Jada Pinkett Smith

The Matrix Resurrections (2021): I Want to Free My Mind From This Glitchy, Nostalgic Mess

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“The Matrix Resurrections” is directed by Lana Wachowski, who was one of the two directors behind the original three “Matrix” films. This film stars Keanu Reeves (Point Break, John Wick), Carrie-Anne Morris (Memento, Fido), Yahya Abdul-Mateen II (Aquaman, The Trial of the Chicago 7), Jessica Henwick (Star Wars: The Force Awakens, Game of Thrones), Jonathan Groff (Mindhunter, Frozen), Neil Patrick Harris (How I Met Your Mother, The Smurfs), Priyanka Chopra Jonas (Quantico, The White Tiger), and Jada Pinkett Smith (Madagascar, Scream 2). This film once again follows Thomas Anderson, who this time around, is living in our world as an award-winning video game designer. When faced with an incident that makes him question his own reality, Mr. Anderson is faced with the choice to either stay in the world he knows or go down the rabbit hole.

“The Matrix” is one of my favorite science fiction films of all time. Between the stunning visuals, the well-executed cliché of good vs. evil, and the casting of most of the characters, although I do think Keanu Reeves has given better performances, it is a recipe for digital mastery. There is a saying in Hollywood that nothing ever dies. Disney constantly remakes their previous animations like “The Lion King” and “Mulan” into live-action counterparts. Universal is unlikely going to stop pumping out “Fast & Furious” movies as long as they make millions at the box office. As for Warner Bros., they’ve got another “Batman” movie coming out this year! It’s not always about how many new, innovative ideas Hollywood could come up with, it is now sometimes about how many old, previously done ideas they can regurgitate and milk until there is nothing left. Five or so years ago, I thought “The Matrix” would be one of those films that doesn’t get that treatment in this day and age. After all, Keanu Reeves is already busy building another franchise of his own, specifically “John Wick,” on top of other things, and “The Matrix Revolutions” ended in such a way that the entire story could be rather impossible to continue. The movie, sorry if you’re spoiled nearly two decades later, ends with peace being achieved with Neo’s sacrifice. But of course, when they say “nothing ever dies,” they mean NOTHING.

Neo is back and better than ev–

Wait… Sorry, I got a bit overhyped for a sec there.

*Poe Dameron voice* Somehow Neo returned.

Just, why? Why did they make this? I mean, let me put it this way. The trailers for this film were not that bad. It gave me an okay impression of what’s to come. And if I had to choose between a full-on reboot of the “Matrix” franchise and a fourth installment, I think I’d prefer a fourth installment because I feel like this is a franchise that would be hard to see altered in such a significant way. It’s like if they tried to remake “Star Wars.” There are moments and concepts ingrained in my mind that it would be off-putting or unsettling to see them retold or changed for a new generation. The reality of “The Matrix Resurrections” is that it is not just a sequel, it’s partially a retelling of the original “Matrix” film, but also a flat out nostalgia fest that overstays its welcome. The movie is a sequel to a story that quite literally changed movies forever. It’s been parodied, memed, and when it comes to movies with green tint, this is usually the first, if not the only one that comes to mind. So what do they do in this sequel? They basically make fun of the Hollywood system. As mentioned, Thomas Anderson is a game designer, and he has essentially made a video game version of his journey in the matrix. So… Warner Bros. wants to inevitably make a fourth game. Part of me thinks that Lana Wachowski did not want to come back to do this film, for all I know I could be putting words in her mouth, but she’d rather tell a story she’d be proud of than see Warner Bros., the studio behind the past three “Matrix” films in addition to this current one, take a dump on the franchise she and Lilly created.

Also, is it a coincidence that this film technically has the same villain as “Space Jam: A New Legacy?”

