want to know, did you see “Mission: Impossible: Fallout?” What did you think about it? Or, which “Mission: Impossible” movie is your favorite of the bunch? Another question I’ll ask, what is your favorite action movie of the 2010s? I currently don’t have an answer for that as this is still certainly a contender and I am not sure where it should be ranked. But if it is not my favorite, my number one choice would something like “Inception.” Nevertheless, leave your comments below, check out my Facebook page, and be sure to follow me here on Scene Before to stay up to date on my latest reviews, countdowns, thoughts, and more! Scene Before is your click to the flicks!

SCENE BEFORE FACEBOOK PAGE: https://www.facebook.com/REALSceneBefore/

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

MISSION: IMPOSSIBLE: GHOST PROTOCOL REVIEW https://scenebefore.wordpress.com/2018/06/18/mission-impossible-ghost-protocol-2011-your-movie-review-should-you-choose-to-accept-it/

MISSION: IMPOSSIBLE: ROGUE NATION REVIEW https://scenebefore.wordpress.com/2018/07/25/mission-impossible-rogue-nation-2015-a-revisit-to-my-first-mission-impossible-movie/

Mission: Impossible: Rogue Nation (2015): A Revisit To My First Mission: Impossible Movie

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Your mission, should you choose to accept it, has been leading up to this point. The movie reviewing community’s biggest Jackass is about to review the last available “Mission: Impossible” movie before the release of the franchise’s upcoming film, “Mission: Impossible: Fallout.” Your mission is to read through the review. You will eventually discover that this movie is directed by Christopher McQuarrie, who also directed another film starring this film’s lead actor, Tom Cruise, “Jack Reacher.” McQuarrie, believe it or not, will also be directing “Mission: Impossible: Fallout,” making him the first director to do two “Mission: Impossible” movies. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

“Mission: Impossible: Rogue Nation” is directed by Christopher McQuarrie (Jack Reacher, Way of the Gun) and stars Tom Cruise (Edge of Tomorrow, Oblivion), Jeremy Renner (The Avengers, The Bourne Legacy), Simon Pegg (Star Trek, Shaun of the Dead), Rebecca Ferguson (The White Queen, Hercules), Ving Rhames (Pulp Fiction, Lilo & Stitch), Sean Harris (The Borgias, Prometheus), and Alec Baldwin (The Departed, 30 Rock). This film is about IMF agent Ethan Hunt as he’s back for another round of action, as he cooperates alongside his team to take down an organization known as the Syndicate, an international rogue organization.

Back before this movie came out, I remember seeing the trailer for this film. I knew what “Mission: Impossible” was, but at the time I technically haven’t been exposed to any of its material. Having seen the trailer and hearing that this film is getting a special countdown in IMAX, I felt it was necessary to go ahead and check out this film in the IMAX format while it was still in theaters, which I did.

For all who happen to be judging me, SHUT UP! That is a PERFECTLY JUSTIFIABLE REASON! I didn’t go to use my phone! I didn’t go to fall asleep! I didn’t go to chit chat with those around me! I went for the experience! Speaking of the experience, I had a really fun time, therefore making me really excited to watch this movie again on Blu-ray, especially considering it has been nearly three years since my first watch. And guys, let me just tell you, out of all the “Mission: Impossible” movies I’ve seen thus far, this is definitely my absolute favorite in the franchise!

