Reminiscence (2021): Inception for People Who Like Being Bored

“Reminiscence” is written and directed by Lisa Joy (Westworld, Burn Notice) and stars Hugh Jackman (X-Men, The Greatest Showman), Rebecca Ferguson (Mission: Impossible – Fallout, The White Queen), Thandiwe Newton (Mission: Impossible II, Solo: A Star Wars Story), Cliff Curtis (Missing, Fear the Walking Dead), Marina de Tavira (Roma, Ana and Bruno), Daniel Wu (Into the Badlands, Tomb Raider) and this film is set in the future when climate change has severely affected Miami. During this time, Nick Bannister (Hugh Jackman) is part of a business responsible for a machine called the tank, which allows people to go back in time and see older memories. One day, a client named Mae comes in looking for her missing keys. Shortly after, Nick and Mae become romantically involved, although Nick’s co-worker, Emily “Watts” Sanders does not trust Mae and wants to do anything she can to keep Nick from seeing her. In addition, Nick spends time revisiting past memories in the tank involving his love interest, which could trap him forever.

Well, that took some time to explain now didn’t it… I’ve been looking forward to “Reminiscence” for a number of reasons. It’s from my favorite studio, Warner Brothers, despite how they’ve stabbed the backs of theater owners this year. It’s got a decent cast with Hugh Jackman and Rebecca Ferguson in starring roles. But I also really like the concept this movie tries to deliver. Sometimes going into this movie, it would remind me and a few other people of a Christopher Nolan flick. In fact on the surface, it really does feel like that. The color grading and sets feel like something out of “Inception” or “Tenet,” and much like those two movies, this film has a concept that mixes action, romance, and transportation to another reality. The trailer for this film was not too bad, although I have seen better. The way they edited it though made it feel like it was somewhere outside our world even though it really was in our not so far future, and the action did look pretty sick.

Another reason why this looks like a Christopher Nolan movie… Jonathan Nolan, Christopher Nolan’s brother, was one of the film’s producers. And this should not be surprising, after all, he is the director’s wife! Hollywood, everybody! It’s about WHO you know! Not always what ya know! Granted, Jonathan Nolan had no writing or directing credits by the end of the product, Lisa Joy wrote and directed this film on her own, but it would not surprise me if some of his touch made it into the final product.

But going back to what I said about “Inception” and “Tenet,” as much as I like both movies. And I do. …Very much. I would say that “Inception” is clearly the better film because at the end of “Tenet,” I’m left amazed, but also wondering how certain things came about in that film because it is one of the most beautifully confusing things I ever watched.

“Reminiscence,” to me, even though the concept was somewhat, well, reminiscent, of “Inception,” kind of felt like it belonged in the same category as “Tenet.” As a high-concept sci-fi film, it is nice to observe, but there were still some loose ends that needed tying.

That’s what I would say if “Reminiscence” weren’t so goddamn forgettable! I would have reviewed this earlier if I had the motivation and time, because I did watch this film days after it came out, but I waited until this point because this is just the way things lined up. And now that I’ve had as much time as I did to think about this film, I think I may have spent more time thinking about the film I watched before this one, “Don’t Breathe 2.”

I really like the concept of “Reminiscence.” To have people go back and revisit their favorite memories, especially in a future where it seems that there are no positive memories left to create, is fascinating. I honestly wish a machine like this existed because it does seem to be safer than time travel and there are fun memories that I would love to revisit for one reason or another. I would love to go back to my first visit to New York City or one of my flocks to Salisbury Beach. Those were fun times and I would love to relive those. In fact, the more I think about what this movie is trying to do, it kind of succeeds at communicating that people do not see rainbows and unicorns in the future and would do anything to revisit their past. I just wish the story involving all of these elements happened to be more attractive. You know, kind of like Rebecca Ferguson in this movie. Props to the costume design on this film, a couple of her looked legit.

“Reminiscence” does not have the best screenplay of the year. At least in terms of visual execution. But there is one line that is repeated throughout the film that I found intriguing.

“No such thing as a happy ending. All endings are sad. Especially if the story was happy.”

Believe it or not, there is some truth to that. This is perhaps a slightly more artistic way of saying “Nothing lasts forever,” or “We all die at some point,” or “There will come a day where you will hate something that ‘Star Wars’ puts out.” I think this is a great quote, even if the script leaves a bit to be desired.

Technically speaking, this is not a bad looking film. Some of the shots are majestic, and kind of have a feel that harkened back to not just the couple of Nolan films I mentioned, but I’d even bring up “Blade Runner” and “The Shape of Water” as goto comparisons.

If anything, “Reminiscence” was an idea that had wasted potential. Aside from the concept, which I mentioned earlier, the film comes in with a stacked cast from Hugh Jackman to Thandiwe Newton. These are all-stars, and they’re working on one of the most uninteresting sci-fi flicks of the past few years.. The one thing that I wonder is that even though Lisa Joy has been in the visual entertainment industry for some time, is if she was truly ready to take on a movie like this. Because most of her work has been through television. I’m not saying that Lisa Joy should be forbidden from directing, writing, or working on a film if she so desired, but I wondered how out of her comfort zone something like this could have been for her. What else has she directed? One episode of “Westworld?” Okay… I mean, I’ll say in her defense, HBO programming usually has a higher price tag, standard, and more cinematic feel compared to most television shows. I’ll give her that. But I think if you were to direct a film like this, which is not the most expensive thing in the world, but it is by no means cheap, I think you would want someone with more experience in the director’s chair to pull this off. I am glad that women are getting more opportunities to direct, but I wonder if Lisa Joy should have just stuck to the screenplay and let someone else bring her vision to life. Because despite my complaints about the screenplay, the original script for this film was on the 2013 Black List of most-liked unmade screenplays. This film had a lot going for it. I’m glad Lisa Joy could get her movie out there, but my god I wish it were better.

In the end, “Reminiscence” by no means the worst movie of the year. In fact, I think at this point I’d rather watch this again as opposed to some other recent Warner Brothers titles like “Space Jam: A New Legacy” and “Tom & Jerry.” Then again, this may come with a bias towards sci-fi. I had very little connection to the other two projects going into them with the exception of liking one of the trailers for the former. As for “Reminiscence,” it had plenty going for it from the marketing (even though they did not spend much money on it), the people in it, and the concept. But in the end, it all feels like a waste. I’m going to give “Reminiscence” a 4/10.

“Reminiscence” is now playing in theaters and it is also on the ad-free tier of HBO Max for a limited time.

Thanks for reading this review! I just want to let everyone know that my next review is going to be for “Shang-Chi and the Ten Rings.” I wanted to get this out a bit earlier, but life has been busy, so I’ve been holding this review off for some time. I do want to let everyone know that I already did see the movie, AND I am seeing it again tonight, which unfortunately may spoil part of my thoughts regarding the film itself, but either way, look forward to my review when it drops! Also, be sure to check out my review for “Malignant,” whenever that drops as well! If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Scene Before Facebook page! I want to know, did you see “Reminiscence?” What did you think about it? Or, what is a film that you think has a great concept with terrible execution? Let me know down below! Scene Before is your click to the flicks!

