Star Wars: The Force Awakens (2015): The Biggest Blast in the Galaxy

Hey everyone! Jack Drees here! It is the final day in the epic Scene Before event, 7 Days of Star Wars! We finished the prequel trilogy! We finished the original trilogy! And now, it is time for the sequel trilogy! Now as you may or may not know, I already reviewed “The Last Jedi” and “The Rise of Skywalker” on this blog before. Therefore, I will not be diving into those movies here because doing so would be somewhat repetitive. And if you are unfamiliar with the “Star Wars” franchise by any means, this implies that today I would be talking about “The Force Awakens.” This film has been one of the most impactful I have ever seen in my life. It is the only movie I have watched four times in the theater. It is the first film that I bought on Blu-ray in Steelbook form. And like many people, it revitalized my interest in “Star Wars.” Not to say I wasn’t interested before, but it practically gave me “Star Wars” fever in the same way that the original movie did to people back in 1977. The question is… Does it hold up five and a half years later? It is time to find out in the final episode of a miniseries I’m calling… 7 DAYS OF STAR WARS!

“Star Wars: The Force Awakens” is directed by J.J. Abrams (Star Trek, Super 8) and stars Harrison Ford (The Fugitive, Air Force One), Mark Hamill (Kingsman: The Secret Service, Batman: The Animated Series), Carrie Fisher (The Blues Brothers, Family Guy), Adam Driver (Lincoln, Girls), Daisy Ridley (Silent Witness, Casualty), John Boyega (Attack the Block, 24: Live Another Day), Oscar Isaac (Ex Machina, Sucker Punch), Lupita Nyong’o (12 Years a Slave, Non-Stop), Andy Serkis (Lord of the Rings: The Fellowship of the Ring, Rise of the Planet of the Apes), Domhnall Gleeson (Ex Machina, Harry Potter and the Deathly Hallows Part 1), Anthony Daniels, Peter Mayhew, and Max von Sydow (Minority Report, Flash Gordon). This film is set 30 years after “Return of the Jedi” and follows a group of people trying to seek the whereabouts of Luke Skywalker, the last Jedi. At the same time, an ex-stormtrooper, a desert scavenger, and a BB droid must unite with Han Solo and Chewbacca to search for said Jedi all the while dealing with the currently enormous threat to the galaxy, the First Order, which is in control of the Death Star planet hybrid, Starkiller Base.

Imagine this… You are a mega fan of “Star Wars.” You saw all the movies. It’s been ten years since the prequels came out, when it seemed as if this franchise was done for good. But since Disney bought Lucasfilm, they’ve had plans to expand it since. This is where “The Force Awakens” comes in. Maybe one thing comes to mind, and that one thing is hype. After all, the trailers seem to promise a sense of direction that relates more to what we’ve experienced in the original films as opposed to the prequels, which have seemed to divide fans over the years. I think the hype that has been built up going into “The Force Awakens” is almost unlike any movie I’ve seen in my life aside from “Avengers: Endgame.” For the record, I think only one “Star Wars” movie surpassed “The Force Awakens” in terms of all time hype, specifically “The Phantom Menace,” but I was not born yet. But in the time that I’ve been alive, I remember the feeling I had going into “The Force Awakens.” I bought tickets in advance for what would end up being my SECOND screening of the film, which was for Tuesday December 29th, when I went to see the movie with my father. My first screening was purchased around the weekend it came out, amazingly there were still tickets available. I went with a few people I know, including one of my close friends who was mainly a Trekkie, but she watched the original films in preparation for this event and she enjoyed them. The hype was F*CKING REAL. Was “The Force Awakens” worth all that hype? Or was it something that would let me down in the end?

You bet it was worth the hype. And having rewatched it in preparation for this review, if anything, it has gotten better since my first viewing. I will admit, part of it may be because I watched it for the first time in a while, whereas in a year like 2016 I would watch it almost every other night over the spring, so it almost maintains a feeling of freshness, but this is a film that evokes the feeling of excitement. If the prequels have style and the originals have substance, then “The Force Awakens” probably has both! When this film came out, it was by far one of the most presentable “Star Wars” films yet. Granted, a lot of it has to do with maybe a greater sense of detail that has been built up over the years and better effects. But I look back at the original “Star Wars” and also notice that in this film, they do a lot more movement with the camera and attempt to make this newer installment slightly more immersive. The flight sequences in “The Force Awakens” are probably the most dazzling in the franchise. We see the camera attached to the side of an X-Wing, maybe we’re inside an X-Wing, maybe we’re flying in the air and the camera goes through an explosion as we head into it. There is a lot to love in this film in terms of flight. And it’s not just the craft we fly like TIE Fighters and X-Wings, but the characters we meet along the way.

Poe Dameron : What’s your name?

Finn : FN-2187.

Poe Dameron : F… What?

Finn : That’s the only name they ever gave me.

Poe Dameron : Well, I ain’t usin’ it. FN, huh? Finn, I’m going to call you Finn. Is that alright?

Finn : Finn. Yeah. Finn. I like that. I like that.

Poe Dameron : I’m Poe. Poe Dameron!

Finn : Good to meet you, Poe!

Poe Dameron : Good to meet you too Finn!

The scene where Finn an Poe first meet is up there with one of my favorites in the franchise. Because after a series of three movies where we see semi-unrelatable Jedi who almost have no emotion whatsoever, we get these two individuals who let out any single sense of emotion they have within them. There’s this moment where Finn takes out a couple cannons on a Stardestroyer and the next thing we see is them cheering out of satisfaction. Finn just lets himself loose and Poe soon joins in. They’re having the time of their lives. While it is noticeable that Anakin and Obi-Wan have become good friends over the years, they honestly don’t feel like “buds” or actual people with things in common other than the Jedi way. These two in just a matter of moments let out more emotion than we’ve seen in a couple of entire prequel movies.

In fact, that is something I really want to talk about. This movie, much to my delight, goes into a direction that truly humanizes “Star Wars.” And it is not to say that the series has not done that already. “A New Hope” is about being a larger than life individual and the steps that a hero takes to get to that larger than life status. But here, they go as far as to humanize Stormtroopers, who we find out are actual people who can remove their helmets. To be fair, this should not be TOO surprising, as Darth Vader had a helmet that could be removed, but it is something that at least in the movies, has never been seen in “Star Wars” before. There is a scene Finn removes his helmet and we see his pain, his exasperation. He just finished his first battle and he is clearly not thrilled with what he has witnessed. I feel like writers J.J. Abrams, Lawrence Kasdan, and Michael Arndt were in a room together and constantly asked each other what ways they could evoke more actual human emotion into the franchise, because they not only manage to do that with something as robotic as Stormtroopers, but with the brand new villain, who I would argue is my favorite of the Disney “Star Wars” characters, Kylo Ren.

Star Wars: The Force Awakens Ph: Film Frame ©Lucasfilm 2015

When it comes to “Star Wars,” Darth Vader is seen as the biggest of all baddies. That is written in stone. None of the prequel villains like Darth Maul ever surpassed Vader’s legacy in terms of how they were represented in the movies. There are days that I look at Kylo Ren however, and see something in him that makes him come off as more likable than Vader. And I’ll tell you why… He’s not exactly fearsome. He talks a good game. He wields a sparkly red lightsaber that almost looks like it’s on life support, but somehow it looks pretty badass. He stops blaster bolts with the force, which provides for one of my favorite shots of the film where we see Poe getting dragged to Kylo by a couple troopers. But he is so busy fanboying over Vader’s legacy, trying to be him or surpass him. After all, as people, we all look up to someone and hope their qualities that we may take from them will lead to a successful path in life. And Kylo kind of reminds me of myself a little because he sometimes will lose his temper and take his anger out on electronic devices. He kind of feels like an angry gamer playing “Cuphead” and he can’t make it past the one boss that will lead you to the next island. It’s HILARIOUS. I don’t know how this statement will be received… But aside from Luke Skywalker, Kylo Ren may be the character in the “Star Wars” franchise that I relate to the most. Feels weird to say, but it is true. In fact, that is part of the humanization of this film that really stands out, the humor. “Star Wars” is one of those franchises that comes off as funny to me without the characters exactly being funny. That has stood true in films like “The Empire Strikes Back.” But this film takes the humor to another level.

Poe Dameron : Wha- why? Why are you helping me?

Finn : Because it’s the right thing to do.

Poe Dameron : You need a pilot.

Finn : [chagrined]  I need a pilot.

There is so much that goes on in this film in terms of attempts at comedy that honestly don’t feel forced. They feel like a Marvel Cinematic Universe movie where every humorous quote blends naturally into the conversation or scene. Every shining character from Finn to Han to Chewbacca to Rey has at least funny moment in the film, even if it is minor or something that could be glossed over. And speaking of Rey, let’s talk about her.

Star Wars: The Force Awakens Ph: Film Frame ©Lucasfilm 2015

I went into “The Force Awakens” during my initial screening thinking I’d like Rey, but after multiple rewatches, I practically admired the character more and more. Kind of like Luke Skywalker was, she seemed somewhat hesitant to go on her journey, but also like Luke, it made the character somewhat relatable. She was emotional, sometimes giddy, observant of her surroundings, and she has great chemistry with Finn. I think the first three to five minutes with her are some of my favorite in recent “Star Wars” history because it comes without any dialogue, at least none out of her specifically, and in those moments, I have practically learned the base of what I need to know about her. She lives in a slightly ruined, but also civilized desert, she lives by herself and makes the most of what she has, but she’s looking for an escape at the same time. This is well established by her exiting her unusual home, sitting in the sand, and watching a spacecraft fly up. She clearly longs for a way out of her life and the movie did a great job at encapsulating that.

Star Wars: The Force Awakens Ph: Film Frame ©Lucasfilm 2015

But this film is not all about the new characters. Because these new characters get to journey alongside Han Solo and Chewbacca, and every time I watch this movie, I think Han Solo gives a good performance, but it is arguably his worst when it comes to this specific character. Maybe it’s because the character is not in their prime and seeing a grizzly Han admittedly takes a little getting used to, but it’s nice to know Harrison Ford is still going strong in these films. As for Chewbacca, he is played by two people. In some scenes, he is portrayed by Peter Mayhew, and in others he is played by Joonas Suotomo. It’s nice to see Han and Chewie back together because I think their relationship, and this was also highlighted in the “Solo” spinoff movie, has been one of the franchise’s biggest standouts. To see them both together feels natural and fun. There’s also a great gag where Han Solo tries out Chewbacca’s gun, and he seems to be quite impressed with it. Admittedly, as fun as it is in the movie, one SLIGHT nitpick I have with that, and it is a very small one, it does not take too much away from the film itself. It feels very weird to know that in the extended number of years that they’ve known each other, Han has supposedly never tried Chewbacca’s gun out. Maybe there’s a reason. Maybe it’s the typical instinct thing that Wookies have that kind of makes them go wild. I mean, if Chewbacca can tear off somebody’s limbs after losing a friendly match of a holographic game on the Millennium Falcon, or as LEGO Batman calls it, “Space Checkers,” you can only wonder what would happen if somebody touches his gun. Then again, he probably trusts Han after many years of standing by each other. Who knows? Just something I wanted to bring up.

We also have Leia, who as of this movie, has been deemed a “Disney Princess.” But in this movie, we see that she and Han, somewhat unsurprisingly, have stuck around over the years. And I will admit, when it comes to “The Force Awakens,” the first scene that we see of her and Han in the same frame is the one that arguably gets me the most nostalgic about the “Star Wars” franchise aside from Han admiring the Falcon cockpit and Han referring back to the old days where he remembers his skepticism about the Jedi and how his thoughts have changed since. And speaking of nostalgia, let’s dive a little further into it.

“Star Wars” has become part of many people’s lives. And for lots of them, their first exposure was the original movie, which is phenomenal even by today’s standards. “The Force Awakens,” according to many people, feels like a ripoff of “A New Hope.” To me, I do not like to use that word. Because to call it a ripoff would mean that I did not like the movie. To me, this film took the plot lines of “A New Hope,” tinkered with them, and successfully made an extremely effective picture. To me, “The Force Awakens” is more like a homage and tribute to what makes the franchise great than anything else. “Star Wars” has always been revered mainly because of the success of the original trilogy. People like it for other things too, but mainly the original trilogy. So I have a feeling that J.J. Abrams or Lawrence Kasdan or Kathleen Kennedy wanted to consider the people who did not like the prequels, and give them something that they’re probably more likely to enjoy. And to do that, there was a sense of nostalgia every other step of the way between X-Wings, TIE Fighters, Death Stars, characters we already knew from prior films, and so on. In a way, this is basically a VERY WELL DONE “Star Wars” greatest hits album. It takes everything people like about “Star Wars” and puts them all into a beautiful package. And I’m surprised that people feel like this movie is too familiar. Yes, some of the story beats are similar to the original trilogy. There’s a big planet killer, a guy with a red lightsaber and helmet that wants to destroy the galaxy, there’s someone else with a blue lightsaber trying to save the galaxy, there’s a space battle towards the end, there’s a scene where the Millennium Falcon gets caught in a tractor beam. There’s a lot that this film takes from entries prior. But I’d say that it is, as people say, similar to the original “Star Wars,” and I’ll add, it comes with a hint of darkness from “The Empire Strikes Back” sprinkled in between. There’s even blood in this movie! I like that little detail they added in!

If anything, and I say this as a huge fan of “Revenge of the Sith,” this feels like a “Star Wars” reunion party that has been built up for years. One that in a way, semi-apologizes for the prequels. Disney is the host, the mass audiences are all invited in, we go to the theater, head to the auditorium, and once that opening crawl commences and we get to the nitty gritty of the film, the movie is basically screaming “WELCOME BACK!” to all of our faces. This film is most certainly nostalgic to the tenth degree, but manages to interweave that nostalgia with a brand new story and set of characters that I have grown to admire over a couple of hours.

One last thing before we get to the final verdict. I really need to know this. If John Boyega, Daisy Ridley, or anyone else who worked on the film can confirm, I have a question about… This scene. Because I think I may have interpreted it much differently than a lot of other people who saw the movie.

In this moment, is BB-8 giving a thumbs up or is he flipping Finn off? I know the video title goes with the former, but still! When I saw this film at the theater, I always thought BB-8 was flipping Finn off. After all, when you present a light of fire at somebody, it almost signals a threat. Besides, BB-8 originally tried to electrocute Finn on Jakku. And yes, he’s kind of warmed up to him, but it’s almost like BB-8 smells a rat and is telling Finn, “I’m onto you.” At least that is what my interpretation is of what is going on. So if anyone involved with Lucasfilm or “The Force Awakens” could confirm this to me, please do.

Star Wars: The Force Awakens Ph: Film Frame ©Lucasfilm 2015

In the end, “The Force Awakens” puts the fun back in “Star Wars” after years of emotionless movies with somewhat dull characters. We now have humanized individuals, including the big bad villain who unlike Vader, is much more man than he is machine. If anything, this almost reminds me of an animated film because you know how in animated films like “The Lion King” or “A Bug’s Life” they’ll take creatures that are not human and personify them by giving them human voices? This reminds me of that because they took characters like Stormtroopers and others who are robotic and gave them all personalities. Every single character in this film feels like they have some understanding of the human condition and have at least a single ounce of relatability. The film looks amazing and one of my nerdy pieces of nostalgia I’ll bring to the table, this movie was shot in 35mm, although there is one sequence, specifically the escape from Jakku, that was shot on IMAX film, which was marvelous to watch on the IMAX screen the two times I saw it in that format. Plus there is also footage shot with an Arri Alexa XT. The film is funny, it’s happy, sad, everything in between. It has everything I could want in a “Star Wars” movie. Is it familiar? Sure, but again, familiarity in this case is not a weakness. For this movie in particular, it is used as a technique to get us to appreciate the joys of the past in “Star Wars” while also looking to the future. When I first reflected on the film, my one hope was that when Episode VIII comes out, it is not a copy-paste of “The Empire Strikes Back,” because this copy-paste technique worked in the favor of “The Force Awakens,” as it was trying to remind people what “Star Wars” *is*, but the next film also had to differentiate itself from what came before in the franchise.

Well… It was different alright. But it doesn’t mean it was great.

I walked out of “The Force Awakens” as a 16 year old geek in 2016 with a feeling that could only be described as orgasmic, and each time I watch the film, I enjoy it as much as the first. I’m going to give “Star Wars: The Force Awakens” a 10/10.

“Star Wars: The Force Awakens” did everything it should have done and more. It made me feel like a kid again in the best possible way. This movie is so good, that I almost forgot to put in my obligatory statement where I appreciate John Williams’s score. And by the way, John Williams killed the score in this film, if you must know. I love his theme for the Resistance, Rey’s theme is soft and smooth, and Kylo Ren’s jingle has been catchy since early viewings of the film.

Much like the original trilogy, “The Force Awakens” has an insane replay value. I saw it four times in the theater, many more times on home video. In fact, I’d watch it almost every other night in April, May, and June of 2016, and I’d occasionally watch it on television. “Star Wars: The Force Awakens” was a fantastic setup for what was to come. Unfortunately, what came after was not so fantastic, and I say that despite giving “The Last Jedi” a positive review. I was in a much different mindset when I saw the movie compared to long after it. That’s the power of thinking things over and watching a movie a second time.

Thanks for reading this review! This concludes the 7 Days of “Star Wars” event! I want to thank everyone for reading this review, along with those who read my reviews for Episodes I through VI. If you want to read any of my other “Star Wars” movie reviews, I have links for them down below. I have always wanted to talk about these movies to an extensive length, and I finally got the chance to do it, so I hope you enjoyed reading these reviews as much as I enjoyed making them, even if it did take a lot of time for me to sit down and complete, but it was worth it. I do have plenty of reviews for new movies coming soon including “Wrath of Man,” “Army of the Dead,” and “A Quiet Place Part II.” I do apologize if I end up getting these out somewhat late, but I have mainly been focused on the 7 Days of Star Wars event in regard to my recent goings on here at Scene Before. Therefore, everything else has been put on the backburner. Although I am also excited to announce that I will soon be doing another Blu-ray collection update. In all likelihood, this will be done in June, but depending on my schedule and how things go in life, I may end up doing it in July.

