Four Good Days (2020): Glenn Close and Mila Kunis Deliver Dramatic Excellence and Spot on Chemistry

“Four Good Days” is directed by Rodrigo Garcia (The Affair, In Treatment) and stars Glenn Close (The Wife, The Hillbilly Elegy), Mila Kunis (Family Guy, Bad Moms), and Stephen Root (The Man in the High Castle, Get Out) in a film where a mother and daughter reunite after an extended falling out. Molly (Kunis) commits to sobriety and hopes to do so with the help of an “opioid antagonist.” Throughout that time, she lives with her parents and receives assistance from her mother in trying to become clean.

I consider myself to be in a position that makes me feel rather blessed. I come from a family that does not have much of a history when it comes to drug abuse. Sure, I know people who smoke. I know people who drink. I’ll admit I maybe drink a little more soda than I should. But currently, I do not know of any scenario in my family where someone has a serious drug problem that has affected everyone around them, at least none that come to mind. Speaking of keeping things to keep in mind, I want you to keep this in mind because this sort of will have to do with my opinion regarding this film.

I saw this film over a week ago because I was intrigued by a clip I saw on “The Late Show with Stephen Colbert” during an interview with Mila Kunis, I will not go into everything just yet, but I walked out of the theater feeling floored. Between the performances of the two leads, the directions in which they took the story from point A to point B and so on, and even the notion that this was based on reality, I was amazed by “Four Good Days.”

Then I went to IMDb, and I noticed a bunch of low scores. I then wondered, “Why?”

Now, I am not trying to say that everyone should simply be swayed by what other people say on the Internet, but again, I have little experience when it comes to life involving drugs, which may be a good thing. But I noticed that there are some negative reviews suggesting that this movie would generalize people on drugs. In a way, I can kind of understand that. There is a movie that I refuse to watch to this day, even if it is the greatest film ever made, because of its supposed message regarding the autistic community, specifically Sia’s “Music.” And this involves not just content of the movie itself, but also some behind the scenes work.

Even so, having seen the negative reviews, I wondered if this movie was really as good as I said it was. The answer, yes, it is still great. As a story, this film is a goldmine from start to finish. Yes, it has cliches, and it is slightly predictable depending on what moment we are talking about, but the film succeeds in having me as a viewer root for Molly in order to follow a path to cleanliness. Like, REALLY root for her.

I also want to address Molly’s looks. Now, Mila Kunis is often described as one of the most attractive actresses on the planet. It is honestly ridiculous to consider how great she looks. But in this movie, you can see she’s had slight alterations to her appearance from oddly dyed hair to fake teeth. The movie did do a great job at making me think Mila Kunis was somebody else, because even in her best (non-Family Guy related) performances, I can still see a shade of her every now and then.

This film is based on a true story, which was captured in a newspaper article you can find through the Washington Post. The article, written by Eli Saslow and titled “‘How’s Amanda?’ A story of truth, lies and an American addiction,” is almost the same thing as the movie from start to finish. It shares a lot of the same quotes, events, some of the names almost interlink, but I also noticed that Amanda, at least in the pictures the article provides looks more like a person that really has not deteriorated much over the years. That is compared to Molly, played by Mila Kunis. This is where all the previously mentioned negative reviews come in, and I understand those. This may be the one glaring negative I have about the film, because other than this, “Four Good Days” sucks your soul out in perhaps the greatest way possible. The last time I think I’ve said this about a film was probably “Parasite” because that film is so well done and incomparable because of how dark it can get and how much it can satisfy you despite occasionally having a terrifying turn every step of the way.

One of the other shining positives of “Four Good Days” is the perspective of the parental side of things. I very much enjoyed seeing Glenn Close, who is excellent in this film, question herself on whether she is doing the right thing. Parenting is a difficult task on its own, and this movie takes it up to another level. We see at the beginning that the mother daughter duo are not quite connected at that point. The relationship evolves through the film as you may guess, but seeing the disconnect and somewhat forced attempt at making a connection at times between these two felt rather authentic. I can tell it is really hard for the mother, otherwise known as Deb, to reestablish a bond with a daughter who has obviously changed over the years.

In a way, this reminds me of films in recent years like “Green Book” or “Summerland” or “The Last Shift” because it has that tendency to highlight unlikely bonds and put two people together that would not go well together on paper. Except that in this case, it literally involves a family that was once close but eventually separated by an object.

There is a reason why I love “Four Good Days” so much, and potentially more than a lot of people, and that is because of the bond between the mother and daughter character. Again, I say this as someone who does not have much experience with the dangers of drugs or people whose lives are taken over by drugs along with the person taking drugs. This is a story that I am glad went from text media to visual media because it is honestly bombastic as a visual story. I felt immersed, I cared for everyone involved from the main to the supporting characters, and the drama that builds up towards the end gets into your head and starts to destroy it second by second.

In the end, “Four Good Days” is a movie that I loved the moment I saw it, questioned my love for it afterwards, then validated said love moments later. Time will have to tell as for whether this will make my top 10 movies of the year. Given how little I have seen so far, it is definitely one of the better ones. I would love to sit with someone who has experienced a situation like this, watch this movie with them, and see what they think of it, because I think their perspective could help me formulate a full on opinion of this film. Until then, as a story, this film is magnificent. As art, it is moving. It also delivers Mila Kunis’s best performance of her career. As a piece of entertainment, I could definitely watch this again. So for those reasons, I am going to give “Four Good Days” a 9/10.

“Four Good Days” is now playing in select theaters and will be available through VOD services such as Fios On Demand, VUDU, and Prime Video starting May 21st.

Thanks for reading this review! My next review, which I do not know when it will be posted, will be for “Wrath of Man” starring Jason Statham. But, I also wanted to announce that this June I plan to do another update on my Blu-ray collection. I enjoy doing these posts and I’ve glad to talk about this concept at least once over the past couple years.

Speaking of big announcements…

7 DAYS OF STAR WARS!

IT’S HAPPENING! IT’S REAL! THE REVIEWS ARE BEING WRITTEN! The circle will be complete this month! I’ve reviewed every mainstream “Star Wars” film since “Rogue One,” including Episodes VIII and IX, but I have yet to talk about the episodes that came before, I through VII. THIS SUNDAY, MAY 23rd, I will be releasing my review for “Star Wars Episode I: The Phantom Menace.” And of course, every other film will follow. Episode II will be released on May 24th! Episode III will be released on May 25th! Episode IV on May 26th! Episode V on May 27th! Episode VI on May 28th! Episode VII on May 29th! I have legitimately been planning for a time to talk about these movies, and with Scene Before existing for over half a decade and next week being the 44th anniversary of the franchise, I’d say this is perfect timing. Stay tuned, follow Scene Before with an email or WordPress account, like the Facebook page, be updated, be in the know, and until then, may the force be with you. Emphasis on the may. I want to know, did you see “Four Good Days?” What did you think about it? Or, did you read the “How’s Amanda?” article, tell me your thoughts on that! Let me know down below! Scene Before is your click to the flicks!

