Top Movies of the 2010s (THE DISAPPOINTING 25)

Top Movies of the 2010s OFFICIAL POSTER

*WARNING: This post is over 11,000 words long*

Hey everyone, Jack Drees here! Never thought you’d see this again, did you? Well, I originally marketed the Top Movies of the 2010s countdowns as an event, so you know what? If I really want to give this the event treatment it deserves, let’s keep it going! This time, we are going to be focusing on the twenty-five films that I watched either with full attention, anticipation, or curiosity, and was flat-out let down in some way. It’s time for the disappointing 25! Before we go any further, this countdown is subjective. All these entries are based on my own experiences and opinions, and are therefore no way supposed to represent the thoughts and opinions of other individuals. Keep in mind, just because I think a certain movie is disappointing, doesn’t mean you have to agree. This world would be boring if that were the case. Although… I’ll take less fighting in the comment sections any day. Also, even though I have had lots of time during this period of isolation to go back and watch more films, I have not seen every single film that has come out during the 2010s. It’s too big of a task to handle. So movies that I’ve heard from others that were disappointing like “Battle Los Angeles,” “Terminator: Dark Fate,” and “Jurassic World: Fallen Kingdom” do not qualify to be on the list. I will also add, if a movie is to be included on here, I must have watched it from beginning to end. So, as much as I could count a movie like “Frozen,” that’s not happening.

Also, keep in mind this is a list of the most DISAPPOINTING movies and it is not to be confused with the WORST movies. The worst movies are just movies that I flat out don’t like. Disappointing movies on the other hand are the movies that I have expectations for in some way and end up being let down. In fact, some of these entries are movies that I like. They just have qualities attached that make them underwhelming, or in some cases, just a plain bad movie. So with that being said, if you had high expectations for this countdown, prepare to hopefully not be let down! These are my top 25 DISAPPOINTING movies of the 2010s!

#25: The Aeronauts (2019)

Starting off this list is “The Aeronauts,” otherwise known as what was supposed to be Amazon’s first attempt at an IMAX run. Unfortunately, that never happened, and it makes the movie slightly more unwatchable the more I think about it. This is a movie that I would probably watch again, but there are scenes in it that are slower than others. There’s the main plot of the movie that involves two people on a hot air balloon, and there’s a sideplot on land. And when the movie takes place on land, it’s almost worth tuning out. Did I mention this movie is based on true events and yet the main characters are fundamentally changed? I like what this movie did with the aspect ratio, because whenever this movie took place up in the air, the picture stretches to fit a traditional TV screen, whereas when the movie is anywhere else, it’s in a scope aspect ratio. It reminds me of the vibe the movie is going for whenever it wants to be adventurous or just drop back to reality. The cinematography is not bad either. A lot of the framing is lovely to look at. Another reason why this is not higher on the list is because this is one of the few movies that I’ve seen that I can consider the end credits to be the best part. Why is that? Because while the credits don’t really have any special background compared to… say… what a lot of animated films have presented over the past number of years, they have what could be one of the best original songs I have EVER heard in a movie, titled “Home to You” by Sigrid. Not only does it completely fit the vibe of “The Aeronauts,” it’s just a good song. Honestly, once this world goes back to normal, and I don’t mean the new normal, I mean normal period, it might be the first song I play as a sigh of relief. Because I know it’s easy to stay home, but after all I’ve done all this time, the song would be a great reminder of the journey I have been through and whatever positivity could lie ahead. I don’t like a lot of modern music, so it REALLY says something that I am giving a thumbs up for a song like this. But if you do want to watch the movie, it’s free on Prime Video, see what you think.

#24: Coco (2017)

For the record, I like this film, but the reason why I am putting it on the list is probably because of the expectations I’ve had for it. Ladies and gentlemen, I give you “Coco.” Even though I constantly make fun of Disney for their greed and desire to dominate the world, Pixar is probably one of the best studios working today, because they always manage to put out quality content that not only makes money, but is fantastically made. “Coco” is yet another example of why Pixar might have the best looking modern animations. It is also another effective story in the Pixar collection of films, even if it does remind me of a better of a better film, specifically “Kubo and the Two Strings.” But the reason why this film is on the list to begin with is a similar reason why I found “Manchester by the Sea” to admittedly be somewhat disappointing. By the way, that movie is not on the list. I’d probably put it as an honorable mention though. One of the core elements of “Coco” that I’ve heard from viewers prior to seeing it is that it is emotionally charged. I expected something maybe towards the end that could get me to almost shed a tear. I did not really get any of that from my experience. I will also say that maybe I am not part of the target audience that would usually feel that. In fact, many of the people I know who happen to be related or close to me are still alive. My core grandparents on both sides have not passed away, and I feel lucky to have them in my life. If somebody I know, whether it be a friend or family member passes away, maybe this movie will hit me more the second time I watch it. And no, none of this disappointment has to do with the extended “Frozen” short film they presented in theaters prior to “Coco” as I only watched this movie at home on a 4K disc.

#23: Seventh Son (2014)

Out of all the movies on this list, “Seventh Son” is one of the few that I’ve had little attachment to before seeing it. I was into the marketing, and the fact that it had gotten an IMAX run also pleased me. Little did I know how short of a run it would have in theaters. In fact, I was pretty lucky that I got to see it at all, because I found a screening of it when I was in Florida, and that’s how I managed to check out this flick. Unlike the other two movies that I mentioned previously, “Seventh Son” made it onto my worst 25 list for this series, meaning that it is not just disappointing, it’s beyond terrible! In fact, I’ll mention something I uttered in the worst list, I went to see this movie with somebody else, and while the screen did have my attention the whole time, the same cannot be said for my partner, who at this point, I might as well apologize for taking to the movie because they fell asleep! “Seventh Son?” More like “Seventh Snore!” “Seventh Son” is honestly one of the worst fantasy movies I have seen in my life, but part of me wonders if part of it has more to do with my experience of watching the movie because I will admit that the sound in my theater could have been better. Maybe if the theater provided a more quality experience, I could have at least felt like I was watching something worthwhile. Does this invalidate the #23 spot on the list? Frankly, no. Because the movie from what I recall felt generic. And speaking of recalling things, recalling everything about this movie is harder than Minesweeper! Remember that game?

#22: Jupiter Ascending (2015)

Fun fact about this next movie, in regards to release dates in the United States, this next film came out the same weekend as the one I just talked about. What is this next film? “Jupiter Ascending!” That’s what it is! “Jupiter Ascending” is quite honestly a film that I was desperately looking forward to. I was very disappointed that it was delayed from its original July 2014 release date into February 2015. The trailers looked great, the effects were eye candy, and it looked like it would make for a fun theatrical experience. It had good actors attached like Mila Kunis (Family Guy, Ted) along with the directors behind “The Matrix,” AKA the Wachowskis, but this film becomes more disposable the more I think about it. While it was, admittedly, an AMAZING theater experience, watching it on a standard TV does not really provide the same effect. Because while the film has an awesome musical score and great visuals, the story and dialogue are not the finest at times. I would definitely watch this film again for the action scenes, but definitely not for any of the writing. Channing Tatum didn’t even promote this movie when it was coming out. It’s that bad! As for Jupiter Jones, she does not really do much to resemble a proper protagonist other than simply be the center of the film just… because. For someone who is such a core character in the film, it feels weird that she is in distress as much as she is. Again, the visuals are breathtaking, and I would watch this movie as part of a tech demo, but I’d rather watch the “Matrix” sequels again than whatever this is.

“I love dogs, I’ve always loved dogs.” -Jupiter Jones

Shut up, Meg.

#21: Suicide Squad (2016)

Much like “Jupiter Ascending,” “Suicide Squad” was a fun time at the movies, but a lackluster experience watching it at home. I will say though, having already watched this film at home, the only time I watched it at home was at the beginning of 2017 and I popped in the extended cut of the film. I didn’t really feel much of a difference in terms of content, but in regards to the main movie, I became angrier than I thought I would about it. While Viola Davis is a solid actress, her character, specifically Amanda Waller, is one that I did not really enjoy watching. I didn’t really approve of all her actions in the film and she just left a bad taste in my mouth. Harley Quinn steals the show due to Margot Robbie’s performance, making her a solid character. But unfortunately, when it comes to the main heroes, Quinn is almost the only one who happens to shine. Deadshot’s okay, Katana’s alright, Killer Croc… looks pretty cool. But if I were to tell you who my favorite character in “Suicide Squad” happened to be, I’d go straight to Harley Quinn because she was pretty much the only one who had any charisma. I will say, when it comes to The Joker, he was not that bad. Of the Jokers I’ve seen on screen, he’s definitely inferior to others, but he’s also not a travesty by any means. Jared Leto played the part well and when it comes to this universe, I’d say his portrayal worked fine. Although I do think the movie maybe could have been better if they’ve utilized him more. This is also one of those movies, again like “Jupiter Ascending,” that had fantastic marketing leading up to it. The early trailer for “Suicide Squad” with Bohemian Rhapsody playing in the background was worthy of two thumbs up and raised the bar of excitement for me. “Suicide Squad” to me is the worst of the Detective Comics Extended Universe films. At least it’s uphill from there with films like “Wonder Woman” and “Shazam!.”

#20: Grown Ups (2010)

I don’t have a magical crystal ball, so I cannot go back in time and see exactly how many people were looking forward to “Grown Ups” when it was coming out. While I did not go see this movie in the theater, it was one I was curious about. But as I watched it, it didn’t stick with me. Now, from what I’ve heard, when it comes to Adam Sandler movies, “Grown Ups” is not as bad as “Jack and Jill,” which I have not seen. But this is one of those movies that the more I think about it, isn’t really as funny as I would want it to be. When you have renowned comedians like Adam Sandler and Kevin James in the mix, I probably would want a little more. And this comes from someone who likes Sandler’s earlier movies like “Happy Gilmore” and “Big Daddy.” This also comes from someone who really enjoys “King of Queens,” the nine-season sitcom starring Kevin James. RIP Jerry Stiller. Arthur Spooner for life. These two comedians have provided some thumbs up-worthy content for me over the years, and it’s disappointing to see these two, along with other cast members such as Salma Hayek, in something like this. I will also point out, even though the sequel is probably not remembered as the greatest of all time, I honestly think I enjoyed “Grown Ups 2” more than the original. Feels weird to say that, but it’s true. I did catch the movie on TV a few times and it did catch my attention, but it’s not one I’ll always remember for its quality. At this point, I only remember one or two scenes being remotely comical and well executed, and it was fun to see Cape Cod on screen. I say that mainly because I was at the waterpark where they shot part of the movie almost around the same time when filming took place.

#19: Under the Skin (2013)

Kind of like “Coco,” I do have some respect for this movie. It has a likable lead actress, some of the music suits it very well, and the vibe is seemingly perfect. So when it comes to “Under the Skin,” I have to ask… What exactly went wrong? That is a tough question to answer. Because for one thing, there are positive aspects about this movie. It just however wasn’t enough to keep me entertained. It is a seductive, hypnotizing film, and it honestly goes on to reveal the proper acting chops of Scarlett Johansson. Although the more I reflect on the film, the less I remember. I remember scenes in the car, I remember all the trippy s*it, but can I describe it all in detail? Absolutely not. This is probably one of those films that I probably need to watch again to fully appreciate, but with so many other movies out there, I am going to have to debate on whether or not such a notion is a proper idea. And if you think I am one of those people who cannot watch a film that is “too slow,” ask me what I think about “2001: A Space Odyssey” and I’ll tell you that it is arguably in my top 5 sci-fi films of all time. At times I was bored during “Under the Skin,” there just wasn’t enough for me. And that’s really disappointing. The film has an 85% on Rotten Tomatoes. It was nominated for a BAFTA! It was made by A24! It has the associations of what could mark the label of a solid movie. But it just wasn’t for me. But… Scarlett Johansson is dreamy, I’ll say that.

#18: New Year’s Eve (2011)

Before I saw this movie, I heard from others about how bad it was, but I went in with curiosity. I have not seen all of Garry Marshall’s holiday-themed movies, but they are not good, man. And “New Year’s Eve” is just a prime example of that! This movie takes a bunch of prominent actors who have perfected their craft and wastes all of them! Halle Berry is in this movie? You might as well be watching “Catwoman” at this point! Sofia Vergara showed up here? Just because she’s in an award-winning sitcom, doesn’t mean that will automatically make this movie good! Robert De Niro’s here?! Oh, the horror! There’s almost no redeemable, likable, or watchable scenes in this mess. Out of all the big holidays, New Year’s Eve is one of the few that I bend over for more than others. And honestly, this year, it’s gonna be pretty f*cking rad if you ask me, because I have never wanted to say goodbye to a year more. I’m just hoping we find a cure to COVID-19 by December, otherwise the ball drop would be just as boring as me dropping a ball from my hand to my bedroom floor. The problem with this movie is that there is no real center of the story to attach to. Yes, it’s called New Year’s Eve, and that’s what the movie is about, but it just doesn’t have one specific character that I can attach myself to more than any other. It’s kind of like “Dunkirk,” except that “Dunkirk” is a freaking awesome movie! “New Year’s Eve” is just a waste of time. And this comes from somebody who was really curious about this movie just from the title alone. I will also add, the scene where the ball actually drops is not even that great. Your movie is called New Year’s Eve, centers around the ball drop in Times Square, and you manage to f*ck that up out of everything! Unbelievable!

#17: Allegiant (2016)

If you ask me, I was never a huge fanatic when it comes to the young adult genre. If I had to pick what movies within the genre would have to be the best in regards to this previous decade, it would probably have to be “The Maze Runner,” although it doesn’t say much. One of the franchises that I thought had a lot of potential is “Divergent.” I went to see the first movie in the theater, enjoyed it. Saw the second one, liked that one even more. Then the dreaded third one, otherwise known as “Allegiant,” happened. Out of the three movies in this franchise, this one is easily the most forgettable. It had the worst box office total out of these movies, and it was also one that I will admit, was not the best in terms of marketing. When I saw marketing for the first movie in the franchise, “Divergent,” it felt badass, it felt raw in some ways. This however, just focused too much on the lovey dovey s*it. I didn’t really care about any of the characters, even though most of the actors give halfway serviceable performances. It’s not Oscar-worthy or anything, it just works. As for the visual effects, they feel like visual effects from 2007 that’s trying to gloss itself up for 2016 standards. It felt like everything was out of an overpolished Nintendo game! Even the people behind this movie must understand what exactly they’ve put out, because this movie we know today as “Allegiant” was once going to follow the footsteps of “Harry Potter” and “The Hunger Games” and get f*cking greddy by splitting the last film into two parts. For those of you who have read the “Divergent” books, which I have not done by the way if this adds anything to the table, “Allegiant” is the third and final installment to the franchise. Or, at least the original trilogy, because there is additional material afterwards. If you are wondering where that second part to “Allegiant” is, forget about it. It was supposed to go straight to TV, but it never got made! So this franchise remains unfinished! And don’t even get me started on how much they surprisingly succeeded on making Miles Teller the most annoying piece of s*it of all time. His character… Is something else. He’s honestly headache inducing, which is really sad as this movie truly does waste this actor who based on his performance in movies like “Whiplash,” has terrific chops. I may have alleged myself to the “Divergent” franchise at the beginning, but in the end, it crashed and burned. What else can I say?

#16: Sully (2016)

For the record, this is another movie that I honestly enjoyed. It is a film that I bought on Blu-ray and continue to own to this day, I just felt underwhelmed by it when I watched it. I’m talking about “Sully,” directed by Clint Eastwood, who honestly has not done his finest work in recent years, and this is just one example. There are essentials to a good flick here. Tom Hanks gives a solid performance, which should not be surprising at this point. Everything involving the plane crash had my attention. In fact, given how that is a major selling point of the movie, I applaud the crew for sticking the landing on that. No pun intended. Everything else in the movie is technically entertaining, but it doesn’t mean I was not almost bored with what was on screen. I think one of the main problems with this movie is that it starts with something that honestly feels kind of climactic, and as it goes, nothing really matches that or has that tremendous of an effect. A plane crash feels like something that would happen to symbolize an end of a movie rather than the beginning. But because everything else feels like it has the vibe of buildup when it is really what is supposed to come later, it just feels unfulfilling. I understood what was happening and the movie itself was competent, but it just did not give me an impact that felt happened to be gripping or enormous. The movie doesn’t crash land into disaster territory, it’s just not maybe as satisfying as I would have hoped.

#15: Flight (2012)

Speaking of movies with plane crashes that start out with perhaps the most climactic part of the movie, the next entry to the list is “Flight” starring Denzel Washington and directed by Robert Zemeckis. Honestly, even though I will forever credit Robert Zemeckis for directing the entire “Back to the Future” trilogy, I will also call him out because “Flight” might be his worst movie. And kind of like “Under the Skin,” this is a notion that I am disappointed to say, because this did get some awards buzz. And to be fair, the production value and acting is not that bad in this movie. I can see why Denzel Washington got an Oscar nomination. But this movie honestly bored me. I will admit, it has been years since I watched it. But all I remember is the plane crash and anything that happens after it is on a downward spiral in terms of pacing and enjoyability. I will say, I bought this movie on Blu-ray, and having paid $3.99 for it, I could have ended up with worse. At the same time, I expect more out of movie like this. Even though it did get a nomination for Best Original Screenplay at the Academy Awards, it did not have my attention. Although it has been years since I popped it in my player and last watched it. Maybe it’s better the second time, but I don’t know for sure.

#14: The Revenant (2015)

Leonardo DiCaprio won his first Oscar for this movie… Which, yeah, he was great, even though I really wanted Matt Damon to win for “The Martian.” Just being honest. With that said, “The Revenant” is not as great as some make it out to be. Yes, it won Best Picture-Drama at the Golden Globes. It was nominated for get this, TWELVE Academy Awards! It had a pretty good trailer leading up to it. I really did have interest in this movie to get me to go see it in the theater. In fact, when I saw it in the theater, it was worth the price of admission because of how well presented it was. The cinematography is outstanding, which should not be surprising as it is directed and shot by the same duo who worked on “Birdman” together. “The Revenant” has some of best individual frames of the decade. The bear attack in this film was… alright, I guess. It was probably not as hyped up as I have heard from other people. At a runtime of two hours and thirty-six minutes, I kind of wish much of that runtime gave me something a little more epic. This movie is surprisingly slow at times. At times it works, but some of the time it doesn’t. I will admit, the effort put into the movie through performances by Leonardo DiCaprio and Tom Hardy plus the directing from Alejandro G. Iñárritu makes up for its faults. However, when it comes to movies nominated for Best Picture at the 88th Academy Awards, I’d rather go back and watch “The Martian,” I’d rather go back and watch “Room!” Those movies are killer, by the way!

#13: The Hunger Games (2012)

I was 12 years old and in middle school when this movie came out, and everyone in my classes DID. NOT. STOP. TALKING. ABOUT THIS FRANCHISE. I read the first book for the franchise and put it down, and while I enjoyed this movie the first time, it just got worse the more I thought about it. I’m talking about “The Hunger Games.” Now, was I looking forward to watching the movie based on “The Hunger Games” when it was coming out? Most likely. Because it was the big phenomenon of 2012. Thankfully, my cousin gave me the book to read. I didn’t even make it halfway. That should have been a sign of what was to come during the movie, which I nevertheless looked forward to. I was a little nervous going into the movie the first time I watched it because I didn’t finish the book (this was a couple months after I started reading it) and I probably had some sort of unfulfilled commitment. While I did enjoy the movie the first time I saw it, I watched it a couple more times and it really does not hold up. The dramatic portions of the film don’t feel as high as I’d want them to be, I don’t like the color grading at times, and some of the cinematography is not that great. Jennifer Lawrence is a likable actress. In fact, she’s in this movie with Stanley Tucci and Elizabeth Banks, who are also respectable names in the industry, but this film is dramatically overhyped. There was even a point where I wrote an entry specifically for my 25 worst films of the decade, but I did not use it mainly because I feel that this film is more overhyped than it is incompetent. In fact, I’ve used part of what I’ve written for that entry at the beginning of this specific entry. Want to know what I ended with? Well, here ya go!

I own the movie on Blu-ray, but perhaps the only reason why I still own it to this day is because a lot of my friends who have connected with me throughout my life know what “The Hunger Games” is, and if the opportunity strikes to just sit down and watch a movie, chances are they might choose that. Although I am not completely sure because knowing our disposable society, “The Hunger Games” was likely just a fad for the time being. I am honestly not even a fan of the franchise, I do like the second film, but I still have yet to see the third and fourth, and the reason is because I refuse to pay for two parts. Thanks a lot, Lionsgate!

#12: Ant-Man and the Wasp (2018)

“Ant-Man” is currently in my top 5 MCU films. When they announced a sequel to “Ant-Man,” I was pretty excited because the first one was a total surprise. I didn’t really expect much from it, I thought it had one good trailer, but I was not sure if that was going to translate to a great movie. However, it was brilliantly written, nicely weaved in one specific outside Marvel character, and Paul Rudd plays a really good “Ant-Man.” Now let’s jump to 2018. The first trailer for “Ant-Man and the Wasp” drops… Ehhhh… Then “Avengers: Infinity War” comes out, it’s my favorite Marvel Cinematic Universe movie yet, and then all of sudden, I’m excited for “Ant-Man and the Wasp” again. Then I saw the movie… The movie is not bad by any means, in fact, when it comes to 2018’s comic book movies, I’d rather watch this again than “Venom.” But “Ant-Man and the Wasp” is a massive step down from not just the recently mentioned “Avengers: Infinity War,” but also, and perhaps more importantly, the first “Ant-Man” film. The first “Ant-Man” was an exciting heist adventure with compelling characters and Paul Rudd at the center of it all. Here, Evangeline Lilly, who I happen to like as an actress, becomes more of a prominent character as she becomes The Wasp. Their chemistry is fine, but while the film is trying its hardest to be lighthearted fun, the stakes almost don’t even feel like they are there. And while this could be somewhat intentional due to “Avengers: Infinity War” probably being the biggest film Marvel has done in terms of stakes up to this point, it feels like a sacrifice as the film is fun, but nearly uneventful. Oddly enough, this film has what could be the most useless end credits scene in the history of the MCU, where a human-sized ant is playing the drums because… Paul Rudd did it in the movie, so it needs payoff for some reason. However, I will admit, this movie also has what could arguably be the best end credit scene in the MCU, where it basically teases where the movie’s characters are going to be and what they’ll be doing in “Avengers: Endgame.” In fact, I put up a tweet regarding the end credit scene shortly after going to see “Ant-Man and the Wasp” in the theater.

I love how the MCU is such a unique movie property trying to tie in so many characters and stories in at once, but when the main story is not as good as what comes after it, it’s kind of a weakness.

#11: Moonlight (2016)

Coming in at #11 is a movie that is probably going to piss a lot of people off, partially because it was not only nominated for Best Picture at the Academy Awards, but it actually won it. Ladies and gentlemen, I give you “Moonlight.” The Best Picture? Of the Academy Awards? Are we sure it’s not “La La Land?” Now, I saw the movie after it won Best Picture, because it was still playing in theaters and I thought I’d give it a shot. While I did think the coming of age story was definitely watchable, I did not feel compelled the entire time. There’s one specific scene that I feel goes on for way too long, the movie starts out pretty solid, and while it continues to be pretty good, it’s on a downward slope in terms of quality. And I will admit, the movie is well made. The cinematography is beautiful. The color grading fits the tone quite well. The acting is top notch. Mahershala Ali earned his Oscar win for Best Supporting Actor. Also, it felt natural seeing Chiron’s character age, it did not feel like watching three different characters. Maybe I’m not in the right audience for this movie. I’m a straight white male. This movie deals with sexuality and identity, which are issues that I don’t struggle with. While can say I connected somewhat emotionally to the protagonist of the film, I cannot say I specifically embody the same traits as him. If you ask me, if the real Best Picture of 2016 was “La La Land” and that was not a mistake, I would approve, because I’d rather watch that movie again.

#10: Logan Lucky (2017)

Coming in at #10 is a film with a terrific cast, an acclaimed director, and a somewhat intriguing concept behind it. So, what went wrong? I don’t know! Nevertheless, “Logan Lucky” is probably one of the biggest drags of a film I have seen in recent memory. And it’s really sad to say that because this film has so many big names attached who are respectable in the industry, just from the cast alone! Channing Tatum! Adam Driver! Daniel Craig! Sebastian Stan! Seth MacFarlane for crying out loud! All these people are talented, but unfortunately, I could barely keep myself awake for whatever fresh hell this was. The funny thing about this movie, looking into the future, is that it is directed by Steven Soderbergh, who is known for films like “Ocean’s Eleven.” But what’s funny about that notion is that months later Soderbergh would come out with another movie by the name of “Unsane,” which by the way is free on Prime Video. Unlike “Logan Lucky,” which was beautifully photographed through a Red Epic Dragon camera, “Unsane” was shot primarily using an iPhone 7 Plus! Just goes to show that looks are not everything and without a good story, your movie is probably not going to be all that watchable. It was hard for me to connect with anybody, and it’s just as dull as watching paint dry. That’s even with the utterly wacky Daniel Craig performance somewhere in the mix! Kind of crazy if you ask me!

#9: Night at the Museum: Secret of the Tomb (2014)

One of my most nostalgic films is 2006’s “Night at the Museum,” it was one of the first films I have seen in the theater, and to this day, it is one of the more experiential films I have seen. As a comedy, it’s fun for all ages. It’s sequel, “Battle of the Smithsonian,” could arguably be better than the original due to Hank Azaria’s performance as Kahmunrah, and a good of number of the gags. I don’t know how many people would agree with me, but that’s just how I feel. “Night at the Museum: Secret of the Tomb” however is a film that quite honestly did not hit me the way I wanted it to. While I will say that the trailer for the film is not the finest in the world, I was still stoked because I love the property. Ben Stiller as Larry Daley is one of the better roles I’ve seen him in. The plot of “Secret of the Tomb” talks a good game, because it does that traditional sequel thing where you supposedly have to go bigger than the previous films. The first film took place entirely in New York. The second one expanded to Washington DC. As for this one, it’s out of the United States. Bigger doesn’t always mean better. And yes, much like the other two “Night at the Museum” films, this one has comedy that lands. There’s a great bit where the character Lancelot comes across a play of “Camelot” featuring Hugh Jackman and Alice Eve. Jedediah and Octavius spend some time on mini Pompeii before the volcano explodes. The movie does have some creative elements intact and some enjoyable aspects tied into it. But I’d rather go back and watch the first and second movies again. Oh, and Rebel Wilson is in this film too… Why is she here? Who invited her to this sham of a party?

#8: Transcendence (2014)

There are particular facts that you have to carry with you all your life. The only things that are certain happen to be death and taxes. In the event of a tornado, driving into a tornado is not the smartest idea to keep yourself safe. Also, “Transcendence” is f*cking boring! Johnny Depp is an enigma of an actor, because over the years, despite being credited with some solid performances, he’s had a good amount of bad days at the office. Maybe because he got too attached to Tim Burton for all I know. Out of all the bad days at the office, this is probably the one where the TPS reports make you want to break your computer. “Transcendence” is one of those movies that has a cool concept, but is executed in such a poor manner. The trailers leading up to “Transcendence” were attention-grabbing and seemed to promise something worth watching. While I did miss “Transcendence” in the theater, I bought the DVD and it’s safe to say that it is one of the least worthwhile purchases I’ve made in my life. I’ve popped the movie in once or twice and fell asleep. The time I did watch the film and I actually managed to make it through the whole thing, sleeping probably felt like the best option as this movie was a complete borefest and a trainwreck. I could barely tell you anything that happens in this movie past the second half. All I remember is that it takes place in a desert, things go crazy, and no semblance of quality exists. Plus, this movie is directed by Wally Pfister, the cinematographer of “The Dark Knight.” While this is his directorial debut, it is very disappointing to know that even after doing a few movies alongside Christopher Nolan, he cannot whip up a quality product himself. Nobody could save this movie! Not Johnny Depp! Not Rebecca Hall! Not Paul Bettany! Not Cillian Murphy! As for the screenplay written by Jack Paigen, it’s got the pacing of a turtle! Believe it or not, this is his first screenplay he’s officially credited for, so maybe I’m being a little harsh, but it’s not always the best indicator of fine art when you have this $100 million movie and both the screenwriter and director have never been credited for anything in this spectrum of their craft! GAH! …At least Pfister will forever have my respect for being the first cinematographer to shoot a major Hollywood movie with an IMAX camera, so there’s that.

#7: Pacific Rim: Uprising (2018)

“Pacific Rim” is a fun movie. It has the concept of “Power Rangers” and blends it excellently with the vibe of “Transformers.” I saw the film in IMAX, enjoyed it, and eventually got the 4K Blu-ray for Christmas, so I have fond memories of this film. Oh, wait did I say “Pacific Rim?” I’m sorry! That’s the good one! “Pacific Rim: Uprising” on the other hand is a total bitch of a movie! This is yet another movie that I was looking forward to simply from the concept, but what really got me onboard was the first trailer for it. Just like the first movie, it looked like it was trying to pack in as much fun as possible. And with a mega-star like John Boyega at the forefront, it must have been a recipe for excellence! Fun fact… This movie takes place ten years after the point where the original leaves off. Here’s another fun fact, it nearly feels as if it takes about ten years to get through this stinkin’ mess! Unlike the first “Pacific Rim” directed by Academy Award winner Guillermo del Toro, which had tons of soul put into it, this film was directed by Steven S. DeKnight, who has never directed a film prior to “Pacific Rim: Uprising.” He’s done TV shows like “Daredevil” and “Smallville,” but when it comes to films, this is his debut. “Pacific Rim: Uprising” honestly feels more like a movie that was a studio plot to start a franchise than anything else. Aside from that, Charlie Day’s character may be more annoying than Flo from Progressive trying to change every conversation at a party to be about insurance! “Pacific Rim: Uprising” reminds me a lot of “Independence Day: Resurgence,” which was a sequel that was perhaps more long-awaited, although maybe less wanted at the same time, but both movies make massive time jumps, yet cannot help but force reflections that tie into their original counterparts. Where did all my IQ points go? Guess a Kaiju destroyed all of them! That’s the only solution I can come up with at this point!

#6: Shrek Forever After (2010)

Coming in at #6, is the worst animated movie on this list, “Shrek Forever After!” Now “Shrek Forever After” is marketed as the fourth and final chapter in the “Shrek” franchise, that is unless you count the 2011 spinoff “Puss in Boots,” which is a pretty good movie. As for this one, it’s kind of like that TV show that your friend tells you to watch. It’s that show where your friend warns you, “The first couple seasons are good, but don’t watch the final one!” Although, “Shrek the Third” was not that well received either technically speaking, but I find that movie to be more watchable than this. It has been years since I watched “Shrek Forever After,” but I still remember being let down. When you market your movie as the final chapter, there has to be something that puts a bow on the franchise that makes the finale grand. This, honestly just didn’t work. And the ending, if you ask me, is rushed and barely even counts as climactic. The first couple of “Shrek” films had better endings than this travesty! Especially “Shrek 2,” which may have put have put out a cover song of Bonnie Tyler’s “Holding Out For A Hero” that might be twice as good as the original! The concept is interesting, seeing Shrek wanting to return to his roots at times was quite entertaining. But in a franchise full of happily ever afters, this movie is the one that brought me at the closest point to becoming an ogre than any other.