Over the past number of days, I’ve been thinking to myself, “Mission: Impossible” is just like “Fast & Furious,” the movies just get better as they go on. The main difference however between “Mission: Impossible” and “Fast & Furious” however is that when it comes to overall quality, it feels like that is something that more associated with the “Mission: Impossible” franchise. Both movies have similar feels that will give adrenaline rushes, but “Mission: Impossible” feels a lot like a movie made for smarter audiences. I’m not saying those who go see “Fast & Furious” are stupid, I enjoy those movies, and one of my personal friends from Texas has a huge fascination towards the franchise. But what I am saying is that when it comes to “Mission: Impossible” and “Fast & Furious,” two franchises that if you look at them, have many similarities, I’d say that “Mission: Impossible” comes off as more than just popcorn entertainment. “Fast & Furious” feels ludicrous, maybe that’s because it’s lighthearted and while perhaps there is stuff at stake, you as an audience member might be more focused on chewing on your popcorn. As I watch “Mission: Impossible” however, I’m absolutely curious to know more about it. Maybe because Tom Cruise has built this reputation of being the biggest daredevil action star of his generation, but when I watch these films, they don’t feel like products meant to feed to the throats of the masses (except “Mission: Impossible II”), these feel like movies. I seriously want to know about these characters because I truly deeply care about them, for example, Ethan Hunt! How could I not care about him at this point?

Ethan Hunt is great once again in this movie, I totally bought Tom Cruise as him, and I think I cared about his character here just about as much as I did in the first one. When it comes to his character, I wouldn’t necessarily say that my appreciation towards Cruise not specifically to just Hunt himself, but I rooted for him. The way his mission is set up in this movie is brilliant, awesome, and kind of sets the stage for what’s to come. Without going into detail, the terrorist organization Hunt is supposed up against, the Syndicate, just became a whole lot more threatening in just a short matter of exposition. However, they’re not the only thing standing in Hunt’s way. Again, without going into detail, Hunt is pursued by the CIA in this movie.

Speaking of Tom Cruise and Ethan Hunt, let’s talk about one of the most disturbing scenes I’ve watched in any movie. This scene might be more disturbing than most horror movies! Remember how in the first “Mission: Impossible” Ethan had to go down into this restricted area on a wire? It might be the most famous scene in all of the “Mission: Impossible” movies. As much as I love this scene, I think I have a much softer spot for another scene in “Rogue Nation.” There’s a scene that is conceptually similar to the famous wire scene in the first movie that appears in this one. But the thing about this scene, is that while Hunt is supposed to go into a restricted area for the sake of completing a mission. And as if this task weren’t already heavy enough, it involves constantly being in an area that’s UNDERWATER. I felt like I was on the edge of my seat during this scene! I am just amazed that five movies in, I STILL manage to feel like this is the original production and I’m watching this franchise for the very first time. Then again, maybe not, because I’ve seen Ethan Hunt grow as a character, therefore I care about him a lot more than I would than if I saw him for the first time (depending on the scenario).

I will say that there are definitely action movies out there that rely on entertaining audiences simply on great action, and maybe leaving story as an afterthought. I wouldn’t say that when it comes to “Mission: Impossible: Rogue Nation.” The story in this movie is pretty solid, I cared about the characters and where this movie happened to be going. But the action scenes in this movie are nothing short of top notch.

You know how I said that the exposition for the Syndicate really set the tone for what’s to come? Well, I was referring to a moment after the opening credits in a record shop. There is one scene that takes place before the opening credits involving a plane, and my gosh, it is one of the best openings to a movie I’ve ever seen. Everything from the cinematography, the music, the writing, it kind of gives you tension as an audience member, I just ate it up! Afterwards, the movie does its opening credits, and while I will give “Mission: Impossible: Ghost Protocol” some credit for being the most creative opening of the “Mission: Impossible” movies, I thought this opening might have been better. It’s a lot like the first movie’s opening, but the music is slightly different. While I did praise the first movie’s opening because it had a TV show feel, I may sound like a hypocrite here, but I really don’t care, this one deserves my praise for its movie feel. With five installments that are technically movies and not TV shows, I personally think that’s a fair sentiment to have.

Speaking of scenes with vehicles, let’s take about that scene where Tom Cruise rides a motorcycle! It’s awesome! It’s quite an amazing ride! Seeing Cruise blaze through the streets in this bad boy is nothing short of a treat, and it’s definitely better than that climax in “Mission: Impossible II.”

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One last scene I’m gonna talk about is the action sequence inside the Vienna State Opera. Before this whole scene begins, there is one line uttered by Ethan to Simon Pegg’s character of Benji that I will probably use so many times for the rest of my life.

