Forgotten Island (2026): Memory Mayhem Ensues in This Beautifully Chaotic Animation

© Courtesy of Universal

“Forgotten Island” is written and directed by Joel Crawford and Januel P. Mercado, the same team behind “Puss in Boots: The Last Wish.” This film stars H.E.R. (Yes Day, The Color Purple), Liza Soberano (My Ex and Whys, Lisa Frankenstein), Dave Franco (Together, Neighbors), Jenny Slate (Everything Everywhere All at Once, Marcel the Shell with Shoes On), Manny Jacinto (The Acolyte, The Good Place), Dolly de Leon (History of Ha, Verdict), Jo Koy (Easter Sunday, The Tiger’s Apprentice), Ronny Chieng (Crazy Rich Asians, The Daily Show), Kevin McCann (Puss in Boots: The Last Wish, Dog Man) and Lea Salonga (Mulan, Aladdin). This film is about a best friend duo who find themselves stranded on the island of Nakali. With time not on their side, they have to find a way back home, all the while keeping in mind they could lose the very memories they have built up over the years.

© DreamWorks Animation

I had high expectations for “Forgotten Island” going into it. While DreamWorks has its fair share of hits and misses, the studio can sometimes hit a bullseye with their efforts. One bullseye in particular came in 2022, with “Puss in Boots: The Last Wish.” The film released the same day as 20th Century Studios’ “Avatar: The Way of Water.” While “Avatar” wound up making significantly more money, “Puss in Boots” was the much better movie. I had polar opposite experiences with both films. The bar was high for “Avatar: The Way of Water,” the latest film from directing legend James Cameron. For the record, the film failed that high bar. On the other hand, “Puss in Boots: The Last Wish” made me go, “Are we really doing this?” After that fine-at-best 2011 cash grab?

Yes. Yes we were.

Part of what made “Puss in Boots: The Last Wish” so great was the crystal clear, fast-paced, ludicrous, knockout of a vision from its directing team, Joel Crawford and Januel Mercado. These two were able to get not just good, but masterclass performances out of the film’s stacked voicecast in addition to unleashing some of the most mind-blowing sequences I have watched in an animated film. Not to mention, it was a clever story with all kinds of emotions. Naturally, I was excited for whatever the heck they did next.

© DreamWorks Animation

Let’s start off with the bad news. “Forgotten Island” is not as good as “Puss in Boots: The Last Wish.” But I have a couple bits of good news. First off, the film is brilliant and you should see it. It does not matter how old you are. I showed “Puss in Boots: The Last Wish” to my mom recently, who does not care for animated films, but she was entertained by it and I am sure even she would be delighted by this latest movie. Second, “Forgotten Island” is more than likely going to get a lot of replay value from me. One of my slight peeves about this movie is that everything moves so fast that it is almost hard to keep up. But that is also what makes the experience of watching this fun. If I were watching this at 7 years old, I would be watching this over and over again for entertainment value, much to the possible annoyance of my parents. But as I potentially give my parents a headache from watching this film incessantly, part of me thinks that I will pick up something new with nearly each viewing. Much like “The Last Wish,” this film is so fast-paced to the point where I may have missed a joke or two. Possibly ten. There is a lot to digest, but it is not like I had to take everything in during the first sitting. The dialogue is snappy, the action is rambunctious, the characters are loud, and the animation is flashy.

The movie gets the most out of its voice cast. Yes, it is in certain ways, star-studded, which can be a question mark for me. Even if I like the stars, I hope that they can deliver something that goes beyond what they would give in a live-action performance. Thankfully, that is the case. Dave Franco as Raww is a standout in this particular regard. He comes off like an upbeat dad trying to motivate their children at any given moment.