I also will share with you that my next review series, which is being done in preparation for the Disney ride to film adaptation “Jungle Cruise.” This series is going to be focused on “Pirates of the Caribbean.” I have admittedly not watched these movies in YEARS. I have also never seen even a minute of the fourth and fifth installments, and I don’t think I have any memory of watching the third one either. I could be wrong though. Find out my thoughts on all five sea adventures this July in “Pirates of the Caribbean: The Chest of Reviews.” Be sure to follow Scene Before either with an email or WordPress account or like the Facebook page so you can stay tuned for more great content! I want to know, did you see “Star Wars: The Force Awakens?” What did you think about it? And I’ll end with three more questions… One, what is your favorite “Star Wars” film? Two, what film have you seen the most times in the theater? And three, what is your favorite franchise continuation or reboot? And I don’t just mean sequel, I mean a sequel that has been long-awaited like “Jurassic World” or “Mad Max: Fury Road” or “Blade Runner 2049.” Let me know down below! Scene Before is your click to the flicks!

May the force be with you. Emphasis on the May.

THE PHANTOM MENACE: https://flicknerd.com/2021/05/23/star-wars-episode-i-the-phantom-menace-1999-worst-for-chronologically-first/

ATTACK OF THE CLONES: https://flicknerd.com/2021/05/24/star-wars-episode-ii-attack-of-the-clones-2002-a-revisit-to-my-first-star-wars-movie/

REVENGE OF THE SITH: https://flicknerd.com/2021/05/25/star-wars-episode-iii-revenge-of-the-sith-2005-my-favorite-star-wars-prequel-ever/

STAR WARS/A NEW HOPE: https://flicknerd.com/2021/05/26/star-wars-1977-an-ageless-adventure/

THE EMPIRE STRIKES BACK: https://flicknerd.com/2021/05/27/the-empire-strikes-back-1980-i-love-you/

RETURN OF THE JEDI: https://flicknerd.com/2021/05/28/return-of-the-jedi-1983-i-see-the-good/

ROGUE ONE: https://flicknerd.com/2016/12/16/rogue-one-a-star-wars-story-a-movie-built-on-hope/

THE LAST JEDI: https://flicknerd.com/2017/12/15/star-wars-episode-viii-the-last-jedi-2017-another-year-another-star-wars-movie/

SOLO: https://flicknerd.com/2018/05/25/solo-a-star-wars-story-2018-somehow-this-star-wars-movie-exists/

THE RISE OF SKYWALKER: https://flicknerd.com/2019/12/20/star-wars-the-rise-of-skywalker-2019-the-final-word-in-the-story/

Top Movies of the 2010s (THE DISAPPOINTING 25)

Top Movies of the 2010s OFFICIAL POSTER

*WARNING: This post is over 11,000 words long*

Hey everyone, Jack Drees here! Never thought you’d see this again, did you? Well, I originally marketed the Top Movies of the 2010s countdowns as an event, so you know what? If I really want to give this the event treatment it deserves, let’s keep it going! This time, we are going to be focusing on the twenty-five films that I watched either with full attention, anticipation, or curiosity, and was flat-out let down in some way. It’s time for the disappointing 25! Before we go any further, this countdown is subjective. All these entries are based on my own experiences and opinions, and are therefore no way supposed to represent the thoughts and opinions of other individuals. Keep in mind, just because I think a certain movie is disappointing, doesn’t mean you have to agree. This world would be boring if that were the case. Although… I’ll take less fighting in the comment sections any day. Also, even though I have had lots of time during this period of isolation to go back and watch more films, I have not seen every single film that has come out during the 2010s. It’s too big of a task to handle. So movies that I’ve heard from others that were disappointing like “Battle Los Angeles,” “Terminator: Dark Fate,” and “Jurassic World: Fallen Kingdom” do not qualify to be on the list. I will also add, if a movie is to be included on here, I must have watched it from beginning to end. So, as much as I could count a movie like “Frozen,” that’s not happening.

Also, keep in mind this is a list of the most DISAPPOINTING movies and it is not to be confused with the WORST movies. The worst movies are just movies that I flat out don’t like. Disappointing movies on the other hand are the movies that I have expectations for in some way and end up being let down. In fact, some of these entries are movies that I like. They just have qualities attached that make them underwhelming, or in some cases, just a plain bad movie. So with that being said, if you had high expectations for this countdown, prepare to hopefully not be let down! These are my top 25 DISAPPOINTING movies of the 2010s!

#25: The Aeronauts (2019)

Starting off this list is “The Aeronauts,” otherwise known as what was supposed to be Amazon’s first attempt at an IMAX run. Unfortunately, that never happened, and it makes the movie slightly more unwatchable the more I think about it. This is a movie that I would probably watch again, but there are scenes in it that are slower than others. There’s the main plot of the movie that involves two people on a hot air balloon, and there’s a sideplot on land. And when the movie takes place on land, it’s almost worth tuning out. Did I mention this movie is based on true events and yet the main characters are fundamentally changed? I like what this movie did with the aspect ratio, because whenever this movie took place up in the air, the picture stretches to fit a traditional TV screen, whereas when the movie is anywhere else, it’s in a scope aspect ratio. It reminds me of the vibe the movie is going for whenever it wants to be adventurous or just drop back to reality. The cinematography is not bad either. A lot of the framing is lovely to look at. Another reason why this is not higher on the list is because this is one of the few movies that I’ve seen that I can consider the end credits to be the best part. Why is that? Because while the credits don’t really have any special background compared to… say… what a lot of animated films have presented over the past number of years, they have what could be one of the best original songs I have EVER heard in a movie, titled “Home to You” by Sigrid. Not only does it completely fit the vibe of “The Aeronauts,” it’s just a good song. Honestly, once this world goes back to normal, and I don’t mean the new normal, I mean normal period, it might be the first song I play as a sigh of relief. Because I know it’s easy to stay home, but after all I’ve done all this time, the song would be a great reminder of the journey I have been through and whatever positivity could lie ahead. I don’t like a lot of modern music, so it REALLY says something that I am giving a thumbs up for a song like this. But if you do want to watch the movie, it’s free on Prime Video, see what you think.

#24: Coco (2017)

For the record, I like this film, but the reason why I am putting it on the list is probably because of the expectations I’ve had for it. Ladies and gentlemen, I give you “Coco.” Even though I constantly make fun of Disney for their greed and desire to dominate the world, Pixar is probably one of the best studios working today, because they always manage to put out quality content that not only makes money, but is fantastically made. “Coco” is yet another example of why Pixar might have the best looking modern animations. It is also another effective story in the Pixar collection of films, even if it does remind me of a better of a better film, specifically “Kubo and the Two Strings.” But the reason why this film is on the list to begin with is a similar reason why I found “Manchester by the Sea” to admittedly be somewhat disappointing. By the way, that movie is not on the list. I’d probably put it as an honorable mention though. One of the core elements of “Coco” that I’ve heard from viewers prior to seeing it is that it is emotionally charged. I expected something maybe towards the end that could get me to almost shed a tear. I did not really get any of that from my experience. I will also say that maybe I am not part of the target audience that would usually feel that. In fact, many of the people I know who happen to be related or close to me are still alive. My core grandparents on both sides have not passed away, and I feel lucky to have them in my life. If somebody I know, whether it be a friend or family member passes away, maybe this movie will hit me more the second time I watch it. And no, none of this disappointment has to do with the extended “Frozen” short film they presented in theaters prior to “Coco” as I only watched this movie at home on a 4K disc.

#23: Seventh Son (2014)

Out of all the movies on this list, “Seventh Son” is one of the few that I’ve had little attachment to before seeing it. I was into the marketing, and the fact that it had gotten an IMAX run also pleased me. Little did I know how short of a run it would have in theaters. In fact, I was pretty lucky that I got to see it at all, because I found a screening of it when I was in Florida, and that’s how I managed to check out this flick. Unlike the other two movies that I mentioned previously, “Seventh Son” made it onto my worst 25 list for this series, meaning that it is not just disappointing, it’s beyond terrible! In fact, I’ll mention something I uttered in the worst list, I went to see this movie with somebody else, and while the screen did have my attention the whole time, the same cannot be said for my partner, who at this point, I might as well apologize for taking to the movie because they fell asleep! “Seventh Son?” More like “Seventh Snore!” “Seventh Son” is honestly one of the worst fantasy movies I have seen in my life, but part of me wonders if part of it has more to do with my experience of watching the movie because I will admit that the sound in my theater could have been better. Maybe if the theater provided a more quality experience, I could have at least felt like I was watching something worthwhile. Does this invalidate the #23 spot on the list? Frankly, no. Because the movie from what I recall felt generic. And speaking of recalling things, recalling everything about this movie is harder than Minesweeper! Remember that game?

#22: Jupiter Ascending (2015)

Fun fact about this next movie, in regards to release dates in the United States, this next film came out the same weekend as the one I just talked about. What is this next film? “Jupiter Ascending!” That’s what it is! “Jupiter Ascending” is quite honestly a film that I was desperately looking forward to. I was very disappointed that it was delayed from its original July 2014 release date into February 2015. The trailers looked great, the effects were eye candy, and it looked like it would make for a fun theatrical experience. It had good actors attached like Mila Kunis (Family Guy, Ted) along with the directors behind “The Matrix,” AKA the Wachowskis, but this film becomes more disposable the more I think about it. While it was, admittedly, an AMAZING theater experience, watching it on a standard TV does not really provide the same effect. Because while the film has an awesome musical score and great visuals, the story and dialogue are not the finest at times. I would definitely watch this film again for the action scenes, but definitely not for any of the writing. Channing Tatum didn’t even promote this movie when it was coming out. It’s that bad! As for Jupiter Jones, she does not really do much to resemble a proper protagonist other than simply be the center of the film just… because. For someone who is such a core character in the film, it feels weird that she is in distress as much as she is. Again, the visuals are breathtaking, and I would watch this movie as part of a tech demo, but I’d rather watch the “Matrix” sequels again than whatever this is.

“I love dogs, I’ve always loved dogs.” -Jupiter Jones

Shut up, Meg.

#21: Suicide Squad (2016)

Much like “Jupiter Ascending,” “Suicide Squad” was a fun time at the movies, but a lackluster experience watching it at home. I will say though, having already watched this film at home, the only time I watched it at home was at the beginning of 2017 and I popped in the extended cut of the film. I didn’t really feel much of a difference in terms of content, but in regards to the main movie, I became angrier than I thought I would about it. While Viola Davis is a solid actress, her character, specifically Amanda Waller, is one that I did not really enjoy watching. I didn’t really approve of all her actions in the film and she just left a bad taste in my mouth. Harley Quinn steals the show due to Margot Robbie’s performance, making her a solid character. But unfortunately, when it comes to the main heroes, Quinn is almost the only one who happens to shine. Deadshot’s okay, Katana’s alright, Killer Croc… looks pretty cool. But if I were to tell you who my favorite character in “Suicide Squad” happened to be, I’d go straight to Harley Quinn because she was pretty much the only one who had any charisma. I will say, when it comes to The Joker, he was not that bad. Of the Jokers I’ve seen on screen, he’s definitely inferior to others, but he’s also not a travesty by any means. Jared Leto played the part well and when it comes to this universe, I’d say his portrayal worked fine. Although I do think the movie maybe could have been better if they’ve utilized him more. This is also one of those movies, again like “Jupiter Ascending,” that had fantastic marketing leading up to it. The early trailer for “Suicide Squad” with Bohemian Rhapsody playing in the background was worthy of two thumbs up and raised the bar of excitement for me. “Suicide Squad” to me is the worst of the Detective Comics Extended Universe films. At least it’s uphill from there with films like “Wonder Woman” and “Shazam!.”

#20: Grown Ups (2010)

I don’t have a magical crystal ball, so I cannot go back in time and see exactly how many people were looking forward to “Grown Ups” when it was coming out. While I did not go see this movie in the theater, it was one I was curious about. But as I watched it, it didn’t stick with me. Now, from what I’ve heard, when it comes to Adam Sandler movies, “Grown Ups” is not as bad as “Jack and Jill,” which I have not seen. But this is one of those movies that the more I think about it, isn’t really as funny as I would want it to be. When you have renowned comedians like Adam Sandler and Kevin James in the mix, I probably would want a little more. And this comes from someone who likes Sandler’s earlier movies like “Happy Gilmore” and “Big Daddy.” This also comes from someone who really enjoys “King of Queens,” the nine-season sitcom starring Kevin James. RIP Jerry Stiller. Arthur Spooner for life. These two comedians have provided some thumbs up-worthy content for me over the years, and it’s disappointing to see these two, along with other cast members such as Salma Hayek, in something like this. I will also point out, even though the sequel is probably not remembered as the greatest of all time, I honestly think I enjoyed “Grown Ups 2” more than the original. Feels weird to say that, but it’s true. I did catch the movie on TV a few times and it did catch my attention, but it’s not one I’ll always remember for its quality. At this point, I only remember one or two scenes being remotely comical and well executed, and it was fun to see Cape Cod on screen. I say that mainly because I was at the waterpark where they shot part of the movie almost around the same time when filming took place.

#19: Under the Skin (2013)

Kind of like “Coco,” I do have some respect for this movie. It has a likable lead actress, some of the music suits it very well, and the vibe is seemingly perfect. So when it comes to “Under the Skin,” I have to ask… What exactly went wrong? That is a tough question to answer. Because for one thing, there are positive aspects about this movie. It just however wasn’t enough to keep me entertained. It is a seductive, hypnotizing film, and it honestly goes on to reveal the proper acting chops of Scarlett Johansson. Although the more I reflect on the film, the less I remember. I remember scenes in the car, I remember all the trippy s*it, but can I describe it all in detail? Absolutely not. This is probably one of those films that I probably need to watch again to fully appreciate, but with so many other movies out there, I am going to have to debate on whether or not such a notion is a proper idea. And if you think I am one of those people who cannot watch a film that is “too slow,” ask me what I think about “2001: A Space Odyssey” and I’ll tell you that it is arguably in my top 5 sci-fi films of all time. At times I was bored during “Under the Skin,” there just wasn’t enough for me. And that’s really disappointing. The film has an 85% on Rotten Tomatoes. It was nominated for a BAFTA! It was made by A24! It has the associations of what could mark the label of a solid movie. But it just wasn’t for me. But… Scarlett Johansson is dreamy, I’ll say that.

#18: New Year’s Eve (2011)

Before I saw this movie, I heard from others about how bad it was, but I went in with curiosity. I have not seen all of Garry Marshall’s holiday-themed movies, but they are not good, man. And “New Year’s Eve” is just a prime example of that! This movie takes a bunch of prominent actors who have perfected their craft and wastes all of them! Halle Berry is in this movie? You might as well be watching “Catwoman” at this point! Sofia Vergara showed up here? Just because she’s in an award-winning sitcom, doesn’t mean that will automatically make this movie good! Robert De Niro’s here?! Oh, the horror! There’s almost no redeemable, likable, or watchable scenes in this mess. Out of all the big holidays, New Year’s Eve is one of the few that I bend over for more than others. And honestly, this year, it’s gonna be pretty f*cking rad if you ask me, because I have never wanted to say goodbye to a year more. I’m just hoping we find a cure to COVID-19 by December, otherwise the ball drop would be just as boring as me dropping a ball from my hand to my bedroom floor. The problem with this movie is that there is no real center of the story to attach to. Yes, it’s called New Year’s Eve, and that’s what the movie is about, but it just doesn’t have one specific character that I can attach myself to more than any other. It’s kind of like “Dunkirk,” except that “Dunkirk” is a freaking awesome movie! “New Year’s Eve” is just a waste of time. And this comes from somebody who was really curious about this movie just from the title alone. I will also add, the scene where the ball actually drops is not even that great. Your movie is called New Year’s Eve, centers around the ball drop in Times Square, and you manage to f*ck that up out of everything! Unbelievable!

#17: Allegiant (2016)

If you ask me, I was never a huge fanatic when it comes to the young adult genre. If I had to pick what movies within the genre would have to be the best in regards to this previous decade, it would probably have to be “The Maze Runner,” although it doesn’t say much. One of the franchises that I thought had a lot of potential is “Divergent.” I went to see the first movie in the theater, enjoyed it. Saw the second one, liked that one even more. Then the dreaded third one, otherwise known as “Allegiant,” happened. Out of the three movies in this franchise, this one is easily the most forgettable. It had the worst box office total out of these movies, and it was also one that I will admit, was not the best in terms of marketing. When I saw marketing for the first movie in the franchise, “Divergent,” it felt badass, it felt raw in some ways. This however, just focused too much on the lovey dovey s*it. I didn’t really care about any of the characters, even though most of the actors give halfway serviceable performances. It’s not Oscar-worthy or anything, it just works. As for the visual effects, they feel like visual effects from 2007 that’s trying to gloss itself up for 2016 standards. It felt like everything was out of an overpolished Nintendo game! Even the people behind this movie must understand what exactly they’ve put out, because this movie we know today as “Allegiant” was once going to follow the footsteps of “Harry Potter” and “The Hunger Games” and get f*cking greddy by splitting the last film into two parts. For those of you who have read the “Divergent” books, which I have not done by the way if this adds anything to the table, “Allegiant” is the third and final installment to the franchise. Or, at least the original trilogy, because there is additional material afterwards. If you are wondering where that second part to “Allegiant” is, forget about it. It was supposed to go straight to TV, but it never got made! So this franchise remains unfinished! And don’t even get me started on how much they surprisingly succeeded on making Miles Teller the most annoying piece of s*it of all time. His character… Is something else. He’s honestly headache inducing, which is really sad as this movie truly does waste this actor who based on his performance in movies like “Whiplash,” has terrific chops. I may have alleged myself to the “Divergent” franchise at the beginning, but in the end, it crashed and burned. What else can I say?