I will say though, I was somewhat surprised on how much I liked Keanu Reeves in this film. Maybe it’s kind of because the world is experiencing Keanu fever, and he’s kind of on trend right now, but nevertheless. He’s been in a lot of movies recently including some animations like “Toy Story 4,” he’s John Wick, he was in “Cyberpunk 2077,” and often seen as one of the most genuine guys in the industry. One of the critiques I would have to give to “The Matrix” back in the early days is that Keanu Reeves did not carry that much charisma. At the same time though, when I look back, one could make the argument that Reeves’s lack of charisma may be intentional in order to highlight the mundane, everyday life his character has to go through. I mean, if I worked at “McDonald’s” and were responsible for cleaning the restrooms, I think after some time I would not show as much expression or emotion to other people. As much as this is based on preference, I liked seeing a more expressive Neo. It gave him more personality, and Reeves’s performance reveals that to a tee. Although I do think if I had to give one significant flaw, it’s that the script can make Keanu Reeves feel a bit repetitive at times. I feel like he spent a lot of the movie in denial, giving Reeves little variety on how to differentiate his acting method.

There were a couple roles this time around that were recast, specifically Morpheus (Yahya Abdul-Mateen II) and Smith (Jonathan Groff). Both actors obviously have their differences from the originals and if you had to ask me, I think the original interpretations were done a tad better. Maybe that’s a comment based on nostalgia, but I think both original performers delivered a grittier and darker performance that felt more fitting for a grittier and darker environment. The new kids on the block seem to deliver performances that almost feel comparatively light-hearted. “The Matrix” has always had its moments of levity and fun, but it was also serious, and this shift in tone looking back is a tad jarring. The actors did well with the material they were given, but they also had big shoes to fill.

I have waited almost a month to watch this movie. I almost went to a press screening, but I ended up skipping it. I almost went one or two other weekends, but I skipped those as well. It was not worth the wait. I refused to watch this on HBO Max because first off, I want to support the cinemas, and second, I’ve always wanted to see a “Matrix” film on the big screen. But looking back, the film I should have watched on the big screen should have been one of the prior three “Matrix” installments.

There are positives to give to “The Matrix Resurrections.” The action is occasionally cool to look at, although nowhere near as engaging as any of the other three films. The visuals do look pretty as ever. The new supporting character Bugs, played by Jessica Henwick, was honestly rather well conceived. But the film for me took some time to properly follow, even with callbacks to other movies that I recently caught up on. It feels like it occasionally has ADHD. I think of all the performances Keanu Reeves gave, this is easily my favorite one in terms of “The Matrix” franchise. I highly doubt we’ll be getting a “Matrix 5” anytime. I mean, if we were, I would not be against it as long as they tried. But going back to the old saying of Hollywood, “nothing ever dies,” I hope Hollywood acknowledges this and never makes a “Back to the Future Part IV.” Will it make money? Sure. But unless it has a PHENOMENAL, GAME-CHANGING idea on where to take the characters and franchise, I think I will end up feeling dissatisfied. As much as I am not always clamoring for remakes, if I were tied to a chair had to pick between a “Back to the Future” remake or a “Back to the Future Part IV” in order to set myself free, I think a “Back to the Future” remake would be the lesser of the two evils, it’s a much bigger sandbox allowing for more opportunities. Plus, I don’t think Michael J. Fox is doing much acting these days…

Hollywood, I know you appreciate money. But your audiences also appreciate coherence. Please keep this in mind.

In the end, “The Matrix Resurrections” is a computer virus of a flick. It shows the problem of Hollywood taking franchises of the past and regurgitating them without a second thought. Again, a lot of the original crew returned, including Lana Wachowski, so for all I know, maybe everyone was happy to be back doing something they’ve done before, but this film felt unfulfilling, slightly confusing, and too focused on referencing the good old days as opposed to creating something new. I remember when the reviews started coming in and some people compared this film to “The Last Jedi,” saying it is bold. Honestly, it never felt that way. If anything, it feels more like “The Force Awakens,” or more technically, “The Force Awakens” from the points of view in which it is often criticized. I never agreed with everyone who said that “The Force Awakens” spends too much time ripping off the original “Star Wars” or its trilogy. It used those callbacks well and retreaded old story elements to perfection. “The Matrix,” just like “Star Wars,” changed the game for its genre, but compared to “The Force Awakens,” “Resurrections” fails to recapture that amazing feeling that the original “Matrix” gave me after watching it. Granted, the original “Matrix” holds a special place for me, because it was my first R rated feature, but it is also a damn good one. I just wish “Resurrections” were the same. I’m going to give “The Matrix Resurrections” a 4/10.

