Eugenio Derbez

CODA (2021): An Audibly Triumphant Story With Every Emotion Ever Conceived

Posted on by Jack Drees

“CODA” is directed by Sian Heder (Orange is the New Black, Little America) and stars Emilia Jones, Eugenio Derbez, Troy Kotsur, Ferdia Walsh-Peelo, Daniel Durant, and Marlee Matlin in a film about a young girl who is born into a deaf family. She is the only one in the family who has hearing, and finds herself struggling to balance school, her family fishing business, college admissions, and an interest in music.

Despite the notability of this film’s recent Best Picture win at the Academy Awards, not to mention seeing this film in the theater recently, the latter of which almost causes a case for an automatic film review every time, I nearly decided to not review this film at all. But that is until I saw it. And we’ll get to my thoughts in a sec, but I want to note that “CODA” was a film I have looked forward to ever since I first saw the advertising. The reviews looked insane, and it came off as a wonderfully intimate tale about someone who is special and I would not know personally. But for various reasons, I missed the film when it first came to theaters, and I never got around to watching it on Apple TV+. But due to the film’s recent success at the Academy Awards, Apple decided to release the film again with open captions. Given this film’s subject matter, that is a great idea. They released it in several theaters around me, so I decided instead of suffering through “Morbius” a second time, I would take my dad to go see something that won’t make you rip your hair out.

We agreed on “CODA.” Hopefully our choice would be wise.

But of course, there are several movies that exist that have a hype train, only to have said train lose a little steam once it comes out. This happened to me last year with “Soul,” which Peter Travers of ABC News called “the year’s peak achievement in animation,” Josh Wilding of ComicBookMovie.com referred to as “one of Pixar’s most beautiful, poignant films,” and Bob Chipman of Moviebob Central claimed was “among the year’s loveliest, most poignant and moving pieces of work animated or otherwise.” Those are ridiculously positive, star-shooting thoughts.

I mean, I LIKED “Soul,” but at the time it also became my least favorite Pixar movie, so there is that.

Now with “CODA,” we have another insanely praised movie revolving around music. Adam Graham of Detroit News says “CODA” is “a big hug of a movie.” Pete Hammond of Deadline Hollywood suggests “CODA is more than “a moving story of what it means to be in a family, but also one about becoming your own person and following a dream.” For the record, despite this film’s wider release in August, it originally played at Sundance, so I think this notion from Esther Zuckerman at Thrillist should not be ignored.

“‘CODA’ is the kind of movie that you can imagine getting a standing ovation at Sundance, if this were a year where people were allowed to gather in a stuffy Park City auditorium.”

It’s been over a year since this film’s Sundance premiere. It’s been only a little time since this film’s recent collecting of Academy Awards. Is this movie the greatest thing since sliced bread or the next “Soul?”

Neither. There’s sliced bread, there’s better than sliced bread, and then there’s sliced bread with mounds of butter!

If there is any reason that you should spend a few bucks for Apple TV+, “CODA” makes an absolutely compelling argument. My dad walked out of the auditorium saying that this was one of the best movies he has seen in years, and I could definitely see why. I have gathered that he is fairly easy to impress as a moviegoer, but when he REALLY likes a film, I have found it to be obvious. And it is not just him who is yelling out a car window to everyone on the streets to go see this movie, because I for one think that this is one of the best coming of age stories of our time. Does it have some familiar elements or clichés? Perhaps. But it doesn’t always matter if a movie has clichés as long as they are utilized well.