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91st Academy Awards Recap

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Hey everyone, Jack Drees here! Before we dive into this post, I would like to kick off by offering my sincere apologies. Part of me wanted to do a post on my hopes and predictions going into this year’s Academy Awards show, but unfortunately, I literally lacked any time in the world to do such a thing. Apparently paying for my education is not enough to make my head spin, I need to be handed a bloated supply of homework as well! I wasn’t given this during the Super Bowl (REALLY DON’T CARE ABOUT THAT SHOW), so why should I get it on Oscar weekend? Anyway, earlier this week, I watched the 91st edition of the Academy Awards. I went into it with a few expectations. However, there was a part of me that thought this show was going to SUCK, and I even say that with my picks winning. Fortunately, that was not the case!

The first red flag in my sights for this year’s show is that there was no host this year. You guys may already know that Kevin Hart opted out at a point and nobody else happened to sign on. They did however announce names for a bunch of celebrities who will be present to give random speeches and nominee presentations. While not all of them were great, they did have a number of them which I was actually able to appreciate. And I can’t even believe I’m saying this.

Melissa McCarthy actually made me laugh! Throughout my 3 year experience of blogging on Scene Before, McCarthy has appeared in the #1 spot for my worst films of the year lists not just once, but twice! Although sometimes I kind of fail to give her credit where it is due, because there are a couple of occasions where she did make me laugh. When she played former White House Press Secretary Sean Spicer on “Saturday Night Live,” it was literally a plethora of some of the most gutbusting moments that I’ve encountered in the show’s recent years. McCarthy’s appearance during the Academy Awards ceremony was perhaps on the Sean Spicer level of funny. McCarthy comes out to present the Costume Design award. Doing so in this costume that is quite possibly inspired by “The Favourite.” She gives this speech about some of the best costumes and how they are not meant to have distracting elements. It’s just spectacular. So spectacular in fact that I almost forgot that Melissa McCarthy was a recent Razzie winner!

I will admit, when it comes to other celebrities, there are not that many other speeches worth pointing out. Although there is one moment where I appreciated John Mulaney’s line “I want these people to like me to a degree which I find embarrassing.” It’s not to say that they were bad, but there was not many others which I happened to find as interesting as say Melissa McCarthy.

When it comes to having no host, I was somewhat surprised, because I was highly skeptical going in on whether or not such a thing was going to work out. Turns out it did! Before this recent Oscars show, I thought to myself that this was all going to be a trainwreck. Without a host, it’s toast! Not anymore! But if the Academy were to announce for the 92nd show that they aren’t getting anyone to host that year, I’d just say, “Fine, whatever, you do you.” I wouldn’t care if there’s a host. Would I want a host? Certainly, but I’d be open to another Oscars show where nobody hosts. Because a couple of benefits to having no host is that the show focuses more on the awards, and it allows a diverse amounts of celebrities to present themselves to an audience. Because let’s face it. Not everyone likes Jimmy Kimmel, not everyone likes Seth MacFarlane, not everyone likes Ellen DeGeneres. Having one of those people host puts them in a certain spotlight, and even though certain people like The Oscars, they might not be satisfied with the person who may as well be taking up the biggest portion of the show’s screentime. Almost every celebrity onstage had their moment, and it allowed for a quick pace that was respectful. Granted, I am the rare find in the wild that does not mind staying up for eternity while watching The Oscars. However, there is a part of me that realizes that The Oscars is being shown to “everyone.” And there is a vast majority of people who want to see certain things throughout the show. The hostless ceremony is a good way to keep time short, and have the awards delivered as immediate as possible.

By the way, I recently saw this killer tweet from recent Academy Awards host Jimmy Kimmel:

I love you, Jimmy.

Now let’s move onto the awards. Had I done a prediction post a little bit ago, this would definitely be the main focal point. I’m not going to dive into every single award, but I am going to go over the ones that I found to be highlights.

Believe it or not, I have actually managed to expand my award palette this year, because just recently, specifically on February 9th, I went to a local theater in the Boston area because they were showing all of the animated short films that earned a nomination this year. They showed the five potential winners, along with some others that the Academy found to be “highly commendable.” Now I actually had a favorite of these films, but before I do that, let’s give out the nominees.

  • Bao- Domee Shi, Becky Neiman (WINNER!)
  • Weekends- Trevor Jimenez
  • Animal Behaviour- Alison Snowden, David Fine
  • One Small Step- Andrew Chesworth, Bobby Pontillas
  • Late Afternoon- Louise Bagnall, Nuria González Blanco

Now keep in mind, I actually have watched all of these films from start to finish. I actually had been exposed to “Bao” prior to seeing all of the four other films. The reason why that is is due to how it was presented before Pixar’s “Incredibles 2,” making it Pixar’s short film to present this year. I kind of liked “Bao,” but it is something that I think would not appeal to everyone. I understand the message behind it, but in reality, there are a couple of animated shorts on this list that I found to be more interesting. For example, “One Small Step.” Granted, this may be coming with a little bit of bias since I am a nerd, and nerds like space. I still found the main character’s journey to be intriguing and sort of, pun intended, down to Earth. But my personal favorite out of all of these is without question, “Animal Behavior.” This film was made in Canada, and might I just say, this film reminds me of how awesome Canada is. It gave us Ryan Gosling, Ryan Reynolds, Alex Trebek, Howie Mandel, and now… “Animal Behavior.” “Animal Behavior” takes a bunch of different living creatures and puts them all in a therapy session. One of the main characters is a gorilla who is in extreme denial, and often gets very angry. The results of this film, hilarious. One of the best jokes has to do with the mantis, because for those who are unaware, praying mantises eat their mate during intercourse. There are certain parts of the short where we see that sort of thing come into play, and overall it left me feeling very impressed. Plus, one thing that made this film different compared to all of the others, is that they were all trying to be serious. This one, while still having some sort of message intact, it still goes for as much comedy as possible. Kudos to the brilliant writing! Granted, the Academy goes for more serious material, and I do respect that, but I feel like was more impressed by the comedic efforts of “Animal Behaviour” as opposed to the serious efforts of “Late Afternoon” or “Bao.”

Moving onto another category, it’s Best Documentary! Let’s look at the nominees!

  • Free Solo- Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes, Shannon Dill (WINNER!)
  • RBG- Betsy West, Julie Cohen
  • Hale County This Morning, This Evening- RaMell Ross, Joslyn Barnes, Su Kim
  • Of Fathers and Sons- Talal Derki, Ansgar Frerich, Eva Kemme, Tobias N. Siebert
  • Minding the Gap- Bing Liu, Diane Quon

Wait, “Won’t You Be My Neighbor?” wasn’t nominated?! F*ck this! Moving on!