“The Matrix Resurrections” is now playing in theaters and is available for a limited time for all subscribers on HBO Max.

Thanks for reading this review! If you enjoyed my review for “The Matrix Resurrections,” good news! I have more “Matrix” reviews waiting for you! Why not check out my reviews for “The Matrix,” “The Matrix Reloaded,” and “The Matrix Revolutions!” I did these as part of an ongoing review series, titled “The Matrix Reviewed,” as part of Scene Before’s 5th anniversary. I cannot promise I have many older films that I’ll be reviewing in 2022, but… I might have something. We’ll see. I want to focus on newer films this year for the most part. If you want to see more reviews like this one, follow the blog either with an email or WordPress account! Also, check out and like the official Facebook page! I want to know, did you see “The Matrix Resurrections?” What did you think about it? Or, what is a sequel or remake that you think should NEVER happen? Let me know down below! Or don’t… Maybe you shouldn’t give Hollywood any ideas. Scene Before is your click to the flicks!

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The Matrix Revolutions (2003): The Stylistic, Loud, and Occasionally Epic Finale to End the Green Jesus Trilogy

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Hey everyone, Jack Drees here! First off, I want to thank everyone for journeying with me through over five full years on Scene Before. It has been a pleasure to talk about all these classic franchises with you. Many of which are being done in correlation to something else, but I often enjoy going off the beaten path and talking about some older movies. Today we are concluding the final review series in this anniversary segment. A series that I like to call, “The Matrix Reviewed.” With that being said, it is time to talk about the third installment to the “Matrix” franchise, “The Matrix Revolutions.” Here’s the story. “The Matrix” has been a widely welcomed and celebrated film that has been considered a modern classic. Then came “The Matrix Reloaded,” which took a lot of the material from the original, repackaged it, expanded on some concepts, but it was not exactly memorable. Or if you ask me, in some cases it lost some of its meaning. I’m looking at you, “upgrades.” As the poster suggests, “everything with a beginning has an end.” Well, until Warner Brothers decides to cash in on nostalgia and make “The Matrix Resurrections,” but that review comes later. Now that the end is here, let’s talk about it!

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“The Matrix Revolutions” is directed by the Wachowskis, the same directors behind the previous two “Matrix” films and stars Keanu Reeves (Point Break, Johnny Mnemonic), Laurence Fishburne (Event Horizon, What’s Love Got to Do with It), Carrie-Anne Moss (F/X: The Series, Dark Justice), Hugo Weaving (Babe, The Interview), and Jada Pinkett Smith (Scream 2, A Different World). This film is the finale to the “Matrix” trilogy, and war is more prominent than ever! This film follows the people of Zion as they fend off invading machines and Neo, the once ordinary soul who became “the one,” tries to stop Agent Smith while also trying to win the war himself.

As mentioned in my review for the original “Matrix,” that film in particular was my first R rated movie. I watched “Reloaded” with my dad about a week and a half later, followed by “Revolutions” just over five months later. At the time I was 12 years old. Therefore, I had more of a concept of what a good and bad movie happened to be than say when I was seven. At the same time however, the reason why I was into “The Matrix” at the time is the same reason why I was into movies like “Star Wars” at the time, they were so visually fascinating and had sound that felt like they had a place beyond the comprehensions of life itself. Safe to say, I enjoyed all the “Matrix” films to some degree, with the first one obviously being my favorite. Now that I am getting to analytically look at these films all over again almost a decade later, I am coming up with affirmations that maybe I would not have had as a child. “The Matrix Reloaded” is action-packed as I remember it being, but story-wise, it lacks substance compared to the original. The new characters were not that interesting. And the upgrades thing kind of bothered me, despite the awesome fight scene where Neo on took on hundreds of Smiths at once in that courtyard.

