Scene Before 2019 HALFTIME REPORT (And Glance Into the Future)

WARNING: The following post is over 8,000 words long. Disappointingly, it’s not over 9,000.

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Hey everyone, Jack Drees here! 2019 is midway through and this year is going by fast! As far as my personal life goes, I’m in between my first and second year of college, I am enjoying my time off, and I’m the same movie reviewing moron as usual. Things have changed, but at the same time, I’m still the same flick nerd I have always been. And I mean that literally, but we’ll get to that later. However, I wanted to try something I haven’t done before on this blog. At the end of the year, I tend to do some reflective work, most notably countdowns. And while I am not going to do that at this current midway point, I would at least like to sit myself down and go over some recent highlights related to Scene Before. At the same time, I’d like to also look into the future. Admittedly, some of this is still in planning stages, but still.

I’d like to start off with something I’d like to call “TERRIFIC 3” and “TERRIBLE 3.” I am going to list 3 movies that I have watched this year that I would recommend to people and 3 other movies that I would tell people to avoid. Now, of course, these picks are subjective, if you think differently about these films than I, it might be slightly harder to talk to each other, but you are nevertheless entitled to your different thoughts. In fact, these are not supposed to be my top 3 best or worst of the year so far. If I like a film, I’ll list it, if I don’t like a film, I’ll also list it. These are not meant to be in any particular order. Anyway, let’s begin!

TERRIFIC 3!

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Starting off the Terrific 3 is “John Wick: Chapter 3!” I went to see this film in Dolby Cinema alongside my dad, who might be a bigger “John Wick” fan than anyone else I know. He and I walked out agreeing that the action in the film is absolutely top-notch. The action in “John Wick” films is certainly the aspect that would grab my attention more than any other. Long takes, innovative setpieces, gritty violence, all of it adds up to make some of my favorite action scenes of all time. When it comes to current action franchises, I am having some slight trouble deciding whether I prefer this or “Mission: Impossible.” It’s that good!

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Up next is a stellar DreamWorks animation whose franchise I never watched religiously, but always liked, “How To Train Your Dragon: The Hidden World.” If you have ever seen the game show “Deal or No Deal,” the show always highlights the phrase “timing is everything,” and when it comes to “How To Train Your Dragon: The Hidden World,” that phrase becomes more relevant than ever. This movie came out in the middle of my second semester of college, and I could not help but feel like the people behind the movie were trying to consider me in its target audience. After all, while “How To Train Your Dragon” may be a franchise directed towards families and children, this growing adult could not help but feel like a kid again. In fact, to add more to this true masterpiece of an animated film, I became more emotional during this movie than I did during perhaps more than any other. Even more than “Toy Story 3.”

Last but not least for the Terrific 3 is a movie that I decided to list because it’s on a slightly different end of the spectrum. Because let’s face it, I’m kind of recommending movies to you, and why recommend “Avengers: Endgame” when almost everyone went to see it? So let’s recommend a smaller movie, such as Terry Gilliam’s “The Man Who Killed Don Quixote.” Now some would argue that this is a 2018 flick, but in the United States, which is where I live, this didn’t come out until 2019. For those of you who don’t know this movie, “The Man Who Killed Don Quixote” took decades to make, and it’s about a guy who reunites with someone he worked with during a production. This person he meets with is convinced that he is Don Quixote. This did not get that big of a release in theaters, but it is worth seeing just because of its history, because despite going through “development hell,” it managed to turn out quite well! The movie is now available on home video including various VOD options.

Now let’s move onto something that probably doesn’t deserve any attention, but because I believe in equality, we’re talking about it anyway, the Terrible 3!

TERRIBLE 3!

First up is a movie that I want to put on here because what’s the harm with having an unpopular opinion? Oh wait, everything. Who cares? One of the most successful movies of the year, “Captain Marvel,” just didn’t stick the landing for me. This had a lot of hype building up to it, but I personally just couldn’t relate. And when I saw the final product, I felt like… Wait, why’s everybody laughing and cheering? Yes, there are a couple of cool moments in the movie. For example, I dug the 90’s references such as Blockbuster Video and Dial-Up Internet. Brie Larson and Samuel L. Jackson have some good chemistry, but when it comes to Larson in general, her performance was kind of mediocre. Granted, I know grade-A acting isn’t the biggest component of a comic book movie, but Brie Larson, an Academy Award winner, felt more like she was in a couple straight to DVD films and that’s it. Granted, I think she did a slightly better job in “Avengers: Endgame,” but her performance here simply underwhelmed me. Plus, there’s a moment in this movie that references a significant part of the MCU lore (having to do with Samuel L. Jackson) and quite honestly, the way they go about it just killed my brain.

Up next is a movie that could have been great but was simply wasted. From the creators of NOT “Firefly” comes “Serenity.” “Serenity” could be somewhat fun, not to mention a great “thinker” movie, but it manages to become more boring the more I think about it. I love the movie “Interstellar,” so I was somewhat excited to see Matthew McConaughey and Anne Hathaway unite once again for another project. Both have talent as actors and they’ve proven they have great chemistry. Honestly, I’d just go back to watching “Interstellar” if this is the movie we’re getting. Although this movie came out in January so it should not be surprising that we would get a movie of this quality.

And finally, we have what may be my worst movie of the year should nothing surpass it, “Godzilla: King of the Monsters.” The sad thing about “Godzilla: King of the Monsters” is that I was actually desperately anticipating this movie. When I went to see it, I was ready for what was about to happen. Or was I? Seeing movies in IMAX may be great because it feels so big, but when they’re a big mess, what is the point? Maybe the monster fights could be fun, but if I wanted to watch this movie again, I’d probably have to be heavily drugged. Because let’s face it, as cool as big monsters are, the unforgivable part of “Godzilla: King of the Monsters” are the one-dimensional human characters. This could be slightly less intolerable if the human characters were less of a focal point during the movie, but they made me want to go back and check out some of the “Transformers” movies again! They’re THAT horrible!

I just showed you all my terrific and terrible picks, now let’s go over a few recent highlights from my blogging journey.

As usual, I kicked off my 2019 with my traditional countdowns to reflect on the year of 2018 in film. I went over the best of the year along with the worst of the year. Some of my top picks included “Spider-Man: Into the Spider-Verse,” “Eighth Grade,” and “Mission: Impossible: Fallout.” Some of my bottom picks included “The 15:17 To Paris,” “Uncle Drew,” and “Life of the Party.” I enjoy doing these countdowns every year and this is the first year that I started writing what I would put in the countdowns as early as August. I did not do this for every single movie, but I visualized the lists a long time prior to actually releasing them. This does not suggest that I avoided considering movies released past August, as evidenced by some of my picks.

After I did my lists, I saw my first 2019 release, which according to IMDb, is actually a 2017 release. Based on my experience and research, I’d call it a 2019 release, but still. That film by the way is “The Upside,” which is a remake of 2011’s “The Intouchables.” I personally have not seen “The Intouchables,” and while “The Upside” from my perspective is not really anything special when it comes to cinema, it is still a fun time. I went to see it at a press screening, and there were tons of laughs to be heard.

A couple weeks later I went to one of my local arthouse theatres to see a flick that I almost ended up passing on. Specifically, “Roma.” Why? Because when it comes to today’s media, Netflix is a company that I traditionally tend to avoid. But one of my local theaters managed to get access to a 70mm film print of “Roma,” which would be presented for a limited time. I took advantage of the opportunity and purchased a few tickets for a matinee show. Not only was the experience breathtaking, but the movie was one of the best of the past year. If I had to redo my top 10 lists of 2018, this would be on the best list, but I saw “Roma” after completing said lists.

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I also decided to try out a new concept this year which I have decided to make an annual tradition, the Jackoff Awards. For awhile, over the past year, I have grown to admire the Oscars based on how much respect they tend to pay towards the film industry. Granted, they’re not perfect, but what they’ve done over the years is absolutely intriguing. I thought to myself, why not do a big awards related post? Present similar categories to other major shows, I do my own comedy bits, and it was perhaps the most ambitious post I have ever done. As for Best Picture, I decided to present what was then my top 10 of 2018, which DID include “Roma,” and instead of having me choose Best Picture, I would allow my audience to choose the winner. I figured it would allow for diversity in terms of opinions, and I managed to get a surprisingly diverse number of votes. I got some votes for “Spider-Man: Into the Spider-Verse,” “First Man,” “Ready Player One,” but the winner turned out to be last year’s biggest comic book movie, “Avengers: Infinity War.” Honestly, if there were any movie to put in my Blu-ray player on a Friday night at this point, it would most certainly be that one.

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I then continued my journey in March by going to the place that I would associate with film more than any other, Los Angeles. My family and I stayed right near Hollywood Boulevard and I got to visit a few media-related sights including Warner Brothers Studios, the TCL Chinese Theatre (where I saw “Captain Marvel”), and Universal Studios Hollywood. I also got the chance to witness a live taping of “Conan.” While I didn’t make a big post related to this, I managed to briefly discuss some of my highlights here and there.

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For those of you who are curious about my “Conan” taping experience, I managed to witness almost two full shows. Why? Conan O’Brien had to be somewhere when his Thursday show would air, so naturally, he had a demand, he wanted us, Thursday’s audience, to “make Tuesday’s audience look like s*it.” We got see all of Tuesday’s show, which had a couple comedy bits and an interview with Timothy Olyphant (Live Free or Die Hard, Santa Clarita Diet) and a good fraction of a Thursday night show which featured comedian Moses Storm, who joked about cell phone users, “Shark Tank,” and revealed a story where he would tape episodes of Conan O’Brien’s older talk show episodes over his religion-related educational programming. By the way, Conan in person looks like a real life action figure. Maybe it’s the makeup. Maybe it’s the lighting in the studio, but my gosh.

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I also got to visit an RPX venue for the first time. For those who don’t know about RPX, they are a premium format that can be found exclusively in cinemas under Regal Entertainment Group ownership. I didn’t plan on attending RPX when I did, but I managed to get something off my list of movie-related things to do before I died. After all, “Us” just came out, and I was in the Boston area. I figured just to save time, I’d go for the earlier, but more expensive show that Regal Cinemas Fenway was providing, as opposed to another show which would be starting a half hour later. For your information, I was aware that I was going into an RPX screen. I didn’t mind my decision, I figured if I wanted to see “Us,” I’d go see it in full scale glory because I was really anticipating it. While I have still yet to see “Get Out” to this day, I have heard about its overwhelmingly positive reception and I was expecting that Jordan Peele would deliver another sick movie. While “Us” was not perfect, it was definitely worth seeing, and I wouldn’t mind watching it again. As for the RPX experience itself, I thought the seats were not too bad. The capacity was through the roof, the screen, while not entirely wall to wall, was huge. As for the sound… It is undeniably better than a standard theater, but I was a little underwhelmed. Maybe I went to see the wrong movie, maybe the employees turned the speakers down, but when I compare the sound to something like IMAX or Dolby Cinema at AMC, I would go back to both of those places first.

Moving onto April, I managed to survive the whole “Avengers: Endgame” ticket buying craze. For those not fully immersed into what I just stated, I must point out that “Avengers: Endgame” tickets went on sale April 2nd, and the Internet went balls to the wall nuts when it came to snagging tickets. I had to wait in Fandango’s line, AMC was having problems, and it got to the point where I had to buy tickets from a somewhat local cinema chain, on their own, slightly buggy website, just to make sure I could get into school on time. I almost took the train to one of my local AMCs because I could stop by there on the way to school. If I did that, I am willing to bet I would have missed out on opening night of “Endgame,” which was the day I was shooting for. After all I did want to get my review out as soon as possible, and I did manage to score a couple tickets on remaining good seats for a 9PM show. Not at an AMC, but at a Showcase Cinemas. While it was not my first choice, I don’t regret going there, because an hour before going into the cinema, I got a glimpse at everyone leaving the 22 MCU movie marathon the theater was showing over a few days. Everyone was being applauded, and they left with some merch. I recorded this aftermath on Facebook Live, and despite my camera’s focusing problems and poor cellular service, I managed to get some respectable footage. Also as a Bostonian, I was proud of myself to catch a reporter from one of my local news channels, WBZ, or CBS Channel 4. To be specific, Tashanea Whitlow. As for the premiere itself, the movie was fun, and the three hour runtime was rather justified given what we as an audience received. I didn’t think it was perfect, I’d much rather watch “Infinity War,” but it was a great finale to over ten years of films. I will also say, this may be due to where I went to see the movie, seeing “Infinity War” was also a better experience. Because I went to see it at a 7PM show on opening Thursday on an eight story IMAX screen. If you have ever gone to see an event-type film in India, that is one of the most solid comparisons I could make to my experience. It was like going to a Stanley Cup game or something. “Endgame,” which was in a sold out theater in regular 2D, had barely any applause (although some reactions here and there), and out of everyone in the theater, I may have been the most obnoxious. If I had to make a sports comparison, I’d probably say it was like going to a slightly more competitive golf tournament. It was lively at times, but not like the roof was being blown off the place. I know some people are not particularly fans of going to theaters where everyone is reacting to the film’s key moments, but as a fan of the MCU, it’s something that I considered to be a privilege during my “Infinity War” experience.

May was an interesting month for me, because I just finished my first year of college, so I got a little more active on the Scene Before side of things. I’m now trying to earn revenue with the blog, I saw more movies than I did in months such as March or February, and I even changed my domain name. Unfortunately, scenebefore.com was taken, so I wanted to make sure I can fit something that would associate with me, but also be precise. I thought something like moviereviewingmoron.com, while definitely appropriate, is a tad too long. Luckily, after some searching, I found out that flicknerd.com was available. Did I ever call myself “flick nerd” on this blog? No, but I figured it would be a cool name to have because its simplicity will probably gain enough traction overtime. It’s hard to tell though, because this advanced blogging journey, at least from my point of view, is just getting started. I’m looking for sponsors, more potential viewers, but I’m also trying to be the same movie reviewing moron that everyone has come to know.

One of my highlight posts of the month is titled “What THE BIG BANG THEORY Has Meant To Me: A Nerd’s Perspective.” For those who are unaware, CBS’s “The Big Bang Theory” just finished it’s twelfth and final season on the air, so I figured I’d take some time to remind the world of what the show has meant to me as a fan, as someone who would constantly tune in to new episodes, and most of all, as a nerd on the autism spectrum. I probably won’t have time to give a detailed description of everything I said, so if you want to read the post, click this link!

I also saw another one of my favorite films so far this year, “John Wick: Chapter 3 – Parabellum!” Not only that, but like I mentioned earlier, I managed to catch a Dolby Cinema presentation of it, which surprisingly, didn’t make me feel like I was getting shot in the head, which may be a good thing. Seriously though, “John Wick: Chapter 3” is probably the best installment of the franchise yet, and Keanu Reeves might now just have a better trilogy than “The Matrix!”

But I cannot say the end of the month was great, because “Godzilla: King of the Monsters” happened. Sad day. Even though I went to see the film in full scale IMAX glory, it didn’t feel like something worth my time.

Moving onto June, I managed to do something pretty cool with my dad. He and I go to the movies together a lot because for the most part we have similar tastes. We match together when it comes to sci-fi, action, comic book-based material, comedy, etc. However he has never been to an advance press screening, so I thought just for fun he and I could do so for the new movie, “Men In Black: International.” It’s a movie that I probably would have checked out had I waited for it to release everywhere. After all, “Men In Black 3” is my favorite movie of 2012. However, since this was free, not to mention, early, I thought dad and I could trek to the theater and see what this movie had in store. I personally enjoyed it. I know some people were scared of how this movie would turn out based on the marketing (Then again, it’s a Sony film, whaddya expect these days?). I thought the first trailer was alright, but not great. The second trailer was an improvement and actually got me more interested in the film. As for the film itself, it is not Shakespeare, but it’s a fun time at the movies. Chris Hemsworth and Tessa Thompson have great chemistry together and I think Kumail Nanjiani’s character is a fantastic comic relief.

The best movie I saw this month was “Toy Story 4,” which I must point out, I probably was not even looking forward to back when it was announced. Boy, times do change! Unfortunately, I had to witness brain cell erasers such as “Replicas,” which I bought on Blu-ray since I had some Best Buy rewards to waste. I also saw “The Secret Life of Pets 2,” which is worse than getting scratched in the eye by a cat. Yes, Harrison Ford is in it. Yes, he is the best part of the movie. But I might as well be at the point where I would rather have a dog sniff my butt then go so that film again!

Now that I have recapped my highlights, I just want to remind everyone of what’s being planned for the future. Here is my unofficial schedule for the second half of 2019!