91st Academy Awards Recap

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Hey everyone, Jack Drees here! Before we dive into this post, I would like to kick off by offering my sincere apologies. Part of me wanted to do a post on my hopes and predictions going into this year’s Academy Awards show, but unfortunately, I literally lacked any time in the world to do such a thing. Apparently paying for my education is not enough to make my head spin, I need to be handed a bloated supply of homework as well! I wasn’t given this during the Super Bowl (REALLY DON’T CARE ABOUT THAT SHOW), so why should I get it on Oscar weekend? Anyway, earlier this week, I watched the 91st edition of the Academy Awards. I went into it with a few expectations. However, there was a part of me that thought this show was going to SUCK, and I even say that with my picks winning. Fortunately, that was not the case!

The first red flag in my sights for this year’s show is that there was no host this year. You guys may already know that Kevin Hart opted out at a point and nobody else happened to sign on. They did however announce names for a bunch of celebrities who will be present to give random speeches and nominee presentations. While not all of them were great, they did have a number of them which I was actually able to appreciate. And I can’t even believe I’m saying this.

Melissa McCarthy actually made me laugh! Throughout my 3 year experience of blogging on Scene Before, McCarthy has appeared in the #1 spot for my worst films of the year lists not just once, but twice! Although sometimes I kind of fail to give her credit where it is due, because there are a couple of occasions where she did make me laugh. When she played former White House Press Secretary Sean Spicer on “Saturday Night Live,” it was literally a plethora of some of the most gutbusting moments that I’ve encountered in the show’s recent years. McCarthy’s appearance during the Academy Awards ceremony was perhaps on the Sean Spicer level of funny. McCarthy comes out to present the Costume Design award. Doing so in this costume that is quite possibly inspired by “The Favourite.” She gives this speech about some of the best costumes and how they are not meant to have distracting elements. It’s just spectacular. So spectacular in fact that I almost forgot that Melissa McCarthy was a recent Razzie winner!

I will admit, when it comes to other celebrities, there are not that many other speeches worth pointing out. Although there is one moment where I appreciated John Mulaney’s line “I want these people to like me to a degree which I find embarrassing.” It’s not to say that they were bad, but there was not many others which I happened to find as interesting as say Melissa McCarthy.

When it comes to having no host, I was somewhat surprised, because I was highly skeptical going in on whether or not such a thing was going to work out. Turns out it did! Before this recent Oscars show, I thought to myself that this was all going to be a trainwreck. Without a host, it’s toast! Not anymore! But if the Academy were to announce for the 92nd show that they aren’t getting anyone to host that year, I’d just say, “Fine, whatever, you do you.” I wouldn’t care if there’s a host. Would I want a host? Certainly, but I’d be open to another Oscars show where nobody hosts. Because a couple of benefits to having no host is that the show focuses more on the awards, and it allows a diverse amounts of celebrities to present themselves to an audience. Because let’s face it. Not everyone likes Jimmy Kimmel, not everyone likes Seth MacFarlane, not everyone likes Ellen DeGeneres. Having one of those people host puts them in a certain spotlight, and even though certain people like The Oscars, they might not be satisfied with the person who may as well be taking up the biggest portion of the show’s screentime. Almost every celebrity onstage had their moment, and it allowed for a quick pace that was respectful. Granted, I am the rare find in the wild that does not mind staying up for eternity while watching The Oscars. However, there is a part of me that realizes that The Oscars is being shown to “everyone.” And there is a vast majority of people who want to see certain things throughout the show. The hostless ceremony is a good way to keep time short, and have the awards delivered as immediate as possible.

By the way, I recently saw this killer tweet from recent Academy Awards host Jimmy Kimmel:

I love you, Jimmy.

Now let’s move onto the awards. Had I done a prediction post a little bit ago, this would definitely be the main focal point. I’m not going to dive into every single award, but I am going to go over the ones that I found to be highlights.

Believe it or not, I have actually managed to expand my award palette this year, because just recently, specifically on February 9th, I went to a local theater in the Boston area because they were showing all of the animated short films that earned a nomination this year. They showed the five potential winners, along with some others that the Academy found to be “highly commendable.” Now I actually had a favorite of these films, but before I do that, let’s give out the nominees.

  • Bao- Domee Shi, Becky Neiman (WINNER!)
  • Weekends- Trevor Jimenez
  • Animal Behaviour- Alison Snowden, David Fine
  • One Small Step- Andrew Chesworth, Bobby Pontillas
  • Late Afternoon- Louise Bagnall, Nuria González Blanco

Now keep in mind, I actually have watched all of these films from start to finish. I actually had been exposed to “Bao” prior to seeing all of the four other films. The reason why that is is due to how it was presented before Pixar’s “Incredibles 2,” making it Pixar’s short film to present this year. I kind of liked “Bao,” but it is something that I think would not appeal to everyone. I understand the message behind it, but in reality, there are a couple of animated shorts on this list that I found to be more interesting. For example, “One Small Step.” Granted, this may be coming with a little bit of bias since I am a nerd, and nerds like space. I still found the main character’s journey to be intriguing and sort of, pun intended, down to Earth. But my personal favorite out of all of these is without question, “Animal Behavior.” This film was made in Canada, and might I just say, this film reminds me of how awesome Canada is. It gave us Ryan Gosling, Ryan Reynolds, Alex Trebek, Howie Mandel, and now… “Animal Behavior.” “Animal Behavior” takes a bunch of different living creatures and puts them all in a therapy session. One of the main characters is a gorilla who is in extreme denial, and often gets very angry. The results of this film, hilarious. One of the best jokes has to do with the mantis, because for those who are unaware, praying mantises eat their mate during intercourse. There are certain parts of the short where we see that sort of thing come into play, and overall it left me feeling very impressed. Plus, one thing that made this film different compared to all of the others, is that they were all trying to be serious. This one, while still having some sort of message intact, it still goes for as much comedy as possible. Kudos to the brilliant writing! Granted, the Academy goes for more serious material, and I do respect that, but I feel like was more impressed by the comedic efforts of “Animal Behaviour” as opposed to the serious efforts of “Late Afternoon” or “Bao.”

