The Uprising (2026): Death, Taxes, and Shaky Cam

“The Uprising” is directed by Paul Greengrass (News of the World, The Bourne Supremacy) and stars Andrew Garfield (The Amazing Spider-Man, Hacksaw Ridge), Jamie Bell (Fantastic Four, The Adventures of Tintin), Stephen Dillane (Game of Thrones, John Adams), Tom Hollander (Harley Quinn, Pirates of the Caribbean: Dead Man’s Chest), Cosmo Jarvis (The Alto Knights, Warfare), Thomasin McKenzie (Last Night in Soho, Fackham Hall), Jonny Lee Miller (Trainspotting, Hackers), Woody Norman (Cobweb, C’mon C’mon), and Katherine Waterson (Fantastic Beasts and Where to Find Them, Fackham Hall). Inspired by the 1381 Peasants’ Revolt, this film is about a group of people who rebel against King Richard II.

© Focus Features

To be real, there were not a ton of movies coming out in September that I was beyond excited to see. There were a couple titles that stood out to me, but when it comes to “The Uprising,” I felt like I was taking a chance on it. I knew little to nothing about the film other than listening to people talk about it online. I do not even recall if I watched a trailer for the movie prior to checking it out in theaters. That said, there are some promising things about the film at a glance, including star Andrew Garfield.

Andrew Garfield is a fantastic actor. I had iffy thoughts on his Spider-Man to a degree back in the day, but “No Way Home” gave him a bit of a boost for me. If anything, having seen that movie, I think part of that boost is because he was given much better material to work with than what was handed to him in the Marc Webb movies. But Garfield is more than Spidey. For example, he’s received Oscar nominations for “Hacksaw Ridge” and “Tick…Tick…BOOM!.” With each role, Garfield continues to prove he has chops and charisma. The same can be said for “The Uprising.” While Garfield himself is fairly recognizable in the role of a Ploughman, it does not change the fact that he does well as the story’s center. Is his performance the best of the year? No. But it is perhaps precisely what this movie needed due to Garfield’s range. Sometimes he is commanding. Other times he is a bit soft. It depends on the context of the scene, but Garfield plays his part well no matter what the role requires. Garfield is not the only actor who stands out. Others include Woody Norman as King Richard II, Jamie Bell as John Ball, and Thomasin McKenzie, the latter of whom has a particularly compelling backstory.

As for the film itself, it is quite good. The story is never boring and there is a healthy mix of engaging dialogue and thrilling action sequences to balance out the pace. Some might say the film is slow, which frankly, I kind of get, but do not wholly agree with. I prefer to call the film steady. It’s by no means a slog, but not a sprint either. It aims for the middle and does not miss.

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Despite being set in the 14th century, “The Uprising” is a fitting movie for today’s times. For the record, I live in the United States, and it is not like this is a problem that is exclusive to this part of the world, but in recent years, it has become noticeable that prices for just about everything have been going up. That’s not an unusual concept, but the rate at which it has been happening has been exorbitant. So, it feels like perfect timing to have a movie come out where its heroes are trying to confront the reality that on top of already struggling as they are, they now have to put up with more taxes.

“The Uprising” is directed by Paul Greengrass. I have not seen all of his movies, but I tend to like the ones that I did see. Although this movie has a bit in common with his 2020 outing, “News of the World.” In addition to both films being somewhat action-centric, they also deal with topics relevant to their time of release, even if the films themselves are set long before said period. “News of the World,” which is about a man who goes around reading newspapers to audiences, came out a few years after the term “fake news” popularized with certain people. This film features political controversy and complaints over taxes. Those two topics are arguably evergreen, but as someone living in the United States, it is not hard to notice them making the rounds today.

© 2026 – Focus Features

Much like Greengrass’s other projects, there is quite a bit of shaky cam in this film. If that is not your thing, you may be turned off by this film’s production elements. Frankly, sometimes it works, and other times it feels quite clunky. There are one or two battle sequences that I thought the shaky cam ended up blending perfectly with the chaos. That said, there are moments where I felt the handheld videography came off as a bit overdone. One could argue that this speaks more to my personal preferences as a viewer than anything else. Heck, to this day I have not watched a ton of “The Office” and yes, one of the reasons why is because I don’t find it funny. Sorry not sorry. But another, perhaps dumber reason is because all the camerawork is handheld and it throws me off. The handheld camerawork in “The Uprising” is by no means the worst thing I have ever seen, I can make out what is going on in just about every scene, but there are a lot of moments where it feels a bit unnatural. To be fair though, this is a dramatic narrative, and in some ways, the handheld nature of the film does contribute to said drama.