#5: The Favourite (2018)

Between massive awards potential, a stunning cast, and an acclaimed filmmaker, “The Favourite” may have had a formula for success. Guess what? It succeeded! …At failing to impress me. Given how this film was getting tons of awards buzz, I figured I’d give it a shot at the cinema. However, this movie tied me to a horse and dragged me across grass for a couple hours! It’s boring, it’s nearly feels pretentious, it’s horribly paced, and I couldn’t stop wondering when it would actually end. If you ask me, the performances are fine. Olivia Colman is alright, I wouldn’t say she was my pick to win an Oscar, in fact of the nominees listed for that specific ceremony, I probably would have picked Lady Gaga for “A Star is Born,” but that’s just me. Emma Stone and Rachel Weisz are also competent as their own characters. Technically speaking, “The Favourite” is a solid movie with detailed set design, gorgeous framing, well put-together costumes, and a somewhat neat score. Story-wise however, while I was compelled at times, it did not do much to leave me satisfied. As the movie went on, I began to tune out, just being honest. For a movie called “The Favourite,” it’s really ironic how this turned out to be one of my least favorite films of 2018. It nearly made it into my honorable mentions on my worst list for that year! This is also yet another example kind of like “Jupiter Ascending,” of how a movie can look visually appealing, but fail to deliver on the story. This movie nearly touches the two hour mark, but if you ask me, I think based on my experience, it felt like three hours! It’s a drag!

#4: Guardians of the Galaxy Vol. 2 (2017)

Coming in at #4 is “Guardians of the Galaxy Vol. 2!” The original “Guardians of the Galaxy” is a FUN movie. It has comedy! It has a killer soundtrack! It has a likable group of characters from Starlord to Gamora to Rocket! When it comes to 2014, it might as well have been the movie of the summer, as it became the year’s highest grossing superhero film, not to mention the year’s third highest grossing film period. Since this was a big box office hit, a sequel was perhaps inevitable. And when the first main trailer came out, I was hyped, because much like the first film, the comedy stood out. There was one joke that was shown at the end that introduces Mantis that made me switch between the mood of simply checking the movie out “because, why not,” to “absolutely needing to see it now.” Aside from “Wonder Woman,” “Guardians of the Galaxy Vol. 2” was my most anticipated film of 2017. But when I saw it with 500 other people, I wondered if I was on drugs, or if everyone else was on drugs. I say so because the audience I was with pretty much laughed at every joke that came up, but I on the other hand remained silent for perhaps most of the film. And honestly, Baby Groot sucks. Even though inserting Baby Groot is technically appropriate for picking up where the Guardians left off, it almost feels something as simple as a ploy to get people to buy more toys. Now I understand that Marvel movies are expensive, it costs a lot to make them, but still! I didn’t find him cute, I didn’t find him that charming, maybe I’m just a horrible person! It feels like there are too many scenes in the film where the characters are doing something and Groot just is shoved in there because… Baby Groot’s gotta Baby Groot! I will admit, when I first saw this movie, it was at a sold out IMAX and I was in the front row, so I was not in the best mood. But if you must know, I did see it again on a separate occasion. I laughed more, but I also remembered how much I didn’t like Baby Groot, and how much of a step down this was compared to its original counterpart. Even though there is an argument to make that the original “Guardians of the Galaxy” is slightly overrated, it lives up to the hype. It’s hilarious, fun, and visually stunning. Sure, some of the fun is there in “Vol. 2,” but the comedy feels absent! The effects and shots in “Vol. 2” however are some of the finest I’ve witnessed in the MCU, so I’ll give credit where it’s due. I have respect for James Gunn, because he’s kind of a wacky director, and this does feel like a personal movie from his end, but in some ways, the movie failed to hit me. Sure, it had a great villain, which at some points, is rather odd to say in regards to the MCU, but it’s true! Still, if it were a Friday night and I had some friends around, I’d probably pop in the first film as opposed to its sequel.

#3: Avengers: Age of Ultron (2015)

Speaking of the Marvel Cinematic Universe, one of the most anticipated films of 2015 for me was “Avengers: Age of Ultron.” Now… Is it fun? Yes. Is it action-packed? Absolutely. …But it’s “The Avengers,” man! The freaking “Avengers” of all the heroes! Why is it that apparently “Guardians of the Galaxy” and “Captain America: The Winter Soldier” are some of the most solid films in phase 2 of the MCU and “Age of Ultron” is nearly the worst? Heck, even “Ant-Man,” which was the much smaller (in a literal sense) MCU installment to come out in 2015, is twice as good! I will say that this film is better than “Thor: The Dark World,” but when it comes to the MCU, that film is not hard to beat. This was a film that I felt an enormous need to see opening weekend. Every trailer captivated me and made me want to go see it. Joss Whedon, who did a solid job with the first “Avengers” film in 2012, is back in the chair again. The movie almost looked like it could be pretty dark as Robert Downey Jr.’s character of Tony Stark seemed to be going on a bit of a downward spiral from what I have seen in marketing. The trailers always caught my attention and promised something absolutely special. But instead, I got mediocrity shoved right in my face. Ultron is a slightly charismatic villain, but again, in Marvel’s first couple of phases, the villains did not always stand out. Also, you know how a lot of blockbusters are often defined as explosive popcorn movies? “Avengers: Age of Ultron” not only fits that bracket quite well, but to my surprise, it focuses way too much on being stylistic than effectively dramatic. It almost feels like Zack Snyder or Michael Bay could have directed this film at times. There are positives to it. It’s got funny at moments here and there. Some of the hero characters stand out, which they should. There’s a great gag involving mjolnir, AKA Thor’s hammer, and this also features one of the better Stan Lee cameos. Surprisingly, if you ask me what my thoughts are on the moments between Hulk and Black Widow, those did not annoy me as much as other people. In fact, “Age of Ultron” did little to annoy me, but I figured in a sequel as big and as highly anticipated as this, it could have lived up to a higher standard. I say this specifically not just regarding “Avengers,” but perhaps all Marvel movies, “Age of Ultron” has one of the weaker climaxes. While it is fun to look at, it doesn’t feel like there’s more to it than eye candy. This movie just feels like an excuse for Disney/Marvel to throw $365 million out the window. Which, in the end, probably wasn’t the worst idea as this movie joined the billion dollar club. Although I will admit, even though I think Joss Whedon, alongside everyone else involved, did a better job with the original “Avengers” movie, I do feel bad for some of the harsh feedback he got, because it’s a major factor that got the famous director to quit Twitter. Nevertheless, “Age of Ultron” is not only the worst “Avengers” movie, it is almost the worst movie of the MCU’s phase 2.

#2: Midsommar (2019)

These last two movies on the list are from 2019, which makes me even more satisfied that the year ended with a ton of solid movies from “Parasite” to “Ford v Ferrari” to “Knives Out” to “Uncut Gems.” In the middle of the year, specifically, July, my most anticipated film of the summer came out. While I did wait a month to see it and happened to be rather giddy when I finally got my chance, it was not even close to worthwhile! Ladies and gentlemen, I give you the runner-up of the disappointing list, “Midsommar!” This is a disappointment if there ever was one. “Hereditary” is probably one of the best directorial debuts in recent memory. Ari Aster made me believe that he had a very bright future ahead… Then we got “Midsommar.” Leading up to this film, “Midsommar” was described by Ari Aster himself to be “a ‘Wizard of Oz’ for perverts.” Having seen the film, it’s not that! “The Wizard of Oz” is a story that takes place in a magical and mystical land! It’s all happy and colorful! Here, it tries to be colorful, it tries to be quirky, but it is perhaps almost the most annoying movie I have ever seen. While the cinematography is beautiful and the directing job from Aster is worthy of a thumbs up, the movie itself pisses me off to no end. Even though Florence Pugh is a likable actress, I cannot say that her character is as likable or charming as her. She honestly probably gives what could be the weirdest and one of the most unreal cries I have heard in a movie. If anybody has seen the first few minutes of “Midsommar” and remembers the cry that Florence Pugh gives, do you cry like that? Do you know anyone who cries like that? I don’t, personally. It’s a thing that I’ve noticed from Ari Aster, because I remember there was a scene from “Midsommar” where I noticed some weird crying as well. If anybody really does cry like this, I want to know because I may be keeping my head in somebody’s ass here, but… I just don’t have much experience hearing cries like the ones from Ari Aster’s films. As if Florence Pugh didn’t play a fine character, the supporting characters are also nearly unwatchable. Most specifically, Florence Pugh’s so-called friends. There was almost nobody I really rooted for in the film. And while this film tries to be pretty scary, it fails. Again, it’s more annoying than anything else! Even the delightfully strange moments don’t make up for its faults! Maybe if I had less anticipation for this film, it would either not make the list or be somewhere on it that’s lower. But again, this was one of my most anticipated films in regards to the summer of 2019. What was the most anticipated? Not sure. Could have been this, maybe “Ready or Not.” Because that had a kick-ass trailer! To add more disappointment, this opened around the same time as “Spider-Man: Far from Home,” which even though Spidey is my favorite superhero, the trailers for “Far from Home” were pretty terrible. Between an underwhelming first trailer, and unexpectedly dropping massive spoilers for “Avengers: Endgame” in a later trailer, it left a bad taste in my mouth. “Midsommar” was a film that felt like a pretty unique experience. Plus, it’s from A24, which is a studio I often respect. They helped put out some of my favorite movies from the past decade including “Room,” “The Disaster Artist,” and “Eighth Grade.” “Midsommar” is in competition with “The Witch” to perhaps be my least favorite A24 film. It’s kind of sad if you ask me. Again, this film is not scary. And I know some people have probably pointed out how “gross” it is. I never really found it to be disgusting or gross. I just found it to be an annoyance.

But you know what the sad part is? It’s not the most disappointing film of the decade! Not even the most disappointing of 2019 as a matter of fact! This past year came so close to being a lackluster year for film.

#1: ???

Alright, we’ve made it! #1! What could it be? Well, here’s some things I’ll say! This movie, as mentioned, came out in 2019. It’s a movie that has been featured on Top 10 WORST Movies of 2019, and in regards to this series, I put it in THE WORST 25 countdown. What is it exactly? Well, it’s not “The Aeronauts.” That did not make it on my top 10 worst, and it’s already #25 here. It’s not “Midsommar,” I just talked about that. It’s not “IT: Chapter Two,” it’s not “Serenity,” it’s not “Star Wars: The Rise of Skywalker,” it’s not “Dora and the Lost City of Gold,” and it’s DEFINITELY not “Cats” as I had no expectations going into it. My #1 most disappointing film of the 2010s is… FEATURED IN THE CLIP BELOW!

Oh my God. Zilla. I’ve said that before, but that saying has never made more sense than it does right now. Because my #1 most disappointing film of the 2010s is “Godzilla: King of the Monsters.” I am not the biggest “Godzilla” fanatic, but even I was uber-excited for this movie. At 2018’s San Diego Comic-Con, they dropped the first trailer for this film and it pumped me up like a balloon! Aside from having stunning visuals and some cool monster action, it had a BEAUTIFUL redo of “Clair de Lune” playing in the background. But little did I know at the time, that distracted me from the reality that this movie was visually beautiful, but as a story, it is a complete wreck! Nearly none of the original human characters make a return. Instead, we get new characters played by some well-known actors including Vera Farmiga, Kyle Chandler, Thomas Middleditch, and Charles Dance. All of these actors have experience and are culturally respected. Just because this movie has big names, does not mean it’ll be a big success. In fact, it’s a monster-sized failure! Even though it made about double it’s budget, it’s still a disappointment after raking in $386 million worldwide. The movie made less money than its predecessor from 2014, simply titled “Godzilla,” which took in $529 million worldwide against a slightly smaller budget than this dreaded sequel. Why did this movie fail? It’s hard to come up with one simple answer. It’s one of those movies, probably like “Batman v. Superman: Dawn of Justice” that did not sit well with critics, but for casual moviegoers and people who are simply fans of “Godzilla,” it was worth watching. After all, the audience score for “King of the Monsters” is 83%, nearly double of the critic score, which sits at 42%. Maybe the low critic score influenced the audience’s thinking patterns. But then again, “Aladdin” came out the week before, so maybe people were still into that.

When I come across a good number of positive thoughts for “Godzilla: King of the Monsters,” they sometimes have one thing in common. People sometimes point out that in terms of characters, this movie is lackluster, and despite that, they still give it a positive score. Some would say that monsters fighting each other is entertaining enough. With that being said, I will admit one of the slight positives of “Godzilla: King of the Monsters” is that the monster fighting is expanded in this movie, but it’s also a negative because even though it was minimal in 2014’s “Godzilla,” it nevertheless felt special. In “King of the Monsters,” some of the camerawork during the fights is nothing to write home about, although some scenes are better than others. As for characterization, this is just like the “Transformers” movies where even though there are alternate subjects in the title, the movie chooses to focus primarily on disposable and one-dimensional human characters. They’re poorly written, they’re poorly realized, even though the actors do what they can with them. Even though an actress like Millie Bobby Brown was somewhat wasted in this film, she gave it her all, which is probably a sign that she is going to have a bright future that involves a lot more than “Godzilla” and “Stranger Things.” I have come to a point in my movie watching journey where I require more than flat characters and all pretty visuals. This is “Jupiter Ascending” all over again!

Speaking of these pretty visuals, even getting to say that they are pretty in the first place is kind of sad. Because there is a sign that people put some effort into this movie. In fact, I imagine everyone across the board did all they can to make the finest movie possible, but for some reason, when it was trying to stick the landing, it plummeted as hard as s*it! This is one of the few movies that from a visual and audio perspective, made me nearly leave the theater with a headache. I like obnoxious films that are incredibly immersive, but there was so much going on at once! It felt like I was at a concert where three bands where competing to see which one can get the crowd roaring the loudest! This movie honestly feels like that “Family Guy” cutaway where The Emperor from “Star Wars” is speaking through the formula for great dialogue in the franchise. Specifically, he says “Something something something dark side. Something something something complete.” While “Godzilla” is not “Star Wars,” replace “dark side” with “monsters,” and “complete” with “fight in Boston,” you have “Godzilla: King of the Monsters.” Yes, it does have a standout story involving a major motivation from Vera Farmiga’s character, but again, all these characters feel incredibly disposable. I mean no harm, and people are allowed to like what they like, I don’t know how all the viewers who like “Godzilla: King of the Monsters” can get past the underwhelming characters who are played by big name actors, but have to deal with a s*itty ass script! It’s cheesy, boring, and forgettable! I can have fun with a big budget blockbuster, just not this one!

To add to the disappointment, this movie could have some unfortunate ramifications going forward. After all, “Godzilla: King of the Monsters” is the third installment to the current Warner Bros. Monsterverse, which currently features prime titans Godzilla and King Kong. In fact, both titans are supposed to duke it out against each other in a future film that is supposedly coming out this year. The more I hear about that film, or more specifically, what little I even hear about that film, the less I manage to look forward to it. But when it comes to what could happen to it regarding “Godzilla: King of the Monsters,” the poor box office total of that film could be a bad sign of what’s to come. Plus, it’s been a few years since people have seen “Kong: Skull Island,” which to be fair, was a success. “Godzilla vs. Kong” could although continue a trend of box office disappointment as it is part of a universe that might as well be shrinking in terms of relevance. One of the reasons why the Marvel Cinematic Universe is still working today is because they’re constantly cranking out films. It took a couple years between one “Iron Man” or “Avengers” film to get to the next one. Plus, in between those sorts of properties, we get other characters getting movies including Thor and Captain America. “Godzilla” took its time, and maybe was on less people’s minds. Plus, given the quality of “Godzilla: King of the Monsters,” it sort of hit me in a way that made me less excited for what’s to come. Going back to Marvel, “Avengers: Infinity War” made me excited for future movies including “Ant-Man and the Wasp” and the then untitled “Avengers: Endgame.” A bad movie can do more than just leave a bad taste in the mouth. It can leave an aftertaste that might stick for years. This aftertaste makes me look into the future and ultimately feel a tad pessimistic.

As for what that future looks like specifically, it looks like everyone might not be learning from their mistakes. After all, Eiza Gonzalez, who is set to star alongside Millie Bobby Brown as a couple human characters in “Godzilla vs. Kong,” was intereviewed in March while promoting the all-new Vin Diesel film, “Bloodshot.” She said the following during an interview for The Hollywood Reporter

“Yeah, everything’s been done. These movies take a long time because there’s a lot of CGI in them. But, yeah, we’ve done everything, and they’re just going through and creating these incredible characters. I’m just really excited to see it because it’s these two worlds colliding. The fan base for “Godzilla vs. Kong” is incredible. When I say I’m in the movie, people are like, “Oh my God.” Seeing that fanaticism and seeing how excited they are to see this movie makes me really excited; I think they’re going to be really happy. [Director] Adam Wingard is so talented. Both stories are going parallel, as you’ll see, without giving anything away. It’s a large cast as well, and it was really fun to be part of it. There’s so much going on, but the heart of it is two young girls as well, which is such a positive message for society nowadays. It’s just incredible.” -Eiza Gonzalez

So unless these two young girls are Godzilla vs. Kong bitchin’ it out against each other, I would imagine it involves Millie Bobby Brown and perhaps a character played by Gonzalez herself. Since this movie chooses to focus on humans again, I really hope there is a sense of strong effort put into the script. Because the last one made me want to go out and topple some skyscrapers!

Also, as someone who lives near Boston, this movie is an insult.

Thanks for reading this countdown! Kind of like the previous lists I’ve done in the Top Movies of the 2010s series, this could easily change as it does span an entire decade as opposed to an entire year. In fact, now that I’m in isolation, I have all the time in the world to watch more movies from the 2010s, so who knows? All these picks may be outdated in a month or two. However, if you are interested in seeing more of Top Movies of the 2010s, feel free to check out my other lists titled THE BEST 25 and THE WORST 25. Now that content becoming harder to make in these times, I am thinking of doing more of these. Maybe I’ll also do more than top 25s. Maybe I’ll go short and do top 11s or top 15s, or if I really want to cover such a massive topic, I’ll go for top 50 or top 100. I’ll have to think of a topic that can truly fit a hundred films if that’s the case, but it’s still a thought that I have. If you want to see more great content from Scene Before, follow this blog via an email or WordPress account! Also, be sure to check out my Facebook page if you are interested, I post content updates, random thoughts, and if you don’t want to follow the actual Scene Before blog, I also automatically post new content from Scene Before onto the page if you would like to check it out. But it’s your world and I just live in it! I want to know, what are your most disappointing movies of the 2010s? Is there a title I missed? Or, what other countdowns would you like to see come to life in the Top Movies of the 2010s series? Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 4

Hey everyone, Jack Drees here! It is now time for part 4 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As usual, we deal with real world matters first. Since Easter was this past weekend, gatherings at churches and homes within one’s collective connections of a family that was commonplace in years past managed to take a backseat this year.

California has recently extended its stay at home order from April 19th to May 15th. Speaking of California, the state recently joined forces with other nearby states including Oregon and Washington in what they call the Western States Pact. The three announced a plan to put health first and deliver a more scientific-based focus compared to a political focus to stopping the coronavirus. The states are still building specific plans for their area, but they are nevertheless working together to stop the spread.

Speaking of which, the northeast portion of the United States is engaging in something similar. Massachusetts, Rhode Island, Connecticut, New York, New Jersey, Delaware, and Pennsylvania are joining forces in their own coalition. So, remember all those requests for Andrew Cuomo to run for President of the United States? That won’t be happening anytime soon, but when it comes to coronavirus matters, he is currently dealing with more than just New York. Speaking of Presidents of the United States…

President Donald J. Trump stated this Monday that he is the one that should have control on opening the country back up. He suggests, “When somebody is president of the United States, the authority is total.” Trump also stated he wants to open the United States back up by May 1st, which close medical expert Anthony Fauci declares is “a bit overly optimistic.”

Just today, Andrew Cuomo referred to Trump this morning on NBC’s “Today,” suggesting “We do not have a king, we have a president.” Cuomo is doing what he can to make sure that the state of New York opens back up at what he considers to be the right time for everyone’s health. While Trump is suggesting May 1st, Cuomo fears that this all-powerful decision made by Trump will lead to “a constitutional crisis like you haven’t seen in decades,” as he stated in MSNBC’s “Morning Joe.” Speaking of Andrew Cuomo, and somewhat transitioning to movie news a bit early here, he suggested the possibility of making drive-in theaters an exception to non-essential businesses that remain closed. Keep in mind, drive-ins have still been in operation during the ongoing crisis, but it does not mean that there are some that are not in operation, plus there are others that are just closed because it’s not the proper season for a drive-in to be open. Cuomo suggested, “Where is the public safety issue? It’s a drive-in theater. You’re in the car with the same people.” He is not wrong. Drive-ins make for a fun night out while also promoting social distancing. I would not mind drive-ins opening up, but the problem is… What movies are they going to play? Are just going to play “Trolls: World Tour” over and over? Maybe they’ll bring back some classics since there’s nothing else to do.

Going outside the United States, specifically in Wuhan, China, where early cases of the virus originated, the city opened back up after a lively lightshow and countdown declaring the disappearance of COVID-19. Despite the reopening, restrictions still appear to be in place including the closure of schools, shops, and sadly, cinemas. But one thing that has opened is the region’s wet markets. Outsiders are suggesting immediate closure of said wet markets as it serves live animals, including bats, which sources suggest is the reason why COVID-19 spread in the first place.

But of course, we have some movie news to talk about like usual. More delays, more new releases on DVD, Blu-ray, and digital, and some big news involving acclaimed filmmaker Bong Joon Ho (don’t worry, that part is all good news). Also, there’s a big movie that tried something new this weekend, going straight to digital while also having a theatrical release. Before we dive into that, I do want to point out that despite there being a major pandemic, some movie theaters are still open. Keep in mind, many of these theaters are drive-ins. This is now old news, but according to Deadline, 14 movie theaters remained open on the first weekend of April. I also want to point out another article I saw from The Wrap, which suggests that “Trolls: World Tour” played in 21 drive-in theaters this weekend. Even in desperate times, theaters are still active. Speaking of optimistic news, here’s more!

JAMES GUNN SAYS GUARDIANS 3 AND THE SUICIDE SQUAD WON’T BE DELAYED

Usually when I dive into these main topics during the series, I have often emphasized the bad news at hand. A common example is when a major film gets delayed such as “F9,” “Ghostbusters: Afterlife,” or “Top Gun: Maverick.” However, it’s about time we get some good news in here and talk about a couple of films that are not being affected by the outbreak, both of which are being directed by James Gunn. To specify, “Guardians of the Galaxy Vol. 3,” which is a big movie, especially since it’s the third consecutive entry to the franchise being helmed by Gunn himself, but also “The Suicide Squad,” which has finished filming in February and is set to release August 6th, 2021. Gunn spent time on Twitter recently taking questions from fans and he had some notable things to say regarding these two films.

Alright, this resembles some decent progress on the film, and it shows that even in a time like this, people like Gunn in the entertainment industry are still working. But let’s see the next tweet.

Keep in mind, “The Suicide Squad” is not set to come out for a bit under a year and half, so there is plenty of time to edit the film, develop a marketing campaign, and lay out all the elements needed for the film’s post-production process. So the film is coming, and should this pandemic fizzle, there is a solid chance that “The Suicide Squad” will be in theaters during 2021. Now what about that other big comic book James Gunn has up his sleeve?

“Guardians of the Galaxy Vol. 3” is not currently listed in the Marvel Cinematic Universe’s fourth phase, but there have been previously established plans to make the film. Unfortunately, the film was supposed to come out this year, but due to James Gunn’s controversial tweets leaking, his business relationship with Disney was no more and he was no longer attached to direct the third installment to the franchise. Judging by this tweet right here, Gunn still seems to be working on the film, but an official release date seems rather uncertain at this point. IMDb lists it to come out in 2021, but given how Marvel has many other projects going on, “Guardians of the Galaxy Vol. 3” might have to wait. But “Guardians of the Galaxy Vol. 3” is nevertheless a film that I will see should I get the chance to witness it come out, so this information pleases me to say the least. I was not the biggest fan of “Vol. 2,” but I am curious to see what Gunn could deliver to this third installment.

MORE MOVIES GET DELAYED

But of course, with good news, comes bad news. In this case, the bad news is that yet another delay is happening. As if Pixar didn’t suffer enough already by having to put “Onward” on digital early, they just pushed back “Soul” to November. Nobody behind Pixar seems to be popping bottles at this point. “Soul” was originally supposed to come out June 19th, but now has been pushed back to November 20th. By the way, this is releasing the same day as “Godzilla vs. Kong.” I honestly have no idea how well that movie is going to do box-office wise, but given Pixar’s name recognition and since there already has been some anticipation towards this film, there could be a chance that “Soul” is the box office champ of the two when it comes to seeing how they play out on opening weekend. The film is directed by Pete Docter, who also directed 2015’s “Inside Out,” which this film honestly reminds me of. Kemp Powers will co-direct by the way. While conceptually different, “Soul” seems to present the vibe of “Inside Out,” not to mention a somewhat similar concept. The film follows a musician (Jamie Foxx) who loses his passion for music. After being transported out of his body, he interacts with an infant soul while trying to return to said body. The film definitely sounds like it could be emotional, which would not be much of a shocker for a film by Pixar. But now here’s a problem for not just this film, but a bunch of others coming out this year. I don’t know if it is just me, but it now feels like November is CRAMMED with popular titles. From “Soul” to “No Time to Die” to “Black Widow.” While I could look at this as a benefit because it likely means this November will be a pop culture haven, it’s also a negative because I imagine some films that could potentially be big will underperform because they are in such a congested schedule. Or to make matters more interesting, November is also a big month for award season, and now there is probably a bigger focus on pop culture titles that might not be awarded much of anything as opposed to what could be nominated for the Academy’s Best Picture in a couple months.

Also, remember how “The SpongeBob Movie: Sponge on the Run” got delayed to late July? Paramount’s “Infinite,” an upcoming sci-fi flick starring Mark Wahlberg (Transformers: Age of Extinction, Ted), which was originally come out July 31st, has officially been pushed back to Memorial Day weekend in 2021. The film follows a man whose hallucinations are visions of his past lives. I would like to go into some of my past lives at this point just to get away from whatever the hell is going on right now. Think I was done talking about “SpongeBob?” Well I’m not! I say so because the film has been delayed again, but this time only by a week. As of now, “The SpongeBob Movie: Sponge on the Run” is coming out August 7th.

TROLLS: WORLD TOUR DEBUTS DIGITALLY

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I’ve talked about this news already, but given how this does document a rare incident, I might as well talk about it. Certain movies like “The Irishman” have a limited run in theaters before being put on Netflix, but for “Trolls: World Tour,” the sequel to DreamWorks’ successful 2016 flick, that’s a different story. You won’t be able to find it on Netflix, but you will be able to find it through services including Prime Video, FandangoNOW, and Vudu. The reason, Universal wanted to put “Trolls: World Tour” out on digital the same day they put it out in theaters. This is kind of an unprecedented situation as movies typically start in theaters and there is a waiting period until the movie comes out on digital and DVD. But nope, Universal thought it would be better to just digitally release the film. I have not seen the film, in fact, I have no plans on seeing the film given how I have not watched the original, but others did manage to show up for this new installment. The movie managed to make more through its digital run than “Jurassic World: Fallen Kingdom” did when it debuted digitally. “Trolls: World Tour” managed to make around $30 million according to reports. This is compared to “Fallen Kingdom,” which managed to rack up $2-3 million. Keep in mind, these reports are exclusive to the United States. Also, another thing to keep in mind, that even though many of the purchases were through digital platforms, theaters were open during the initial days of “Trolls: World Tour,” many of which are drive-ins, so it is not like everybody had to be stuck in their house to watch it. Also, while $30 million may be considered successful in this circumstance, the movie cost $90 million to make, so there could be a chance that Universal will lose money over this. Even though a $19.99 rental for 48 hours can cost more than a single movie ticket, the target demographic for “Trolls: World Tour” is families, especially kids. You can take a family of four to the theater and pay double that price to see the movie, maybe even more. It’s also short of what the first movie raked in on its opening weekend back in 2016, which was over $46 million. If this sequel was in theaters, it probably could have surpassed that due to factors such as name recognition. My biggest wonder for “Trolls: World Tour” is how well it will do over these next few days, not to mention next weekend. I say that because, sure, the movie can have excellent debut to rave about. But if we are treating this as the closest thing to a theatrical release we can get, we have to consider how much of a drop it could make this following weekend. Will it make $15 million? $12 million? $10 million? Could it possibly make more this weekend than it did last weekend? Only time will tell. This straight to digital rollout is an experiment if there ever was one, and its chances towards success have recently shown that maybe theaters COULD have been much better for “Trolls: World Tour,” but this is a new way of doing things, and if we are still in this crisis, things could change.

MY SPY GOES STRAIGHT TO PRIME VIDEO

For those of you who don’t know, “My Spy,” the film where Dave Bautista goes undercover and makes a connection with a nine-year old girl, is a movie that has been promoted from time to time by STX here in the states has already released theatrically in select regions including Canada, Australia, New Zealand, Hong Kong, and the United Kingdom. But for the United States, it’s a different story. The film has already had free screenings before it was supposed to come out, one of which I went to in January by the way. But the film has had a rough history when it comes to getting a proper release. “My Spy” was supposed to release on August 23rd, 2019. The film had a trailer put out a year ago, so the promotion and marketing process was getting into gear. However, it was pulled from STX’s release schedule in July. The next release date that was announced for the film was March 13th, 2020. And of course, to get the ball rolling on word of mouth and that sort of thing, free screenings started popping up and I got to attend one of them. But, just in the snap of a finger, the release date changed from March 13th to April 17th. I would imagine that the COVID-19 crisis could be a contributing factor, but I also wonder if STX thought if it would be a better time for the film to release in terms of financial gain compared to competition. Nevertheless, it was just announced on April 8th that the film is now going to be distributed by Amazon Studios and instead of going to theaters, it is going directly to Prime Video. So if you are a Prime member, you are likely going to be able to watch “My Spy” for free on the service.

CBS SCHEDULES SUNDAY MOVIE NIGHTS

CBS is a leading name for television. Their standard channels air daytime staples like “The Price Is Right” and “The Young and the Restless” along with notable shows at night such as “Young Sheldon,” “MacGyver,” and “Mom.” Meanwhile, they have been building a name for themselves through streaming by providing material such as a couple of “Star Trek” original shows and a spinoff of “The Good Wife” known as “The Good Fight” through CBS All Access. But if you get access to the main CBS channel, which I’m sure a lot of you do, one thing you might want to keep an eye on is their schedule for May. Every Sunday, CBS is going to air movies under the Paramount label. This will begin with a movie that is very likely to garner attention, “Raiders of the Lost Ark.” In addition to that “Indiana Jones” film, the network is also airing “The Last Crusade.” Oddly enough, they are skipping over “Temple of Doom.” Other movies to be aired by CBS will include “Titanic,” “Forrest Gump,” and “Mission: Impossible.” This run will last for five Sundays from May 3rd to May 31st. By the way, all the movies are scheduled to begin at 8PM, except for “Titanic,” which will start at 7PM. Earlier on in the series, I discussed that ESPN was going to air movies on Friday nights, said movies are all Disney-owned and focus on sports. One thing that I think would help CBS in a case like this compared to ESPN just a little bit is its accessibility. CBS is a slightly more recognizable channel and unlike ESPN, you can get it on an antenna.

HULU ACHIEVES BEST PICTURE WINNER PARASITE

One of my favorite films of the past year is the Bong Joon Ho-directed masterpiece, “Parasite.” Lucky for me, I own the Blu-ray, therefore I have the ability to watch the film as much as I please through a physical disc. But if you have Hulu, you can consider yourself lucky because “Parasite” is now available on the service. For the record, the film is not the first of its kind to be on Hulu. To be clear, the film was distributed in the States by Neon, which also helped distribute titles including “I, Tonya,” “The Beach Bum,” and “Honeyland.” Films like these have also made it to Hulu. So if you wanted to watch “Parasite” without paying much, just make sure you have a Hulu subscription and you’re good to go. And remember, it won the Academy’s vote for Best Picture, so every film aficionado will tell you that it is bloody important. If you are a little skeptical on watching “Parasite” because it is in Korean, let me just remind you of this quote given by director Bong Joon Ho himself.

“Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.”