“You want drama? Go to the opera.”

And drama there was indeed! This is one of the slower-paced scenes in the movie, but it completely worked. The intensity got higher and higher by the second, it was almost as if I didn’t know what was going to happen even though I watched this movie once, and it just reminds me why I think opera might be an underrated art form. In fact, this scene probably wouldn’t have worked if there was a different form of music. If this were a pop concert or jazz band or something, there would be a lot less intensity. The scene might still work and be effective, but it wouldn’t have that oomph that it got here.

In the end, “Mission: Impossible: Rogue Nation” is DEFINITELY the best the franchise has had to offer in all of its movies. Tom Cruise shines as Ethan Hunt, supporting cast members like Jeremy Renner, Alec Baldwin, Rebecca Ferguson, and Simon Pegg all do a great job as well. The direction and screenplay was probably what I’d want out of a summer blockbuster such as this, and speaking of that, Christopher McQuarrie, a screenwriter and the director behind this film, has his name on the credits of the next film, “Fallout,” which is set to come out not long after this post’s publication, once again in the director’s chair and as a screenwriter. Given the job he has done on this movie, it makes me extremely faithful in this upcoming installment. I’m going to give “Mission: Impossible: Rogue Nation” a 9/10. Thanks for reading this review! Be sure to stay tuned for my review of “Mission: Impossible: Fallout.” This completes my series of older Tom Cruise “Mission: Impossible” movie reviews, most of the movies have been good, one although has been a near-death experience. And I don’t know how long it’ll take me to get my “Fallout” review up and ready to go, but I’m making sure I can do it as soon as possible. As for other series’ of older movies I can review, I wanted to do a Jason Statham series since “The Meg” comes out August 10th, but I wanted to do one movie per week, and I’m not quite sure I actually have the time for that, so that’s cancelled. If I do come up with another series of older movie reviews, I’ll make an announcement in a future post, until then, stay tuned for more great content! I want to know, what are your thoughts on “Mission: Impossible: Rogue Nation?” Or, have you gotten a chance to see “Mission: Impossible: Fallout?” Tell me your thoughts on that! Also, if you want to check out my other “Mission: Impossible” reviews, links to those will be provided below! Check em out, follow me, enjoy your day, all that jazz! Scene Before is your click to the flicks!

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

MISSION: IMPOSSIBLE: GHOST PROTOCOL REVIEW https://scenebefore.wordpress.com/2018/06/18/mission-impossible-ghost-protocol-2011-your-movie-review-should-you-choose-to-accept-it/

James Gunn FIRED From Guardians of the Galaxy Vol. 3?! Who Should Replace Him?

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Hey everyone, Jack Drees here! I’ve got some very big movie news I want to go over very quickly here. When it comes to recent movies, a lot of people seem to think that Marvel has been killing it lately. With installments added to the Marvel Cinematic Universe such as “Thor: Ragnarok,” “Black Panther,” and “Avengers: Infinity War,” audiences have had something new from Marvel to rave about every few months. But something in particular could affect the future movies, mainly ones containing the “Guardians of the Galaxy.”

If you have watched “Guardians of the Galaxy” or “Guardians of the Galaxy Vol. 2,” you may or may not be aware that a guy by the name of James Gunn wrote and directed both of those films. Some may say that “Guardians of the Galaxy” may be what it is as a movie because of James Gunn, so therefore a lot of people praise him. I can personally agree, it almost seems that he knows the style of the film and that really pops off the screen right into my eyes whenever I watch both installments. I may not have enjoyed the second installment, but the first one is definitely one of the better Marvel Cinematic Universe films.

Given the schedule of the MCU and success of both “Guardians of the Galaxy” installments, it just seems natural that the filmmaker suggested he was set to tackle a third installment in the “Guardians of the Galaxy” franchise. He seems to have made progress on a script, recent talks between him and “Star Wars” god Mark Hamill got fans wondering if he would be taking on a role in the upcoming film, everything seemed to be going according to plan. That is… until July 20th, 2018.