But the past is the past, the point of this review is to look at what came after “The Matrix.” What came after “The Matrix Reloaded.” So what came after those two things? I’ll tell ya. Another sequel that doesn’t quite hold a candle to the original. Although if you ask me, I do think that this film is slightly more enjoyable than “Reloaded” for what it is. What makes the first film work so well is that despite taking place in the future, and despite taking place in a digital machine, there was a down to earth quality to it. This was shown in the characters, the action (even though it is obviously choreographed), and the comparison between the real world and the matrix world and showing how much more enhanced and kick-ass the latter happens to be.

One thing I noticed in this film compared to “The Matrix Reloaded” is that there is so much action in your face that the idea of story seems to take a backseat. Now this is not always a movie killer. If anything, this year’s “Godzilla vs. Kong” did a really good job at reminding people of why they came to see it. They did not come to see Millie Bobby Brown somehow miraculously make it into Hong Kong for no reason. They came to see giant monsters whopping each other’s asses, and that’s what the movie delivered. Only thing about that film, is that it kind of knew what it was. I feel like these “Matrix” sequels did a good job at taking half of what made the original good, while leaving another half to rot. The half that was included was obviously the visuals and action. The first film had a solid script and story, but I feel like those were left behind.

Although I will note that one of my personal highlights of the movie as we progress is the chemistry between Neo and Trinity, which has blossomed beautifully over the past three films. Even though I have had my critiques as to how Neo was directed in the first film, I do think one constant positive I had for him and the franchise is how he interacts with Carrie-Anne Moss. The relationship has developed from this one encounter in the original film to a charming romance. I HATED the way Neo handled bringing Trinity back to life in “The Matrix Reloaded.” It felt kind of cringeworthy, but nevertheless. The kiss was nice. In fact, I don’t know, I think if Neo just kissed Trinity without putting his hand inside her skin, I think that would have been a more satisfying way to see Trinity return from the dead. I know the heart is essential to live, but I think in this universe, it would have been a more pleasant and given what they’re going for with Neo, a more Christ-like sight.

Yep, there is plenty of Jesus symbolism in this film. If you get to the end of the film, they’re not even trying to hide it. It’s pretty much in your face.

I will say one thing about the end of the film, the final fight in “The Matrix Revolutions” is by far one of my favorites in film history. Now, I love the final fight in the first film, and I think if there is one thing that first fight did better, it would have been stakes. But when it comes to style, this final confrontation has it ALL. By the end, it’s not even a “Matrix” fight anymore and is more likely something out of “Dragonball Z.” This fight does something well that I forgot to mention in my other reviews. One of the signature things about the “Matrix” that I already hinted at in this review is the choreography. In some movies, if the choreography, it can sometimes detract from the film because it feels maybe otherworldly and takes away from the realism at hand. In the case of all three “Matrix” films, they did a really good job stylizing all the action to make every fight feel like a strategy game. As I look at Neo and Smith in this final fight, every single one of their movies feels less like them fighting and instead pushing buttons on a console controller to hopefully master the skill sets of their avatars. It feels incredibly computerized, which is ultimately what the Matrix happens to be. I really like that.

Also, the MUSIC. HOLY CRAP. This is one of the best written pieces of a score I’ve heard in a movie. I dare you not to drive in the rain with this song with a smirk on your eyes. I mean, oh my god. Technically speaking, this is one of my favorite elements of the film. Don Davis is practically unleashing a flame thrower onto all of his orchestral instruments. By the way, once you’re done with this review, go to YouTube and type in “Neodammerung.” It’s freaking awesome. Bill Pope, who has been involved with some of my favorite movies alongside the other two “Matrix” installments, delivers some of the best shots I have seen in a sci-fi film. In terms of style, this film is full of it, and it does not disappoint.