No spoilers for those who have not seen the movie, but I dug the ending. If anything, this film almost crosses a line to the point where it becomes something else entirely during this specific moment. In actuality, the ending is fitting given what the story is, but its delivery is perhaps intentionally linked to another famous character. The ending is well done and has some solid action to back it up. Look forward to it. Sadly, the film’s marketing does spoil this moment, so chances are some of you reading this already have an idea as to the connection I am talking about. But if you did miss the trailers somehow, the ending is a fitting, yet almost out of left field treat.

© 2026 – Focus Features

In the end, “The Uprising” is a good flick. Is it the most exciting film of 2026? Not even close. It is not even the most exciting movie to come out this month… More on that in the next review. But the film is nevertheless engaging in more ways than one. It features a solid lead performance by Andrew Garfield and is incredibly relevant for today’s audience despite being set in the late 14th century. This is not a film that is going to have massive replay value, at least from me. Maybe if I am scrolling channels and I come across it, I will put it on. But it is nevertheless beautifully made and executed. I am going to give “The Uprising” a 7/10.

“The Uprising” is now playing in select theatres and is available to rent or buy on VOD.

Thanks for reading this review! If you want to keep the party going, check out my latest episode of the Scene Before original series Movie Requests! In this episode, Rosario Dawson requests that I should talk about “Legend,” the fantasy film from 1985. To find out what I thought about it, click the video above!

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My next review is going to be for “Forgotten Island!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Primetime,” “The Weight,” and “Digger.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Uprising?” What did you think about it? Or, what is your favorite Paul Greengrass movie? Let me know down below! Scene Before is your click to the flicks!

Fackham Hall (2025): Fackin’ Average

© 2025 – Bleecker Street

“Fackham Hall” is directed by Jim O’Hanlon (Coronation Street, Your Christmas or Mine?) and stars Thomasin McKenzie (Last Night in Soho, Joy), Ben Radcliffe (Pandora, Anatomy of a Scandal), Katherine Waterston (Fantastic Beasts and Where to Find Them, Afraid), Emma Laird (The Brutalist, A Haunting in Venice), Tom Goodman-Hill (Baby Reindeer, Humans), Anna Maxwell Martin (Bleak House, Motherland), Sue Johnston (Downton Abbey, Coronation Street), Tom Felton (Harry Potter and the Sorcerer’s Stone, The Flash), and Damian Lewis (Billions, Homeland). This film showcases the shenanigans and problems that ensue as a porter forms a bond with the daughter of a prominent family, just as said family is coming together for an extravagant wedding.

If I had to give a rundown of my most anticipated films of the year back in January, chances are “Fackham Hall” would not have made the list, partially because I had no idea it was coming out. In fact, I was first made aware of the film while watching trailers before the underwhelming horror flick “Bone Lake.” This film, like that one, is distributed by Bleecker Street, so it makes sense that the red band trailer, which played exclusively in theaters at the time, would be the last thing I’d see before the feature presentation. But if I were to go back in time and tell my younger self that “Fackham Hall” would be coming out in December, then maybe I would have considered putting it on the list. This is partially because I would tell my younger self that the trailer gave me the biggest belly laughs I have had watching a piece of marketing in years. I do not recall the last time I watched a trailer and nearly lost self-control from cackling as audibly as I did.

Unfortunately, “Fackham Hall” was not as good as I was expecting it to be. Do not get me wrong. It was not an automatic guarantee that this film was not going to work for me. This film is being marketed as “Downton Abbey” meets “Airplane.” As much as I enjoyed “Airplane,” “Downtown Abbey” never struck me as my kind of show. This is why you never saw me review any of the “Downton Abbey” movies. I never watched the show, so it would not make a lot of sense for me to watch the movies. Though I went into this film with an open mind because it came off as something that one could appreciate without necessarily needing to watch “Downton Abbey.” One can argue such a thing to be true.