Speaking of Bong Joon Ho, his 2013 work “Snowpiercer,” which is being adapted into a series set to air on TNT, is coming out for the first time in the United Kingdom on DVD and Blu-ray. The film is set to release on May 25th. It’s one heck of a time to be Bong Joon Ho.

NEW HOME VIDEO RELEASES

Stuck at home? Jack’s here to help! This week for digital has got a few new movies coming your way. For starters, we have “Underwater,” one of the last films to display the 20th Century Fox label. For the record, Disney did complete their acquisition of Fox’s assets during March 2019, but for a little under a year, they kept putting out films like “Ford v Ferrari” that had the studio label that has achieved fame. Although, with the recent release of “The Call of the Wild,” they are now using 20th Century Studios instead. Sticking with “Underwater,” the film stars Kristen Stewart alongside a crew of researchers as their underwater facility is hit with an earthquake. The film is a box office bomb, making $37.2 million on a $50 million budget. It has a 47% critic rating on Rotten Tomatoes and a 60% audience rating, so it’s hard to know what exactly you’ll think of it upon first glance. The film is also now available on DVD and Blu-ray if you prefer the physical copy.

“Fantasy Island,” which is based on a TV show of the same name, is now available for digital purchase. If you want to wait for a rental option, that is coming May 12th, the same day the film comes out on DVD and Blu-ray. Keep in mind, the film has a 4.6 on IMDb, which might not be the best of signs.

Also coming out, “The Rhythm Section.” This action flick stars Blake Lively and Jude Law, and is about a woman whose family dies in a plane crash. This woman joins the world of espionage as she seeks vengeance. The film is not out on DVD and Blu-ray until April 28th, but it is available for digital purchase today.

Thanks for reading the fourth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Even in the apocalypse, there is one thing I can promise, and that my friends, is content. Maybe not the content that I want to make, but content nevertheless. Last week I said that I’d probably get shoved into an abyss by STX executives if I talk about “My Spy” at this point. So with that in mind, now that it is owned by Amazon and has no official release date, I will probably be shoved into an abyss by Amazon executives, or maybe even Jeff Bezos himself, if I talk about “My Spy” at this point. So what is happening with the movie is clear, but when I will review it, is unclear. Only time will tell. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, is there any big news I missed regarding COVID-19 and entertainment over the past week? Also, since it is appropriate, what are your thoughts on “Parasite?” Personally, I think it is one of the most twisted movies I have seen in recent memory and it is a blast from start to finish. Let me know down below! Scene Before is your click to the flicks!

Captain Marvel (2019): Not That Marvelous

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“Captain Marvel” is directed by Anna Boden and Ryan Fleck (Sugar, Half Nelson) and stars Brie Larson (Room, The Glass Castle), Samuel L. Jackson (Pulp Fiction, Snakes On a Plane), Ben Mendelsohn (Ready Player One, Rogue One: A Star Wars Story), Djimon Hounsou (Gladiator, Blood Diamond), Lee Pace (The Hobbit: The Desolation of Smaug, Lincoln), Lashana Lynch (Fast Girls, Brotherhood), Gemma Chan (Mary Queen of Scots, Crazy Rich Asians), Annette Bening (American Beauty, 20th Century Women), Clark Gregg (The New Adventures of Old Christine, 500 Days of Summer), and Jude Law (Fantastic Beasts: The Crimes of Grindelwald, Closer). This film is the 21st installment in the cinematic universe. Good luck with your marathons, newcomers! “Captain Marvel” is about a soldier from another world who has memories of her past on Earth. As she is sent down to Earth, or as her planet’s kind calls it, “C-53,” she must combat a foreign force who can disguise themselves into other people and save the universe from further destruction.

OK… Here we go. I went into this movie rather excited. I must point out though, it is not because I am seeing the movie, but because I got to see it in the historic Chinese Theatre. This was kind of a dream of mine and I was waiting to go away to see this movie instead of seeing it on its first two nights just to make the experience special. And it was! When it comes to my familiarity with Captain Marvel, it is admittedly lower compared to other superheroes. But regardless of how familiar audiences and I are with this character, Disney and Marvel had an excellent marketing opportunity on their hands. They have never done a movie with a woman in the lead role before, so after almost eleven years of making MCU films, this is the first time this was being done. Unfortunately, it was not good.

Let me just get some things out of the way. I’m straight, I’m white, and I am a male. I am well aware that my physical and internal qualities that I can’t change, unless I go through surgery, puts me in the position of associating with the most hated type of person on the planet. So… reviewing this movie is hard. But I will say some things that I actually found to be good about the movie. This movie is kind of a crowd-pleaser. Much like a bunch of other MCU films, it had many attempts at humor, some of which totally worked. Some of the action is flashy and the visuals are very colorful. Speaking of that, the deaging done on Samuel L. Jackson is top-notch. And there are tons of callbacks to the 1990s that take up a portion of screentime.

Blockbuster Video, as seen in the trailer, plays a big role in the film. There’s a couple moments where people were laughing because of how 1990s technology worked. There was the use of Dial-up, CD-ROM had its share of screentime, and as I imagine some people expected, pagers were used in the movie.

But as a story, the movie is cliche, which would be fine because “Wonder Woman” was actually cliche and that film was actually pretty kick-ass, but the thing about “Wonder Woman” which made me not care for “Captain Marvel” is the difference in pacing. “Captain Marvel,” in reality, was a somewhat boring movie. Granted, there were parts that were exciting and entertaining, but there was a part of me that didn’t care about what was going on, I didn’t give a crap about the Kree, and after watching the movie, there are perhaps some parts that I feel like I am going to forget about in less than a month.

Let’s talk about Brie Larson in this film. I like Brie Larson as an actress. She’s very talented, she’s won awards, and she is in one of my favorite movies of 2015, “Room.” Also, I just watched “Scott Pilgrim vs. the World,” a movie featuring said actress, and that was one of the best films I’ve seen in recent memory. Brie Larson has a tendency to sign on to play good roles. Granted, this doesn’t always happen (watch “The Glass Castle”), but she usually has a keen eye for her roles. In fact she joined a movie that I am rather excited for the more I hear about it, “Just Mercy.” Knowing how the world of Hollywood tends to work, or at least having an illusion as to thinking I know how it works, Brie Larson definitely saw potential in a role as her particular character in the Marvel Cinematic Universe. Based on the legacy of said universe, I could definitely see potential. However, the execution of her performance was… I don’t know how to say this… Very off and on. The elements are all there for a decent Captain Marvel performance at the very least. A lot of the mannerisms done in the movie are all right for said character, and there is some range presented in terms of personality. But I feel like Brie Larson was at times directed to act a certain way that just didn’t work. It felt like watching multiple characters in one to the point where it is almost easy to assume Captain Marvel had multiple personality disorder. The performance just kind of didn’t work for me, which is absolutely disappointing because Brie Larson is practically an A-list actress. She won an Oscar for crying out loud! There are some moments where I found Captain Marvel to have some charisma behind her, some emotions to display, and others where she is just stoic. While there are times where such emotions (or lack thereof) can work for the movie, it is hard to tell exactly if everything flows as properly as I would hope. Speaking of proper flow…

One of the best movies in the Marvel Cinematic Universe is “Guardians of the Galaxy.” Not only did it make a rather unknown comic book IP become known and loved by millions, but when the first movie came out, it was actually pretty unique as far as comic book movies go. And one way that statement can be supported is through the movie’s soundtrack. Not only is it fun to listen to, but it has practically had an association with the movie in a way that many other soundtracks don’t. While “Captain Marvel,” unlike “Guardians,” doesn’t rely on a soundtrack for music all that much (maybe except for 90s’ references), there is this one moment where a pop song can be heard. I won’t go into much detail, but it is during a fight. If the crew behind this film was trying to capitalize on the success of “Guardians of the Galaxy,” then I can totally see that. But it didn’t f*cking work. In fact, that “Guardians”-esque moment, might just be the most cringeworthy part of the entire movie. And for those of you who know what I am talking about, I don’t know if you will agree with me, but this is just how I feel. In fact, it totally wouldn’t surprise me if some of these songs were put in because of “Guardians of the Galaxy’s” popularity because Nicole Perlman worked on this movie, earning herself a story credit. For the record, she was a writer behind “Guardians of the Galaxy.”

I will give some credit to Samuel L. Jackson however because like usual, he did a fine job as Nick Fury. And I will give even more credit to whoever deaged him. Sticking with the “Guardians of the Galaxy” theme, one of the highlights of the truly disappointing “Guardians of the Galaxy Vol. 2” was the deaging CGI done on Kurt Russell. It was nice to see Nick Fury not only have hair, but believable looking hair. Jackson’s performance as Fury was definitely worth buying for how such a character would behave in the 1990s. However, without going into spoilers, there is something that happens in this film that references something in the future, and it takes place during the end of the film (no, not during the credits, around the climax). It is absolutely crucial to Fury’s character. The way that this film manages to go about it, managed to get a big laugh from the audience, but I thought this GIF would sum up my thoughts on this whole situation.

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Now imagine a part of my brain saying that for an eternity, and you have my thoughts on this moment towards the end of the climax.

And I gotta say, I feel like I am in a weird place as I review this movie. I am a straight white male. I have nothing against women having their own superhero. What I am against however is when people think take the idea of gender equality and twist it to make one gender look better than the other, and I will say, despite “Captain Marvel’s” numerous flaws, not to mention its overall lack of memorability, one of its strengths is that it made a woman look good as a role model, while not exactly putting guys down. If you have ever seen me talk about the 2016 “Ghostbusters,” chances are you know my thoughts on that movie, and none of them are good. One thing I absolutely hated about the 2016 “Ghostbusters” movie is that it went out of its way to display moments that practically make just about every man in the movie look like idiots. There’s a secretary played by Chris Hemsworth who literally makes Patrick Star look like a genius. They ruin the reputation of Bill Murray. And there’s a scene where the ladies shoot a giant ghost in the nuts. There are no moments where I feel like if I had a place in the “Captain Marvel” movie’s universe where I’d have an IQ below 40. Thanks, “Captain Marvel!”

I don’t really have too much more to say in terms of my own originally gathered thoughts, but I will point out that when it comes to “Captain Marvel,” I feel like this movie manages to disappoint me in more ways than I would imagine. While the villain in this film could definitely be worse, I feel like we are going back to phase 1 and even phase 2 MCU, because the villain here was just not memorable. And speaking of villains I don’t really find to be all that great, Ronan the Accuser apparently had a few moments in this film! Like… OK… More “Guardians of the Galaxy” stuff, whoppity do! I have no idea why you even needed much of Ronan’s presence in the movie, but somehow he’s here! Then again, his appearance, much like the film’s main antagonist, could definitely be worse.

Also, another thing to consider about “Captain Marvel” is that this is the 21st film in the Marvel Cinematic Universe. Now that we have gotten to this point, it is getting harder to impress me because a viewer, it almost feels like I’ve seen everything. Granted, there are some unseen things in “Captain Marvel.” This is the first female-led film in the franchise, this is the first film to take place mainly in the 1990s, and it is also the first film where we get to see a cat play a significant role.

By the way, if anyone wants to know my thoughts on Goose the Cat, I thought he was funny, but I don’t think I liked him as much as other people. Although I imagine this character is going to inspire some people to create some funky, psychedelic t-shirts, which if that is the case, I can’t wait.

However, going back to my main point, I have been a follower of the Marvel Cinematic Universe for years. And with following, comes knowledge, and having a competent knowledge of the MCU, to MAYBE hold my own in a related trivia competition, makes me realize that a lot has happened over the years. There are times when material might just seem like something we’ve seen in the past, but with a different name attached. “Captain Marvel,” the more I think about it, just seems like a newer, inferior version of “Thor” with elements of “Captain America: The First Avenger” intact. You have this god-like being who is trying to find their identity or place in the universe, and part of it takes place in space, while another portion is set on Earth. Plus, it is another fish out of water story.

Also, before we get into the verdict section, I will point out a statement from MCU executive Kevin Feige.

“Captain Marvel, she is as powerful a character as we’ve ever put in a movie. Her powers are off the charts, and when she’s introduced, she will be by far the strongest character we’ve ever had.”

Having now seen “Captain Marvel,” I am definitely not going to deny that Captain Marvel is powerful as hell. However, as far as her character being the most powerful of all, that is still up for debate. At least from my point of view. And speaking of which, there is a climactic moment towards the movie that was probably played for comic relief, but it also made a certain moment feel rushed and kind of cheap. More powerful does not always mean more exciting. And I say this whole “power” thing is up for debate for one reason and one reason only.

Can Captain Marvel do this? I’ll wait… I’ve got years of my life left, which give tons of time to provide an answer.

In the end, I hate to say it, but “Captain Marvel is one of the worst movies of the MCU. Granted, that statement might not say all too much as very few have actually gotten a low score from me. I go to the movies for memorable experiences, and many of the MCU’s installments have provided said experiences. I basically put my money on the table for “Captain Marvel,” because again, I went to the Chinese Theatre, which is MILES from where I live, and I literally mean MILES, because I am from Massachusetts. The Chinese Theatre is states away! I had a good time, and I would love to come back. After all… There is a “Star Wars” movie coming out soon… But the whole experience would have been perfect if I went to see a better movie, and “Captain Marvel” was just not that great. I am happy for women who are getting a hero they want to look up to, but I am not judging “Captain Marvel” completely as a feminist piece, I am judging it as a film. As a film, “Captain Marvel” is visually appealing, which is not surprising at this point for a comic book movie. It is pacing-wise, perhaps the worst of the twenty-one films presented in this series. And I felt that I wouldn’t pop this in my Blu-ray player right away if I had the chance. There is a mid-credits scene worth staying for, and there is another scene that happens towards the end. It is honestly unneeded, but if you like your end credits scenes, there’s your update. I’m going to give “Captain Marvel” a 4/10. I honestly don’t know if this grade is going to stay where it is. Because I honestly didn’t like this movie, but part of me had glimmers of enjoyment. And part of me also wonders if I am being generous because this movie stars a woman. I didn’t find myself to be angry throughout the film, so maybe this is technically a 4/10 for me. Only time will tell if this grade manages to stay where it is. And I gotta point out something regarding this “Captain Marvel,” DC did this type of film better! How often do I get to say that? Maybe they screwed up on “Suicide Squad,” the effects on “Justice League,” and keeping a singular vision alive, but they managed to do a female-led film better than Marvel, and that is an accomplishment for DC if I have ever seen one. “Wonder Woman” over “Captain Marvel” for sure, if you ask me! Thanks for reading this review! I actually wanted to make an announcement regarding April, while most of the month is uncertain in terms of content (although an “Avengers: Endgame” review is a undoubted guarantee), I do have a confirmation for you all. For those you who follow the director Terry Gilliam, you may be familiar that he worked on films such as “Brazil” and “Monty Python and the Holy Grail.” Recently however talk has been going around regarding his new film, “The Man Who Killed Don Quixote.” For those who have ever heard of this film, you may be aware that production for it actually took decades to complete. Why? Total and utter disaster, that’s why! Anyway, here in the US, it is playing in several theaters for one night. Courtesy of Fathom Events, I have scored a ticket to one of these shows on April 10th! Next month, expect a review from “The Man Who Killed Don Quixote,” and if it takes forever to complete… Who knows? It could be just like the movie and go through several failures regarding production! Be sure to follow Scene Before with your WordPress account or email to catch that review and more great content! I want to know, did you see “Captain Marvel?” What did you think about it? Or, have you been to the Chinese Theatre? What did you see? What was your experience like? I personally enjoyed it, minus the movie. But I want to hear about your experience! Let me know about it in the comments section! Scene Before is your click to the flicks!

The 1st Annual JACKOFF Awards

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WARNING: The following post is nearly 11,000 words long. If you are able to make it through this entire post, I applaud you. However, your life is under your control, and you should decide how long you can read this for. I am not the judge of you, nor am I your boss. You should be able to decide how long you should gloss. Enjoy!

*All copyrights belong to their respective owners*

INTRO SEQUENCE!

Hey everyone, Jack Drees here! You have now entered the Cinema Zone. You are now about to witness the most important awards ceremony of all time. An event so grand that every celebrity earning such an award will brag about it to their friends and family. *Drumroll* The Movie Reviewing Moron presents… The Jackoffs!

*SEES NO AUDIENCE*

Disappointing.

But the show must go on! Today we are going to be celebrating and reflecting on what the Movie Reviewing Moron seems to see as the best in film. Similar to other awards ceremonies related to movies, there will categories dedicated to acting, directing, music, categories such as those. Also, much like those award shows, these are all appetizers for Best Picture, which I can guarantee you, will be the TRUE best picture this year. All of those other fake award ceremonies? Forget them! This is serious business! There’s also going to be some stuff on the side as well, so stay tuned. However, if you have seen my top 10 BEST movies of 2018, you’d already know what my best picture is. With that in mind, I decided to do something a little different than me picking a Best Picture winner. Given how my mind can change on what the top 10 movies of 2018 are, and I have an audience who also goes out to support film, I decided to reveal my top 10 best movies as of the point where I announce the nominees, and have others pick the best movie of the year. And for those who are curious to look back at my top 10 list from this past year, I will spoil the fact that the list has changed slightly since I’ve completed it. As for other categories, every other category from Best Actor to Best Original Song to Best Sound Editing to Best Original Screenplay is all from my mind.

Before we get to the nominees and winners however, I would like to point out that I have not seen every single film in 2018, therefore some of the nominations probably would be something where you’d beg to differ. One movie that has been getting a ton of buzz this Winter for example is Disney’s “Mary Poppins Returns.” Many people have enjoyed the movie, noted Emily Blunt’s performance, not to mention its music. I can’t say I’ve seen that movie, and I haven’t seen the original either. With that in mind, it just makes no sense for me to see this movie at this point for sake of putting it in any of the categories.

So, before we start revealing who was nominated and who won, I have to remind everyone, this IS an award ceremony. Most award ceremonies tend to be lighthearted, fun, and have some random jabs intact. This is a segment brought on despite no demand, “Jack Drees Tells Jokes to Nobody in Order to Please Himself.”

I’m going to state some facts about this year in film, and since there is no audience here, there will be no laughs. But since I want people in my life, I guess I will have to imagine there will be people laughing at my jokes, no matter how stupid the jokes really are. And I must say, 2018 really has been an excellent year for film, and I’m not just saying that. It’s one of the best years for film ever, as long as you weren’t dusted by Thanos, Tom Cruise’s broken leg, eaten by a Megalodon, or Tom Hardy attached to a parasite.

In January, the final installment of the “Maze Runner” trilogy, “Maze Runner: The Death Cure” released to the public. The main antagonistic side of the movie involves a corporation called “WCKD,” which is pronounced similarly to “wicked.” Viewers haven’t heard the word “wicked” so much since that one trip they took to Boston. Coincidentally, that last trip some of you might have taken was to see grown men and a supposed cheater hold a properly inflated trophy.

Emily Blunt appeared in a couple movies this past year, specifically “A Quiet Place” and “Mary Poppins Returns.” Both movies have a notable segment involving a bathtub. So far, Blunt has no movies scheduled for 2019, but I have a thought on the title of the movie Blunt will take on next. It’s called “The Shower.”

“First Man” released this year in October. While not everyone found it to be great, I found it personally to be one of the best films of the year. This film is partially about the Apollo 11 moon landing, and it is confirmed in this movie, that Ryan Gosling and Damien Chazelle fake the moon landing. IT WAS SHOT ON EARTH! IT’S A FAKE! IT WAS ON A FILM SET THE WHOLE TIME!

AMC Theatres introduced a new subscription service as part of their Stubs membership lineup. For $19.95 a month you can see 3 movies a week without charge in any format at an AMC location. The plan is called AMC Stubs A-List. This would be great for juvenile delinquents, because now you can sneak in the back of the theater in a slightly more sophisticated manner.

This recently mentioned plan was known to be a competitor to cheaper organizations such as MoviePass and Sinemia. I gotta give some props to MoviePass though, because the company’s CEO also happened to once be an executive at Netflix, so it’s possible they secretly have partial rights to the word “chill.” Imagine you’re a guy texting your girlfriend, “Hey, MoviePass and chill? ;)” You two decide to go to the cinema and see a romantic comedy. Then the sex scene arrives, and it’s time to take off your clothes and make physical contact with each other! The guy is probably going, “I have never been so immersed in a movie in my life!”

The guy’s probably young and got an uncontrollable sex drive.

However, it is also true that MoviePass has had some struggles this year. Their stock kept decreasing, they did a reverse stock split, the app crashed, and there were occasionally limited options of movies you were allowed to see. In other news, sneaking in the back of the theater is still free.

One of the later releases of December was “Holmes & Watson.” The movie earned low scores from critics, with many giving it the final verdict of “S*it, Sherlock.”

John Cena was in a couple films this year, including “Blockers” and “Bumblebee.” While both films aren’t widely regarded as horrible, the biggest problem is that we could actually see John Cena.

One of the releases we’ve gotten over the summer is a movie called “Billionaire Boys Club,” starring Ansel Elgort, Taron Egerton, Kevin Spacey, Jeremy Irvine, Cary Elwes, Emma Roberts, Billie Lourd, Suki Waterhouse, and Judd Nelson. This movie earned $126 on opening day, making it the worst thing Kevin Spacey’s ever d—whoops! Sorry! Did I really just say that?! I sincerely apologize!

Unsane,” a rather unique flick, released this year. What makes it unique? It was shot using an iPhone 7 Plus. It’s a good movie, but the problem is that every time it is shown in a movie theater, there would always be at least one person who wouldn’t turn off their phone.

Here is a fact some people might not know about. As of last year, Tom Cruise has starred in two films which are at the very least, partially named after Bethesda video games, Cruise did “Oblivion” in 2013, and just last year he did “Mission: Impossible: Fallout.” Neither of those movies are linked to the video game franchises, they just borrow the name. But in all seriousness, I just can’t wait for one of his future films, “The Mummy 2: The Evil Within.”

James Gunn, director of the two recent “Guardians of the Galaxy” flicks, was fired by Disney and prevented from directing the third installment in the franchise. He was eventually hired by Warner Bros. to work on “Suicide Squad 2,” which he is going to improve by adding in one thousand talking trees. Each one of them is going to say “Hodor.”

So it’s a “Game of Thrones” crossover. It’s gonna be great.

One of the more successful movies of the year, both critically and financially, is Bradley Cooper’s “A Star Is Born.”

It featured Lady Gaga’s most brilliant performance since her portrayal of the crazy lady hanging on wires from the Super Bowl 51 Pepsi Halftime Show.

“Black Panther” was a huge success this year, making the second highest box office total worldwide for 2018, not to mention, more money in the United States than “Avengers: Infinity War.” In other words, “Black Panther” is the most popular creation associated with the “What Are Those?” meme of all time.

One film that unfortunately cancelled production this year is a graphic novel-based project called “Cowboy Ninja Viking.” This movie was originally supposed to be called “The Overpolished Halloween Costume.”

Speaking of Halloween, A new “Halloween” movie came out this year, which simply went by the title, “Halloween.” Keep in mind, while some might call this lazy marketing, this just goes to show that nothing is superior to the original.

“Mamma Mia!: Here We Go Again, came out this year, featuring Meryl Streep, and just for having a job this year, Streep automatically gets an award!

“Incredibles 2” came out this June after a 14 year wait from the release of the original installment. For the parents raising kids who grew up with the first movie, you didn’t have to teach them patience. Disney and Pixar had that covered.

I remember as a kid, one of the movies I rented from Blockbuster multiple times was the original installment of the “The Incredibles.” Sadly, the store I frequented has been closed for over a decade now. And as of this point, there is only one Blockbuster Video still open. When there were three open this year, two of them were located in Alaska. A state whose stores surprisingly, seemed to have disappeared faster than the ice caps.

Hey, I said in the preview this wouldn’t be politically heavy! This is a human issue! Also, one for polar bears.

The HBO show “Last Week Tonight with John Oliver” tried to help keep the Alaskan Blockbuster stores in business by buying items from Russell Crowe’s divorce auction and donating the purchases to the stores. One of the notable purchases was a jockstrap worn by Crowe during Ron Howard’s “Cinderella Man.” Imagine if somebody wanted to rent that thing! “I’ll take this for five days, I just need it to win a contest at Comic-Con, and I’ll give it back.”

Speaking of Blockbuster, the company’s one remaining store is located in Bend, Oregon. This store managed to create its own beer to celebrate its lonely status. I didn’t do any research, but I’m pretty sure it gets you drunk really fast. So fast in fact for those who drank it, the biggest side effect was renting all the “Sharknado” movies.

It has been announced earlier this year that Illumination, the creators of “Despicable Me,” plan to make an animated “Super Mario Bros.” movie. In this movie, two brothers will show off their secret weapon, jumping.

“The Favourite” was one of the best reviewed films of the year, containing praise-worthy performances from actors including Olivia Colman, Rachel Weisz, and Emma Stone. The movie is also an accurate description of everyone’s worst experience while riding a horse.

One of the final releases from 2018 is the highly-praised “Vice,” directed by Adam McKay. This movie is about Dick Cheney, making it one of the longest dick pics in history. 

“If Beale Street Could Talk” was also a big hit this year with critics. For those of you who don’t know, “If Beale Street Could Talk” is directed by Barry Jenkins, the same guy who helmed 2016’s “Moonlight.” Today, in honor of that, I’m going to announce who won Best Picture, and give a special, honorary participation trophy for reading the wrong card.

Now since this is an award ceremony dedicated to honoring film, I might as well recognize movies everywhere, no matter what genre, franchise, time length, or even overall quality rating. Before we get to our first set of nominees, let’s take a look back what Jack Drees saw in 2018.

  1. Maze Runner: The Death Cure
  2. The 15:17 to Paris
  3. Black Panther
  4. Annihilation
  5. Tomb Raider
  6. Ready Player One
  7. Blockers
  8. Pacific Rim: Uprising
  9. A Quiet Place
  10. Avengers: Infinity War
  11. Isle of Dogs
  12. The Commuter
  13. Life of the Party
  14. I Feel Pretty
  15. Solo: A Star Wars Story
  16. Revenge
  17. Adrift
  18. Tag
  19. Incredibles 2
  20. Deadpool 2
  21. Won’t You Be My Neighbor?
  22. Uncle Drew
  23. A Wrinkle in Time
  24. Ant-Man and the Wasp
  25. Hereditary
  26. Mamma Mia!: Here We Go Again
  27. Skyscraper
  28. Mission: Impossible: Fallout
  29. The Last Movie Star
  30. How to Talk to Girls at Parties
  31. The Hurricane Heist
  32. Gringo
  33. Eighth Grade
  34. Love, Simon
  35. Game Night
  36. Kin
  37. Peppermint
  38. The Meg
  39. The House with a Clock in Its Walls
  40. Venom
  41. A Star Is Born
  42. First Man
  43. Marrowbone/The Secret of Marrowbone (same movie)
  44. Bohemian Rhapsody
  45. The Grinch
  46. Second Act
  47. The Spy Who Dumped Me
  48. Ralph Breaks the Internet
  49. Red Sparrow
  50. Sorry to Bother You
  51. Operation Finale
  52. 12 Strong
  53. Spider-Man: Into the Spider-Verse
  54. Gotti
  55. Welcome to Marwen
  56. First Reformed
  57. Unsane
  58. Vice
  59. The Favourite
  60. Aquaman
  61. Hotel Artemis
  62. The Mule
  63. Instant Family
  64. Beautiful Boy
  65. Green Book
  66. Roma
  67. Cold War
  68. BlacKkKlansman

Let’s announce some winners!

First up, is Best Supporting Actor. In the world of superheroes, they’d be the sidekick. In the world of gaming, they’d be player two. In the world of driving, they’d be in the passenger seat. However, in the world of acting, they are compelling characters who have come to enlighten generations. These five nominees are likely to do the same. Here are the nominees for Best Supporting Actor.

  • Sam Elliot (A Star Is Born)
  • Timothée Chalamet (Beautiful Boy)
  • Michael B. Jordan (Black Panther)
  • Mahershala Ali (Green Book)
  • Sam Rockwell (Vice)

And the Jackoff goes to…

Mahershala Ali in “Green Book!”

Deciding on a winning nominee for this category was not easy. When you compare Ali to the other performers on the list, Chalamet is a brilliant, young performer who has a bright future ahead. Rockwell did a terrific portrayal as George W. Bush in “Vice.” For awhile I thought Sam Elliott could take the cake because he was perhaps my favorite part of “A Star Is Born” in the acting department when I think about the film sometimes. However, Ali is a fine actor, as proven already in 2016’s “Moonlight,” and once again in “Green Book.” He has played a character who starts out as stoic and emotionless to occasionally belting out a mix of feelings as the film continues. As the first winner of the very prestigious and important Jackoff Awards, Ali should feel proud of himself, congrats! Here is a clip of Mahershala Ali in “Green Book.”

Our next couple of categories involve sound. One understandable question that can be looked up on Google is the difference between sound EDITING and sound MIXING. The sound editing involves the incorporation of sound in general, but the sound mixing involves determining how exactly an audience will hear all of the movie’s sound. The hint to remember all of this, E comes before M. Appropriately, the award for sound editing will be done first. Here are the nominees for Best Sound Editing.

  • A Quiet Place
  • Avengers: Infinity War
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

And the Jackoff goes to…

“Ready Player One!”

“Ready Player One” is a movie that to me, excelled in just about every technical category imaginable. When it comes to sound editing, “Ready Player One” shines for having some of the most unique sounds of the year. Some of my favorites include the coins, the automobiles, and the Holy Hand Grenade. “Ready Player One” made my top 10 list of 2018 marking my personal best spot this year for sci-fi, and based on how the sound can immerse a viewer like me, it is easy to see why. Congrats to “Ready Player One,” hopefully its sound crew will be able to buy some bottles of wine with some nifty in-game coins as an indulgence for this award.

Let’s take a break from awards and focus on something that totally isn’t deceiving. Marketing.

For each Best Picture nominee, we are going to give them a special preview. I have copied and pasted a trailer for each movie directly from YouTube, so feel free to watch for your own pleasure.

Our first Best Picture nominee is proof that sometimes, sequels can be better than the original. Having seen several movies this year, many of the experiences of watching them have been great, but there were little to none that would get me to say to myself, “holy crap,” once the movie concluded. The film’s star, Tom Cruise, has gone through tremendous obstacles including a broken leg, helicopter flight training, real-life HALO jumping, and one of the most ambitious running scenes put on screen. The director, Christopher McQuarrie, has worked with the star before, delivering sick action, a continuation of what audiences have come to witness before, and perhaps one of the best sixth installments in a franchise ever made. Nominated for 5 Jackoff awards, THIS is “Mission: Impossible: Fallout.”

Going back to nominees, and moving away from the totally not deceptive concept of marketing, I have nearly decided to skip the sound mixing category, but that would make me more deceptive than a lot of movie trailers coming out today. Nevertheless, the sound mixing department in film is the group of people that not only lets an audience hear magic, but a certain level of magic. Here are the nominees for Best Sound Mixing.

  • Annihilation
  • A Star Is Born
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

And the award goes to…

“Mission: Impossible: Fallout!”

“Mission: Impossible: Fallout” manages to immerse me into the movie by not only having a great, up-to-date sound selection, but by making me feel like my ears are occasionally being pierced by a bullet hole. The helicopter scene puts you right in the middle of the action with an obnoxious machine, followed by a feast of flying bullets at a magnificent volume. While it is nowhere near as loud or obnoxious as last year’s “Dunkirk,” it is a feast for the ears. Well done to the “MI” team and congrats on the award, should you choose to accept it!

Up next is an award that honors all who assemble the film’s cast. They say that it does not matter what is on the outside, it’s on the inside that counts. However, some feeling inside me has decided to award a certain group of people who have dedicated their time and effort to making sure one’s outside is as presentable as possible. Here are the nominees for Best Makeup & Hairstyling.

  • Aquaman
  • Bohemian Rhapsody
  • The Favourite
  • Operation Finale
  • Vice

And the Jackoff goes to…

“Vice!”