At the end of the day, this is a genius narrative about a girl whose normality makes her abnormal. I have taken a screenwriting class in my sophomore year of college, and one of the things I have taken from that class is that when I write a character who is “ordinary,” that I understand that there still should be specific qualities about such an ordinary character that stand out. When it comes to this film’s character of Ruby Rossi, perfectly played by Emilia Jones, this is exactly what my professor would want me to shoot for. She is in a deaf family, but she is the only one who has hearing. Brilliant. And it is not just a great concept, it has stellar execution. Because this film is completely relatable to someone like me, who was at an age range she previously experienced. Now, unlike Ruby, I knew what I wanted to do the moment I got out of high school, but the problem for me was taking that next step and actually moving on with my life, and I am sort of experiencing the same thing with my soon to be post-undergrad years. That by itself made me connect to Ruby, but when Ruby finds something she is passionate about, it is, almost perhaps understandably, the biggest shock and disappointment she can give to her parents who are having trouble hearing. That passion being music, which you have to HEAR to fully understand. Not only is she passionate about it, she wants to study it, which in addition, requires money… Oh boy.

I grew up in a family of two adults who had their own occupations and ran their own company at some point in their lives. Despite this, I consider myself lucky to have never felt the pressure to attach myself to a family business had I failed to express any interest. I have been given the opportunity to attach myself if I choose, but my main priority right now is film, it’s media, it’s communications, it’s entertainment. I felt for the protagonist because they have to choose between family and herself, and this is really the time of her life when she should be thinking about herself, what she wants to do, and the parents should allow her to do such a thing. They may not like the choice, and again, understandably so, but this is not their life, it is Ruby’s. But we also get a look at the lives the parents have, and there comes a point where Ruby leaving could mean that they have to rethink how they live their lives, and as this movie shows, conduct their own business. Not to mention, when you have to look at your current financial status, that also brings up a question as to what life you can provide for yourself and those you care about. On that note, the main family is perfectly cast. They have phenomenal chemistry. The deaf characters are actually played by deaf actors. Sian Heder brings us a wonderfully conceived screenplay and brings her artistry to the table while telling a story about an aspiring artist. Heder has not done a ton of notable work yet in her career, but I think “CODA” is going to put her on the map as a filmmaker around this time, like “Lady Bird” put Greta Gerwig on the map when she directed that film.

I know a lot of people, and I’m close with quite a few of them. None of them are deaf. So I cannot speak to the accuracy or authenticity of certain aspects of this film, but as for the entertainment value with everyone on screen, regardless of their ability to hear or speak in sign language, that was not short whatsoever. Although on that note, if I think if there were any way to improve “CODA,” there are honestly few things I can think of to begin with. But if I had to come up with something, there is one story element in the movie that admittedly becomes a bit predictable. My dad and I were watching, and we both knew, “Okay, this is where the movie’s going.” Usually I am not a fan of predictable storytelling, partially because when you watch a lot of media, the more repetitive it is, the more likely I am to tune out, but I also think when it comes to how “CODA” handles such a predictable moment, it achieves its goal of making you relate to or feel bad for the protagonist.

“CODA” has such a way of playing with your heartstrings that feels larger than life despite it being one of the most intimate stories I have ever seen, and part of it is because it relies on a lack of sound and written words to carry everything through. It really is film as it was meant to be. Visual storytelling. It does not tell, it only shows. There is a sequence at the end of this film that almost made me cry, and that is not only because the subject matter is incredibly compelling and ties everything together in a nice little bow, but as an editor, I was watching this and admired its ability to tell everything in a fast-paced, eye-popping montage that gave a sweet moment for every second on screen. Very few movies nowadays connect me in such an emotional way, and “CODA” is one of the lucky gems that just happened to knock on my door.

And don’t just take all the sappy comments I stated and put them in a box with this film set next to it, because this film has just about every emotion I could think of. I was figuratively biting my nails. I was jumping for joy. I was getting tears in my eyes. I was occasionally even laughing crazily. The film is surprisingly comedic, and there are a few moments where my dad and I were audibly laughing. One reason why I recommend going to see this in the theater if it is near you is because depending on your level of hearing, even when you hear nothing on the screen, you can still bask in the laughter of an audience, which is one of the most uniquely satisfying feelings I have gathered in my recent film experiences.