#16: Sully (2016)

For the record, this is another movie that I honestly enjoyed. It is a film that I bought on Blu-ray and continue to own to this day, I just felt underwhelmed by it when I watched it. I’m talking about “Sully,” directed by Clint Eastwood, who honestly has not done his finest work in recent years, and this is just one example. There are essentials to a good flick here. Tom Hanks gives a solid performance, which should not be surprising at this point. Everything involving the plane crash had my attention. In fact, given how that is a major selling point of the movie, I applaud the crew for sticking the landing on that. No pun intended. Everything else in the movie is technically entertaining, but it doesn’t mean I was not almost bored with what was on screen. I think one of the main problems with this movie is that it starts with something that honestly feels kind of climactic, and as it goes, nothing really matches that or has that tremendous of an effect. A plane crash feels like something that would happen to symbolize an end of a movie rather than the beginning. But because everything else feels like it has the vibe of buildup when it is really what is supposed to come later, it just feels unfulfilling. I understood what was happening and the movie itself was competent, but it just did not give me an impact that felt happened to be gripping or enormous. The movie doesn’t crash land into disaster territory, it’s just not maybe as satisfying as I would have hoped.

#15: Flight (2012)

Speaking of movies with plane crashes that start out with perhaps the most climactic part of the movie, the next entry to the list is “Flight” starring Denzel Washington and directed by Robert Zemeckis. Honestly, even though I will forever credit Robert Zemeckis for directing the entire “Back to the Future” trilogy, I will also call him out because “Flight” might be his worst movie. And kind of like “Under the Skin,” this is a notion that I am disappointed to say, because this did get some awards buzz. And to be fair, the production value and acting is not that bad in this movie. I can see why Denzel Washington got an Oscar nomination. But this movie honestly bored me. I will admit, it has been years since I watched it. But all I remember is the plane crash and anything that happens after it is on a downward spiral in terms of pacing and enjoyability. I will say, I bought this movie on Blu-ray, and having paid $3.99 for it, I could have ended up with worse. At the same time, I expect more out of movie like this. Even though it did get a nomination for Best Original Screenplay at the Academy Awards, it did not have my attention. Although it has been years since I popped it in my player and last watched it. Maybe it’s better the second time, but I don’t know for sure.

#14: The Revenant (2015)

Leonardo DiCaprio won his first Oscar for this movie… Which, yeah, he was great, even though I really wanted Matt Damon to win for “The Martian.” Just being honest. With that said, “The Revenant” is not as great as some make it out to be. Yes, it won Best Picture-Drama at the Golden Globes. It was nominated for get this, TWELVE Academy Awards! It had a pretty good trailer leading up to it. I really did have interest in this movie to get me to go see it in the theater. In fact, when I saw it in the theater, it was worth the price of admission because of how well presented it was. The cinematography is outstanding, which should not be surprising as it is directed and shot by the same duo who worked on “Birdman” together. “The Revenant” has some of best individual frames of the decade. The bear attack in this film was… alright, I guess. It was probably not as hyped up as I have heard from other people. At a runtime of two hours and thirty-six minutes, I kind of wish much of that runtime gave me something a little more epic. This movie is surprisingly slow at times. At times it works, but some of the time it doesn’t. I will admit, the effort put into the movie through performances by Leonardo DiCaprio and Tom Hardy plus the directing from Alejandro G. Iñárritu makes up for its faults. However, when it comes to movies nominated for Best Picture at the 88th Academy Awards, I’d rather go back and watch “The Martian,” I’d rather go back and watch “Room!” Those movies are killer, by the way!

#13: The Hunger Games (2012)

I was 12 years old and in middle school when this movie came out, and everyone in my classes DID. NOT. STOP. TALKING. ABOUT THIS FRANCHISE. I read the first book for the franchise and put it down, and while I enjoyed this movie the first time, it just got worse the more I thought about it. I’m talking about “The Hunger Games.” Now, was I looking forward to watching the movie based on “The Hunger Games” when it was coming out? Most likely. Because it was the big phenomenon of 2012. Thankfully, my cousin gave me the book to read. I didn’t even make it halfway. That should have been a sign of what was to come during the movie, which I nevertheless looked forward to. I was a little nervous going into the movie the first time I watched it because I didn’t finish the book (this was a couple months after I started reading it) and I probably had some sort of unfulfilled commitment. While I did enjoy the movie the first time I saw it, I watched it a couple more times and it really does not hold up. The dramatic portions of the film don’t feel as high as I’d want them to be, I don’t like the color grading at times, and some of the cinematography is not that great. Jennifer Lawrence is a likable actress. In fact, she’s in this movie with Stanley Tucci and Elizabeth Banks, who are also respectable names in the industry, but this film is dramatically overhyped. There was even a point where I wrote an entry specifically for my 25 worst films of the decade, but I did not use it mainly because I feel that this film is more overhyped than it is incompetent. In fact, I’ve used part of what I’ve written for that entry at the beginning of this specific entry. Want to know what I ended with? Well, here ya go!

I own the movie on Blu-ray, but perhaps the only reason why I still own it to this day is because a lot of my friends who have connected with me throughout my life know what “The Hunger Games” is, and if the opportunity strikes to just sit down and watch a movie, chances are they might choose that. Although I am not completely sure because knowing our disposable society, “The Hunger Games” was likely just a fad for the time being. I am honestly not even a fan of the franchise, I do like the second film, but I still have yet to see the third and fourth, and the reason is because I refuse to pay for two parts. Thanks a lot, Lionsgate!

#12: Ant-Man and the Wasp (2018)

“Ant-Man” is currently in my top 5 MCU films. When they announced a sequel to “Ant-Man,” I was pretty excited because the first one was a total surprise. I didn’t really expect much from it, I thought it had one good trailer, but I was not sure if that was going to translate to a great movie. However, it was brilliantly written, nicely weaved in one specific outside Marvel character, and Paul Rudd plays a really good “Ant-Man.” Now let’s jump to 2018. The first trailer for “Ant-Man and the Wasp” drops… Ehhhh… Then “Avengers: Infinity War” comes out, it’s my favorite Marvel Cinematic Universe movie yet, and then all of sudden, I’m excited for “Ant-Man and the Wasp” again. Then I saw the movie… The movie is not bad by any means, in fact, when it comes to 2018’s comic book movies, I’d rather watch this again than “Venom.” But “Ant-Man and the Wasp” is a massive step down from not just the recently mentioned “Avengers: Infinity War,” but also, and perhaps more importantly, the first “Ant-Man” film. The first “Ant-Man” was an exciting heist adventure with compelling characters and Paul Rudd at the center of it all. Here, Evangeline Lilly, who I happen to like as an actress, becomes more of a prominent character as she becomes The Wasp. Their chemistry is fine, but while the film is trying its hardest to be lighthearted fun, the stakes almost don’t even feel like they are there. And while this could be somewhat intentional due to “Avengers: Infinity War” probably being the biggest film Marvel has done in terms of stakes up to this point, it feels like a sacrifice as the film is fun, but nearly uneventful. Oddly enough, this film has what could be the most useless end credits scene in the history of the MCU, where a human-sized ant is playing the drums because… Paul Rudd did it in the movie, so it needs payoff for some reason. However, I will admit, this movie also has what could arguably be the best end credit scene in the MCU, where it basically teases where the movie’s characters are going to be and what they’ll be doing in “Avengers: Endgame.” In fact, I put up a tweet regarding the end credit scene shortly after going to see “Ant-Man and the Wasp” in the theater.

I love how the MCU is such a unique movie property trying to tie in so many characters and stories in at once, but when the main story is not as good as what comes after it, it’s kind of a weakness.

#11: Moonlight (2016)

Coming in at #11 is a movie that is probably going to piss a lot of people off, partially because it was not only nominated for Best Picture at the Academy Awards, but it actually won it. Ladies and gentlemen, I give you “Moonlight.” The Best Picture? Of the Academy Awards? Are we sure it’s not “La La Land?” Now, I saw the movie after it won Best Picture, because it was still playing in theaters and I thought I’d give it a shot. While I did think the coming of age story was definitely watchable, I did not feel compelled the entire time. There’s one specific scene that I feel goes on for way too long, the movie starts out pretty solid, and while it continues to be pretty good, it’s on a downward slope in terms of quality. And I will admit, the movie is well made. The cinematography is beautiful. The color grading fits the tone quite well. The acting is top notch. Mahershala Ali earned his Oscar win for Best Supporting Actor. Also, it felt natural seeing Chiron’s character age, it did not feel like watching three different characters. Maybe I’m not in the right audience for this movie. I’m a straight white male. This movie deals with sexuality and identity, which are issues that I don’t struggle with. While can say I connected somewhat emotionally to the protagonist of the film, I cannot say I specifically embody the same traits as him. If you ask me, if the real Best Picture of 2016 was “La La Land” and that was not a mistake, I would approve, because I’d rather watch that movie again.

#10: Logan Lucky (2017)

Coming in at #10 is a film with a terrific cast, an acclaimed director, and a somewhat intriguing concept behind it. So, what went wrong? I don’t know! Nevertheless, “Logan Lucky” is probably one of the biggest drags of a film I have seen in recent memory. And it’s really sad to say that because this film has so many big names attached who are respectable in the industry, just from the cast alone! Channing Tatum! Adam Driver! Daniel Craig! Sebastian Stan! Seth MacFarlane for crying out loud! All these people are talented, but unfortunately, I could barely keep myself awake for whatever fresh hell this was. The funny thing about this movie, looking into the future, is that it is directed by Steven Soderbergh, who is known for films like “Ocean’s Eleven.” But what’s funny about that notion is that months later Soderbergh would come out with another movie by the name of “Unsane,” which by the way is free on Prime Video. Unlike “Logan Lucky,” which was beautifully photographed through a Red Epic Dragon camera, “Unsane” was shot primarily using an iPhone 7 Plus! Just goes to show that looks are not everything and without a good story, your movie is probably not going to be all that watchable. It was hard for me to connect with anybody, and it’s just as dull as watching paint dry. That’s even with the utterly wacky Daniel Craig performance somewhere in the mix! Kind of crazy if you ask me!

#9: Night at the Museum: Secret of the Tomb (2014)

One of my most nostalgic films is 2006’s “Night at the Museum,” it was one of the first films I have seen in the theater, and to this day, it is one of the more experiential films I have seen. As a comedy, it’s fun for all ages. It’s sequel, “Battle of the Smithsonian,” could arguably be better than the original due to Hank Azaria’s performance as Kahmunrah, and a good of number of the gags. I don’t know how many people would agree with me, but that’s just how I feel. “Night at the Museum: Secret of the Tomb” however is a film that quite honestly did not hit me the way I wanted it to. While I will say that the trailer for the film is not the finest in the world, I was still stoked because I love the property. Ben Stiller as Larry Daley is one of the better roles I’ve seen him in. The plot of “Secret of the Tomb” talks a good game, because it does that traditional sequel thing where you supposedly have to go bigger than the previous films. The first film took place entirely in New York. The second one expanded to Washington DC. As for this one, it’s out of the United States. Bigger doesn’t always mean better. And yes, much like the other two “Night at the Museum” films, this one has comedy that lands. There’s a great bit where the character Lancelot comes across a play of “Camelot” featuring Hugh Jackman and Alice Eve. Jedediah and Octavius spend some time on mini Pompeii before the volcano explodes. The movie does have some creative elements intact and some enjoyable aspects tied into it. But I’d rather go back and watch the first and second movies again. Oh, and Rebel Wilson is in this film too… Why is she here? Who invited her to this sham of a party?

#8: Transcendence (2014)

There are particular facts that you have to carry with you all your life. The only things that are certain happen to be death and taxes. In the event of a tornado, driving into a tornado is not the smartest idea to keep yourself safe. Also, “Transcendence” is f*cking boring! Johnny Depp is an enigma of an actor, because over the years, despite being credited with some solid performances, he’s had a good amount of bad days at the office. Maybe because he got too attached to Tim Burton for all I know. Out of all the bad days at the office, this is probably the one where the TPS reports make you want to break your computer. “Transcendence” is one of those movies that has a cool concept, but is executed in such a poor manner. The trailers leading up to “Transcendence” were attention-grabbing and seemed to promise something worth watching. While I did miss “Transcendence” in the theater, I bought the DVD and it’s safe to say that it is one of the least worthwhile purchases I’ve made in my life. I’ve popped the movie in once or twice and fell asleep. The time I did watch the film and I actually managed to make it through the whole thing, sleeping probably felt like the best option as this movie was a complete borefest and a trainwreck. I could barely tell you anything that happens in this movie past the second half. All I remember is that it takes place in a desert, things go crazy, and no semblance of quality exists. Plus, this movie is directed by Wally Pfister, the cinematographer of “The Dark Knight.” While this is his directorial debut, it is very disappointing to know that even after doing a few movies alongside Christopher Nolan, he cannot whip up a quality product himself. Nobody could save this movie! Not Johnny Depp! Not Rebecca Hall! Not Paul Bettany! Not Cillian Murphy! As for the screenplay written by Jack Paigen, it’s got the pacing of a turtle! Believe it or not, this is his first screenplay he’s officially credited for, so maybe I’m being a little harsh, but it’s not always the best indicator of fine art when you have this $100 million movie and both the screenwriter and director have never been credited for anything in this spectrum of their craft! GAH! …At least Pfister will forever have my respect for being the first cinematographer to shoot a major Hollywood movie with an IMAX camera, so there’s that.

#7: Pacific Rim: Uprising (2018)

“Pacific Rim” is a fun movie. It has the concept of “Power Rangers” and blends it excellently with the vibe of “Transformers.” I saw the film in IMAX, enjoyed it, and eventually got the 4K Blu-ray for Christmas, so I have fond memories of this film. Oh, wait did I say “Pacific Rim?” I’m sorry! That’s the good one! “Pacific Rim: Uprising” on the other hand is a total bitch of a movie! This is yet another movie that I was looking forward to simply from the concept, but what really got me onboard was the first trailer for it. Just like the first movie, it looked like it was trying to pack in as much fun as possible. And with a mega-star like John Boyega at the forefront, it must have been a recipe for excellence! Fun fact… This movie takes place ten years after the point where the original leaves off. Here’s another fun fact, it nearly feels as if it takes about ten years to get through this stinkin’ mess! Unlike the first “Pacific Rim” directed by Academy Award winner Guillermo del Toro, which had tons of soul put into it, this film was directed by Steven S. DeKnight, who has never directed a film prior to “Pacific Rim: Uprising.” He’s done TV shows like “Daredevil” and “Smallville,” but when it comes to films, this is his debut. “Pacific Rim: Uprising” honestly feels more like a movie that was a studio plot to start a franchise than anything else. Aside from that, Charlie Day’s character may be more annoying than Flo from Progressive trying to change every conversation at a party to be about insurance! “Pacific Rim: Uprising” reminds me a lot of “Independence Day: Resurgence,” which was a sequel that was perhaps more long-awaited, although maybe less wanted at the same time, but both movies make massive time jumps, yet cannot help but force reflections that tie into their original counterparts. Where did all my IQ points go? Guess a Kaiju destroyed all of them! That’s the only solution I can come up with at this point!

#6: Shrek Forever After (2010)

Coming in at #6, is the worst animated movie on this list, “Shrek Forever After!” Now “Shrek Forever After” is marketed as the fourth and final chapter in the “Shrek” franchise, that is unless you count the 2011 spinoff “Puss in Boots,” which is a pretty good movie. As for this one, it’s kind of like that TV show that your friend tells you to watch. It’s that show where your friend warns you, “The first couple seasons are good, but don’t watch the final one!” Although, “Shrek the Third” was not that well received either technically speaking, but I find that movie to be more watchable than this. It has been years since I watched “Shrek Forever After,” but I still remember being let down. When you market your movie as the final chapter, there has to be something that puts a bow on the franchise that makes the finale grand. This, honestly just didn’t work. And the ending, if you ask me, is rushed and barely even counts as climactic. The first couple of “Shrek” films had better endings than this travesty! Especially “Shrek 2,” which may have put have put out a cover song of Bonnie Tyler’s “Holding Out For A Hero” that might be twice as good as the original! The concept is interesting, seeing Shrek wanting to return to his roots at times was quite entertaining. But in a franchise full of happily ever afters, this movie is the one that brought me at the closest point to becoming an ogre than any other.

#5: The Favourite (2018)

Between massive awards potential, a stunning cast, and an acclaimed filmmaker, “The Favourite” may have had a formula for success. Guess what? It succeeded! …At failing to impress me. Given how this film was getting tons of awards buzz, I figured I’d give it a shot at the cinema. However, this movie tied me to a horse and dragged me across grass for a couple hours! It’s boring, it’s nearly feels pretentious, it’s horribly paced, and I couldn’t stop wondering when it would actually end. If you ask me, the performances are fine. Olivia Colman is alright, I wouldn’t say she was my pick to win an Oscar, in fact of the nominees listed for that specific ceremony, I probably would have picked Lady Gaga for “A Star is Born,” but that’s just me. Emma Stone and Rachel Weisz are also competent as their own characters. Technically speaking, “The Favourite” is a solid movie with detailed set design, gorgeous framing, well put-together costumes, and a somewhat neat score. Story-wise however, while I was compelled at times, it did not do much to leave me satisfied. As the movie went on, I began to tune out, just being honest. For a movie called “The Favourite,” it’s really ironic how this turned out to be one of my least favorite films of 2018. It nearly made it into my honorable mentions on my worst list for that year! This is also yet another example kind of like “Jupiter Ascending,” of how a movie can look visually appealing, but fail to deliver on the story. This movie nearly touches the two hour mark, but if you ask me, I think based on my experience, it felt like three hours! It’s a drag!