I will note one thing about the visuals of “The Matrix Revolutions” in comparison to the visuals of “The Matrix Reloaded.” Just to note, both films came out in 2003, within months of each other. I think when it comes to the visuals of “Revolutions,” it does a better job than “Reloaded” of not taking you back to 2003. Now, “Revolutions” is newer, it’s younger, but not by much. Keeping that in mind, in a franchise that has heavily tried to impress audiences through groundbreaking visual effects, I think my mind is more likely to harken back to the final battle in this film more than anything else. The fight against all the Smiths in “Reloaded” was great, but it felt like it was designed in a computer whereas the final fight in “Revolutions” to me bended the line just slightly between reality and fiction. For those reasons, I think both films may end up having a somewhat similar replay value, after all this franchise is not a bad one to binge, but “Revolutions” remains superior in terms of how well it holds up.

In the end, “The Matrix Revolutions” is an improvement over “The Matrix Reloaded,” but it ain’t no party like the one in 1999. There are positives in this film. The performances are great from everyone, even Keanu Reeves, who I have criticized in the past. The film has non-stop, exhilarating action, and it is VISUALLY STUNNING. Now again, this film came out in 2003. Therefore it is not as visually appealing as “The Lord of the Rings: Return of the King,” but it is eye candy nevertheless. I could watch that final duel between Neo and Smith numerous times over and over. It’s shot wonderfully, and rendered nicely. It gets my thumbs up. If there were a little more substance, maybe the film would be better. But I do think this film is better than some people make it out to be. Maybe it’s because I did not grow up with it. It could just be a representation of my age. I was never part of the phenomenon, which makes me wonder how people will look at films like “Avengers: Endgame” in a matter of 15 years. Either way, I’m going to give “The Matrix Revolutions” a 6/10.

“The Matrix Revolutions” is available on VHS, DVD, HD DVD, Blu-ray, and 4K-Blu-ray! The film is also available on HBO, HBO Max, and Hulu.

Thanks for reading this review! If you want to read my reviews for “The Matrix” or “The Matrix Reloaded,” click the nearby links and check them out! I want to thank everyone for journeying with me through “The Matrix Reviewed,” where I talk about the three live-action “Matrix” films, and I also want to spread my appreciation to everyone who tuned in to any of my special series in honor of Scene Before’s five full years of being on the Internet. We had quite a year from “Mortal Kombat: Finish the Reviews,” “7 Days of Star Wars,” “Pirates of the Caribbean: The Chest of Reviews,” “Revenge of the Nerds: Nerds in Review,” “Ghostbusters: Before Afterlife,” and the series that has officially been concluded, “The Matrix Reviewed.” It’s been a heck of year and I want to thank all my readers for spending part of it on Scene Before. If you want to see more reviews like this, I will remind you that I will be coming with more thoughts on the latest films including “Spider-Man: No Way Home.” So much content, so little time! This year I will also be recapping my top 10 BEST and WORST films that I saw throughout the 12 month period. I don’t know if I’ll be doing it as early as usual, but we’ll see. I have a ton of movies to talk about, but I don’t even know if I’ll be able to get to all of them. Nevertheless, if you want to see this and more on Scene Before follow the blog either with an email or WordPress account. Also, check out my official Facebook page! I want to know, did you see “The Matrix Revolutions?” What did you think about it? Or, what is your favorite “Matrix” film? Let me know down below! Scene Before is your click to the flicks!

The Matrix Reloaded (2003): Digitize Harder

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Hey everyone, Jack Drees here! It is time for part 2 of the ongoing review series, “The Matrix Reviewed!” Last week we discussed my thoughts on “The Matrix,” and my opinions for the most part appear to be the same as a lot of other people’s, it is easily one of the greatest sci-fi stories ever told. Like many great stories, this one happened to get a sequel. Or in the case of “The Matrix,” two in one year. Don’t usually see that play out much. Today we’re gonna be talking about the first of those two sequels, “The Matrix Reloaded!” Are we able to load some digital goodness on the screen with this film? Here are my two cents!