In the end, “CODA” is one of the best movies I have seen in recent memory. It won a couple of the big Best Picture awards, including the one that matters the most, the Academy Award for Best Picture, and obviously that warranted Apple to put the film out in as many theaters as it can the next weekend to get some money. I went to go see it the Tuesday after, but I have had my occasional ounce of disappointment here and there when it comes to certain projects. I did not see “Moonlight” until the weekend following its kinda sorta Best Picture win at the Oscars, and I was underwhelmed. Although the following year, “The Shape of Water” won Best Picture. It took me awhile to watch that film, and it turned out to be a stunning and enchanting film with a great cast of characters, so anything can happen. “CODA” truly felt like it was made with the goal to win Best Picture, and it absolutely deserved it. I can barely think of any real problems in this film. Maybe if you don’t like tearjerkers, this may not be my first recommendation for you, but that is a claim leaning along the lines of subjectivity. Plus, even if you don’t like crying during movies I still recommend it, because I left the film feeling whole. I felt happy. It reminded me of my journey as an artist, but also immersed me into a world with people and situations that I do not come across in everyday life. Once again, Ruby Rossi is an ordinary protagonist, but this movie excels by reminding the audience of the extraordinary life she finds herself living every day. And this extraordinary life, made an extraordinary movie. I am going to give “CODA” a 10/10! If I had the chance to redo my top 10 list for 2021, this would easily belong in the top 3 or 4. I would not call it my favorite movie of the year, that honor still goes to “The Suicide Squad,” but it certainly comes close.

“CODA” is now playing in theatres and is available to watch on Apple TV+.

Thanks for reading this review! My next review is going to be for “Sonic the Hedgehog 2!” I saw the film a couple weeks ago, and I have plenty to say about it. I liked the first film, so who knows how the sequel will pan out… Following that review, I will be sharing my thoughts on the new DreamWorks animated film, “The Bad Guys,” which is in theaters as of this weekend. Also, coming soon, I will have my review for “Everything Everywhere All at Once,” the all new A24 film starring Michelle Yeoh and directed by Daniels, the same minds who brought us “Swiss Army Man.” If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “CODA?” What did you think about it? Or, what is your favorite film that has won Best Picture at the Academy Awards? Not just nominated, but they also have to be the winner. This film is definitely a contender, I’ll say that much. Let me know your pick down below! Scene Before is your click to the flicks!

Dora and the Lost City of Gold (2019): Dumb Dora Is So Dumb…

Posted on by Jack Drees

mv5botvhmzyxnjgtyzywoc00mgiwlwjmzgetmjgwmzgxmwuwnmrhxkeyxkfqcgdeqxvynjg2njqwmdq40._v1_sy1000_cr006401000_al_

“Dora and the Lost City of Gold” is directed by James Bobin (The Muppets, Alice Through the Looking Glass) and stars Isabela Moner (Transformers: The Last Knight, Instant Family), Eugenio Derbez (How to Be a Latin Lover, Overboard), Michael Peña (Ant-Man, End of Watch), Eva Longoria (Desperate Housewives, The Sentinel), and Danny Trejo (Machete, Spy Kids). This film is based on the Nickelodeon cartoon “Dora the Explorer,” where a young girl and her monkey companion, Boots, go on adventures together, sing, encounter obstacles, including a fox named Swiper (played here by Benicio Del Toro). All the while, there are fourth wall breaks that involve encouraging children to talk to the screen, occasionally in Spanish. In this film, we get to know Dora as a teenager who lives in the jungle, but she recently learns she has to adapt to a more urbanized lifestyle and go to high school. This eventually leads to an adventure with her newfound friends and her cousin, Diego.