It has now become apparent that James Gunn has made some controversial jokes on his Twitter account. Some of these older tweets were reported by Fox News, which to me is false advertising, because there are rarely any foxes on Fox News. You think CNN is fake news? At least their name is accurate! They’re a cable news channel! Fox News may call itself what it wants, but the day they get a bunch of foxes running around the studio would be the day that they’d win the Internet! Anyway, Fox News reported some of these tweets, eventually earning Disney’s attention. Once Disney’s attention had been earned, they severed their business relationship with James Gunn.

Now we are in a bit of a sticky situation here, because there are two sides to this very story that I can personally get. Some of you may be expecting me to say, THAT JAMES GUNN IS A F*CKING CREEP! HE DESERVES NOTHING! And trust me, now that this has been brought to my attention, I’m on your side. If this means that James Gunn is actually a pedophile (which I highly doubt), then wow! As much as I appreciate dark humor, I can personally understand why some people would be offended or upset by this. If these tweets were maybe put in a movie script for a dark comedy then maybe I’d appreciate this just a little more, but this is real life, where there are consequences for actions such as this. But there’s also another hand that really makes me wonder what the future for “Guardians of the Galaxy” will truly be. Gunn has basically made the franchise his own and he seems to have a particular sense of style that can not only be closely associated with himself, but the “Guardians of the Galaxy” franchise. Having seen this, I seriously wonder if this situation has a bigger impact on moviegoers than say Mel Gibson’s controversy. Granted I was only ten years old when he made that rude remark towards his girlfriend. I think this may be bigger because I imagine some kids may look up to James Gunn or really appreciate the “Guardians of the Galaxy” franchise, and it’s part of a big and relevant cinematic universe that gets brought up in conversation somewhere every single day now. Then again, let me just say, kids probably look up to James Gunn. They may not know who he is, but maybe without even knowing it, they look up to him. It wouldn’t be pretty for a kid to find out that their idol has been making rape jokes.

Plus, this has a bigger impact on me than a recent Disney affiliated firing that occurred. Some of you may know, FOR SOME REASON, they brought back “Roseanne,” with the forever lazy tagline “Same cast. New episodes.” Just a couple of months after the show started its revival season on ABC, the show’s star, Roseanne Barr, goes on Twitter and spits out a bunch of mumbo jumbo towards a senior advisor to former US President Barack Obama, Valerie Jarrett. This tweet ended up being controversial, and ABC therefore canceled “Roseanne,” which is something I’ve been asking them to do with “The Bachelor” for a very long time but apparently they won’t listen! Nevertheless, “Roseanne” was pulled off of ABC’s schedule, and any content related to it has been removed from the ABC website. The thing about “Roseanne’s” cancellation however is that I was never a fan of “Roseanne” to begin with. One of the first thoughts I had about “Roseanne” coming back to ABC was “Why?” Granted, once I saw the ratings for the premiere episode, I could kind of see the point, but still, why? “Guardians of the Galaxy” isn’t anywhere near my favorite movie of all time. I thought it was one of the better movies to have come out in 2014, I gave it a 9/10 when I reviewed it, and I thought it was a very fun time. Judging by that, you might as well say I find “Guardians of the Galaxy” a lot more amusing than “Roseanne.” Heck! I found “Guardians of the Galaxy Vol. 2” a lot more amusing than “Roseanne” and that says something!

I wouldn’t say Disney’s wrong for what they did, but at the same time, I imagine it could be a sacrifice in quality towards “Guardians of the Galaxy Vol. 3.” But, I will say, Disney, if you’re reading this, I will give a list of directors I think are qualified to helm “Guardians of the Galaxy Vol. 3,” and for some of them, I’ll go into a bit of detail behind why I chose them.