JULY:

Throughout the month of July, there are not that many movies coming out compared to other months in the year (at least according to Wikipedia), but I am planning on catching a few blockbuster highlights such as “Spider-Man: Far From Home,” despite how little anticipation I have for it. I also really want to catch Disney’s live-action remake of “The Lion King.” I am not a fan of the Disney live-action remake trend, but I feel that this movie will be a great theater experience and also rather compelling. I don’t know how much it is going to be a carbon copy of the original or how much it’ll go in its own direction, but I am somewhat curious as to what will come of it. I know it is longer than the original, which slightly worries me, because it could add something that perhaps the 1990s film didn’t even need, therefore ruining my experience. Plus, it’s being directed by Jon Faverau, who also worked on 2016’s “The Jungle Book,” another Disney live-action remake, which was one of my favorite movies of said year. I also really want to check out “Crawl.” The trailer didn’t have me fully onboard, but I am still curious as to how this film will turn out. Plus, it’s being produced by Sam Raimi, who is known for his work in the horror industry, and one of my favorite comic book movie directors.

This does not mean that I want to ignore independent work, because on the same weekend as “Spider-Man: Far From Home,” A24 is releasing one of my most anticipated movies of the summer. Specifically, “Midsommar.” When your movie is A: Directed by Ari Aster, who had a phenomenal feature-length directorial debut last year with “Hereditary,” another A24 film, and B: Described by Aster as “a Wizard of Oz for perverts,” I am instantly intrigued. “Midsommar” takes place in rural Sweden as a young couple takes a vacation and settles in the area. Alongside their friends, they eventually discover that this area has a festival that takes place once every ninety years, which creeps them all out. I want to see Ari Aster succeed, so hopefully this film does well.

Speaking of successful filmmakers, another well-known director in the industry, specifically Quentin Tarantino, is going to be releasing his ninth film, “Once Upon a Time In Hollywood.” And to be honest, as anticipated as I am to see this film, I have to let something out. I have not seen much of Tarantino’s work. I will most likely be going to see “Once Upon a Time In Hollywood” when it comes out, maybe in 35mm, but before I do that, I am going to be doing a small series of reviews for Quentin Tarantino movies. In fact, I already have a few lined up. Specifically, “Pulp Fiction,” “Django Unchained,” and “The Hateful Eight.” Those reviews will be done as weekly projects and they should all be up before the official release date of “Once Upon a Time In Hollywood,” July 26th.

 

AUGUST:

SAMSUNG CAMERA PICTURESRemember how I would occasionally announce I am going to cons from time to time? For some reason I have failed to do that this year. It’s not like I am not going anywhere, but I have just failed to put myself in front of my keyboard and try to say, “Hey guys, here’s where I’m going, stalk me!” Not that don’t mind the attention, I’m just saying. But if you really want to know about my next con, I do have it booked, and I will be going to Terrificon, which for those of you who have been following me for some time, you’d know that is also the first con I ever documented on this blog. And I am thinking of doing something a little different this time, just to spice things up. I’m trying to push more video content into my posts, maybe I’ll insert a compilation of the con’s highlights. I’ll record it on my camera, maybe my phone, whichever has more memory at the time. Maybe I’ll post it on YouTube and link it here. Who knows? But here on Scene Before I am trying find ways to innovate, and maybe this could be one of them.

Speaking of cons, this is NO GUARANTEE, partially because I have not even bought tickets, but there is one convention that is about a half hour away from my house that I kind of want to go to. Whether or not I am going, that’s a different story, but should things go in a certain direction, I may end up going to Fan Expo Boston, which is a con I have surprisingly never been to. And the guest list this year, aside from a couple big cancellations, is solid so far. You’ve got Zachary Levi (Shazam!, Tangled), who I will say, even if you are not into his work, he is a fun guy to meet, he is upbeat and has a massive sense of charm. Part of the cast of “Blade Runner” is going to be there including Sean Young, Rutger Hauer, and Edward James Olmos. I have a feeling there are more guest announcements coming our way, and if there are, I cannot wait to hear them, because there have been a lot of cool names who were there over the years to the point where I almost have slight regrets on missing out. If I were to get tickets to Fan Expo, I’d probably just go for one day. After all, Terrificon is the week prior, and I am staying overnight during that weekend, so my budget might be slightly higher at that event compared to Fan Expo.

Moving away from cons, I will say that my biggest film catches for August right now have to be “Hobbs & Shaw,” “Dora and the Lost City of Gold,” “Good Boys,” “Where’d You Go Bernadette?,” and “Scary Stories to Tell in the Dark.” There is not much from August that I am truly anticipating, but I will inevitably go see a few things here and there. And if you want to know something, I only put down “Dora and the Lost City of Gold” because let’s face it, “Dora the Explorer” was a part of my childhood, and nostalgia equals money nowadays. Granted, this movie looks a tad more adult-friendly than the cartoon. But am I looking forward to it? Hell no. In fact, I am thinking it is only going to ruin my childhood, but I might as well give it a chance just because I am a nice guy. I saw the recent “Power Rangers” film partially out of nostalgia and that worked for me, might as well do it with “Dora” and see if that works.

 

SEPTEMBER:
If I had to predict my least active month for the rest of the year, I have to call it right now, September is certainly a contender. For one thing, I’m going back to college, so I need to adjust to a new routine. I’m still going to keep my promise of doing at least one post within every 7 days or so, that way you can keep witnessing my constant dedication to this blog. I’m probably not gonna go see “IT: Chapter Two” mainly because I still have not seen the first one. Although the cast is pretty nifty from what I have experienced. But I am interested in “The Goldfinch,” I have some slight intrigue towards “The Report,” and maybe I’ll check out “Abominable.” I saw one of the trailers for it, and it looks like it might not be a new animated classic or anything, but I am somewhat curious to check it out, partially because even as an adult, I still have a slight need to check out animations from time to time. Plus, it is from DreamWorks, and I’m currently trying to seek out their next big thing. “Kung Fu Panda” is done, “How to Train Your Dragon” seems to be done, maybe this, or something else, can be their next kickstarter to a solid franchise. Then again, apparently they’re making sequels to “The Boss Baby,” “The Croods,” and “Trolls,” so why should I expect absolute quality? Nevertheless, it’s worth a shot.

Although if you had to ask me what my most anticipated movie would be for the month of September, it’s a no brainer, “Ad Astra.” I love space, I love compelling, dramatic stories involving space travel, even if it is close to Earth. Plus, the second half of the year for numerous ages of my life have typically contained at least one epic space movie. Maybe “Ad Astra” will be the next to join the ranks with other movies from this decade like “The Martian” and “Interstellar.”

 

OCTOBER:

This October is pretty interesting to me, because there will be a weekend where my mother and sister are out of the house and I will quite honestly, need something to do. I can’t just stay trapped behind walls! I have to see the world! Nevertheless, that particular weekend is the release of “Joker,” which I am inevitably going to check out no matter what, but for the sake of having an early review, I’m going to check it out as soon as possible. I have Fridays off from school this upcoming semester, maybe I’ll do it then. The following week is the release of Will Smith’s “Gemini Man,” directed by Ang Lee, so I might see that. And the week after is slightly bigger because Taika Waititi is coming out with his latest directorial feature, “Jojo Rabbit,” where believe it or not, Waititi himself plays Hitler. I never pictured that, but this film certainly has my attention. That same week is also the release of “Zombieland: Double Tap.” I had fun with the first “Zombieland.” I enjoyed the chemistry between Jesse Eisenberg and Woody Harrelson, and it has, at least to me, a pure highlight from Bill Murray’s acting career. And to my surprise, he’s coming back for this movie! I also want to check out “The Aeronauts” which is being released by Amazon, and the reason why I want to check it out is because it is Amazon’s first attempt at an IMAX run and it is also being released a week early in that format. The film will technically be in standard theaters in November after it’s week-long IMAX run. And if this is the case, this reminds me of the excitement I had for Robert Zemeckis’ “The Walk,” because that released a week early in IMAX and that was quite an experience.

Speaking of lesser known films, one other thing I want to check out is the South Korean flick “Parasite.” It’s getting tons of buzz at film festivals, having earned Palme d’Or at Cannes, winning the Sydney Film Festival, and already making tons of money in Korea. The film’s US release is this October, which would put it in a reasonable spot to be remembered by Academy and Golden Globe voters.

 

NOVEMBER:
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This November is particularly interesting. Because November 1st is the day I’m heading off to Providence for Rhode Island Comic Con, and that’s the day after Halloween! I’m not cosplaying (at least I have no plans to right now) at this con, but I just want to walk around the convention floor for hours and stumble upon every costumed individual and wish them a Happy Halloween. Nevertheless, I am staying true to my annual tradition of going to Rhode Island Comic Con. The guest list is usually filled to the brim, so I cannot wait to hear more announcements over these upcoming months. Even so, the convention has had some huge announcements for guests thus far. Some guests include Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), William Shatner (Star Trek: The Original Series, Boston Legal), George Takei (Star Trek: The Original Series, Kim Possible), Steven Yeun (The Walking Dead, Final Space), and to my utter surprise, and possible delight, Chevy Chase. By the way, Chase made an announcement about his upcoming appearance online and the video he made for it is very funny.

Sticking to the announcement wishlist concept, I recently made a submission on the con’s website suggesting names of five possible guests that I want to see. They include: James Murray, Curtis Armstrong, Kunal Nayyar, Doug Walker, and James Holzhauer. I could be mistaking Doug Walker for somebody else, but even if I am, he would be fun to see at the con. Of all these names, the one that really stands out to me is James Holzhauer. Out of all the people on this list, he is the least “celebrity-like” of all of them. James Murray comes close, but barely misses the mark. For those who are unaware, Holzhauer is the name of the recent “Jeopardy!” contestant who wouldn’t stop taking the show’s money. He has nearly broken Ken Jennings’ regular winnings record, only to be stopped by an opponent who beat him by more than double his final total for the game he lost. I think Holzhauer appearing at Rhode Island Comic Con would not just be unique, but also entirely appropriate. After all, it would probably bring in a new audience of people who would otherwise skip out on cons. Plus, as a game show enthusiast, I cannot help but keep talking about Holzhauer like he’s my own child. It’s almost as if being able to catch the latest “Jeopardy!” episode or at least reading up on the latest stats was the ultimate bragging right. Also, this year I’m going with a VIP ticket, which comes with various perks.

VIP Ticket Perks:

  • 3 day admission
  • Early bird admission (9AM Sat & Sun)
  • Private VIP Entrance
  • Private VIP Lounge
  • 3 Exclusive RI Comic Con Show Prints
  • Rhode Island Comic Con Swag Bag
  • 20% off RICC Branded Merchandise
  • Exclusive VIP 2019 RI Comic Con Badge
  • Exclusive RICC AR Comics-Comic Book
  • Exclusive RICC Comic Book
  • VIP Autograph Fast Pass Line
  • VIP Photo Op Fast Pass Line
  • Chance to Win 2020 VIP Pass
  • One Exclusive Mystery Item

I am personally excited for the con, and believe it or not, it is not the first time I’m getting a VIP badge, because the first time I went, which was in 2015, I managed to get said badge as well.

That same weekend is also the release of the new “Terminator” film, “Terminator: Dark Fate.” It is a cliche title, but its first trailer, personally had me intrigued. I’m excited to see what Tim Miller has up his sleeve in terms of direction. I am somewhat excited to see James Cameron involved again, although I am slightly worried because we now have more disposable “Terminator” movies than memorable “Terminator” movies. Let’s just hope we can change that.

Some of my other most anticipated films of the month include “Ford v. Ferrari,” “Knives Out,” and “A Beautiful Day in the Neighborhood.” “Ford v. Ferrari” takes place during a race to determine which of the two recently specified car brands will dominate. “Knives Out” is an upcoming mystery crime film directed by Rian Johnson. I did not like his interpretation of the “Star Wars” universe, but it does not mean I am not willing to check out his future work. Plus, this movie has a number of big names that I imagine a lot of people would like to see. Some include Daniel Craig (Casino Royale, Logan Lucky), Chris Evans (Captain America: The First Avenger, Gifted), Lakeith Stanfield (Black Panther, Sorry To Bother You), Ana de Armas (Blade Runner 2049, War Dogs), Jamie Lee Curtis (Halloween, Scream Queens), the world’s best Kevin Spacey impersonator, Christopher Plummer (All the Money in the World, A Beautiful Mind), and recent Jackoff winner Toni Collette (Hereditary, The Sixth Sense). As for “A Beautiful Day in the Neighborhood,” it is in the current conversation to be my most anticipated film for the remainder of the year. For one thing, I saw “Won’t You Be My Neighbor?” last year, which much like “A Beautiful Day in the Neighborhood,” is about Mister Rogers. That documentary not only compelled me, but reminded me of my personal flaws in my childhood, and maybe inspired me to be a better person. I still rage out on this blog a lot, but it’s something that I don’t really do for me, I do it for the entertainment of others, so that’s different. But it reminded me of how much it pays to respect those around you. Plus, TOM HANKS IS PLAYING THE STARRING ROLE?! Who else could do that?! He’s practically the nicest guy in Hollywood! SIGN ME UP! Believe it or not, that comes out the same weekend as “Frozen II,” but who cares about that?! Rogers for life!

 

DECEMBER:

The end of the year is always a crazy time for me, but just like last year, it’ll perhaps be less busy than it has been in other years. My fall semester will end during the month, and I’ll be in the cycle of watching previous movies from the year at home. This does not mean that I’ll be skipping theatrical releases, because award season is in full swing. This means I’ll be paying extra close attention to films that receive Golden Globe nominations, and as for reviewing movies I watch at home, the chances of that are very slim. But this does not mean that big blockbusters are entirely off the table. For one thing, they tend to sometimes do pretty well in certain technical categories, and we have another “Star Wars” film this year. I have intentions to go see “Star Wars: The Rise of Skywalker” opening Thursday night, mainly because I want to buy tickets as early as possible. If I can’t do that, I am going to try extra hard to find an available press screening, because aside from “Endgame,” “The Rise of Skywalker” is perhaps the biggest movie of 2019. Aside from being titled “Star Wars,” it is supposed to end “The Skywalker Saga,” and J.J. Abrams is directing again. I was not a huge fan of “The Last Jedi,” but I love “The Force Awakens” like it is my own brother. I am honestly more excited for “The Rise of Skywalker” than I was for “The Last Jedi” before that came out because I was somewhat worried that “The Last Jedi” would be a carbon copy of “The Empire Strikes Back.” Turns out it wasn’t, despite similarities to older films in the saga. And I even say this knowing how some things in “The Last Jedi” turned out. Having seen the trailer back in April, knowing certain plot points that could play out, and realizing J.J. Abrams could save this sequel trilogy, I am rather giddy for this December. But despite my excitement, I gotta ask. HOW IS PALPATINE STILL ALIVE?! I am excited to possibly see him in this film, but really?! When he was thrown down the pit in “Return of the Jedi,” yeeaah, HE F*CKING DIED. There is no coming back from that. I’m intrigued, I just need to be convinced.

When it comes to smaller films, one such film I am very excited for is “Little Women.” The film is supposed to explore the lives of sisters as they live in 1860s Massachusetts. It may not be my type of movie on paper, but one reason why I am excited is because the film is being directed by Greta Gerwig, who also helmed one of the best coming of age stories I have seen in recent years, “Lady Bird.” In addition to that, the cast is killer! This movie’s got Meryl Streep (Sophie’s Choice, The Iron Lady), Emma Watson (Beauty and the Beast, Harry Potter and the Philosopher’s Stone), Laura Dern (Big Little Lies, Jurassic Park), Saoirse Ronan (Lady Bird, Mary Queen of Scots), and Timothée Chalamet (Interstellar, Beautiful Boy)! I am also probably going to be looking into “1917,” which is a war film. Those tend to often go for awards, which is why I have my sights set on it. There are a couple films that I might check out that I would probably regret seeing, but the only real film that I’d struggle with reviewing is “Fair and Balanced.” Granted, this does not mean I am not looking forward to the film, nor am I expecting to be underwhelmed with it, in fact it sounds rather intriguing from a storytelling point of view. But the movie is about relationships between women and Fox News owner Roger Ailes, and I feel that it is going to be rather hard to keep my political opinions out of the review. I’m not saying I am a core conservative that keeps a closed mind, I try to see all sides and then form my own opinion. I have made various political jokes here and there on Scene Before, but politics is not my top priority, especially when you consider how divided we are as a country right now. Although I did manage to check out “Vice” last year, which was pretty good, but part of it had to do with the buzz it has been getting. Who knows? Maybe I’ll check out “Fair and Balanced,” for all I know it could be the best movie of the year, but I feel like it would be hard to review if I’m going to have to inject my experience with how the world operates in terms of politics. We’ll just have to see.