Let’s try a different documentary category! Best Documentary Short! Let’s look at the nominees!

  • Period. End of Sentence.- Rayka Zehtabchi, Melissa Berton (WINNER!)
  • Black Sheep- Ed Perkins, Jonathan Chinn
  • End Game- Rob Epstein, Jeffrey Friedman
  • Lifeboat- Skye Fitzgerald, Bryn Mooser
  • A Night at the Garden- Marshall Curry

OK, these look much better. I haven’t seen any of these films, but they sound much better. Now I am not going to call one of these films superior to all of the others, all of my opinions related to such a thing would technically be invalid. But, the victory speech, holy f*ck. Quite possibly the best speech of the night!

“I’m not crying because I’m on my period or anything! I can’t believe a film about menstruation just won an Oscar!” -Rayka Zehtabchi

“A period should end a sentence, not a girl’s education!” -Melissa Berton

Enough said. Period. End of sentence.

Another category that stood out to me was Best Visual Effects, mainly because there was one movie that I felt should win, but didn’t win. Granted, the winner to me has extremely competent visuals, but the reality is, I had my pick. Here are the nominees.

Ryan Gosling in First Man (2018)

  • First Man- Paul LambertIan HunterTristan MylesJ.D. Schwalm (WINNER!)
  • Avengers: Infinity War- Dan DeLeeuwKelly PortRussell EarlDaniel Sudick
  • Solo: A Star Wars Story- Rob BredowPatrick TubachNeal ScanlanDominic Tuohy
  • Ready Player One- Roger GuyettGrady CoferMatthew E. ButlerDavid Shirk
  • Christopher Robin- Chris LawrenceMike EamesTheo JonesChris Corbould

Let’s take some things into perspective. While I kinda hated “Solo,” I could see it being nominated for visual effects. I didn’t want it to win, but still. “Christopher Robin” was an alright movie, nothing really that special. But then again, I have a bare attachment to “Winnie the Pooh.” The CGI characters were not bad though. “Avengers: Infinity War” was probably my second or third pick to win, right along with “First Man,” which did win. Aside from all of the huge scale glory happening everywhere on screen, you also have to give credit to the effects team for creating Thanos. To me, Thanos is up there with Smaug and Gollum as one of the greats when it comes to CGI character creations. Now with that being said, “READY PLAYER ONE” WAS SNUBBED! Granted, I already awarded “Ready Player One” myself because I now do the Jackoff Awards, but I would have given a thumbs up to the voters had they let “Ready Player One” win! Let’s take another set of ideas into perspective. “Avengers: Infinity War” has comic book style action, random computer effects flying everywhere, and a well done CGI character. I’ve seen that before. In fact, “Christopher Robin” had several of those. Granted, I liked “Infinity War’s” effects better, but still. “Solo” had several effects that I’ve seen in many other movies, and when it comes to the “Star Wars” franchise, it’s not even my favorite movie in terms of visuals. While I will say that “The Last Jedi” is actually worse than “Solo” as a movie, which I am honestly shocked to say. It actually looked nicer! “Solo” has its moments, but when comparing it to the rest of the franchise, it’s in between Obi-Wan and Anakin, because ya know, it kinda has the middle ground. For “Ready Player One,” I wanted that to win, because I felt it was the most visually unique movie of the year. Not only did it manage to visually create its own characters, but it actually recreated segments from other works of art! There is a scene in the film that actually takes place in a location from “The Shining.” Not only that, but you have two different worlds being dealt with in the movie, meaning there are two different places to insert various visuals. The effects team, personally, outdid themselves! I am not a crybaby over “First Man” getting the gold, but at the same time, I’m also wondering why it even got it because “Ready Player One” was just a unique trip. And this goes back to my recent statements. I’ve seen visuals like “First Man” in the past. I’ve seen it in “Apollo 13.” I’ve seen it in “Gravity.” I’ve seen it in “Interstellar.” Although at the same time, I said after I saw the movie that it was not my favorite movie of the year in terms of the story, but from a technical perspective, it was definitely the most well made movie of the year. So while it is not my #1 pick for visual effects, they are by NO MEANS incompetent. Granted, that comment I made after I saw “First Man,” that likely changed overtime after I saw “Roma,” but nevertheless.

Another highlight of the night, for anything but good reason (for the most part) is Best Makeup & Hairstyling. Here are the nominees.

  • Vice- Greg CannomKate BiscoePatricia Dehaney (WINNER!)
  • Mary Queen of Scots- Göran LundströmPamela Goldammer
  • Border- Jenny ShircoreMarc PilcherJessica Brooks

As I once predicted, “Vice” came out on top. The makeup might actually be the best part of the entire movie. So I was excited to see it win. Then… I saw the speech. The three winners practically did not even know what it was they were supposed to say. They had a paper in front of them, which is fine, I have nothing against that, but at least put a little preparation into your speech! At least, have a plan! Visualize! Get together on a Google Hangout or something! I mean, it was slow, it was like watching three people who had recently received amnesia! I’m just waiting for them to get hit in the head with coconuts and suddenly talk like they’re Peter Griffin after he drank Red Bull! They almost didn’t even remember anybody’s name! Ah well, still, congrats I guess.

Anyway, moving onto another category, which I guarantee has a better speech, let’s go onto Best Animated Feature. I do think it is a somewhat unnecessary category, given how it sort of diminishes the art of the animated movie as a whole, but I still want to talk about it. Here are the nominees!

  • Spider-Man: Into the Spider-Verse- Bob PersichettiPeter RamseyRodney RothmanPhil LordChristopher Miller (WINNER!)
  • Incredibles 2- Brad BirdJohn WalkerNicole Paradis Grindle
  • Ralph Breaks the Internet- Rich MoorePhil JohnstonClark Spencer
  • Isle of Dogs- Wes AndersonScott RudinSteven RalesJeremy Dawson
  • Mirai- Mamoru HosodaYûichirô Saitô