I was born at the tail end of the 1990s, I was raised through the 2000s. It was perhaps inevitable that “Dora the Explorer” would be a part of my childhood in some way, shape, or form. Granted, it was not my goto program at the time. That was more of my sister’s thing, but I did have some interest here and there at the very least. Therefore, I would say, while not calling it the epitome of my nostalgic roots, it did sort of fit somewhere into some of my more prominent childhood memories and experiences. So when I saw the trailers for this film, and granted, even before that, when I was hearing news about this film’s production, part of me was even wondering how it was getting made. Yes, “Dora” is an iconic IP and it does well with children, but I honestly wondered how this could even work as a film. Granted, upon seeing updates, I would say the crew got some things right. They did cast an OK Dora and she looked pretty similar to her cartoon counterpart. But I gotta be honest, the trailers did nothing for me. It all felt like a warning sign for the death of my childhood. And ultimately, that’s what this movie kind of is. It took something I knew from my childhood and split its head open.

Remember “Transformers?” Remember “The Smurfs?” Remember “Alvin and the Chipmunks?” None of those IPs were ever a part of my life before I watched their live-action film adaptations. Therefore when I first checked them out, I never had a part of my life affected. I never felt offended through a link to nostalgia by these types of films. I did however feel offended as to how bad “The Smurfs” turned out, but still. “Dora and the Lost City of Gold” was a movie where I knew the source material behind it, so basically I was taking a trip back in time. And this is sort of what the movie felt like at times. There are tons of homages to the original material, there are a couple fourth wall breaks, and some of the songs that they use in the movie are from the TV show. But let me just say this, there are certain parts of the show, core elements in fact, where I look back on them, I somehow cringe. The theme song is fitting, but catchy to the point that I would rather listen to “Baby Shark” or some other crap. As an adult, it is somewhat weird to go back to such a phase of my childhood where I was learning Spanish from a girl who doesn’t even use a map by herself. This is why when Dora would break the fourth wall, I would cringe and put my head in my large popcorn bucket! Granted, this is somewhat more adult-friendly than the cartoon, but nevertheless, the movie’s pretty stinkin’ cringeworthy!

It’s almost like “Batman & Robin” merged together with a Michael Bay movie. Between the stale humor and one-dimensional characters, that sort of statement makes sense. In fact, what adds even more sense into the mix is that when this movie was in development, news sites have reported about Michael Bay’s involvement.

None of this is true, by the way.

However, this film was directed by James Bobin, who has some other family-oriented entertainment on his resume including 2011’s “The Muppets,” its 2014 sequel, “Muppets: Most Wanted,” and “Alice Through the Looking Glass.” Now collective reactions would suggest that Bobin didn’t stick the landing 100% of the time, but nevertheless, he’s at least had experience. And to be fair, I saw “Muppets: Most Wanted” back in 2014, directed by Bobin, and I was impressed with what I saw. It was wacky, hilarious, and fun. I’ll give credit to Bobin because I think he did the best he could with the directing job. The movie is upbeat, has a quick pace, and it never feels like anyone has an off performance. Sadly, when you put the script into play, that’s a different story. While the film is a homage to the source material, it doesn’t mean it comes off as compelling or interesting. I will say, the script does have some excellent lines from Dora’s character that make her look like an absolute savage. Dora in this movie at times is almost like a female Sheldon Cooper, it’s bonkers! But aside from a few funny lines here and there, the script does nothing to justify its existence. I buy into the plot for the most part, I think as far as the story itself goes, there are barely any problematic complaints I could make. But various characters we get to know throughout the film feel like they have no chemistry. I’ll also mention that some characters have unearned moments I won’t get into.

Sure, I just mentioned the movie can be funny. But it doesn’t mean it’s always funny, in some cases, it’s really freaking annoying! There’s this one joke where Michael Peña talks to Dora about city life, which leads him to bringing up the concept of dancing. This leads to an explanation of the music they play during community dances where a DJ tends to get involved, and the joke becomes as old as dirt because Peña’s character won’t stop rambling about the subject matter! We get it! Move on! Stop torturing me!