And of course, I’ll be finishing off the year, or perhaps more likely, kicking off next year, by recapping my top 10 BEST and WORST movies of 2019. I enjoy doing these countdowns every year, because I get to honor films one more time, and also give myself a minor stress release.

Although I must remind you, it is 2019, and here on Scene Before I am trying to constantly find new ways to deliver exciting content to you all. In 2017, I did a couple of cutaway style parodies, in 2018 I did a post talking about my Blu-ray collection, and just this year I introduced the world to the Jackoff Awards. The question is, where I do I go next? I’ve done tons of countdowns, reviews of the past, reviews of the present, what could be next? I know! ALL OF IT IN ONE. Ladies and gentlemen, if you have been following Scene Before and saw one of my posts in April, you’d know that I put out a trailer for something I once referred to as “Project 2020.” Although, based on statistics, I doubt many of you have even glanced at that post. But for those of you who know what I’m talking about, good for you. You get a “good job” sticker! But for those of you who don’t know, watch this trailer down below!

*ALL COPYRIGHTS BELONG TO THEIR RESPECTIVE OWNERS*

That’s right! I am going to be crafting a list of my highlight movies of the 2010’s, and I must have you know, I am setting this list up to be bigger than the lists I traditionally do at the end of the year. While this is still in planning stages, I will be intending to make this list perhaps a top 25, maybe a top 50. I was also debating on a top 100 as well. Depends on how much time I have. I am honestly MORE THAN EXCITED to work on this list, and release it to you all. I started Scene Before in 2016, which means I did not get too many chances to talk about films from years prior, so not only is this a personal reflection of various films I watched during my blogging journey, but a reflection of an entire ten year span that I lived through before becoming this active on the Internet. I’m not gonna say anything, but 2014 was a great year for film as far I’m concerned, so depending on how the rest of 2019 plays out, we might see a good number of films I’m passionate about from that year make the list. This is not to put down any other year from this decade, I’m just giddy of what’s to come…

And by the way, a worst list is in the works too.

At home I am making an effort to watch various films that have come out this decade just to catch up, and maybe add something to the best or worst list at the end of the year. I’m not gonna get into too much detail, because I do want to save some secrets for when the list comes out, but I am stoked just to be working on this.

Thanks for reading this post! If you like Scene Before and want to see more content, consider following me either with an email or WordPress account! As for upcoming content, I want to remind everyone, in case they forgot by now, I will soon be starting my Quentin Tarantino review series, which will eventually culminate with a review either at the end of July or beginning of August with my thoughts on “Once Upon a Time in Hollywood.” I cannot wait to get started on this, Tarantino is a filmmaker I have often admired behind the scenes, but I have barely seen any of his material. Now is a good time to start! Also, be sure to check out my Facebook page! Get your latest updates from the movie reviewing moron by using Facebook, the home of some of the all-time laziest efforts at wishing someone a happy birthday. Be sure to stay tuned for more great content! I want to know, is there something that you would like to see be done here on Scene Before, perhaps for this half of 2019? Or, what is your favorite Scene Before moment, post, anything that I have done so far this year? It can even be this one for all I care! Let me know down below! Scene Before is your click to the flicks!

Will STAR WARS: THE RISE OF SKYWALKER Be Shown On IMAX 70mm Film?

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Hey everyone, Jack Drees here! Last year, I created a post asking the following question. Will “First Man” be shown on IMAX 70mm film? The answer, no. This year, there is another movie that I have followed for some time that is making me ask the same question. Specifically, “Star Wars: The Rise of Skywalker.” Why? Because despite a majority of this decade’s “Star Wars” films getting 70mm IMAX releases, there are reasons to believe that “The Rise of Skywalker,” the final film in The Skywalker Saga, will miss the mark.

When J.J. Abrams’ “Star Wars: The Force Awakens” came out in December 2015, that released in a number of IMAX 70mm locations, along with standard 35mm and 70mm theaters. It also was projected on IMAX’s then new laser technology in other locations. While that’s not film based, it is a digital response to IMAX’s film projection. When it comes to being projected in IMAX 70mm, the following locations took action.

US/CANADA

Alabama
McWane Center IMAX Dome Theatre – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Florida
Museum of Discovery & Science AutoNation IMAX – Ft. Lauderdale
IMAX Dome, Museum of Science & Industry – Tampa

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
Branson’s IMAX, Entertainment Complex – Branson
St. Louis Science Center OMNIMAX Theatre – St. Louis

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Washington, DC
Lockheed Martin IMAX, National Air & Space Museum

Texas
Omni, Fort Worth Museum of Science & History – Fort Worth

INTERNATIONAL
LG IMAX, Darling Harbour – Sydney, Australia
The Science Museum – London, England

That’s 15 locations. That is less than the number of seasons of “The Simpsons,” “Family Guy,” “NCIS,” “America’s Funniest Home Videos,” “Jimmy Kimmel Live!,” “Real Time with Bill Maher,” “Judge Judy,” “Dr. Phil,” “South Park,” “The Bachelor,” and the combined seasons for “Star Trek: The Original Series,” “Star Trek: The Next Generation,” and “Star Trek: Deep Space Nine.”

“Rogue One: A Star Wars Story” also came out in certain IMAX 70mm locations, but the difference between that and “The Force Awakens,” aside from being a spinoff, is that the film was not shot specifically for 70mm IMAX projection. “The Force Awakens” was shot using IMAX branded cameras, and when a number of films were shot using that, IMAX presented the movie having those scenes fill the entire screen. This is true for many of their digital-based locations, as well as those running film. In fact, the film was shot completely in digital using an ARRI Alexa 65. Nevertheless, it still managed to hit 13 IMAX 70mm screens.

Alabama
IMAX, US Space & Rocket Center
IMAX Dome, McWane Center

California
AMC Universal CityWalk Stadium 19 & IMAX – Universal City
Esquire IMAX – Sacramento
Hackworth IMAX Dome, The Tech Museum

Canada
Kramer IMAX, Saskatchewan Science Centre

Florida
IMAX Dome, Museum of Science & Industry

Iowa
Blank IMAX Dome, Science Center Iowa

Indiana
IMAX, Indiana Stare Museum

Minnesota
IMAX Theatre, Minnesota Zoo

Missouri
OMNIMAX, St. Louis Science Center

Pennsylvania
Tuttleman IMAX, The Franklin Institute

Texas
Omni Theatre Fort Worth Museum of Science & History

Granted, this was a starting list. I say so because “Rogue One” was shown in more IMAX 70mm theaters after its initial release, including one in Connecticut’s Maritime Aquarium, which is one of the closest venues of its kind to where I live. When it comes to this specific theater, they managed to do the same for “The Force Awakens.”

Then came “Star Wars: The Last Jedi,” directed by Rian Johsnon. Much like its chronological predecessor, “The Force Awakens,” this was partially shot using IMAX cameras. I will say though, personally, I missed out on the IMAX experience for this film when it came out. But based on research, I did not miss much. Why? Multiple sources suggest that the film never had any scenes projected from top to bottom on IMAX 70mm screens. The entire movie was projected in an aspect ratio of 2.39:1, which is conventional in the movie industry. The original IMAX-specific aspect ratio is 1.43:1. “The Force Awakens” had 5 minutes of IMAX footage intact. All five minutes was blown up to fill the brand’s screens. But for those who went to see “The Last Jedi” in IMAX, they may have gotten crystal clear images, but black bars up the wazoo. Turns out, as a matter of fact, IMAX was the only film format in which this movie happened to be presented. No standard 35mm or standard 70mm was available. And if viewers did manage to check out these types of IMAX screenings, chances are they flocked to one of these places.

US/CANADA

Alabama
IMAX Dome, McWane Center – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Connecticut
IMAX, The Maritime Aquarium – Norwalk

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
OMNIMAX, St. Louis Science Center – St. Louis

North Carolina
The Charlotte Observer IMAX Dome, Discovery Place – Charlotte

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Texas
Omnitheatre, Fort Worth Museum of Science & History – Fort Worth

UK
London Science Museum – London

That’s 11 locations. That is less than the number of seasons of “The Big Bang Theory,” “Supernatural,” “It’s Always Sunny In Philadelphia,” “Criminal Minds,” “America’s Got Talent,” “Ridiculousness,” “Bones,” “Grey’s Anatomy,” “Face Off,” “The Bachelorette,” “SpongeBob SquarePants,” “Dallas,” “Two and a Half Men,” and “Love Connection.”

As for “Solo: A Star Wars Story,” which released almost half a year after “The Last Jedi,” that was not filmed with any IMAX technology. It still released in the IMAX format however, going through a traditional DMR (Digital Media Remastering) process. Here are the theaters that presented “Solo: A Star Wars Story” in IMAX 70mm.

There aren’t any, the film was entirely released in digital formats.

That’s 0 locations. That is less than the number of seasons of “Freaks and Geeks,” “Firefly,” “Clone High,” “Swamp Thing,” “Whiskey Cavalier,” “The Michael J. Fox Show,” “Bam’s Bad Ass Game Show,” “Son of Zorn,” “Bordertown,” “Inhumans,” “Selfie,” “Heroes: Reborn,” “Ghosted,” “America’s Next Best Weatherman,” and “State of Georgia.” FYI, ALL OF THESE got cancelled after one season.

To be honest though, I can’t complain too much because the entire movie was shot digitally on ARRI Alexa cameras.

And when it comes to a good portion of the locations that have played a few of these recent “Star Wars” movies in 70mm, not only are they few and far between, but many of them rarely play Hollywood features. Many of these theaters simply show IMAX-distributed documentaries that are either new or cater to a theme that would associate with a venue. Not to mention, a glaring fraction of these are domes, and while I will say I rarely go to domed IMAX theaters, one thing to point out about them is the 180° style of the screen. With a number of cinema screens, it is sometimes easy to notice a slight curve they can provide, and traditional IMAX screens are no exception. Forget about a curve with an IMAX Dome, it’s practically a boulder sliced in half. Not only do they rarely show Hollywood features, but they also can have a quirky looking image when there are black bars involved. Granted, I have yet to see something like this for myself in person, but from what I’ve seen online, it’s almost weird looking. I almost wonder if it would turn off a good portion of general audience members.

History aside, let’s move onto the present and the future. Despite IMDb’s current claims that this film will be shot with IMAX cameras, no word of mouth from Disney, J.J. Abrams, Kathleen Kennedy, etc., has said anything related to such a claim (except this one, based on brief research). After all, I don’t know for sure, it could have been inserted long before, or maybe just as soon as the film happened to be starting production. However, IMDb is also claiming that the movie will be presented in multiple film formats. These include 35mm, 70mm, and IMAX 70mm. By the way, they are also suggesting these were also formats used for shooting.

“Shot on 35mm, 70mm, and 70mm IMAX, this is the third Star Wars film to be shot in the IMAX format, the first film in the franchise to be shot on 70mm film, and the first Star Wars film since Star Wars: Episode VI – Return of the Jedi (1983) to be shot entirely on celluloid.”

OK, I can buy this movie entirely being shot on film. After all, one of the things that J.J. Abrams wanted out of “Episode VII” was the nostalgia factor, which was partially brought to the table through filming the movie in celluloid, an action that the prequels neglected for the most part. But to be fair, “new technology” sometimes has a ring to it.

As for what technology was used specifically, I think we still need updated information on it. Because when it comes to technical specifications, that is still a mystery kept by those who made this film. Yes, there are articles suggesting a mixture of 35mm and 70mm cinematography in the movie, but many of them are from the end of 2016, a month before “Rogue One” came out. However, perhaps the most credible information I came across was this occasionally updated article as seen on fromthegrapevine.com. For those who are lazy, there is a suggestion via an image that this next “Star Wars” film will be shot in 70mm.

Granted, I highly doubt that this movie will be mostly shot in digital. The past two films in the trilogy have been shot using film for a good portion of the runtime, therefore to maintain a similar feel, Abrams must have said film was the way to go.

And with this information in mind, I will point out that IMAX has a vast history of showcasing movies that were not shot through their technology on their true projection format. The thing is however, that time happened back when the DMR process was starting to get into full swing. With IMAX’s jump into digital projection in 2008, it wasn’t too long before IMAX started getting picky with what films would be shown in their original format. “Rogue One” was a rare exception back when it came out in 2016.

In fact, let’s look at IMAX in 2018 and what they have done with this technology. Unfortunately, IMAX missed the opportunity to put “First Man,” their only new release that year shot with IMAX 70mm tech, in theaters catering to that format. They were shown in IMAX Laser theaters, which is a nice consolation, but having been in both venues for different movies, it’s not the same. The only “new” 70mm experience that came out was a limited 50th anniversary engagement of Stanley Kubrick’s “2001: A Space Odyssey.” Aside from that, there was a 10th anniversary limited engagement of Christopher Nolan’s “The Dark Knight” which played around the same time period. There was another movie released in IMAX shot with their technology (Avengers: Infinity War), but that film was shot completely in digital. This allowed a complete fill of the screen in many, smaller, digital venues, but not for the venues IMAX was originally known for.

If you think I am pulling these facts out of my butt, let me just point out to you, I am not. There is a Wikipedia page that lists every single IMAX film that has gone through a DMR process. Yes, Wikipedia is not the most scholarly source of all time, but over the years, this has been pretty reliable for this subject matter.

List of IMAX DMR Films

In fact, if you scour the list, go to the section labeled “2019,” and scroll down to “Star Wars: The Rise of Skywalker.” you’ll notice it does not suggest there will be any IMAX 70mm screenings, nor does it say anything about the cinematic equipment. Granted, a lot of the information related to this does not exactly need to be displayed now, the movie does not even release until December. Even with that in mind however, it is slightly concerning. I can live with a lack of IMAX 70mm screenings if it wasn’t shot in that exact format, but if it was, I feel like we are gonna be in a “First Man” situation all over again. Although that movie flopped as far as I am aware so, who knows? It might have been for the best. I enjoyed the movie, in fact it was one of my favorites of the year, but regardless, it didn’t have proper financial legs.

It is perhaps slightly inevitable that “Star Wars: The Rise of Skywalker” will be a financial success. I say SLIGHTLY inevitable, because while a number of recent Disney “Star Wars” flicks made over $1 billion at the box office, the most recent one, “Solo: A Star Wars Story” did not meet the financial standards of films that came prior to it, including the spinoff “Rogue One.” At the same time, it has things going for it. For one thing, it’s the conclusive chapter to The Skywalker Saga, it involves characters we have known for the past two films and even further into the past, Lando is back, and Palpatine seems to be making an appearance as well. It has the potential to win audiences and a portion of the fanbase overall. Well, that depends on how divided said fanbase is by the time this movie comes out, because it’s pretty ugly right now. And even though that ugliness is a thing, there are enough fans in the “Star Wars” community that could potentially show up for a new flick in the franchise.

If you ask me, I think Disney, Lucasfilm, Bob Iger, IMAX, among others would not have minded the idea of releasing the film in IMAX 70mm. Sure, “Solo” didn’t do as well as they would have hoped, but based on how that is a film that not many audiences asked for in the first place, added onto the prior success of films that came before it, they wouldn’t mind releasing the film in an IMAX 70mm format. They’re making more money with the Skywalker films compared to the spinoffs, and let’s face it, audiences care about Rey, they care about Kylo, they care about Chewie, they care about Lando, they care about BB-8. The praise is there, the studio just has to make a decision. Another factor to consider is the transition to go back to how Disney originally released these types of films. Specifically, by doing so in December. This is a good strategy because people are home for the holidays, kids are on break, and with a bunch of Oscar-bait films competing against each other, this blockbuster has a significant chance of standing out.

Do I want to see a reality where we get the opportunity to go check out “The Rise of Skywalker” in IMAX 70mm? I would, but I know it’s not certain. Given my clustered knowledge of how this movie is being shot, I don’t know if it is being shot in the IMAX format, but even if it isn’t, I would be willing to show up for an IMAX 70mm presentation simply because it is the clearest picture in existence. And… Disney, if you are planning on releasing this in IMAX 70mm… PLEASE… Consider releasing it at the Providence Place IMAX. It’s one of the closest true IMAX venues to my house, and one of the best theaters I have ever been to. I will flock there immediately if you release your film there in this specified format.

Am I being an obsessive nerd about this? Probably. Do I care? Hell no! In fact, with all statistics being considered, it makes me worried for the future of how IMAX movies are presented. Yes, we are likely getting Christopher Nolan’s “Tenet” in IMAX 70mm next year, but are we simply doing so because it’s a Christopher Nolan film? Is it because of the director’s power in the industry? He’s my favorite director working today, but it’s still a question I can’t help but ask! “Star Wars” is a big franchise. And this latest film is seemingly shot in a big resolution. So why not let us as an audience look at the big picture?

YUP. PUN ABSOLUTELY INTENDED.