I love how much DreamWorks is playing around with different animation styles. I am not going to pretend the variety always leads to perfection, but between “The Bad Guys,” “Puss in Boots: The Last Wish,” “Dog Man,” and now this movie, I admire the range on display. I am glad to say the animation style in “Forgotten Island” is spectacular. The film puts a lot of emphasis on blue and pink. Those are the colors of the best friends’ bracelets, plus there are quite a few blue and pink creatures our heroes run into along the way. Some standouts include Bungi (Jacinto), a baby demon, as well as King Truffle Wuffle (Chieng), whose army may be cute, but will not come off as cuddly should you acknowledge their adorableness to their face.

“Forgotten Island” is a fantastic story about friendship, especially considering how beautifully it showcases the connection between Jo and Raissa. Not all of DreamWorks’ films have aged well for me. I recently rewatched “Madagascar” during a rerelease. Despite how many times I watched it as a kid, I found myself questioning core aspects of the film that never crossed my mind when I was 7 years old. The biggest question on my mind is how the heck Alex and Marty were even friends. I did not feel any chemistry between them. That is not the case with Jo and Raissa. If I watched this movie at 7 years old, chances are I would enjoy watching these two on screen as friends, but the film does a great job at showcasing the two’s complications that have come as a result of being friends. It shows that their relationship, no matter how much they root for each other, is not perfect. They have some occasional patches that they either ignore or work through. There are times where one person is taking their life in a direction that does not match the other, thus affecting their bond. Maybe I would not pick up those complications at the age of 7, but give it a decade or two, I might.

This film serves as a solid reminder of what it means to be sentimental. Getting to live life each and every day is a blessing, and one of the amazing things about being human is being able to recognize that we can do, possess, or witness things that we will cherish for the rest of our lives. “Forgotten Island” is an incredible encapsulation of what it means to be human. After seeing this and “Puss in Boots: The Last Wish,” the directing team behind both movies should be allowed as much creative control as one can possibly give them. Please go watch this movie.

© DreamWorks Animation

In the end, “Forgotten Island” is gorgeous, funny, and chaotic. This is a fantastic film for families. It is another win for DreamWorks, in addition to two of their best minds. I am not Filipino, but culturally speaking, I can see this film becoming significant for people who are of that descent. Even with my missed connection, I found myself hooked by this movie. It is a rollercoaster ride that throws so much at you that it is almost impossible to take everything in. But that is not a bad thing, because I look forward to potentially taking those things in during future viewings, partially because this first viewing left me massively entertained. I remember my review for another DreamWorks film, “Dog Man,” and I had similar things to say about it in terms of the pace and presentation, but the material presented in that pace did not hit me in the way that “Forgotten Island” did. “Dog Man” is probably not going to have any replay value, but the same cannot be said for “Forgotten Island.” I am going to give “Forgotten Island” an 8/10.

“Forgotten Island” is now playing in theaters. Tickets are available now.

Thanks for reading this review! If you like this review, I have another one coming soon in video form. Be sure to look forward to the upcoming episode of Scene Before’s original series, Movie Requests, featuring comedian Joe Gatto! He will suggest a film for me to watch, and it will be my job to report my thoughts on said movie! The episode will be available to watch Tuesday October 13th! The video will be available to watch here on Flicknerd.com, but if you want to know the fastest way to watch it, subscribe to my YouTube channel and hit the notification bell!

Also, be sure to check out the previous episode of Movie Requests, which features “Ahsoka” star Rosario Dawson! She asked me to review the Ridley Scott movie “Legend.” Watch the video to see what I thought about it!

My next review is going to be for “Primetime.” Stay tuned! Also coming soon, I will be sharing my thoughts on “The Weight” and “Digger.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Forgotten Island?” What did you think about it? Or, since we are on the topic, have you seen “Puss in Boots: The Last Wish?” Isn’t it awesome? You know it is. Tell me how awesome you think it is down below. Scene Before is your click to the flicks!