#4: Guardians of the Galaxy Vol. 2 (2017)

Coming in at #4 is “Guardians of the Galaxy Vol. 2!” The original “Guardians of the Galaxy” is a FUN movie. It has comedy! It has a killer soundtrack! It has a likable group of characters from Starlord to Gamora to Rocket! When it comes to 2014, it might as well have been the movie of the summer, as it became the year’s highest grossing superhero film, not to mention the year’s third highest grossing film period. Since this was a big box office hit, a sequel was perhaps inevitable. And when the first main trailer came out, I was hyped, because much like the first film, the comedy stood out. There was one joke that was shown at the end that introduces Mantis that made me switch between the mood of simply checking the movie out “because, why not,” to “absolutely needing to see it now.” Aside from “Wonder Woman,” “Guardians of the Galaxy Vol. 2” was my most anticipated film of 2017. But when I saw it with 500 other people, I wondered if I was on drugs, or if everyone else was on drugs. I say so because the audience I was with pretty much laughed at every joke that came up, but I on the other hand remained silent for perhaps most of the film. And honestly, Baby Groot sucks. Even though inserting Baby Groot is technically appropriate for picking up where the Guardians left off, it almost feels something as simple as a ploy to get people to buy more toys. Now I understand that Marvel movies are expensive, it costs a lot to make them, but still! I didn’t find him cute, I didn’t find him that charming, maybe I’m just a horrible person! It feels like there are too many scenes in the film where the characters are doing something and Groot just is shoved in there because… Baby Groot’s gotta Baby Groot! I will admit, when I first saw this movie, it was at a sold out IMAX and I was in the front row, so I was not in the best mood. But if you must know, I did see it again on a separate occasion. I laughed more, but I also remembered how much I didn’t like Baby Groot, and how much of a step down this was compared to its original counterpart. Even though there is an argument to make that the original “Guardians of the Galaxy” is slightly overrated, it lives up to the hype. It’s hilarious, fun, and visually stunning. Sure, some of the fun is there in “Vol. 2,” but the comedy feels absent! The effects and shots in “Vol. 2” however are some of the finest I’ve witnessed in the MCU, so I’ll give credit where it’s due. I have respect for James Gunn, because he’s kind of a wacky director, and this does feel like a personal movie from his end, but in some ways, the movie failed to hit me. Sure, it had a great villain, which at some points, is rather odd to say in regards to the MCU, but it’s true! Still, if it were a Friday night and I had some friends around, I’d probably pop in the first film as opposed to its sequel.

#3: Avengers: Age of Ultron (2015)

Speaking of the Marvel Cinematic Universe, one of the most anticipated films of 2015 for me was “Avengers: Age of Ultron.” Now… Is it fun? Yes. Is it action-packed? Absolutely. …But it’s “The Avengers,” man! The freaking “Avengers” of all the heroes! Why is it that apparently “Guardians of the Galaxy” and “Captain America: The Winter Soldier” are some of the most solid films in phase 2 of the MCU and “Age of Ultron” is nearly the worst? Heck, even “Ant-Man,” which was the much smaller (in a literal sense) MCU installment to come out in 2015, is twice as good! I will say that this film is better than “Thor: The Dark World,” but when it comes to the MCU, that film is not hard to beat. This was a film that I felt an enormous need to see opening weekend. Every trailer captivated me and made me want to go see it. Joss Whedon, who did a solid job with the first “Avengers” film in 2012, is back in the chair again. The movie almost looked like it could be pretty dark as Robert Downey Jr.’s character of Tony Stark seemed to be going on a bit of a downward spiral from what I have seen in marketing. The trailers always caught my attention and promised something absolutely special. But instead, I got mediocrity shoved right in my face. Ultron is a slightly charismatic villain, but again, in Marvel’s first couple of phases, the villains did not always stand out. Also, you know how a lot of blockbusters are often defined as explosive popcorn movies? “Avengers: Age of Ultron” not only fits that bracket quite well, but to my surprise, it focuses way too much on being stylistic than effectively dramatic. It almost feels like Zack Snyder or Michael Bay could have directed this film at times. There are positives to it. It’s got funny at moments here and there. Some of the hero characters stand out, which they should. There’s a great gag involving mjolnir, AKA Thor’s hammer, and this also features one of the better Stan Lee cameos. Surprisingly, if you ask me what my thoughts are on the moments between Hulk and Black Widow, those did not annoy me as much as other people. In fact, “Age of Ultron” did little to annoy me, but I figured in a sequel as big and as highly anticipated as this, it could have lived up to a higher standard. I say this specifically not just regarding “Avengers,” but perhaps all Marvel movies, “Age of Ultron” has one of the weaker climaxes. While it is fun to look at, it doesn’t feel like there’s more to it than eye candy. This movie just feels like an excuse for Disney/Marvel to throw $365 million out the window. Which, in the end, probably wasn’t the worst idea as this movie joined the billion dollar club. Although I will admit, even though I think Joss Whedon, alongside everyone else involved, did a better job with the original “Avengers” movie, I do feel bad for some of the harsh feedback he got, because it’s a major factor that got the famous director to quit Twitter. Nevertheless, “Age of Ultron” is not only the worst “Avengers” movie, it is almost the worst movie of the MCU’s phase 2.

#2: Midsommar (2019)

These last two movies on the list are from 2019, which makes me even more satisfied that the year ended with a ton of solid movies from “Parasite” to “Ford v Ferrari” to “Knives Out” to “Uncut Gems.” In the middle of the year, specifically, July, my most anticipated film of the summer came out. While I did wait a month to see it and happened to be rather giddy when I finally got my chance, it was not even close to worthwhile! Ladies and gentlemen, I give you the runner-up of the disappointing list, “Midsommar!” This is a disappointment if there ever was one. “Hereditary” is probably one of the best directorial debuts in recent memory. Ari Aster made me believe that he had a very bright future ahead… Then we got “Midsommar.” Leading up to this film, “Midsommar” was described by Ari Aster himself to be “a ‘Wizard of Oz’ for perverts.” Having seen the film, it’s not that! “The Wizard of Oz” is a story that takes place in a magical and mystical land! It’s all happy and colorful! Here, it tries to be colorful, it tries to be quirky, but it is perhaps almost the most annoying movie I have ever seen. While the cinematography is beautiful and the directing job from Aster is worthy of a thumbs up, the movie itself pisses me off to no end. Even though Florence Pugh is a likable actress, I cannot say that her character is as likable or charming as her. She honestly probably gives what could be the weirdest and one of the most unreal cries I have heard in a movie. If anybody has seen the first few minutes of “Midsommar” and remembers the cry that Florence Pugh gives, do you cry like that? Do you know anyone who cries like that? I don’t, personally. It’s a thing that I’ve noticed from Ari Aster, because I remember there was a scene from “Midsommar” where I noticed some weird crying as well. If anybody really does cry like this, I want to know because I may be keeping my head in somebody’s ass here, but… I just don’t have much experience hearing cries like the ones from Ari Aster’s films. As if Florence Pugh didn’t play a fine character, the supporting characters are also nearly unwatchable. Most specifically, Florence Pugh’s so-called friends. There was almost nobody I really rooted for in the film. And while this film tries to be pretty scary, it fails. Again, it’s more annoying than anything else! Even the delightfully strange moments don’t make up for its faults! Maybe if I had less anticipation for this film, it would either not make the list or be somewhere on it that’s lower. But again, this was one of my most anticipated films in regards to the summer of 2019. What was the most anticipated? Not sure. Could have been this, maybe “Ready or Not.” Because that had a kick-ass trailer! To add more disappointment, this opened around the same time as “Spider-Man: Far from Home,” which even though Spidey is my favorite superhero, the trailers for “Far from Home” were pretty terrible. Between an underwhelming first trailer, and unexpectedly dropping massive spoilers for “Avengers: Endgame” in a later trailer, it left a bad taste in my mouth. “Midsommar” was a film that felt like a pretty unique experience. Plus, it’s from A24, which is a studio I often respect. They helped put out some of my favorite movies from the past decade including “Room,” “The Disaster Artist,” and “Eighth Grade.” “Midsommar” is in competition with “The Witch” to perhaps be my least favorite A24 film. It’s kind of sad if you ask me. Again, this film is not scary. And I know some people have probably pointed out how “gross” it is. I never really found it to be disgusting or gross. I just found it to be an annoyance.

But you know what the sad part is? It’s not the most disappointing film of the decade! Not even the most disappointing of 2019 as a matter of fact! This past year came so close to being a lackluster year for film.

#1: ???

Alright, we’ve made it! #1! What could it be? Well, here’s some things I’ll say! This movie, as mentioned, came out in 2019. It’s a movie that has been featured on Top 10 WORST Movies of 2019, and in regards to this series, I put it in THE WORST 25 countdown. What is it exactly? Well, it’s not “The Aeronauts.” That did not make it on my top 10 worst, and it’s already #25 here. It’s not “Midsommar,” I just talked about that. It’s not “IT: Chapter Two,” it’s not “Serenity,” it’s not “Star Wars: The Rise of Skywalker,” it’s not “Dora and the Lost City of Gold,” and it’s DEFINITELY not “Cats” as I had no expectations going into it. My #1 most disappointing film of the 2010s is… FEATURED IN THE CLIP BELOW!

Oh my God. Zilla. I’ve said that before, but that saying has never made more sense than it does right now. Because my #1 most disappointing film of the 2010s is “Godzilla: King of the Monsters.” I am not the biggest “Godzilla” fanatic, but even I was uber-excited for this movie. At 2018’s San Diego Comic-Con, they dropped the first trailer for this film and it pumped me up like a balloon! Aside from having stunning visuals and some cool monster action, it had a BEAUTIFUL redo of “Clair de Lune” playing in the background. But little did I know at the time, that distracted me from the reality that this movie was visually beautiful, but as a story, it is a complete wreck! Nearly none of the original human characters make a return. Instead, we get new characters played by some well-known actors including Vera Farmiga, Kyle Chandler, Thomas Middleditch, and Charles Dance. All of these actors have experience and are culturally respected. Just because this movie has big names, does not mean it’ll be a big success. In fact, it’s a monster-sized failure! Even though it made about double it’s budget, it’s still a disappointment after raking in $386 million worldwide. The movie made less money than its predecessor from 2014, simply titled “Godzilla,” which took in $529 million worldwide against a slightly smaller budget than this dreaded sequel. Why did this movie fail? It’s hard to come up with one simple answer. It’s one of those movies, probably like “Batman v. Superman: Dawn of Justice” that did not sit well with critics, but for casual moviegoers and people who are simply fans of “Godzilla,” it was worth watching. After all, the audience score for “King of the Monsters” is 83%, nearly double of the critic score, which sits at 42%. Maybe the low critic score influenced the audience’s thinking patterns. But then again, “Aladdin” came out the week before, so maybe people were still into that.

When I come across a good number of positive thoughts for “Godzilla: King of the Monsters,” they sometimes have one thing in common. People sometimes point out that in terms of characters, this movie is lackluster, and despite that, they still give it a positive score. Some would say that monsters fighting each other is entertaining enough. With that being said, I will admit one of the slight positives of “Godzilla: King of the Monsters” is that the monster fighting is expanded in this movie, but it’s also a negative because even though it was minimal in 2014’s “Godzilla,” it nevertheless felt special. In “King of the Monsters,” some of the camerawork during the fights is nothing to write home about, although some scenes are better than others. As for characterization, this is just like the “Transformers” movies where even though there are alternate subjects in the title, the movie chooses to focus primarily on disposable and one-dimensional human characters. They’re poorly written, they’re poorly realized, even though the actors do what they can with them. Even though an actress like Millie Bobby Brown was somewhat wasted in this film, she gave it her all, which is probably a sign that she is going to have a bright future that involves a lot more than “Godzilla” and “Stranger Things.” I have come to a point in my movie watching journey where I require more than flat characters and all pretty visuals. This is “Jupiter Ascending” all over again!

Speaking of these pretty visuals, even getting to say that they are pretty in the first place is kind of sad. Because there is a sign that people put some effort into this movie. In fact, I imagine everyone across the board did all they can to make the finest movie possible, but for some reason, when it was trying to stick the landing, it plummeted as hard as s*it! This is one of the few movies that from a visual and audio perspective, made me nearly leave the theater with a headache. I like obnoxious films that are incredibly immersive, but there was so much going on at once! It felt like I was at a concert where three bands where competing to see which one can get the crowd roaring the loudest! This movie honestly feels like that “Family Guy” cutaway where The Emperor from “Star Wars” is speaking through the formula for great dialogue in the franchise. Specifically, he says “Something something something dark side. Something something something complete.” While “Godzilla” is not “Star Wars,” replace “dark side” with “monsters,” and “complete” with “fight in Boston,” you have “Godzilla: King of the Monsters.” Yes, it does have a standout story involving a major motivation from Vera Farmiga’s character, but again, all these characters feel incredibly disposable. I mean no harm, and people are allowed to like what they like, I don’t know how all the viewers who like “Godzilla: King of the Monsters” can get past the underwhelming characters who are played by big name actors, but have to deal with a s*itty ass script! It’s cheesy, boring, and forgettable! I can have fun with a big budget blockbuster, just not this one!

To add to the disappointment, this movie could have some unfortunate ramifications going forward. After all, “Godzilla: King of the Monsters” is the third installment to the current Warner Bros. Monsterverse, which currently features prime titans Godzilla and King Kong. In fact, both titans are supposed to duke it out against each other in a future film that is supposedly coming out this year. The more I hear about that film, or more specifically, what little I even hear about that film, the less I manage to look forward to it. But when it comes to what could happen to it regarding “Godzilla: King of the Monsters,” the poor box office total of that film could be a bad sign of what’s to come. Plus, it’s been a few years since people have seen “Kong: Skull Island,” which to be fair, was a success. “Godzilla vs. Kong” could although continue a trend of box office disappointment as it is part of a universe that might as well be shrinking in terms of relevance. One of the reasons why the Marvel Cinematic Universe is still working today is because they’re constantly cranking out films. It took a couple years between one “Iron Man” or “Avengers” film to get to the next one. Plus, in between those sorts of properties, we get other characters getting movies including Thor and Captain America. “Godzilla” took its time, and maybe was on less people’s minds. Plus, given the quality of “Godzilla: King of the Monsters,” it sort of hit me in a way that made me less excited for what’s to come. Going back to Marvel, “Avengers: Infinity War” made me excited for future movies including “Ant-Man and the Wasp” and the then untitled “Avengers: Endgame.” A bad movie can do more than just leave a bad taste in the mouth. It can leave an aftertaste that might stick for years. This aftertaste makes me look into the future and ultimately feel a tad pessimistic.

As for what that future looks like specifically, it looks like everyone might not be learning from their mistakes. After all, Eiza Gonzalez, who is set to star alongside Millie Bobby Brown as a couple human characters in “Godzilla vs. Kong,” was intereviewed in March while promoting the all-new Vin Diesel film, “Bloodshot.” She said the following during an interview for The Hollywood Reporter

“Yeah, everything’s been done. These movies take a long time because there’s a lot of CGI in them. But, yeah, we’ve done everything, and they’re just going through and creating these incredible characters. I’m just really excited to see it because it’s these two worlds colliding. The fan base for “Godzilla vs. Kong” is incredible. When I say I’m in the movie, people are like, “Oh my God.” Seeing that fanaticism and seeing how excited they are to see this movie makes me really excited; I think they’re going to be really happy. [Director] Adam Wingard is so talented. Both stories are going parallel, as you’ll see, without giving anything away. It’s a large cast as well, and it was really fun to be part of it. There’s so much going on, but the heart of it is two young girls as well, which is such a positive message for society nowadays. It’s just incredible.” -Eiza Gonzalez

So unless these two young girls are Godzilla vs. Kong bitchin’ it out against each other, I would imagine it involves Millie Bobby Brown and perhaps a character played by Gonzalez herself. Since this movie chooses to focus on humans again, I really hope there is a sense of strong effort put into the script. Because the last one made me want to go out and topple some skyscrapers!

Also, as someone who lives near Boston, this movie is an insult.

Thanks for reading this countdown! Kind of like the previous lists I’ve done in the Top Movies of the 2010s series, this could easily change as it does span an entire decade as opposed to an entire year. In fact, now that I’m in isolation, I have all the time in the world to watch more movies from the 2010s, so who knows? All these picks may be outdated in a month or two. However, if you are interested in seeing more of Top Movies of the 2010s, feel free to check out my other lists titled THE BEST 25 and THE WORST 25. Now that content becoming harder to make in these times, I am thinking of doing more of these. Maybe I’ll also do more than top 25s. Maybe I’ll go short and do top 11s or top 15s, or if I really want to cover such a massive topic, I’ll go for top 50 or top 100. I’ll have to think of a topic that can truly fit a hundred films if that’s the case, but it’s still a thought that I have. If you want to see more great content from Scene Before, follow this blog via an email or WordPress account! Also, be sure to check out my Facebook page if you are interested, I post content updates, random thoughts, and if you don’t want to follow the actual Scene Before blog, I also automatically post new content from Scene Before onto the page if you would like to check it out. But it’s your world and I just live in it! I want to know, what are your most disappointing movies of the 2010s? Is there a title I missed? Or, what other countdowns would you like to see come to life in the Top Movies of the 2010s series? Let me know down below! Scene Before is your click to the flicks!