Out of the five films listed, I have seen every single one except “Mirai,” but then again, it wasn’t really marketed around here so I don’t really have much to say about it overall. “Ralph Breaks the Internet” was not only enjoyable, but it honestly shocked me to no end. Because let’s be real, I thought the marketing was, *snobby voice* an abomination! I thought that movie was going to be the most obvious cash-in from Disney this past year (somehow I forgot about “The Nutcracker and the Four Realms”). Turns out that it is not only a good movie experience, but also a great parody on the Disney company! Just watch what Vanellope has to go through in the film to see what I mean! Then we have “Isle of Dogs” which is the only stop-motion film on the list. Over these last months, Wes Anderson has grown on me a bit as a director, and his work in this film supports my statement. Plus, I actually hate dogs, so the fact that I like this movie actually says something! “Incredibles 2” is a worthy sequel to what is, quite literally, my favorite animated film of all-time. Not only is it a part of my childhood, but it is just a well crafted movie. For awhile, it was my favorite film of the year, that is… until the release of “Spider-Man: Into the Spider-Verse!” And might I just say, JUSTICE HAS BEEN SERVED! Because two people behind “Spider-Verse,” specifically as writers and producers, have also worked on “The LEGO Movie.” That is one of the best movies of 2014, and probably one of the best animations I’ve ever seen. And not only did that movie not win an Oscar, it didn’t even get nominated! Sure, it was nominated for Best Original Song due to the presence of “Everything Is Awesome,” but that’s not even the best part of the movie! Heck, that wasn’t even the best song in the movie! Ah well, catchy tunes can be catchy. Phil Lord and Christopher Miller get an Oscar! They didn’t have to wait as long as say Kevin O’Connell (sound mixer who waited 21 times), Roger Deakins (cinematographer who waited 14 times), or Glenn Close (actress nominated 7 times and still waiting), but they’ve each got one! “Spider-Man: Into the Spider-Verse” is one of the best superhero movies of 2018, and I’d even say it’s better than “Black Panther,” which actually received more nominations than this movie! Speaking of which, let’s talk about that.

Based on the results of the recent Academy Awards show, “Black Panther,” my fourth place pick this year for superhero films, managed to take home three Academy Awards. None of them were in super major categories. Granted, one of them was score, which to me, is usually a major factor on whether or not your movie is in my top movies of the year for some reason. If I remember your music, chances are I’m going to like your movie. Now, “Black Panther” is nowhere close to being my favorite superhero flick of 2018. But with that in mind, I still gotta give the movie respect, because it did something for comic book movies that has never been done before. Over the years, several movies in the Marvel Cinematic Universe have received nominations for the Academy Awards. Some include “Doctor Strange,” “Guardians of the Galaxy,” “Guardians of the Galaxy Vol. 2,” “The Avengers,” “Iron Man,” “Iron Man 2,” and “Iron Man 3.” None of them have ever won an Oscar. Just this year, “Black Panther” changed that. Because it won 3. While I would say that for every of its categories for which the film was nominated, I was actually rooting for other films, including “The Favourite!” That actually says something because that film was nominated for best picture and I’m still not happy about it to this day! Nevertheless, it won three awards, which to me, shows that the Academy is getting more serious about the action movie genre and the comic book movie genre. They have progressively been doing such a thing in some of their more recent ceremonies with movies like “The Dark Knight” and “Logan.” Although, when it comes to comic-book based films, this is probably the best year Oscar-wise because with the MCU’s first three wins ever, they have another nomination on top of that (Avengers: Infinity War). Plus, as recently mentioned, “Spider-Verse” won Best Animated Feature. In fact, “Black Panther” was one of the eight movies nominated for Best Picture this year. I’m not saying I want more inclusion from comic-book movies, but I love how the Academy is recognizing that comic-book movies can be more than just entertainment. They can be works of art. Maybe I don’t see “Black Panther” the same way as they do, but I see where they may be coming from with it. Although I will say, I’m white. Just pointing that out. Congrats to the comic-book film genre.

Another highlight in terms of awards including some of the acting sections. Starting with Best Supporting Actor, here are the nominees!

  • Mahershala Ali- Green Book (WINNER!)
  • Adam Driver (BlacKkKlansman)
  • Richard E. Grant (Can You Ever Forgive Me?)
  • Sam Elliott (A Star Is Born)
  • Sam Rockwell (Vice)

Ah, seems very familiar. I nominated four of these people for the Jackoffs. If Timothée Chalamet was nominated here than that would be five. But whatever. And just like the Jackoffs, Mahershala Ali won! Ali to me is deserving of his win because of the range provided in his performance. Sam Elliott is great, the same can be said for someone like Sam Rockwell. But they seem to play the same character the whole movie. While Ali is technically one guy during the movie, he almost seems to play two. You have this robotic priest, and I won’t go into much more detail, but he reveals more emotion as he develops. Ali is well deserving of his award if you ask me.

Moving onto Best Supporting Actress!

  • Regina King (If Beale Street Could Talk)
  • Marina de Tavira (Roma)
  • Amy Adams (Vice)
  • Emma Stone (The Favourite)
  • Rachel Weisz (The Favourite)

Out of all of these, I have interestingly witnessed all of these performances EXCEPT Regina King, which is too bad, because I heard good things about “If Beale Street Could Talk.” And I was watching the Red Carpet buildup before the Oscars started, and having seen people commentate on the broadcast, this made King’s win no surprise because it was practically a lock. Out of the ones I’ve seen, my personally favorite without a doubt has to be Amy Adams. She transformed into her character in “Vice!” I will give credit to “The Favourite” in the acting department, especially when you consider two of its actors are nominated in the same category, but it does not save “The Favourite” from being a less than satisfying movie. As far as Marina de Tavira goes, I almost wonder why she was nominated to begin with. I’m not saying she performed badly in “Roma,” in fact she did a great job. But it’s kind of surprising considering how she was never really nominated for the same role anywhere else during this award season.

Now onto Best Actress! Here are the nominees!

  • Olivia Colman (The Favourite)
  • Yalitza Aparicio (Roma)
  • Lady Gaga (A Star Is Born)
  • Glenn Close (The Wife)
  • Melissa McCarthy (Can You Ever Forgive Me?)

Melissa McCarthy? What the?! It’s raining cats and dogs! I’ve seen three of these performances, and while there is a part of me that was able appreciate Olivia Colman as a performer in “The Favourite,” I found the performances from say Lady Gaga and Yalitza Aparicio a bit more compelling. And part of my reasoning behind such a statement may be because the two aren’t known for their acting. Gaga is primarily a singer, which also kind of means she has an advantage in her role. But what really wowed me is Yalitza Aparicio, because this is actually the first acting job she ever did in her entire life. For a first-time actor, you’d expect them to give a C performance, maybe a B performance at best. But this to me was no doubt, an A+ performance! And to be honest, part of me was expecting Glenn Close to win. Plus it would have been fascinating because she has been waiting awhile for her award. But if you have seen the Jackoffs, you might be able to gather my opinion on this. TONI COLLETTE WAS SNUBBED!

Lastly for acting, we have Best Actor. Here are the nominees!