Moving onto another category, it’s Best Documentary! Let’s look at the nominees!

  • Free Solo- Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes, Shannon Dill (WINNER!)
  • RBG- Betsy West, Julie Cohen
  • Hale County This Morning, This Evening- RaMell Ross, Joslyn Barnes, Su Kim
  • Of Fathers and Sons- Talal Derki, Ansgar Frerich, Eva Kemme, Tobias N. Siebert
  • Minding the Gap- Bing Liu, Diane Quon

Wait, “Won’t You Be My Neighbor?” wasn’t nominated?! F*ck this! Moving on!

Let’s try a different documentary category! Best Documentary Short! Let’s look at the nominees!

  • Period. End of Sentence.- Rayka Zehtabchi, Melissa Berton (WINNER!)
  • Black Sheep- Ed Perkins, Jonathan Chinn
  • End Game- Rob Epstein, Jeffrey Friedman
  • Lifeboat- Skye Fitzgerald, Bryn Mooser
  • A Night at the Garden- Marshall Curry

OK, these look much better. I haven’t seen any of these films, but they sound much better. Now I am not going to call one of these films superior to all of the others, all of my opinions related to such a thing would technically be invalid. But, the victory speech, holy f*ck. Quite possibly the best speech of the night!

“I’m not crying because I’m on my period or anything! I can’t believe a film about menstruation just won an Oscar!” -Rayka Zehtabchi

“A period should end a sentence, not a girl’s education!” -Melissa Berton

Enough said. Period. End of sentence.

Another category that stood out to me was Best Visual Effects, mainly because there was one movie that I felt should win, but didn’t win. Granted, the winner to me has extremely competent visuals, but the reality is, I had my pick. Here are the nominees.

Ryan Gosling in First Man (2018)

  • First Man- Paul LambertIan HunterTristan MylesJ.D. Schwalm (WINNER!)
  • Avengers: Infinity War- Dan DeLeeuwKelly PortRussell EarlDaniel Sudick
  • Solo: A Star Wars Story- Rob BredowPatrick TubachNeal ScanlanDominic Tuohy
  • Ready Player One- Roger GuyettGrady CoferMatthew E. ButlerDavid Shirk
  • Christopher Robin- Chris LawrenceMike EamesTheo JonesChris Corbould

Let’s take some things into perspective. While I kinda hated “Solo,” I could see it being nominated for visual effects. I didn’t want it to win, but still. “Christopher Robin” was an alright movie, nothing really that special. But then again, I have a bare attachment to “Winnie the Pooh.” The CGI characters were not bad though. “Avengers: Infinity War” was probably my second or third pick to win, right along with “First Man,” which did win. Aside from all of the huge scale glory happening everywhere on screen, you also have to give credit to the effects team for creating Thanos. To me, Thanos is up there with Smaug and Gollum as one of the greats when it comes to CGI character creations. Now with that being said, “READY PLAYER ONE” WAS SNUBBED! Granted, I already awarded “Ready Player One” myself because I now do the Jackoff Awards, but I would have given a thumbs up to the voters had they let “Ready Player One” win! Let’s take another set of ideas into perspective. “Avengers: Infinity War” has comic book style action, random computer effects flying everywhere, and a well done CGI character. I’ve seen that before. In fact, “Christopher Robin” had several of those. Granted, I liked “Infinity War’s” effects better, but still. “Solo” had several effects that I’ve seen in many other movies, and when it comes to the “Star Wars” franchise, it’s not even my favorite movie in terms of visuals. While I will say that “The Last Jedi” is actually worse than “Solo” as a movie, which I am honestly shocked to say. It actually looked nicer! “Solo” has its moments, but when comparing it to the rest of the franchise, it’s in between Obi-Wan and Anakin, because ya know, it kinda has the middle ground. For “Ready Player One,” I wanted that to win, because I felt it was the most visually unique movie of the year. Not only did it manage to visually create its own characters, but it actually recreated segments from other works of art! There is a scene in the film that actually takes place in a location from “The Shining.” Not only that, but you have two different worlds being dealt with in the movie, meaning there are two different places to insert various visuals. The effects team, personally, outdid themselves! I am not a crybaby over “First Man” getting the gold, but at the same time, I’m also wondering why it even got it because “Ready Player One” was just a unique trip. And this goes back to my recent statements. I’ve seen visuals like “First Man” in the past. I’ve seen it in “Apollo 13.” I’ve seen it in “Gravity.” I’ve seen it in “Interstellar.” Although at the same time, I said after I saw the movie that it was not my favorite movie of the year in terms of the story, but from a technical perspective, it was definitely the most well made movie of the year. So while it is not my #1 pick for visual effects, they are by NO MEANS incompetent. Granted, that comment I made after I saw “First Man,” that likely changed overtime after I saw “Roma,” but nevertheless.

Another highlight of the night, for anything but good reason (for the most part) is Best Makeup & Hairstyling. Here are the nominees.

  • Vice- Greg CannomKate BiscoePatricia Dehaney (WINNER!)
  • Mary Queen of Scots- Göran LundströmPamela Goldammer
  • Border- Jenny ShircoreMarc PilcherJessica Brooks

As I once predicted, “Vice” came out on top. The makeup might actually be the best part of the entire movie. So I was excited to see it win. Then… I saw the speech. The three winners practically did not even know what it was they were supposed to say. They had a paper in front of them, which is fine, I have nothing against that, but at least put a little preparation into your speech! At least, have a plan! Visualize! Get together on a Google Hangout or something! I mean, it was slow, it was like watching three people who had recently received amnesia! I’m just waiting for them to get hit in the head with coconuts and suddenly talk like they’re Peter Griffin after he drank Red Bull! They almost didn’t even remember anybody’s name! Ah well, still, congrats I guess.

Anyway, moving onto another category, which I guarantee has a better speech, let’s go onto Best Animated Feature. I do think it is a somewhat unnecessary category, given how it sort of diminishes the art of the animated movie as a whole, but I still want to talk about it. Here are the nominees!