Star Wars: The Rise of Skywalker (2019): The Final Word in the Story

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“Star Wars: The Rise of Skywalker” is directed by J.J. Abrams (Mission: Impossible: III, Star Trek), who also directed 2015’s “Star Wars: The Force Awakens.” This film stars Daisy Ridley (Peter Rabbit, Murder on the Orient Express), John Boyega (Pacific Rim: Uprising, The Circle), Adam Driver (Paterson, Girls), Carrie Fisher (The Blues Brothers, Family Guy), Mark Hamill (Kingsman: The Secret Service, Batman: The Animated Series), Oscar Isaac (Ex Machina, Operation Finale), Anthony Daniels (I Bought a Vampire Motorcycle, The Lord of the Rings), Naomi Ackie (The End of the F***ing World, Lady MacBeth), Domhnall Gleeson (Ex Machina, American Made), Richard E. Grant (Can You Ever Forgive Me?, Logan), Lupita Nyong’o (Us, 12 Years a Slave), Keri Russell (Waitress, Dawn of the Planet of the Apes), Joonas Suotamo (Star Wars: The Force Awakens, Solo: A Star Wars Story), Kelly Marie Tran (Adam Ruins Everything, XOXO), Ian McDiarmid (The Lost City of Z, Sleepy Hollow), and Billy Dee Williams (Batman, Dynasty). This film is the conclusion to the sequel trilogy of the “Star Wars” franchise, bringing an end to the now trendily-named “Skywalker Saga” and follows the heroes we have come to know so far as the Resistance is dwindled. Where do they go next? Wherever they can to face off against the First Order one last time.

Oh, and of course… There’s a REAL LIFE plot to this movie too! After the events of “The Force Awakens” and “The Last Jedi,” audiences are divided! Between playing it too safe in one movie and trying to find unlocked paths in another movie, there is no way to impress every single “Star Wars” fan out there! So now it is the job of J.J. Abrams to bring balance to the “Star Wars” fandom and take on the near impossible task of sticking the landing in terms of directing “Episode IX.”

Now, for those of you who have been following Scene Before for some time, I do have to say, I make an effort to provide as little spoilers as possible for every movie review I do. There may be a case where I either have to or want to put in spoilers for one reason or another, but most of the time, I make an effort to be as secretive as possible in regards to the film’s key points that could potentially alter how one would see the movie if it had been revealed to them beforehand. With that being said, this is a “Star Wars” movie. “Star Wars” is a franchise that I would be eternally heartbroken had spoilers for it come my way. I imagine most of my viewers would feel the same way. So let me just say, this is a SPOILER-FREE review. Knowing that I just saw the movie on one of the earliest showtimes the public can access, I am going to raise my shield to avoid all effects from blasters, lightsabers, pistols, force lightning, and if possible (and I’m not saying I am weak-minded), Jedi mind tricks. So without further ado, let’s talk some “Star Wars.”

The “Star Wars” sequel trilogy has been a mixed bag for me so far. I for one LOVE “The Force Awakens.” I’m not gonna lie, it is one of my favorite “Star Wars” movies for sure. “Star Wars: The Force Awakens” was a movie I was looking forward to, saw in the theater on opening weekend, and walked out of it feeling like I saw the second coming of Christ on screen. Every now and then I’ll walk out of a movie feeling something inside me that made me feel like I leveled up. That was one of them. In fact, it might even be my favorite movie of 2015. Is it a copy paste of the original “Star Wars” movie? Sure, you can definitely bring up that point. But the thing is, the movie did exactly what a film of its kind needed to do. Deliver crowd-pleasing moments, provide stunning visuals, unleash great characters, start something special, and take you away from reality. “Star Wars: The Force Awakens” was able to do that. I will admit, I liked “Episode III,” in fact I personally admire it much more than most people, but as someone who looks back at the prequels as a slight step in the wrong direction, what Disney and J.J. Abrams did with “The Force Awakens” was exactly what I believe the “Star Wars” community and fanbase needed. Something familiar, but immensely entertaining.

Then we got “The Last Jedi” which was… Mediocre. Now if you have ever read my initial review for “Star Wars: The Last Jedi,” you’d know I dug it. The reason being is because as much as I enjoyed “The Force Awakens,” I saw it partially as a throwback. But it’s a good throwback, don’t get me wrong. I don’t mind movies or media jumping on the nostalgia train, but I wanted something new out of this “Star Wars” trilogy that could separate them from the other two. As good as “The Empire Strikes Back” is, I was afraid that this movie, like “The Force Awakens” did with “A New Hope,” would be a rehash of “The Empire Strikes Back.” However, based on what the movie provided from a story perspective, that did not seem to be the case. The movie made some bold, expectation-subverting choices. While I admire director Rian Johnson for trying to take “Star Wars” in a new direction, it didn’t pay off. Originally, I gave the movie a 9/10 for the steps it took in finding new storytelling paths, but as I thought about the movie more, I dug it less and less. Mark Hamill is GREAT as Luke though, I’ll give the movie that. I will admit, the film is beautifully directed, it’s wonderfully shot, and the visuals are sometimes incredible. But the screenplay is almost the worst in “Star Wars” history. “The Last Jedi” felt like a passion project that ended up splattering in someone’s face. I will admit, as much as I don’t like Johnson’s vision for “The Last Jedi,” I do think he is a damn fine director with the right project. He made “Knives Out,” which is one of the best movies of the year, and I just saw “Looper,” another film he wrote and directed, and it’s nothing short of dope. I would be SOMEWHAT open to him directing another “Star Wars” project, but not writing one.

Now we’re here! “The Rise of Skywalker” is upon us. I will admit, I did not have the most pleasurable thoughts going into it. But nevertheless, I scored tickets for the first show of the film at one of my all-time favorite movie theatres, so the fan inside me felt ready for this experience. I will admit, some of the trailers were really good, and part of me was curious to see how this saga will end (until Disney needs more money and they make Episode X). What are my thoughts on the ultimate story of the “Skywalker Saga?” The top of Mount “Star Wars!” The height of the force! WHAT? DID? I? THINK OF IT?

Well… uhhhh…. It was better than “Cats.”

To be completely serious with you, I really enjoyed this movie A LOT MORE THAN I THOUGHT I WOULD going into it. “Star Wars: The Rise of Skywalker” is up there to me with “Toy Story 4” and “Alita: Battle Angel” as one of 2019’s most pleasant surprises. I could honestly end the review by pointing out that against each and every single odd, J.J. Abrams delivered something watchable. But, ending the review here would be boring, and y’all will probably feel cheated, so let’s move on.

Sticking with J.J. Abrams, he was the right choice to direct this film. I love what he did with “The Force Awakens” as mentioned earlier. And I think those who have complained in the past about “The Force Awakens,” specifically about it playing it too safe might dig this movie a little more than that. Granted, this movie relies HEAVILY on nostalgia. There are many iconic themes from John Williams that are brought back, nods to past “Star Wars” films and TV programs, the return of Lando, and Palpatine is even somehow in this movie. But even with that, this movie introduces quite a few new things. I am not exactly going to go into each and every one of them, but they are there nonetheless. In fact, as someone who doesn’t like “The Last Jedi,” I think the thing about it that I at least appreciate is its willingness to take risks. They didn’t pay off, but they are still risks. This movie was able to take me to my happy place, sort of back to my childhood, while also introducing some fresh ideas. Not all of them worked, kind of like in “The Last Jedi,” but there are some that played into how fun this movie ultimately is.

One thing you are going to hear me repeat often throughout this review is that I won’t spoil something, so bear with me here. But I want to mention that without going into much detail, C-3PO had a bit to do with the movie’s story, and I think this may be my favorite 3PO story yet. In fact, 3PO honestly feels like a necessary character for this movie to go on. And even though he has been in just about every “Star Wars” film so far, this may be the first story where I felt 3PO’s presence was required in order for certain events to take place since the original trilogy, or maybe “The Phantom Menace.” I mean, most of his stories since just involved him being in the movie to have a random character be a comic relief (which he was before, but still) or just give some random perspective of what’s going on. Well that, and he needs his red arm replaced. It’s nice seeing him in the prequels and the last couple of sequel films, but seeing him as a core part of the story here is an utter delight, knowing the legacy this character has overall.

As for our main characters, I think Rey, Finn, and Poe, the main human trio we have come to know so far throughout this trilogy are hypnotizing to watch. Seeing them on screen again was a blast, in fact there is a scene early on between Finn and Poe that might be one of the most ridiculously fast-paced and bonkers “Star Wars” moments ever. Without saying much, it involves the Millennium Falcon. Personally, the scenes involving Rey when she was separated from her friends were a bit more fun than those between her friends. Honestly, there are a few scenes between the main trio, not every scene, but there is one that stands out in particular, where I just began to question the chemistry between them. I know that one of the key differences between this and the other two trilogies is that it is the shortest of the timelines. The original trilogy spans about four or five years and the prequels last even longer. This entire trilogy lasts about a year. It’s kind of mind-boggling if you think about it. Even though you have less time to develop these characters off-screen, it still somewhat unfortunate that the movie’s quality suffered as a result.

Speaking of character flaws, let’s talk about some of the newer additions to the movie. I’m not gonna go too deep into the new characters, but what I can say about them is that they sort of make me reflect upon “The Last Jedi.” What I mean is that whenever a new character in that movie is introduced, it takes some amount of time for me to just want them to disappear. The only new character in that film that really brought something to the table for me was the one played by Benicio Del Toro because he seemed to have some hint of swagger to him. I didn’t like Holdo, I didn’t like Rose (who is much better in this movie better by the way), the force kids didn’t really seem to add much of anything. Kind of like that, the new characters introduced to this film were also kind of forgettable. Granted, they’re better than those introduced in “Episode VIII,” but nevertheless. Nobody made me roll my eyes and no one took away my dignity. Even if the new characters were not that great, you could still tell me that they were in the movie for a reason and I’d probably be on your side.

Case and point, Keri Russell’s character of Zorii Bliss. As the main adventurers are in the middle of their quest, they run into this woman, thus leading to an explanation of her past history with one of the film’s other characters. Again, I’m trying to be vague with this review, because knowing some people, they consider minute details spoilers, so I am going to fulfill those people’s wishes. I like her costume design, and I’ll reiterate, she serves her purpose when the movie needs her, but if she was taken out of the movie, I would probably not care all that much. But, movie’s gotta movie.

Speaking of new characters, I also, to my disappointment, didn’t like D-O, the new green droid that was introduced. I am not saying I was highly anticipating D-O to be the scene stealer of the film or anything, but if there was one character that was probably created SPECIFICALLY for this movie just to get somebody out of the house to go buy a toy, this would be the one. D-O is along for the ride, but it’s another one of those characters that could literally be removed from the script and bring no negative effect to the table. Well, maybe except Disney who won’t be making as much money from people who may go out and buy D-O merchandise in the meantime. It would be fine if D-O had more dimension as a character, but there’s barely anything that I could say about D-O that makes him resemble a character full of personality, and full of charisma. You can make the argument that a character like BB-8 was mainly created to sell toys, but the thing is, BB-8 is charming, serves the plot very well, and doesn’t necessarily feel tacked on. BB-8 has basically been a centerpiece to the films he’s appeared in so far, not to mention this entire trilogy. D-O could have been something special, but the somewhat lackluster writing says otherwise.

I also gotta be honest, and I don’t know if I should be entirely surprised, but General Hux has become more of a joke for each movie that he’s in. Here, it’s almost insulting. He starts out well in this film for the most part, and I was entertained when he was on screen, but as the movie gets a bit closer to finishing its first hour, his character does something that honestly got on my nerves. I am not gonna go into detail about what he does, but I don’t know if J.J. Abrams or Chris Terrio or even Colin Trevorrow years back, when he was scheduled to helm this movie, made this decision, but it come off HORRIBLY when delivered on screen. It felt like something ways off from Hux’s personality and it was rainbows and unicorns kinds of impractical. Some people I know have been somewhat displeased with Hux in “The Last Jedi,” a notion I kind of agree with by the way. However, in that movie, I still got a sense of Hux being himself. He still felt like the same character introduced in “The Force Awakens.” It felt like a sligthly natural progression. While Hux is still kind of himself in this film as well, there’s just a moment where I felt dumbfounded as a viewer watching him on screen.

I’ll say this again, Lando’s back! This is something I was personally rather excited for, because I think Lando is one of the many highlights of the original trilogy. It’s hard to list any bad characters from said trilogy, but if there are any, Lando ain’t one of them. How is he in this movie? Well, without spoiling much, he brings some fun to the table, but he isn’t really in the movie all that much. Is that a bad thing? Given the movie’s story structure, I wouldn’t say that’s a bad thing at all, but if you were expecting a Lando extravaganza, you’re not gonna get that. He plays a somewhat minor role in the film, but all of his scenes are watchable and easy to enjoy.

Now let’s get to this one of the most odd yet interesting additions to this film’s cast of characters, Palpatine. Before we go any further, let me just address that people behind this film have stated that it was always the plan to bring back The Emperor. I honestly don’t know if I buy that. I think that’s just a protective statement to avoid turning audiences off. I would have NEVER envisioned The Emperor coming back for this movie, or the sequel trilogy in the first place. Remember that first trailer for the movie? The one they showed at Star Wars Celebration in April? Once I heard Palpatine’s infamous laugh for the first time, I was shivering to my core. It was something so out of left field at the time, that it made my interest meter for the movie go up a couple notches. At the same time however, the more I thought about it, the more nervous I became. I say that because as much as I love the fact that we get to see Palpatine one more time, I was worried that his appearance here would undermine everything in previously established material. Most specifically, “Return of the Jedi,” which may be his most prominent film. Why? Becuase SPOILERS, it’s been 36 years since that movie came out, WHO CARES? He dies. And it’s not just the fact that he dies that I was worried about, I also felt apprehensive because of the way he died. The ending of “Return of the Jedi” is probably my favorite endings of the “Star Wars” franchise (aside from “Rogue One”), partially because the way The Emperor goes out is chill-inducing. Between the powerful score given by John Williams, Vader’s conflict, Luke’s near-death experience, and the massive stakes at hand, it makes The Emperor’s fate all the more meaningful and emotionally satisfying. Seeing the smoke rise from the pit is a feast for the eyes and ears, and I thought that was a fine bow tie for his character. But no, I guess for some reason he’s returned to the party. I was honestly worried for a number of reasons. Two of which I’ll give here. 1. Again, The Emperor died in a way that was satisfying and the way he went out feels like a way that would be difficult to recover from. 2. The marketing seemed to promise Palpatine, but I did not think it was clear as to how much of him we’d be getting. After all, his voice is heard a lot, but I only remember seeing him physically in probably just one TV spot. That and one of the early posters.

So how was Palpatine? Not bad, to be quite honest. There is no way, at least at this point that I could be convinced that Palpatine was supposed to be the endgame the whole time, but inserting him in this movie was surprisingly solid. I mean, you can make the argument that Palpatine’s character being a centerpiece of all three trilogies in some way bring something to the table, but I’m not sure I’d completely agree. Nevertheless, just about any character interaction with him was tense and had my full attention. Ian McDiarmid played him like Slash can play a guitar! I am not going to dive deep into his character because there is a good chance that any effective thing I can say about him would be somewhere in spoiler-territory. I’ll just say this… He doesn’t just feel like a bad guy who wants to do bad guy things. He legit feels like a threat, as he should, and a necessary part of the film’s overall story and conflict. Overall, I dug him being here.

Speaking of things I dug, one thing that stood out to me at the start of the movie happened to be Rey, and the reason for that is because she apparently is kind of the Jedi definition of a showoff. She has these abilities that I think almost no other person in history could ever achieve. I will admit, when I first saw this, I kind of liked it. This new trilogy has shown was in which the force has perhaps evolved so to have this all powerful being is not completely unbelievable. Again, I already said I dug it, such a comment about liking this might almost be irrelevant at this point. BUT… There are a couple moments where I legit thought I was watching a piece of fantastical and far-fetched fan-fiction come to life. There are some things done with the force in this movie that I do not remember seeing much in “Star Wars” prior to this movie. This movie has a point where it becomes seemingly convenient in terms of how the force works. Sometimes it might be cool, maybe even badass, sometimes it just doesn’t work. There’s a moment in particular between Rey and Kylo on a desert that I want to say I like, but the Movie Reviewing Moron part of me wants to question whatever it was I just saw.

Sticking with Rey and Kylo, they have a number of scenes together in the movie, and there are some neat moments between them. Specifically fights, conversations, and more. Although if I had to list a complaint in the movie that might be my biggest of all, it would have to be this one scene between the two of them at the very end. It’s something that starts off as charming and sweet, and then becomes something that continues to piss me off. I have a feeling that if you are under a certain mindset going into the film you might enjoy whatever it is I won’t talk about whatsoever, but it just didn’t work for me.

Continuing off of what I just said, the final half hour to forty five minutes of this movie is full of fan service. Almost in the same way such a fraction of “Avengers: Endgame” was for the MCU. I won’t go into details about the fan service specifically. Some of it worked and some of it didn’t. Listen, that thing that I mentioned pissed me off in the last paragraph, I AM NOT GONNA SPOIL A THING, but if you pay attention, the thing that pissed me off personally is part of said fan service. And having said that, I almost wonder what the people behind this movie were thinking while making it. Keep in mind, while a good number of people seemed to enjoy “The Last Jedi,” I and many others was not really satisfied with it. This movie, in a way, seems to try to give something to everyone. Whether they liked “The Last Jedi,” hated it. Or whether they liked the other “Star Wars” movies, maybe hated those as well, it seems that a lot of time writing the screenplay went into focusing on elements that made other “Star Wars” screenplays what they are, but also what made “The Last Jedi” liked by certain people. This movie, even though it acknowledges the existence of “The Last Jedi,” sort of feels like an apology letter to viewers for “The Last Jedi.” Having disliked “The Last Jedi” myself, I can’t complain too much, but it feels like a script that is supposed to cater to anybody who ever watched “Star Wars” and admired a piece of it. This brings a complication into the mix. There will be things that will inevitably piss off some people, but there will also be things that will floor those same people in a positive way. For all I know, there could be someone out there that loves all things “Star Wars” that might end up liking EVERYTHING in this movie. I’m sure they’re out there.