  • Rami Malek- Bohemian Rhapsody (WINNER!)
  • Bradley Cooper- A Star Is Born
  • Viggo Mortensen- Green Book
  • Willem Dafoe- At Eternity’s Gate
  • Christian Bale- Vice

To me, Malek’s win was a no brainer. I was appreciative of this performance because of how it was able to transform this actor into a beloved celebrity of another kind. Granted, it is all him, because part of it was due to someone else doing his vocals and I think costume design and makeup go into play with my appreciation as well, but still, he was my pick to win. My second pick would have been Bradley Cooper because he had to learn to sing for his role, and it actually paid off! Out of these performances, I will point out that I’ve seen four of them, the one that I didn’t see is Willem Dafoe, but I also liked the performances from Bale and Mortensen. If I had to choose between them, I’d say Mortensen was the better performer, but if Bale had won, I would have loved to have seen his speech. Because when it comes to the crew on “Vice,” one terrible speech was already provided in the Makeup & Hairstyling category, but had he gone up, I would have been interested to see his speech. I say so because he gave perhaps my favorite speech at the Golden Globes this year, specifically where he says this:

“Thank you to Satan for giving me inspiration on how to play this role!”

HAHAHAHAHAHA! How often do you hear that?! While that might make certain people upset or offended, I thought personally that was one of the highlights of that show.

We have a few more categories to go over, a couple of which include the screenplay categories. Here are the original screenplay nominees!

  • Green Book- Nick Vallelonga, Brian Hayes Currie, Peter Farrelly (WINNER!)
  • First Reformed (Paul Schrader)
  • Roma (Alfonso Cuarón)
  • Vice (Adam McKay)
  • The Favourite (Deborah Davis, Tony McNamara)

I’m sorry, “The Favourite,” while it has some memorable lines, the screenplay was not even close to being something special. In fact, that’s one of the biggest problems I have with the movie, because this story was trying its best to be compelling, but it felt more drawn out than I expected! And I will admit, I am guy who is willing to appreciate film no matter what kind of movie we are talking about, but even for me, this was too slow! I think the biggest problem was the chapter layout. Because when I first saw it, I thought the chapters represented a three or five act structure, if I recall correctly, it was like nine. I am with “Green Book” as  the winner however. It’s a good story with compelling characters, and some quirkiness behind it too. Then again, it is hard to avoid expecting a good script from a guy who worked on “There’s Something About Mary.” If it weren’t for “Green Book” winning, I would have either picked “Roma” or “Vice.” With “Roma,” it was a script that took a bit of time to get me fully intrigued, but once I was hooked, I was not able to let go. It was investing, emotionally charged, and is capable of showing the occasional unpredictably of life. “Vice” however is rather interesting to me because while it was based on true events, it was able to have some satirical fun. One of the best written scenes of the year comes during the middle of the film where the acts like it is about to end saying the characters live happily ever after and never get in politics ever again. GEN-I-US!

As for the adapted screenplays, here are the nominees!

  • BlacKkKlansman- Charlie Wachtel, David Rabinowitz, Kevin Willmont, Spike Lee (WINNER!)
  • A Star Is Born- Eric Roth, Bradley Cooper, Will Fetters
  • Can You Ever Forgive Me?- Nicole HolofcenerJeff Whitty
  • The Ballad of Buster Scruggs- Joel Coen, Ethan Coen
  • If Beale Street Could Talk- Barry Jenkins

Surprisingly, while I’ve seen a number of things in the listed this categories this year, this is a category where I’ve seen only two things. To be specific, “A Star Is Born” and “BlacKkKlansman.” I missed out on “Can You Ever Forgive Me?” and “If Beale Street Could Talk.” As far as “The Ballad of Buster Scruggs” goes, it’s on Netflix and I have don’t Netflix, nor do I ever plan to get it. Enough said. Luckily, of the two I did see, I nominated both for the Jackoffs in this exact category. Granted, I gave the 1 up to “A Star Is Born,” but “BlacKkKansman” is also worthy of your support. Interestingly, and if you watch the movie, this shouldn’t really come as a shock, Spike Lee’s speech was rather critical of Donald Trump. Let’s see how President Orange responded.

REMINDER: This guy won multiple Razzies this year!

A couple more categories to go, let’s move onto Best Director!

  • Alfonso Cuarón (Roma)
  • Spike Lee (BlacKkKlansman)
  • Pawel Pawlikowski (Cold War)
  • Adam McKay (Vice)
  • Yorgos Lanthimos (The Favourite)

“The Favourite” might just be one of the best worst movies of all time, because I can clearly tell people are giving their 110% effort throughout the production, but it just didn’t work for me. The directing in the film is actually not that bad and I see why it received a nomination. In fact, all of these directors are worthy of their nominations if you ask me. Although there is no questioning it. Cuarón directed the hell out of “Roma.” Based on how he did this movie, the project felt extremely personal, and the direction felt like everything came right out of his mind. Nothing felt like it came from an outsider or a studio. I am well aware that in life you can’t always get what you want, but it’s nice to get what you want when you are look at things from a directorial point of view. Plus, Cuarón had his hands full with this film. Not only did he have a credit for directing, but he also has a credit for the screenplay, the editing, the cinematography, and even as a producer. He did a lot for one film! He’s like Tommy Wiseau, only difference is that Cuarón was able to create a critically successful movie. I hate Netflix, like with a burning passion, but I will give them credit for quite possibly saying “You know what Alfonso, you’re so f*cking talented. Make whatever movie you want!” I’m imagining something like that went on behind the scenes.

Two more categories to go, let’s pay attention towards the Best Cinematography category! Here are the nominees!

  • Alfonso Cuarón- Roma (WINNER!)
  • Lukasz Zal- Cold War
  • Matthew Libatique- A Star Is Born
  • Robbie Ryan- The Favourite
  • Caleb Deschanel- Never Look Away

And to my lack of surprise, Cuarón takes this award too! If you have seen my last Academy Awards recap, chances are that you’d know that cinematography was probably the category I was most passionate about that year. The reason was due to how one of the nominees was Roger Deakins, who FINALLY won an Oscar for his work in “Blade Runner 2049!” This year, I don’t really have the same passion for that category, but I was able to appreciate a couple of the nominees. “Roma” is a movie that I thought was technically brilliant, and its cinematography absolutely showcases that. SUPER GLAD IT WON! That movie had many shots that made me wonder how they even came about! Netflix, PLEASE. Release a Blu-ray for “Roma!” I want my bonus features! In fact, for the Jackoffs, that movie also won Best Cinematography. Speaking of which, I also nominated “Cold War,” which is unique because it featured a 4:3 aspect ratio, and like “Roma,” it’s in black and white. When I reviewed “Cold War,” I felt that the film’s technical specs were something I could appreciate more than the film’s story, and the cinematography was the biggest standout to me. I can approve of “The Favourite” being nominated, but when it comes to “A Star Is Born.” Some of the shots were nice, but I don’t see why it is nominated. Maybe the set design and the lighting stood out to me, but standard shots are not the biggest standout when it comes to “A Star Is Born.” In fact, a similar movie, “Bohemian Rhapsody,” actually comes to mind when I think of this nomination. There are a number of shots that truly immerse me into the film. This is especially true during the Live Aid scene. The extended run through the audience set the mood entirely for that scene alone. There are certain shots that give you a sense of scope, it’s almost mind-boggling. As for “Never Look Away,” I never saw that movie, so I have nothing to say about it.

