David Harbour

GOAT (2026): A Traditional Sports Animation That Dribbles at a TikTok Pace

Posted on by Jack Drees

© 2025 – Sony Pictures

“GOAT” is directed by Tyree Dillihay (Bob’s Burgers, Good Times) and Adam Rosette (Harvey Girls Forever!, The Mr. Peabody and Sherman Show) and stars Caleb McLaughlin (Stranger Things, The Book of Clarence), Gabrielle Union (Think Like a Man, Bring it On), Aaron Pierre (Mufasa: The Lion King, Krypton), Nicola Coughlin (Derry Girls, Bridgerton), David Harbour (Stranger Things, Black Widow), Nick Kroll (Big Mouth, Sausage Party), Jenifer Lewis (Think Like a Man, Black-ish), Patton Oswalt (King of Queens, Young Adult), Jelly Roll, Jennifer Hudson (The Jennifer Hudson Show, Dreamgirls), Sherry Cola (Joy Ride, Shortcomings), Eduardo Franco (Stranger Things, Booksmith), Andrew Santino (The Disaster Artist, Mixology), Bobby Lee (Inside Job, Kickin’ It Old School), and Stephen Curry (Holey Moley, Mr. Throwback). This film is about a goat named Will Harris who gets the unique opportunity to follow his dreams and play roarball with much bigger, stronger, and faster animals.

When I think of the gold standard of animation, my mind tends to dart towards Pixar. As for Sony Pictures Animation’s place in this medium, I am kind of iffy about them. As much as the “Spider-Verse” movies are masterpieces, they also come from the studio that is responsible for “The Emoji Movie,” one of the most unforgivable abominations made by man. The quality is not the most consistent from one project to the next.

I was not exactly sure what to expect with “GOAT.” I had some idea, but not quite a full picture. The film certainly looked like it took some inspiration from “Spider-Verse’s” fast-paced animation style while also finding a way to bring its own personality to the table. That said, from what I saw through the marketing, this film looked cliche in more ways than one. Having seen the movie, I can definitely say it is cliche. Depending on how many movies you have seen, some of this film’s structure is going to feel quite familiar to you. A protagonist wants to be the best at something despite what the odds suggest and what other people have to say. I have said on this blog that cliches are fine as long as a project can effectively utilize them. Having made that point, I wish “GOAT” was a better movie.

This is not to say the movie is the worst I have ever seen. In fact, when it comes to establishing characters like the scrawny Will Harris (McLaughlin) and his much stronger mentor figure Jett Fillmore (Union). The movie takes time to give them a splendid dynamic that plays out perfectly on and off the court. Their connection unleashes some cliches, but they are, again, cliches that are handled decently. You have the young, eager student willing to learn from a wiser figure who is supposedly becoming more washed-up with each passing minute. It is a traditional storytelling method, but it works.

“GOAT” is very much a product of the 2020s. In some ways, it does a good job at shining a light on people’s weaknesses and problems that define the decade. There is one gag in the film involving a character who is way too attached to their phone. I could see a joke like this playing well with parents in the audience. That said, at my screening, the person next to me, who happened to be an adult, was on their phone numerous times. I wonder how they took this lesson.

By the way, if this has not been made clear already, please put your phone away at the movies. That said, I understand not everyone carries a watch nowadays, so I have no problem if you want to check the time as long as you do not go any further to wreck my time. Turn the brightness down. Peek in your pocket. Don’t flash it heavily for everyone to see! You got it? Good. Let’s move on.

While the movie positively defines the 2020s in some ways, it also manages to define it in less stellar ways. One of my biggest problems with this film is the pacing. Granted, the movie is all killer, no filler. It dives into each and every point without skipping a beat. But for a movie that is about basketball, part of me wishes I could have seen more of it. Thankfully, unlike another so-called sports movie that goes by the name of “Him,” which I reviewed last year, “GOAT” actually dedicates a lot of time to its focal sport. That said, part of me wishes we could have spent a little extra time on the games. I am not saying that we need to see all 48 minutes of the film’s players running up and down the court, but by the time the film gets to the big game at the end, it feels much smaller in scale than it should be. It feels rushed. It feels like it wants to end before it starts. The film literally breezes through its first couple of quarters of the climactic game in about as much time as it would take me to swipe through a few YouTube shorts. There are some occasionally thrilling moments in these games, but they would probably be more exciting if the movie drew things out. “GOAT” tells a lot in a 100 minutes. I just wish I had the chance to digest the material a little more.

One reason why I tend to favor stories told by studios like Pixar is that unlike Sony, their films feel a lot less commercialized. Sure, “Toy Story” uses a lot of real life toys, “Cars” uses real life vehicles, and “Wall-E” has ties to “Hello, Dolly” and Apple. Yet those projects feel like stories rather than extended advertisements. Even in some of Sony’s better animated productions, I always notice they find a way to sneak in a commercial for one of their products. When it comes to product placement, “GOAT” is utterly shameless. The movie spends quite a bit of time showing off the PS5, creates its own 2K sports games based on roarball, makes the card game Uno a core concept of the plot, and even spends quite a bit of time featuring Doordash.

Just because this movie feels commercialized, does not mean it lacks creativity. Instead of basketball, the movie features the sport of roarball. Like basketball, it features players going up and down a court trying to put a ball through a hoop. The two sports have their differences. We do not see humans playing roarball and rather tons of different animals taking up the sport. The universe within “GOAT” seems to have a similar layout to “Zootopia” as there are no humans.