I do not have all that much more to say about “The Rise of Skywalker,” but I gotta say as an ending to a nine film saga, this is surprisingly satisfying. I was worried that J.J. Abrams wouldn’t stick the landing, I was worried that I would feel unfulfilled for some reason, or the direction in this film will highlight a completely rushed ending. I gotta say one thing though. As much I enjoy having gotten my own opportunity to see an entire “Star Wars” trilogy with both previously established and newly established characters in theaters, I do not know if this film in particular is as fulfilling overall compared to the ending of “Return of the Jedi.” Again, I’m not going to spoil anything, but that film ended on such a note where the characters many of us have come to love got just about everything that they have come to earn. Admittedly, having seen this new ending, I WON’T GO INTO detail, but one character “acquires” something new that hasn’t been acquired yet that combines fan service and pure emotion. It also solves a complaint. What complaint? Not gonna tell ya. If I ever do a spoiler talk, I’ll be sure to bring this up.

Overall, “Star Wars: The Rise of Skywalker” is entertaining, visually impressive (which shouldn’t be surprising, it’s “Star Wars”), and one more thing I will mention is this, because I feel I should not leave you all hanging without a mention of John Williams kicking ass with his score. I mentioned earlier that his score is heavily reliant on nostalgic themes, but whenever there is a scene that is heavy on said nostalgia or one that really needs a certain mood, Williams is there to bring the goods. I need time to see where I’ll rank this score, but as of now, this is one of the absolute best “Star Wars” scores I have ever heard. Having witnessed comments about this being the last “Star Wars” score from John Williams, I think he went out with an absolute bang. Williams, this world, nor does a galaxy far far away, deserve you. You are a god, enough said.

In the end, “Star Wars: The Rise of Skywalker” is a flawed, but simultaneously charming finale to a nine film saga that has been going on for over forty years. Once more, I’ll bring up “The Last Jedi,” and I will say even though that film has glimmers of entertainment, it does not feel like a story worthy of the “Star Wars” name. This sequel is a bombastic roller coaster that is worth seeing, especially if you are a fan of the “Star Wars” franchise because I can probably guarantee that even if you end up not liking the movie overall, there will ultimately be SOMETHING to enjoy. But I must say one thing, and this is probably going to piss off some people.

So I have the unpopular opinion, although over the years I have found this unpopular opinion to be a bit more popular than I anticipated, of “Revenge of the Sith,” the finale to the prequel trilogy, being one of my favorite “Star Wars” movies. Another movie which I consider to be just as great is “Return of the Jedi,” the finale of the original trilogy. If I had to be honest, my thoughts on “The Rise of Skywalker” are not that positive compared to my thoughts on the other two movies I mentioned. I liked it, quite a bit in fact. But if I had to give the honest truth, “The Rise of Skywalker” is my least favorite of the three trilogy finales the saga has had so far. Even with that in mind, it’s still good. At the same time though, this does bring up one positive regarding the “Star Wars” saga as a whole, and a negative as well, depending on how you look at it. The finales of all the trilogies make up the one portion of the saga that is entirely positive in one way or another. Keep in mind, I love all the films in the original trilogy, so the beginning, middle, and end all work there. But “The Phantom Menace” was a fail to start off the prequel trilogy, and speaking of prequel failures, I also wasn’t a fan of the middle act of the trio of films, “Attack of the Clones.” Similarly, this most recent sequel trilogy had the disappointing middle entry “The Last Jedi.” The finales all worked, even this one, to my complete surprise. With that being said, “Star Wars: The Rise of Skywalker” is worth a watch, especially in a big, obnoxious movie theater with fantastic sound, and I’m going to give it a rather high 6/10. As much as I enjoyed the movie, I think a 6 is a fair grade. Would I watch it again? Oh, you betcha. And technically, this film has some of the best sound and visual effects of the year, which isn’t new for a “Star Wars” film. But story-wise, there is an argument to make that even though I love how quick this movie progresses, it almost gets to that point where it becomes rushed. If the newer characters were better and if MAYBE it tried to focus going down one particular path as opposed to catering to a bunch of different demographics, the score could potentially be higher.

With all of what I just said in mind, this movie honestly has notable flaws, not to mention things that piss me off. But this movie is also satisfying overall, and the many positives of the movie tend to outweigh the negatives. It’s not as bad as I thought it would be, and most importantly, it’s better than both “The Last Jedi” and “Solo: A Star Wars Story,” both movies which by the way, I felt disappointed by. I want to thank everyone for giving a great saga of films to remember. I hope various future “Star Wars” projects work out and I am looking forward to the future of the franchise should I continue to tune in. Thanks for reading this review! Next week is the limited release of the all new war film “1917.” It is going to be hitting theaters everywhere this January, but honestly this is a movie that I need to see as soon as possible because I have a feeling that it is going to be one of the best directed and well-shot movies of this particular release year. It comes out Christmas Day, which I’m busy on, but hopefully I can get my butt in a seat as soon as possible. Be sure to follow Scene Before either with an email or if you want greater access to the blog, use a WordPress account. Be sure to like this post and share it with your friends, and check out my Facebook page! I want to know, did you see “Star Wars: The Rise of Skywalker?” What did you think about it? Or, now that the three main “Star Wars” trilogies are concluded, which is your favorite? The prequels? The originals? Or the sequels? You know what, here’s another question. How would you personally rank the three trilogies? Let me know down below! Scene Before is your click to the flicks!

Will STAR WARS: THE RISE OF SKYWALKER Be Shown On IMAX 70mm Film?

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Hey everyone, Jack Drees here! Last year, I created a post asking the following question. Will “First Man” be shown on IMAX 70mm film? The answer, no. This year, there is another movie that I have followed for some time that is making me ask the same question. Specifically, “Star Wars: The Rise of Skywalker.” Why? Because despite a majority of this decade’s “Star Wars” films getting 70mm IMAX releases, there are reasons to believe that “The Rise of Skywalker,” the final film in The Skywalker Saga, will miss the mark.

When J.J. Abrams’ “Star Wars: The Force Awakens” came out in December 2015, that released in a number of IMAX 70mm locations, along with standard 35mm and 70mm theaters. It also was projected on IMAX’s then new laser technology in other locations. While that’s not film based, it is a digital response to IMAX’s film projection. When it comes to being projected in IMAX 70mm, the following locations took action.

US/CANADA

Alabama
McWane Center IMAX Dome Theatre – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Florida
Museum of Discovery & Science AutoNation IMAX – Ft. Lauderdale
IMAX Dome, Museum of Science & Industry – Tampa

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
Branson’s IMAX, Entertainment Complex – Branson
St. Louis Science Center OMNIMAX Theatre – St. Louis

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Washington, DC
Lockheed Martin IMAX, National Air & Space Museum

Texas
Omni, Fort Worth Museum of Science & History – Fort Worth

INTERNATIONAL
LG IMAX, Darling Harbour – Sydney, Australia
The Science Museum – London, England

That’s 15 locations. That is less than the number of seasons of “The Simpsons,” “Family Guy,” “NCIS,” “America’s Funniest Home Videos,” “Jimmy Kimmel Live!,” “Real Time with Bill Maher,” “Judge Judy,” “Dr. Phil,” “South Park,” “The Bachelor,” and the combined seasons for “Star Trek: The Original Series,” “Star Trek: The Next Generation,” and “Star Trek: Deep Space Nine.”

“Rogue One: A Star Wars Story” also came out in certain IMAX 70mm locations, but the difference between that and “The Force Awakens,” aside from being a spinoff, is that the film was not shot specifically for 70mm IMAX projection. “The Force Awakens” was shot using IMAX branded cameras, and when a number of films were shot using that, IMAX presented the movie having those scenes fill the entire screen. This is true for many of their digital-based locations, as well as those running film. In fact, the film was shot completely in digital using an ARRI Alexa 65. Nevertheless, it still managed to hit 13 IMAX 70mm screens.

Alabama
IMAX, US Space & Rocket Center
IMAX Dome, McWane Center

California
AMC Universal CityWalk Stadium 19 & IMAX – Universal City
Esquire IMAX – Sacramento
Hackworth IMAX Dome, The Tech Museum

Canada
Kramer IMAX, Saskatchewan Science Centre

Florida
IMAX Dome, Museum of Science & Industry

Iowa
Blank IMAX Dome, Science Center Iowa

Indiana
IMAX, Indiana Stare Museum

Minnesota
IMAX Theatre, Minnesota Zoo

Missouri
OMNIMAX, St. Louis Science Center

Pennsylvania
Tuttleman IMAX, The Franklin Institute

Texas
Omni Theatre Fort Worth Museum of Science & History

Granted, this was a starting list. I say so because “Rogue One” was shown in more IMAX 70mm theaters after its initial release, including one in Connecticut’s Maritime Aquarium, which is one of the closest venues of its kind to where I live. When it comes to this specific theater, they managed to do the same for “The Force Awakens.”

Then came “Star Wars: The Last Jedi,” directed by Rian Johsnon. Much like its chronological predecessor, “The Force Awakens,” this was partially shot using IMAX cameras. I will say though, personally, I missed out on the IMAX experience for this film when it came out. But based on research, I did not miss much. Why? Multiple sources suggest that the film never had any scenes projected from top to bottom on IMAX 70mm screens. The entire movie was projected in an aspect ratio of 2.39:1, which is conventional in the movie industry. The original IMAX-specific aspect ratio is 1.43:1. “The Force Awakens” had 5 minutes of IMAX footage intact. All five minutes was blown up to fill the brand’s screens. But for those who went to see “The Last Jedi” in IMAX, they may have gotten crystal clear images, but black bars up the wazoo. Turns out, as a matter of fact, IMAX was the only film format in which this movie happened to be presented. No standard 35mm or standard 70mm was available. And if viewers did manage to check out these types of IMAX screenings, chances are they flocked to one of these places.

US/CANADA

Alabama
IMAX Dome, McWane Center – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Connecticut
IMAX, The Maritime Aquarium – Norwalk

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
OMNIMAX, St. Louis Science Center – St. Louis

North Carolina
The Charlotte Observer IMAX Dome, Discovery Place – Charlotte

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Texas
Omnitheatre, Fort Worth Museum of Science & History – Fort Worth

UK
London Science Museum – London

That’s 11 locations. That is less than the number of seasons of “The Big Bang Theory,” “Supernatural,” “It’s Always Sunny In Philadelphia,” “Criminal Minds,” “America’s Got Talent,” “Ridiculousness,” “Bones,” “Grey’s Anatomy,” “Face Off,” “The Bachelorette,” “SpongeBob SquarePants,” “Dallas,” “Two and a Half Men,” and “Love Connection.”

As for “Solo: A Star Wars Story,” which released almost half a year after “The Last Jedi,” that was not filmed with any IMAX technology. It still released in the IMAX format however, going through a traditional DMR (Digital Media Remastering) process. Here are the theaters that presented “Solo: A Star Wars Story” in IMAX 70mm.

There aren’t any, the film was entirely released in digital formats.

That’s 0 locations. That is less than the number of seasons of “Freaks and Geeks,” “Firefly,” “Clone High,” “Swamp Thing,” “Whiskey Cavalier,” “The Michael J. Fox Show,” “Bam’s Bad Ass Game Show,” “Son of Zorn,” “Bordertown,” “Inhumans,” “Selfie,” “Heroes: Reborn,” “Ghosted,” “America’s Next Best Weatherman,” and “State of Georgia.” FYI, ALL OF THESE got cancelled after one season.

To be honest though, I can’t complain too much because the entire movie was shot digitally on ARRI Alexa cameras.

And when it comes to a good portion of the locations that have played a few of these recent “Star Wars” movies in 70mm, not only are they few and far between, but many of them rarely play Hollywood features. Many of these theaters simply show IMAX-distributed documentaries that are either new or cater to a theme that would associate with a venue. Not to mention, a glaring fraction of these are domes, and while I will say I rarely go to domed IMAX theaters, one thing to point out about them is the 180° style of the screen. With a number of cinema screens, it is sometimes easy to notice a slight curve they can provide, and traditional IMAX screens are no exception. Forget about a curve with an IMAX Dome, it’s practically a boulder sliced in half. Not only do they rarely show Hollywood features, but they also can have a quirky looking image when there are black bars involved. Granted, I have yet to see something like this for myself in person, but from what I’ve seen online, it’s almost weird looking. I almost wonder if it would turn off a good portion of general audience members.

History aside, let’s move onto the present and the future. Despite IMDb’s current claims that this film will be shot with IMAX cameras, no word of mouth from Disney, J.J. Abrams, Kathleen Kennedy, etc., has said anything related to such a claim (except this one, based on brief research). After all, I don’t know for sure, it could have been inserted long before, or maybe just as soon as the film happened to be starting production. However, IMDb is also claiming that the movie will be presented in multiple film formats. These include 35mm, 70mm, and IMAX 70mm. By the way, they are also suggesting these were also formats used for shooting.

“Shot on 35mm, 70mm, and 70mm IMAX, this is the third Star Wars film to be shot in the IMAX format, the first film in the franchise to be shot on 70mm film, and the first Star Wars film since Star Wars: Episode VI – Return of the Jedi (1983) to be shot entirely on celluloid.”

OK, I can buy this movie entirely being shot on film. After all, one of the things that J.J. Abrams wanted out of “Episode VII” was the nostalgia factor, which was partially brought to the table through filming the movie in celluloid, an action that the prequels neglected for the most part. But to be fair, “new technology” sometimes has a ring to it.

As for what technology was used specifically, I think we still need updated information on it. Because when it comes to technical specifications, that is still a mystery kept by those who made this film. Yes, there are articles suggesting a mixture of 35mm and 70mm cinematography in the movie, but many of them are from the end of 2016, a month before “Rogue One” came out. However, perhaps the most credible information I came across was this occasionally updated article as seen on fromthegrapevine.com. For those who are lazy, there is a suggestion via an image that this next “Star Wars” film will be shot in 70mm.

Granted, I highly doubt that this movie will be mostly shot in digital. The past two films in the trilogy have been shot using film for a good portion of the runtime, therefore to maintain a similar feel, Abrams must have said film was the way to go.

And with this information in mind, I will point out that IMAX has a vast history of showcasing movies that were not shot through their technology on their true projection format. The thing is however, that time happened back when the DMR process was starting to get into full swing. With IMAX’s jump into digital projection in 2008, it wasn’t too long before IMAX started getting picky with what films would be shown in their original format. “Rogue One” was a rare exception back when it came out in 2016.

In fact, let’s look at IMAX in 2018 and what they have done with this technology. Unfortunately, IMAX missed the opportunity to put “First Man,” their only new release that year shot with IMAX 70mm tech, in theaters catering to that format. They were shown in IMAX Laser theaters, which is a nice consolation, but having been in both venues for different movies, it’s not the same. The only “new” 70mm experience that came out was a limited 50th anniversary engagement of Stanley Kubrick’s “2001: A Space Odyssey.” Aside from that, there was a 10th anniversary limited engagement of Christopher Nolan’s “The Dark Knight” which played around the same time period. There was another movie released in IMAX shot with their technology (Avengers: Infinity War), but that film was shot completely in digital. This allowed a complete fill of the screen in many, smaller, digital venues, but not for the venues IMAX was originally known for.

If you think I am pulling these facts out of my butt, let me just point out to you, I am not. There is a Wikipedia page that lists every single IMAX film that has gone through a DMR process. Yes, Wikipedia is not the most scholarly source of all time, but over the years, this has been pretty reliable for this subject matter.

List of IMAX DMR Films

In fact, if you scour the list, go to the section labeled “2019,” and scroll down to “Star Wars: The Rise of Skywalker.” you’ll notice it does not suggest there will be any IMAX 70mm screenings, nor does it say anything about the cinematic equipment. Granted, a lot of the information related to this does not exactly need to be displayed now, the movie does not even release until December. Even with that in mind however, it is slightly concerning. I can live with a lack of IMAX 70mm screenings if it wasn’t shot in that exact format, but if it was, I feel like we are gonna be in a “First Man” situation all over again. Although that movie flopped as far as I am aware so, who knows? It might have been for the best. I enjoyed the movie, in fact it was one of my favorites of the year, but regardless, it didn’t have proper financial legs.

It is perhaps slightly inevitable that “Star Wars: The Rise of Skywalker” will be a financial success. I say SLIGHTLY inevitable, because while a number of recent Disney “Star Wars” flicks made over $1 billion at the box office, the most recent one, “Solo: A Star Wars Story” did not meet the financial standards of films that came prior to it, including the spinoff “Rogue One.” At the same time, it has things going for it. For one thing, it’s the conclusive chapter to The Skywalker Saga, it involves characters we have known for the past two films and even further into the past, Lando is back, and Palpatine seems to be making an appearance as well. It has the potential to win audiences and a portion of the fanbase overall. Well, that depends on how divided said fanbase is by the time this movie comes out, because it’s pretty ugly right now. And even though that ugliness is a thing, there are enough fans in the “Star Wars” community that could potentially show up for a new flick in the franchise.

If you ask me, I think Disney, Lucasfilm, Bob Iger, IMAX, among others would not have minded the idea of releasing the film in IMAX 70mm. Sure, “Solo” didn’t do as well as they would have hoped, but based on how that is a film that not many audiences asked for in the first place, added onto the prior success of films that came before it, they wouldn’t mind releasing the film in an IMAX 70mm format. They’re making more money with the Skywalker films compared to the spinoffs, and let’s face it, audiences care about Rey, they care about Kylo, they care about Chewie, they care about Lando, they care about BB-8. The praise is there, the studio just has to make a decision. Another factor to consider is the transition to go back to how Disney originally released these types of films. Specifically, by doing so in December. This is a good strategy because people are home for the holidays, kids are on break, and with a bunch of Oscar-bait films competing against each other, this blockbuster has a significant chance of standing out.