  • Spider-Man: Into the Spider-Verse- Bob PersichettiPeter RamseyRodney RothmanPhil LordChristopher Miller (WINNER!)
  • Incredibles 2- Brad BirdJohn WalkerNicole Paradis Grindle
  • Ralph Breaks the Internet- Rich MoorePhil JohnstonClark Spencer
  • Isle of Dogs- Wes AndersonScott RudinSteven RalesJeremy Dawson
  • Mirai- Mamoru HosodaYûichirô Saitô

Out of the five films listed, I have seen every single one except “Mirai,” but then again, it wasn’t really marketed around here so I don’t really have much to say about it overall. “Ralph Breaks the Internet” was not only enjoyable, but it honestly shocked me to no end. Because let’s be real, I thought the marketing was, *snobby voice* an abomination! I thought that movie was going to be the most obvious cash-in from Disney this past year (somehow I forgot about “The Nutcracker and the Four Realms”). Turns out that it is not only a good movie experience, but also a great parody on the Disney company! Just watch what Vanellope has to go through in the film to see what I mean! Then we have “Isle of Dogs” which is the only stop-motion film on the list. Over these last months, Wes Anderson has grown on me a bit as a director, and his work in this film supports my statement. Plus, I actually hate dogs, so the fact that I like this movie actually says something! “Incredibles 2” is a worthy sequel to what is, quite literally, my favorite animated film of all-time. Not only is it a part of my childhood, but it is just a well crafted movie. For awhile, it was my favorite film of the year, that is… until the release of “Spider-Man: Into the Spider-Verse!” And might I just say, JUSTICE HAS BEEN SERVED! Because two people behind “Spider-Verse,” specifically as writers and producers, have also worked on “The LEGO Movie.” That is one of the best movies of 2014, and probably one of the best animations I’ve ever seen. And not only did that movie not win an Oscar, it didn’t even get nominated! Sure, it was nominated for Best Original Song due to the presence of “Everything Is Awesome,” but that’s not even the best part of the movie! Heck, that wasn’t even the best song in the movie! Ah well, catchy tunes can be catchy. Phil Lord and Christopher Miller get an Oscar! They didn’t have to wait as long as say Kevin O’Connell (sound mixer who waited 21 times), Roger Deakins (cinematographer who waited 14 times), or Glenn Close (actress nominated 7 times and still waiting), but they’ve each got one! “Spider-Man: Into the Spider-Verse” is one of the best superhero movies of 2018, and I’d even say it’s better than “Black Panther,” which actually received more nominations than this movie! Speaking of which, let’s talk about that.

Based on the results of the recent Academy Awards show, “Black Panther,” my fourth place pick this year for superhero films, managed to take home three Academy Awards. None of them were in super major categories. Granted, one of them was score, which to me, is usually a major factor on whether or not your movie is in my top movies of the year for some reason. If I remember your music, chances are I’m going to like your movie. Now, “Black Panther” is nowhere close to being my favorite superhero flick of 2018. But with that in mind, I still gotta give the movie respect, because it did something for comic book movies that has never been done before. Over the years, several movies in the Marvel Cinematic Universe have received nominations for the Academy Awards. Some include “Doctor Strange,” “Guardians of the Galaxy,” “Guardians of the Galaxy Vol. 2,” “The Avengers,” “Iron Man,” “Iron Man 2,” and “Iron Man 3.” None of them have ever won an Oscar. Just this year, “Black Panther” changed that. Because it won 3. While I would say that for every of its categories for which the film was nominated, I was actually rooting for other films, including “The Favourite!” That actually says something because that film was nominated for best picture and I’m still not happy about it to this day! Nevertheless, it won three awards, which to me, shows that the Academy is getting more serious about the action movie genre and the comic book movie genre. They have progressively been doing such a thing in some of their more recent ceremonies with movies like “The Dark Knight” and “Logan.” Although, when it comes to comic-book based films, this is probably the best year Oscar-wise because with the MCU’s first three wins ever, they have another nomination on top of that (Avengers: Infinity War). Plus, as recently mentioned, “Spider-Verse” won Best Animated Feature. In fact, “Black Panther” was one of the eight movies nominated for Best Picture this year. I’m not saying I want more inclusion from comic-book movies, but I love how the Academy is recognizing that comic-book movies can be more than just entertainment. They can be works of art. Maybe I don’t see “Black Panther” the same way as they do, but I see where they may be coming from with it. Although I will say, I’m white. Just pointing that out. Congrats to the comic-book film genre.

Another highlight in terms of awards including some of the acting sections. Starting with Best Supporting Actor, here are the nominees!

  • Mahershala Ali- Green Book (WINNER!)
  • Adam Driver (BlacKkKlansman)
  • Richard E. Grant (Can You Ever Forgive Me?)
  • Sam Elliott (A Star Is Born)
  • Sam Rockwell (Vice)

Ah, seems very familiar. I nominated four of these people for the Jackoffs. If Timothée Chalamet was nominated here than that would be five. But whatever. And just like the Jackoffs, Mahershala Ali won! Ali to me is deserving of his win because of the range provided in his performance. Sam Elliott is great, the same can be said for someone like Sam Rockwell. But they seem to play the same character the whole movie. While Ali is technically one guy during the movie, he almost seems to play two. You have this robotic priest, and I won’t go into much more detail, but he reveals more emotion as he develops. Ali is well deserving of his award if you ask me.

Moving onto Best Supporting Actress!

  • Regina King (If Beale Street Could Talk)
  • Marina de Tavira (Roma)
  • Amy Adams (Vice)
  • Emma Stone (The Favourite)
  • Rachel Weisz (The Favourite)

Out of all of these, I have interestingly witnessed all of these performances EXCEPT Regina King, which is too bad, because I heard good things about “If Beale Street Could Talk.” And I was watching the Red Carpet buildup before the Oscars started, and having seen people commentate on the broadcast, this made King’s win no surprise because it was practically a lock. Out of the ones I’ve seen, my personally favorite without a doubt has to be Amy Adams. She transformed into her character in “Vice!” I will give credit to “The Favourite” in the acting department, especially when you consider two of its actors are nominated in the same category, but it does not save “The Favourite” from being a less than satisfying movie. As far as Marina de Tavira goes, I almost wonder why she was nominated to begin with. I’m not saying she performed badly in “Roma,” in fact she did a great job. But it’s kind of surprising considering how she was never really nominated for the same role anywhere else during this award season.

Now onto Best Actress! Here are the nominees!

  • Olivia Colman (The Favourite)
  • Yalitza Aparicio (Roma)
  • Lady Gaga (A Star Is Born)
  • Glenn Close (The Wife)
  • Melissa McCarthy (Can You Ever Forgive Me?)