“Star Wars: The Rise of Skywalker” hits theaters December 20th, 2019. I am looking forward (although I am also slightly apprehensive) to seeing how this sequel trilogy will conclude. I do have faith in J.J. Abrams, especially after the excellent job he did with “The Force Awakens.” It also seems inevitable that I am going to see the movie on opening night, even if I get access to a press screening before the movie hits theaters everywhere. As for IMAX, I don’t care what you do with this movie. If it is shot in your format, release it in 70mm. But based on the popularity of this franchise, consider that sort of release even if this movie was shot in a smaller format. What will happen? I don’t know, only time will tell! Thanks for reading this post! I just want to remind everyone that next week starts the second half of 2019, so I will be creating a mega-post containing a halftime report and a glimpse into the future of Scene Before. Be sure to look forward to that! Also, stay tuned for my second trailer of “Project 2020.” If you have seen one of my posts back in April, you know what I am talking about. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, do you have any thoughts on this “Rise of Skywalker” in IMAX 70mm matter? Or am I just batcrap crazy? Also, are you looking forward to “The Rise of Skywalker?” Let me know down below! Scene Before is your click to the flicks!

Toy Story 4 (2019): Wait… This Got Made? Thanks, Pixar!

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“Toy Story 4” is directed by Josh Cooley (Inside Out, Up) and stars Tom Hanks (Cast Away, Sully), Tim Allen (Last Man Standing, Home Improvement), Annie Potts (Ghostbusters, Pretty In Pink), Tony Hale (Arrested Development, Chuck), Keegan Michael-Key (Keanu, Tomorrowland), Jordan Peele (Get Out, Us), Madeleine McGraw (Ant-Man and the Wasp, Cars 3), Christina Hendricks (Mad Men, The Neon Demon), Keanu Reeves (The Matrix, John Wick), Ally Maki (Wrecked, Cloak & Dagger), Jay Hernandez (Suicide Squad, Bad Moms), Lori Alan (Family Guy, SpongeBob SquarePants), and Joan Cusack (Say Anything, Saturday Night Live). This is the fourth installment to the “Toy Story” franchise, not to mention what I once considered to be one of the most unnecessary films of all time. While I never explicitly made a full length post about it, I was extremely skeptical about how would turn out. Nevertheless, the film takes place some time after the toys’ transition from Andy to Bonnie, as seen in “Toy Story 3.” The film also explores Bonnie’s personal life as she makes a transition of her own. Simultaneously, we get to know a new “toy” by the name of Forky. Bonnie and her family also go on a road trip together, allowing for more adventures to ensue.

I’m not even joking when I say this, out of all the sequels, reboots, or remakes coming out these days, I DID NOT think “Toy Story 4” was going to be one of them. “Toy Story 3” was one of the most satisfying, lovable, and emotionally charging movies I have ever seen. It is by far one of Pixar’s best examples of quality work, and possibly worthy of having the best ending to any of their movies. Although then again, it’s tough to decide between that and “Wall-E.” It is also one of my favorite movies of 2010, alongside “Scott Pilgrim vs. the World” and “Inception.” In fact, the trilogy itself is nearly perfect. “Toy Story” revolutionized animated technology and was able to prove that computer animation was the future. “Toy Story 2” was a worthy follow-up that was hilarious, and expands the lore of its main character. “Toy Story 3…” is the bomb. That’s all I have to say. And despite hearing some comments from stars like Tom Hanks suggesting how emotional the movie is, I was still a tad skeptical about what we were going to get. This movie, on paper, felt like an obvious cash grab by Disney. Specifically, one that purely exists for financial gain, and for no reason that could associate with compelling audiences. But more and more word of mouth happened be positive upon this film’s arrival. I became more excited. I don’t know how, but apparently I wanted to see this movie. So I went to a local AMC, bought tickets for a Dolby Cinema screening, and I went in, with a thinking cap on, but still hyped.

How was “Toy Story 4?” Tell ya what, it’s almost my favorite movie of the year. In fact, it might be my #2. The animated genre in general almost does not get better than this. The animation is almost lifelike in some scenes. In fact, there is a cat in this movie, even though my head knew this film was animated, it looked like something I would probably notice in real life. The amount of detail done by the artists behind this film is astounding. As for the film, the story was surprisingly well done! If you think the words “Toy Story 4” would have sounded like nothing else but a cash grab back in the day, imagine a movie where a spork happens to have a conscience. Imaginative? Maybe. Would it sell toys. Probably. But what’s the story? This movie took that plot and executed it better than one would execute a deep dish pizza in Chicago!

Seriously guys, Forky is a surprisingly good character. I love how they take the purpose of a toy and apply it to something that is an eating utensil! Its connection with Bonnie is sweet, and kind of made me feel bad for the character. You remember “Blade Runner 2049?” There tons of reasons why I love that movie, but one of them is Ana De Armas’ character, Joi. She is not a human, while she does take the design of a human technically, she’s actually a hologram. When you can convince me that your movie’s main character is in love with something he might as well have purchased, to the point that gets me as a viewer to crush on them, you know your movie might be doing something right. Forky is a gem if I have ever seen one, and he also might be the greatest throwaway character in movie history!

By the way, one of the film’s main plot points involves a connection between Woody and Forky. While their connection was not displayed for the entire film, I was pleased with what was presented in front of me. In fact, if I had to compare the relationship between this duo, it would perhaps be Pixar’s response to the relationship between George and Lennie in “Of Mice and Men.” You have Woody, who is practically trying to be this father figure to Forky, teaching him all the traditions of being a toy. As for Forky, while not exactly simple minded, he is terrified and has a completely different purpose than being played with.

And I will say, one thing that the other movies had that this one didn’t have, was much of Woody and Buzz together. I will point out, I am not as nostalgic towards “Toy Story” as other people. For me, my most nostalgic franchise from Pixar is likely to be “The Incredibles.” I imagine some people may consider this a hindrance on the film’s part, but if you ask me, I don’t care. While Woody and Buzz can definitely go together like bread and butter, I didn’t care that they weren’t together much because I was already enjoying the storyline involving Woody and Forky. Plus, Buzz has a storyline of his own that I happened to enjoy.

In fact, the only real problem that I have with this movie happens to be the humor. And when I say problem, I don’t mean catastrophe, I mean something that at times just didn’t work. I will say, this movie is funny, but not as funny as I was expecting. There were a number of chuckleworthy moments, but there are few moments that I’d consider kneeslappers. I won’t specify, but I’m almost surprised that I’m even saying this, because I know some people are pointing out that this is the funniest “Toy Story” film yet.

If you ask me, that’s not the case. While this may not be my definite answer, since it has been awhile since I have seen every installment of the franchise, “Toy Story 2” is probably the funniest. What other movie can you get a line like this?

Thank you, Pixar!

As for everything else, this movie doesn’t just rock, it rocks the world. From the United States, to the United Kingdom, to the United Arab Emirates, to the United Nations, to United Airlines, to the United–wait wait, let’s just go with Canada just for shiggles. Wait… Canada… that reminds me.

Let’s talk about Keanu f*cking Reeves! Keanu Reeves… Oh my gosh, his role in this movie just proves that he is getting so much better as an actor. I don’t know if he is accepting any script that comes his way nowadays, or if he is getting more fun material to work on. Wait… He did “Replicas.” I take that back. Keanu Reeves plays a toy that is supposed to be a Canadian stuntman. He’s energetic, charming, and he even has a surprising amount of layers to him. And I can imagine other actors playing him and doing a good job with the voicework, but the fact that Keanu Reeves managed to not only take on the role, but light my eyes up by doing it, just puts a cherry on top of the sundae! And while I will say Reeves is more entertaining in “John Wick: Chapter 3,” I’d currently say this may be his best movie of the year. AND THAT SAYS SOMETHING.

Speaking of characters, Bo Peep is back! And I will point out something, you know how I appreciate “Toy Story 2” because it goes into the lore of its main character? Well “Toy Story 4” happens to dive into lore involving the connection of Woody and Bo. I will also say, upon seeing Bo in the middle of this film, I could not help but feel slightly shocked on how she would display herself. And when it comes to her character, it’s almost like this movie is trying to present a feminist message. This is your reminder that I am a straight white male, and as a straight white male, I don’t mind these sorts of messages as long as they feel like they fit or have a purpose. And guess what? It works! I’m not confirming this movie has a feminist message, and I won’t go into why, but if that’s what the movie was going for, I think they did a pretty good job with it. If not a feminist message, it is at the least, a message about growing up and becoming an adult. One or the other.

And what this movie didn’t do for laughs, is honestly forgiven when you consider how close I got to releasing man tears. You know how “Toy Story 3” had a whole climax of emotion? “Toy Story 4” kicks off with that, and there are more instances throughout displaying a similar vibe. I don’t think it was as sad as “Toy Story 3” as a movie, but there are more scenes where I felt like a girl. Nevertheless, this movie does a fine job of balancing character development, emotion, and storylines to the point where I’d call it one of the best animated films I have seen in recent memory. In fact, the ending… HOLY S*IT. Another thing that “Toy Story 3” did better, but this came SO CLOSE to being the best ending in the franchise.

Let me also just remind you, this film is directed by Josh Cooley, and this just so happens to be his feature-length debut. Much like other films from this decade such as “Deadpool” and “Lady Bird,” “Toy Story 4” in regards to its director, Josh Cooley, is definitely going to be one hell of a debut to put on his resume. I cannot wait to see Cooley’s next full length feature, and if it’s from Pixar, I’m there. If it’s live-action, I’m there. If it has a budget of $50 max, I don’t care, Josh Cooley did one hell of a job with this movie that I just want to see more from him. By the way, I think credit should also go to the writers, everyone behind the story, maybe even, as much flak as I might get for saying this, John Lasseter (based on recent events). For all I know, he could have conceived the best ideas in this movie. I don’t know, I wasn’t there. The screenplay for this movie is one of the best of the year, even with the hit or miss humor. Go see this movie now! That’s all I can say!

In the end, “Toy Story 4” is in the conversation of being the worst “Toy Story” movie. But that is not saying much, because ALL OF THEM are great. Don’t just take it from me, because the lowest rating one of these movies possess from Rotten Tomatoes is in the nineties. Half of the movies in the franchise have a 100% verdict on that site! “Toy Story,” honestly, might be the most solid franchise ever. When was the last time a franchise with four films in it was this good? “Indiana Jones and the Kingdom of the Crystal Skull” came out, some say it nuked the franchise. “Star Wars” had its first prequel, and as time went on it didn’t turn out too well. “Alien: Resurrection” is considered by many fans to be one most inferior installments in the entire franchise. “Mission: Impossible” had less than satisfying films before its fourth one came out. Some would say “Jaws: The Revenge” killed shark movies. Others would say “Sharknado” BRUTALLY MURDERED shark movies. It’s really hard to think of another franchise like “Toy Story.” This just makes “Toy Story 4” a pure cinematic achievement. It’s proof that sometimes, even when the idea of having a sequel that could feel like a cash grab, maybe a sequel that could be a bit scary to create, it’s all worth it in the end. It’s nearly tearjerking, it’s fun, it’s adventurous, the characters, new and old, have earned my seal of approval. But if the humor were just a little bit better, this could have been a perfect movie. But don’t think that last comment is meant to bog this movie down, because it is funny, but it was not as funny as I would have wanted it to be. That’s just me, plus comedy is one of the most subjective things on the face of the Earth, chances are everyone reading this will love the comedy and that’s great. I would love to buy “Toy Story 4” when they release a 4K for it, I think it is up there as one of my favorites of the year, and I am going to give it a 9/10.

I will also point out a few things for those who are curious. There is no short film before this movie, and I would recommend staying for the credits. If you want me to be specific, there are five end credit scenes, and they do something pretty cool with the Pixar logo at the end. Thanks for reading this review! Next week I am going to see the upcoming comedy “Stuber” starring Kumail Nanjiani and Dave Bautista. I got passes to an upcoming screening, so look forward to that review very soon. I also want to let everyone know that pretty soon I am going to be releasing a reflection of my first half of 2019 as well as a less than concrete (but also somewhat official) schedule for the second half of the year. It’s going to announce movies I’m potentially going to review, some new, some old, cons I am planning on going to, and a special event that I am going to be releasing at the beginning of 2020. This post will be up very soon, look forward to it! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Toy Story 4?” I’m willing to bet a lot of you did by now, because it is one of the biggest selling movies in the animation genre. Nevertheless, if you saw the movie, what did you think about it? Or, what is the most solid franchise to you? Let me know down below! Scene Before is your click to the flicks!

Avengers: Endgame (2019): The MCU’s Lifetime Achievement

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WARNING: The following post is a spoiler-free review for “Avengers: Endgame.” If you came to this post expecting a spoiler talk, go elsewhere. If you have yet to see the movie, you are safe. Why is this spoiler-free? Let’s sum this up in a GIF.

This would be what I’d witness outside my front window should I even provide one single solitary important secret detail about the film. So Mark Ruffalo, Tom Holland, if you guys are reading this, please use this as a guide for your future interviews and press tours. LET’S GET THIS STARTED!

#DontSpoilTheEndgame

“Avengers: Endgame” is directed by Anthony and Joe Russo and stars Robert Downey Jr. (Chef, The Judge), Chris Evans (Gifted, Scott Pilgrim vs. the World), Chris Hemsworth (Rush, Ghostbusters), Scarlett Johansson (Her, The Jungle Book), Brie Larson (Room, The Glass Castle), Jeremy Renner (Tag, Arrival), Karen Gillian (Doctor Who, Jumanji: Welcome to the Jungle), Bradley Cooper (A Star is Born, Joy), Don Cheadle (Crash, Hotel Rwanda), Paul Rudd (Anchorman: The Legend of Ron Burgundy, Dinner For Schmucks), Danai Gurira (All Eyez On Me, The Walking Dead), with Josh Brolin (Deadpool 2, No Country For Old Men). This film is the sequel to the unbelievably enormous, not to mention, amazing masterpiece known as “Avengers: Infinity War.” Following the events of the film’s climax, the remaining Avengers have to undo the universal effects of Thanos’ snap.

I have to say, when it comes to the Marvel Cinematic Universe, there are two sides to my thought process on the franchise. There is one side of me that is a fanboy for this big and loud nerd extravaganza from a story and visual effects perspective, and there’s also another side of me, the movie reviewing moron side of me that says this is some of the most corporate bullcrap I’ve seen. In reality, it depends on my mood and the movie we’re talking about. If you take “Avengers: Infinity War” or “Ant-Man” for example, I grin like an idiot. If we are talking about “Thor: The Dark World” or “Captain Marvel,” I honestly facepalm. And between those two, going into “Endgame,” I thought this was going to be more on the “grin like an idiot” side. The trailers and marketing have been very good so far, they seemed to hide a lot of secrets during my glances, and it all happened to make me very excited for the film, which is the job of marketing. In fact, part of “Infinity War’s” story and conclusion, most likely went into my anticipation for “Endgame.” Basically, a lot was at stake going into this film. If this film sucked, I would probably punch holes in a wall with my bare hands. I wasn’t asking for the best movie ever… OK, maybe I was, I dunno. I wanted to see a compelling, immersive, and emotional experience. And guess what? The movie was good! Yay! My life isn’t over! The only question I still have on my mind is this… How good was the movie? I mean, I would definitely consider it above average, but the fact is, as I continue to think about this movie, I am flipping through possible final verdicts because the reality is there’s a lot to process. And because I am not a dick who will spoil everything, I’ll do the same with my final score and just say that there’s a lot that I’m thinking about. I’m thinking about the way everyone’s storylines were interwoven, I’m thinking about the action, I’m thinking about the technical aspects. Although I will point out, I didn’t see the movie in IMAX, so I cannot talk about how the Russo used IMAX technology in this film to their advantage, although based on what I have seen from “Infinity War,” which I did see in IMAX, I imagine they did a very good job in that realm of the cinematography department.

Image may contain: night and screen

The biggest positive that I can give to “Avengers: Endgame” is also one of the biggest positives I can give to “Avengers: Infinity War.” This movie was literally made to be a gladiator-like event. I cheered, I applauded, I nearly cried. In fact, I think I came close to being the most obnoxious person in the entire theater. There’s a moment somewhere in the film that takes a turn that some might find epic, and shortly afterwards, after seconds of cheering, we just cut to another moment where I am in a sold out theater of a tad less than 200 people as I exclaim “YESSS!” This movie is literally the cinematic equivalent of sex, and I’ll show you what I mean.