Do I want to see a reality where we get the opportunity to go check out “The Rise of Skywalker” in IMAX 70mm? I would, but I know it’s not certain. Given my clustered knowledge of how this movie is being shot, I don’t know if it is being shot in the IMAX format, but even if it isn’t, I would be willing to show up for an IMAX 70mm presentation simply because it is the clearest picture in existence. And… Disney, if you are planning on releasing this in IMAX 70mm… PLEASE… Consider releasing it at the Providence Place IMAX. It’s one of the closest true IMAX venues to my house, and one of the best theaters I have ever been to. I will flock there immediately if you release your film there in this specified format.

Am I being an obsessive nerd about this? Probably. Do I care? Hell no! In fact, with all statistics being considered, it makes me worried for the future of how IMAX movies are presented. Yes, we are likely getting Christopher Nolan’s “Tenet” in IMAX 70mm next year, but are we simply doing so because it’s a Christopher Nolan film? Is it because of the director’s power in the industry? He’s my favorite director working today, but it’s still a question I can’t help but ask! “Star Wars” is a big franchise. And this latest film is seemingly shot in a big resolution. So why not let us as an audience look at the big picture?

YUP. PUN ABSOLUTELY INTENDED.

“Star Wars: The Rise of Skywalker” hits theaters December 20th, 2019. I am looking forward (although I am also slightly apprehensive) to seeing how this sequel trilogy will conclude. I do have faith in J.J. Abrams, especially after the excellent job he did with “The Force Awakens.” It also seems inevitable that I am going to see the movie on opening night, even if I get access to a press screening before the movie hits theaters everywhere. As for IMAX, I don’t care what you do with this movie. If it is shot in your format, release it in 70mm. But based on the popularity of this franchise, consider that sort of release even if this movie was shot in a smaller format. What will happen? I don’t know, only time will tell! Thanks for reading this post! I just want to remind everyone that next week starts the second half of 2019, so I will be creating a mega-post containing a halftime report and a glimpse into the future of Scene Before. Be sure to look forward to that! Also, stay tuned for my second trailer of “Project 2020.” If you have seen one of my posts back in April, you know what I am talking about. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, do you have any thoughts on this “Rise of Skywalker” in IMAX 70mm matter? Or am I just batcrap crazy? Also, are you looking forward to “The Rise of Skywalker?” Let me know down below! Scene Before is your click to the flicks!

Pacific Rim: Uprising (2018): This Year’s Independence Day: Resurgence?

*SPONSORSHIP ALERT* (although nobody’s payin’ me)

Before we dive into my review for “Pacific Rim: Uprising,” let me just take a moment to ask you, how ya doin’? How’s life? What’s going on? If it were around this time frame in 2016 and you asked what a couple named Genevieve and Paul what’s going on, one of them might respond saying, “A ton of s*it.” That’s because at the time, they were trying wicked hard to make a kid, but the overall task of doing so was an absolute nightmare. All of this is truthfully documented in their new web series, “What the IVF?!”

“What the IVF?” is about Genevieve and Paul’s journey to having a baby, where they discover that having a child is not all fun and games, it’s work! Not because of the child, but because they can’t make the child! Watch the couple as their life gets serious and begins to change dramatically as they face several challenges! Sex becomes less than sexy! Math apparently is now useful in real life! Trips to visit doctors are now more nerve-racking than ever! And needles are nothing but ungrateful sons of bitches! Then again, when were they not? Those pinches are killers! You can watch all of the content posted on the “WTIVF?” YouTube channel simply by going through the links down below and clicking on the one to the YouTube page. And speaking of YouTube videos, “WTIVF?” has an episode posted earlier this week! I won’t go into too much detail, but Genevieve refers to it as her favorite episode so far and as the video that highlights the moment that probably most dramatically changed her life. Be sure to watch the video listed above if interested, subscribe to the YouTube channel, hit the notification bell, that way you can get the latest “WTIVF” content before your friends who aren’t subscribed, who in which case, may become your enemies because they aren’t subscribed. Also, check out their website, and their other online pages such as Twitter, Facebook, Instagram, all down below! Also, be sure to tell them that Jack Drees sent ya!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Pacific Rim: Uprising” is directed by Steven S. DeKnight and stars John Boyega (Star Wars: The Force Awakens, Detroit), Scott Eastwood (The Longest Ride, Suicide Squad), and Cailee Spaeny. This is the sequel to 2013’s “Pacific Rim,” directed by Guillermo del Toro, and if you are keeping up with the Academy Awards, this guy recently won Best Director for “The Shape of Water,” a movie which also won Best Picture. When it comes to “Pacific Rim: Uprising,” it revolves around John Boyega’s character of Jake Pentecost, the son of Stacker Pentecost, played in the first movie by Idris Elba. His character teams up with another character from the first movie, Mako Mori, played in the first movie by Rinko Kikuchi, and leads a team of new Jaegar pilots against a new Kaiju threat.

As far as the first “Pacific Rim” is concerned, I’ll say I personally enjoyed it. I saw it in IMAX when it came out, I had a good time, I got to see some kick-ass robot/monster fights up on the big screen, it was pure popcorn fun. I got connected to the human characters a little bit, the music was not half-bad, and Idris Elba gave a speech to remember.

“Today. Today… At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man or woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today, we are cancelling the apocalypse!” –Stacker Pentecost

I’ve only seen the movie twice, with last time being a month ago, but no matter when I watch it, I can imagine myself getting goosebumps just listening to that. The first “Pacific Rim” is definitely not a masterpiece, but certainly a good time. This movie, is the complete opposite. Not the opposite of definitely not a masterpiece, but the opposite of a good time.

Speaking of movies that aren’t masterpieces but also good times, remember “Independence Day?” That’s a fun movie. Remember the sequel? Yes? Unfortunately, I do too, I had to review that crap for y’all. I’m gonna go as far to say that “Pacific Rim: Uprising” is this year’s “Independence Day: Resurgence.” It’s an attempt to kickstart a new franchise and rely more on spectacle than proper storytelling. Ask me, do you remember many likable, intriguing moments from “Independence Day: Resurgence?” I don’t. And you know what? I’m gonna say that personally I found this movie to be worse than “Independence Day: Resurgence.” Heck, I watched the first movie literally the day before I went to see the second one in theaters. Someone I had a connection with wanted to see the then new “Independence Day” movie, and I was unfamiliar with the first one, so I watched it on HBO for free, but it was something that I just had on in the background. I actually had attention directed towards “Pacific Rim” and personal enjoyment from gazing at the pixels on the screen. “Pacific Rim: Uprising” currently has a 6/10 on IMDb, and it is receiving more positive ratings than negative ratings, so it clearly has people who like it. And I will say, I imagined in my head that there are certain types of people who will watch this movie and have a good time. Let’s go through the list.

GROUP 1:
Fans of the first “Pacific Rim” who don’t care what others have to say and are just happy this movie exists.

GROUP 2:
Fans of the first “Pacific Rim” who clearly know the lore or are interested to see what other lore can be developed.

GROUP 3:
Kids who like giant robots, monsters, fighting, or any combination of those things. Yes, anyone can fit in here, but I’m mainly imagining kids.

GROUP 4:
People who just want to see John Boyega in something new for whatever reason.

GROUP 5:
Judging by what I just said, I guess the select few people who happened to enjoy “Independence Day: Resurgence.”

GROUP 6:
Me on Opposite Day.

GROUP 7:
Michael Bay. Just… Michael Bay.

I mean, seriously, how does this not feel like “Independence Day: Resurgence” all over again?! This movie’s a sequel to a film with a character who some might say gave a terrific speech. A black character who is not present in this movie has a kid who plays a big part instead of them. Both sequels take place in a future far from its predecessor. Oh yeah? And did I mention that both movies suck? That’s another thing too, it’s kind of important!

I don’t care about any of the movie’s characters, but since it is now a cliche for me to talk about at least one character in detail with a big fat image listed above, I guess it’s time for me to inject myself with the poison in front of my ugly face. Let’s talk about John Boyega’s character of Jake Pentecost. Gah! Why do I have to do this?! I don’t even monetize this site! It’s not even worth it! Alright, just for the sake of having a good review, let’s tackle this bitch. Pentecost is a fine character, and by fine I mean, you don’t want to kill him by the end of the movie. But probably the main reason you’ll end up liking him or caring about him is that he’s John Boyega. If you have been a fan of the new “Star Wars” movies, you might end up rooting for this character because you know he’s Finn. By the time you walk out of the theater, you’ll probably end up forgetting this character and go back to your life where you buy tickets for, hopefully, better movies.

Moving onto the main girl in this movie, Amara Namani, played by Cailee Spaeny, I was watching the movie and I thought to myself that she reminded me of the young girl in “Logan.” I can’t say too much about that though. Because to be honest I haven’t seen “Logan.” My comparison would be invalid given how I’ve only watched the film’s promotional material. But from the way she looks, and seemingly, acts in the movie, I was given that thought at one point.

Let’s talk about Charlie Day in this film.

More like… Charlie Good Day Sir!

Like, NO! JUST NO! NO!

WHAT! THE! HECK! DID THEY DO WITH HIM?!

For those of you who haven’t watched the first movie, Charlie Day was a character in it, and he went by the name of Newton Geiszler. He was a wacky scientist who studied the Kaiju during the whole war. Take Emmett Brown from “Back to the Future,” put him in a blender with JJ Abrams, maybe a pinch of the Cowardly Lion from “The Wizard of Oz,” and add in the voice of like, I dunno, let’s just say Michael Scott from “The Office,” and you get Newton Geiszler. I won’t talk too much about him in this movie, because I want to stay out of spoiler territory, but there was a point where the character of Amara was getting on my nerves a little, then all of a sudden something happened with Newton, and then my brain tried to find all the ways it could electrocute itself. Its reaction might as well have been this GIF featuring a clip from “Family Guy.”

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Another gripe I’ve got with this film is that it’s just boring as f*ck! I mentioned how this movie relies more on spectacle than proper storytelling, the story itself bored me, and so did the character interactions. I’ll be honest, I’m a defender of the first Michael Bay “Transformers” film, and I didn’t mind the human characters. While in that movie, you came to see giant robots fighting and may have been disappointed due to forced human character storylines, a movie such as the one I saw, had us wanting to see giant robots and monsters fight, but also made me as an audience member suffer through unlikable humans communicating with each other. In fact, one thing that I’ll point out about the first “Pacific Rim” is that while the movie isn’t exactly reliant on you giving a crap about the characters, I still cared about them and possibly rooted for them. Here, I wasn’t doing that. If somebody received any sort of pain, I wouldn’t have cared. This movie felt too extended and dull, and it ended up being an hour and fifty-one minutes. There are so many movies that are longer than this pile of garbage that are better and more worth your time! Let’s give a list!

  • 2001: A Space Odyssey
  • Citizen Kane
  • Jurassic Park
  • Every Lord of the Rings movie (including Hobbit installments)
  • Star Wars
  • Braveheart
  • La La Land
  • Interstellar
  • Titanic
  • V For Vendetta
  • The Dark Knight
  • The Matrix
  • Lincoln
  • The Fifth Element
  • The Big Sick
  • Kingsman: The Secret Service
  • Ray
  • Once Upon a Time in the West
  • Metropolis
  • 12 Years a Slave
  • Inception
  • The Martian

And you know what? I don’t know how long this statement will hold up in my book, but at this point, I might say this is worse than all of the Michael Bay “Transformers” films.

This movie isn’t all negatives, in fact, one positive I can actually give the movie, is some of the cinematography from Dan Mindel, cinematographer of such films including “Star Wars: The Force Awakens,” the 2009 “Star Trek” reboot, and “John Carter.” Now don’t get me wrong, it’s not the best I’ve ever seen, but it almost comes off as one of the only things that can make this look like a film that is trying. But unfortunately, that’s sometimes ruined by occasional choppy editing! How wonderful! I didn’t come to the movie to admire the cinematography and editing, but it doesn’t mean both of those things can be bad!

In the end, when I’m talking about a big blockbuster that is SUPPOSED to entertain you and have you enjoy yourself while munching on popcorn for a couple of hours, and the only positives that come to mind include some of the shots and maybe tads of humor, that’s an epic fail! I really wanted to like the first movie. When the first trailer came out, it sold me. It prepared me for what was to come. I was somewhat pumped. The future bits of marketing were not as great, but I thought maybe the movie could be a chunk of fun. I think I’d honestly have more fun flying Spirit Airlines than I would watching this movie. At least Spirit Airlines, as much as they suck, and trust me, THEY SUCK, can take you to places you want to go. If I wanted to see all sorts of pretty lights and maybe watch some drunkards duke it out, Spirit could take me to Las Vegas. If I wanted to go see one of my best friends in person or make fun of the way people in Texas talk up close, Spirit could take me to Houston. If I bought tickets to go to a convention that might as well be an excuse to pay lots of money to stand in line after line after line, Spirit could take me to San Diego. “Pacific Rim: Uprising,” also took me to a place, and that place, is hell. I’m gonna give “Pacific Rim: Uprising” a 2/10. I admire John Boyega, and continue to hope some brightness shines throughout his career, but to say that he may have just been shown in a movie that is possibly worse than “The Circle,” is just unfathomable.

Thanks for reading this review! Next week I’m going to have my review for “Avengers: Infinity War,” because I already have tickets to see the movie opening night, and probably right after I get done watching that, the first thing I’ll do is get right in front of my computer, type like a maniac until perhaps three o’clock in the morning, and post my review for y’all to read! By the way, I’ll warn you in advance in case you read that review, I’ll do my best to make the review spoiler-free, for the sake of not feeding the trolls who throw spoilers around the Internet, and to avoid ruining the experience of going to see “Infinity War” for those who aren’t seeing it as early as I am. Not to mention, according Anthony and Joe Russo, the two directors of “Avengers: Infinity War,” Thanos demands my silence, so I might as well respect Thanos’ wishes.

#ThanosDemandsYourSilence

Also, stay tuned because pretty soon, I’ll have my review up for “Mission: Impossible II.” This review will be up by the month’s conclusion, and it will be the second entry in my “Mission: Impossible” review series leading up to “Mission: Impossible: Fallout.” So look out for that! Stay tuned for more great content! I want to know, did you see “Pacific Rim: Uprising?” What did you think about it? Which “Pacific Rim” movie was better? The first one or the second one? And since it’s relevant, did you see “Independence Day: Resurgence?” Leave all your thoughts down below, and PLEASE remember, if you are making an early review of “Avengers: Infinity War,” #THANOSDEMANDSYOURSILENCE. Scene Before is your click to the flicks!

Star Wars Episode VIII: The Last Jedi (2017): Another Year, Another Star Wars Movie

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“Star Wars Episode VIII: The Last Jedi” is directed by Rian Johnson (Looper, Brick) and has a cast including Daisy Ridley (Only Yesterday, Murder on the Orient Express), Mark Hamill (Batman: The Animated Series, Kingsman: The Secret Service), John Boyega (The Circle, Detroit), Adam Driver (Logan Lucky, Girls), Domhnall Gleeson (American Made, Ex Machina), Carrie Fisher (Family Guy, The Blues Brothers), Andy Serkis (Lord of the Rings: The Two Towers, Rise of the Planet of the Apes), Oscar Isaac (Ex Machina, Drive), Gwendoline Christie (The Hunger Games: Mockingjay Part 2, Game of Thrones), Laura Dern (The Founder, Jurassic Park), Billie Lourd (Scream Queens, American Horror Story), and Benicio Del Toro (Snatch, Sicario) and continues the journey of Rey, Finn, Poe, all of those people in the second installment of the “Star Wars” sequel trilogy.

Before we go any further, I’m just gonna give a little information towards the reality of this movie. The movie just came out, there are some films that maybe some people would care about that others wouldn’t, and there are also films that people just don’t care about at all. As far as I’m aware, a significant portion of the world’s population cares about “The Last Jedi.” So let me have everyone know, for the sake of the world’s population, this review is SPOILER-FREE for those who haven’t gotten a chance to see this film yet. If I spoil anything in the movie, perhaps regardless of whether I warn anyone or not, the Internet, and by that I mean pretty much the ENTIRE INTERNET will want to kill me.

This film is a follow-up to “The Force Awakens,” I love that movie, I saw it in the theater four times, I think it’s the best movie released in 2015 despite it being a rip-off the 1977 “Star Wars.” Although there is a positive to that, specifically that this may be the best “special edition” of “A New Hope.” In this brand new sequel, I was hoping for one thing. It’s no ripoff! I wouldn’t mind them tinkering around with certain ideas from “The Empire Strikes Back,” after all, this is the second installment in the sequel trilogy, much like how “Empire” is the second installment in the original trilogy. Does this movie take some ideas from “The Empire Strikes Back?” It does, but having seen this, I wouldn’t say it goes overboard. In fact, I’d even say it takes an idea from “Return of the Jedi.” Going back to “The Force Awakens,” I wouldn’t say it’s a complete ripoff of “A New Hope,” because it borrowed a trait shared by multiple characters from “The Empire Strikes Back.” In a way, you can say the two movies are similar that way.

Going into this film, I couldn’t help but think to myself “They better not freaking redo “Empire,” which as mentioned, didn’t happen. Walking out of it, it exceeded my expectations. This film continues to show why “Star Wars” is one of the greatest franchises ever. Is it as good as “The Force Awakens?” In my personal opinion, no. Some people will probably say it’s better given it’s less of a copy-paste type film, even though elements of that do exist here. However, there are those that will probably appreciate this film based on what it does with its characters. There are flaws, and I will touch upon them right now.

In the movie, there’s a subplot involving the character of Finn. There’s a point in the movie’s first act where Finn meets this girl named Rose, played by Kelly Marie Tran (Hot Girls on the Beach, Untouchable). There were a couple moments that I wasn’t really all that invested, and as far as the rest of the film goes, their relationship builds to a point where I thought their current status wasn’t exactly earned. It didn’t affect much of the movie, although it is a problem.