Melissa McCarthy? What the?! It’s raining cats and dogs! I’ve seen three of these performances, and while there is a part of me that was able appreciate Olivia Colman as a performer in “The Favourite,” I found the performances from say Lady Gaga and Yalitza Aparicio a bit more compelling. And part of my reasoning behind such a statement may be because the two aren’t known for their acting. Gaga is primarily a singer, which also kind of means she has an advantage in her role. But what really wowed me is Yalitza Aparicio, because this is actually the first acting job she ever did in her entire life. For a first-time actor, you’d expect them to give a C performance, maybe a B performance at best. But this to me was no doubt, an A+ performance! And to be honest, part of me was expecting Glenn Close to win. Plus it would have been fascinating because she has been waiting awhile for her award. But if you have seen the Jackoffs, you might be able to gather my opinion on this. TONI COLLETTE WAS SNUBBED!

Lastly for acting, we have Best Actor. Here are the nominees!

  • Rami Malek- Bohemian Rhapsody (WINNER!)
  • Bradley Cooper- A Star Is Born
  • Viggo Mortensen- Green Book
  • Willem Dafoe- At Eternity’s Gate
  • Christian Bale- Vice

To me, Malek’s win was a no brainer. I was appreciative of this performance because of how it was able to transform this actor into a beloved celebrity of another kind. Granted, it is all him, because part of it was due to someone else doing his vocals and I think costume design and makeup go into play with my appreciation as well, but still, he was my pick to win. My second pick would have been Bradley Cooper because he had to learn to sing for his role, and it actually paid off! Out of these performances, I will point out that I’ve seen four of them, the one that I didn’t see is Willem Dafoe, but I also liked the performances from Bale and Mortensen. If I had to choose between them, I’d say Mortensen was the better performer, but if Bale had won, I would have loved to have seen his speech. Because when it comes to the crew on “Vice,” one terrible speech was already provided in the Makeup & Hairstyling category, but had he gone up, I would have been interested to see his speech. I say so because he gave perhaps my favorite speech at the Golden Globes this year, specifically where he says this:

“Thank you to Satan for giving me inspiration on how to play this role!”

HAHAHAHAHAHA! How often do you hear that?! While that might make certain people upset or offended, I thought personally that was one of the highlights of that show.

We have a few more categories to go over, a couple of which include the screenplay categories. Here are the original screenplay nominees!

  • Green Book- Nick Vallelonga, Brian Hayes Currie, Peter Farrelly (WINNER!)
  • First Reformed (Paul Schrader)
  • Roma (Alfonso Cuarón)
  • Vice (Adam McKay)
  • The Favourite (Deborah Davis, Tony McNamara)

I’m sorry, “The Favourite,” while it has some memorable lines, the screenplay was not even close to being something special. In fact, that’s one of the biggest problems I have with the movie, because this story was trying its best to be compelling, but it felt more drawn out than I expected! And I will admit, I am guy who is willing to appreciate film no matter what kind of movie we are talking about, but even for me, this was too slow! I think the biggest problem was the chapter layout. Because when I first saw it, I thought the chapters represented a three or five act structure, if I recall correctly, it was like nine. I am with “Green Book” as  the winner however. It’s a good story with compelling characters, and some quirkiness behind it too. Then again, it is hard to avoid expecting a good script from a guy who worked on “There’s Something About Mary.” If it weren’t for “Green Book” winning, I would have either picked “Roma” or “Vice.” With “Roma,” it was a script that took a bit of time to get me fully intrigued, but once I was hooked, I was not able to let go. It was investing, emotionally charged, and is capable of showing the occasional unpredictably of life. “Vice” however is rather interesting to me because while it was based on true events, it was able to have some satirical fun. One of the best written scenes of the year comes during the middle of the film where the acts like it is about to end saying the characters live happily ever after and never get in politics ever again. GEN-I-US!

As for the adapted screenplays, here are the nominees!

  • BlacKkKlansman- Charlie Wachtel, David Rabinowitz, Kevin Willmont, Spike Lee (WINNER!)
  • A Star Is Born- Eric Roth, Bradley Cooper, Will Fetters
  • Can You Ever Forgive Me?- Nicole HolofcenerJeff Whitty
  • The Ballad of Buster Scruggs- Joel Coen, Ethan Coen
  • If Beale Street Could Talk- Barry Jenkins

Surprisingly, while I’ve seen a number of things in the listed this categories this year, this is a category where I’ve seen only two things. To be specific, “A Star Is Born” and “BlacKkKlansman.” I missed out on “Can You Ever Forgive Me?” and “If Beale Street Could Talk.” As far as “The Ballad of Buster Scruggs” goes, it’s on Netflix and I have don’t Netflix, nor do I ever plan to get it. Enough said. Luckily, of the two I did see, I nominated both for the Jackoffs in this exact category. Granted, I gave the 1 up to “A Star Is Born,” but “BlacKkKansman” is also worthy of your support. Interestingly, and if you watch the movie, this shouldn’t really come as a shock, Spike Lee’s speech was rather critical of Donald Trump. Let’s see how President Orange responded.

REMINDER: This guy won multiple Razzies this year!

A couple more categories to go, let’s move onto Best Director!

  • Alfonso Cuarón (Roma)
  • Spike Lee (BlacKkKlansman)
  • Pawel Pawlikowski (Cold War)
  • Adam McKay (Vice)
  • Yorgos Lanthimos (The Favourite)

“The Favourite” might just be one of the best worst movies of all time, because I can clearly tell people are giving their 110% effort throughout the production, but it just didn’t work for me. The directing in the film is actually not that bad and I see why it received a nomination. In fact, all of these directors are worthy of their nominations if you ask me. Although there is no questioning it. Cuarón directed the hell out of “Roma.” Based on how he did this movie, the project felt extremely personal, and the direction felt like everything came right out of his mind. Nothing felt like it came from an outsider or a studio. I am well aware that in life you can’t always get what you want, but it’s nice to get what you want when you are look at things from a directorial point of view. Plus, Cuarón had his hands full with this film. Not only did he have a credit for directing, but he also has a credit for the screenplay, the editing, the cinematography, and even as a producer. He did a lot for one film! He’s like Tommy Wiseau, only difference is that Cuarón was able to create a critically successful movie. I hate Netflix, like with a burning passion, but I will give them credit for quite possibly saying “You know what Alfonso, you’re so f*cking talented. Make whatever movie you want!” I’m imagining something like that went on behind the scenes.

Two more categories to go, let’s pay attention towards the Best Cinematography category! Here are the nominees!