This movie starts off with an opening scene that simply put, got me in the mood to see what’s next. Practically speaking, it was like lighting a candle. When the title shows up, I went from being in the mood to craving every last drop of this movie. While this movie has many standout moments, including multiple love letters to the previous films that came before it, I would say that the first couple of hours of this movie, which I’ll call the building block hours, were a bit on the slow side. Granted, I don’t mind slow, as long as its good, and this actually was good slow so I will give the filmmakers credit where its due. But nevertheless, it does kind of slip into that territory where there are pacing issues. But it is balanced out by fan service, great looking shots, and even fantastic writing. I think one of the right moves for this film production-wise was getting the Russo Brothers to direct, since they already have background knowledge for “Infinity War.” As far as I know, these movies were shot back to back, which must allowed them to process both films and treat them as one. After all, I remember back when “Infinity War” was announced, it was marketed as “Part 1” and “Part 2.” So in reality, the fact that these two movies play out the way they do is less surprising having “Infinity War’s” background knowledge. And it actually just hit me, because Anthony and Joe Russo have now directed four comic book movies, all of which are in the MCU. Coincidentally, even though not all of them are centered around Captain America, his character manages to make an appearance in each movie they have done. In fact, without giving my grade for this movie, when it comes to the comic book movie genre, they’re probably in the debate right now for “greatest comic book movie director(s) of all time.” For me, I would have to think about that for awhile but based on their batting average prior to this film, I think that notion is certainly in consideration. “The Winter Soldier” is a fun and engaging action thriller. “Civil War” is a great mini-Avengers story. “Avengers: Infinity War” is… the f*cking bomb, by definition.

Sticking to my main point however, this is like riding a roller-coaster (or sex). The beginning is a bit down the fast lane, almost like riding an Amtrak train. Then you trek up the heights, and the movie does that for a long time. Then… the final hour begins. And you begin squealing with enjoyment upon the adrenaline rush you are about to go through. It is literally the geek equivalent of getting the best deals at Target on Black Friday before everybody else. If you have ever seen the movie “Ready Player One,” you know how epic that last big battle was? It was almost like watching that! This is yet another achievement for the Russos, somehow from one movie to the next, there’s always a big battle, and the game is stepped up each time. The climax of “The Winter Soldier” was very compelling and exciting. “Civil War” had the airport fight, which was freaking sick. “Avengers: Infinity War” had the awesome fight on Wakanda where most of the Avengers happened to be present. Out of every throwdown or fight that was done, this was not just the greatest throwdown in the MCU. This is not just the greatest throwdown done by the Russos, it is up there with some of the best action sequences in comic book movie history, not to mention, film history itself.

Remember, “Star Wars: Episode I?”

“It’s so dense. Every single image has so many things going on.”

Yyeeeah… It’s kinda like that, but it’s actually a quality product.

Oh yeah, Hawkeye. Let’s talk about him. For those of you who don’t know, I manage to share a popular opinion with others that Jeremy Renner’s Hawkeye is not even close to being the being the best character in the MCU. I mean, what do you expect when your superhero identity is someone shooting with a bow and arrow as the definition of “Generic White Dude?” For years, I have considered Hawkeye to be that “other Avenger” who just shows up. Well, guess what? Forget about that in this movie! Because… HAWKEYE IS AMAZING IN THIS MOVIE! His story, his motivation for being in his current state, everything about him! There is literally not even that much I can say about what happens on screen during “Avengers: Endgame,” but one of the things I can say is that Hawkeye, or in this case, Ronin, changed my perception on his usefulness as character! Let me just remind you of something I said in a post I made last year.

“Sure, you can also make the point that not every Marvel superhero in the Marvel Cinematic Universe had their own film released before “The Avengers.” Although judging by the time, did you really think putting out a Hawkeye film before “The Avengers” would have gotten everyone flocking to the theater? Everyone would probably go see it now, including me even though I think Hawkeye’s as useless as a rock paper scissors match to determine what time it is.” –What the Heck is Up With Justice League (2017)? *PART 2*

Yeah, I said that. And I would have still gone to see the movie if he sucked, but now I actually would WANT to see a movie with him.

Distracted Boyfriend Meme | RONIN MOVIE REVIWING MORON HAWKEYE | image tagged in memes,distracted boyfriend | made w/ Imgflip meme maker

And by the way, I made a meme, I hope you like it.

Let’s continue this lovely discussion by talking about Thanos, which if you’re unfamiliar with Marvel…

He loves the word “kill” so much that he would do anything to make it the definition for literally every word in the dictionary. He also may be an ass, but he’s pretty f*cking kickass. I think I made it pretty clear in previous posts that I consider Thanos to be the best Marvel Cinematic Universe villain ever. And in this movie, while it doesn’t display him to be as cool as he was in “Infinity War,” he’s still sick. And I will say, part of that may be due to how everyone was motivated to tell this story. “Infinity War,” if you think about it, was a Thanos movie. Yes, it is has Avengers. Yes, it is called “Avengers.” But it’s about Thanos’ quest and the Avengers are trying to stop him. It does not treat the Avengers as the villain, but it makes them feel like they fall into the territory of less important or secondary characters. After all, when you have a large heroic team taking on a guy who must have survived some tragic Purple People Eater massacres, along with his children, not to mention minions, someone has to be the main character. And I think this was a good idea because it allowed every hero in “Infinity War” to have their moment. Now, this movie is about the heroes, and I cared about them more than I ever have before. 22 movies in, I better give a s*it for all of these heroes. And again, Hawkeye… HOW?!

Also, I don’t have much else to say, but if I had to add in anything else I would need to point out Captain Marvel, because she does have her own movie which came out a month ago, but now she is here as a part of the Avengers team. Let me just say, I didn’t have the best things to say about the “Captain Marvel” film, but I kept an open mind going into “Endgame” and maybe things will turn around, which personally, things did. One skepticism I had however was triggered prior to watching “Endgame.” I say so because I found out how Captain Marvel’s scenes in “Endgame” were shot before Brie Larson actually started working on her solo film. It just felt weird to know considering “Captain Marvel” is an origin story and in terms of production, it is done after a big story involving her now established character. I guess there is an excuse to make here because while Brie Larson might have gotten a feel for her character while shooting for “Endgame,” this movie and “Captain Marvel” took place during different time frames. “Captain Marvel” took place in the 1990’s, and this film is a little more modern in terms of its setting. As time moves on, we may change our attitudes, so more I think about it, maybe I should provide some definite leeway to Brie Larson.

One other great part about this film is that it really does feel like as its title suggests, the freaking endgame. I honestly think it is fair to compare the Marvel Cinematic Universe film series to one gigantic TV show. If this were a TV show, it wouldn’t be hard to doubt that this is the series finale. Granted, there are still plans for the MCU after this film, including some TV shows coincidentally, but it really does feel like an end. I know we’re getting “Spider-Man: Far From Home.” I know we’re getting “Guardians of the Galaxy Vol. 3,” I know we’re getting a “Black Widow” solo film, but if the MCU were to end here and not make a single movie in its series ever again, I’d be fine, because as of now, I feel satisfied.

In the end, “Avengers: Endgame” is a fantastic conclusion to the Marvel Cinematic Universe as we currently know it. I got emotional, I got cheery, and I got an epic thrill ride. Despite reading several theories on the Internet, and having various predictions of my own, this movie does manage to have some surprises, kind of like “Infinity War.” And just like “Infinity War,” I won’t dive into a single one of them. And if I had to be honest with you, when I saw “Infinity War,” that was my favorite MCU film. This film is definitely up there with the best, but it is not my favorite. But if you know my typical verdicts for MCU films, you’d know that they are usually above average. In fact, my lowest grade is currently a 4/10, which this movie is not. And I honestly still need time to marinate all of my thoughts on this film. Part of me feels like I need to watch it once more just to provide the best verdict possible. But for now, I really enjoyed “Endgame,” and think its a great finale to a series I’ve been attached to for years. I’m going to give “Avengers: Endgame” an 8/10. The fanboy side of me is saying this film is a masterpiece, but there is that other side of me that remembers the film’s pacing. I don’t mind three hour films, but there are a couple moments, not many, but a couple, where I felt this film’s pacing slow down. Maybe it’s because I was seeing this film at 9PM, which I never do for films in the cinema, but the pacing is worth noting. Nevertheless, I do want to see “Avengers: Endgame” a second time, and buy the 4K when it comes out. We’ll meet again, one day.

Thanks for reading this review! I actually wanted to publish a couple pieces of content before this, but based on timing, motivation, and college finals, it just wasn’t the best time. However, over the next week or so, you guys can look forward to some new content including reviews for “Apollo 11,” “Shazam,” and “Long Shot.” However, I am about to finish my first year of college, which means I’ll have some more time on my hands for this blog and going to see movies. I promise you (at least I’m trying) that I will deliver you some excellent work over the summer! Bring on blockbuster season! Let’s do this! If you’re new around here, be sure to follow Scene Before with a WordPress account or email before I snap you out of existence! I want to know, did you see “Avengers: Endgame?” Stupid question, I know, chances are you did, but still, what did you think about it? Or, what is your favorite series finale? Let me know down below! Scene Before is your click to the flicks!

Avengers: Endgame Ticket Buying Insanity

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Hey everyone, Jack Drees here! In case you hate reading post titles and/or their implications, tickets for “Avengers: Endgame” have officially gone on sale this week! Several sources were suggesting that they would go on sale April 2, and whaddya know? Those sources cannot be denied! Now if you’re curious, I actually already snagged my tickets, but it wasn’t easy. I had to push people out of the way! I had to knock over an old lady who wanted to go see the film with her grandchildren when it came out! I was basically a maniac.

OK, no, not really, in the age of the Internet, that would almost be unlikely.

Nevertheless, the process of buying tickets for “Avengers: Endgame” was insane. When seeing “Star Wars Episode VII,” it was easy because I originally bought tickets for a week and a half after it came out, and I managed to snag some for opening weekend as well inside a less than popular theater because someone I knew wanted to see it right away. I also saw a few more “Star Wars” films after that and while I managed to find myself in a scenario where lots of people were buying tickets, I had little to no trouble actually getting them. With this upcoming “Avengers” movie, I knew getting tickets was going to be competitive, but I did not think it would be insane.

I don’t know what exactly happened, but when “Infinity War” was coming out, I was able to browse through movie theater and third party websites with ease, allowing me to have a critical thought process on where exactly I wanted to see the movie. This year however, I was originally planning on going to see “Avengers: Endgame” at the AMC Assembly Row 12, because it’s on the way home from school and I can meet my dad there. That did not work out.

I went on multiple sites to get tickets. AMC, Fandango, Atom Tickets, and Movietickets.com. All of my attempts to get tickets from those sites ended with failure. I start searching times at other nearby theatres. I eventually notice that one theater is missing from my Google list. Specifically, Showcase Cinemas de Lux Revere. I decided just for fun, I’d go onto the Showcase Cinemas website, which admittedly, is not a perfect website. It’s not buggy per se, it’s just not something I would call… competent. I search my information through a very confusing process and find a bunch of showtimes listed. I search through one, specifically for 9PM. I call my father and ask if he cares what time I chose, he didn’t. Granted, I didn’t tell him this was a three hour movie (seriously), but based on both of our excitement levels for this film, I don’t think he’d care all too much. So I choose the 9PM time, and I get EXTREMELY lucky by getting not necessarily the last seats, but the last good seats where dad and I can sit together. Movie theater companies, how many times do I have to tell you this? THIS IS WHY I HATE RECLINED SEATING! You get less seats, therefore you have less people getting in, and now the competition to get a seat is fiercer than it has ever been! I wouldn’t mind reserved seating in a case like this, but reclined seating is still on my enemy list. Anyway, we get our seats, we’re a little towards the back, which I don’t mind, because that means seeing the screen is a guarantee. I managed to breeze through the surprisingly simple process of getting my tickets. Now let me tell you what would have happened if I stuck with Fandango.

On Tuesdays, I leave my house at 9:30 to go to school, so I originally thought since it was almost 8:30, why not get tickets when I have the time? When I go to click on my preferred time, I get a rather unexpected screen with a background promoting the movie. On said background, I get some text saying that I have apparently entered a virtual line. O-K??? I thought the purpose of buying tickets online was to avoid ticket lines! Nevertheless, I have entered the line, and I have over fifty minutes until it is “my turn.” I am thinking to myself, “Oh no!” I’m never gonna get tickets! How does someone wait this long and get tickets? Granted, I was not the only one in line, but how long was the line half an hour ago? Why half an hour ago you ask? That is around the time tickets started going on sale. I get down to forty minutes, and this doesn’t seem too bad, I could get my tickets just before leaving my house. We get around to 35 minutes. Time is going by. Tick-tock! Tick-tock! Tick-tock! Soon thereafter, I glance at my screen, I now have to wait over an hour! So, essentially, I could either stay home and get an unexcused absence from one of my classes, or go on the train and press my luck there. Here’s the thing however, if I close the tab, I then lose my place in line. I have to pack up my laptop for school, because I do stuff on my laptop while I am out and about. What if I close my laptop? Would I lose my place then? This is really hard! I almost considered going to the theater and buying the tickets physically because the theater I originally wanted to go to is on the way to school. But I also didn’t want to disappoint myself by finding out my preferred screenings were sold out.

Let me put this into perspective, the theater is about 20 minutes away from my house by car. It can also take just a tad longer to get there by public transportation. So basically, if I wanted to by tickets AT THE THEATER LIKE A CAVEMAN, it would probably be quicker and more convenient than staying home in my comfy pants buying tickets through Fandango. I’m just thankful that we have smaller theater chains like Showcase Cinemas, because without them, I probably almost wouldn’t have gotten tickets to see this movie on its opening Thursday! OK, they’re not really THAT small, but you don’t see a lot of them on the west coast.

In fact, I am not alone, because I follow one guy on social media by the name of John Campea, here’s what he has to say.

On the bright side, he is getting to see the movie before it even comes out, but he also wanted the feeling of going to something with an energetic audience. In fact, shortly after the tickets went on sale, he did a five to six hour livestream of his daily YouTube series, “The John Campea Show,” where he talked about it alongside his co-host, Rob Meyer Burnett. As the livestream was going, he was still trying to buy tickets through AMC! Seriously! When is the last time you watched a live sports-related talk show and see someone trying to buy tickets for the Super Bowl?

One of my favorite parts of all of this happens to be the memes, because they are PERFECT.

In fact, I made my own meme about something that’s not quite the same thing as this situation, but it’s close enough.

You’re very welcome, web junkies.

This post is not necessarily meant to be important, it’s almost like a diary entry if you ask me, but let’s be real here. While AMC and other popular movie ticketing websites were in trouble, Fandango definitely had a plan. Fandango didn’t say “error” when you entered their website, you could click your time and press your luck at getting tickets. You just had to wait in line. But why the f*ck should I have to do that?!

THE WHOLE POINT OF ONLINE TICKETING is to conveniently score tickets possibly before anybody else, not having to leave your house, not having to talk to strangers, not having to talk on the phone with Kramer from “Seinfeld,” and NOT WAITING IN A LINE. Congrats, Fandango! Not only did you make me wait in line, but you allowed a bunch of people to apparently CUT ME in line, but now I could have easily compared this experience to going to the box office, except in that case I would actually be allowed to pay in cash! Also, I have an account under you, so thanks very much for disappointing your support base.

I’m not exactly sure how to fix this sort of thing since I don’t deal with IT all that much, but there’s gotta be some way to prepare better. Right? Let me know in the comments, with all of your jargon intact, on how all of these movie ticketing outlets can prepare better for the next big movie.

Thanks for reading this brief, unimportant, almost unnecessary post. This is honestly just me sharing a story that stood out to me recently, and it is also my reminder to you all that I WILL be seeing “Avengers: Endgame” on opening Thursday. As far as the review goes, I will have it up as early as possible. I might stay up Friday into the morning if I have to, but that depends on how much I am going to talk about. Granted, this is a big movie, and I know that someone’s life would ultimately be ruined if spoilers were given away, so I will guarantee no matter what, my review will be spoiler free. Be sure to stay tuned for the end of the month for that! Be sure to follow Scene Before with an email or WordPress account to stay tuned for more great content INCLUDING my “Avengers: Endgame,” or even smaller projects such as my review for “The Man Who Killed Don Quixote,” which I plan to put up next week. I want to know, do you plan to see “Avengers: Endgame?” And I also want to know, did you have any crazy stories to share about buying tickets? What about for other movies? For movies that are not “Avengers: Endgame,” what crazy ticket-buying stories do you have to share? Let me know down below! Scene Before is your click to the flicks!