By the way, this movie establishes that Dora likes to sing. Ultimately, this isn’t surprising. After all, there’s a ton of singing in the cartoon. In this movie, Dora sings… A LOT, and it gets annoying. Not only does she take part in singing songs from the cartoon that certain frequent viewers have come to recognize over the years, but there is also this one song that is shown in the movie. Guess what it’s about? Well, what do kids think is the ultimate joke in comedy? Poop jokes of course! There is a song in this movie about taking dumps! Holy s*it! No pun intended! This… I want to–My brain–…Just freaking kill me! This movie sucks! OK? This takes a lack of intelligence to a whole new level! GAH!

And this brings me to something that this movie has in common with a movie like “The Smurfs.” “Dora the Explorer” has always taken place in a somewhat fantastical setting, but we never really see her in a world that comes off as realistic. The original source material for “The Smurfs” has been the same way, but in the live-action movie Sony made in 2011, it was decided that they would come to our world, making New York City the epicenter of the entire film. Seeing “The Smurfs” interact with normal people in New York, including Neil Patrick Harris, was off-putting to say the least. In this movie, I kind of got a similar vibe. Dora states she’s from “the jungle,” a jungle which according to this movie, is still on Earth. But her interactions with fellow high schoolers and others are kind of weird and full of cringe at times. But hey! If the kids like it, why change it?

Because then the movie will be smart? Bah! Screw that!

Although I will say, there was one interesting moment of the movie that was sort of a homage to the original material that I dug. It was kind of weird, but also intriguing. I won’t go into it, but if you have seen the movie “Booksmart” and know about the scene where the two main girls have to climb a bureau, this reminded me a little bit of that. It’s wacky, but it’s also a tribute to what “Dora” followers have come to recognize over the years. It doesn’t make up for the rest of crap this movie makes me go through, but it’s there.

Screenshot (13)

There’s a scene where Swiper’s pretty badass. The movie’s got that going for it. But what else? What have we done to deserve this filth?!

In the end, “Dora and the Lost City of Gold” put me in what I like to call a “torture chamber of my childhood.” “Dora the Explorer” was not my goto show as a child, but this movie did take me back to my childhood. Doesn’t mean it didn’t sully my childhood at times! I think the cast did the best they could, I think the direction was somewhat tolerable, but the screenplay is less than satisfactory, the singing got on my nerves at times, and there are a couple of moments where I almost dozed off due to near boredom. I may not be in the right demographic for a film like this, but it doesn’t mean I cannot judge the film the way I see it. And the way I see it, would not happen to be through the best lens. I’m going to give “Dora and the Lost City of Gold” a 3/10. Thanks for reading this review! This weekend is the release of “It: Chapter Two,” I’m hoping to see it before the end of Sunday, but only time will tell as to whether or not I get around to such a thing. If you want to see more of my content, consider following Scene Before through an email or WordPress account, or even checking out the Scene Before Facebook page! Or, just browse for free! I don’t care, it’s your life. You do you. I want to know, did you see “Dora and the Lost City of Gold?” What did you think about it? Or, did you ever watch “Dora the Explorer?” Were you a young child? A parent? A critic? Whoever you may be, tell me your thoughts on the series! Let me know down below! Scene Before is your click to the flicks!

How to Be a Latin Lover (2017): Perhaps 2017’s Most Awkward Event Since the US Presidential Inauguration

Posted on by Jack Drees

mv5bytawzdk5nzitm2u0ms00nduxltgwmdatnzvmzdmxmzmxmwyxxkeyxkfqcgdeqxvyntawodk1nzy-_v1_sy1000_cr006481000_al_

“How to Be a Latin Lover” is directed by Ken Marino, an actor with a ton of credits who also directed episodes of various TV shows such as “Children’s Hospital” and “Burning Love.” This movie stars Eugenio Derbez (La familia P. Luche, Jack and Jill), Salma Hayek (Grown Ups, Once Upon a Time in Mexico), Raphael Alejandro (Olympus, Once Upon a Time), Rob Lowe (Parks and Recreation, Wayne’s World), Kristen Bell (Frozen, The Good Place), Raquel Welch (The Three Musketeers, Legally Blonde) Rob Corddry (Hot Tub Time Machine, Children’s Hospital), and Rob Riggle (The Daily Show, The Hangover). The plot for “How to Be a Latin Lover” is that Eugenio Derbez’s character of Maximo is dumped by his 80-year old wife. Because of that, he has to move in with his sister and nephew which leads to the rest of the movie’s events.