“Vice” is a movie about Dick Cheney and how he practically oversaw the operations of the US government while W. Bush was in charge. This movie actually partially took place during the 2000s, but I gotta say, you know that meme going around now that tells others how you look now compared to a decade ago? I would love to do a post on Twitter or Instagram or something for these people in real life and their film counterparts just to show how identical they look to each other. Plus, regardless of how Cheney even turned out, whether this is really a Cheney look-a-like or not, and this movie’s Cheney IS a look-a-like, don’t argue with me. I will give enormous props to the makeup department for taking Christian Bale, a guy who is in his forties, and making him look like an uppity grandad! It kind of reminds me of “Darkest Hour” which takes Gary Oldman and turns him into Winston Churchill. Overall, “Vice” is a polished film and made up for whatever faults it made before.

Our second Best Picture nominee, if you think about it, took ten years to actually complete and release to the public. Maybe six depending on who you talk to. This film is based on a comic book franchise, so if you think about it, it’s like the “Boyhood” of comic book movies. This is a film that has been built up for a decade, for nearly twenty installments in a single series, with two of them having the identical franchise name. For many comic book fans and general audiences alike, this film managed to go in a different direction as opposed to what some would traditionally expect. Many of the characters people have come to love in this film series have returned for an epic showdown against the no good, terrible, absolutely revolting, Barney the Dinosaur who wears a glove all the time. Nominated for 4 Jackoffs, THIS is “Avengers: Infinity War.”

I honestly think this movie’s crew should feel sympathetic. It stole all the money that other movies may have deserved. But then again, it’s nice to call something the highest grossing comic book film of all time so this is also something I find to be cool.

Anyway, going back to acting, here are the nominees for Best Supporting Actress!

  • Emily Blunt (A Quiet Place)
  • Claire Foy (First Man)
  • Rachel Weisz (The Favourite)
  • Amy Adams (Vice)
  • Leslie Mann (Welcome to Marwen)

And the Jackoff goes to…

Claire Foy in “First Man!”

Claire Foy is an actress who has been gaining tons of momentum in recent years. She is well known already for her lead role in Netflix’s “The Crown.” She starred in last year’s “Breathe” alongside Andrew Garfield. And she appeared in three films this year alone, with two having Foy as the star. I have actually seen Claire Foy this year in “Unsane,” which is a creepy, intriguing thrill-ride where she shines. But Foy is a different kind of shiny in “First Man.” Captivating, emotional, and a great description of everything I felt as an audience member during the experience, not to mention everyone who grew up in the 1960s. Congratulations to Claire Foy! Here is a clip of Claire Foy in her role as Neil Armstrong’s wife, Janet, in “First Man.”

The next category of nominations is dedicated to the makers of magnificently crafted, well-realized apparel of all sorts. These pieces of clothing are all worn on set during recording and behind the scenes. No matter how beautiful, glorious, or in some cases, how hard it is to actually wear, these pieces are all created by minds who have put time and effort into letting someone have a fashionable outlook for a given motion picture. Here are the nominees for Best Costume Design.

  • Kym Barrett (Aquaman)
  • Julian Day (Bohemian Rhapsody)
  • Sandy Powell (The Favourite)
  • Marlene Stewart (The House with a Clock in Its Walls)
  • Trish Summerville (Red Sparrow)

And the award goes to…

“The Favourite!”

No matter how the movie turned out, “The Favourite” has a plethora of costumes capable enough to take me into a time of old British royalty. The level of detail of just about every outfit was astounding and very fitting for the time period involved. “The Favourite” actually got a low score for me this year, specifically a 4/10. Said score still stands, but it does not mean I was unable to recognize whatever effort was actually put into the film. Olivia Colman actually felt like an entitled, reclusive, and occasionally helpless queen in her outfit. Kudos. Well done, and congrats to “The Favourite!”

Our third Best Picture nominee is a movie that comes from the mind of a legend in the filmmaking industry, Steven Spielberg. Based on the hit book of the same name, this movie tells a story set in 2045, where people have studied pop culture of the past as they try to win a special prize. Going through a virtual world created by a Steve Jobs-like nerd, the film’s characters and audience can gaze in wonder as they notice pop culture icons including the Iron Giant, King Kong, the Back to the Future DeLorean, the Akira bike, the Rubik’s Cube, and even Chucky. As one of this year’s most visually appealing films, not to mention one of the best sounding films, both in a pitch meeting and literally, it excels to please audiences looking for an immersive experience. Nominated for 4 Jackoffs, THIS is “Ready Player One.”

Our next award category is dedicated to the makers of the sets, the builders of dreams, and the masters of visual atmosphere. It is a production designer’s job to make sure a film presents itself in the best looking way possible. Here are the nominees for Best Production Design!

  • Bill Brzeski (Aquaman)
  • Curt Beech (BlacKkKlansman)
  • Fiona Crombie (The Favourite)
  • Nathan Crowley, Katherine Lucas (First Man)
  • Eugenio Caballero (Roma)

And the award goes to…

Nathan Crowley and Katherine Lucas for “First Man!”

The biggest praise I can give to “First Man” overall is its seemingly real vibe. When it comes to the filming locations and set design, that is shown off to the tenth degree. The interior scenes in the space center felt raw, and maybe even contributed to the feeling of danger and creeps throughout the film. A house was built in Georgia just for this movie alone, which may be unneeded, but also kind of interesting. Everything in the film had not only the appropriate feel for a space movie based on true events, but a movie that took place during the 1960s. Congratulations to “First Man” for the film’s SECOND win!

While production design may be the art that allows audiences to see pure joy. There is another category to be touched upon that allows audiences to hear pure joy. These five nominees have all created music to set the mood, set the tone, set the vibe, and remind us that a world without music is a world without emotion. Here are the nominees for Best Original Score.

  • Geoff Barrow, Ben Salisbury (Annihilation)
  • Marco Beltrami (A Quiet Place)
  • Justin Hurwitz (First Man)
  • Alexandre Desplat (Isle of Dogs)
  • Lorne Balfe (Mission: Impossible: Fallout)

And the Jackoff goes to…

Geoff Barrow and Ben Salisbury for “Annihilation!”

Wow! Another team win! Part of the reason why “Annihilation” won in the first place has to do with the overall experience of watching the movie. I was very much looking forward to the film’s release, but I wondered what the music would be like. In fact, during the trailer for the film, one of the film’s iconic tunes, “The Alien” can be heard. This sounded a bit odd at first. Not life-ending, but odd. In the film however, I cannot imagine any other song replacing it when it plays. It was literally an experience of endless vibrations when I first heard this thing of beauty in the theater! This film also manages to have a nice blend of calm, joyful music, alongside a mix of creepy-crawly music. It’s this mix, and the amount of talent behind the crew that lead to this win. Congrats to “Annihilation!”

Our fourth Best Picture nominee comes from a rather strange place, Netflix. This film comes from the mind of acclaimed director Alfonso Caurón. He has had experience working with a popular IP, such as “Harry Potter,” while simultaneously producing well done original material such as “Gravity.” After those big, boisterous films, Caurón has decided to make a project that apparently people would want to watch in a select number of theaters, and for others, on cell phones. This is a film that takes place near Mexico City as a family and their housemaid go through their daily lives. We also witness joy, drama, and heartbreak in a compelling story about life itself, and how difficult it can be. Nominated for 7 Jackoffs, THIS is “Roma.”

As I have previously exposed, I have seen a lot of movies in the year of 2018. A lot of them by the way, were great! In fact, I’d say the positives for 2018 definitely outweigh the negatives. However, there is a saying for movies, much like a ton of other art forms, there is no such thing as the “perfect movie.” Even the best movie ever, like “The Godfather,” “The Shawshank Redemption,” “The Dark Knight,” “Star Wars,” “Pulp Fiction,” even “Jaws,” all of those movies don’t have what it takes to be technically perfect. You know what? Maybe that saying is right. That’s why I decided to take some movies I saw this past year and tweak them just a little bit to make them a more quality product. Enjoy.

CLICK HERE TO VIEW THE SLIGHTLY IMPROVED VERSIONS OF SOME 2018 FILMS!

The next category belongs to the makers of computerized and practical effects. No matter how complex, how flashy, how realistic, the five artists and crews behind the visual effects of their respective films have all demonstrated excellence in allowing an audience to be dazzled, wowed, and in awe. From taking them to new worlds, to providing them with previously unknown feelings, and introducing them to concepts beyond one’s imagination, all of the nominees should feel proud of themselves. Here are the nominees for Best Visual Effects.

  • Annihilation
  • Aquaman
  • Avengers: Infinity War
  • First Man
  • Ready Player One

And the Jackoff goes to…

“Ready Player One!”

To me, there was literally no other movie that even held a candle to “Ready Player One” this year from a visual perspective. Watching “Ready Player One” was like watching two different movies in one because you have this story that takes place in an entirely digital universe and you have the other one which is in the real world. While there are certain effects to be seen in the real world, it is the digital world that shines as bright as Albert Einstein. The amount of time that must have taken to actually blend a feel of realism while simultaneously feeling like a video game is seemingly unfathomable. Steven Spielberg said this movie was one of the harder ones he had to create, and understandably so. I have to give massive credit to the other contenders. “Avengers: Infinity War” is a visual effects extravaganza that looks great on the big screen. The same can also be said for “Aquaman.” “First Man” actually took me to the moon and back. F*cking well done if you ask me. And for “Annihilation,” the visual effects not only looked great, but they fit the crazy feel of the film which gave it a “2001” vibe at times. However, congrats to “Ready Player One,” and its effects are a hi-five/hi-five.

As mentioned in my nomination announcements, I didn’t announce EVERYTHING that was going to be in this post. I wanted to leave some surprises to my viewers. One of which includes TWO lifetime achievement awards.

But, before we announce the winners, I have to ask one question. What is the meaning of life? That is a question all of us seem to ask at least once. To some, life may be an overrated board game. Life could be the reason for anything. The ups, the downs, even the mediocrity. Here and now, it is my honor as mentioned, to present not one, but two lifetime achievement awards. For those of you who are wondering, I did not plan some in memorium video or line of text for this ceremony. Maybe I’ll do that in years to come, but that was not my original intention. Instead, I figured what I’d do is for one of my lifetime achievement awards, I’d figure honoring someone who is currently still with us, and someone who is no longer with us. The first prize is going to be given to the living soul, because as Agent Smith once said, in “The Matrix: Revolutions,” “Everything with a beginning has an end.” We start off with life, and finish with an inevitable death.

The winner of the first ever Jackoff Lifetime Achievement Award is a cameraman known for his work which has been around since 1975. Since then, he has collaborated with actors including Ryan Gosling, Morgan Freeman, Emily Blunt, Jeff Bridges, John Goodman, Harrison Ford, Hailee Steinfeld, Matt Damon, Daniel Craig, Josh Brolin, Tommy Lee Jones, Ana De Armas, Amanda Seyfried, Bryce Dallas Howard, Joaquin Phoenix, Tim Robbins, and Adrien Brody. His resume consists of works of art directed by Frank Darabont, Joel Coen, Ethan Coen, Denis Villeneuve, M. Night Shyamalan, Sam Mendes, Angelina Jolie, Ron Howard, and Martin Scorsese. He has been nominated and recognized for several prestigious awards, 9 BAFTAs, an AFI, 6 Critics’ Choices, and 14 Oscars. And for those of you who don’t know his story, it’s not like he is part of the New York Yankees and he keeps on winning Academy Awards. This man was nominated for 14, and out of all of them, he only won one. Also, it’s not like he could get one off the bat, because guess how long he had to wait? FOURTEEN TIMES! Now keep in mind, this is the very first Jackoff Awards ceremony. For all I know it could be the only one, we’ll just have to see. But no matter the number of award shows we have, if it is one, two, fourteen, over a thousand, I dunno, I am proud to present the first ever Jackoff Lifetime Achievement Award to Roger Deakins.

Congratulations to Roger Deakins, had he known he was getting this award, he would probably have something to say. But I have to say, I love his camerawork, his style never ceases to amaze, and I hope his future work will continue showcasing his excellence!

Our fifth Best Picture nominee is a documentary. Given how I have seen very little documentary titles this year, there will be no category for Best Documentary, but this film managed to stand out to me. They say the world is full of ridiculous people who are idiotic, lacking care, and selfish. This movie manages to show a man who only wanted to spread joy to the world and all of its children, Mister Fred Rogers. It also shows a man who is the perfect embodiment of a friendly, loving, and caring person. Revealing steps forward in diversity, tolerance towards minorities and sexual orientation, and proof that silence can be a great gift, this documentary succeeds to please its audience and deliver an emotionally charging feel good story. Best Picture happens to be the only nomination this film is receiving during this ceremony, but keep in mind, this is a documentary, and had I done a documentary category, this movie would win it. For the record, this is the only documentary I have seen this year. THIS is “Won’t You Be My Neighbor?.”

Before moving onto the rest of the show, I would just like to have everyone know in case they are reading this at a time that is later than February 10th, 2019 or if they aren’t from the US, the Super Bowl happened a week prior to this. Now, the Super Bowl is often regarded as one of the biggest televised events ever. However, this year, some people would call it a failure, including myself. Maybe everyone is getting bored of the New England Patriots constantly being involved, but one fact to take into consideration regardless is that the ratings for this year’s Super Bowl is the lowest its been in a decade. To be fair though, this has applied to various types of live broadcasts all over as time has progressed. For those who did watch though, they got to watch what many to be found a boring game, with only 3 points scored by one team in the first half. The final score was the lowest in Super Bowl history (13-3), with only one touchdown executed during the entire game. However, if you’re me. One thing that I found absolutely atrocious and ridiculous this year was the Pepsi Halftime Show. For those who don’t know me, the Halftime Show is something I don’t tend to care about. Don’t get me wrong, even though I don’t care, some of the shows were pretty well done. Part of me was surprised that I actually liked the Lady Gaga Halftime Show from a couple years ago. No, I’m being serious, I’m not saying that only because I nominated her for Best Actress. She was pretty good! This year however, a petition was going around to get “Sweet Victory,” a song made famous from the “Spongebob Squarepants” episode “Band Geeks,” to be performed at this year’s halftime show as a tribute to the recently deceased Stephen Hillenburg, the show’s creator. The petition actually gained quite a bit of traction. So much in fact that it currently has over a million signatures. In fact, I signed it when it first came up. For the record, this song was performed during the show’s version of the Super Bowl, making it more than appropriate for this type of setting.

After awhile, it seems that the crew behind the Super Bowl responded. Just look at this tweet right here.

After all the teasing and announcements that lead to the absolute possibility of this happening… It did.

Well, sort of.

(Video unavailable to WordPress, click Watch on YouTube to view video)

Some time into Maroon 5’s performance, audiences saw a clip of Squidward Tentacles introducing “a true musical genius who needs no introduction.” We then see the opening horn fanfare of the song. This was getting EPIC. Then… It stopped. Instead of “Sweet Victory,” we get Travis Scott performing “Sicko Mode.”

What. The. Actual. Ass?

As a “Spongebob” fan, and someone who NEVER watches the Super Bowl for the Halftime Show, NOT EVEN FOR THE FOOTBALL, I cannot possibly feel more ashamed to have witnessed this in my lifetime, and I think the crew behind the next Super Bowl ought to make it a TOP PRIORITY to REDO “Sweet Victory” and actually PERFORM the song to millions of people! How about that? Well, I’m just a nobody. I have no power. But I do have editing skills. I don’t think I’ll ever do this again, but in honor of Stephen Hillenburg, the legendary creator of “Spongebob Squarepants,” a Nickelodeon cartoon which defined many childhoods of my generation… THIS… IS THE JACKOFF AWARDS HALFTIME MONTAGE!

CLICK HERE TO WATCH THE HALFTIME MONTAGE!

And THAT… NFL and Pepsi, is how you pay tribute to a legend!

The next nominees are the ones who have taken the work of writers and directors, and realized them even further than they previously been realized. With constant time and effort on computers, software, flipping through video files, and more, these five nominees have taken moving images and audio, then eventually turned them into ambitious compilations. These are the nominees for Best Film Editing.

  • Barry Alexander Brown (BlacKkKlansman)
  • Tom Cross (First Man)
  • Benjamin Rodriguez Jr. (First Reformed)
  • Alfonso Caurón, Adam Gough (Roma)
  • Hank Corwin (Vice)

And the Jackoff goes to…

Alfonso Caurón and Adam Gough for “Roma!”

Another team win! Who knew? The nominees here were all equally excellent, making this one of the harder categories which I had to determine a winner. The reason why I chose “Roma” is a reason I feel could also associate with direction, screenplay, and cinematography. Keep in mind, this movie is nominated for all three of those other categories. With the excellence of those other categories in mind, the way those were executed in an editing job such as this, honestly makes this movie better as a whole. Another thing to keep in mind is how personal of a project this is for Alfonso Caurón, because all those things I just mentioned: the screenplay, cinematography, and direction. He did all those things for this one movie. I have a soft spot for people who are willing to take on projects with personal values. Granted, that is something Tommy Wiseau tried with “The Room,” but still. Congrats to “Roma” and its editors!

We live in a world where an apple can fall on one man’s had and enable him to create the “laws of motion.” However, in cinematic environments, not everyone comes from the same place. Sometimes there are worlds entirely dedicated to a religious holiday. Sometimes there is a world of heroes desperately waiting for work. Sometimes there is a multiverse of a Spider-people waiting to unite. Sometimes there is a world where arcade game characters can interact with each other and even go inside each other’s games. Sometimes there is a world where believe it or not, dogs talk and often like saying the word “I.” These five nominees have shown excellence in animated film and have inspired many to think outside the box. Here are the nominees for Best Animated Feature.

  • The Grinch (Yarrow Cheney, Scott Mosier)
  • Incredibles 2 (Brad Bird)
  • Isle of Dogs (Wes Anderson)
  • Ralph Breaks the Internet (Phil Johnston, Rich Moore)
  • Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman)

And the award goes to…

“Spider-Man: Into the Spider-Verse!”

If you were thinking anything else, I want you to think again. Because out of every movie that I’ve seen this year that’s animated, this was the only one which I gave a Best Picture nom to. In fact, one of these films is a dishonorable mention on my worst list. “Spider-Man: Into the Spider-Verse” is not only a surprisingly great film during such a fantastic time for comic books and superheroes, but also a unique take on the typical superhero flick. This is the film debut of the Miles Morales Spider-Man, and it is easy to say, I want more. Aside from the likable story and acid-trippy experience, this movie manages to separate itself from every other animated film this year based on its style alone. Literally every frame resembles a comic book! This is the 2nd best standalone “Spider-Man” film I’ve seen to date, so congrats to “Spider-Man: Into the Spider-Verse!”

Our sixth Best Picture nominee is a little independent film that tackles big topics. To me, I found it to be the perfect combination of science and religion coming together. This film begs the questions, should we stop having children? Is having children a sin in this current age? How much longer do we have before the Earth is no more? From a technical perspective, this film delivers excellent cinematography and images, all of which are presented in a full screen aspect ratio. With stellar performances from actors including Ethan Hawke and Amanda Seyfried, this film manages to have a place in a constantly changing world that may not be around forever. Nominated for 3 Jackoff awards, THIS is “First Reformed.”

These next two categories involve something a film can’t live without. A screenplay. Having gone through years of movie-watching, the screenplay has always been one of the most crucial elements to whether or not a movie could succeed. A comedy can’t succeed without humorous lines. A horror flick can’t succeed without outrageous scares. An action film can’t succeed without thrilling sequences. The nominees represented in these two categories have brought visions from the pages to the screen. Here are the nominees for Best Adapted Screenplay!

  • A Star Is Born (Eric Roth, Bradley Cooper, and Will Fetters)
  • Avengers: Infinity War (Christopher Markus, Stephen McFeely)
  • BlacKkKlansman (Charlie Wachtel, David Rabinowitz, Kevin Willmot, Spike Lee)
  • First Man (Josh Singer)
  • Welcome to Marwen (Robert Zemeckis, Caroline Thompson)

And the Jackoff goes to…

Eric Roth, Bradley Cooper, and Will Fetters for “A Star Is Born!”

Yet another category that could have been won by almost any of its nominees. I will admit, when I did my review for “A Star Is Born,” one of my minor criticisms involves some of the song lyrics. The same can be said about Lady Gaga’s nose, which I was not able to buy. But let’s be real about the movie. It’s a damn good story. It’s a story about two singers who find each other, make each other’s careers better, never back down from each other, and find love. It’s basically a perfect analogy for what happens when you become super popular and end up becoming a product as opposed to someone who just wants to share their visions with the world. Also, I got to give kudos to Bradley Cooper because he’s more known for acting, which he does in this movie, but now I am curious to see more of his writing material in the near future. Congrats to the writers of “A Star Is Born!”

Moving right along and sticking with the screenplay motif, here are the nominees for Best Original Screenplay!

  • A Quiet Place (Bryan Woods, Scott Beck, and John Krasinski)
  • Eighth Grade (Bo Burnham)
  • First Reformed (Paul Schrader)
  • Roma (Alfonso Caurón)
  • Vice (Adam McKay)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

Thought I was done talking about Caurón? Think again. While all five screenplays were worthy of a nomination, while some made me laugh, while some got me intrigued, there is not one screenplay to display the intensity and shock that I’ve seen this year than what I’ve received with “Roma.” There’s a lot of lines that make you want to feel like a part of the family in the movie. Some lines make you feel like you are along for the ride in this slice of life. And then there’s other moments where I almost wanted to crawl into the fetal position. There are many elements that go into the screenplay of “Roma.” Insanity, unexpected moments, complexity of life, tearjerkers, humor, sensuality, and perhaps even moments that nearly qualify as ones that can fulfill thrills. Congratulations to “Roma!”

Our seventh Best Picture nominee is a film that may be, to me, under a lot of people’s radars. Or, maybe I’m just plain stupid, and this nomination is an unpopular opinion. Steve Carell has shown himself to be one of 2018’s hardest working and overall best performing actors. His performances in “Beautiful Boy” and “Vice” were great, but there is one other film he was heavily involved in aside from those two. With his unique performance and collaboration with critically acclaimed director Robert Zemeckis, Carell manages to tell the true story of a grown man who plays an expansive version of dollhouse, and is absolutely proud of it. Nominated for 3 Jackoffs, THIS is “Welcome to Marwen.”

The next set of nominees have demonstrated excellence in camerawork. From wides done brilliantly to mediums done well and close-ups done extreme, the five nominees have all put in a tremendous amount of effort into their craft. Similar to how a movie’s story cannot exist without a screenplay, a movie’s display of a story cannot exist without camerawork. Here’s to those who have taken their best shots. Here are the nominees for Best Cinematography!

  • Cold War (Lukasz Zal)
  • First Reformed (Alexander Dynan)
  • Hereditary (Pawel Pogorzelski)
  • Mission: Impossible: Fallout (Rob Hardy)
  • Roma (Alfonso Caurón)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

And Alfonso strikes once more! If you ask me, one talent I find amazing in films is when one can produce a very long shot. Granted, there are times in “Roma” where they make it look easy. In fact, if you want to see a film that makes it look hard, I recommend “Mission: Impossible: Fallout!” However, there are several sequences where the camera never cuts and it is really just a thing of beauty. Part of me even wonders how they came up with a good amount of the material presented in the film. Plus, the rehearsals must have been tedious, but worth it. This is especially considering the fact that the star actually had no prior acting experience up to this point. Well done, “Roma!” Congratulations!

While a film’s score may often be recognized as its signature music, it does not mean that it is the only kind of signature music. While a film’s score can develop a reputation for being catchy, iconic, or magnificently crafted, it is the original songs that will likely receive many downloads on iTunes. These five songs have been partially synonymous with their specific films this year. Here are the nominees for Best Original Song!

  • I’ll Never Love Again- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Shallow- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Ashes- Celine Deon (Deadpool 2)
  • A Place Called Slaughter Race– Sarah Silverman, Gal Gadot (Ralph Breaks the Internet)
  • What’s Up Danger- Blackway & Black Caviar (Spider-Man: Into the Spider-Verse)

And the Jackoff goes to…

“Shallow” from “A Star Is Born!”

Did I mention in my review that I had lyric problems when it comes to the songs shown in “A Star Is Born?” Yes. However, this song was actually perfect. Not only was it a well crafted song, but the way it was executed during the movie was brilliant. You have a song written by the character of Ally, who has never performed live before. When she actually has the guts to perform live, the way Lady Gaga portrays her character is unbelievable when you remember that Lady Gaga herself has actually been singing for years. The song has perhaps been in association with this movie more than any other song, and honestly, I think it deserves to be that way. Congratulations to Bradley Cooper and Lady Gaga!

Our eighth Best Picture nominee is a film that either tells a true story that took place in outer space, or a faked attempt meant to fool TV viewers on a soundstage. This film is a look into the buildup, drama, and execution of one of the most ambitious scientific projects of the 1960s. Helmed by “Whiplash” and “La La Land” director, Damien Chazelle, one man and his crew prepare forever for a life-changing mission that takes them into the stars, and it is almost seemingly impossible that they’ll ever return home. It is a story of hope, aspiration, courage, and danger. Nominated for a shattering 10 Jackoff awards, THIS is “First Man.”

If you remember the bit I did earlier with the three movies where I slightly improve them, let me remind you, that was just the beginning. Because I really only improved one minor portion of the film. However, there is one film where I decided to improve a good chunk of it. If you have ever seen the movie “Ready Player One,” it is seemingly regarded as one of the nerdiest movies of 2018. Tons of Easter eggs, references, and inclusions of various IPs are seen throughout. Honestly, despite being one of my favorite movies of 2018, part of me is willing to argue that it’s not nerdy enough. Some of you might be thinking, “Hey, Jackass! Are you out of your mind?” No. Because I just made it nerdier! Ladies and gentlemen, I give you… “Ready Player One: NERDVANA EDITION!” Take a look!

CLICK HERE TO VIEW READY PLAYER ONE: NERDVANA EDITION!

Going back to the nominees, we have got some heavy hitters remaining, it is only a matter of time until Best Picture, but let’s just build up to it. Starting with Best Director. The director of the film is the one responsible for overseeing the key components of production. It is the director’s duty to guide, aid, and encourage people to complete a project. These five nominees have all created cinematic achievements that are likely to stand the test of time. Here are the nominees for Best Director!

  • John Krasinski (A Quiet Place)
  • Damien Chazelle (First Man)
  • Ari Aster (Hereditary)
  • Alfonso Caurón (Roma)
  • Adam McKay (Vice)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

Unreal! This is the FOURTH win during the same ceremony by Alfonso Caurón! Can you guys tell this is a passion project? “Roma” was one of the final movies I saw before I announced my nominations, and I knew before going in that some considered it to be a wonderful piece of art. Those people who have made those claims are absolutely right! Not only is this one of the most moving, emotional movies of 2018, it is also one of the most well put together movies of 2018! Again, with the efforts of Caurón in multiple positions, this movie just shows a little passion goes a long way. When I saw “Gravity” a few years ago, also directed by Alfonso Caurón, I was wowed. When I saw “Roma,” I wondered how Caruón still had a hint of sanity left in him. Congratulations, once again, to Alfonso Caurón!

Our ninth Best Picture nominee is a film that is filled to the brim with truth. It’s a film that shows how truly awful middle school can be. It’s a film that shows how truly stressful making friends can be. It’s a film that shows how truly confusing talking to your first crush can be. With the breakout performance given by the young Elsie Fisher, not to mention the brilliant screenplay and direction delivered by Bo Burnham, the two crew members and many more reveal the horrors of being a teenage girl in the 2010s. It also successfully showcases the pressure and stress of being a small YouTuber, who may be delivering positive content meant to please everyone, but doesn’t get enough attention in return. Nominated for 3 Jackoff awards, THIS is “Eighth Grade.”

Let’s move onto the final acting categories!

Each and every day on set, it is an actor’s job to obey the director, follow the script, and break a leg. From playing pretend as a kid to being a part of a production crew, acting is a universal pasttime. For actresses in 2018, some highlights include a singer who won’t sing her own songs, a teenager trapped in a world of social media and pleas for popularitya queen who requires assistance maintaining the thronea mother who must deal with the worst events of her family’s lives, and a housemaid who may be an employee, but also a welcome member to an alternate family. Here are the nominees for Best Actress!

  • Lady Gaga (A Star Is Born)
  • Elsie Fisher (Eighth Grade)
  • Olivia Colman (The Favourite)
  • Toni Collette (Hereditary)
  • Yalitza Aparicio (Roma)

And the Jackoff goes to…

Toni Collette in “Hereditary!”

“Hereditary” is a movie that is mainly solid due to its execution of technical genius. The opening shot is a thing of beauty. However, with technical stuff aside, Toni Collette doesn’t fail to impress in the realm of acting. In “Hereditary,” Collette plays a mother to a couple of kids. This is not to say her life as a mother is normal, which could be explained, but that would involve spoiling the movie. There are several scenes where I still recall Collette’s excellence as a performer since my first viewing of “Hereditary” in July. One example is during a scene where she, along with her husband and son, are sitting together at the dinner table. Such a scene can remind you of how to talk to your mother, not to mention how awkward family dinners truly can be. In fact, I have the scene down below! Here’s a glance at Toni Collette in “Hereditary!”

And now… after watching that clip, you have been hypnotized to NEVER sit at a table full of food with your family ever again.

Sticking with acting, it would be impossible to forget 5 more nominees who have dedicated their voice, physicality, and time into their respective roles. For actors in 2018, some highlights include a music star who finds lovea talented showman and vocalist who has inspired millionsa cop who tracked down white supremacistsa priest who is concerned for future generations of the Earth, and an artist who developed his own village of dolls. Here are the nominees for Best Actor!

  • Bradley Cooper (A Star Is Born)
  • John David Washington (BlackKkKlansman)
  • Rami Malek (Bohemian Rhapsody)
  • Ethan Hawke (First Reformed)
  • Steve Carell (Welcome to Marwen)

And the Jackoff goes to…

Rami Malek in “Bohemian Rhapsody!”

Well well well, well well. Yet another tough category! All of these actors are deserving of their nomination and have all killed it in their respective roles, but at the end of the day, I have to pick one. The reason why I chose Rami Malek is because he took someone who I have known about, I even did a project heavily involving him in sixth grade, and the actor transformed himself into this other person with excellence. “Bohemian Rhapsody” may not have made me look at all of its characters as much as Mercury, although that may just be a personal issue more than anything else, but I have to give it respect because it turned Malek into Mercury in the blink of an eye. Another thing I must point out, that might be significantly underrated is Malek’s ability to recreate Mercury’s movements. There is a comparison video online that can show the difference between Mercury and Malek during the Live Aid concert. Rami Malek, well done! Here is a clip of Rami Malek in “Bohemian Rhapsody!”

Our tenth and final Best Picture nominee is a film about what it means to be a hero. Well, guess what? It is what everybody asked for. ANOTHER “Spider-Man” movie! But this time, it’s animated. In a year of great superhero movies, this is one of the definite highlights. As one of the few movies this year featuring “Spider-Man” or characters related to his franchise, this film not only shows that Spider-Man is a role model type of hero that can truly take names, but that there is more than one “Spider-Man” out there. As the film debut of the Miles Morales “Spider-Man,” I personally almost couldn’t be giddier about how this film turned out. It has a unique animation style resembling a comic book, whacky action scenes, and fast-paced writing with smart humor that is delivered with excellence. Nominated for 3 Jackoffs, THIS is “Spider-Man: Into the Spider-Verse.”

All that remains for movie award giving tonight is Best Picture, however, we are not there just yet. First things first, I am handing out the second Lifetime Achievement Award of the ceremony.