Next up we have Porgs. Say what you want about them. You think they’re cute, annoying, unneeded, whatever. My thoughts: They added NOTHING to the film! All they really are, to my lack of surprise, are a bunch of puny guinea pig-esque creatures that turned this movie into a toy commercial for a brief moment! On a positive note, it’s NOWHERE near as bad as what “Guardians of the Galaxy Vol. 2” did with Baby Groot! The Porgs weren’t even in the movie that much! It’s not like they’re the next Jar Jar Binks or something! Seriously though, as much as I’m surprisingly not annoyed by the Porgs, I am still unhappy they had no real use character-wise. But what do you expect? This is a Disney product after all…

Everything else in the movie however, was excellent. The progression of the characters was pretty much perfect! Seeing Luke again was a treat, and Mark Hamill didn’t fail to impress me at all! The visuals, whether they’re practical or not, as usual, are spectacular! The movie managed to convince me with its darkness, I’m so amazed that this came out as well as it did!

As mentioned, I consider “The Last Jedi” to be an effective character movie. For example, you have the character of Rey. You may remember in “The Force Awakens” she has a strong connection with the force, and she went off to meet Luke Skywalker. This sequel continues right where the last film left off, the two talk and they seem to have different attitudes and mindsets. Daisy Ridley as an actress is absolutely impressive, I want to see more of her in other movies. I’d probably have to wait a bit to get that because “Star Wars Episode IX” is happening. I will also say, there’s one scene where she’s on the island, there are Reys in a line, just prepare yourself for that scene because it’s awesome.

Speaking of characters who make a return in this film, Adam Driver is back as the evil Kylo Ren. In the last movie, Adam played a very convincing villain, I loved his performance as Kylo, and his relationship to Han Solo made the movie better. Now he’s here in this movie and he’s just awesome. I will say though, I do have a minor complaint, and it’s a continuity error. At the beginning of the movie, we see Kylo with his mask on. If you remember Kylo in “The Force Awakens,” we last see him with his mask off. This is on Starkiller Base, where he takes his mask off in a different part of the planet-wide facility. Based on what this movie suggests, and you can say this is suggested in the last movie as well, Kylo made it off the planet just in time before it completely exploded. They never really showed Kylo going back for his mask. Maybe General Hux, who played a part of the First Order in the last film, got it as the planet was collapsing. Given Kylo’s condition, it’s unlikely he went back, so what happened in all actuality? Nevertheless, Kylo was an absolute beast and he continues to prove his effectiveness as a villain. One more thing before I move on, in “The Force Awakens,” Rey roasts Kylo with this line:

“You. You’re afraid. That you’ll never be as strong as Darth Vader.”

In that film, the line literally made Kylo at a loss not only for words, but for actions. The roast party isn’t over, because there’s another one in “The Last Jedi” that regardless of which one I technically like better, I thought had greater execution. Instead of making Kylo speechless, we got to see him rage out like a five year old who wants to run away from home. I won’t say who says the roast, but it’s amazing.

Speaking of characters on the Dark Side, let’s talk about Andy Serkis’s character of Supreme Leader Snoke. In “The Force Awakens,” we’ve only seen Snoke through a hologram. Since his first appearance, fans have developed theories about Snoke’s true identity, some of which I found interesting. Is he Jar Jar? Is he Mace Windu? Is he Boba Fett? And this last one that absolutely intrigues me, is he Darth Plagueis the Wise? Heck! There’s even a Ranker list called “12 Theories About The Identity of Supreme Leader Snoke In Star Wars.” All theories aside, Snoke was awesome! He was as evil as he needed to be and there’s one scene with him that’s a huge highlight of the film for me.

John Boyega also returns here as Finn and I mentioned how Finn meets a certain character whose relationship I couldn’t appreciate as much as I would have wanted, but there’s more to Finn in this movie than just meeting someone. For example, he has a more active role in the Resistance, he’s fighting more than he did in the last movie and comes off as more confident, and speaking of fights, he reunites with Captain Phasma, who is a character that has gained a fan following in the last movie, and the two have a duel.

Speaking of characters from the last movie, Poe Dameron returns here. I see Poe as the “new Han Solo.” I say this based on his hairstyle, his mannerisms, and his ability to pilot a ship. Granted it’s not a freighter and it’s a simple X-Wing, but he reminds me of Han Solo. I’ve seen many people on social media saying they love this character. I don’t think he’s terrible, but I also would say the reactions to the character happened to be a little overhyped. OK, yes, he did take out a bunch of fighters in one sick shot, but there’s not really much that made Poe stand out there compared to other characters. I’d say after watching this movie, I’d say Poe was better here than he was in “The Force Awakens.” He added more to the story, and seeing him struggle at a point in the film made him stick out. As you can see in the image above, Poe is running alongside BB-8, who was once again, charming. One of my favorite scenes in the film is actually when BB-8 is “disguised” as an MSE-6 droid. Don’t know what that is? It’s basically this tiny car that is often something that rolls around any floor that is the property of the Imperial forces. BB-8 is copying the sounds it makes and I love it!

I cannot explain Mark Hamill’s role as Luke in “The Force Awakens” better than the movie’s Honest Trailer did:

“THE EASIEST MONEY MARK HAMILL EVER MADE.”

Basically, it’s just him standing on an island, looking at Rey. Here in “The Last Jedi,” Mark Hamill does a lot more as the character of Luke. I don’t know how many people will agree with me when I say this, but this must be my all time favorite performance when it comes to Mark Hamill as Luke Skywalker. As if the writing wasn’t great enough already, Hamill aced his character as an old hermit. Luke has become a regretful, anti-social, and broken person after a long period of time. The transition is extremely fluid and made me truly care for Luke. You know how in the teaser for the movie, it’s exposed that Luke wants the Jedi to end? That’s explained in this film, and the explanation just made me feel sorry for Luke in general.

On the topic of original trilogy characters, let’s move on to the saddest thing about the movie, Carrie Fisher. Her final “Star Wars” performance was a thing of beauty. Much like in the previous film, she didn’t have too much to do, but for what she had, it kept me interested. There’s one scene that’s actually kind of exposed in the trailers, and it’s one of the best parts of the entire film. The one where Kylo Ren is flying in his ship, Leia’s aboard another ship, and the two notice each through the power of the force. Also, much like the other “Star Wars” films, there’s no credit scenes, however, during the credits, right before the scrolling segment begins, there’s a text stating “In loving memory of CARRIE FISHER.”

Let’s take a look at two previous “Star Wars” installments, “The Empire Strikes Back” and “Attack of the Clones.” This film, like those, was advertised to be dark. “The Empire Strikes Back,” to me, was dark based on the conflicts going on and the upper hand which the Empire has during the film. “Attack of the Clones” tries to be dark but ends up failing by not making you believe in what’s going on and focusing on the romance between Anakin and Padme that just makes the movie feel like a fantasy novel of some kind. The darkness of this film was present and I felt it deeply. The Resistance is getting wiped out all over the place, Luke is broken, and the climax isn’t all that fortunate either. It gives a similar feeling to the climax of “Empire,” which ends on a cliffhanger. After seeing this movie, I’m just eager to see the ninth installment!

John Williams (right) returns in this film as the composer. He’s done all the main films in the saga, but he didn’t do last year’s spinoff, “Rogue One.” Out of all the scores I’ve heard from John Williams in the “Star Wars” saga, I didn’t really think this one impressed me as much as the others. I’ll probably have to either watch the movie again or listen to the soundtrack to be sure, but the soundtrack just sounded repetitive, there was nothing really new. At least that’s what I recall. Granted, there were times where the music was awesome, but it just felt like stuff I’ve heard before. Speaking of that, the opening song from “The Last Jedi” has a similarity to the opening song from “A New Hope.”

Staying on that topic, not to put the movie down or anything, but the opening felt, well, unexpectedly fast paced. I mean, none of the “Star Wars” openings ever felt “slow,” but the movie quickly got to dialogue which was unexpected.

I won’t really go on for too much longer, but another highlight from the film is the sound editing. Out of any “Star Wars” film I’ve seen, I have to say, this might be the best when it comes to sound. There were moments when the sound literally made me feel tense. It reminds me of “Interstellar” during the docking scene and the sound literally just goes out.

In the end, “Star Wars: The Last Jedi” is a terrific ride, I loved every minute. This was one of the most engaging movie experiences I’ve had all year, and after seeing this, I cannot wait for “Episode IX!” The characters continue to progress to points where I appreciate them more than ever, there are multiple scenes I want to go back and watch again, and again, I’ll mention, the sound work is unbelievable in this film, some of the best I’ve heard all year! I’m gonna give “Star Wars Episode VIII: The Last Jedi” a 9/10. This movie is not as good as “The Force Awakens” in my personal opinion, but it’s slightly better than “Rogue One.” Part of me just wants to time travel into the future, just so I can see “Episode IX,” but until then, I’ll just have to wait. I really enjoyed this movie, I think you guys will feel the same way, and I’m just glad this isn’t a total ripoff of another great “Star Wars” film. Thanks for reading this review, if you are interested in seeing “The Last Jedi,” there’s a good chance you can go see it anywhere, but I have a link below that will take you to a list of some of the best possible ways to view the movie. “The Last Jedi” is playing in eleven theaters that contain IMAX 70mm equipment. To find out which theaters are on the list, click the link below and read the post. Stay tuned for more reviews and other content! I want to know, did you see “The Last Jedi?” What are your thoughts? Are you going to see it? Also, where does this movie rank in the “Star Wars” universe for you? Let me know all of that down below! Scene Before is your click to the flicks!

Star Wars Episode VIII: The Last Jedi is Getting the IMAX 70mm Treatment and a History of Star Wars in IMAX!: https://scenebefore.wordpress.com/2017/10/17/star-wars-episode-viii-the-last-jedi-is-getting-the-imax-70mm-treatment-and-a-history-of-star-wars-in-imax/

Star Wars Episode VIII: The Last Jedi (2017) OFFICIAL TRAILER: Lightsabers! Space Battles! Training! …Possible Ripoff…

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Hey everyone, Jack Drees here! Tonight I was doing something rather strange for me. I was watching football. Yeah, it was a game between the Minnesota Vikings and the Chicago Bears, and I’ll have you know I’m from Massachusetts so you can probably tell I don’t care about either of those teams. Oh yeah, and when I said I was watching the game, I wasn’t even technically watching it, I had it on mute. However, I watched the game for one reason and one reason only, which is to catch the new trailer for “Star Wars Episode VIII: The Last Jedi.” Having seen it now, I will say this. As a trailer, it’s better than the teaser we got in April, not to mention this trailer got me more hyped up for the film as opposed to that teaser. If you remember my review for the teaser, I said it made me afraid of what the movie is going to be like. Now that I’ve seen this trailer for the film, do those fears still exist? I guess you can say so, but this trailer does convince me that this movie has a tone that might be consistent throughout, and it might be at the very least, entertaining. So let’s break it down and analyze it.

The first voice we hear in the entire trailer is Snoke’s, and if you don’t know who Snoke is, he’s basically the giant in “The Force Awakens” who was in a number of scenes with General Hux and Kylo Ren. By the way, for those who don’t know, he’s played by Andy Serkis, who you may know as Gollum in “Lord of the Rings” and Caesar in the recent “Planet of the Apes” reboot installments including “Rise of the Planet of the Apes,” “Dawn of the Planet of the Apes,” and the recent “War for the Planet of the Apes.” He says “When I found you, I saw raw, untamed power, and beyond that, something truly special.” Throughout we get various shots, and based on a number of shots presented throughout this voiceover, I believe he’s talking about Kylo Ren. In fact according to “Episode VII” Kylo still had training left to do, so he could be training under Snoke’s wing and somewhere in the process, this is uttered. Afterwards, we get our last shot before the Lucasfilm logo appears, which is Rey unleashing a lightsaber.

We then cut to what seems to be early on in the movie, where we see the island Rey and Luke met. Rey’s telling Luke that something’s inside her, going by what I know, that’s undoubtedly the force, unless of course it’s the desire to save the galaxy. We get to see some shots that were shown in the teaser, including a shot of Rey training, followed by some shots we haven’t seen before, which by the way, makes her look like a badass. Speaking of badassery, Rey’s using the force, which makes the ground crack, kind of like what the acorn from “Ice Age” does. Luke then says “I’ve seen this raw strength once before, it didn’t scare me enough then, it does now.” This brings up two things. First of all, I have a question, how many times will the word “raw” be used in the movie? Second, I have a feeling that out of every performance Mark Hamill has given in this franchise thus far, this might end up being his best. That’s the assumption going into my mind after hearing that line.

We soon see Kylo Ren again, he’s in an elevator, and he’s doing what he does best, complaining. For some characters, you might think of this as a quality that makes them horrible to watch. But based on my experience of watching “The Force Awakens” and seeing Kylo Ren in that movie, this is something that has been proven to be funny. Not to mention, it shows how Kylo Ren is human. Let me ask you something, did Darth Vader rage out like this? No. That’s not to say that Darth Vader’s a bad character, I think he’s one of the greatest villains of all time, but this is what makes Kylo Ren, Kylo Ren. Oh yeah, and we also see him in is own ship which looks kinda cool. The best part of this montage has to be the final shots there, we hear Kylo’s voice, he’s talking in an evil manner and we see shots back and forth between him and Leia, who you may know is his mother. There’s a huge part of me that thinks that this could turn into an amazing part of the story where Kylo is terrified within his own boundaries, but at the same time, I wonder if it would be out of character for him, because he did kill his dad and he seemed not to have much of a problem with it. Maybe he’s developed since the last movie, who knows? I love the idea, but I’m skeptical towards the execution.

In the next montage, we’ve got shots of the Millennium Falcon, and one thing you may notice is the bird next to Chewbacca. That creature by the way is referred to as a Porg, and I honestly think he’s gonna be this movie’s best-selling toy. I mean, look at him! I think many kids will want that! I just really hope that he won’t turn into this movie’s version of Baby Groot, which in “Guardians of the Galaxy Vol. 2,” only came off to me as a toy, nothing more. I’m just hoping for at least a bit of substance with this Porg. We also get our first shots of Poe and Finn, who both seem to be in explosive situations. Oh yeah, and Finn’s facing off against Captain Phasma. In the shots showcasing the two duking it out, Phasma seems to be handling some beam or a generic sword and Finn is holding onto what appears to be a sparkly lightsaber. Also this begs the question, does Finn really have the force in him? Because the last movie says otherwise. He almost got slaughtered in the last movie in a lightsaber duel! I hope he makes it!

Next we get into a sign of my fear of the movie just being a ripoff of “The Empire Strikes Back,” which happen to be some shots that take place in what looks like a cave. You know how in “The Empire Strikes Back” Luke is training and he goes into this cave, he finds Darth Vader and there’s this very short duel between them, it’s in slow motion? Yeah, it reminds me of that. I just hope this isn’t a carbon copy or an in your face homage. If it is a homage, I personally hope it’s rather subtle. Another part that could be ripping off “Empire” is when Luke says “This is not going to go the way you think.” It almost reminds me of when Luke goes off from Dagobah to Cloud City and he hasn’t completed his training. You know, after he had a force vision, which quite honestly, is something I wouldn’t be surprised seeing Rey have in this movie. After all, the first moment of the teaser which came out in April gave me the assumption that was going to happen. We soon hear Snoke speak as we see certain shots including some containing action. He says “Fulfill your destiny,” which I can tell he’s probably saying to Kylo Ren, although the next shot of Rey might say otherwise. I personally think he’s saying something else in that circumstance and they’re hiding it. By the way, Rey looks like she’s DOOMED in that shot. If they damage her all over in that shot, I’d say this could be worth your money. I can tell she’s gonna make it, but still.

The last words we hear in the trailer comes from Rey, she says “I need someone to show me my place in all of this.” We then cut to a shot of Kylo Ren’s face, then he casts his hand out. Is he done being evil here? First off, why would the trailer show this? This seems like a little bit too much information revealed in just a number of seconds. Second, this could be really compelling and it would be interesting to see the two band together. Also, speaking of evil, I want to talk about Snoke. I have a feeling that Snoke is going to be this trilogy’s version of The Emperor. You’ve already seen him in hologram form from what it looked like, now you seen him here, he looks smaller, not to mention damaged. He’s kind of similar in terms of attitude with the exception of how he lacks a maniacal laugh. Only time will tell for sure. The trailer then ends suggesting that TICKETS HAVE NOW GONE ON SALE! Woo! Although if I can get invited to a press screening I’d love that. Hey, I review movies! Where’s my press screening?!

After seeing this trailer I do have to say that I’m a little more excited than I originally was. I still think I will end up enjoying certain movies more this year, both movies I already saw such as “Colossal” and “Dunkirk,” along with those I’ve yet to see such as “Blade Runner 2049” and “The Disaster Artist,” however I will say that this movie does look good. I still think it might rip off “Empire,” but maybe it can take certain elements, which I personally consider fine, and make something new out of it. This is also going to be the longest movie in the “Star Wars” saga, at a total of 150 minutes, which I personally find interesting because this installment has the least wipe transitions. If you ask me, I probably will be seeing this opening night, after all I’m a fan so I personally feel it’s my duty. I hope the movie’s good and I don’t think we’ll be seeing many more trailers before this film’s release. December 14th can’t come soon enough!

Having soon both trailers now, my combined excitement received from both trailers, isn’t exactly all that high, however that doesn’t stop me from thinking that “The Last Jedi” will be good. Will it be good? Who knows? We’ve got a couple months to fully determine that. As far as upcoming content goes, I am planning on seeing “Blade Runner 2049” over the upcoming weekend, and I also have a mini series of reviews coming up soon and it’s gonna be for the Marvel Cinematic Universe’s “Thor” installments, which I plan to review in preparation for “Thor: Ragnarok,” which comes out November 3. Stay tuned for more great content, and if you have any thoughts on the new “Star Wars” trailer, tell me what they are. Also, I want to know if you’re planning on seeing “Star Wars Episode VIII.” Are you? Are you not? Let me know down below! Scene Before is your click to the flicks, and may the force be with you!