I did not see this film in the theater, I managed to find it used on Blu-ray in a store. I knew about this film beforehand, but it didn’t catch my interest. Ah, simpler times. I wasted ten bucks on this film and after watching this, I felt that I’d feel better watching another film that came out this year, “Transformers: The Last Knight.” Why’s that? BECAUSE I GOT TO SEE THAT FOR FREE! “How to Be a Latin Lover” is the epitome of a comedy that doesn’t impress. Rather cliche jokes, a fish out of water segment that was done better in movies like “Elf,” and a tale that at times, makes you question mankind itself. Seriously! There is a point in this movie, where the main character is with a kid he’s formed a bond with throughout the runtime, and he’s teaching the kid how to be sexually attractive. This story wouldn’t be as awkward if the kid were in, say, the teen years, but he’s f*cking ten! TEN! Essentially this kid has a crush on a girl, and I don’t think it’s entirely wrong for the kid to learn to IMPRESS the girl, but not to get her to have sex with him! In a way, it might associate well with the main character’s personality, after all, he was a gold-digger who admired women for their money and physical figure. It doesn’t change the fact that this movie was as awkward as going to a Super Bowl party and thinking it’s soccer.

Eugenio Derebez plays the main character in this movie, well, that is if you can call it a movie. His name is Maximo and he’s basically the s*ittier version of Derek Zoolander. Think about it, he basically has some of the mannerisms, although it’s not exactly the same because his voice isn’t as robotic or striking, but that’s just who he reminds me of. Maximo’s not really a male model either. He’s more of a guy who cares about no one but himself, doesn’t contribute to society as much as other people, and just seems to have sex on his mind a lot. Granted, there’s a stereotype that’s all that men think about, but I can guarantee you not all men show their thoughts on sex. So in a way, you can say he’s also the s*ittier version of Donald Trump (I can’t believe I’m saying that), because Donald Trump actually does s*it. He fired people! He licensed his name to things! And there’s a possibility that he’s part of what’s making Twitter thrive today.

Staying on the topic of things that men often think about, let’s talk about Salma Hayek. Salma Hayek plays the character of Sara, who is Maximo’s sister. Her character is overall, pretty pissed that Maximo is staying with her, after all, she has a job, Maximo doesn’t. She’s got money, Maximo doesn’t. I didn’t find her to be the worst character on screen, although she a has a job where she’s just trying to move up from where she stands in the company, but she just can’t get there. This brings perhaps, one of the most forced, moments of comedy, I’ve seen all year! She’s talking with this woman, and the woman says that Sara’s a fine person but she wants someone with “more experience” to take a certain occupational task of discussion. Although before this woman says “more experience,” Sara interrupts her assuming she’s about to say “more experience.” This causes the other woman to say that she must finish her sentence and she needs to get out what she needs to say. When your movie plummets down to a level of comedy as low as that, you know you have a s*itshow on your hands!

There are two kids in this photo as you can see, the one we’re gonna be focusing on is the one on the left, which is the son of Salma Hayek’s character, who happens to be played by Raphael Alejandro. This kid’s name is Hugo. I will say one thing, I did care for this kid more than I did for the main character, but you also have to consider how much of an influence the main character was on him. There was a point in the movie where I felt bad for him in a way, but at the same time, I just couldn’t bear seeing him, or anybody else in this stinking picture for that matter. Also, he did this one science experiment that I saw in his room that basically took up the entire space! For what I recall, this was something he was going to present at a science fair, and I just questioned why it would be in his room given what the experiment was and if it would even make it to the show. It almost crushed Maximo, who was sleeping on an air mattress laid out in this room. It almost reminded of “Daddy’s Home” when the Ford Flex goes through the house. I get the movie’s a ridiculous comedy, but the mind can only go so far in suspending disbelief. Just… have some sanity in this universe.