  • Kay Cannon (Blockers, Pitch Perfect)
  • Alex Garland (Ex Machina, Annihilation)
  • Anthony & Joe Russo (Avengers: Infinity War, Captain America: The Winter Soldier)
  • Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople)
  • Brad Brad (The Incredibles, Mission: Impossible: Ghost Protocol)

Starting my discussion portion of these directors, we have Kay Cannon. I’ve been exposed to some of this girl’s work. I saw “Pitch Perfect,” which personally I hated, I wasn’t really that fond of it for the attempts at humor coming off as typical Hollywood studio comedy jokes that you’ve seen before, and it just didn’t feel like anything I’d write home about. Although, that movie is probably not made for me, I’m definitely not in the target audience. There is one thing however that made me go from HATING Kay Cannon to LOVING Kay Cannon, and that is “Blockers!” Based on the trailers, “Blockers” looks like your typical studio comedy, although in this case it’s really trying to be the next “American Pie,” but I ended up loving it after seeing it in the theater because of how relatable it came off not only to me, but from what I imagine, a number of parents who have teenagers. And most of all, it was funny! Another thing to consider about “Blockers” is that Kay Cannon had to tie together all of these characters, all of their storylines, and give them all their own individual beginning, middle, and end. Cannon didn’t write the screenplay for the movie, but given the amount of characters that may be aruged as being the “main character” of the movie, she did a spectacular job with what was given to her. Given the size of the character list in “Guardians of the Galaxy,” she’s probably gonna have to deal with just as many storylines while simultaneously having to make sure all of the humor in the movie works. Plus, “Blockers” is Cannon’s only directing credit. Since that movie came out, I wanted to see more work from her, and this is a good opportunity.

Next up is Alex Garland. Thus far he has directed two films, “Ex Machina” and “Annihilation.” While both don’t really have as big of a budget as “Guardians of the Galaxy,” they have been well received by critics. I personally thought both weren’t at the tippity top of my movie ratings scale, but VERY HIGHLY ENJOYABLE. Just a few weeks ago, I went back and watched “Ex Machina” for the fourth time, it’s that good. I’ve seen “Annihilation” twice, and while I don’t think it’s the best movie ever, I thought it was conceptually and visually beautiful. I will say though, according to IMDb, Garland’s directorial debut, “Ex Machina,” has an estimated budget of $15 million, and his next film he directed, “Annihilation,” has an estimated budget of $40 million. If he takes on “Guardians 3,” you might as well consider those past two films stepping stones towards the big guns. Plus, both films, kind of like “Guardians,” are in the sci-fi genre, so if Garland does well with “Guardians 3,” he would have three well received sci-fi films.

Up next, we have Anthony and Joe Russo. While these two may be known to some as the creators of the situational comedies “Community” and “Arrested Development,” fans of the Marvel Cinematic Universe know them as co-directors of three films in the series that have been currently released, and another that’s set for a release next year. To me, the Russo brothers have directed the two best MCU films to date, “Avengers: Infinity War” and “Captain America: Civil War.” Both films, kind of like “Blockers,” involved a ton of characters that could potentially clutter the film. Personally, the way both of them turned out were phenomenal to me. Plus, let me say again, these guys have already directed four MCU films, one of which hasn’t been released yet. In fact, two of them have the Guardians in it! So not only do they have experience with superhero movies, comic book movies, Marvel movies, films with a ton of characters, but also characters from the “Guardians of the Galaxy” franchise! From what I know, none of the actors from the “Guardians of the Galaxy” franchise seem to have any major gripes with either director, so maybe that will allow the experience of making “Guardians 3” to be somewhat of a breeze.

Another director who has already helmed a movie in the Marvel Cinematic Universe is Taika Waititi, as much as I personally found “Thor: Ragnarok” enjoyable, I wasn’t afraid to criticize it. Can any of you guess what my main complaint with “Thor: Ragnarok” is?

Anyone?

Hello, anybody home? Think McFly, think!