The Croods: A New Age (2020): A Wild Ride (Unfortunately, It NEVER Ends)

“The Croods: A New Age” is directed by Joel Crawford, who has been involved as a story artist for several DreamWorks films including “Kung Fu Panda,” “Shrek Forever After,” and “Rise of the Guardians.” This film is his feature-length debut and stars Emma Stone (The Amazing Spider-Man, La La Land), Nicolas Cage (Raising Arizona, Spider-Man: Into the Spider-Verse), Ryan Reynolds (Deadpool, The Hitman’s Bodyguard), Peter Dinklage (Avengers: Infinity War, Game of Thrones), Leslie Mann (Blockers, Welcome to Marwen), and Kelly Marie Tran (Star Wars: The Last Jedi, Adam Ruins Everything).

The long-awaited sequel to 2013’s “The Croods” centers around a family living in pre-historic times. They may have left the cave, but their journey is not over yet. In this movie, the Croods meet the Bettermans, a family who claims to be more evolved than those of the titular name.

I liked “The Croods” when I first saw it, but much like “Star Wars: The Last Jedi” and “Suicide Squad” it is one of those movies that I had fun watching in the theater, but quickly began to like less upon thinking about it more, not to mention a rewatch. To this day, other than maybe “Shrek Forever After,” “The Croods” may be my least favorite DreamWorks animation. Granted, I have missed some of the recent ones like “Trolls,” “Trolls: World Tour,” “The Boss Baby,” and “Abominable.” But I figured since there is very little to talk about in the movie world right now, I am willing to go see “The Croods: A New Age,” even if it wrecks my brain.

I will also be fair to the first movie, because even though the story and characters do not serve much for my memory, I do remember the movie looking stunning at times. It is one of the more attractive-looking DreamWorks films I’ve seen, and when it comes to color, it pops. But contrary to what Deadpool says, looks are not everything.

So how does “The Croods: A New Age” compare to its 2013 counterpart? Admittedly I cannot give a full confirmation as it has been awhile since I have seen that 2013 counterpart, but there are elements of this sequel that I think fare slightly better than the original, but not by much. The first “Croods” tries to be grand, and it succeeds at times, but there are also moments of that film where looking back I kind of roll my eyes. “A New Age” does an alright job with moving everything along in terms of characterization, but focuses much more of its time to cracking jokes that don’t always land or having big action just for the sake of keeping our eyes on the screen. Keeping our eyes on the screen is not a bad thing, but as I kept my eyes on the screen, I felt like I was witnessing another example of the style over substance problem. It’s a common thing I have seen out of a recent “Transformers” or Zack Snyder movie for example. The story could be interesting, but it occasionally takes a backseat for visuals. This is not always a negative, as “The Croods: A New Age” provides plenty of pretty visuals. However, when it comes to family animations, this is not one I would watch for plot or characters. I would probably put it on my TV as a test movie. I will say though, if you and your family need an excuse to get out of the house for Thanksgiving, maybe avoid some crazy in-laws who won’t shut up about politics, I will say that this movie, in terms of visuals, may be worth the IMAX price. I saw “The Croods: A New Age” in IMAX, and the presentation was better compared to a lot of movies I’ve seen this year.

I will say, one of the standouts of this movie is the dad, otherwise known as Grug. Much like in the first movie, Grug is voiced by Nicolas Cage, and I have to say, when it comes to how Grug is written occasionally, it feels like the voiceover role Cage was born to do. There’s a lot of over the top expression, zaniness, and hyperactive speech patterns that associate with the actor quite well. He also had a rather hypnotizing portion of his screentime dedicated to wanting bananas. The movie goes balls out with that story and executes it better than I would have imagined.

I also think when it comes to Eep and Guy, they have really good chemistry. Once again, it has been forever since I’ve watched the first movie, but I do remember their relationship being a highlight in that project as well. I think Emma Stone and Ryan Reynolds are fine casting choices for their roles and it’s nice to see Stone continuing her tradition, not only in “The Croods,” but in “Gangster Squad” and “La La Land” of getting it on with boy toy Canadians named Ryan.