And now, for Best Picture. This year there were eight nominees. Out of all of them, I actually had something that I truly wanted to win. Last year I wanted “Dunkirk” to win, but I also missed out on many of last year’s Best Picture nominees. This year however, I actually saw all eight of them. If you wanted to know my pick for Best Picture this year, it was “Roma.” What a f*cking movie. Anyway, here are the nominees!

  • Green Book- Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga (WINNER!)
  • Black Panther- Kevin Feige
  • The Favourite- Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos
  • Bohemian Rhapsody- Graham King
  • A Star Is Born- Bill Gerber, Bradley Cooper and Lynette Howell Taylor
  • Vice- Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick
  • Roma- Gabriela Rodríguez and Alfonso Cuarón
  • BlacKkKlansman- Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee

I’m gonna do this by talking about the movies that didn’t win first. “The Favourite” and “Black Panther?” You can honestly forget about those two! The pacing in “The Favourite” is horrible and “Black Panther” is not even the best comic book movie of the year! A lot of people go around saying that film is “socially important,” but that has nothing to do with how good a movie is. Just because your film has a black person in it, it doesn’t make it good. What matters is how it was executed. You know what comic book movie was socially important? “Wonder Woman!” And that’s a masterpiece compared to “Black Panther!” AND it wasn’t nominated for any Oscars for its respective year! When I like “Aquaman,” “Deadpool 2,” “Spider-Man: Into the Spider-Verse,” and “Avengers: Infinity War” more than “Black Panther,” you can probably tell what I’m trying to say here about it. “Vice” was pretty good, but ultimately lacking in some sort of substance that didn’t seem to be there as I watched the movie. I appreciate the work that went into it, but some parts of the movie were better than others. “Bohemian Rhapsody” is sort of interesting. I think it is a good tribute to Queen and Freddie Mercury, but it is ultimately just that, nothing more. Sure, there’s good cinematography and a rock solid performance from Rami Malek, but it doesn’t really change the game. Then there is “A Star Is Born.” I thought Bradley Cooper did a great job with that movie because he had a lot to do on it, and not just as a performer. Although when it comes to his performance skills on that film, that’s probably the best part because of how he needed to not just talk, but play an instrument and sing. “BlacKkKlansman” may have been a well written, well directed, and well acted film. But even if you remove all of those qualities from the table, you still have a great concept. An African-American police officer pretends he’s white and infiltrates the Ku Klux Klan! And it’s based on a true story!

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When it comes to the two films left to talk about, I already said what I need to say about “Roma.” It is such a masterful movie. Plus, it partially made me change my mind about how serious Netflix could possibly be in the movie theater industry. Granted, they still have some ways to go, just ask Steven Spielberg, but they’re making progress. I really wanted that film to win, and I actually had high confidence that it was going to win this year. Then Julia Roberts gets onstage, and says the words “Green Book.”

Did not expect that.

But you know what? It’s cool, that was my second pick anyway! I know there’s a lot of controversy surrounding “Green Book” right now, it almost reminds me of “The Greatest Showman.” Part of me might regret watching “Green Book” for that reason alone, but I also have to keep in mind that when I did see the film, I enjoyed what I saw. I thought the screenplay was well done. The chemistry between the main characters went together like bread and butter. And the acting is superb! “Green Book” may not be my pick for Best Picture, but it was certainly worth a watch. It’s got some serious parts in it, but it is almost like a feel good story at times. It’s nice to see the formation of two unlikely friends. Plus, it’s one of those rare times where product placement WORKS. Will I watch “Green Book” again sometime in the future? Most likely. It is a fun watch, and definitely worth your time. Congrats to “Green Book!” Congrats to all of the other nominees!

Thanks for reading this post! The 91st Academy Awards was definitely a surprise! I was expect a mediocre show at best, and it turned out to be pretty good. Would I like a host next year? Certainly. But I am also now open to the idea of a hostless Oscars ceremony. Now that I’ve seen it, it worked out! I gotta give massive respect for the Academy for including all of the awards, and I also want to give a shoutout to Lady Gaga and Bradley Cooper for an awesome performance of “Shallow!” You guys rock! Speaking of which, Queen, great opening! Well done! When it comes to my future content, I will be doing a review of “How to Train Your Dragon: The Hidden World!” And also, as of writing this, Scene Before is now three years old! It just turned three recently, I want to do something for the three year anniversary, but if I actually manage to do something, it probably won’t be up soon, because college is keeping me busy. Like, insanely busy. I have some ideas, who knows? Maybe I’ll do the same thing as the two year anniversary? But only time will tell! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see the 91st Academy Awards? What are your thoughts? Any snubs? Great moments? Do you agree with everything? Let me know down below! Scene Before is your click to the flicks!

Roma (2018): My First Netflix Movie Review (Now The World Has Seen Everything!)

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“Roma” is directed by Alfonso Caurón (Gravity, Harry Potter and the Prisoner of Azkaban), stars Yalitiza Aparicio and Marina de Tavira and takes place during the early 1970s in Mexico City. The movie focuses on a house maid, alongside the owners of said house as they go through their daily lives.

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This movie actually is kind of special to me, because it is a certain type of movie that I have refused to see for years, and that is a Netflix movie. I make fun of Disney all the time, to the point where I wonder if someone dressed as Mickey Mouse would show up at my house and decide to strangle me. But the thing I can respect about Disney is they seem to be willing to keep the movie theater industry alive, even if all they do now consists of sequels, live-action remakes, Marvel movies, “Star Wars” movies, and an occasional based on book adaptation here and there. But the thing about Netflix that drives me nuts is that they already decided to kill the movie rental industry, the physical media industry, and they are still taking some money out of the movie theater industry. Come watch Sandra Bullock execute her most blinding role to date! …IN “BIRD BOX!” Now playing on a headphone jackless iPhone 7 near you! To this day, I have never chosen to sat down to watch a Netflix film, but if you have viewed my last post, I mentioned that this film was playing near me in 70mm, making Netflix look like a slightly bigger force in the cinema industry than I once witnessed. For that reason alone, I was able to forget about my Netflix avoidance for a couple of hours.

And I gotta say, on Netflix, aside from whatever you pay in advance per month, this movie is actually free. I looked at the tickets and found out they were nearly $20 each. But I gotta be real, it was worth every penny. This is one of the best 2018 movies I’ve seen! THE HYPE IS REAL! Alfonso Caurón, the director, writer, producer, cinematographer, and editor behind this film gave his 110% effort on this amazing thing they call a movie. I’ve heard prior to going into “Roma” that the movie happened to be Caurón’s most personal project to date, and it shows! This movie starts out with the camera endlessly gazing upon a floor, and we see water flowing back and forth. I imagine some people would find that as boring as watching paint dry (plus it is in black and white), after all titles are finished, the camera pans up as we see water inserting a drain. Without going into spoilers, and trust me, this is a common theme here, we see the movie end in a similar manner.