  • Alfonso Cuarón- Roma (WINNER!)
  • Lukasz Zal- Cold War
  • Matthew Libatique- A Star Is Born
  • Robbie Ryan- The Favourite
  • Caleb Deschanel- Never Look Away

And to my lack of surprise, Cuarón takes this award too! If you have seen my last Academy Awards recap, chances are that you’d know that cinematography was probably the category I was most passionate about that year. The reason was due to how one of the nominees was Roger Deakins, who FINALLY won an Oscar for his work in “Blade Runner 2049!” This year, I don’t really have the same passion for that category, but I was able to appreciate a couple of the nominees. “Roma” is a movie that I thought was technically brilliant, and its cinematography absolutely showcases that. SUPER GLAD IT WON! That movie had many shots that made me wonder how they even came about! Netflix, PLEASE. Release a Blu-ray for “Roma!” I want my bonus features! In fact, for the Jackoffs, that movie also won Best Cinematography. Speaking of which, I also nominated “Cold War,” which is unique because it featured a 4:3 aspect ratio, and like “Roma,” it’s in black and white. When I reviewed “Cold War,” I felt that the film’s technical specs were something I could appreciate more than the film’s story, and the cinematography was the biggest standout to me. I can approve of “The Favourite” being nominated, but when it comes to “A Star Is Born.” Some of the shots were nice, but I don’t see why it is nominated. Maybe the set design and the lighting stood out to me, but standard shots are not the biggest standout when it comes to “A Star Is Born.” In fact, a similar movie, “Bohemian Rhapsody,” actually comes to mind when I think of this nomination. There are a number of shots that truly immerse me into the film. This is especially true during the Live Aid scene. The extended run through the audience set the mood entirely for that scene alone. There are certain shots that give you a sense of scope, it’s almost mind-boggling. As for “Never Look Away,” I never saw that movie, so I have nothing to say about it.

And now, for Best Picture. This year there were eight nominees. Out of all of them, I actually had something that I truly wanted to win. Last year I wanted “Dunkirk” to win, but I also missed out on many of last year’s Best Picture nominees. This year however, I actually saw all eight of them. If you wanted to know my pick for Best Picture this year, it was “Roma.” What a f*cking movie. Anyway, here are the nominees!

  • Green Book- Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga (WINNER!)
  • Black Panther- Kevin Feige
  • The Favourite- Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos
  • Bohemian Rhapsody- Graham King
  • A Star Is Born- Bill Gerber, Bradley Cooper and Lynette Howell Taylor
  • Vice- Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick
  • Roma- Gabriela Rodríguez and Alfonso Cuarón
  • BlacKkKlansman- Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee

I’m gonna do this by talking about the movies that didn’t win first. “The Favourite” and “Black Panther?” You can honestly forget about those two! The pacing in “The Favourite” is horrible and “Black Panther” is not even the best comic book movie of the year! A lot of people go around saying that film is “socially important,” but that has nothing to do with how good a movie is. Just because your film has a black person in it, it doesn’t make it good. What matters is how it was executed. You know what comic book movie was socially important? “Wonder Woman!” And that’s a masterpiece compared to “Black Panther!” AND it wasn’t nominated for any Oscars for its respective year! When I like “Aquaman,” “Deadpool 2,” “Spider-Man: Into the Spider-Verse,” and “Avengers: Infinity War” more than “Black Panther,” you can probably tell what I’m trying to say here about it. “Vice” was pretty good, but ultimately lacking in some sort of substance that didn’t seem to be there as I watched the movie. I appreciate the work that went into it, but some parts of the movie were better than others. “Bohemian Rhapsody” is sort of interesting. I think it is a good tribute to Queen and Freddie Mercury, but it is ultimately just that, nothing more. Sure, there’s good cinematography and a rock solid performance from Rami Malek, but it doesn’t really change the game. Then there is “A Star Is Born.” I thought Bradley Cooper did a great job with that movie because he had a lot to do on it, and not just as a performer. Although when it comes to his performance skills on that film, that’s probably the best part because of how he needed to not just talk, but play an instrument and sing. “BlacKkKlansman” may have been a well written, well directed, and well acted film. But even if you remove all of those qualities from the table, you still have a great concept. An African-American police officer pretends he’s white and infiltrates the Ku Klux Klan! And it’s based on a true story!

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When it comes to the two films left to talk about, I already said what I need to say about “Roma.” It is such a masterful movie. Plus, it partially made me change my mind about how serious Netflix could possibly be in the movie theater industry. Granted, they still have some ways to go, just ask Steven Spielberg, but they’re making progress. I really wanted that film to win, and I actually had high confidence that it was going to win this year. Then Julia Roberts gets onstage, and says the words “Green Book.”

Did not expect that.

But you know what? It’s cool, that was my second pick anyway! I know there’s a lot of controversy surrounding “Green Book” right now, it almost reminds me of “The Greatest Showman.” Part of me might regret watching “Green Book” for that reason alone, but I also have to keep in mind that when I did see the film, I enjoyed what I saw. I thought the screenplay was well done. The chemistry between the main characters went together like bread and butter. And the acting is superb! “Green Book” may not be my pick for Best Picture, but it was certainly worth a watch. It’s got some serious parts in it, but it is almost like a feel good story at times. It’s nice to see the formation of two unlikely friends. Plus, it’s one of those rare times where product placement WORKS. Will I watch “Green Book” again sometime in the future? Most likely. It is a fun watch, and definitely worth your time. Congrats to “Green Book!” Congrats to all of the other nominees!

Thanks for reading this post! The 91st Academy Awards was definitely a surprise! I was expect a mediocre show at best, and it turned out to be pretty good. Would I like a host next year? Certainly. But I am also now open to the idea of a hostless Oscars ceremony. Now that I’ve seen it, it worked out! I gotta give massive respect for the Academy for including all of the awards, and I also want to give a shoutout to Lady Gaga and Bradley Cooper for an awesome performance of “Shallow!” You guys rock! Speaking of which, Queen, great opening! Well done! When it comes to my future content, I will be doing a review of “How to Train Your Dragon: The Hidden World!” And also, as of writing this, Scene Before is now three years old! It just turned three recently, I want to do something for the three year anniversary, but if I actually manage to do something, it probably won’t be up soon, because college is keeping me busy. Like, insanely busy. I have some ideas, who knows? Maybe I’ll do the same thing as the two year anniversary? But only time will tell! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see the 91st Academy Awards? What are your thoughts? Any snubs? Great moments? Do you agree with everything? Let me know down below! Scene Before is your click to the flicks!