The Jackoff Posthumous Lifetime Achievement Award is appropriately, being given towards the ceremony’s conclusion. While this year’s recipient is no longer with us, their legacy shall live on. The winner of the award is a man who has dedicated his life to inspiring millions, and unleashing his own imagination to share with the world. While he may not primarily be known for film, his inspiration over the years has translated into the art form, including a modern trend of comic book-based films, an innovative and successful cinematic universe, and a plethora of memorable cameos. Some of his notable movie lines include “I think I know that guy,” “I thought he’d be taller,” and “Oh man, I am so fired.” This winner is known for creating many of the characters that readers, TV and movie watchers, gamers, and nerd culture junkies have followed as time has passed. From Spider-Man to Iron Man. From The Incredible Hulk to the Fantastic Four. From Captain America to Captain Marvel. From Black Panther to Black Widow. All of these characters have established a legacy under one similar brand name, much like the creator himself. To this day, all of these characters have a place in popular culture, and are constantly changing the game in various art forms. It is my honor to declare the first winner of the Jackoff Posthumous Lifetime Achievement Award, is Stan Lee.

If Stan Lee were here today, he probably wouldn’t give two craps about this award unless I did a video of him doing a walk-on cameo. However, Stan Lee has proven to the world that he has had a magnificent life to share with mankind. Lee has given a tremendous gift to millions, so why not have someone hand a gift to him? Congratulations to Stan Lee, and should there be a second Jackoff Awards next year, this award will be named after him!

And finally, the moment you have probably all skipped to by endlessly scrolling down, Best Picture. These ten movies have all made an impact on me personally this year, however, it is not my decision to declare one of these films the best of the best under this current scenario. The reality is, all of these films are great, but to determine which film is the best, I left it up to the people to decide, and you guys decided! These are YOUR votes, not mine! According to the results, the poll for Best Picture has received 17 responses, and luckily, there is a true winner without any sort of tie. These ten movies were created for audiences everywhere to think, be entertained, enjoy themselves, and escape from reality. Through the hard work and ideas of crews of all sorts, it is hard to imagine another ten movies worthy of replacing this lineup. Here are the nominees for Best Picture!

  • Avengers: Infinity War (Kevin Feige)
  • Eighth Grade (Scott Rudin, Eli Bush, Lila Yacoub, Christopher Storer)
  • First Man (Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle)
  • First Reformed (Jack Binder, Greg Clark, Victoria Hill, Gary Hamilton, Deepak Sikka, Christine Vachon, David Hinojosa, Frank Murray)
  • Mission: Impossible: Fallout (J.J. Abrams, Tom Cruise, Christopher McQuarrie, Jake Myers)
  • Ready Player One (Steven Spielberg, Donald De Line, Dan Farah, Kristie Macosko Krieger)
  • Roma (Alfonso Caurón, Gabriela Rodriguez, Nicolas Celis)
  • Spider-Man: Into the Spider-Verse (Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, Christina Steinberg)
  • Welcome to Marwen (Jack Rapke, Steve Starkey, Robert Zemeckis)
  • Won’t You Be My Neighbor? (Morgan Neville, Caryn Capotosto, Nicholas Ma)

And the Jackoff goes to…

“Avengers: Infinity War!”

“Avengers: Infinity War” has gathered its first and sole win of the ceremony. The movie was also nominated for three other Jackoffs including Best Sound Editing, Best Visual Effects, and Best Adapted Screenplay.

It just goes to show, when you give an audience the power to choose a movie to win Best Picture, chances are they’re going to snap their fingers and dust the other films away. This is a film that has been in development for a long, but effectively put together time. It takes the iterations of characters people have followed for a decade and puts them all in a love letter to blockbusters and comic book films. The screenplay is one of the most unique ever written for a comic book film, to the point where people in my life were shocked and dismayed by it, but based on their final verdicts of the film, they felt such feelings were delivered in a positive way. My review for the film was also unique, because I had to hide SO MANY THINGS from the eyes of the public because the reality is that “Avengers: Infinity War” has details that are meant to be witnessed for the sake of shock or surprise. Even now, almost a full year after the release of “Avengers: Infinity War,” there is a chance that someone would want to end my life, or at least threaten to do so over the Internet depending on what I say about “Avengers: Infinity War.” I personally to this day, find the film to be a game-changer. Sure, it is the nineteenth installment of a comic book-based movie series that has been going on for years, but that is part of the point. There are many movies out there that can succeed for being an original hit. There are many movies that can have stellar technical aspects or acting. However, how often can you say that we have a cinematic universe which has been built for ten years, with about twenty films, with the nineteenth being an ambitious culmination that made billions of dollars, became the highest grossing comic book film ever, and somehow manages to be a new favorite film for many people? Should Marvel Studios continue their efforts, is it possible that their cinematic universe could become more important than the “Star Wars” franchise? And if it is, that is certainly saying a lot. Congratulations to Kevin Feige and everybody else who worked on “Avengers: Infinity War!” You have won Best Picture!

Thanks for reading whatever this is! If you made it to the end of the post, I congratulate you for doing so. Well done. If you felt bored the entire time, I will remind you, there are worse things out there: jury duty, root canals, losing all your gambling money! This is the most experimental post I have ever done, I would appreciate any and all feedback if you feel it is necessary. If I listen to said feedback is currently a mystery, but I’ll certainly at least keep it in mind. I personally enjoyed doing this, despite how much time it actually took to complete the damn thing, but I found myself having a ball nonetheless. Will I do another one of these in the future? It MIGHT depend on the response, but I already have ideas for what I am going to do should I do a second year. Thanks to everyone for reading this! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, do you agree with my picks for the Jackoff Awards? What would you change, if anything? Let me know down below! Scene Before is your click to the flicks!

Terrificon 2018 Review/Haul

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Hey everyone, Jack Drees here! I just got back from Terrificon! Life feels good! The world is spinning (because it’s round, not flat)! And now I’m going to be going over my time at a convention which believe it or not exceeded my expectations entirely! I have been to Terrificon once and I will say I had a good time. I wouldn’t call it the holy grail of conventions or anything, it’s just a fun time. It’s not like I’m going to SDCC whatsoever (although the short lines at Terrificon make a positive difference). This year, just like last year, the lines certainly did not disappoint. I’ll get a little more into that down the road when I get into my celebrity encounters but nevertheless, I’ll get into it. Let me just continue saying that I thought this con was significantly better than last year’s! The guest lineup isn’t really that big, so that’s a similarity to last year, but what I love about this year is that the con took place in a new venue. It’s still on the same property, but for this year’s con, the people behind it have decided to place it in a recently built expo center.

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If you have been to Terrificon last year like I have, you may be aware that the last event took place in Mohegan Sun’s Sky Convention Center, but with the recent completion of the Earth tower and its expo center, events like this can now take place in that convention center. I like this convention center a little bit more as opposed to the other one mainly because this new one is bigger. Although, this may disappoint you, you may not care, I don’t know, decide for yourself, the floor is a bit more on the typical side for a convention center. Also, before we move on, look at this Thanos statue! Isn’t that epic?! I should also point out that next to it is a TV where you can hit a button and it’ll tell you if you survived Thanos’s snap!

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The last convention center is kind of elegant, but it almost feels like a large facility where you might as well hold an ambitious interview with the Queen of England. In fact, if you look at the floor, it almost screams “fancy bloated dinner party.” The new convention center feels somewhat normal. I don’t have a preference on design, although when it comes to which center itself I prefer, I gotta go with the new one because let’s face it, size matters.

One thing I went over in my promotion post is that there’s an attempt to make history at this convention. In honor of Superman’s 80th birthday, right near the entrance to the center, is a giant list of names written in Sharpie. All of those names are on what is being referred to as Superman’s birthday card. All of the names written down have been part of an attempt to break the Guinness World Record for most signatures on a birthday card. And yes, I wrote my name.

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This birthday card was located in the very nice entry way section of the center, right near where Terrificon exclusive merchandise was being sold. This is where all of the cosplay guests were tabling, it had a nice looking stand for fast-food products, which included Coca-Cola Freestyle machines. They also have an area which they can let you go outside, which is definitely nice if you want fresh air, but I avoided it because I’m not a smoker and I imagine some people could be out there just to smoke.

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One of the entry-ways from the recently mentioned wing leads into a gaming area. When I was here on Friday, I decided to go inside because I wanted to take part in the Jackbox Games session. While I was here, we played “Drawful 2,” “Trivia Murder Party,” “Survive the Internet,” “Quiplash 2,” and “Fakin’ It.” Jackbox Games has a fantastic sense a humor and I always play these games with my friends. And fun fact, the friends I play with are in the Nerd Army and the Knights of Nerdvana. If some of you don’t look at my header, you may not know that this blog is the “Official Blog of the #NerdArmy’s Film Critic.” And speaking of the Nerd Army, one of its members aside from myself actually happened to be in the same room as I. By the way, Adrian, if you’re reading this, I’m sorry we never got to say hello, I might be back next year though!

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Speaking of entry-ways that are close to the main lobby of the center, one of them leads to a ballroom where I attended three panels. There was only one of these that I had my eyes set on, but I ended up attending three. While I didn’t attend any panels on Friday, there was one on Saturday I attended. I never usually watch anything on AMC, which is kind of shocking considering how many people rave about “The Walking Dead,” but I attended a panel featuring AMC’s “Comic Book Men.” More specifically, two of them. They had three appear, but two were in the panel. Those two were Mike Zapcic and Ming Chen. I have never seen one episode of “Comic Book Men,” I was going to ask a question with that disclaimer, however there wasn’t enough time to get to it. Having seen this panel, it honestly just made me intrigued to watch the series. Unfortunately, one of the big things the panel had to go over is that the show was canceled. But I’ve heard that there are episodes on Amazon, so I can easily watch it on there. Although it’s not free so that’s the one downside. If they ever decide to come out with a DVD of the seasons with commentary, maybe I’ll pick it up. Plus, it has Kevin Smith. Why wouldn’t I check this thing out?

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Another panel I originally didn’t plan on attending but ended up going to anyway was for Michael Jai White. You may know this fellow from movies like “The Dark Knight,” “Spawn,” “Black Dynamite,” and “Arrow.” I happened to be sitting in the back of the room. There were plenty of seats available, but in the back they had these high top tables with white chairs. I figured I’d check em out. I almost asked a question about what it was like to work with Christopher Nolan, another person who was there asked a similar sounding question and White pretty much went over how Christopher Nolan did things. And hearing what he had to say about Nolan, my favorite director of all time, it only made me appreciate Nolan more. When I think of certain directors that are critically acclaimed, maybe they are somewhat obnoxious. Nolan, based on White’s words, seemed to be the exact opposite of that. Shortly after his panel, I stayed in the room, because another panel was about to start and it was for someone I was ready to see. I even move up to one of the seats in the third row near a mic because I did intend on asking questions.

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In case you can’t tell, this panel is for Pom Klementieff. You may know her best as Mantis in “Guardians of the Galaxy: Vol. 2” and most recently, “Avengers: Infinity War.” I still need to check out another movie she did, “Ingrid Goes West.” During the panel we talked about “Guardians of the Galaxy,” which partially included a little brush-over on the whole James Gunn fiasco, Klementieff’s journey as she became an actress, her fascination for “Oldboy,” which interestingly she just so happened to have a role in the 2013 adaptation made in America as opposed to South Korea. I was in line to ask a question. So I go on, introducing myself to Pom, saying that I might arguably have the most important question of the entire panel. The question, “Why is Gamora?” I repeated it so everyone could understand. Unfortunately, nobody laughed. Except Pom. At least that’s what I remember, if anyone else laughed I wouldn’t have been able to pick theirs up. So all of you guys who think I would amount to nothing in life, screw y’all! I made a celebrity laugh! What have you done? Jeff Bezos, you’re history! I made Pom Klementieff laugh! Mark Zuckerberg? You found a very popular social network? F*ck you, I got a celebrity to appreciate my joke! Elon Musk? Who the hell are you?! I made history! I got Pom Klementieff to burst in laughter! In all seriousness, my real question had to do with Klementieff’s personal favorite line she said in one of her films. Although, I don’t think she understood me, because she responded saying “I am Groot” is one of the best inventions ever. I thought it her answer close enough.

Now let’s move onto purchases. For this section we’re going to state the item(s) I purchased, where I got said item(s) from, and if I have anything to say about it/them, I’ll dive deeper.

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A few months before I went to this convention, I was not into the whole Pop vinyl figure thing. However, after an unexpected encounter with “Blade Runner” figures at Thinkgeek I had in May, my interest levels have increased. I’ve mainly looked for exclusives, as I’ve done in this convention, and once I set my eyes upon this Pop, I figured it was the perfect purchase. Granted, it was $25, and most of the Pops I get are on the cheaper side. The main reason why I got it, aside from liking the Hulk and “Thor: Ragnarok” despite having numerous complaints about it, is that it’s an exclusive from Toys R Us. As you may know, Toys R Us officially closed its doors for good here in the US at the end of June. When is the next time I am gonna buy something sold at Toys R Us? I don’t know, but I can guarantee it won’t be soon. I purchased this Bruce Banner Pop at Undiscovered Realm, which has a store located in White Plains, NY. Unfortunately, I will say that there was another one of these in a different store in the center that was available for $20, but hey, a Toys R Us exclusive is a Toys R Us exclusive.

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Speaking of exclusive Pops I could have gotten for a cheaper price, I also picked up a figure of Parzival from “Ready Player One.” I paid $15 for it at Wize Guys Collectibles and only bad luck occurred from this one. The day after I bought this Hot Topic Exclusive, I found another place selling it for $10! And as I went home, I don’t know how this happened, but the bottom must have opened itself! The figure was inside the whole time, so hopefully not much value will be lost. Ah well, I bought this with a couple of intentions however. I have an Art3mis figure on my shelf (GameStop exclusive), so I figured maybe I should put this next to my Art3mis since both are characters from “Ready Player One” and they lust after each other. Plus “Ready Player One” is one of my favorite movies of the year so you bet I had to get this.

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Sticking with Funko’s creations, we have a few more Pops to gloss over! These three I can’t recall exactly where I got them, and no, don’t say Target, because that’s false even though one of these is a Target exclusive! If I had to guess based on the map, it’s probably G and T Toys and More. I am happy with my picks. Captain Cassian Andor on the right is the second “Star Wars” Pop I purchased (first was Director Orson Krennic). I also have a Kylo Ren, but I got it from my sister. I also got Cable, because “Deadpool 2” is awesome, one of the best movies of 2018. Also, this was partially because there was a deal going on where if I bought three $10 Pops, the total would come out to $25. I’ll remind you, every Pop was $10, and there were three Doctor Strange Target exclusives. I had to pick up one of them. I later discovered some minor wear and tear on the Doctor Strange box, but whatever, I was glad to have it. Plus, it’s gold!

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The last of the Pops I got actually turned out to be the first Pop I ever owned to originate from a video game. One of my all time favorite companies in the video game industry is Valve, and every once in a while I might go on Steam and play a bit of “Team Fortress 2.” One class I occasionally play is the Heavy. It’s just fun to take his Russian mother load of a machine gun and go to town on people. Plus, the best part is that it was only $6! Not a bad deal if you ask me! This was actually purchased at Toytastik which sells toys online and seems to focus very much on comic book-based toys, so when it comes to comic-con, they know their customer base quite well. They were also selling a “Team Fortress 2” Medic, but since I MAY have damaged the box (not significantly, but still), I ended up getting the Heavy which I found shortly after finding the Medic. In fact, I’m actually satisfied with the Heavy. Aside for not damaging the item’s value, the big thing that makes me prefer the Heavy is that I don’t play as the Medic. When I play “TF2,” I do play a number of classes, but the Medic is not one of them. I just never found myself interested in playing a healer. But that’s just me.

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If you read last year’s review of Terrificon, you’d know that last year I picked up a couple license plates. The place where I did that was what I assumed to be “Fuzzy Fish Inc.” Based on what happened this year, I can probably say that’s where I got those other license plates. Because as you see above, I picked up a couple more plates and those were from Fuzzy Fish. The one above is from the movie “Blade Runner 2049.”

If you look closely in the image above which is a BEAUTIFUL shot from “Blade Runner 2049,” you may notice this license plate is located on K’s spinner. Once I saw this, I felt like Betty White thinking about the idea of never dying, I HAD TO HAVE IT. The shop happened to have a deal where you can get another plate which would make your total come out to $25.

The other license plate I’ve purchased comes from the movie “Spaceballs.” It’s not as cool as an “I ❤ Uranus” bumper sticker, but it’s not a bad purchase nonetheless. I do consider “Spaceballs” to be a fantastic parody so I am proud to own this.

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Moving onto t-shirts, one of my purchases took place at a stand operated by Robber Barons. I managed to purchase a shirt that contains the text “Ray & Egon & Peter & Winston,” otherwise known as the Ghostbusters. The stand had a great selection of shirts, in fact, I still remember seeing this stand last year with this same shirt. The operator was wearing one of the shirts on the stand, which said “POWERED BY PIZZA.” Personally, that sounds relatable. I got this shirt on Sunday and I had trouble deciding between this one and another shirt from a different shop. That other shirt by the way was a crossover between “Star Wars” and “Star Trek” and was mocking the “Solo” logo. Instead of “Solo: A Star Wars Story,” it said “Sulu: A Star Trek Story.” The other shirt is from 3D Printing by Muckychris. Both shirts were around the same price but the main reasons behind getting the “Ghostbusters” shirt was that some people think religiously that “Star Wars” and “Star Trek” are competitors that aren’t intended to be together and I’m more into “Ghostbusters” than I am into “Star Trek.” Heck, I have an Ecto-1 license plate in my room. What can I say? Although I did find out that Muckychris has an Etsy page so I can go ahead and buy the shirt anytime. I should buy it at some point, it could be like a peace demonstration for nerds. For those who are interested in Robber Barons, they design and print shirts in Simsbury, CT, which is located near the state capital of Hartford. They sell t-shirts, bandanas, and other sorts of stuff.

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I happened to get these next two shirts from the same place, specifically a shop called MTC Toys. Believe it or not, on the program I was handed at the con, it actually refers to the shop as MC Toys, so I apologize to all who get fooled by this error. They’ve been going to comic-cons for a long time, and they’ve got a crapton of apparel to pick from. They operate in North Tonawanda, NY, which is right near Canada. As you can see, I picked out a couple of shirts. The one on the left is the Seinfeld logo, and if you want to get into specifics, that is the Seinfeld logo which was presented on screen during season 3 and the first couple of episodes in season 4. On the right is a 2001: A Space Odyssey shirt. I figured I’d get it because for one thing I LOVE “2001” and I’m going to see the movie in IMAX next week. It’s gonna be dope! If you look at the shirt you’d notice that it contains a couple of images from the movie. One is of the space baby and the other is a shot of the monolith and the sun from the first encounter with the monolith where we see the apes. The only downside is the price (nearly $50 for both shirts after tax), but for the variety that’s in store, I guess MTC Toys is at least worth a gander.

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Sticking with the topic of “2001,” you can see I picked up three posters, and “2001” just so happened to be one of them. The other two are for “Ready Player One” and “Ferris Bueller’s Day Off.” I believe I got these at Rock N’ Reel Posters. I’m rather satisfied with my choices because I highly enjoy all three of these films, and I happen to have a quirky poster too with “Ferris Bueller” considering it’s meant to be hung sideways.

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Out of all the movies in the MCU’s first phase, “Thor” is definitely my favorite of the bunch. One of the best lines from that movie is on this glass you see above. Once I saw this, I had to get this! It was worthy! I got this thing from Go Geek, which sold nerdy candles with “Supernatural,” “Harry Potter,” “Pokemon,” and “Star Wars” themes, and some other cool stuff. When it came to getting this, I almost settled on one or two other glasses. Another glass that caught my attention was one that said “Wanna Smash?” One of the letters in that phrase had the “Super Smash Brothers” insignia, not to mention Samus from “Metriod.” And if you play “Super Smash Brothers,” you’d know Samus is one of the fighters in all of the games.

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This purchase here is not exactly one I originally made for myself. I was originally intending on sending this to my friend in Michigan, but he decided I should keep it, so therefore I’m keeping it. This piece of space Kirby awesomeness comes from Johnny Flid. Originally from Long Island, he is a master artist, muralist, fine painter, and illustrator. When I did a Facebook live from the con, I actually gave him a shoutout, so I hope he gets some attention!

And while I may be done with standard purchases that I’ve done at Terrificon, I have not gotten to a purchase that I made involving a celebrity. As you may know, on the Sunday for the con, I attended the panel for Pom Klementieff. However, the day before, I got in line to get her autograph. The line wasn’t long, but it wasn’t short either. It was however longer than I expected because I remember going to this con last year and lines were almost never a problem. In line, I got to glimpse at Henry Winkler (Happy Days, Arrested Development). I didn’t talk to him, but he was walking through and I tried say “ayyy” like he would as the Fonz on “Happy Days” and see if he would notice. I got no reaction however. Granted, I don’t watch “Happy Days” and I forgot to raise the thumbs! Dammit! Seeing Henry Winkler though, he does seem to be a nice guy, and definitely very interactive with fans. How often do you see a celebrity get out of their chair and move away from their table to get attention? They’re usually just sitting down!

So after somewhere between ten to twenty minutes, it is my turn to talk to Pom. I’m in my “You’re Not Groot” shirt that I got at this very con last year. From what I can tell, she didn’t notice it. We didn’t talk too much, mainly because I was busy with the assistant at her table. However, we did say a few words. Klementieff goes on and signs my free IMAX poster that I got when I saw “Avengers: Infinity War” on opening night. The biggest thing I can recall out of all of this was after we took a photo together.

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“Take names, kick ass.”

Once she heard that she kinda cheered in a way. I don’t know how often she’ll get that, and I bet there could be a point where she could be dead tired of hearing that. But with it being one of the best lines from “Avengers: Infinity War,” I had to spit that out. I did talk to a couple of other celebrities, specifically Sam Jones (Flash Gordon, Ted) and Lou Ferrigno, but I’m not gonna dive too much into that. Although I will say Sam Jones noticed my “You’re not Groot” shirt and we had an interesting exchange concerning it.

I could go on, but then I’d just end up babbling until the end of time. I really enjoyed Terrificon 2018, I thought this convention was an improvement over the previous one, I’m definitely looking forward to coming back next year. I gotta give a shoutout to the staff, some of the nicest staff I’ve encountered at a con. They know what they’re doing and they sound like they’re happy to be at the con as much as I am. Not only do they know their audience, but they also know how to put on a fantastic show. Thanks for reading this post! I’d like to thank everyone I encountered at the con, from Johnny Flid to Pom Klementieff and everyone I met during the Jackbox Games session, all of the people who took what could have been a decent con experience and turned it to something much greater. As for other cons, I actually do have plans to go to more down the road. This October I’ll be going to New York Comic Con. I’ll be going on Friday, October 5th, and Sunday, October 7th, it’ll be my first time at that convention, I’m very much looking forward to it. Also, the month after that, I’m gonna be in Providence for Rhode Island Comic Con. I’ll be there all three days on the first weekend of November, which is the 2nd through the 4th. Too bad I’m not going on the 5th, it could have been perfect timing to do a cosplay as V from “V For Vendetta.” These next couple of months are gonna be con heavy, which means you can assure yourself that you will be getting some great content coming your way. Be sure to follow so you can stay tuned for said content! You can either follow with your WordPress account or your email, nevertheless, make sure you click that follow button! I want to know, did you go to Terrificon this year? What was your experience like? Or, if you have any cons that you want me to go to in the future, leave a comment and maybe I’ll do some research on it. I will say, I’m in eastern Massachusetts so that will be a hint as to what maybe I can or can’t do. But nevertheless, leave your comments, I’d love to hear your suggestions! Scene Before is your click to the flicks!

James Gunn FIRED From Guardians of the Galaxy Vol. 3?! Who Should Replace Him?

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Hey everyone, Jack Drees here! I’ve got some very big movie news I want to go over very quickly here. When it comes to recent movies, a lot of people seem to think that Marvel has been killing it lately. With installments added to the Marvel Cinematic Universe such as “Thor: Ragnarok,” “Black Panther,” and “Avengers: Infinity War,” audiences have had something new from Marvel to rave about every few months. But something in particular could affect the future movies, mainly ones containing the “Guardians of the Galaxy.”

If you have watched “Guardians of the Galaxy” or “Guardians of the Galaxy Vol. 2,” you may or may not be aware that a guy by the name of James Gunn wrote and directed both of those films. Some may say that “Guardians of the Galaxy” may be what it is as a movie because of James Gunn, so therefore a lot of people praise him. I can personally agree, it almost seems that he knows the style of the film and that really pops off the screen right into my eyes whenever I watch both installments. I may not have enjoyed the second installment, but the first one is definitely one of the better Marvel Cinematic Universe films.

Given the schedule of the MCU and success of both “Guardians of the Galaxy” installments, it just seems natural that the filmmaker suggested he was set to tackle a third installment in the “Guardians of the Galaxy” franchise. He seems to have made progress on a script, recent talks between him and “Star Wars” god Mark Hamill got fans wondering if he would be taking on a role in the upcoming film, everything seemed to be going according to plan. That is… until July 20th, 2018.

It has now become apparent that James Gunn has made some controversial jokes on his Twitter account. Some of these older tweets were reported by Fox News, which to me is false advertising, because there are rarely any foxes on Fox News. You think CNN is fake news? At least their name is accurate! They’re a cable news channel! Fox News may call itself what it wants, but the day they get a bunch of foxes running around the studio would be the day that they’d win the Internet! Anyway, Fox News reported some of these tweets, eventually earning Disney’s attention. Once Disney’s attention had been earned, they severed their business relationship with James Gunn.

Now we are in a bit of a sticky situation here, because there are two sides to this very story that I can personally get. Some of you may be expecting me to say, THAT JAMES GUNN IS A F*CKING CREEP! HE DESERVES NOTHING! And trust me, now that this has been brought to my attention, I’m on your side. If this means that James Gunn is actually a pedophile (which I highly doubt), then wow! As much as I appreciate dark humor, I can personally understand why some people would be offended or upset by this. If these tweets were maybe put in a movie script for a dark comedy then maybe I’d appreciate this just a little more, but this is real life, where there are consequences for actions such as this. But there’s also another hand that really makes me wonder what the future for “Guardians of the Galaxy” will truly be. Gunn has basically made the franchise his own and he seems to have a particular sense of style that can not only be closely associated with himself, but the “Guardians of the Galaxy” franchise. Having seen this, I seriously wonder if this situation has a bigger impact on moviegoers than say Mel Gibson’s controversy. Granted I was only ten years old when he made that rude remark towards his girlfriend. I think this may be bigger because I imagine some kids may look up to James Gunn or really appreciate the “Guardians of the Galaxy” franchise, and it’s part of a big and relevant cinematic universe that gets brought up in conversation somewhere every single day now. Then again, let me just say, kids probably look up to James Gunn. They may not know who he is, but maybe without even knowing it, they look up to him. It wouldn’t be pretty for a kid to find out that their idol has been making rape jokes.

Plus, this has a bigger impact on me than a recent Disney affiliated firing that occurred. Some of you may know, FOR SOME REASON, they brought back “Roseanne,” with the forever lazy tagline “Same cast. New episodes.” Just a couple of months after the show started its revival season on ABC, the show’s star, Roseanne Barr, goes on Twitter and spits out a bunch of mumbo jumbo towards a senior advisor to former US President Barack Obama, Valerie Jarrett. This tweet ended up being controversial, and ABC therefore canceled “Roseanne,” which is something I’ve been asking them to do with “The Bachelor” for a very long time but apparently they won’t listen! Nevertheless, “Roseanne” was pulled off of ABC’s schedule, and any content related to it has been removed from the ABC website. The thing about “Roseanne’s” cancellation however is that I was never a fan of “Roseanne” to begin with. One of the first thoughts I had about “Roseanne” coming back to ABC was “Why?” Granted, once I saw the ratings for the premiere episode, I could kind of see the point, but still, why? “Guardians of the Galaxy” isn’t anywhere near my favorite movie of all time. I thought it was one of the better movies to have come out in 2014, I gave it a 9/10 when I reviewed it, and I thought it was a very fun time. Judging by that, you might as well say I find “Guardians of the Galaxy” a lot more amusing than “Roseanne.” Heck! I found “Guardians of the Galaxy Vol. 2” a lot more amusing than “Roseanne” and that says something!

I wouldn’t say Disney’s wrong for what they did, but at the same time, I imagine it could be a sacrifice in quality towards “Guardians of the Galaxy Vol. 3.” But, I will say, Disney, if you’re reading this, I will give a list of directors I think are qualified to helm “Guardians of the Galaxy Vol. 3,” and for some of them, I’ll go into a bit of detail behind why I chose them.

  • Kay Cannon (Blockers, Pitch Perfect)
  • Alex Garland (Ex Machina, Annihilation)
  • Anthony & Joe Russo (Avengers: Infinity War, Captain America: The Winter Soldier)
  • Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople)
  • Brad Brad (The Incredibles, Mission: Impossible: Ghost Protocol)

Starting my discussion portion of these directors, we have Kay Cannon. I’ve been exposed to some of this girl’s work. I saw “Pitch Perfect,” which personally I hated, I wasn’t really that fond of it for the attempts at humor coming off as typical Hollywood studio comedy jokes that you’ve seen before, and it just didn’t feel like anything I’d write home about. Although, that movie is probably not made for me, I’m definitely not in the target audience. There is one thing however that made me go from HATING Kay Cannon to LOVING Kay Cannon, and that is “Blockers!” Based on the trailers, “Blockers” looks like your typical studio comedy, although in this case it’s really trying to be the next “American Pie,” but I ended up loving it after seeing it in the theater because of how relatable it came off not only to me, but from what I imagine, a number of parents who have teenagers. And most of all, it was funny! Another thing to consider about “Blockers” is that Kay Cannon had to tie together all of these characters, all of their storylines, and give them all their own individual beginning, middle, and end. Cannon didn’t write the screenplay for the movie, but given the amount of characters that may be aruged as being the “main character” of the movie, she did a spectacular job with what was given to her. Given the size of the character list in “Guardians of the Galaxy,” she’s probably gonna have to deal with just as many storylines while simultaneously having to make sure all of the humor in the movie works. Plus, “Blockers” is Cannon’s only directing credit. Since that movie came out, I wanted to see more work from her, and this is a good opportunity.

Next up is Alex Garland. Thus far he has directed two films, “Ex Machina” and “Annihilation.” While both don’t really have as big of a budget as “Guardians of the Galaxy,” they have been well received by critics. I personally thought both weren’t at the tippity top of my movie ratings scale, but VERY HIGHLY ENJOYABLE. Just a few weeks ago, I went back and watched “Ex Machina” for the fourth time, it’s that good. I’ve seen “Annihilation” twice, and while I don’t think it’s the best movie ever, I thought it was conceptually and visually beautiful. I will say though, according to IMDb, Garland’s directorial debut, “Ex Machina,” has an estimated budget of $15 million, and his next film he directed, “Annihilation,” has an estimated budget of $40 million. If he takes on “Guardians 3,” you might as well consider those past two films stepping stones towards the big guns. Plus, both films, kind of like “Guardians,” are in the sci-fi genre, so if Garland does well with “Guardians 3,” he would have three well received sci-fi films.

Up next, we have Anthony and Joe Russo. While these two may be known to some as the creators of the situational comedies “Community” and “Arrested Development,” fans of the Marvel Cinematic Universe know them as co-directors of three films in the series that have been currently released, and another that’s set for a release next year. To me, the Russo brothers have directed the two best MCU films to date, “Avengers: Infinity War” and “Captain America: Civil War.” Both films, kind of like “Blockers,” involved a ton of characters that could potentially clutter the film. Personally, the way both of them turned out were phenomenal to me. Plus, let me say again, these guys have already directed four MCU films, one of which hasn’t been released yet. In fact, two of them have the Guardians in it! So not only do they have experience with superhero movies, comic book movies, Marvel movies, films with a ton of characters, but also characters from the “Guardians of the Galaxy” franchise! From what I know, none of the actors from the “Guardians of the Galaxy” franchise seem to have any major gripes with either director, so maybe that will allow the experience of making “Guardians 3” to be somewhat of a breeze.