Captain Marvel (2019): Not That Marvelous

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“Captain Marvel” is directed by Anna Boden and Ryan Fleck (Sugar, Half Nelson) and stars Brie Larson (Room, The Glass Castle), Samuel L. Jackson (Pulp Fiction, Snakes On a Plane), Ben Mendelsohn (Ready Player One, Rogue One: A Star Wars Story), Djimon Hounsou (Gladiator, Blood Diamond), Lee Pace (The Hobbit: The Desolation of Smaug, Lincoln), Lashana Lynch (Fast Girls, Brotherhood), Gemma Chan (Mary Queen of Scots, Crazy Rich Asians), Annette Bening (American Beauty, 20th Century Women), Clark Gregg (The New Adventures of Old Christine, 500 Days of Summer), and Jude Law (Fantastic Beasts: The Crimes of Grindelwald, Closer). This film is the 21st installment in the cinematic universe. Good luck with your marathons, newcomers! “Captain Marvel” is about a soldier from another world who has memories of her past on Earth. As she is sent down to Earth, or as her planet’s kind calls it, “C-53,” she must combat a foreign force who can disguise themselves into other people and save the universe from further destruction.

OK… Here we go. I went into this movie rather excited. I must point out though, it is not because I am seeing the movie, but because I got to see it in the historic Chinese Theatre. This was kind of a dream of mine and I was waiting to go away to see this movie instead of seeing it on its first two nights just to make the experience special. And it was! When it comes to my familiarity with Captain Marvel, it is admittedly lower compared to other superheroes. But regardless of how familiar audiences and I are with this character, Disney and Marvel had an excellent marketing opportunity on their hands. They have never done a movie with a woman in the lead role before, so after almost eleven years of making MCU films, this is the first time this was being done. Unfortunately, it was not good.

Let me just get some things out of the way. I’m straight, I’m white, and I am a male. I am well aware that my physical and internal qualities that I can’t change, unless I go through surgery, puts me in the position of associating with the most hated type of person on the planet. So… reviewing this movie is hard. But I will say some things that I actually found to be good about the movie. This movie is kind of a crowd-pleaser. Much like a bunch of other MCU films, it had many attempts at humor, some of which totally worked. Some of the action is flashy and the visuals are very colorful. Speaking of that, the deaging done on Samuel L. Jackson is top-notch. And there are tons of callbacks to the 1990s that take up a portion of screentime.

Blockbuster Video, as seen in the trailer, plays a big role in the film. There’s a couple moments where people were laughing because of how 1990s technology worked. There was the use of Dial-up, CD-ROM had its share of screentime, and as I imagine some people expected, pagers were used in the movie.

But as a story, the movie is cliche, which would be fine because “Wonder Woman” was actually cliche and that film was actually pretty kick-ass, but the thing about “Wonder Woman” which made me not care for “Captain Marvel” is the difference in pacing. “Captain Marvel,” in reality, was a somewhat boring movie. Granted, there were parts that were exciting and entertaining, but there was a part of me that didn’t care about what was going on, I didn’t give a crap about the Kree, and after watching the movie, there are perhaps some parts that I feel like I am going to forget about in less than a month.

Let’s talk about Brie Larson in this film. I like Brie Larson as an actress. She’s very talented, she’s won awards, and she is in one of my favorite movies of 2015, “Room.” Also, I just watched “Scott Pilgrim vs. the World,” a movie featuring said actress, and that was one of the best films I’ve seen in recent memory. Brie Larson has a tendency to sign on to play good roles. Granted, this doesn’t always happen (watch “The Glass Castle”), but she usually has a keen eye for her roles. In fact she joined a movie that I am rather excited for the more I hear about it, “Just Mercy.” Knowing how the world of Hollywood tends to work, or at least having an illusion as to thinking I know how it works, Brie Larson definitely saw potential in a role as her particular character in the Marvel Cinematic Universe. Based on the legacy of said universe, I could definitely see potential. However, the execution of her performance was… I don’t know how to say this… Very off and on. The elements are all there for a decent Captain Marvel performance at the very least. A lot of the mannerisms done in the movie are all right for said character, and there is some range presented in terms of personality. But I feel like Brie Larson was at times directed to act a certain way that just didn’t work. It felt like watching multiple characters in one to the point where it is almost easy to assume Captain Marvel had multiple personality disorder. The performance just kind of didn’t work for me, which is absolutely disappointing because Brie Larson is practically an A-list actress. She won an Oscar for crying out loud! There are some moments where I found Captain Marvel to have some charisma behind her, some emotions to display, and others where she is just stoic. While there are times where such emotions (or lack thereof) can work for the movie, it is hard to tell exactly if everything flows as properly as I would hope. Speaking of proper flow…

One of the best movies in the Marvel Cinematic Universe is “Guardians of the Galaxy.” Not only did it make a rather unknown comic book IP become known and loved by millions, but when the first movie came out, it was actually pretty unique as far as comic book movies go. And one way that statement can be supported is through the movie’s soundtrack. Not only is it fun to listen to, but it has practically had an association with the movie in a way that many other soundtracks don’t. While “Captain Marvel,” unlike “Guardians,” doesn’t rely on a soundtrack for music all that much (maybe except for 90s’ references), there is this one moment where a pop song can be heard. I won’t go into much detail, but it is during a fight. If the crew behind this film was trying to capitalize on the success of “Guardians of the Galaxy,” then I can totally see that. But it didn’t f*cking work. In fact, that “Guardians”-esque moment, might just be the most cringeworthy part of the entire movie. And for those of you who know what I am talking about, I don’t know if you will agree with me, but this is just how I feel. In fact, it totally wouldn’t surprise me if some of these songs were put in because of “Guardians of the Galaxy’s” popularity because Nicole Perlman worked on this movie, earning herself a story credit. For the record, she was a writer behind “Guardians of the Galaxy.”

I will give some credit to Samuel L. Jackson however because like usual, he did a fine job as Nick Fury. And I will give even more credit to whoever deaged him. Sticking with the “Guardians of the Galaxy” theme, one of the highlights of the truly disappointing “Guardians of the Galaxy Vol. 2” was the deaging CGI done on Kurt Russell. It was nice to see Nick Fury not only have hair, but believable looking hair. Jackson’s performance as Fury was definitely worth buying for how such a character would behave in the 1990s. However, without going into spoilers, there is something that happens in this film that references something in the future, and it takes place during the end of the film (no, not during the credits, around the climax). It is absolutely crucial to Fury’s character. The way that this film manages to go about it, managed to get a big laugh from the audience, but I thought this GIF would sum up my thoughts on this whole situation.

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Now imagine a part of my brain saying that for an eternity, and you have my thoughts on this moment towards the end of the climax.

And I gotta say, I feel like I am in a weird place as I review this movie. I am a straight white male. I have nothing against women having their own superhero. What I am against however is when people think take the idea of gender equality and twist it to make one gender look better than the other, and I will say, despite “Captain Marvel’s” numerous flaws, not to mention its overall lack of memorability, one of its strengths is that it made a woman look good as a role model, while not exactly putting guys down. If you have ever seen me talk about the 2016 “Ghostbusters,” chances are you know my thoughts on that movie, and none of them are good. One thing I absolutely hated about the 2016 “Ghostbusters” movie is that it went out of its way to display moments that practically make just about every man in the movie look like idiots. There’s a secretary played by Chris Hemsworth who literally makes Patrick Star look like a genius. They ruin the reputation of Bill Murray. And there’s a scene where the ladies shoot a giant ghost in the nuts. There are no moments where I feel like if I had a place in the “Captain Marvel” movie’s universe where I’d have an IQ below 40. Thanks, “Captain Marvel!”

I don’t really have too much more to say in terms of my own originally gathered thoughts, but I will point out that when it comes to “Captain Marvel,” I feel like this movie manages to disappoint me in more ways than I would imagine. While the villain in this film could definitely be worse, I feel like we are going back to phase 1 and even phase 2 MCU, because the villain here was just not memorable. And speaking of villains I don’t really find to be all that great, Ronan the Accuser apparently had a few moments in this film! Like… OK… More “Guardians of the Galaxy” stuff, whoppity do! I have no idea why you even needed much of Ronan’s presence in the movie, but somehow he’s here! Then again, his appearance, much like the film’s main antagonist, could definitely be worse.

Also, another thing to consider about “Captain Marvel” is that this is the 21st film in the Marvel Cinematic Universe. Now that we have gotten to this point, it is getting harder to impress me because a viewer, it almost feels like I’ve seen everything. Granted, there are some unseen things in “Captain Marvel.” This is the first female-led film in the franchise, this is the first film to take place mainly in the 1990s, and it is also the first film where we get to see a cat play a significant role.

By the way, if anyone wants to know my thoughts on Goose the Cat, I thought he was funny, but I don’t think I liked him as much as other people. Although I imagine this character is going to inspire some people to create some funky, psychedelic t-shirts, which if that is the case, I can’t wait.

However, going back to my main point, I have been a follower of the Marvel Cinematic Universe for years. And with following, comes knowledge, and having a competent knowledge of the MCU, to MAYBE hold my own in a related trivia competition, makes me realize that a lot has happened over the years. There are times when material might just seem like something we’ve seen in the past, but with a different name attached. “Captain Marvel,” the more I think about it, just seems like a newer, inferior version of “Thor” with elements of “Captain America: The First Avenger” intact. You have this god-like being who is trying to find their identity or place in the universe, and part of it takes place in space, while another portion is set on Earth. Plus, it is another fish out of water story.

Also, before we get into the verdict section, I will point out a statement from MCU executive Kevin Feige.

“Captain Marvel, she is as powerful a character as we’ve ever put in a movie. Her powers are off the charts, and when she’s introduced, she will be by far the strongest character we’ve ever had.”

Having now seen “Captain Marvel,” I am definitely not going to deny that Captain Marvel is powerful as hell. However, as far as her character being the most powerful of all, that is still up for debate. At least from my point of view. And speaking of which, there is a climactic moment towards the movie that was probably played for comic relief, but it also made a certain moment feel rushed and kind of cheap. More powerful does not always mean more exciting. And I say this whole “power” thing is up for debate for one reason and one reason only.

Can Captain Marvel do this? I’ll wait… I’ve got years of my life left, which give tons of time to provide an answer.

In the end, I hate to say it, but “Captain Marvel is one of the worst movies of the MCU. Granted, that statement might not say all too much as very few have actually gotten a low score from me. I go to the movies for memorable experiences, and many of the MCU’s installments have provided said experiences. I basically put my money on the table for “Captain Marvel,” because again, I went to the Chinese Theatre, which is MILES from where I live, and I literally mean MILES, because I am from Massachusetts. The Chinese Theatre is states away! I had a good time, and I would love to come back. After all… There is a “Star Wars” movie coming out soon… But the whole experience would have been perfect if I went to see a better movie, and “Captain Marvel” was just not that great. I am happy for women who are getting a hero they want to look up to, but I am not judging “Captain Marvel” completely as a feminist piece, I am judging it as a film. As a film, “Captain Marvel” is visually appealing, which is not surprising at this point for a comic book movie. It is pacing-wise, perhaps the worst of the twenty-one films presented in this series. And I felt that I wouldn’t pop this in my Blu-ray player right away if I had the chance. There is a mid-credits scene worth staying for, and there is another scene that happens towards the end. It is honestly unneeded, but if you like your end credits scenes, there’s your update. I’m going to give “Captain Marvel” a 4/10. I honestly don’t know if this grade is going to stay where it is. Because I honestly didn’t like this movie, but part of me had glimmers of enjoyment. And part of me also wonders if I am being generous because this movie stars a woman. I didn’t find myself to be angry throughout the film, so maybe this is technically a 4/10 for me. Only time will tell if this grade manages to stay where it is. And I gotta point out something regarding this “Captain Marvel,” DC did this type of film better! How often do I get to say that? Maybe they screwed up on “Suicide Squad,” the effects on “Justice League,” and keeping a singular vision alive, but they managed to do a female-led film better than Marvel, and that is an accomplishment for DC if I have ever seen one. “Wonder Woman” over “Captain Marvel” for sure, if you ask me! Thanks for reading this review! I actually wanted to make an announcement regarding April, while most of the month is uncertain in terms of content (although an “Avengers: Endgame” review is a undoubted guarantee), I do have a confirmation for you all. For those you who follow the director Terry Gilliam, you may be familiar that he worked on films such as “Brazil” and “Monty Python and the Holy Grail.” Recently however talk has been going around regarding his new film, “The Man Who Killed Don Quixote.” For those who have ever heard of this film, you may be aware that production for it actually took decades to complete. Why? Total and utter disaster, that’s why! Anyway, here in the US, it is playing in several theaters for one night. Courtesy of Fathom Events, I have scored a ticket to one of these shows on April 10th! Next month, expect a review from “The Man Who Killed Don Quixote,” and if it takes forever to complete… Who knows? It could be just like the movie and go through several failures regarding production! Be sure to follow Scene Before with your WordPress account or email to catch that review and more great content! I want to know, did you see “Captain Marvel?” What did you think about it? Or, have you been to the Chinese Theatre? What did you see? What was your experience like? I personally enjoyed it, minus the movie. But I want to hear about your experience! Let me know about it in the comments section! Scene Before is your click to the flicks!

Avengers: Endgame (2019) Official Trailer 1: You Happy, Marvel Fans? Here’s Your Stinkin’ Trailer! *SPOILERS FOR INFINITY WAR*

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Hey everyone, Jack Drees here! This has been an interesting week to be a Marvel fan. Not only did we get a “Captain Marvel” trailer just a few days ago, but today we also got our first look at “Avengers 4,” now titled, “Avengers: Endgame.” To be completely honest, I would have been fine not having an official title to “Avengers 4,” and I would have felt the same way about a trailer. Sure, a trailer would be nice, but I want to know as little as possible going into this seemingly epic thrill ride. I would have been fine with maybe a TV spot or two, but I could have done without trailers. I will say though, without giving anything away, I’d say the guys behind the trailer did a pretty good job of hiding all the key details. We get some things we’d come to expect, while not having too much shoved in our faces. Then again, there’s also that part of me that’s thinking… Where’s the juice? This, to me, is ultimately a middle of the road trailer. It does a good job at providing “necessary” material, but there is literally nothing that will set a huge spark get me in the theater. Then again, I am definitely gonna be in the theater to see this opening night anyway, so why should I care? Anywho, on with the trailer.

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We start off by getting a glimpse of Tony Stark being a crazy person. He is now talking to an inanimate object, making him according to my diagnosis, insane. In all seriousness though, Stark is actually sending a message to Pepper, his longtime partner, notifying her that he is adrift in space and everything is starting to become bleak. He’s already run out of food and water, and he is soon going to run out of oxygen. One standout quote from here is “part of the journey is the end.” It’s clear as crystal that Stark is thinking that his last moments are right in his face. He thinks he might not survive long enough to see him and Pepper get married. He’s worried about his own future. No happy go lucky thoughts seem to be coming from Mr. Stark. He soon finishes the message and to make things seem more unhappy, we get a look at his helmet slowly shutting down. How could things get more dark and depressing?

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Oooo-kay! Forget I asked that. Let’s make this purple instead! Because we get a look at Thanos’s armor from the last movie.

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Speaking of which, we sort of get a look at Thanos himself, which if you’re unfamiliar with Marvel…

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…he takes the word dickweeb as a compliment. Because in reality, he’s Marvel’s biggest douchebag stuck inside Adolf Hitler’s asshole. This glimpse of Thanos walking in the fields is pretty much all we see of him. I should also note that his gauntlet, which was part of the fatal snap in “Infinity War,” is now damaged.

Throughout the rest of the trailer we get a look at the rest of our heroes. You have Steve Rogers/Captain America, Natasha Romanoff/Black Widow who again, for some reason, has blonde hair, Thor, and Nebula. Also, let’s get a look at this quote from Black Widow.

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“Thanos did exactly what he said what he was gonna do. He wiped out 50% of all living creatures.”

HEY! SPOILERS! YOU JUST RUINED EVERYBODY’S LIVES!

This is where the trailer gets a tad more uplifting. While everyone in these scenes, for the most part, are down or sad, they are trying to talk about how they are going to kill Thanos. They realize they lost the battle, they lost friends, but the war is not over yet. Believe it or not, I was watching a new episode of “The Big Bang Theory” which aired on December 6th. It was a crossover between that show and “Young Sheldon.” We get a look at a high school football game, and a part of that episode showed a “halftime speech” that is supposed to get everybody motivated. The rest of this trailer reminds me of that cliche yet effective motivational speech that a coach would give to his team as an effort to push them all the way to victory. Granted, there is no screaming, no yelling, none of that, in fact, it doesn’t even come as close to being as great as the one given in “Braveheart.” That’s not a sports movie, but if you have seen that movie, you’d understand my point.

Also, we get a look at someone who was not in the last movie.

The mystery person is…

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Eh… whatever. It’s Hawkeye. I’ll be honest, if I had to pick one fellow in the MCU that I really don’t care about, it’s Hawkeye. Just how I feel. I’m looking forward to seeing what he would do in this movie, but from past experience, Hawkeye is just not my favorite character in this universe. I like Jeremy Renner, he’s a good actor, but still.