“The Matrix Reloaded” is directed by the Wachowskis and stars Keanu Reeves (Point Break, Johnny Mnemonic), Carrie-Anne Moss (Models Inc., Memento), Laurence Fishburne (Event Horizon, What’s Love Got to Do with It), Hugo Weaving (Babe, The Interview), Jada Pinkett Smith (Scream 2, A Different World), and Gloria Foster (Law & Order, Leonard Part 6). This film is the sequel to the 1999 box office smash “The Matrix,” one of the biggest R rated films of all time. This sequel follows Neo, Trinity, and Morpheus as they continue their fight against a machine army. This time, the agents are bigger, stronger, and upgraded. SEQUEL S*IT!

You know that sequel advertsing bulls*it? You know what I’m talking about! BIGGER IS BETTER! Forget the first movie! This second movie is gonna make the first movie look like the zeroth movie! I’ll admit, I was three when this film came out, therefore I never had a chance to watch it in the theater, nor did I get to see the trailers. But even I know that this is one of those films that became a literal phenomenon. Heck, this first film became so big, yeah I know it is a franchise now, but that first film is the one everyone talks about, that they apparently took time to reference it in kids’ movies, despite the R rating! Just look at “The LEGO Batman Movie” and “Space Jam: A New Legacy.” Both films are from Warner Animation Group, and even though that first film has blood, language, and tons of violence, they still found a way to put it in a Looney Tunes story! The first film was respected, it won an Oscar, it kind of set a standard for visual effects and sci-fi. If you ask me, I think Keanu Reeves has been directed better in other projects, but that’s just a me problem, and it’s one that would be difficult to turn into a me solution. Time travel doesn’t exist, and I don’t work for Warner Brothers.

I want to talk about some things I like about “The Matrix Reloaded.” The action is great, and in some cases, I think it may almost be better here than in the original. The highway chase was epic, the fight in the courtyard with all the Smiths was wildly entertaining (I’ll get into a problem about it in a second), and there was some pretty badass stuff in the beginning and end of the film with Trinity. The visuals of the film still hold up today. I would not say they’re maybe as good as the visuals from 1999, but they’re still worthy of falling into the “eye candy” classification. I also really like, going back to the bigger is better idea, the expanding of Zion. The first movie teased it, but now we get to see more of it here. It’s not the highlight of the film, but I didn’t hate it. There’s one montage that goes on for a bit too long, but nevertheless.

This idea of “bigger is better” is not just something that one would put in the marketing for a sequel, but something you’d actually see QUOTED in a sequel like this one! There’s a scene where Neo is fighting an Agent and he’s trying to kick his ass. When he thinks he’s got it, he senses the agent’s increased in strength, so we get to hear Neo utter “Upgrades.” I like how this film gives our heroes some tougher competition. But it’s a blessing and a curse at the same time. I think the best example of this is during the fight where we see Neo all by himself in a courtyard after talking to the Oracle. So all these Agents come out and take on Neo altogether. Look, the scene between Neo and all these agents is one of the most exciting, thrilling, and perhaps badass things I have witnessed in a sci-fi movie, but by the end of it, the more I think about it, it almost feels like the stakes have been minimized. We get to see fiveish minutes of Neo fending off all these agents like they’re flying stormtroopers.

“Ah! The agents! They fly now!” I don’t know where that came from. Just go with it.

While it’s totally badass, it also makes the recently exposed “upgrades” feel like nothing. Look, they’re obviously referencing these “upgrades” in the sense that the Agents have gotten stronger. In the quality/quantity expression, the upgrades would more likely link to quality. So when we get to the quantity portion about fifty minutes into the film, the upgrades seem to lessen their meaning.

The great thing about the first “Matrix” is that we see Neo kind of go through a transition from ordinary person to hero. Yes, the hero’s journey trope been done numerous times. But it is often a successful route to take a story. Who doesn’t love a hero? While there is some struggle or newfound obstacles in this sequel, Neo doesn’t come off as someone who is trying to make a massive change amongst himself. Much of the struggle that we see from Neo as a character comes at the end of the film, which is not a terrible thing. That’s kind of the moment where you want a character to fall to their lowest point. It’s the whole thing about getting back on the horse. You may be down but you can get back up.