Another director who has already helmed a movie in the Marvel Cinematic Universe is Taika Waititi, as much as I personally found “Thor: Ragnarok” enjoyable, I wasn’t afraid to criticize it. Can any of you guess what my main complaint with “Thor: Ragnarok” is?

Anyone?

Hello, anybody home? Think McFly, think!

The main problem I had with “Thor: Ragnarok” is that it’s too much like “Guardians of the Galaxy!” As much as audiences found the attempts at humor in “Thor: Ragnarok” to be hysterical, I was just sitting down thinking, this is not “Thor.” It’s just a weird change of pace towards his character and it’s kind of ridiculous. And maybe it’s not because of Taika Waititi. After all, he didn’t even have a writing credit on the film. In fact, what I think should be done is if the director “Guardians 3,” whoever it may be, doesn’t want to write the film, Marvel should try getting the trio that wrote “Thor: Ragnarok,” otherwise known as Eric Pearson, Craig Kyle, and Christopher Yost to work on the script. This could be especially useful towards Alex Garland, because he doesn’t put much humor into his movies. Then again this is the same guy who had a writing credit on DMC: Devil May Cry, a video game with this exchange:

MUNDUS: I am Mundus.

DANTE: You’re an asshole!

Given the script of “Thor: Ragnarok,” Waititi’s direction must have worked well enough lead to this “Guardians of the Galaxy” wannabe, and if they really wanted to take “Thor: Ragnarok” and make it a “Guardians of the Galaxy” film, someone could have just told them, “Hey! Want to make ‘Guardians 3?'” Well, that movie is happening now, so now is this crew’s chance to take it on!

The last director suggestion I have listed here is Brad Bird. When it comes to animation, Brad Bird is probably my favorite director of all time. He’s done both “Incredibles” installments, “Ratatouille,” and “The Iron Giant.” If you ask me, if Brad Bird happened to work on the screenplay of the film, that would be great too, because I feel that Bird’s best films are ones that not only he directs, but also writes. As much as I liked “Mission: Impossible: Ghost Protocol,” that’s a film he directed, but didn’t write. One of my other comments towards Brad Bird that may sound odd, is that I feel he does better with animated movies than live action movies. While I will consider “Mission: Impossible: Ghost Protocol” and “Tomorrowland” solid movies, they’re not anywhere near masterpieces. Some of you may be questioning why I am saying this because “Guardians of the Galaxy” is live action. You’re right there, but another thing to consider is how much green screen that film has. It’s all on computerized backgrounds! Plus, Brad Bird seems to have a good relationship with Disney, having done multiple films with them, which is something that James Gunn apparently doesn’t have anymore.

Now before I close this off, I want to share a true story with all of you. James Gunn is not exactly my favorite director, however I do find him to be one of the bigger standouts when it comes to the directors who have done recent film work. But James Gunn, despite how I feel about him, was apparently worthy enough, to have earned something that I think you all as an audience might want me to change. Just over a month ago, I graduated high school, and around that time, I got my yearbook. In the process of making the yearbook, I was encouraged to put something in as a senior quote. So after some searching on the Internet, I found what I thought was the perfect quote. Taken directly from IMDb, this is the quote I used in my yearbook:

“I have a very strong imagination and have since I was a little kid. That is where a lot of my world comes from. It’s like I’m off somewhere else. And I can have a problem in life because of that, because I’m always off in some other world thinking about something else. It’s constant.”

Guess what? JAMES GUNN SAID THAT!

I made a post on my Instagram with photo proof that James Gunn is the speaker of my quote in my high school yearbook! If anyone that’s affiliated with the making of the yearbook is reading this, I gotta ask… Is it too late to change my senior quote now that everyone is calling this guy a creep? Jostens, if you’re reading this, let me know! I mean, it’s only been a month since I graduated high school, I haven’t even started college, and I already have an excuse to change my senior quote!

Guys, thanks for reading this post that goes over a life-altering moment I never thought I’d have to face. James Gunn is a creep apparently, who knew? I love the first “Guardians of the Galaxy,” I’ll miss James Gunn’s unique and somewhat quirky style, and while I heard that Disney never confirmed Gunn was going to direct “Guardians 3” in the first place, it would have been easily predictable for him to do such a thing. With that being said, I hope an official director is announced soon, maybe one of my suggested candidates. As for upcoming content, tomorrow I’m going to see “Mamma Mia!: Here We Go Again,” stay tuned for that review once it comes time to show it off, and also stay tuned for more great content! I want to know, what do you think about this whole James Gunn situation? Also, if you were to find a director or writer for “Guardians 3,” what would your pick be? Let me know down below! Scene Before is your click to the flicks!

Ant-Man and the Wasp (2018): A Small Step Into the Ant Hill of Mediocrity

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“Ant-Man and the Wasp” is directed by Peyton Reed (Yes Man, Bring It On) and stars Paul Rudd (Dinner For Schmucks, The 40-Year-Old Virgin), Evangeline Lilly (Lost, The Hobbit: The Desolation of Smaug), Michael Peña (American Hustle, End of Watch), Walton Goggins (The Shield, The Hateful Eight), Hannah John-Kamen (Ready Player One, Killjoys), with Michelle Pfeiffer (Batman Returns, What Lies Beneath), Laurence Fishburne (John Wick: Chapter 2, The Matrix), and Michael Douglas (Fatal Attraction, Wall Street). After the epic, destructive, game-changing events audiences have witnessed in “Avengers: Infinity War,” we might as well ask ourselves, what is next in the Marvel Cinematic Universe??? The answer… something much smaller. Take that last sentence in whatever way you want. In this newest addition to the series, we once again see Scott Lang, otherwise known as Ant-Man, having to deal with home life on house arrest, not to mention his own daughter. At the same time, he is recruited on a new mission alongside Hope van Dyne, who is also referred to as the Wasp, that requires an uncovering of secrets involving the past.

This movie is the sequel to 2015’s “Ant-Man,” one of my personal favorite movies in the Marvel Cinematic Universe. As much as I might complain that some of the more recent Marvel movies try too hard with comedy to the point where it gets annoying, “Ant-Man” is quite possibly the funniest movie in its universe. Speaking of the MCU, this movie is the twentieth installment in the saga. Just a year ago I said there were fifteen of these since “Guardians of the Galaxy Vol. 2” came out. WOW. When it comes to “Ant-Man and the Wasp,” I honestly had low expectations for it. If you asked me where my expectations were in 2017, I would probably told you I’m really looking forward to “Ant-Man and the Wasp,” especially when you consider how much I enjoyed the first movie. And after seeing this movie, I’d say I had fun throughout my experience. Although I wouldn’t say I had enough fun to go see the movie again. While this is not my least favorite movie in the Marvel Cinematic Universe, it certainly isn’t my pick to watch on a Friday night at home.

I kind of had a similar experience during this movie to what I had during my time watching “Uncle Drew.” I had a few laughs here and there, but it wasn’t enough. Granted, “Ant-Man and the Wasp” isn’t really a comedy, but those numerous laughs may have been one of the few highlights of my experience. Now with what I just said, I will state, with an enormous smile on my face, “Ant-Man and the Wasp” is FAR SUPERIOR to “Uncle Drew.” “Uncle Drew” is not even a movie. To call “Uncle Drew” a movie is pretty much the same as calling Pizza Hut a restaurant. I’d even say calling “Uncle Drew” a movie is pretty much the same as calling Pizza Hut a fast-food restaurant! By the way, drink Pepsi! The Movie Reviewing Moron says that Pepsi is good for you and will help you live longer! Therefore, it just makes sense that Pepsi is good for you and will help you live longer! Also, be sure to enjoy that nice, cool, refreshing Pepsi, while reading my review for “Uncle Drew,” the most ambitious Pepsi commercial of all motherf*cking time!

UNCLE DREW REVIEW: https://scenebefore.wordpress.com/2018/07/02/uncle-drew-2018-worst-pepsi-commercial-ever/

In all seriousness, “Ant-Man and the Wasp” qualifies to me as a movie. I never said however that it qualifies as a good movie. There are elements of goodness sprinkled throughout. It has some decent performances for the most part, especially from Michael Douglas. Some of the action is rather creative and fun, although personally it can’t beat the climactic fight during the first “Ant-Man.” The effects in this movie are really good, and you get to see a lot of them, especially when you consider how big of a role the quantum realm plays. All of the positive elements however are unfortunately clashing with another side of negative elements, ultimately leading to what I would consider a relatively average or mediocre experience.

I know that in comic book movies, suspending your disbelief is not only natural, but expected to the tenth degree. There were many moments where I was able to do that. I almost lost it on a building having wheels, but OK, it could be stranger. There is one moment however towards the end involving Ant-Man trying to jump over a vehicle, that almost looked fake as hell that some student who hasn’t even graduated high school could have created it!

I won’t get too much deeper into that, although I do want to talk about the characterization here. For the most part, everyone on the hero side seems to have some sort of dimension to them. There aren’t many complaints I can point out as far as that side is concerned, but when it comes to our villain side, you have multiple plot lines going on including one involving the security that’s supposed to keep Ant-Man inside his house, and another involving the main antagonist of Ghost. When it comes to Ghost, there wasn’t really much to her character (at first), she came off to me more like a bad guy who just wanted to do bad guy things. She didn’t have the depth or charisma that some of the other recent Marvel villains had. And just when I thought we were starting to get an epic streak of fantastic MCU villains (starting with Guardians 2), we’re suddenly back to this bulls*it. I know a good number of people weren’t particularly fond of Yellow Jacket from the first “Ant-Man,” but to me, Ghost made Yellow Jacket look amazing. I will say towards the end of the film, Ghost improves slightly, but for the most part, she was a lackluster villain.

Let’s talk about Ant-Man here. When it comes to his story, he is placed on house arrest. That is because his actions during the events of “Captain America: Civil War” was enough to be considered a crime. This prevents Ant-Man from exploring the outside world, which allows him to spend more time trying to entertain his daughter in creative ways, and master songs in “Guitar Hero.” I gotta say one of the biggest positives I’ll give Paul Rudd when it comes to his interpretation of Ant-Man, and maybe I should give kudos to the writing and directing as well, is how well encapsulated the chemistry between him and his daughter is. I think that is definitely one of the best parts of this entire movie. Seeing the two go through a cardboard maze at the start of the film seemed to capture that needed sense of togetherness. When it comes to Rudd’s overall performance, I thought it was good for the most part, but there is one scene in particular, where he was rather mother-like, which kind of felt out of place.

Alongside Ant-Man, you of course have the Wasp, played by Evangeline Lilly. I think most of the cool stuff you see with her character, maybe except a few lines of dialogue some might find funny, is already revealed in the promotional material, which ultimately diminishes her character in a sense. Although she was fun to watch in certain action scenes and I totally buy Evangeline Lilly as her character. Her chemistry with Ant-Man, while not exactly a shining star in the movie, doesn’t exactly disappoint.

I already talked about the main antagonist and I do consider her to be one of the major flaws of the movie. When it comes to other problems, I’m gonna blame it on the pacing. I am eighteen years old. Once I walked out of the theater, entered my house, and proceeded to my bedroom to start cranking out this review, I imagined myself as if I were a ten year old kid going to see this movie. After all, a lot of ten year kids probably like superheroes, and maybe if I were that ten year old kid, I might walk out of the movie saying I enjoyed myself, but that’s most likely to be due to seeing superheros on moving pictures projected onto a giant screen. Even if I wanted to fall asleep, I’ll still say I had a good time. My brain can’t process what a bad movie is. Heck, I went to see three live-action “Alvin and the Chipmunks” movies in theaters as a kid and enjoyed them. What kind of person was I? Hint, it rhymes with stupid! When breaking down this movie, I couldn’t help but think to myself that maybe all the pieces in there made sense. But maybe it was a tad more convoluted than it should have been. The pacing overall just felt like speed bumps, and I especially say this specifically when it comes to the halfway point. At one moment you’re kinda sorta enjoying yourself… maybe. Then boom! The boredom kicks in.

And honestly, part of me feels like this movie is not going to be stuck in my memory as much as some of the other Marvel movies unless I watch it again. This might actually be the most forgettable Marvel movie I’ve seen since “Thor: The Dark World,” and that is saying something because that movie is S*IT. This film is nowhere near as objectively terrible as “Thor: The Dark World.” Sure, the villain here is pretty bad, but I still think the villain from “The Dark World” is probably the worst in the MCU. Let’s also not forget (no pun intended) how hard this film tried to be funny. When I watched that movie for review purposes, I might have only laughed twice. Here, I laughed a lot more than I did there. In fact, one thing that surprises me about “Ant-Man and the Wasp” is how much funnier I found it to be than “Guardians of the Galaxy Vol. 2.” And as I think to myself, I believe the reasoning comes down to one word I had going into “Guardians 2” but lacked for “Ant-Man and the Wasp.” Expectations.

If it were the beginning of 2017, I would have watched the first trailer (not the teaser, but the trailer) to “Guardians of the Galaxy Vol. 2” multiple times. I was really looking forward to that film, and part of me thought it was actually going to surpass the original movie because it looked HILARIOUS. But it wasn’t. It wasn’t even that fun. I mean, it was trying to be, but I didn’t feel like I was having fun. I was instead feeling like I was going through a two and a half hour long toy commercial for Baby Groot with attempts at humor that seemed to land with most of the audience, but not me. I will have you know, I watched that movie twice, and the second time I laughed more than the first one. Maybe I was in a better mood the second time because I wasn’t sitting towards the end of the front row of a crowded IMAX, but it just didn’t impress me. Also, my original 6/10 score went down to a 5/10. The first “Ant-Man” was a movie that I thought was one of the funnier ones in the MCU, but the thing about the first “Ant-Man” is that it’s not really marketed to be comedic. OK, maybe it technically is, but it’s more focused on delivering action than anything else. It’s not the full scale balls to the wall action-comedy that “Guardians of the Galaxy” is. Both “Ant-Man” and “Ant-Man and the Wasp” are pretty hilarious at times, and you do get the light vibe you might find in certain comedies in the marketing for both films. Although for both films, I didn’t exactly come for the comedy, I came for the action and superhero stuff. This might make the comedy somewhat funnier because you as an audience member don’t expect humor all that much. In fact, this may be why I find “Avengers: Infinity War” to be one of the funniest movies in the MCU and possibly the funniest comic book movie ever made. In a movie that is advertised to be super dark and the exact opposite of happy-go-lucky, a part of you might come in and expect some lightheartedness or comedy to take a back seat. No way hosay! When it’s delivered in that movie, it totally blends in with the moment despite having a story that is meant to be dark. Maybe it’s also because I as an audience member have been following the storyline for the MCU for a long time therefore allowing me to care more about everyone in the film, but it’s just an interesting blend of light and dark. Also, sticking to “Ant-Man and the Wasp” and expectations, let me just remind you that those were something which I lacked prior to and during my experience of watching the movie.

Before we get into my verdict there is one thing I want to go over, and that is the end credits. There is a mid-credits scene and a post-credits scene. The mid-credits scene is more important if you’re a follower of the Marvel Cinematic Universe and its overall story. In fact the post-credit scene is probably so pointless that it only exists for the sake of putting on that “Such and such will return” thing at the end of every Marvel movie, but in case you feel that end credits scenes are a necessity to sit through, this is your notification to stay for them. One more thing, I think personally that the mid-credits scene might be better than the entirety of this movie. I felt more emotion (maybe for the most part) for everyone in that scene than I did during “Ant-Man and the Wasp” itself, so that says something right there.

In the end, “Ant-Man and the Wasp” is not really up to the quality I would expect for a Marvel Cinematic Universe movie. It’s not to say that “Ant-Man and the Wasp” is an abomination, but it’s certainly not a movie I would think about for days. I thought it was more fun than “Guardians of the Galaxy Vol. 2” but keep in mind, I had high expectations for “Guardians of the Galaxy Vol. 2.” While there are definitely movies that I thought would blow more than “Ant-Man and the Wasp” would this year, I didn’t think this particular film would be all that great. The trailers underwhelmed me, and it just didn’t have the same epic feel that the first movie’s trailers provided at various points. Would I recommend “Ant-Man and the Wasp?” Despite having some fun here and there, I wouldn’t say rush out immediately, but I do recommend the mid-credits scene. That’s just me though. I’m gonna give “Ant-Man and the Wasp” a 6/10. Thanks for reading this review! Pretty soon I’m gonna have my review up for “Mission: Impossible: Rogue Nation,” I just watched the movie for the second time and I’m gonna be going over my thoughts on it in preparation for the franchise’s new movie coming out on July 27th, “Mission: Impossible: Fallout.” Stay tuned for more great content! I want to know, did you see “Ant-Man and the Wasp?” What did you think about it? Or, which of the two “Ant-Man” movies do you like better? Let me know down below! Scene Before is your click to the flicks!

90th Academy Awards Recap

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Hey everyone, Jack Drees here! Before we go any further, let me just say, I admittedly put this post out a little later than I once anticipated. I had my mind going around on three posts at once, part of me was begging to nap this week, some distractions have gotten in the way, and I also had this thing going on over on my Twitter where I’m giving shoutouts to women on International Women’s Day. With those things in mind, you might as well say that if this blog or my posts happened to be my kid(s), I might not be the best of fathers. I’ve been distracted, wanting to fall asleep, and just didn’t have enough of a focus on the things that matter. Speaking of parenting, let’s talk about Genevieve and Paul. Who are they? Well, they’re a couple who are currently expecting, but their journey to get there was like trying to find a way to defy gravity. Impossibly long and stressful. Ladies and gentlemen, this is all documented in “What The IVF?!”

“What the IVF?” focuses on the recently mentioned couple, Genevieve and Paul. The two are happy together and one day decide to have a baby. Turns out they realize, the process of having a baby isn’t all fun and games, and now they’ve got to deal with various problems. These problems range in areas including: Sex, math, exams, and those freakin’ needles!  The first episode of the series up right now, it’s actually the video listed above, it’s a few minutes long, so if you need to waste some time and you feel like you should watch something, this is a good deal for you. And I said to the couple that I’d promote the material, and I’m not just saying this to be nice or push their buttons or receive a fat paycheck in the mail, in fact at this point they’d probably need it for baby food or something, I actually watched the first episode, and I thought it was very well done. If you look at this video, you’re in for a well edited treat. Be sure to catch up on the latest regarding Genevieve and Paul and to help you do that, I’ll post links to various “WTIVF?” social media pages, and if you check this stuff out, be sure to tell them that Jack Drees sent you over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

Getting back on track, it’s official that the Academy Awards are now over, so now I can look back and say to myself, “What happened to the politics?” If you think I’m asking that negatively, think again. Because I know one thing for sure, politics and the Academy Awards associate with each other quite well, and at times, it’s not exactly annoying, but they seemed to tone it down this year. When it comes to the politics, it was basically a sigh of relief. There were barely any comments regarding our current administration and when the comments were uttered, they were actually quite funny!

“That’s not the point. We don’t make films like ‘Call Me by Your Name’ for money. We make them to upset Mike Pence.” -Jimmy Kimmel

Then again, this isn’t the Golden Globes, where political and social issues, at least from my eyes and ears, seem to be more prominent and forced. At this Oscars, the insertion of all this commentary regarding politics and society didn’t feel that awkward because while they were there, there seemed to be more of a focus on awards and film.

Not every single person made it a big deal to wear black. People either did or they didn’t. The jokes weren’t as cringe-worthy. And let me just have you know, the stuff that’s being represented in terms of social issues happens to be stuff I personally support! Racial equality! Gender equality! I mean, Barbra Streisand and Natalie Portman didn’t get up on stage and come off as depression lords. Yes, time IS up, but there are more important issues than having male nominees and winners for Best Director. One of my favorite quotes regarding social issues comes from Kumail Nanjiani, who you may know as one of the writers and actors in last year’s “The Big Sick,” which is one of my favorite movies of 2017.

“Some of my favorite movies are movies by straight white dudes about straight white dudes. Now, straight white dudes can watch movies starring me, and you relate to that. It’s not that hard. I’ve done it my whole life.”

Well said, Kumail!

One of the other highlights of the night was something I didn’t actually expect. I came in for an award show, not a game show. Now when I say that, you may expect me to follow up with something negative, that is unless you realize my fanaticism for game shows. So as Jimmy Kimmel is finishing up his opening monologue, he reminds everyone that the Oscars is “a very long show.” Before those words are spoken, he states that the first Oscars show lasted for fifteen minutes from beginning to end, he adds in humor by saying “and people still complained.” So in order to spice things up, the show was going to give away a prize. So I start hearing “The Price is Right” music and suddenly, I see Helen Mirren standing right next to a new jet ski. The total value of the jet ski is $17,999, and whoever was to give the shortest speech, will go home with the prize. Kimmel adds, “Why waste precious time thanking your mother when you can give her the ride of her life on a new jet ski?” The man claimed that he was going to be timing everyone who wins an Academy Award with a stopwatch. Once they pick up their trophy, the clock begins ticking. Some of Kimmel’s conclusive words are “And in the unlikely event of a tie, I need to say the jet ski will be awarded to Christopher Plummer.”

By the way, Mark Bridges, the costume designer for “Phantom Thread,” was the winner of the jet ski. Also, for those of you who never heard of or seen “Phantom Thread,” the main character of Reynolds Woodcock, played by Daniel Day-Lewis, is a dressmaker. So of course, a movie about making clothes, won a category which involves making clothes.

Before I tuned into the Oscars, I made a hope/prediction post, which admittedly I rushed in some parts, but overall it was a somewhat effective list coming in over 4500 words. Although to be fair, it was crunch time, and I was just trying to get my major category predictions down. Much like in that post, I’m not gonna go through all the categories and stick to talking about anything from the categories that stand out to me. In my post I didn’t talk about anything such as Best Animated Short Film, Best Documentary, stuff like that. I’m just gonna talk about a category if I have some sort of interest related to them or if there’s something to me in it that stands out compared to other categories. To start this off, I’m going to dive into a category that I didn’t discuss on my prediction post. Specifically, Best Animated Short Film.

Here are the results for Best Animated Short Film!

  • Dear Basketball (WINNER!)
  • Garden Party
  • Lou
  • Negative Space
  • Revolting Rhymes

Regardless of familiarity, this category interested me because of its winner, “Dear Basketball.” For those of you who haven’t seen or heard of “Dear Basketball,” I don’t imagine many people will blame you, including Lakers fans. It has less than 2,000 ratings on IMDb, but it appears the Academy liked it. I have no problem with them liking it. I haven’t seen the short, so I can’t judge all that much. Although the real shocker for me here is who happens to be behind this “Academy Award winner.” OK, well, John Williams composed the music, which may have partially contributed to the overall verdict. The animation was a different style than what I usually see, and while I don’t think that in itself is award-worthy, maybe the idea of being different contributed to it. The creative developer, Brian Hunt made this his first project as a creative developer, but he also had experience in the industry prior to this. Although when it comes to the entire world of diverse, differently-minded, and film-focused people, the Academy decides to give an award to…

Kobe Bryant.

Yeah, Kobe Bryant. Kobe. Bryant. KOBE… BRRRRYANT. A former NBA Basketball player who has won the NBA Finals in the past, achieved an Oscar! I’m not saying that this is the end of the world, but seriously! If you told me a week ago, that Kobe Bryant, a guy who angrily swears at his own basketball team during practice, saying that his teammates are motherf*ckers who don’t do s*it for him, was going to win an Academy Award, I’d die laughing, get up, and tell you to get out of my sight because I’d think you’re incredibly dumb.

But he did.

Although one thing I really liked about this is how Mark Hamill was presenting the award. Because for one thing, he’s f*cking Mark Hamill. And another thing, the joke he made right before “Dear Basketball” was announced.

“Don’t say ‘La La Land.’ Don’t say La La Land.'”

Speaking of animations, let’s dive into Best Animated Feature Film.

  • Coco (WINNER!)
  • Ferdinand
  • The Boss Baby
  • The Breadwinner
  • Loving Vincent

“Coco” won. What a surprise.

“The Boss Baby” lost. Big fat shocker as well, not to mention a sign that Earth is still sane.

Enough said. Moving on.

Next up is Best Actor, and here are the results!

  • Gary Oldman (Darkest Hour) (WINNER!)
  • Daniel Day-Lewis (Phantom Thread)
  • Timothée Chalamet (Call Me by Your Name)
  • Denzel Washington (Roman J. Israel, Esq.)
  • Daniel Kaluuya (Get Out)

In total honesty, it would have been nice to see Daniel Day-Lewis win. Not just because he’s a terrific actor, but because this is his last performance. I have not seen “Phantom Thread,” much like how I haven’t seen any of the other films listed above, but seeing Day-Lewis winning would have been a treat. I have nothing against Gary Oldman. I don’t have anything against him winning, I think he’s a fine actor, and he definitely has potential to take on some more great roles in the future. I didn’t think about this while I was doing my hope and prediction post, but I did find this out going into the show. If Timothée Chalamet ended up winning Best Actor, he would have been the youngest person to win that award. For the record, Chalamet could have possibly been a 22 year-old Oscar winner, beating out then 29 year-old Adrien Brody (The Pianist) who won an Academy Award for this specific category for the 2002 movie season.

Speaking of acting, let’s move onto Best Actress!

  • Frances McDormand (Three Billboards Outside Ebbing, Missouri) (WINNER!)
  • Meryl Streep (The Post)
  • Sally Hawkins (The Shape of Water)
  • Saoirse Ronan (Lady Bird)
  • Margot Robbie (I, Tonya)

Once again, a category filled with movies that I just haven’t gotten around to watching! OK, well except one, which was “Three Billboards.” Having seen it, I approve of McDormand’s win. Very well deserved! Part of me thought at one point that Margot Robbie was gonna win for “I, Tonya” based on a clip I saw for it, but I guess not. Meryl Streep… I have nothing against her. I still have to see “The Post.” But I seriously wonder if this nomination happened just because she’s Meryl and the Academy has a fetish for nominating her. Part of me is also surprised the Academy didn’t go with Saoirse Ronan for “Lady Bird.” Although at the same time, it surprises me how many people saw the movie and didn’t like it. I didn’t see it, but I’m trying to.

One of the next categories we’re gonna get into is Best Adapted Screenplay.

  • Call Me by Your Name (WINNER!)
  • The Disaster Artist
  • Logan
  • Molly’s Game
  • Mudbound

I’ll state something similar to what I said in my prediction and hope post. “Mudbound,” to me, doesn’t qualify as a movie that associates with the Oscars. To me, the Oscars is about celebrating cinema. While there are a number of people who clearly worship this movie for various reasons, I refuse to call it a technical “Oscar film.” To my knowledge, this movie has released in a couple theaters if that. And while I do think a movie with even the smallest theatrical release can qualify to win an Oscar, it’s mainly known to me as a straight to streaming film. Now don’t get me wrong, if Amazon or someone like that distributed this film, I would have possibly supported “Mudbound” more. But instead, Netflix did. And since Netflix doesn’t give movie theaters a chance (do some research on “The Cloverfield Paradox”), I refuse to watch it, review it, and call it a movie that others seem to call it. So unless Netflix starts releasing films in theaters as a tradition and not a special occasion, I refuse to review any of their films or consider them for awards like Oscars, or if you want to be more accurate on my end, my top 10 BEST movies of the year lists. Now “Call Me by Your Name” won. I didn’t see it, therefore I was in a somewhat of a shock when its, well, name was called. I was glad it wasn’t “Mudbound,” but I didn’t really expect this film to win, and I was actually rooting for a couple of other films. One film I saw earlier this year because I couldn’t get to it last year was “Molly’s Game.” The film itself? Barely passable. The screenplay though? If this were a film class and I were teaching, I’d give it somewhere around the A range just for the diction choices and the snappy tone it provided at times. I was especially disappointed that they didn’t pick “The Disaster Artist” because humor-wise, it was the funniest movie of 2017, maybe aside from “The LEGO Batman Movie.” Not to mention the way it was written was partially realistic and another part felt like a homage. And while this is based on a true event, I totally appreciate the callbacks to some things that happened that can be associated with “The Room.” A lot of people are kind of disappointed that “Logan” didn’t win this award. I haven’t seen “Logan,” I’ve heard phenomenal things, but I haven’t seen it. Part of me wonders if this is just coming from people who either have a bias towards comic book movies or just go see comic book movies and ignores everything else, or if it’s a bunch of people who appreciate the screenplay for its differences compared to other comic book movies. It’s darker, grittier, contains more violence and foul language, and it just contains things that makes anyone who works at Disney hide in the corner. I’m not gonna focus on Best Original Screenplay, I don’t really have much to say about it. Like I mentioned earlier, I’m gonna just dive into categories which can feel more like an essay as opposed to a couple of forced complete sentences. Either that or if I feel if it has some sort of relevance to me, that will play into this sort of thing as well.

Next up is a category containing something I often think about, Best Original Score.

  • Alexandre Desplat (The Shape of Water) (WINNER!)
  • Hans Zimmer (Dunkirk)
  • John Williams (Star Wars: The Last Jedi)
  • Jonny Greenwood (Phantom Thread)
  • Carter Burwell (Three Billboards Outside Ebbing, Missouri)

Before we get into discussion concerning the winner, let’s talk about John Williams. John Williams, without a doubt, is a great composer, and there’s a reason why people love his work. Not only has he done some of the most iconic movie scores of all (Raiders of the Lost Ark, Harry Potter, Jurassic Park, Home Alone, Jaws), but he’s proven to be talented for many many years. Although him being nominated for his work on “The Last Jedi” is just… Bogus. I have seen every single “Star Wars” film scored by John Williams, including the latest one in the franchise, “The Last Jedi.” The movie’s mediocre overall, I admittedly overhyped it when I first saw it, it was a whole thing. When it comes to John Williams, I honestly don’t see how he could have been nominated for an Oscar other than the fact that he’s the one doing the score. You remember the score for “Rogue One?” That one was the only score for a theatrically released “Star Wars” film that isn’t from John Williams. That score, while not recognized all that much for awards, was not only a delight to hear, but a different take on what could qualify as “Star Wars” music. I’ve given some sort of praise to “The Last Jedi” for being different, but one aspect that didn’t feel different was the score. It felt like it just took themes from “The Force Awakens” and other “Star Wars” films and shoved them right into this one. I still remember the climactic scenes and I’m hearing the “March of the Resistance” song and it just felt underwhelming unlike the first couple of times. I like John Williams, I think he’s skilled, but what the hell? There are other scores that weren’t even nominated that could have qualified! “Blade Runner 2049!” “Wonder Woman!” And even though this film wasn’t really that good, I’d be fine with live-action “Ghost in the Shell” because at least various aspects of the movie, such as the music, made it sound like it was trying. “Revenge of the Sith’s” score was never nominated for any Oscars, but if you actually think “The Last Jedi” had a better score than “Revenge of the Sith,” I’m gonna force-choke you. Now onto something that matters.

I wanted “Dunkirk” to win Best Original Score. Although in the end, it turned out to be “The Shape of Water.” And funny enough, the composer for the score in “The Shape of Water,” Alexandre Desplat was originally going to compose the music for the recently mentioned “Rogue One” before that job ultimately went to Michael Giacchino! Desplat has also scored 2014’s “The Grand Budapest Hotel,” which I saw, enjoyed, but can’t say I liked as much other people. You know, kind of like its score. Seriously? It lost to “Interstellar?” You done goof, Academy. I’ll say this is one of those wins, much like a couple of others that really make me interested in checking out “The Shape of Water.” It would be interesting to hear what music related to a woman and fish who wanna f*ck sound like. I thought “Dunkirk” would win for its grand and fast-paced feel, but I guess not. But seriously though, no love for “Blade Runner 2049?”

Speaking of that, let’s talk about the nominees and winner for Best Visual Effects.