We soon get to a defining exchange…

NATASHA: This is gonna work, Steve.

STEVE: I know it is, cause I don’t know what I’m gonna do if it doesn’t.

HOLY S*IT.

NOW we know how high the stakes are at this point. Seriously though, that quote is amazing. I can imagine a lot of soldiers who fight in war probably have that thought on the back of their mind. If they don’t succeed, what point is there to life?

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Then we get the logo, and I love how it’s purple, which basically reminds me of how crucial Thanos’ story could be in this movie. The buildup in the music here has some serious chills behind it.

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Then we cut to the only lighthearted moment in the entire trailer. We see Scott Lang/Ant-Man asking to be let in. Steve and Natasha are observing said message with the following dialogue:

STEVE: Is this an old message?

NATASHA: It’s the front door.

Honestly, I’m stoked to see Ant-Man in this movie, and hopefully he can redeem himself after the mediocre waste of time, “Ant-Man and the Wasp.” After all, he has been in a teamup Marvel film before, “Captain America: Civil War,” and he was a standout in that movie to me. Hopefully he will have one or two scenes that can rival his moments in that movie.

Again, I gotta be real, this is not the best trailer I have ever seen. It’s a good trailer, and it highlights what I need to know going into the movie, but I really have nothing much to say except, ah, here’s what I need. There’s no key details that strike as bright as the sun to me, but there are a couple moments that I thought were decent. Overall, I’m looking forward to “Avengers 4,” looking at the Wikipedia page for 2019 in film, it’s one of the films I’m looking forward to. I don’t think it’s my most anticipated film of the year. It’s a competitor, but I’m also looking forward to “Once Upon a Time in Hollywood,” “You Are My Friend,” “John Wick 3,” “The LEGO Movie 2,” “Toy Story 4,” and “Shazam.”

When it comes to predictions, I think a couple stand out in my mind, especially one that suggests Captain America dying. Think about it, back in October, Chris Evans went on his Twitter saying he’s thankful for playing Captain America:

This tweet can have multiple meanings behind it. Maybe Chris Evans realized how big this movie was going to be. Maybe he realized something about his character’s arch. OR, his character his dead, and he realized that this is the last time the audience will ever see his interpretation of said character, and he wanted to show his appreciation to the audience because of that. The directors of “Avengers: Endgame,” Anthony and Joe Russo, suggested recently that Evans is not done. I honestly think that is a stunt to make people happy. I honestly think he’s dead in this movie. In fact, maybe he sacrifices himself for the greater good. Maybe Iron Man or Thor would do the same, but based on how things seem to be playing out at this point, Cap is the most likely to do such a thing.

Although I gotta be real, Iron Man is a close contender to self-sacrifice. What if the fight between him and Thanos on Titan was a foreshadow towards a moment in the future where Tony has to sacrifice himself? Not to mention, if we are getting another “Spider-Man” movie a couple months after this fourth “Avengers” installment, Iron Man dying would play a huge role into Peter Parker’s story. It’ll affect him emotionally at one point or another during the film. In fact, this film, like the last “Avengers” movie, is pretty much a culmination. This culmination all started with Iron Man. Why not have it end with Iron Man?

Also, if we want to talk about death related to story, let’s talk about Thor. In “Avengers: Infinity War,” we start out with Thor and we end with Thor. In the beginning we see a few people, including Thor and Thanos. Thor sees the people he knows die in front of him. At the end, we see that emotionally charged scene where Scarlet Witch is trying to kill Vision for the greater good. Simultaneously, she is trying to defend herself from Thanos. She succeeds at killing Vision, also removing the powers of the stone on his head. But Thanos uses the time stone to get Vision’s stone while it is still working. He wins. Or does he?

BECAUSE THOR IS HERE TO SEND CHILLS DOWN EVERYBODY’S SPINE!

Despite nearly annihilating Thanos, Thor fails once Thanos snaps his fingers. Half of the universe goes away. Sure, Thor was still alive after that moment, but had he aimed for Thanos’ head as opposed to his chest, this would have made a positive mark on Thor’s arch for the film. What if “Avengers: Endgame” ends with a one-on-one duel between Thor and Thanos? This whole combined “Avengers” culmination leads up to where it began. Holy crap.

Plus, when it comes to Thor and the Marvel Cinematic Universe, his part of the spectrum seems to be the one that seems to associate with death all the time. You have Thor’s mother, his father, his brother (multiple times), Heimdall, and maybe even his hammer. Thor is not the god of thunder, he’s the god of mourning. Let’s have Thor die and complete the cycle!

Enough with the predictions, I think I have said all I needed to get out of my pie hole. I can’t wait for “Avengers: Endgame,” it looks like it will be a good time. And I can already tell that everyone will be “undusted,” but if Gamora, Vision, Loki, and Heimdall all come back, screw yourselves! I came to see an epic, I don’t want to be insulted! If there is one complaint I have with Marvel, it’s fake deaths!

STOP IT!

Thanks for reading this post! Right now it is December, so that means that I too, am in the endgame. I’m already gathering some nomination ideas for my first annual awards show, which is supposed to be up sometime early next year. I just saw “Red Sparrow” on 4K Blu-ray the other day, I MIGHT review it, I MIGHT NOT review it, my decision isn’t final yet. I’m also looking for a movie to review this weekend, I might go see “Widows,” but I’m not quite sure yet. Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see the new “Avengers: Endgame” trailer? What did you think about it? Or, what are your “Avengers: Endgame” predictions? Let me know down below! Scene Before is your click to the flicks!

Ralph Breaks the Internet (2018): The Emoji Movie For Intellectuals

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“Ralph Breaks the Internet” is directed by Phil Johnston (Zootopia, The Brothers Grimsby) and Rich Moore (The Simpsons, Futurama) and stars John C. Reilly (Guardians of the Galaxy, Kong: Skull Island), Sarah Silverman (A Million Ways to Die in the West, Bob’s Burgers), Gal Gadot (Wonder Woman, Keeping Up with the Joneses), Taraji P. Henson (Hidden Figures, The Curious Case of Benjamin Button), Jack McBrayer (30 Rock, Forgetting Sarah Marshall), Jane Lynch (Hollywood Game Night, Glee), Alan Tudyk (Firefly, Rogue One: A Star Wars Story), Alfred Molina (Spider-Man 2, Raiders of the Lost Ark), and Ed O’Neill (Modern Family, Finding Dory). This movie is the sequel to Disney’s 2012 animated hit “Wreck-It Ralph.” On this second go around, in a situation which involves saving Vanellope’s game, “Sugar Rush,” Ralph and Vanellope decide to go on an adventure to the Internet. Throughout the journey we experience some mishaps, attempts at humor, and unfortunately, product placement. But you know, it could be worse, it could be “The Emoji Movie.” We’ll get to that eventually.

Going into “Ralph Breaks the Internet,” I didn’t have truly high expectations from the marketing. As a matter of fact, part of me thought the marketing just plain sucked. The first teaser trailer left me feeling icky. Then again it might really be due to how much I can’t stand the Flo Rida song “Good Feeling.” But who knows? Maybe the next trailer could have kicked total ass, but let me just say that it really did the opposite. Instead, the trailer made me hand my own ass right over to it. To me, once I saw the “Oh My Disney” portion of the trailer, it just really felt like a massive commercial for all the Disney properties. Disney! Disney propaganda! Bring the kids! Go to Disney World! Buy all of our stuff at the Disney store! Pretty soon, after we finish dismantling Fox, we’re gonna buy Lionsgate so that way we can own “The Hunger Games” and have Jennifer Lawrence be stuck as Katniss Everdeen til the day she dies! Oh yeah, we’re gonna reboot “Twilight” too even though everyone knows it’s a complete and total waste of time. But hey! Teen girls! Get em’ in the theater! Money! Money! Money! Money! Money! The last trailer however ended up giving me what I wanted. While the trailer is not like anything I’ve seen for say, “Ready Player One,” it definitely provided what could have been some solid ingredients for a proper “Wreck-It Ralph” installment.

Walking out of the movie, I gotta say, I’m shocked. This movie’s actually pretty great! There’s only one other movie this year that I’ve reacted similarly to, and that’s “Blockers.” It’s a movie with a less than stellar marketing campaign, a movie that a part of me thought was going to suck, and just something had I not been reviewing movies, I’d be more hesitant towards when it comes to spending my money at the cinema. It just so turns out that “Ralph Breaks the Internet” is a solid sequel, continuing the journeys of the characters many viewers knew and loved since the first installment, delivering a story that is just about as enjoyable as its predecessor. And in reality, it is a better version of “The Emoji Movie.”

For those of you who have watched “The Emoji Movie” or know what it is, you’d be aware that it takes place inside a cell phone, where all of the Emojis live. They live in a town called Textopolis and their life is basically being processed and sent through texts. Here in “Ralph Breaks the Internet,” we start off in the same little arcade people know from the first movie, where all of the video game characters live in harmony. As viewers probably know, their daily lives involve being the very characters they were designed to be. Ralph is the continuous building wrecker, Felix is the neverending building fixer, Vanellope is the nonstop racer, and Pac-Man… eats dots. Because that’s what yellow circles do apparently. Then boom! A little bit of chaos goes down, Vanellope’s game, “Sugar Rush,” has to be unplugged because the wheel breaks down. However, Ralph is Vanellope’s best friend, and we all know, best friends are supposed to be there for each other. So Ralph decides it would be a good idea to take a journey alongside Vanellope into the Internet to save her game. The world of the Internet in this movie almost reminds me of the space resort in Wall-E, everything just feels so sleek and it’s all very populated. It’s like a city that receives no pollution. You know, unless you look hard enough. The chemistry between Ralph and Vanellope truly shines in “Ralph Breaks the Internet,” and you can definitely tell they are best friends. This movie even tries to show the power of friendship and how unbreakable of a bond one can have with another person and I’d say the execution of that message is incredibly well done.

Moving away from our leads, let’s talk about one standout new character named Shank. She’s voiced by Gal Gadot and happens to be a street racer in a popular computer game. There’s this one game Ralph and Vanellope come across by the name of “Slaughter Race,” that’s where they meet this character. Seeing her and the gang who she happens to know turned out to be a bigger highlight in this film. Also, when they first meet her, there’s actually a very entertaining chase scene. Look out for it.

Speaking of new, let’s talk about something very old. Disney. I mentioned earlier that one of the trailers to “Ralph Breaks the Internet” was off-putting to me because it has an overload of Disney references. It just felt like a cheap way of pointing out how amazing Disney is. In reality, I think Disney’s kind of overrated. Sure, they own a lot of things I like, but there’s going to be a point where they ruin everything I love. They already partially ruined “Star Wars” for me so there is that. This all starts out somewhat commercialized, but some of it is well executed, and partially realisitc. There is a point where we cut to someone in a comic con panel-like setting. And they ask this question that is the stereotypical version of a deep question that a comic book nerd would ask. That’s all the detail I’ll give related to that, because there’s something else that’s pretty cool in relation to what I just said, but that was a definite highlight.

Another highlight when it comes to this is the scene where we see all the Disney princesses together. I thought at first that this was going to be completely cringeworthy. It was actually brilliant. You know how certain shows on Fox actually make fun of their own network and others associated with it?

THE SIMPSONS
FOX NEWS HOST: “Welcome to Fox News– your voice for evil.” (The Simpsons)

AMERICAN DAD!
ROGER: “Sure, we don’t report the news, we make it. Accuracy is so time-consuming. Fiction is the new fact.”

FAMILY GUY
LOIS: Where’d you hear that?
CHRIS: Fox News.
LOIS: Then it’s a lie. Everything Fox News says is a lie.
CHRIS: But this one’s true mom, you saw it with your own eyes and then you reported it.
LOIS: Even true things, once said on Fox News, become lies.

FUTURAMA
TOUR GUIDE LADY: “To your right, you’ll see 30th Century Fox studios. Fox uses those search lights to blind pilots, then film the resulting plane crashes.”
*SEARCHLIGHT SPOTS PLANE, EVENTUALLY ALLOWING IT TO CRASH
BENDER: *snaps photo* Neat!

Yeah, this is basically the Disney princess scene in a nutshell. Or should I say part of it, because that’s the part that’s going for humor. The other part is a bit more serious and plays a part in Vanellope’s overall arch in the movie. I don’t want to get too much into it, but this movie manages to poke fun at the princesses for their constant need to sing, their desire for men as if the concept of lusting after a guy is their only path in life, and they even throw a little jab at Pixar. If you have ever seen the movie “Brave” you’d know that the main character is Merida (Kelly MacDonald). All of the other princesses have a voice that pretty much anyone (at least any English-speaking individual in the US) can understand. But “Brave” takes place in Scotland and I remember awhile back I was talking to my grandmother or someone else and they said that Scottish people are difficult to understand. This is what I imagine would be a perfect stereotype from perhaps my grandmother’s vision towards the Scottish. OK, whatever, maybe Merida actually said something in Gaelic (according to IMDb), but still, it’s hard to comprehend regardless of whatever standard we are talking about. As a joke, one of the princesses reminds us as an audience, “she’s from the other studio.”

I said we’ll get to the product placement, so you know what? Let’s go nuts. It’s not as blatant or annoying as “The Emoji Movie,” but it’s still a thing. There’s a whole segment that takes place in eBay which is actually very entertaining. In fact, I won’t go into complete detail, but if there is one company, aside from Disney, that this movie is a feature-length commercial for, it’s eBay. There’s a whole segment where we see Ralph and Vanellope bidding against a user in the real world, but they don’t know how eBay works. They think the objective is to bid high numbers and leave it at that. They don’t understand that in reality, you have to bid high, but you also have to be cautious of how high you go and occasionally ask yourself, “how high is too high?”. There’s also this one character called The Eboy, who to mt surprise was played by Sean Giambrone. For those of you who don’t know him, he’s the lead kid in ABC’s “The Goldbergs,” one of my favorite sitcoms on TV right now. Essentially, without spoiling the movie, it is a big fat commercial for eBay. Thankfully, it’s done brilliantly, and not many other brands are coming in to make me have a headache. There are some notable instances here and there from companies such as Amazon, Google, Twitter, Snapchat, etc.

One surprise, considering YouTube, is the fact that it is not even in this movie. Think about it, Google, which owns YouTube, is getting a slice of the promotional cake, but YouTube is getting nothing but an attempt at humor. There is however a part of the movie that involves a fake video sharing site called Buzzztube. It is run by a girl named Yesss, played by Taraji P. Henson. The segment where we go through this happens to parody YouTube by saying things like “trends don’t last,” and “if you want to be popular, repeat whatever is popular.” Hey, Disney, that sounds familiar! To me, that’s one of those things that’s simply funny because it is true.

I don’t want to talk about too much more, because if I do, I’ll spoil some stuff that should be kept as secret. But there’s one thing about this movie that kind of surprised me. There are TWO end credit scenes. I guess having a random appearance from Marvel’s characters can technically make you qualify as a “Marvel movie.” Coincidentally, Stan Lee has a cameo in this film. RIP by the way.

In the end, “Ralph Breaks the Internet” was a pretty fun time. It has its flaws, but they are extremely minor and don’t leave the positives in the dust. And, by the way, I’m a guy, I like adrenaline rush type of movies like “Point Break” or “Baby Driver,” but I will admit, there was a point or two in this film, where I almost felt like tearing up. I won’t get specific, but it’s true. Is this film BETTER than the original? I honestly don’t know. I said in the beginning that this is a solid sequel to a lovely original film, but to be honest, I have not watched the original “Wreck-It Ralph” from start to finish since 2013 so I don’t even know if I can give a completely valid opinion at this point. However, much like the first movie at this point, I’m going to give “Ralph Breaks the Internet” an 8/10. Thanks for reading this review! I just want to remind everyone that it is December, and my head is spinning. I have tons of plans for the month after this and 2019 as a whole. But before we get to that, since I have my countdowns for my best and worst films of the year coming up, there will be some movies I will be watching which have been released this year that might not end up being reviewed. Who knows? Maybe that’s a lie. But I’ve done this for the past couple of years so it is kind of my tradition now. Plus, December’s a big month for me in terms of reviewing blockbusters and Oscar-bait titles. I need to focus on those, because, ya know, priorities. Be sure to follow Scene Before using your email or WordPress account that way you can stay tuned for more great content that unfortunately, breaks the internet less than an irrelevant woman’s sex tape. I want to know, did you see “Ralph Breaks the Internet?” What did you think about it? Or, what is your preferred choice between the “Wreck-It Ralph” movies? Let me know down below! Scene Before is your click to the flicks!

Is Toy Story 4’s Teaser Symbolizing Death?