Father Figures (2017): A Very Bastardizing Film

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“Father Figures” is directed by Lawrence Sher in his directorial debut. This guy has done cinematography for movies such as “The Hangover,” “War Dogs,” and the 2005 film adaptation of “The Dukes of Hazzard.” The film stars Owen Wilson (Cars, Wedding Crashers), Ed Helms (The Office, Vacation), JK Simmons (Whiplash, Juno), Katt Williams (Norbit, Scary Movie 5), Terry Bradshaw (The Cannonball Run, Failure to Launch), Ving Rhames (Mission: Impossible, Pulp Fiction), and also features Christopher Walken (The Jungle Book, The Deer Hunter), along with Glenn Close. This film’s about two fraternal twins who find out the truth about their allegedly dead father has been a lie. The information concerning this has been hidden by their mother for years, leading to the twins going out to seek their real father.

I first heard about this film back in 2016, and I was wondering for a while, “What happened to this film?” Well, here it is now. Why did I hear about it that early? Turns out there was a trailer for a comedy that was supposed to release in January of this year, AKA this exact film, and at the end, we see a title card with the word “Bastards.” The name does make sense considering the technical definition for a bastard is a child whose birthparents weren’t married at the time of the child’s birth, which is true to the twins in the movie. Although I’m willing to bet they changed the name to “Father Figures” because to some people it might be weird walking around and talking about a movie called “Bastards” since the word is associated with vulgarity. Who’s they? I don’t know. I’m willing to bet it’s either the director or the studio, one of those two. Nevertheless, I think this movie shouldn’t have been called “Father Figures.” I don’t even think it should be called “Bastards.” You know what it should be called? “Bastard.” Just “Bastard.” And that’s because this movie felt like a total bastard! This is probably the worst comedy I’ve seen all year! This movie brought almost two hours of inglorious bastardization into my life!

I would like to take a second to apologize to Quentin Tarantino, I just probably ingloriously bastardized him if you know what I mean.

I’ve seen a number of s*itty comedies in 2017, but even at the end of the year, I’m still coming across them. I think I found the pinnacle of s*it when it comes to this year in comedy. “Father Figures” is a f*cking bastard and I’m about to tell you why in just a second! But before I go into why, let me go over some of the other crap I’ve seen this year when it comes to comedy.

First off, we have “Snatched,” which I saw in May. The movie’s about a mother and daughter going away to paradise, which doesn’t end up going well because they get captured and some other s*it happens. I knew going into this particular film it was going to be bad, but there was one really funny scene and there was a character that I kind of liked.

Next we have “How to Be a Latin Lover,” which was just awkward as hell to watch. It’s about a guy who is dumped by his elderly wife. He has to move in with his sister, played by Salma Hayek, and adjust to normal society after living a spoiled life. I bought the movie used for $9.99 on Blu-ray, which isn’t too bad of a deal for a Blu-ray if you ask me, but I still suffered through the unfunny jokes and awkward story full of mostly unlikable characters.

I also saw “Fist Fight,” which admittedly, is nowhere near as unwatchable as the other two films I mentioned, but is still something I would say technically qualifies as a waste of time. What’s the plot? Just take the basic idea of “Three O’Clock High” and make the teachers fight instead of the students. I just thought it contained too many predictable attempts at humor and forced sex jokes.

I’d probably rather watch any of these comedies before “Father Figures.” “How to Be a Latin Lover” is a tad debatable but in reality, “Father Figures” is just a comedy that should have never been made. I will admit, when I saw the first trailer for the film released in 2016, part of me was looking forward to this movie. Sure, I like Owen Wilson. Sure, I like Ed Helms. There’s someone I admire more in this movie compared to them, specifically JK f*cking Simmons! JK’s one of my favorite actors of all time! And if you put him in, well, anything for that matter, I’ll watch it. You can even put him in a movie called “Don’t Watch This Piece of Crap,” it can be eight minutes including credits, it can be a guy bloodied up screaming for help on pavement, and I’ll still check it out because JK Simmons was in it. Granted, I don’t think his performance was that bad. In fact, I have to say it’s one of the more redeemable parts of the entire film.

Speaking of likable performances. Terry Bradshaw was playing himself in this film. It almost gave me a similar vibe to seeing Sam Jones in “Ted” based on the chemistry between him and the two main characters.

Moving onto our recently suggested main characters, we have Kyle, played by Owen Wilson, alongside Peter, played by Ed Helms. Seeing these two together, I can somewhat buy into them being twins, but the whole ride they take during the movie was just a wreck. Neither of them are funny, they have a couple of moments where they disagree with each other and get in arguments, I just wanted to leave at some points instead of watch the duo compare themselves to one another every now and then.

This movie just feels like it has too much going on in it. When we get to what almost feels like the climax, the movie just goes on like its jacked up on Red Bull. It’s just an absolute marathon of twists and turns and it’s just too much to process for a simple comedy! In fact I gotta say, one of the twists, which admittedly, reminded me of the original “Star Wars” trilogy, was actually ruined about ten or so minutes after it happens! So yeah, f*ck everything I guess!

Let’s also talk about Glenn Close’s character of Helen. At the beginning of the film, it’s established that Helen is the mother of both these boys. I’m just wondering, why would she lie about the father of her sons? First off, they’re adults, and I’m not adopted, but if I were, I’d want to know as soon as possible! As far as telling anyone else, I’d probably think to myself before whether or not I do that, but still. I also have to say that she mentioned that Terry Bradshaw was the actual father of the two kids, and Ed Helms’s reaction almost seemed like it could have been done differently. This is a man he idolized, someone he has high appreciation for, and he grew up during his youth never knowing Bradshaw was his dad?! I’ve grown up idolizing Howie Mandel, and if my mother kept a secret until a point such as this, or even longer for that matter, that Howie Mandel was my real father, you know what I’d do? I’d lose my f*cking mind! I might break a window! I might light my house on fire! I might slap my mother in the face! I’m not kidding! I would be in utter shock, and perhaps apalled upon why I had a secret like this kept from me for so long! I’d be happy to know Howie was my father but… why wait so long?

*SPOILERS IN THIS PARAGRAPH*

Speaking of idiocy, I’m gonna talk about a scene involving a train and an automobile. Sorry, planes, you have to sit out on this one. There’s one scene where the two main characters are in a car with each other, they’re still on their quest to find their dad, and at one point, they pick up a hitchhiker, played by Katt Williams. Due to Ed Helms being somewhat apprehensive about the fate of himself along with the fate of his brother, the hitchhiker is sitting in the back with his hands cuffed up. At one point, the car stops, and the two begin to argue. Moments later, we as an audience find out the car is stuck on a train track, but the two brothers are too focused on arguing back and forth so they don’t notice an approaching train. The one who does notice the train however is the hitchhiker, he’s trying to warn the two, but they don’t listen. As the light is coming closer, and the hitchhiker is still alerting the duo, they finally notice the train. So they attempt to escape. Ed Helms and Katt Williams make it out of the car, but the train slams the car, suggesting that it could have killed Owen Wilson. But it didn’t, he’s completely fine. WHAT THE F*CK?!