Now I’m not asking for every movie to be the hero’s journey. That would therefore make every movie the same as the next. I’m just saying that I prefer seeing a Neo find his way through the Matrix and learn about its roots. I feel like the first film gave us a better opportunity to unravel Neo’s personality. Now he’s kind of a robotic god.

You know what’s also bigger in this movie? The slow motion! But it ain’t better! If we learned anything from the “Sharknado” franchise, it’s that too much of something can make that something become worse. I’ve heard this statement through the walls of the Internet before, but I’ll say it because it is kind of true. This movie could have been trimmed in half in terms of the runtime… Okay, maybe not that much, but the trimming would be significant, if the slow motion was not a thing. This film is two hours and eighteen minutes long. Granted, I don’t have a huge problem with the runtime. The pacing was okay. It could have been worse, but if you take out the slow motion, I think you could have trimmed down that runtime quite a bit. Maybe I’m imagining things, I don’t know. But in that first movie, the slow-motion felt like it meant something. But similar to the “Star Wars” prequels where nearly every scene had a lightsaber (not that I’M complaining), it felt like every other moment of the film had some semblance of slow motion. It was kinda ridiculous. Slow motion is cool! But you know what’s also cool? Ice! And if you touch it for too long your hands are gonna go numb so let’s cool down the slow motion a bit!

KEANU REEVES in Warner Bros. PicturesÕ and Village Roadshow PicturesÕ provocative futuristic action thriller “The Matrix Reloaded,” also starring Laurence Fishburne and Carrie-Anne Moss and distributed by Warner Bros. Pictures. ©2003 WARNER BROS. – U.S., CANADA, BAHAMAS & BERMUDA. ©2003 VILLAGE ROADSHOW FILMS (BVI) LTD – ALL OTHER TERRITORIES (ALL RIGHTS RESERVED USED BY PERMISSION). PHOTOGRAPHS TO BE USED SOLELY FOR ADVERTISING, PROMOTION, PUBLICITY OR REVIEWS OF THIS SPECIFIC MOTION PICTURE AND TO REMAIN THE PROPERTY OF THE STUDIO. NOT FOR SALE OR REDISTRIBUTION

I also really didn’t like the end of the film. I think part of the climax had some cool action, and seeing Neo fly through the city is something that will forever be in my memory. I love seeing that on screen where he’s flying and all these cars are continuously piling up behind him. It’s iconic. But for those who have not seen this movie before, there are a couple key moments after that which I liked less. One involves a character I mentioned already and a situation that feels totally impractical, and the other one involves something that I feel didn’t have the impact I thought it was trying to go for. I don’t know, this movie goes bigger, but really minimizes the oomph in the final moments. Strange.

The Matrix Reloaded (2003) - IMDb

In the end, “The Matrix Reloaded” had some glitches. While it is not the worst sci-fi film ever, it is a massive step down from the original. I talked about how my one big con from the original film is the way Neo was portrayed, which I assume mostly had to do with directing. Even though I think he could have been portrayed better in the original, I still think was written better in the original. He’s written worse in this film, but Keanu Reeves’s performance here, in his defense, matches the slightly more lackluster writing. Again, the like bigger is better thing, it’s a blessing and a curse. I’ll always remember the first “Matrix” as one of my favorite sci-fi films. The second film, not so much. I’m going to give “The Matrix Reloaded” a 5/10.

“The Matrix Reloaded” is available on VHS, DVD, HD DVD, Blu-ray, 4K Blu-ray, and is also available to watch on HBO Max.

Thanks for reading this review! Be sure to stay tuned for next week, December 19th to be specific, because I will be reviewing “The Matrix Revolutions,” capping the ongoing “The Matrix Reviewed” review series and ending the ongoing trend of reviewing older movies in 2021. Until my top 10 best and worst of the year, which may end up coming out late, just so you’re aware, I will solely focus on reviewing films released in 2021 including “Ron’s Gone Wrong,” “West Side Story,” and “Spider-Man: No Way Home” just to name a few examples. If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Matrix Reloaded?” What did you think about it? Or, what is your favorite slow-motion scene in film history? Let me know down below! Scene Before is your click to the flicks!