I first heard about “Roma” in December, and I’ve heard some people in the industry have found this film to be a true delight. And again, had I not known this was a Netflix movie, I probably would have looked for tickets immediately. But if I stayed away from this movie, chances are I wouldn’t have been able to experience its utter beauty both from a story and technical perspective. The film is shot digitally on an Arri Alexa 65, which is actually kind of interesting to me because the filmmaker chose to present this film in black and white, which is somewhat unique in my eyes for a widescreen movie, usually I think of the full frame aspect ratio when it comes to black and white. Not to mention in certain places, it got a 70mm release as mentioned. This movie managed to blend the feeling of old Hollywood together with new Hollywood in the best of ways.

I will say though, on paper, this movie reminds me of “Schindler’s List.” I say on paper only because I have yet to check out “Schindler’s List” and heard enough about it to realize how traumatizing of an experience it can be to watch such a movie. “Roma” was THAT movie. And I will warn everyone, I have not seen a single trailer for this film. I’ve seen posters, images, but no trailers as far as marketing goes. Aside from those little tiny glimmers of marketing and reviews from other people, I have heard practically nothing about “Roma” itself prior to going out and watching it in the theater. I figured for the sake of getting this review out as early as possible, while also trying to aid in providing the best possible experience for “Roma’s” potential audience, I don’t give a shred of the plot away. If you are curious, there is a synopsis on IMDb, and while I did know about certain things about this film going in, I didn’t know EXACTLY what was going to happen.

I will say though, one of the absolute best parts of the film is undoubtedly the main character of Cleo. For starters, she is played by Yalitiza Aparicio, and if that name does not sound familiar to you, I can understand why. After all, this movie was her debut as an actress, which honestly makes her performance more compelling than it already is. On IMDb, Aparicio is listed to be in “Roma” under “actress” and “soundtrack” and she only has two other credits overall, specifically her appearance at this year’s Golden Globes ceremony and her appearance on “Jimmy Kimmel Live!” during one of 2018’s final episodes. The way that Aparicio in this film is able to convey happiness, sadness, regret, calmness, and pain in just a single performance is amazing to me.

Speaking of Cleo’s character, one thing I found interesting is the way she was written in this film, because the character is a housemaid, and while she always has to be forced to do work all the time, she is almost like another member of the family. There are certain scenes where I get a vibe where she is treated like a servant to royalty and others where I get a sense that she is treated like someone who is higher up on the ladder for opportunity. I won’t go into detail, because, again, I have to be vague.

Technically speaking, “Roma” is one of the best films of the year, because it manages to execute a couple of things I don’t traditionally see in a film. From the black and white presentation to the beautiful cinematography to the stellar direction, I was wholeheartedly impressed. Aside from the once mentioned opening and closing shots in the film, “Roma” has numerous scenes which go on for a long time, and they are actually more impressive than said opening and closing. Like, mind-blowing impressive. I honestly have to thank Netflix for actually keeping my people in mind, because if it weren’t for your actions of actually showing this movie in theaters, I would have avoided it at all costs.

In the end, “Roma” is the best Netflix movie I have seen to date!

NOTE: It’s also the only one, so it is also the worst.

Will “Roma” actually get me to buy Netflix’s service? Maybe encourage me to seek out more Netflix content? Perhaps get me to choose Netflix over chilling? No. Maybe the second part would happen should more content from Netflix be put in theaters, but this movie was a surprise if there ever was one. It is nice to see movies that can provide a personal touch, the director of this movie had such a large amount of control over the project to the point where no studio could basically interfere with his work. And what do we get? This. “Roma” had not even a singular, solitary flaw present. Maybe the pacing could turn off some people, but once we get to the twenty minute or thirty minute mark, this movie starts getting GOOD. I also wouldn’t say I’d recommend for everyone to go see this movie. After all, it’s already on your cell phone. But in all seriousness, “Roma” was worth every penny, and it is deserving of a 10/10! Also, Netflix, not to sound demanding, I know physical media isn’t your first idea of a hoot, but I would be willing to buy your movie on Blu-ray should you decide to put in that format. You hear that Netflix? I’m actually willing to buy something from you! Take that into consideration while you can! Thanks for reading this rare Netflix movie review! Speaking of streaming services releasing movies in theaters, Amazon just came out with a film recently and I happened to go see it. Be sure to stay tuned for my review of “Cold War,” coming soon. Also, next week, I am planning to release my nominees list for the 1st Annual Jackoff Awards, the most serious and prestigious awards ceremony of all time! Eat your heart out, Academy! Be sure to follow Scene Before for free with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Roma?” What did you think about it? Or, what is your favorite Netflix movie? Let me know down below! Scene Before is your click to the flicks!

Netflix FINALLY Wins Me Over! *By Theatrically Releasing Roma in 70mm*

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Hey everyone, Jack Drees here! If you have seen my recent post on the Scene Before Facebook page or if you have seen my recently posted “Green Book” review (check it out if you haven’t already), you may have noticed I have announced a “surprise post” coming your way. Well, surprise! Today we are going to talk about a company I am kind of opposed against, Netflix.

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My history with Netflix is pretty simple. I don’t use them. If you are the prime killer of one of my all time most prominent childhood memories (Blockbuster Video), chances are I’m gonna have to resist you. Plus, I still collect physical media to this day and that also seems to be a market Netflix is sort of killing, much like how iTunes, Spotify, YouTube, and Pandora seem to be killing physical media for music. Although if I am correct, I could be wrong because vinyl seems to be making a comeback in some ways. I have watched things on Netflix, but I never technically had a Netflix account. For a film studies class in high school, I watched “Moana” and “Altered Carbon” on Netflix with my class. My sister, who uses Netflix, was watching “Family Guy” and I happened to be in the room with her while it was playing on the service. Netflix also produces their own original content, none of which I have watched religiously, no matter how many good things I’ve heard about “Stranger Things,” “The Crown,” or even “House of Cards.” It’s not just TV shows, they even produce and distribute movies. A couple notable Netflix movie titles include “Death Note,” “The Cloverfield Paradox,” “Mowgli,” “Bright,” “The Ridiculous 6,” and motherf*cking “Bird Box.” When is everybody gonna stop talking about “Bird Box?!” These movies have gone straight to Netflix’s service for anyone to stream if they have an account. Some of these movies, kind of to my surprise, have done pretty well. Seemingly well enough to keep a number of people out of the movie theater, yet another industry I don’t want to see taken away because of these hooligans. This not to say that they haven’t done theatrical releases through these years. Orson Welles had a lost film in the vault which has been recently distributed by Netflix, which did play in theaters for a limited run. “Mudbound” is another film that comes to mind, which actually received four Oscar nominations in the 90th Academy Awards. But if I were to watch one of these movies, part of me would hate myself, because I feel like I partially killed the movie theater industry.