Kristen Bell is also in this film as a character who appears in a number of scenes. I mean… Why? Is “The Good Place” not giving her enough money? Her character is named Cindy, and she’s a crazy cat lady who works at a yogurt place. Her character reminded me a lot of Holly from “King of Queens,” which if you’ve never seen the show, she’s a dog walker with blonde hair. So both have some sort of connection with animals but the big difference between these characters is that the one in the movie we’re focusing on annoyed the living crap out of me. She felt like a cartoon! She may as well be a female Ghostbuster! This character just felt one dimensional, and I didn’t care about her enough to get to a point where I come across her buttload of cats later on in the picture.

These two characters above are enemies that Maximo meets along the way during this film, as if divorce and a lack of money weren’t enough. The one on the left is named Nick and the one on the right is named Scott. The pair remind me of the henchmen from “Super Mario Bros.: The Movie,” a movie that if you never watched, pretty much suggests that you didn’t have your childhood ruined by a dumbass and his equally stupid sidekick who both go by the last name “Mario” for some reason. The good news is, as characters, I think these two are better than the henchmen. They’re less cartoony. The bad news is, they aren’t good enough. They just spit out standard jokes and they just sound like something that are written by a three year old!

I know that I’m being hard on this film. Although there is a part of me that thinks this movie really could have worked… If it were Opposite Day. I don’t even think there is a way something like this could work. At least one that I can think of. Gosh! This movie probably just made my IQ shrink to a new low! “How to Be a Latin Lover” relies way too much on sexual humor, a lack of realism at times, and things that happen in the movie that could come off as a bonding experience between a wise person and a young person, but just come off as awkward in the end. You guys ever seen “Big Daddy?” The Adam Sandler movie? That movie displays a similar relationship between a wise person and a child. The experienced man wasn’t exactly teaching what’s right to do towards the child, but simultaneously you couldn’t help but admire what’s going on because it was funny and it wasn’t as awkward. He wasn’t teaching “the joys of getting into a girl’s pants,” it was letting the kid make his own decisions, being a brat at the park, how to get Halloween candy in unpredictable manners, stuff like that! Sure, it’s somewhat immature humor but ultimately I can’t help but admire it for working and making me laugh. In fact, if getting a girl to have sex was taught to the child in “Big Daddy,” it would have been even more awkward considering the child in that film was five!

In the end, “How to Be a Latin Lover” has a new hater. As time as passed, I wonder if I’ve seen a lot when it comes to comedy and I just don’t find much of anything funny anymore. Heck! I was one of the people who barely laughed during “Guardians of the Galaxy Vol. 2!” Nevertheless, I think this movie’s crap and I’m going to give “How to Be a Latin Lover” a 2/10. There have been films, like this one, where I’ve seen sexual comedy work. This doesn’t associate with the ones that work. Part of me even wonders why I bought this movie, oh right! It came out this year! I’m seeing as many 2017 movies as I can by the end of the year! What a stupid question! Agh, thanks for reading this review. If you want to see reviews to better movies, I’ll post links to those down below. Be sure to check out my reviews for “Justice League” and “Wonder.” Stay tuned for more reviews! Also, I want to know, did you see “How to Be a Latin Lover?” What are your thoughts? Or what is the most awkward comedy you’ve ever seen? Let me know down below! Scene Before is your click to the flicks!

“JUSTICE LEAGUE” REVIEW: https://scenebefore.wordpress.com/2017/11/23/justice-league-2017-what-does-this-mean-for-the-dceu-plus-talk-about-the-movies-box-office-return/

“WONDER” REVIEW: https://scenebefore.wordpress.com/2017/11/25/wonder-2017-face-the-facts/