“The Croods: A New Age” introduces some previously unseen characters along the way. Specifically, much of this revolves around the Bettermans, a more evolved family living over a wall that separates the Croods’ land and what they view as the place of “Tomorrow.” I will say, first off, could they have chosen any other last name? One of the first lines out of Leslie Mann’s character is “emphasis on the ‘Better,'” in reference to her last name. I get the point, but this honestly makes the movie feel like it is talking down to its viewers. And yes, young children are watching this movie. And if I were a kid watching this movie, I’d end up having a good time. But I don’t need facts like this shoved in my face when I could use my head like an intellectual.

With that rant over, let’s talk about the Bettermans. I think the Bettermans are a fairly fascinating depiction of how humans have evolved. They show off their “better” ways of doing things, such as their versions of elevators, toilets, sleep, and so on. Sometimes it made for fun parts of the movie.

Oh yeah, apparently they have a merchandisable sloth too.

I’m not gonna lie, I do not think the sloth from the first movie is as funny as they’re trying to make it out to be. It’s kind of like the Chicken from “Moana,” one of the most overhyped animations I’ve seen in recent years.

I do not have much more to say about “The Croods: A New Age,” but I have extremely conflicting feelings about the climax. I say so because the climax has many of the essentials needed. It is exciting, action-packed, visually stunning, and intense. But it kept going on forever. Although I might be exaggerating because it just so turns out that it didn’t. “The Croods: A New Age” is 95 minutes long. That is four minutes shorter than the original film. Looking back, it feels as if the first two acts were short pieces of buildup, but they just wanted to inject as much action and adventure as possible by the halfway point that the movie felt like it could end at one moment, but it instead goes on. This feels like “Lord of the Rings: Return of the King,” except that instead of not knowing when to conclude, it didn’t know when to get to the actual conclusive point to begin with. I love fast-paced, balls to the wall thrill rides, but “The Croods: A New Age” comes with the unfortunate disadvantage that it does not really give me much time to breathe.

I was never bored by “The Croods: A New Age,” and that is an absolute positive, but this film was like an overpowered roller-coaster. It’s exciting, it’s thrilling, but sometimes discombobulating. You’re in the moment, but you also want it to end. If cinemas are open near you, and you plan to see “The Croods: A New Age” in theaters, go for the most immersive experience possible. But sometimes it gets a little TOO exciting, at least for me.

In the end, “The Croods: A New Age” is not the worst animated movie of 2020, but it is by no means the best. It is definitely fun if you have a family. Kids might end up enjoying it. If you were satisfied with the first film, chances are you might end up digging this one. I think the Betterman family was a fine addition character-wise, but I do not see myself popping on this movie again in the near future. I am going to give “The Croods: A New Age” a 6/10.

I will also say that I stayed for the end credits, because I wanted to know if there is an after credits scene. By the way, there is not. But I noticed the special thanks section and they thanked the entire crew that pulled the film off, despite the challenges of 2020. I thought that was a nice sentiment and I would not be surprised if I see that statement in more movies going forward. Statements that reflect on the tough time to get a movie going, but they managed to pull it off in the end.

“The Croods: A New Age” is now playing in CinemaSafe theatres. It is available in 2D, 3D, IMAX, and other large formats such as Dolby Cinema and Cinemark XD. The film will hit premium VOD services including Google Play, VUDU, and cable options like Xfinity On Demand on December 25th as Universal is observing a shortened theatrical window.

Thanks for reading this review! This weekend I am going to be watching and reviewing the all new HBO Max film “Superintelligence” starring Melissa McCarthy. “Superintelligence” may be in my top 3 least anticipated films of the year, but I have a job to do. So here we go! It is my obligation to risk brain damage this weekend! Yeehaw! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Croods: A New Age?” What did you think about it? Or, what is your favorite animation of 2020? For me, that’s an easy choice. “Over the Moon.” I cannot stop listening to the soundtrack right now! Let me know down below! Scene Before is your click to the flicks!