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Hey everyone, Jack Drees here! Not too long ago, we’ve gotten a recent teaser trailer for Pixar’s “Toy Story 4.” Leading up to where are at this point, I was a bit skeptical of even having “Toy Story 4” be a thing in the first place. As a matter of fact, for those of you haven’t seen “Toy Story 3,” without giving spoilers away, let’s just say the ending of that movie is like having the world’s greatest pizza, but it can only be made once. If it is ever to be made again, then it is perhaps inevitable that society will be cursed for eternity. It leaves me, as an audience member, with a sense of satisfaction and no particular need to see what’s next. But somehow, we’re getting a new chapter. I was confused on why this would be. I DID NOT think this would live up to any of the previous “Toy Story” installments, but the more I hear about it, the more I think it could live up to, or POSSIBLY surpass all three of them. It’s normal for a movie’s crew member to promote whatever he or she happens to be working on. If they say something negative about their movie, chances are there will be consequences for the crew member in terms of where they stand job-wise, or maybe the audience won’t rush out to see it. But based on some recent comments from actors Tim Allen (Last Man Standing, Home Improvement) and Tom Hanks (The Green Mile, Cast Away), I had a feeling that I should take whatever hate I had for this movie out the window, and open my eyes for whatever shall be laid upon me. Both actors have called the movie emotional and there is a scene in particular that is hard to get through. I almost want to watch “Toy Story 3” and see the difference between that and this movie when it comes out!

Nevertheless, I saw this recent teaser, and I feel like there is something I’m seeing here that needs to pointed out. All these toys might f*ckin’ die.

I know, this is a kids movie, but my mind is literally going into such a direction. Maybe I’m a little twisted and weird, but hear me out.

If you watch this teaser, maybe you’ll agree with me in saying that it’s almost something made for the druggie market. I can seriously imagine myself being convinced that I just smoked some weed before seeing all of the toys moving across the screen the way they do. I also want to talk about the way they are moving, and that is them going to their right as they are holding onto each other’s hands. Just so you know, we see each toy more than once, so unless there is some sort of advanced technology that can keep the toys infinitely moving in a straight line, this seems purely impractical.

Although, maybe they are not in a straight line, and without us noticing, they are moving in a circle. And at the serious risk of sounding like a so-called “conspiracy theorist,” it is quite possible, they are partaking in the children’s nursery rhyme “Ring Around the Rosie.” For those who have once dived deep into the lore of “Ring Around the Rosie,” there is no one true origin behind it, but there are theories of its overall relation to plague and death. According to an article up on Snopes, scholars saw similarities from the lyrics to the nursery rhyme and the Black Death, which killed millions of Europeans during medieval times. These scholars thought “ring around the rosie” was a way of pointing out red marks that can be found in plague. Just to point out, I’m American, so we’re doing the American version of Ring Around the Rosie. When you have a song with four lines and the second to last line includes the words “Ashes! Ashes!,” how do you not compare that to an illness or dying? And, much like in a traditional go-round of Ring Around the Rosie, everyone falls down. In the teaser, all the toys manage to fall (sort of), but not in the way that everyone should be. For one thing, the characters are all floating, which does sort of fit, because we are looking at a background of a sky with clouds. Also, there’s a newcomer to the “Toy Story” universe, a spork who is referred to as “Forky.” His comment, “I don’t belong here!,” plus his departure from handholding causes Woody to get distracted, and cause a cataclysmic mess while everyone defies gravity. By the way, this comment, not to mention his next comment, “I’m not a toy!,” leads me to thinking he might be the antagonist of the film, if not having a small link to the film’s overall antagonist. And possibly, have a hand in killing toys.

Another thing outside of the trailer that could be leading to some unexpected deaths is a recent trend I’ve noticed when it comes to Pixar’s films. Since 2015, every film released by Pixar, with the exception of “Cars 3,” has gotten a PG rating. While PG may not be high on the rating spectrum, it is a minor jump compared to what “Toy Story” has seen for ratings in the past. The only other films to have gotten such a rating in regards to Pixar are “The Incredibles” (2004) and “Brave” (2012). Who knows? For all I know, “Toy Story 4” will be exclusively adult and earn a PG-13 rating. After all, the first showings are probably going to have nineties kids. Nobody’s stopping them from getting in the theater. I’m not saying that’s going to happen. If anything, it’s not, but what if it did?

I also want to bring up this poster right here. Is this Woody saying goodbye to the audience? Is this a sign that Woody will die? Here’s Woody with a hand on his hat. Is he about to walk into the depths? Never to be seen again? The one thing that will make me slightly kept from thinking that all the major toys die is that Buzz Lightyear can be seen in a poster with the same background, and he actually looks like he’s fine. He looks like his usual self, prepared for battle. That is unless he’s going against some swarm so enormous he cannot handle himself, in which case he actually happens to be totally f*cked.

Will all the major toys die in “Toy Story 4?” Based on how family-oriented films seem to work, that seems very unlikely, but this is certainly an idea I’m keeping in my back pocket. In fact, even if they do die, it probably wouldn’t be in a dark way. It could be emotional, but in a way that wouldn’t make people want to cover their eyes. But Pixar is part of the Disney family and Disney probably wants Pixar to make a “Toy Story 5” to add more stuff in their theme parks, so there is that. However, when I watched the “Toy Story 4” teaser, I couldn’t help but point out something that could be crucial to the movie as a whole.

Thanks for reading this post! I just want to wish everyone in the United States a happy Thanksgiving! Please feel free to avoid discussing politics, eat too much food, and slam the door on whatever in-law is probably going to kill you. Also, we have December coming up and I will have you all know that I have not done a countdown in a long time. It’s not that I’m not interested, but they’re not always easy to make. That is unless I happen to be processing everything on a conveyor belt like Watch Mojo. However, the year is almost coming to an end and I will be soon counting down my top 10 BEST and WORST movies of 2018. I still got plenty more movies to watch and review before the year’s end to the point where I might not even be able to cover all of them on here. I might be getting some movies on Black Friday, I’ll probably review a very small amount should I get to watching them, but at the very least, they’ll be added to my collection. Maybe I’ll do a Black Friday collection update, I might not, but we’ll see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you watch the “Toy Story 4” teaser? What did you think about it? Or, what do you think will be the ending to “Toy Story 4?” Let me know down below! Scene Before is your click to the flicks!

Oscars Best Popular Film Category CONFIRMED To Be Implemented To Boost Ratings

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Hey everyone, Jack Drees here! I usually don’t talk much about TV, but today is one of those once in a blue moon occasions where I have to bring it up. Although this one is especially appropriate because it heavily involves movies, celebrating movies, and perhaps the future of how film itself is viewed. In August, The Academy came up with some ideas to spice up the upcoming Oscars ceremonies. Two of them were ideas I thought would have little to no effect on how the show is run (earlier airdate, commitment to three hour telecast). I still question them to this day, but at the same time, they are nowhere near as questionable as the one we are going to talk about today. As you may or may not know, one recent idea that has come out of at least a single brain of The Academy is the introduction of a category based on “Popular Film.”

What does that mean? Well, the answer isn’t exactly 100% clear. But in all likelihood it has to do with films that have a huge fan followings prior to or after its release. Box office may be a huge determining factor so the Marvel movies are one true example of the films that can get nominated. And one thing about this that seems very obvious, it might be an excuse to say that a certain movie that wasn’t “good enough” can get nominated, or even win an Academy Award. Let’s take “Black Panther” for example. It’s a superhero movie, based on a comic book, with a diverse cast, it made more money than most of the movies released in 2018. Critics loved it, and so did fans. Keep in mind, there is not one single film released in the Marvel Cinematic Universe that has ever won an Academy Award. There have been several nominations over the years, but not one movie was ever victorious. So one of these movies finally wins, and it happens to be “Black Panther.” Well, what does it win? Best Visual Effects? Best Sound Mixing? Best Cinematography? No! Nothing of excellence! Best Popular Picture!

ME: But that truly doesn’t measure how good a movie is!

THE ACADEMY: But it’s popular!

ME: Doesn’t make a difference!

THE ACADEMY: But they won!

ME: How do you think the Chicago Cubs would feel or be measured if they won “Most Popular Team” in 2016 instead of the World Series?

THE ACADEMY: But “Black Panther’s” a great superhero movie!

ME: Listen to me, measure FILM AS A WHOLE, or die!

This Best Popular Film category is literally going against all that the Oscars is about! It basically takes the idea of excellence, and literally meshes it into something along the lines of the Teen Choice Awards or the MTV Movie Awards! I’m bringing this up today mainly because there was a recent piece written by Vanity Fair that I feel needs to be talked about. Let’s take a look at this first statement from a suggestion.

“The best-popular-film category might not be presented at next year’s Oscars, but the Academy is still keeping the idea in its back pocket.”

Is that another way to say you’re keeping it alongside your ass? Because while you may not be doing such a thing intentionally, this sure as hell feels like such a thing is happening. That’s not the statement we’re going to dive into supreme detail about however, because we haven’t even taken a look at the next statement.

“Bailey also confirmed that the award was designed as a direct response to the ceremony’s disappointing ratings, which have fallen steadily over the last few years. Drawing viewers in by catering to mainstream hits “seemed like a good idea” to the board at the time, he said, but the pushback against the proposed new category was strong enough that the Academy ultimately announced that it would no longer introduce the prize at the 2019 ceremony. However, that is “not to say that the idea is dead,” he added. “Even after a stake was driven through its heart, there’s still interest.””

With that in mind, let me just remind you that I was one of the people who sat down for the most recent Oscars ceremony, which received the lowest ratings out of any of its telecasts. Some choose to blame the long runtime, while others will speak towards the political talk, and a certain orange individual will point out the following:

All opinions aside, the Oscars had its lowest ratings this year with 26.5 million viewers tuning in, which does not include people watching through digital or mobile platforms. Slight digression here, but this is just one of the event programs airing this year which has just hit a new low. The Emmys and Country Music Awards have both suffered to the point where they too have received the lowest ratings of all their telecasts. The Super Bowl just received its lowest ratings since 2009. The MTV VMAs also had their lowest rated show this year, which believe it or not, means they went two years in a row having their lowest rated show. This is a problem for sure, and I’m willing to bet part of it has to do with politics, a lack of attention span, and maybe the fact that streaming doesn’t always get tracked in ratings (although Hulu with Live TV and YouTube TV are slight exceptions).

But speaking of ratings, I cannot see into the future, but I don’t see how this popular award is going to help! The fact that you guys are even still thinking about it NOW is baffling to me. I remember it was said that this award was going to be “postponed” from the next ceremony, but now that conversations about it have resurfaced, I feel the need to add in my two cents about it. The fact that the Oscars is considering doing this is just sad. It’s sad because I’m a movie fan, and as a movie fan, I watch the Oscars not because I’m saluting movies that make lots of money, but because I’m saluting movies in terms of brilliance and the very idea of film as a whole. In fact, this category, Best Popular Film, is an insult to moneymaking films. I said it once before, this reminds me of the Best Animated Feature category. It’s a category for movies that MIGHT NOT BE GOOD ENOUGH for Best Picture or other categories, but hey! We have more nominations to gloss over! Maybe there’s an argument to be made that the Oscars is already somewhat of a popularity contest because you have a group of people voting on movies that they’ve experienced in the past and everything on the nomination list is from their perspective. My response, try making your own award show, where you are the control center of all operations, and avoid putting your opinion into one thing related to it.

With that in mind, let’s move onto another part of the article.

“Bailey pointed out that there is Oscar precedent for handing out two different sorts of best-picture awards. At the very first Academy Awards ceremony in 1929, the best-picture category was split into two sections, with one recognizing the best-box-office hit (“Wings”), and the other the best artistic production (“Sunrise”).”

You understand the meaning of “worst for first,” right? This somewhat reminds me of what the Golden Globes tends to do every year, because for their awards, they seem to split the awards by genre. For certain awards in both movies and TV, we see the label towards the end, “Comedy or Musical” or “Drama.” While that may make the awards somewhat less prestigious, it still works better than the Academy’s popular film idea because at least it has nothing to do with how much money a film makes, or the amount of people who follow it simply because it is either trendy or in the moment. I’ll be honest, while to some people this might be a stretch, should “Avengers: Infinity War” be nominated for Best Picture, I’d be very happy for it. We are getting towards the end of the year, I don’t know how long such a thought will stay in my mind, but still. If it were nominated for Best Popular Picture, it would be an insult to the movie. Hey, movie! You’ve got a fan following! Ignore the critics! The fans love you! Here’s your kiddie table!

And speaking of fans, let’s take one word in the first quote and talk about it in depth. Catering.

Catering is fine when you’re having a special event such as a party or a wedding. Other than that, catering sucks! The fact that the Oscars might ignore their previous ways and CATER to mainstream audiences is just abysmal! You know who does that? The MTV Movie Awards! Most of the awards are for films that mainstream audiences know! That’s not always a bad thing, but what if there’s a year that all the mainstream audiences watch whatever happens to be disposable garbage? To the mainstream audiences, watching films is entertaining, not a job. Not only that, but some of the movies you’ll find are ones that critics are not even giving deep attention towards! When you have Kristen Stewart winning THREE awards for her performance in the “Twilight” franchise, that is a not a positive sign.

Now this is the part where things get a whole lot worse:

“Bailey also tipped off some of the Academy’s ongoing conversations about the future of the organization and the televised Oscar ceremony, noting that Disney, which owns ABC, is trying to “expand the awards to millennials,” in order to help the telecast thrive through ABC’s 2028 contract.”

I KNEW IT! DISNEY WAS BEHIND THIS ALL ALONG! HOLY F*CKING MICKEY MOUSE I WAS RIGHT!

OK, well, maybe not entirely. I’m not sure if Disney has a hand in the Best Popular Film category or not, it’s hard to say. But the fact that the Oscars is going from the most prestigious award show in movie history to a yearly event that solely depends on ratings means that it is basically going through a humongous downfall. This is an issue that is worse than the politics! This is an issue that is worse than the long hours that I’ll honestly sit through but others can’t take! This is an issue that relates heavily to one of the biggest complaints associated with sports for younger athletes, especially some in the millennial generation. The participation trophy. What’s going on here is that the Best Popular Film award is the kiddie table award that says a movie wins something but in reality, wins nothing. They get the award equivalent of a sticker. Yay! You voted in the election! Chances are you just killed us all! But hey, here’s a sticker for your valuable efforts!

I got to ask a serious question though, how exactly is the Oscars going to target millennials? What are they, going to advertise the show with glossy backgrounds and everyone has Snapchat dog filters on their heads? Are they going to go nostalgic and celebrate the movies the nineties’ kids used to watch? Maybe put all of the older Oscars telecasts on Netflix or the new Disney streaming service? But if you are only trying to force voters to vote for movies that mostly millennials watch, then the Academy has crossed the line. I could go into catering, but I’ve already done enough of that, haven’t I?

I may have calmed down about this a couple of months ago, especially when you consider that it was announced that this award was postponed. But to me this is something the movie nerd community is likely to talk about. It’s like the comic book nerd community trying so hard to talk about the latest updates on the supposed “Gambit” movie that should be happening sometime soon. Maybe never, I don’t know. I thought the reason the Oscars was going to implement this was to boost ratings, and boosting ratings is not a bad idea considering what their audience consisted of this year, but this is not the way to do such a thing. The Oscars, is about prestige. It’s about celebrating the best in film. Let’s keep it that way.

Thanks for reading this post! If you are interested in more of my content be sure to check out my review for this year’s Rhode Island Comic Con! I went for the fourth year in a row and there are so many reasons to love it! Please check out my post! I will say I have no scheduled reviews for this weekend (that could change though), but there is a movie I did see on Monday called “Second Act.” I’m not going into detail about it whatsoever, my lips are sealed, it doesn’t even come out until December 21st. I don’t know when the review embargo lifts, but I can guarantee you’ll see my review when the Rotten Tomatoes ratings are revealed. There’s already verdicts on Facebook, but let’s face it, it’s Facebook. Who really cares at this point? Be sure to follow Scene Before with your email or WordPress account so you can stay tuned for more great content! I want to know, did you read the Vanity Fair article or hear about this whole fiasco somewhere else? Or, since we are taking shots at the Oscars, what do you think is the worst thing about the Academy or the Oscars? Let me know down below, and speaking of down below, if you want to read the Vanity Fair article I’m talking about, click the link at the end of the post! Scene Before is your click to the flicks!

VANITY FAIR ARTICLE: https://www.vanityfair.com/hollywood/2018/11/best-popular-oscar-ratings-john-bailey

RHODE ISLAND COMIC CON 2018 REVIEW/HAUL https://scenebefore.wordpress.com/2018/11/11/rhode-island-comic-con-2018-review-haul/