This is honestly just insulting! I get this is a comedy, but I would appreciate it more if it was logical. I don’t need another “Daddy’s Home” Ford Flex goes through the house and Will Ferrell isn’t badly hurt situation if you get what I’m saying. Remember “Paul Blart Mall Cop 2?” I honestly bought into the fact that Paul Blart could trap himself in a suitcase, slide downward on a bunch of steps, fall into a pool in said suitcase, have water come inside it, allow himself to exit the suitcase, and get out of the water alive more than this.

I do remember watching a movie in the past with a scene somewhat similar to this. There’s an extended cut to Sam Raimi’s “Spider-Man 2” referred to as “Spider-Man 2.1,” which might even be better than the original cut if you ask me. In that version of the film, part of the extended footage in that film is included on the train fight scene. Doc Ock and Spidey are going at it against each other, and Doc is holding onto the Web Slinger with his tentacles. Spider-Man has his feet on the side of one of the train cars, and he’s hit a bunch of closeby objects. Soon he turns his head, a train is quickly approaching him. Spider-Man gets hit by a train, but he instantly gets back to fighting like the hit was just a normal Tuesday in the office. Here’s the thing however. Spider-Man has superpowers, Kyle from “Father Figures” on the other hand, is an average human. Spider-Man has enough strength in him to walk something like this off, Kyle should have died. In fact, while Kyle dying may be somewhat abrupt, I almost thought that it would be kind of intriguing to see what would happen if Ed Helms had to continue the quest alone. I went to see the film with my mother, she and I discussed the film in the car after we watched it. I brought this up, and she figured I was thinking Ed Helms would continue the quest in Wilson’s honor, which almost sounds more like an adventure flick as opposed to a comedy, but quests are basically adventures.

The final moments of the film had some emotion packed into it, and in ways, I felt it. But ultimately, I felt that the movie didn’t earn its emotional ending on a technical level. For one thing, it’s a comedy, not a drama. Another thing is that I didn’t really care about a single character in this movie enough to say, “I like you. I stand with you. I’m on your side.” If I was able to care about any of the characters or if I had a logical reason to appreciate them more, then I might as well say that the movie earned it’s ending, but the movie itself dragged, it was full of unbearable characters, and it just wasn’t funny. So I can’t really say the end played out very well.

Let’s move onto marketing. I noticed the difference in the film’s marketing from when I first heard about it and when the film actually came out. There wasn’t much buzz about “Bastards” before January 2017, but now that we’re here in December, the movie, technically now referred to as “Father Figures,” was brought back to my attention, and I had the realization this was the same movie. Now that it’s here, I’m seeing Christmas related ads having to do with the film and a poster with red & green font. If one of the reasons for the movie releasing at this time was just to market it like it’s an experience related to the holidays, it just feels cheap! Oh yeah, did I mention this film was supposed to come out in January? I should have known what I was getting into. January movies usually suck! Last year, “The Fifth Wave” made my top 10 WORST movies of the year list. In general, when a movie comes out in January, critics are going to give it hell. I wonder why they moved it. Is it to market the film in a certain way? Possibly. Although part of me is willing to bet it’s to get more people in the theater. Given that a lot of people have breaks from school and work, they have more time to see a movie. January only has weekends, New Year’s Day, and Martin Luther King Jr. Day. Another part of me thinks that Warner Brothers, AKA the distributor of the film, or one of the production companies such as Alcon or Montecito, thought this would be a good tactic in order to get people to go see another movie when “The Last Jedi” sells out. Given the competition and the film’s box office return, I wouldn’t say this was the best idea. Just compare this film with “Pitch Perfect 3,” “Jumanji: Welcome to the Jungle,” plus family friendly animations such as “Coco” and “Ferdinand” and you’ll see the point. If last year’s “Assassin’s Creed” has taught moviegoers anything, it’s that you only market something in a Christmas related fashion when appropriate. Speaking of competition and “Star Wars,” I should also bring up another possible reason why all of this is happening. “Star Wars” is something that the world cares about. There’s barely anyone in this world who doesn’t know what “Star Wars” is. However, nobody knows about “Father Figures,” and it’s possible that Warner Brothers thought, “Eh, “Star Wars” is coming out in December, and that’s inevitably gonna be a big hit. What’s a movie that people want to avoid?” And someone said “What about that lame-ass comedy with Owen Wilson and Ed Helms?” Everyone agreed with that thought, and here we are. I was one of the people who saw it. But you know what? I survived, and that’s what matters.

In the end I have to say “Father Figures” is a really intolerable experience. While “How to Be a Latin Lover” was awkward and unfunny, I have to say that “Father Figures” was not just awkward and unfunny, but also boring, not to mention insultingly baffling. That train scene split my head open. It just f*cked me over. I’d rather spend an entire year watching a sloth pop bubble wrap from start to finish than watch this film a second time. Guys, this has a good chance of being this year’s worst comedy and I’m going to give “Father Figures” a 1/10. I went to see this film with my mother, she says it was good, so I gotta say this film does have an audience, so I can say that’s a plus. My mother and I also saw “Snatched” together and we both agreed that was total dogs*it. So this film has at least one thing going for it I guess.

Thanks for reading this review. This Saturday I’m going to see “The Disaster Artist,” which I’m truly stoked for. I can’t wait to see it and talk about it, it’s likely gonna be a blast! Also, speaking of fun things I have going on here on Scene Before, I will also soon have my top 10 BEST and WORST movies of 2017 lists. Meaning we can reflect on some of the milestones and trainwrecks I’ve sat through this year. I will have you know that depending on what happens, there’s a good chance that there’s at least one movie on either list that I saw and didn’t review, so if that ever comes up, that just means I didn’t have the time to sit down and write an analytical review of a certain film. Why? It’s the end of the year, and whenever time allows it, I’m trying to seek out as many of this year’s films as possible until I can no longer watch anymore. I’ve done this with “The Great Wall,” “American Assassin,” “King Arthur: Legend of the Sword,” “Crown Heights,” “Atomic Blonde,” and “The Only Living Boy in New York.” Anyway, stay tuned for more great content, including the recently mentioned review and countdowns! I want to know, if you saw “Father Figures,” what are your thoughts on it? What do you think is a better title for this film? “Father Figures” or “Bastards?” Also, what is the worst comedy of the year for you? Please leave a comment stating your responses to any of these questions, I’d be happy to look at them! Scene Before is your click to the flicks!