  • Blade Runner 2049 (WINNER!)
  • Star Wars: The Last Jedi
  • Kong: Skull Island
  • War for the Planet of the Apes
  • Guardians of the Galaxy Vol. 2

From what you can tell, I love “Blade Runner.” I love both the original film and its sequel. An enormous part of me is beyond glad that it won Best Visual Effects. I will say though, I imagine some people have these every once in awhile. They have certain categories in award shows where they don’t care who wins because they think all of them are deserving of the prize. This to me, was one of them. I will say, part of me is shocked that “War for the Planet of the Apes” didn’t win because a lot of people were impressed by that film visually. Interestingly, that was the only film of the five nominees I didn’t watch at the very least in portions. I’ve seen part of “Kong: Skull Island,” and every other film including “Guardians,” “Star Wars,” and “Blade Runner,” were ones I watched from beginning to end. Part of me even wonders how many people are thinking right now that “War for the Planet of the Apes” got snubbed. Nevertheless, I’m happy “Blade Runner 2049” won. If you have not seen “Blade Runner 2049,” you might occasionally drop your jaw at the city of Los Angeles, the fact that they did a clear recreation of Sean Young who played Rachael in the original film, and how much you’ll be immersed that a part of you might end up wanting to jump in this world. If “War for the Planet of the Apes” won, I think it would have been a very much deserved win, but I’m incredibly happy that “Blade Runner 2049” took the cake.

One category that got a number of people talking was Best Film Editing. This is partially because of not only who DID win. But also because of who DIDN’T win. Here are the five films to have been recognized for their achievement here.

  • Dunkirk (WINNER!)
  • The Shape of Water
  • I, Tonya
  • Baby Driver
  • Three Billboards Outside Ebbing, Missouri

So “Dunkirk” came out on top as you can clearly see, and as someone who has watched the movie, I can understand why it won. It was told in a non-linear fashion, which only made the film a tad more interesting than it already was. Although it’s a Christopher Nolan movie, so this puzzle-like editing isn’t exactly a shocker. One movie that people were surprised didn’t win however was “Baby Driver.” I feel like part of why this didn’t win is because the Academy usually goes after dramatic movies like “Dunkirk” instead of movies that some people would refer to as “less serious” and “fun” like “Baby Driver.” Not only that, but I’m willing to bet part of it has to do with the whole Kevin Spacey scandal that’s been brought to the world’s attention months ago. Granted, this isn’t Kevin Spacey’s nomination specifically, but still. Am I disappointed “Baby Driver” lost to “Dunkirk?” Not really, I think both films are well edited in their own little way. “Dunkirk’s” non-linear fashion makes the movie more of a challenge to watch and ultimately more fun. Although with “Baby Driver,” the editing in that movie has given us some of the best action sequences of the decade. In my review, I praised “Baby Driver” for its thrilling action sequences and how it made me want more of them once one ends. I can see why “Dunkirk” won, but some love for “Baby Driver” would have also been appreciated.

If you remember the nominees for Best Sound Editing and Best Sound Mixing, something in particular may have stood out to you.

They’re the same nominees.

Not only that…

THE SAME MOVIE TOOK BOTH AWARDS!

  • Dunkirk (WINNER!)
  • Blade Runner 2049
  • Baby Driver
  • The Shape of Water
  • Star Wars: The Last Jedi

One thing I’d like to say about “The Last Jedi.” I actually beg to differ because I think it had 2017’s best LACK OF sound editing or sound mixing. Remember that scene where one ship goes into hyperspace and crashes through another ship in the process? HOLY. F*CKING. S*IT. As much as that movie could have been better, THAT. WAS. AMAZING. While I do think the general editing for “Baby Driver” was praise-worthy to the point where I can’t contain myself, the sound work is basically not a competition anymore when “Dunkirk” steps in the ring. The sound choices were authentic! The audibility was extreme! The immersion provided from all the noise was 100% pure! How can you go wrong with “Dunkirk” in these categories?! “Dunkirk” put me in a war zone, and if you tell me you missed out on seeing this movie in a theater, shame on you.

When it comes to Best Director, this was yet another one of those categories where I was left feeling a lack of a surprise.

  • Guillermo del Toro (The Shape of Water) (WINNER!)
  • Greta Gerwig (Lady Bird)
  • Jordan Peele (Get Out)
  • Christopher Nolan (Dunkirk)
  • Paul Thomas Anderson (Phantom Thread)

So… Del Toro won. Doesn’t shock me whatsoever. I don’t know what you may have thought as the one to come out on top, but this was rather predictable to me. And I feel like a big part of it has to do with his presence at other awards shows, how much del Toro’s name has been spoken recently, and also how many Best Director awards I’ve been aware of this film getting thus far. One that really stuck out to me was the Golden Globes, mainly because of Natalie Portman’s “all male nominees” comment, which honestly would have been better left unspoken due to its awkwardness. I wanted Nolan to win, partially because he’s my favorite director, and also because of the excellent job he did on “Dunkirk.” But yeah, you can’t have everything. Although, I will say, something in the same realm as Portman’s Golden Globes utterance occurred. Last year’s winner for Best Actress, Emma Stone (La La Land, Birdman), said this:

“It is the director whose indelible touch is reflected on every frame. It is the director who, shot by shot, scene by scene, day by day, works with every member of the crew to further the story. And it is the vision of the director that takes an ordinary movie and turns it into a work of art. These four men and Greta Gerwig created their own masterpieces this year.”

This was so much better than seeing Natalie Portman onstage and having myself hear what she said. Don’t get me wrong, Portman’s a fine actress. Although let’s take a look at the situation at hand with her. She was standing next to RON HOWARD, someone who has directed a number of films. Films that by the way, are still remembered to this day! Howard even recently directed a film in the “Star Wars” franchise! A franchise which Portman was once a major part of as an actress! The two are talking, they’re about to present the award, and at one point, I hear Portman say…

“And here are the all male nominees.”

Yes, it is true that female directors aren’t usually getting as much attention as males. It is also true, that more males are directing movies as opposed to females. But to literally shame a director just because they have a penis, is just unbelievably ridiculous. How do you think del Toro felt taking that award home? I imagine he felt happy because he won, but seriously, he won after being accused of simply being a man. Emma Stone on the other hand, didn’t exactly make an awkward joke and instead quickly stated some words before moving on. It’s actually kinda funny. It was presented in a setting and manner that didn’t have a forced vibe, and I don’t have any feelings of cringe to describe to you. This comment, while it does point out the lack of women in the director’s chair when it comes to filmmaking, doesn’t feel like something that a man should be ashamed of hearing. Because for one thing, it mentions a woman got nominated. Also because it’s still technically a comment of praise. Literally pointing out that nominees are male the way Natalie Portman did almost feels like a comment meant to point out disdain towards the potential winners. Just look at the difference between the tone, delivery, and choice of words between the two people. Just look and see what I mean!

Speaking of women making achievements, one of them was involved in Best Cinematography… Although to me, that’s not even CLOSE to the best part of this category. The best part, is who finally f*cking won, after FOURTEEN nominations.

  • Roger Deakins (Blade Runner 2049) (WINNER!)
  • Hoyte Van Hoytema (Dunkirk)
  • Rachel Morrison (Mudbound)
  • Bruno Delbonnel (Darkest Hour)
  • Dan Laustsen (The Shape of Water)

Best Cinematography. Sounds like a category that some people don’t care about. In reality, when it comes to filmmaking, I’m a writer. If there’s one thing I’m not, it’s a cinematographer. Although more than one name for me stood out on this list. You’ve got Hoyte Van Hoytema, who has to proven to be a great cinematographer with not just “Dunkirk” as a notable achievement, but also “Interstellar” and “Spectre.” I really admired “Dunkirk” when I saw it partially because of how well done the camerawork itself was presented from an immersion perspective, but also the fact that it was shot on mostly IMAX footage. If you didn’t go see this film in an IMAX theater, especially one with laser projection or 15/70mm projection, you may have just missed out on a one of a kind experience.

Another standout to me was “Mudbound,” and part of me thought the Academy was going to pick the cinematographer for that movie, Rachel Morrison. For the record, she was the first woman ever nominated for the award in all ninety of the Academy Awards shows. I’ll mention once again, I refuse to call “Mudbound” a movie. I have nothing against Rachel Morrison, I just have a problem with Netflix. I’d be rooting for Morrison more if she was given a movie that doesn’t associate with a company which will make me always say, as pervy as it may sound, “I’ll just take chill,” when asked the common meme-worthy question “Netflix and chill?.”

Then we have “Blade Runner 2049.” My runner-up for my favorite movies of 2017 list for a gigantic number of reasons. And speaking of gigantic numbers, let’s talk about the number 14. OK, in some realms it’s not really that huge, but you’ll see my point. Roger Deakins was the director of photography for “Blade Runner 2049.” And I imagine when some people heard his name, they got excited. Chances are, if these people have followed Deakins’ work, it might not be the first time they got excited about something like this. I can’t exactly relate, but having seen Deakins’ work in movies like “Skyfall,” “The Shawshank Redemption,” “Hail, Caesar!,” and “No Country For Old Men,” I agree with others when they say he’s one of the greats when it comes to cinematographers. Once again, the guy has been nominated for Best Cinematography by the Academy, FOURTEEN TIMES. Here is a list of all the times other than the one of focus when he’s been nominated. Note that the year listed is the year the film he shot came out and not the year he was nominated.

  • The Shawshank Redemption (1994)
  • Fargo (1996)
  • Kundun (1997)
  • O Brother, Where Art Thou? (2000)
  • The Man Who Wasn’t There (2001)
  • No Country For Old Men (2007)
  • The Assassination of Jesse James by the Coward Robert Ford (2007)
  • The Reader (2008) (shared with Chris Menges)
  • True Grit (2010)
  • Skyfall (2012)
  • Prisoners (2013)
  • Unbroken (2014)
  • Sicario (2015)

What happened to Deakins when he was nominated those thirteen times? Well, that can be explained in a video by TIFF Originals that starts off with the statement: “Roger Deakins is a loser.” The video is called “Roger Deakins’ 13 Oscar Losses.”

After watching this video if you have done so, you probably got a thought on your mind, and it may have been “Roger Deakins is a f*cking loser.” I’ll be fair and say some of the competition he had were deserving of their awards, take “Gravity” for example. Although this year with “Blade Runner 2049,” I only thought Roger was deserving of HIS Oscar. We get to the big moment. I see Sandra Bullock holding an envelope with “CINEMATOGRAPHY” labeled on it. She says some words before introducing the nominees, and when they are introduced. I just thought this was gonna be a year where the Academy doesn’t give him the award and just gives an award to Rachel Morrison just because she has a vagina. Again, I have nothing against Rachel Morrison. She actually did the cinematography for “Black Panther” which was such a treat. It came out really well! I imagine she’s a very nice lady, but I was rooting for Roger. I’ll admit, I’m not that religious. My main philosophy is to be a nice person, I am however not that religious. But as the nominees were introduced, I had my hands, containing all sorts of cells, interlinked. I WAS PRAYING. People were cheering for Morrison, and the others seemed to get some applause, but I heard more for Morrison than anyone else. So they’re introduced, and it’s time. Sandra Bullock still has the envelope in her hand, and she says this as she quickly opens it for the result:

“And the Oscar goes to, Roger A. Deakins (crowd erupts in a roar), “Blade Runner 2049.”

My reaction to that can be described in many ways. Part of me wished I had fireworks to set off after that win! Part of me wanted to go around the house doing cartwheels after the win! Part of me wanted to find some confetti to throw around after that win! My reaction, quite possibly woke up my mother and sister. I might as well have been a young teenage girl at her favorite boy band’s concert! I might as well have been at an event where I find out my kid in school won student of the year! I might as well have been a Chicago Cubs fan at the end of the 2016 World Series, where they finally had a victory after years and years trying to get it. People may say that Leonardo DiCaprio waited a bit to get his Oscar, which I’ll say, when he won it, I kind of wanted Matt Damon to take it, but that’s just me. Although for Leo, he won it on his FIFTH nomination. When you’re nominated THIRTEEN times, it’s almost like you’ll be that one person who gets a nomination, but that’s all. What if Meryl Streep never won a single Oscar? All of her wins, “Kramer vs. Kramer,” “Sophie’s Choice,” “The Iron Lady,” they never happened. Streep received her TWENTY-FIRST nomination for a role she did just last year in “The Post.” I can imagine the crowd roaring like a bunch of T-Rexes in an argument if that turned out to be her first win. Let’s take another example, because why the hell not? Imagine the New York Yankees. Some people don’t like the New York Yankees because they always win. But they’ve been in 40 World Series Championships. Imagine all their titles where they were victorious, all gone. The 40th appearance is the charm. That’s how I feel about Deakins here, the fourteenth time’s the charm. I can wholeheartedly approve of Deakins winning not just because it took forever and a half to happen, but just look at these shots and tell me they actually look terrible. I dare y’all!

Nice shot now isn’t it?

Take a gander at this beauty.

Look at this bad boy and tell me it sucks. I’ll wait.

Is it just me or does this define the meaning of life?

This shot screams something that in some worlds, would qualify as one word. Fan-freakin’-tastic.

LOOK AT THIS SHOT!

LOOK AT THIS F*CKING SHOT!

LOOK AT THIS MOTHERF*CKING SHOT! NO! SERIOUSLY! THIS IS THE DEFINITION OF PERFECTION! THIS IS A F*CKING MASTERPIECE! I’M GOING F*CKING INSANE!

My point is made. Roger Deakins’ victory, to me, may be one of the most deserved Academy Award wins in history. THANK GOSH! So many people can sleep now and have less dreams and concerning nightmares!

And now, as mentioned, we won’t get through every single topic listed for the Academy Awards today, but here’s one that people look back on years and years from now, Best Picture. Before we get into that, you may remember the whole “La La Land” and “Moonlight” mishap from last year? Warren Beatty and Faye Dunaway come up onstage to present the award, they state the nominees, they’re looking at the card, and somehow awkwardness ensues. Suddenly, Dunaway announces “La La Land” won Best Picture, but the two had the wrong card. Celebration ignites! Cheering be heard all over the Dolby Theatre, and a moment later, Jordan Horowitz, a producer behind “La La Land” is onstage and he states “Moonlight” won Best Picture. He even showed the card! Turns out Beatty and Dunaway were handed the wrong envelope. So… What happens now? What idea could be better than bringing Beatty and Dunaway back? Jimmy Kimmel had some fun before diving into the nominees. “We’re in the home stretch. Nothing could possibly go wrong from here. Here, on the 51st anniversary of Bonnie and Clyde, are Warren Beatty and Faye Dunaway.” They come out, Beatty says, “We’re glad to see you all again.” Dunaway adds, “As they say, presenting is lovelier the second time around.” The two continue speaking, eventually arriving at the point where they announce the nominees and the winner. By the way, they had the correct envelope this time. Here are the movies that have been nominated for Best Picture!

  • The Shape of Water (WINNER!)
  • Dunkirk
  • Three Billboards Outside Ebbing, Missouri
  • The Post
  • Lady Bird
  • Get Out
  • Darkest Hour
  • Call Me by Your Name
  • Phantom Thread

In my prediction post leading up to the Oscars, I said this was gonna be a close race to the finish between “Lady Bird,” “Dunkirk,” “The Shape of Water,” and “Three Billboards Outside Ebbing, Missouri.” I will say however for “Lady Bird,” that kind of changed throughout the night because it was nominated for five awards during the show, but the four that were already presented were all losses on their end. For “Dunkirk,” I thought it had a solid chance. The Academy seemed to give a lot of praise towards this film and it already won a few Oscars throughout the night. For “Three Billboards,” I figured it could win solely because it won Best Motion Picture- Drama at the Golden Globes. It also made a sweep at the Screen Actors Guild Awards. And it was nominated for a ton of Oscars beforehand, and it ended up taking home two before getting as far as Best Picture. Although if there was one I “knew” was going to win, it was going to be a movie with thirteen nominations including Best Picture. It was going to be a movie that already took home a few awards. It was going to be a movie praised by many critics and average moviegoers alike. It was going to be… “The Shape of Water.”

…And it won.

I have nothing in particular against “The Shape of Water.” From what I’ve seen in promotional material, it’s very good from a visual perspective, but I haven’t watched the movie so I can’t really say much else. Funny enough, I take a film studies class in my school, and my teacher actually asked if anyone in our class has actually seen “The Shape of Water.” Once asked, the class pretty much unanimously declined to put our hands up. I wanted “Dunkirk” to win. But hey, it’s already got some well deserved awards, especially in the sound categories. Also, remember, Roger Deakins won. So I was beyond satisfied. Although if “Blade Runner 2049” were nominated for Best Picture, you’d know I’d choose it. Or “Colossal,” that was my #1 movie of last year. Although I can understand why it’s not exactly been nominated for anything. But seriously, check that movie out if you can! It’s on several streaming services as we speak! So congrats to “The Shape of Water” and its crew. That movie is actually going to be out on home video in a number of days, so maybe I’ll watch it very soon!

Guys, that’s all I have to say for the 90th Academy Awards! It was personally a great show on my end. All of the commentary for the most part, wasn’t all that awkward. I may be in the minority, but the monologue between Tiffany Haddish (Girls Trip, The Carmichael Show) and Maya Rudolph (Big Hero 6, Bridesmaids), despite how it’s on a topic regarding issues I can side with, just came off as something that would belong in a one of those “SNL” sketches that gets shoved in there when the writers have nothing else that they can come up with. It took a topic that I would, could, and should agree on, and it just sullies it. I imagine both Rudolph and Haddish are pleasant people, and I’M SORRY that Rudolph had to suffer through “The Emoji Movie,” but this just felt weird to watch. But other than that, it was one of the greatest nights ever. I’ve spent some time watching people react to their favorite team winning the Super Bowl on YouTube before, and when it comes to Best Cinematography, that’s legit how I felt. My team won the Oscars, which is MY Super Bowl. Congratulations to everyone who has been nominated and has won awards, I’m looking forward to seeing who will be in the 91st Academy Awards show, and finally. Finally. FINALLY! I can now call one of the world’s greatest cinematographers, Oscar-winning Roger Deakins. I’d like to thank the Academy for making that happen.

Thanks for reading this very long post! Pretty soon I’m gonna have my review for “Annihilation” up for you all to read, and if you are wondering, I don’t live in one of the countries where you have to use Netflix in order to watch it so if that were the case, I wouldn’t have seen the film. Also, stay tuned for my Tom Cruise “Mission: Impossible” review series which will have its first entry up this month. Stay tuned for more great content! I want to know, did you watch the Academy Awards? What are your thoughts? Did your picks win? Did they lose? Is there someone you really wanted to win or lose? Did you make any bets? Have you decided to check out any movies after watching the show? Let me know all of that info for an unofficial possible nomination for Best Comment. Scene Before is your click to the flicks!

“Hey thank you, thank you. I better say something or else they’ll give me a jet ski and I don’t see myself on a jet ski somehow. I want to share this with my wife of 27 years, James, whatever. I want to share it with Andrew, Broderick, and Denis Villeneuve. Y’know I really love my job, I’ve been doing it for a long time as you can see. But y’know one of the reasons I really love it is the people I work with. Both in front of the camera and behind the camera. Some of my crew on “Blade Runner,” I’ve been working with for over thirty years. And others-others I met for the first time in Budapest. And this is for every one of them. Every one of them. In fact, I gotta say, it’s for us, because it was a team. It was really team- a team effort. Thank you. Thank you very much.” –Roger A. Deakins

90th Academy Awards Hopes and Predictions

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Hey everyone, Jack Drees here! On March 4th, which is this Sunday, which is also today, the Academy Awards will take place. The Super Bowl for movie buffs, and for at least the next few years, for a handful of people who enjoy hearing Trump jokes. Speaking of which, I can assure you that this Sunday’s Oscars show is gonna YUGE, and I’m not joking around. This year is the 90th show in the event’s history.

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Despite being a big number for the Oscars, I’ll say something I said for the 75th Golden Globes this year after it aired. “Seventy-five, undoubtedly, is a big number for any event, however this felt like other “Golden Globes” shows I watched with a 75 shoved in the title.” I imagine I’ll feel the same way for the Academy Awards, although I think it’ll be a much more comfortable and less awkward experience than the Golden Globes. While the Oscars can get, and has gotten, political, my recent experience tells me that vibe is present a bit more at the Golden Globes. In fact, when it comes to the political jokes during the Oscars, I honestly found those to be funnier and more memorable. If you recall last year’s show, the host, Jimmy Kimmel said somethings not necessarily about Donald Trump but TO Donald Trump. What better way to say something to Trump than what might be his all-time favorite form of communication than tweeting. The tweets are located below, and believe me, they were the greatest tweets you will ever see. The only people who hate these tweets are Crooked Hillary, the Mexicans, and Alex Baldwin!

Nowadays, the world essentially has been riddled with jokes about Donald Trump, and out of all the ones we’ve gotten, this is one that is difficult to top. Although if we were gonna get any more Trump jokes this year, I can assure you they might have a little joke sibling that I’m thrilled to see.

If you watched the Academy Awards last year and stayed tuned towards the end of the show, where it was time to reveal the winner for Best Picture, you may remember how that went down. You may have been screaming at your TV hoping for your pick to win either because you support a certain movie, or you just want to win a bet against your stupid friend, I dunno. I was hoping “Arrival” would win, but in reality, that probably wasn’t going to happen. “La La Land” was my second choice however, having seen that movie and loving it. So Warren Beatty and Faye Dunaway are onstage, and they have a card ready. A card that will change everything. So the nominees for Best Picture are presented, the two appear somewhat confused as they’re about to read the card, and suddenly, Dunaway announces “La La Land.” Once I heard that name, my prediction for Best Picture was right, and I thought it was a fair choice. The crowd is roaring, and as everyone affiliated with that project is arriving onstage, it hasn’t sunk in for everyone, but something happened. Jordan Horowitz is onstage and he shouts to everyone something that I can’t even believe I heard. “La La Land” DIDN’T win Best Picture, “Moonlight” did. This made me think I had to see “Moonlight,” and WHAT JUST HAPPENED?! Turns out someone was too busy on Twitter instead of trying to hand the correct card. This win made me tempted to see “Moonlight” nearly a couple weeks later, and I was unfortunately met with underwhelming results. It’s a good movie, but it’s not THAT GREAT.

Even so, you know how at the end of 2015, the Miss Universe pageant was held and Columbia was the assumed winner, and it turned out to be Philippines? It’s almost hard to tell which screw-up was crazier because the Miss Universe one was the host’s fault, not to mention upon personal review, THE CARD LOOKED F*CKING CRAZY! Here however, you have a screw-up between a staff member working for the show, Warren Beatty along with Faye Dunaway, and it affected not just one person, but an entire crew who worked on something together. Also, remember Jordan Horowitz? The guy who was onstage revealing the true Best Picture? Well, he was a producer for “La La Land,” so this must have been hard for him to do. He took it like a good sport, which I couldn’t even believe, which only makes me admire Horowitz even more!

So yeah, it appears the Beatty and Dunaway are presenting Best Picture again, so my first hope/prediction is that they get it right this time!

Speaking of nomination categories, let’s move onto some that I feel are worth tackling. Starting with… Best Supporting Actor. Here are the all-male nominees!

  • Woody Harrelson (Three Billboards Outside Ebbing, Missouri)
  • Sam Rockwell (Three Billboards Outside Ebbing, Missouri)
  • Christopher Plummer (All the Money in the World)
  • Willem DaFoe (The Florida Project)
  • Richard Jenkins (The Shape of Water)

Out of these, I’ve only seen Harrelson’s performance and Rockwell’s performance from beginning to end. So of the ones I’ve seen, I’ll go with Harrelson. Of the ones I haven’t seen, I’m either thinking Willem DaFoe or Christopher Plummer will take the cake. I haven’t seen “The Florida Project,” and I don’t have too many good things to say about DaFoe other than hearing positive remarks about his performance. Although think about what the crew behind “All the Money in the World” had to do regarding Christopher Plummer. If you have been living under a rock when it comes to news about Kevin Spacey, let me just say you might be living a happier life than some other people who live in this world because Kevin Spacey, as this world now knows, is a sexual predator. Spacey was originally going to be featured in “All the Money in the World” as the character of J. Paul Getty. Now that Spacey has his dark secrets revealed, Plummer was going to take Spacey’s place, which meant a frenzy of reshoots. Keep in mind, Spacey’s case was revealed on October 29, 2017, LESS THAN TWO MONTHS before the release of the picture! How did he do in the film? I don’t know, I haven’t seen it, but with a story such as that, I think Plummer has some potential. Sure, part of it involved more than just acting, but acting plays a key component into all of this.

Next up is Best Supporting Actress. And the nominees are…

  • Octavia Spencer (The Shape of Water)
  • Laurie Metcalf (Lady Bird)
  • Allison Janey (I, Tonya)
  • Mary J. Blige (Mudbound)
  • Lesley Manville (Phantom Thread)

Of everyone listed, I’ve seen NONE OF THEIR PERFORMANCES. But if you want my guess, I gotta go with Laurie Metcalf. I’m hearing a lot of good things about “Lady Bird.” From the acting, to the writing, to the directing, everything. I didn’t see it on opening weekend because let’s face it, “Thor: Ragnarok” was gonna crush it. Part of what people seem to like about “Lady Bird” is the realism it seems to convey, and I imagine that Metcalf’s performance plays a part in that. In all honesty, I don’t see Blige winning because “Mudbound” was distributed by Netflix and I imagine it would have to be in a larger number of theaters for the Academy to accept it. But anything can happen. One actress I thought unbelievably snubbed for this category is Holly Hunter (The Big Sick). When I saw “The Big Sick” this year, I thought Holly Hunter might have been the best part of the movie, and she fit the role of a gritty white mother quite well. She was part of why I thought the movie was “top 10 list” worthy when I did my end of the year “top 10 BEST movies” list. Ah well, you can’t have everything.

Moving onto Best Actor, the nominees are…

  • Timothée Chalamet (Call Me by Your Name)
  • Gary Oldman (Darkest Hour)
  • Daniel Day-Lewis (Phantom Thread)
  • Denzel Washington (Roman J. Israel, Esq.)
  • Daniel Kaluuya (Get Out)

Out of all of these, there are a few that stand out. A lot of people are rooting for Gary Oldman, so that gives him a chance. Daniel Day-Lewis, one of the most revered actors ever, is nominated for not only a role that people praised, but the last role he’ll ever do on screen, so maybe that and some respect for his chops will land him a win. Daniel Kaluuya was in one of the most talked about movies of the year, and he’s black, which gives him an extended probability of winning. I have not seen any of these films, but if there were one I think would win, it would be between these three. I personally wanted James Franco and Harrison Ford to make this list, but that didn’t happen now didn’t it. Sure, Franco’s allegations could have SOMETHING to do with it and I may be in the minority when it comes to Ford due to my love for “Blade Runner 2049.” Although if you haven’t seen “Blade Runner 2049,” I personally consider that Ford’s all-time best performance I’ve seen.

Onto Best Actress, let’s take a look at the nominees…

  • Margot Robbie (I, Tonya)
  • Meryl Streep (The Post)
  • Frances McDormand (Three Billboards Outside Ebbing, Missouri)
  • Saoirse Ronan (Lady Bird)
  • Sally Hawkins (The Shape of Water)

OK… Meryl Streep has been nominated again… Big surprise. I have nothing against Meryl Streep, but I’m just making a point that she’s basically been nominated countless times. I don’t think she’ll win though. As for Margot Robbie, I’m SLIGHTLY surprised she was nominated. Don’t get me wrong, she’s a great actress, but I don’t remember her performance being the ultimate highlight of “I, Tonya.” I didn’t see “I, Tonya,” but from what I heard, that’s what I’m gathering. I think this will be either another “Lady Bird” win with Saoirse Ronan, or a win for “Three Billboards” with Frances McDormand. I bought “Three Billboards” on 4K today and I ADORED McDormand’s performance. I thought it was rather jaw-dropping at times, she had the right mannerisms, and it just screamed art. Will she win? Hopefully. Make it happen!

Next, we have Best Original Screenplay. These are…

  • The Big Sick (Kumail Nanjiani, Emily V. Gordon)
  • The Shape of Water (Guillermo del Toro, Vanessa Taylor)
  • Lady Bird (Greta Gerwig)
  • Three Billboards Outside Ebbing, Missouri (Martin McDonagh)
  • Get Out (Jordan Peele)

As far as the fact that “The Big Sick” is on this list goes, I’m happy, but rather puzzled. Sure, this wasn’t based on a book, video game, comic book, anything like that, but it is based on true events. I mean, I guess it can belong there if “Spotlight” belonged in that category a couple years back. Even so, I hope it wins out of all of these. Maybe I’m overthinking on the nomination process, but even so, I figured I’d say what I wanted to say. Although I can imagine all of these have a good chance, but “The Shape of Water” is on the lower end of the spectrum. “The Shape of Water,” while people are praising it, is more of a gem according to people from a visual perspective. It is getting praise for its story, but the visuals are more of a standout. “Three Billboards Outside Ebbing, Missouri,” was rather haunting and intriguing at times. “Get Out” is actually rather relevant and it has been that way for months now. “Lady Bird” is once again, from what I imagine, realistic. All of these have a shot, it’s just a matter of votes. However one thing I’ll mention about “Get Out” that I’ve yet to mention, is that there’s apparently stories going around about older Academy voters not considering it “Not an Oscar movie.” I haven’t seen the movie, but I know a lot of people disagree. I actually saw a couple of funny tweets yesterday putting “Get Out” alongside “The Boss Baby,” which was nominated in the Best Animation category.

Speaking of screenplays, let’s move onto Best Adapted Screenplay.

  • Logan (Scott Frank, James Mangold, Michael Green)
  • The Disaster Artist (Scott Neustadter, Michael H. Weber)
  • Call Me by Your Name (James Ivory)
  • Molly’s Game (Aaron Sorkin)
  • Mudbound (Dee Rees, Virgil Williams)

Alright, once again, “Mudbound’s” a Netflix movie, therefore reducing its chances and that’s all I’m gonna say about it. I did see “Molly’s Game.” I never read the book it’s based on, but the adaptation for it contained a fast-paced, jumping all over the place kind of feeling screenplay and I felt the movie was all the better for it. I also saw “The Disaster Artist,” another book I didn’t read, but it did get a terrific adaptation. In fact, it made my top 3 films of 2017! “Logan” could win as well, but as far as I know, the Academy probably doesn’t usually view comic book movies the way others do. If I had to choose one that I WANT to win, it’s “The Disaster Artist.” Will it win? I don’t know. But I hope it does, its screenplay MADE the movie. It’s one of the funniest screenplays of the decade!