Among the reasons why I was looking forward to this film, one of them is the the fact that comedian Jimmy Carr is attached to the project. If you know me, you would be aware that Jimmy Carr is one of my all time favorite comedians. I watch his specials on YouTube on a regular basis. I have seen him a few times when he’s performed in New England. I also like him as a game show host. In fact, he is one of the film’s five writers, making this his first screenplay. Carr also has a small role in the film as a vicar. He is only on screen for one to two minutes, but he plays his part to the best of his ability. This is not to say he did a bad job, but he played a character who basically has one running joke, specifically that he says things that sound taboo or wrong, only for him to pause and finish the rest of what he has to say. On paper, the joke is funny. But I have seen the trailer for this film and as someone who was looking forward to seeing Jimmy Carr on screen, I wish he had some variety in his material.

In fact, remember how I said the trailer was one of the funniest I have ever seen? It does not mean the movie is. I think part of that has to do with seeing the trailer in the first place. One of my biggest fears going into any comedy film is the possibility that they show all the best bits in the marketing, and based on what I have seen through “Fackham Hall’s” marketing in particular, I cannot name one joke in that stood out to me that was not in the trailer. Also, multiple jokes likely lost their intended effect since I already got to see them in advance. Other than that, there are a lot of jokes that feel too over the top, and that is saying something for a film called “Fackham Hall.” The film is filled with a lot of toilet and taboo humor. It often came off as if it were being written by a young child who just learned what the word “boobies” means.

Overall, the film has a lot of jokes. Therefore, those jokes trigger a lot of reactions. For a film that ultimately left me underwhelmed, I had a surprising amount of laughs. That said, I cannot really name a favorite joke. Also, with this movie having a lot of jokes, it also indicates that a good chunk of them fell flat. There are a few references to The Beatles and the works of J.R.R. Tolkien. While the jokes sound clever on the page, they feel less clever on the screen. I could see myself writing these gags down and amusing myself as I read them, but their delivery in the film did not do it for me. Lots of comedies have jokes that are better than others. Although in the case of “Fackham Hall,” the balance between good jokes and bad jokes is not exactly satisfying.

Also, once again, “Fackham Hall” is written by four people. I wish I could have been a fly on the wall to see the process of the screenplay being put together. I want to know who came up with the best jokes of the film, who came up with the weakest, and how everyone decided to tie the story together. The film comes very close to having an identity crisis. While the film is often smooth sailing, it introduces a mystery plot that makes sense within the context of the film, but it simultaneously feels tacked on.

For all I know, this movie could age well and find an audience over time. If anything, I blame myself for perhaps getting so overly invested in the film prior to its release. This film left such a lasting impression on me before it came out that it only increased the chances that I would be disappointed.

Do not get me wrong. My feelings about the film do not change my opinions about the people involved. Thomasin McKenzie is a great actress and it is nice to see her find work. I am proud of Jimmy Carr for expanding his horizons and doing something outside of standup and game shows. One of the film’s writers happens to be Jimmy’s brother, Patrick Carr. It is lovely to see family working together. Overall, the cast of the film, even the most minor of characters, all do a fantastic job with their roles. I just wish all this talent resulted in something more entertaining.

In the end, “Fackham Hall” is one of the most of the disappointing films of the year for me. Maybe I set my expectations too high, which could be part of the problem. But that initial trailer, to me, promised so much potential for laughter that my hype levels reached the sun. There were definitely laughs in “Fackham Hall,” just not to my desired degree. Once again, this film has five writers. I wonder if that played a part in this film’s pace, because by the time we get to the murder mystery portion of the film, it felt rather out of the blue. Not necessarily in a satisfying and twisty way, but instead it made me go, “Okay, so this is happening…” I would not avoid this movie like the plague, but I still would not recommend it. I am going to give “Fackham Hall” a 5/10.

“Fackham Hall” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Scarlet!” Stay tuned! Also coming soon, look forward to my thoughts on “The Secret Agent,” “Hamnet,” and “Avatar: Fire and Ash.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Fackham Hall?” What did you think about it? Or, what are your thoughts on “Downton Abbey?” Is it a good show? Are the movies worth watching? Let me know down below! Scene Before is your click to the flicks!