However, there has been a single exception to this list that I’m aware of (well, sort of). Last year, I watched “Annihilation” on its second weekend. Part of me was excited for that film because I saw it was directed by Alex Garland, who directed “Ex Machina,” an artsy, well put together sci-fi flick that shows what happens when we try to get robots to be as realistic and lifelike as possible, and perhaps contain emotional thoughts, including ones related to sexuality. I saw “Annihilation” because where I live, specifically the United States, they released the film in theaters. But I also took into consideration that the film is also a straight to Netflix flick in other countries. I even know someone who attended my high school film studies class I mentioned earlier who said they went to Brazil and they had “Annihilation” running on their Netflix service so that person watched the movie. I will also say, for the record, Netflix didn’t technically release the film in the United States, Paramount did. So from my point of view, I am supporting Paramount, not Netflix. If I saw Netflix was doing a complete worldwide distribution, chances are I would have skipped seeing “Annihilation.”

This leads me to my next point, which is actually going to be the main topic of this post, one of the most recent releases from Netflix, “Roma” has been getting a lot of buzz lately. It has a 96% on both Rotten Tomatoes and Metacritic. Popular and notable sources like Time, Variety, Rolling Stone, Vulture, and Vanity Fair have all considered it to be the Best Picture of the year. Not to mention, it won Best Foreign Film at the Golden Globes, and happened to be nominated for two other awards, including Best Director, which the movie took home. At the Critics Choice Awards, the movie was nominated for eight awards and ended up taking home four, including Best Picture. I heard a lot regarding this film, and even some people in the industry have noted this film’s excellence. Once I saw the Netflix brand name though, I took a step back and ignored all possible opportunities of trying to watch “Roma.” By the way, for those who have a Netflix account, the movie is free to watch at the moment. Hey, I said I’m against Netflix! Not their customer base!

I would love to be able and sit back, turn on Netflix, watch “Roma,” but based on personal values, I can’t. But something happened recently that caught my attention.

If you know me in real life, chances are I try to catch as many movie screenings on film as I can. Most of the movie theater industry has now settled for digital projection, which may be easier to operate, but the reality is that film projection is kind of an art form, and some would even point out differences in detail between film and digital with film being better. I’m on the side that says film is typically more detailed. “Roma” is taking advantage of film stock to my surprise. Now, the film was shot digitally on an Arri Alexa, so in terms of filmmaking, the advantage wasn’t present there, although the film is presented in black and white so that could add an old-timey touch. But the thing that stood out to me is that Netflix is surprisingly trying to put this in more theaters than I’d expect, INCLUDING ones with 70mm equipment.

Article from Last December on Roma’s 70mm Locations (Published by IndieWire)

When I first heard about this, I thought this was very cool. There is actually a list of theaters to be doing this online, but none of them were closeby. For the record, I live in eastern Massachusetts, and the closest theater to me was in Hartford, Connecticut. While I would have LOVED to go all the way to Hartford, I don’t have my own car, nor do I have a license. Plus, if I were to make the trek there with anyone else, they’d probably be bored driving out of their minds. But who knows? Maybe the trip would have been worth it. We could have grabbed some food on the way, watched the movie, maybe even stay in Hartford overnight and see some notable sights the following day. That is… if it already happened, but it didn’t. So I still have the opportunity to go to Hartford.

But I am not taking it. I just got back to college and I want to make sure I stay as close to home as possible on various occasions. I’ll still go out and see movies, I mean, why wouldn’t I? But just not in Hartford. Maybe in Providence if something is playing there in IMAX 70mm.

I am not suggesting or implying that there are no 70mm equipped theaters less than an hour or so away from me, even 35mm equipped theaters for that matter. In fact, there are a couple. In the Boston area, they have the Somerville Theatre and the Coolidge Corner Theatre. I went to both theaters last year and they are nothing short of fantastic. This brings me to another main point. I have a Twitter account.

*SHAMELESS SELF-PROMOTION ALERT*

Follow me on Twitter! If you want to see more of my moronic thoughts, go to Twitter, type JackDrees in the search bar, find my account, which as mentioned, has the handle “@JackDrees” and let the magic happen! Over there you’ll find crazy statements, livetweets (beware of spoilers), my quick two cents on things that I decided not to post on here, and occasional appearances in hashtag games. DO IT NOW!

MY TWITTER

Anyway, on Twitter, I was typing away, trying to look over more grammatical mistakes than my current president tends to look over. One of my final posts of 2018 was this:

I tweeted this back on December 21st, and I don’t know whether or not Netflix, Alfonso Caurón, or someone else behind this movie happened to be stalking my account, but several days later, this could be found on Coolidge Corner Theatre’s Twitter feed.

Once I saw this, I knew there was a treat, and I was likely just about to be in for it.

AND I AM!

This Saturday, I’m actually going to see this movie at the Coolidge Corner in 70mm. I never thought that Netflix would actually consider being at least a minor force in the movie theater business, but now, they seem to be teaming up with theaters more often. Granted, they still have ways to go before they can become a true force, they need to do more releases in multiplexes as opposed to just doing limited releases. In fact, maybe what they could do is operate like Amazon. While Amazon is yet another one of those companies I can’t stand, I can tolerate them compared to Netflix because their business model is to come out with a movie in theaters, and after awhile, it becomes free on their service, while still managing to release physical media. The point is, Netflix won me over for once. I’m actually going to see “Roma.” I said some time ago that perhaps the only way that Netflix will get me to subscribe to their service is if they revive “King of the Nerds” for a fourth season. This will not get me to subscribe to their service, but it’s getting me to see Netflix content, which to me, is a true feat.

Again, I am seeing “Roma” on Saturday, and my review for it will be up maybe a day or two after. I am admittedly busy on Saturday and Sunday, but Monday is Martin Luther King Day so I may have some free time to do things like blogging. Only time will tell. Nevertheless, I want to thank Netflix for keeping moviegoers in mind in an age where digital streaming, not to mention digital projection, is seeming to trump other ways which we consume media. Thanks for reading this post! I don’t know how “surprised” you guys are, but to me, this felt like a surprise, so this is why I marketed the post as such a thing. But still, hope you enjoyed the post and look forward to my review for “Roma!” Speaking of movies, I might be going to see “On the Basis of Sex” pretty soon, so if I do, my review for that will be up as soon as possible. Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, have you checked out, or are you going to check out “Roma” in 70mm? I’m actually quite curious about it because the movie was actually shot digitally from start to finish so I don’t know what it will be like on the screen. Let me know down below! Scene Before is your click to the flicks!