Now we’re moving onto Best Cinematography and THIS, my friends, is gonna be a big one for me. Here are the nominees…

  • Blade Runner 2049 (Roger Deakins)
  • Dunkirk (Hoyte Van Hoytema)
  • The Shape of Water (Dan Laustsen)
  • Darkest Hour (Bruno Delbonnel)
  • Mudbound (Rachel Morrison)

Now before we get into what I’ll call “the big guns,” let’s talk about Rachel Morrison. She’s done cinematography for “Mudbound,” as suggested above. And part of me thinks she has a legitimate shot at winning. I know it’s a Netflix movie, I know what I mentioned about it, but there’s a reason she could win and it’s as simple as this. It’s because… she’s a she. This is the ninetieth Oscars show, and it’s the first one where a woman’s been nominated for Best Cinematography. Part of me thinks that some of the more progressive voters behind the Academy will go for her, not to mention it would make for a good story. I don’t think she’ll come out on top, but that’s because part of me’s stuck on three people, including her. One of the other people is “Dunkirk’s” Hoyte Van Hoytema. I went to see “Dunkirk” in IMAX 70mm, I bought it the day it came out on home video, I watched it twice on Blu-ray and twice on 4K. You can obviously tell I ate “Dunkirk” up like pizza. The cinematography was a highlight for me. This is because this movie was shot on IMAX film cameras and standard 70mm cameras. Not to mention, the way various shots on land, water, and air were presented. The dogfight sequences from the perspective of the camera was absolutely astounding for example! Watching this in IMAX 70mm made it even better because multiple sequences once again, were shot using IMAX technology. Although there’s one film I think is much more deserving of an Oscar in this category and that is, “the big guns,” otherwise known as, “Blade Runner 2049.” If you follow this blog, I’ve talked about “Blade Runner 2049” many many many times, so it should be evident by know that I clearly love it. Part of it has to do with the cinematography. I thought it was not only the best cinematography from a 2017 movie I’ve watched, but also some of the best I’ve seen in my entire life. The camerawork was done by a guy named Roger Deakins. If that name sounds familiar to you, I wouldn’t be extremely surprised. Deakins has done cinematography for films such as: “The Shawshank Redemption,” “Fargo,” “No Country For Old Men,” “True Grit,” “Skyfall,” “Prisoners,” “Sicario,” movies like those! He’s been nominated for an Oscar in the Best Cinematography category FOURTEEN TIMES. With this being some of my all time favorite cinematography, if Deakins loses, I’d be OK with Hoytema winning, but if anyone else wins, I’ll riot. You can say I either want Deakins to win for my fanaticism for “Blade Runner” or just his story when it comes to the Oscars, but I can also argue you haven’t seen “Blade Runner 2049.” By the way, WATCH IT!

Now let’s focus on Best Original Score, with nominees including…

  • Star Wars: The Last Jedi (John Williams)
  • Dunkirk (Hans Zimmer)
  • Three Billboards Outside Ebbing, Missouri (Carter Burwell)
  • Phantom Thread (Jonny Greenwood)
  • The Shape of Water (Alexandre Desplat)

Out of all of these, I think the one that has the least chance of winning is “Star Wars: The Last Jedi.” Don’t get me wrong, I’m a huge “Star Wars” fan, and there many people out there who either like “Star Wars” or its music. Personally speaking, and perhaps speaking for a lot of other people out there, “The Last Jedi” might be the worst “Star Wars” score of all time. It’s all subjective, but to me, it just felt repetitive and unoriginal. “Three Billboards” could have a chance, but you never know what could happen. Although I will say, if “Dunkirk” wins, I wouldn’t be too surprised. It’s my second favorite score of 2017 (below “Blade Runner 2049”), it suits the tone of a war film, and upon experience of watching “Dunkirk,” the way it is edited also plays a bit into it. So yeah, go “Dunkirk!”

As for Best Animated Feature, I’m not even gonna go into detail about it. Everyone knows it’s gonna be “Coco.”

Also, why would “The Boss Baby” be nominated instead of something like “The LEGO Batman Movie?” No, seriously, WHY?! Ah well, at least it’s not “The Emoji Movie.”

I will however expand the lack of detail when it comes to Best Production Design…

  • Beauty and the Beast
  • Blade Runner 2049
  • The Shape of Water
  • Darkest Hour
  • Dunkirk

Out of all these, I think the first three I listed have the best shot of winning. Maybe “The Shape of Water” in third place, but critics are eating it up so you never know. You probably know I’d be choosing “Blade Runner 2049” right now. If the sets didn’t look great already at home, imagine them all in the theater! I actually watched the bonus features and these sets still astound me! They’re unbelievable!

Now let’s go onto Best Visual Effects, and the five of these I personally believe were all very well selected.

  • Kong: Skull Island
  • Blade Runner 2049
  • Guardians of the Galaxy Vol. 2
  • Star Wars: The Last Jedi
  • War for the Planet of the Apes

A lot of people have been talking about “War for the Planet of the Apes” when it comes to the visuals, so it wouldn’t surprise me if they won in this category. And funny enough, I’ve seen at least a small portion of all of these films except for that one! Honestly, I’m fine with any of these winning. If there’s a film I think WON’T win, it’ll be “Kong: Skull Island,” but it did deserve a nomination in my book.

As for Best Film Editing, let’s take a look at those nominees.

  • Baby Driver
  • Dunkirk
  • The Shape of Water
  • I, Tonya
  • Three Billboards Outside Ebbing, Missouri

I’ve seen three of these films, and all them are ones I feel are competently edited. “Baby Driver” however, I believe will take the cake, and if it does take the cake, I’m cool with it. The way it edits its music and action sequences is superb and I feel that the “Fast & Furious” franchise, as much as I enjoy some of those movies, can take some notes from it in order to improve their films. “Dunkirk” comes close, but no cigar.

The next two categories have to do with sound: Best Sound Editing, and Best Sound Mixing. And believe it or not, the same exact movies were nominated in both categories, so let’s look at them.

  • Blade Runner 2049 (EDITING: Mark A. Mangini, Theo Green) (MIXING: Ron Bartlett, Doug Hemphill, Mac Ruth)
  • Dunkirk (EDITING: Richard King, Alex Gibson) (MIXING: Gregg Landaker, Gary Lizzo, Mark Weingarten)
  • Baby Driver (EDITING: Julian Slater) (MIXING: Tim Cavagin, Mary H. Ellis, Julian Slater)
  • Star Wars: The Last Jedi (EDITING: Matthew Wood, Ren Klyce) (MIXING: Michael Semanick, David Parker, Stuart Wilson, Ren Klyce)
  • The Shape of Water (EDITING: Nathan Robitaille, Nelson Ferreira) (MIXING: Christian T. Cooke, Glen Gauthier, Brad Zoern)

Yes, I credited people here and not in other places, but I don’t care. As for both of these categories, I think the big three rivals are “Baby Driver,” “Dunkirk,” and “Blade Runner 2049.” The sound recordings fit each film, they were great to hear, and when you mesh em all together, you get something fantastic. I would personally be satisfied with any of those three films winning in either category. The same can be said for “The Last Jedi,” but it’s not quite there…

Next we have Best Makeup and Hairstyling, which if you’ve watched last year’s show, you may remember the possibly hilarious and somewhat controversial win for “Suicide Squad.” This year, no comic book movies have been nominated. However, three other movies have.

  • Wonder
  • Darkest Hour
  • Victoria & Abdul

I’ve seen one movie on the list this year, and I don’t think it’ll win (Wonder) and as for the winner, I’m just gonna guess based on what I’ve seen in images. So with that being said, I’ll go with “The Darkest Hour.”

Moving onto Best Production Design, the nominees are…

  • Beauty and the Beast
  • Blade Runner 2049
  • Dunkirk
  • Darkest Hour
  • The Shape of Water

I already talked enough about “Blade Runner 2049” from a visual standpoint, so you probably know my answer there. I think the actual winner will be either “Beauty and the Beast” or “The Shape of Water” but only time will tell.

Now for Best Original Song, we have…

  • This is Me (The Greatest Showman)
  • Remember Me (Coco)
  • Mighty River (Mudbound)
  • Stand Up for Something (Marshall)
  • Mystery of Love (Call Me by Your Name)

This will probably a two-horse race between “Remember Me” and “This is Me.” I’ve seen neither of these films, but given their popularity and likability factor from what I heard, that could help in potentially getting a win.

Next up is Best Costume Design, which includes…

  • Beauty and the Beast
  • Victoria & Abdul
  • Phantom Thread
  • The Shape of Water
  • Darkest Hour

Out of all of these, I believe a few have a shot. “Darkest Hour,” “Victoria & Abdul,” and “Beauty and the Beast.” “Darkest Hour’s” costumes seem to fit the vibe of the film from what I’m looking at. The same can also be said for “Victoria & Abdul.” Although when it comes to “Beauty and the Beast,” that also has potential because it seems to have transferred its costumes over from its animated predecessor quite well, and as costumes, they look elegant. So we’ll have to wait and see.

Next up, we have Best Director, and there are some names that I think are worth discussing here.

  • Christopher Nolan (Dunkirk)
  • Greta Gerwig (Lady Bird)
  • Guillermo del Toro (The Shape of Water)
  • Jordan Peele (Get Out)
  • Paul Thomas Anderson (Phantom Thread)

All of these have potential from what I can tell. These all come off as competently made movies, and the direction seemingly appears to play into all of them. Although the big three here to me are Nolan, Gerwig, and del Toro. I mean, del Toro, from what I heard, is getting a lot of attention right now. Critics are loving “The Shape of Water,” people are rooting for him, and you may also remember, he won a Golden Globe in this category for that movie. This could be another win for him. For Greta Gerwig, I’ll say once again, a couple of actors stand out in this film, and part of it may be due to Gerwig’s realistic take and overall direction for it. Not to mention, Gerwig’s a woman, which could not only make an interesting story, but also a lot of people happy. I’m personally rooting for Christopher Nolan. For those of you who don’t know, Nolan is my favorite director of all time. He’s done so many great films and the man overall may just be a genius when it comes to storytelling. When it comes to “Dunkirk,” his vision was experimental and it made the movie all the better for it. So will the Academy choose Nolan? I don’t think so, it’ll probably be del Toro, but we’ll find out!

And last but not least, we have the biggest category of all, Best Picture…

  • Dunkirk
  • The Shape of Water
  • Call Me by Your Name
  • Darkest Hour
  • Lady Bird
  • The Post
  • Get Out
  • Three Billboards Outside Ebbing, Missouri
  • Phantom Thread

As for the ones that are probably not gonna win, I’m gonna say those are “Get Out” and “The Post.” Once again, I’ll bring up how older Academy voters aren’t viewing “Get Out” as an Oscar film. As for “The Post,” while it is getting lots of positive reception, it doesn’t have too many nominations overall compared to some of the other movies on that list. The ones that I feel have absolute potential of winning are: “Dunkirk,” “The Shape of Water,” “Lady Bird,” and “Three Billboards Outside Ebbing, Missouri.” Not only have these films come off as great films to viewers and critics alike, they have all received a high number of nominations compare to some other films you’ll see on here. If I had to choose one film that I want to see win it would probably be “Dunkirk.” It has potential due to a high number of nominations and I personally want it to win based on the replay value it has and how it’s presented from an experimental and technical standpoint. My winner for voter picks would be “The Shape of Water,” because let’s face it, people are talking about it. It was nominated for thirteen Oscars, and it already won Best Picture at the Critics Choice Awards. My runner-up for both the critic picks and personal picks would be “Three Billboards Outside Ebbing, Missouri.” I really enjoyed watching the film. I thought it was well shot, terrifically acted, and well written. For the critics, you have to consider past experience regarding this film. This won a Golden Globe for Best Picture in the drama section, and it basically made a sweep at the SAG (Screen Actors Guild) awards. Could it win? I don’t know. It’s hard to say what will ultimately take the cake. We’ll have to see when the awards arrive!

If you are actually reading this before the Oscars begin, I actually kind of congratulate you because they actually start VERY SOON. If you’re reading after, I just hope you’re enjoying my somewhat irrelevant content. I don’t know if I’ll be summing up my final thoughts on the Oscars once the show ends, only time will tell. Besides, I’m already busy doing another review which I’ll talk about in a second, but until time allows me to make a final decision, we’ll just have to see where the road leads. Thanks for reading this post! Be sure to stay tuned for my review for “Annihilation.” I just saw the film earlier today, and I cannot wait to talk about it. I’ve already started the review before it came out, because I figured some topics having to do with the movie (that can be talked about without having seen it) are relevant and I wanted to spit those out. Stay tuned for more great content! I want to know, if there’s still time to type them em in, what are some of YOUR hopes and predictions for the 90th Academy Awards? Also, which is better? “La La Land” or “Moonlight?” Me personally, I’d choose “La La Land!” Leave that info down below and please make sure you’re not too busy sending out important tweets, otherwise I might possibly have some false comments on my hands, so be careful! Scene Before is your click to the flicks!

Also, one more thing…

GIVE ROGER DEAKINS HIS OSCAR ALREADY!

2017 Box Office: Little Room For Originality

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Hey everyone, Jack Drees here! As it is the beginning of 2018, I feel it is appropriate to leave links to two posts down below for you to read in case you haven’t read them. My top 10 BEST movies of 2017, and my top 10 WORST movies of 2017. I’ve had fun making these lists, I’m sure you’ll have fun reading them, and I’m also interested in hearing what your best and worst films of the year are. So, read the posts, leave a like, comment, add Scene Before to your subscriptions through email or WordPress, and keep life going!

TOP 10 BEST MOVIES OF 2017: https://scenebefore.wordpress.com/2018/01/02/top-10-best-movies-of-2017-2/

TOP 10 WORST MOVIES OF 2017: https://scenebefore.wordpress.com/2018/01/02/top-10-worst-movies-of-2017/

Staying on topic, the end of the year and the start of a new one has a meaning when it comes to film. From one perspective it means January is here and a lot of crap is being put in theaters that people are gonna suffer through if all the award winning movies are high in ticket sales. Another perspective goes along the lines of what I just did with the posts above which I have links to, my top 10 best and worst movies of the year. Not only that, but we also have a bunch of award shows that are on the rise. January has the Golden Globes, the Screen Actors Guild Awards, the BAFTA awards, and the Critics’ Choice Awards. In February you got some stuff here and there, but when it comes to film, many people say the Academy Awards might be the only thing that matters (unless you’re that one guy who handed Warren Beatty the wrong card). When it comes to reflection, that’s not the limit to what’s been done this year so far. I’m pretty active on Twitter, and one account I occasionally surf is Collider. They posted a tweet which contained the five highest grossing films at the box office for 2017. This tweet had a link which lead to the highest grossing films of the year, looking over 2017’s box office winners and losers. Here’s the tweet:

This list reveals the top five for the specific category, and as I looked at the results, I’d say that it all makes a lick of sense. How do I feel about it? Honestly, not too good. Because a some time ago, I asked something about the future of movies, and so far nothing has been done about it. Although then again, it wasn’t that long ago that I asked. The question I asked was also the title of a post I did, the post is called “Where Are The Original Movies?” The answer, not here.

Of the top five films mentioned on this list, THREE are superhero films based on comic books, ONE is from a franchise that people recognize instantaneously once you put a picture of a lightsaber in front of them, and ONE is a live action remake that only adds a couple new things in of a Disney animation which is considered a classic by a lot of people. By the way, those aren’t the only two adaptations of the story! Oh yeah, did I mention FOUR of these have Disney at least partially associated with them? I will admit that I personally am at fault. I managed to see four of these films. These include “Star Wars: The Last Jedi,” “Guardians of the Galaxy Vol. 2,” “Spider-Man: Homecoming,” and “Wonder Woman.” I review movies, and it feels like a job where I don’t get paid because I don’t monetize my site at the moment, and I actually legit wanted to see all of these films.

Out of the four I saw, I only found one to be great, in fact it made my top five of the year, specifically “Wonder Woman.” I gave it a 10/10 in my review and while it’s not technically flawless, given the villain side of the story, I thought it was an amazing ride with Gal Gadot proving to the world that she is this kick-ass superhero. Plus I felt for the most part this seemed like it was not a studio-type film unlike 2016’s “Batman v. Superman,” it was more like one person (Patty Jenkins) unleashing their vision and sharing it with everyone.

When it comes to “Spider-Man: Homecoming,” it tried to be a different “Spider-Man” movie, but in the end, the execution could have been better. The script had Spidey cracking jokes all over the place. And I think that’s fine, this is Tom Holland playing him, and he played the character in “Captain America: Civil War,” another movie where Spidey cracks jokes. Not to mention, BRILLIANT jokes. Unfortunately, the brilliance wasn’t repeated in “Homecoming.” In my review, I gave it a 7/10, but right now it’s borderline 6-7/10. Speaking of failed attempts at humor, let’s talk about “Guardians of the Galaxy Vol. 2.”

When I saw the first trailer for “Guardians 2,” I was in instant hype mode. Granted, I don’t consider the first installment to be the best movie in the MCU, but I also think it is definitely one of the better ones. Not to mention, I consider it to be the most fun out of all the movies released in said cinematic universe. This second installment however wasn’t exactly terrible, but it should have been WAY better than it was. It shoves too much into one movie, kind of like “Age of Ultron,” and at the same time, it feels like it doesn’t feel it inserts too little. No pun intended, but BABY GROOT SUCKS! The humor seemed to land with just about the five-hundred other people watching the film alongside me, but I only laughed at various times. It just wasn’t that funny. The first one is lovable, quotable, and memorable. This one isn’t lovable, but you can say it’s quotable and memorable. I remember a turd joke. I remember a conversation about male genitalia. I will say that for the most part, “Guardians of the Galaxy Vol. 2” at least tried to be one thing. I can’t exactly say the same for the conundrum that is “Star Wars: The Last Jedi.”

I love “Star Wars.” There are so many days where I think about “Star Wars” and how much it has brought a tremendous influence on our culture. When it comes to “The Last Jedi,” it’s a very weird installment when it comes to the “Star Wars” saga, and I don’t mean that in a good way. I say that because you can look at a movie like “Colossal,” think of it as weird, and praise it for being weird. The way I’m using “weird” when it comes to this movie is not a good kind. I mean that as in, this movie is “not ‘Star Wars.'” I do appreciate it for not ripping off “The Empire Strikes Back,” but the way they’re taking a lot of the stuff shown in the movie made the whole experience more of a wreck the more I think about it. Also, I’m glad Porgs aren’t in the film for that long, but seriously, they can go to hell.

For the record, the results I talked about are domestic. These results make me wonder what the rest of the decade will look like for box office returns. In the 2010s decade, there have been a small number of original films making the top five for box office returns. These include “The Secret Life of Pets,” “Inside Out,” and “Frozen.” I will give credit to “Inside Out” because I do feel it deserved every penny it made. I watched that and it was extremely emotional. I did watch “The Secret Life of Pets” in the theater, and while it was a technically passable animation, it wasn’t exactly something I would ever want to watch again or show to a kid. I also watched a portion of “Frozen,” and it made me want to die. Beautiful animation, but what else does it have going for it?! The further we go in terms of cinematic history, the more I’ll probably miss 2009 because in that year, “Avatar” came out, and it shut the door on other movies at the box office. And while I do consider that movie to be overrated, and already somewhat dated, I do have to give credit because at the very least, it’s a property that nobody’s heard of.  People have picked up on how much it can be compared to movies like “Pocahontas,” but still. Although I wonder how many people confused it for “Avatar: The Last Airbender.” Sure, it’s from a well known director, but it’s still better than paying money to see “The Hunger Games.” Why did it make so much money? IT’S F*CKING POPULAR! But wait, there are other films on this list too. Just for the sake of letting out information, let’s add on the other top films at the 2017 box office. Just to tell you which ones are actually original ideas, I have those in bold.

6. IT
7. Thor: Ragnarok
8. Despicable Me 3
9. Jumanji: Welcome to the Jungle
10. Justice League
11. Logan
12. The Fate of the Furious
13. Coco
14. Dunkirk
15. The LEGO Batman Movie
16. Get Out
17. The Boss Baby
18. Pirates of the Caribbean: Dead Men Tell No Tales
19. Kong: Skull Island
20. Cars 3

As you can see, only TWO original films are in the top 20 for the 2017 box office numbers. Just a fun fact, I saw neither one of those, and I’m deeply disappointed in myself. I never got around to watching “Coco” because I don’t know anyone who would want to watch animations, but I heard so many great things about it. As for “Get Out,” I was in a similar situation, I don’t know many people who would want to watch a horror film. I almost picked it up on Blu-ray based on thoughts I had in the past, but I never got to it. Although for those who actually did manage to go see those films, I have tremendous respect for you. Admittedly, I saw five of these fifteen films from beginning to end. I saw another one, “Kong: Skull Island” for the first ten minutes, but my 4K Blu-ray player was having problems therefore not allowing me to watch the rest of the picture. Of the five I saw, I loved two of them. This seriously does beg a question I asked in the past. Why do people watch these movies?

If you want my theory, it’s because everyone is familiar with a particular property. This is why “Star Wars” has owned the box office for the past three years. Main saga installments such as “The Force Awakens” and “The Last Jedi” broke box office records because a large number of people wanted to see these films since it’s part of a well known franchise that a lot of people admire. They didn’t really know what the verdict was from critics who saw the film early, in fact many people, including myself, bought tickets as early as about two or so months prior to release. People went to see “Thor: Ragnarok” because it’s Marvel, the same can be said for “Guardians of the Galaxy Vol. 2.” Also, you can consider how both of those movies received positive ratings from critics. People saw “Logan” because the Wolverine’s in it. People saw “Justice League” because it’s DC, although in reality you can say that’s why some folks skipped this movie. You can also say because it has Batman, Wonder Woman, The Flash, Cyborg, Aquaman, those people. People saw “The Fate of the Furious” because it’s “Fast and Furious.” Not to mention, it’s not that complicated of a movie, it’s not one of those films where you have to sit down and think. You just eat popcorn and let time go by. People saw “The LEGO Batman Movie” because it’s animated so it’s good for the kids, it has Batman, and “The LEGO Movie” was not only popular, but well received. People saw “Cars 3” because it’s animated, it’s from Pixar, there are a couple of installments leading up to it, and there’s a good chance your kid dragged you to it. You see my point?

I also have to say that studios are partially responsible for this craze. When studios like Disney put out another “Star Wars” movie or another Marvel movie, do you think they’re doing it because they want to put out a quality movie that will be talked about generations to come? It’s possible, however it’s also possible that they’re thinking with their wallet, or in this case their Scrooge McDuck money vault. Yes, I’m still talking about “The Force Awakens” today, and I think it’s an amazing movie. One of my biggest problems with it is that they played it safe, but it’s a very minor issue. There’s a good chance I’ll probably still be talking about “The Last Jedi” too, but I might not be talking about it saying that it’s a great movie. The name “Star Wars” will put almost anyone in the theater. If “The Phantom Menace” didn’t prove that already, these past few years certainly have. Disney also released “Beauty and the Beast,” which I heard is visually dazzling, but ultimately just the same story as the animated version, just told in live action, with a couple songs added in, and changing someone’s traits to make them homosexual. I’m not saying live action remakes from Disney are terrible, after all I really enjoyed “The Jungle Book.” I will blurt that I actually might not have the right to say what I’m saying because I didn’t see any version of “Beauty and the Beast.” This is the problem. Hollywood is just redoing old ideas and passing them off as new. It works for “Super Mario Bros,” not for Disney movies.

As for 2018, originality isn’t looking too great for Disney either. Let’s see what movies they have lined up:

  • A Wrinkle in Time (based on a book by Madeleine L’Engle)
  • Solo: A Star Wars Story (Star Wars)
  • Avengers: Infinity War (Marvel)
  • Black Panther (Marvel)
  • Ant-Man and the Wasp (Marvel)
  • Incredibles 2 (Pixar sequel)
  • The Nutcracker and the Four Realms (Based on a story and ballet)
  • Ralph Breaks the Internet: Wreck-It Ralph 2 (Disney animation sequel)
  • Mary Poppins Returns (Title pretty much says it all)

It’s not just Disney to blame here. Let’s talk about some other unoriginal films coming out in 2018!

  • Deadpool 2
  • X-Men: Dark Phoenix
  • Ready Player One
  • Pacific Rim: Uprising
  • Rampage
  • Tomb Raider
  • Fifty Shades Freed
  • Creed 2
  • Spider-Man: Into the Spider-Verse
  • Bumblebee: The Movie
  • Aquaman
  • Fantastic Beasts and the Crimes of Grindenwald
  • Venom
  • Slender Man
  • The New Mutants
  • Sicario 2: Soldado
  • Johnny English 3
  • Goosebumps: Horror Land
  • The Grinch
  • Super Troopers 2
  • Scarface
  • The Equalizer 2
  • Barbie
  • Mission: Impossible 6
  • Jurassic World: Fallen Kingdom
  • Maze Runner: The Death Cure
  • Insidious: The Last Key
  • Animal Crackers
  • Ocean’s 8
  • The Purge: The Island
  • Hotel Transylvania 3: Summer Vacation
  • Teen Titans Go! to the Movies
  • Robin Hood
  • The Predator
  • God’s Not Dead: A Light in Darkness

You get the point by now…

I get that filmmaking is technically a business, and people use it to make money, but they have to realize what they’re doing to people who watch the films. They could walk in, walk out, and say that they had an experience. It could be good, it could be bad. The real question is: How many experiences like the ones I just described will have a good chunk of people who felt like they experienced something new? Granted, storytelling has been around for a long time. The oldest written story passed down to us, The “Epic of Gilgamesh,” was introduced to the world around 2100 BC. We’ve been telling stories for as long as time can stand. It’s quite possible that original stories are going the way of the woolly mammoth. In fact a lot of original stuff we’re actually getting now borrows elements from other pieces of work. At this point, I don’t really care if we get a new franchise or a new movie from something we haven’t technically watched in the past, but I want to see more of that and less sequels each and every day. I may be a picky eater, I always have been since I was a kid, but my tastes in film go like this: As long as the film’s good in any way possible, it’s cool. Do I like unoriginal work? Yes, as long as it’s good. I’m not saying every original film is good either. Heck, 2017 gave a ton of original crap! Films like “Gifted,” “Downsizing,” and “The Space Between Us.”

I’m also not saying every unoriginal film did well at the box office in 2017. Films like “Blade Runner 2049,” “xXx: Return of Xander Cage,” “Ghost in the Shell,” “Underworld: Blood Wars,” “Resident Evil: The Final Chapter,” “A Bad Moms Christmas,” “The Mummy,” and “The LEGO Ninjago Movie” didn’t appear to be as successful as other films during the year. By the way, for those of you who skipped out on “Blade Runner 2049,” you missed a work of art.

What I want studios and filmmakers to learn is this: It’s OK to take risks, it’s OK to be different, that’s what storytelling is about. Showing a unique vision to the world, not grabbing everyone’s wallet and swallowing it because of something they already know getting a new installment. How do you think Quentin Tarantino is popular today? How do you think he got popular in the first place? Is he doing the same thing as everyone else? Is he recycling old ideas? Sure, he definitely has influence from others, but his ideas are usually original so people usually view his movies as refreshing. Christopher Nolan has borrowed ideas from others, including his own brother, but at least he has done some stuff of his own like “Inception.” Not to mention, he stays away from traditional Hollywood conventions, even in unoriginal content like “The Dark Knight.” Another director I have my eyes on now is Nacho Vigolando. He wrote and directed “Colossal,” one of my top films of 2017.

The concept of “Colossal” itself, takes a number of elements from other movies, but in end, it’s truly its own thing. A girl named Gloria (Anne Hathaway) is kicked out of her apartment by her boyfriend who goes by the name Tim (Dan Stevens). Gloria moves back to her hometown where she reunites with a childhood friend, Oscar (Jason Sudeikis). As the movie progresses, we are shown that a monster recently attacked Seoul, South Korea. The thing that everyone has yet to realize, Gloria is responsible for the monstrous actions. You can do so many things with this, and what they did with it was just imaginative. It tries to be a lot of things at once, and believe it or not, it actually works! Films like this are something that I could imagine inspiring a generation of filmmakers. The problem is that it’s not all that popular, it’s an independent film, and was never really marketed all that well. In fact, I never really anticipated “Colossal” to be the absolute masterpiece that it is. People never really talked about it much before or even during the release. The same can’t really be said for a chunk of unoriginal content.

One of the movies I’m really looking forward to in 2018 is “Incredibles 2.” Not much has been shown for it yet, but regardless, I want to see it. Why? Because the original film is my favorite animation ever made! This just really makes me wonder, how rare is it for someone to actually go on for a long time, hyping for something totally original? Hype is something that people usually have for unoriginal content for no other reason other than because what they’re hyping for IS that unoriginal content. I’ve hyped for original content, but the more I look around, that’s not the case with everyone else. Look at all the hype “Avengers: Infinity War” is getting right now! This based on comic book story has been built up for quite some time through the release of a ton of films, and now that it’s almost here, there’s an enormous craze regarding it.

I’m not saying all unoriginal ideas are bad, I think I’ve made that clear already. In fact, I want to say one of them could be a future masterpiece. This year I was one of those people who actually got off their ass, went to the theater, and saw “Blade Runner 2049.” Just about everyone who saw the film would agree with me when I say it’s good. I’d bet not everyone would say they enjoyed it as much as I did. There will inevitably be those people who were bored out of their minds due to the movie’s slow pace, but in the end, this movie is just a testament to cinema. From a technical perspective, I was blown away. Roger Deakins’s cinematography was some of the best I’ve seen all year. The visual effects were eye candy that you’d want in your mouth instantly. Watching every single frame pass by was like looking at neon Heaven. Story-wise, I was also impressed, especially for a sequel like this. It develops all of its characters perfectly, continues in a future that probably will not happen entirely, but based on the world of “Blade Runner,” it does seem like something that would make sense from a certain angle. I’ll remind you that the original film came out in 1982 and took place in 2019, this sequel released thirty five years after, 2017, and took place in 2049. Sadly, not many people saw this when you compare the results this movie got against others. Although you might as well consider that not many people left their houses to go and see the first “Blade Runner” either. One of the biggest things I appreciated out of this sequel is how it didn’t set the stage for endless sequels or a cinematic universe. It felt like a movie, not a neverending TV series.

As interesting as cinematic universes are, they are becoming more and more common and the concept is just becoming rather boring. I will say, I have an idea for a cinematic universe, I think it could work, but as far as standalone franchises, I’m only incorporating two of them. It’s simple and effective. Standalone sequels have a beginning, middle, and end. They can give a sense of satisfaction. I’m not saying cinematic universe movies don’t have a beginning, middle, and end, but meshed in there is setup. Sometimes it works, sometimes it just comes off like a kid trying to get attention. Despite how much “Avengers: Infinity War” may sound like a finale for the MCU, trust me when I say it’s not. For one thing, there’s going to be a fourth “Avengers” film the following year, and Marvel still has more plans for films afterwards. They have another “Spider-Man” movie and another “Guardians of the Galaxy” movie! According to James Gunn, writer and director of the first two “Guardians of the Galaxy” films, not to mention the possible writer and director of the upcoming third installment, he says that “Guardians of the Galaxy Vol. 3” will expand the cosmic universe. Honestly, I don’t know how to feel. At least “Two and a Half Men” had a conclusion! It took about twelve or so years to get to it, but it happened! Although you know what could happen once this cinematic universe ends? One word. Reboot. And you know what? It’ll probably make some f*cking money!

You know what else could be true? I don’t know, we’re probably just reaching the bottom of the barrel and running out of ideas. Although I can’t say that’s true because I have an idea for an original film. I won’t say what it is, but if any major Hollywood studio wants in on it, I’d be happy to send it to them. I don’t have the script finished yet, but I can definitely work on it if you want to see this idea realized in the future.

I’m not against unoriginal content, but from my personal viewpoint on society, these results make it seem like that’s all anyone watches now. Is it a popular thing? Someone watched it. Is it based on something that happened before? Someone watched it. I just want to see a future where at least some original content gets to shine as much as unoriginal content. Well, as long as said original content is good. I want to say to both studios and audiences, take some steps off the beaten path. I did that when I saw “Colossal,” I was originally planning to see “Kong: Skull Island,” but “Colossal” was the movie I ultimately had time for, and it was f*cking worth the ride.

Thanks for reading this post! As far as upcoming reviews go, I do plan on seeing this film called “The Commuter,” there’s a chance you may have heard of it on TV. It stars Liam Neeson as a person on a train who’s caught in a criminal conspiracy. The director who’s doing this film directed “The Shallows,” which was pretty great, but it’s January, so anything could happen.

Also I want to inform you that pretty soon I’ll be starting a new mini-series of reviews, specifically for the “Maze Runner” movies. I’m gonna watch “The Maze Runner” and “Maze Runner: The Scorch Trails,” and I’ll review the first film one week, and follow up with a review for the second film the week afterwards. This is all being done in preparation for “Maze Runner: The Death Cure,” which comes out January 26th. Stay tuned for those reviews and more great content! I want to know, which movies did you see in 2017? Did you see any that made the top results at the box office? Do you think we need more original content? Would you watch more original content? Leave your comments below! Scene Before is your click to the flicks!