The main problem I had with “Thor: Ragnarok” is that it’s too much like “Guardians of the Galaxy!” As much as audiences found the attempts at humor in “Thor: Ragnarok” to be hysterical, I was just sitting down thinking, this is not “Thor.” It’s just a weird change of pace towards his character and it’s kind of ridiculous. And maybe it’s not because of Taika Waititi. After all, he didn’t even have a writing credit on the film. In fact, what I think should be done is if the director “Guardians 3,” whoever it may be, doesn’t want to write the film, Marvel should try getting the trio that wrote “Thor: Ragnarok,” otherwise known as Eric Pearson, Craig Kyle, and Christopher Yost to work on the script. This could be especially useful towards Alex Garland, because he doesn’t put much humor into his movies. Then again this is the same guy who had a writing credit on DMC: Devil May Cry, a video game with this exchange:

MUNDUS: I am Mundus.

DANTE: You’re an asshole!

Given the script of “Thor: Ragnarok,” Waititi’s direction must have worked well enough lead to this “Guardians of the Galaxy” wannabe, and if they really wanted to take “Thor: Ragnarok” and make it a “Guardians of the Galaxy” film, someone could have just told them, “Hey! Want to make ‘Guardians 3?'” Well, that movie is happening now, so now is this crew’s chance to take it on!

The last director suggestion I have listed here is Brad Bird. When it comes to animation, Brad Bird is probably my favorite director of all time. He’s done both “Incredibles” installments, “Ratatouille,” and “The Iron Giant.” If you ask me, if Brad Bird happened to work on the screenplay of the film, that would be great too, because I feel that Bird’s best films are ones that not only he directs, but also writes. As much as I liked “Mission: Impossible: Ghost Protocol,” that’s a film he directed, but didn’t write. One of my other comments towards Brad Bird that may sound odd, is that I feel he does better with animated movies than live action movies. While I will consider “Mission: Impossible: Ghost Protocol” and “Tomorrowland” solid movies, they’re not anywhere near masterpieces. Some of you may be questioning why I am saying this because “Guardians of the Galaxy” is live action. You’re right there, but another thing to consider is how much green screen that film has. It’s all on computerized backgrounds! Plus, Brad Bird seems to have a good relationship with Disney, having done multiple films with them, which is something that James Gunn apparently doesn’t have anymore.

Now before I close this off, I want to share a true story with all of you. James Gunn is not exactly my favorite director, however I do find him to be one of the bigger standouts when it comes to the directors who have done recent film work. But James Gunn, despite how I feel about him, was apparently worthy enough, to have earned something that I think you all as an audience might want me to change. Just over a month ago, I graduated high school, and around that time, I got my yearbook. In the process of making the yearbook, I was encouraged to put something in as a senior quote. So after some searching on the Internet, I found what I thought was the perfect quote. Taken directly from IMDb, this is the quote I used in my yearbook:

“I have a very strong imagination and have since I was a little kid. That is where a lot of my world comes from. It’s like I’m off somewhere else. And I can have a problem in life because of that, because I’m always off in some other world thinking about something else. It’s constant.”

Guess what? JAMES GUNN SAID THAT!

I made a post on my Instagram with photo proof that James Gunn is the speaker of my quote in my high school yearbook! If anyone that’s affiliated with the making of the yearbook is reading this, I gotta ask… Is it too late to change my senior quote now that everyone is calling this guy a creep? Jostens, if you’re reading this, let me know! I mean, it’s only been a month since I graduated high school, I haven’t even started college, and I already have an excuse to change my senior quote!

Guys, thanks for reading this post that goes over a life-altering moment I never thought I’d have to face. James Gunn is a creep apparently, who knew? I love the first “Guardians of the Galaxy,” I’ll miss James Gunn’s unique and somewhat quirky style, and while I heard that Disney never confirmed Gunn was going to direct “Guardians 3” in the first place, it would have been easily predictable for him to do such a thing. With that being said, I hope an official director is announced soon, maybe one of my suggested candidates. As for upcoming content, tomorrow I’m going to see “Mamma Mia!: Here We Go Again,” stay tuned for that review once it comes time to show it off, and also stay tuned for more great content! I want to know, what do you think about this whole James Gunn situation? Also, if you were to find a director or writer for “Guardians 3,” what would your pick be? Let me know down below! Scene Before is your click to the flicks!