But above all, I find the roarball courts to be more interesting than anything else the sport has to offer. If you ever go to an NBA game, you would notice that each arena has its own individual quirks and home teams, but each court follows a similar structure to the next. The courts that we see through this film’s professional league sort of play like a video game. There are moments where characters have to make their way through rising surfaces, ice, fire, and so on. Honestly, if Nintendo wants to make a “Mario Basketball” game sometime soon, I think this movie would be a solid piece of inspiration.

In the end, “GOAT” is not the greatest flick. It has glimmers of goodness. Although those glimmers are rather thin. The voice cast is pretty talented and bring a lot to the table. Despite clearly being similar to basketball, the concept of roarball has sparks of creativity. While there are a couple decent moments, most of the scenes in this film feel so rushed to the point where I cannot fully appreciate the characters within them. Also, the product placement feels kind of over the top, especially considering this film is animated. As someone who is in his 20s, I sometimes think about what would happen if I had kids and I took them this movie. I think they would have a fun time with it, and for all I know it could age somewhat decently for them, but I do not know if it is going to age like a fine wine. Time will tell. As for this 26 year old loser, I think “GOAT” is a one and done for me. I am going to give “GOAT a 5/10.

“GOAT” is now playing in theaters everywhere. Tickets are available now!

Thanks for reading this review! My next review is going to be for “EPiC: Elvis Presley in Concert!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Send Help” and “The Bride!”. Also, this is my first film review I have published since Scene Before officially turned 10 years old. I want to thank everyone who has wasted their time reading my above average material over the past ten years.

If you want to see a video-based film review I have done, check out the first episode of Movie Requests, where I discuss Lars von Trier’s film “The Idiots,” as requested by actress Bryce Dallas Howard. It is available now on my YouTube channel, and you should absolutely positively subscribe!

If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “GOAT?” What did you think about it? Or, what an animated sports film you enjoy? Sticking with the topic of basketball, you should totally check out my review for “The First Slam Dunk.” It is a great movie, give it a watch. Scene Before is your click to the flicks!

Thunderbolts* (2025): Familiar Marvel Characters Take Center Stage in an Unexpectedly Powerful Story

Posted on by Jack Drees

Photo by Marvel Studios/MARVEL STUDIOS – © 2025 MARVEL.

“Thunderbolts*” is directed by Jake Schreier (Paper Towns, Beef) and stars Florence Pugh (Oppenheimer, Midsommar), Sebastian Stan (The Apprentice, A Different Man), Wyatt Russell (Monarch: Legacy of Monsters, Black Mirror), Olga Kurylenko (Quantum of Solace, Magic City), Lewis Pullman (Top Gun: Maverick, Salem’s Lot), Geraldine Viswanathan (Blockers, Miracle Workers), Chris Bauer (The Deuce, True Blood), Wendell Pierce (Suits, The Wire), David Harbour (Violent Night, Stranger Things), Hannah John-Kamen (Brave New World, Killjoys), and Julia Louis-Dreyfus (Seinfeld, Enough Said). This film is about a group of antiheroes who work together on a mission where they must face the darkness of their pasts.

Photo by Marvel Studios/MARVEL STUDIOS – © 2025 MARVEL.

Before we get into my thoughts on “Thunderbolts*,” I would like to take a few moments to discuss my current feelings about the Marvel Cinematic Universe.

Every time there is a new Marvel Studios project out, I imagine that group as if they were a see-saw. The past couple years or so, I have come across a multitude of extremes. “The MCU is dead!”, “The MCU is back!”, “The MCU is dead again!”, “The MCU is back again!” Personally, the MCU is long from dead. And it always has been. There have been missteps along the way, sure. But many filmmakers would kill to have a project as successful as many of those coming out of Marvel. Yes, 2023 was a lesser year for the studio. Yes, “The Marvels” bombed… Yes, “Ant-Man and the Wasp: Quantumania” underperformed… But in the same year, we also had “Guardians of the Galaxy Vol. 3,” which was super successful. Marvel was down, but not out.

Then in 2024, Marvel churned out the highest-grossing R rated title of all time with “Deadpool & Wolverine.” And “Agatha All Along” also did well on the TV side.

Flash forward to 2025, things are not off to the best of starts. Sure, maybe “Daredevil: Born Again” is well received. But movie-wise, “Captain America: Brave New World” got old really fast. The box office was somewhat respectable, but it was low by Marvel standards. It probably would have been higher if the film did not have a 48% on Rotten Tomatoes. As for my thoughts on the film, I would say it is mediocre. It is the first Marvel film since “Endgame” I did not enjoy. That is honestly not a bad streak.

Photo by Marvel Studios/MARVEL STUDIOS – © MARVEL 2025

Now that much of the discourse of “Thunderbolts*” is finding its way online, I am not going to claim the MCU is back. Again, it never died. But I would say the MCU is in a great position right now because “Thunderbolts*” is an incredible time.

There is a sense of homogeneity from one Marvel movie to the next. While this film manages to maintain some of the cliches from prior Marvel projects, “Thunderbolts*” is undoubtedly unique when it comes to the span of the MCU. While the film features familiar characters, they have arguably never been this well written.

Photo by Marvel Studios/MARVEL STUDIOS – © 2025 MARVEL. All Rights Reserved.

Well, maybe except Bucky. He has been around for a bit. His role in “Captain America: The Winter Soldier” is rather compelling at times.

“Thunderbolts*” goes beyond being a great comic book movie, which is not necessarily a detractor by itself, and gives one of 2025’s deepest narratives yet. This film is about a bunch of nobodies who are tasked to complete a mission together. Basically the Thunderbolts are Marvel’s version of the Suicide Squad. With there being two “Suicide Squad” movies, I would put “Thunderbolts*” in between them. It is nowhere near as bad as the 2016 one, but not quite as enjoyable as the 2021 sequel directed by James Gunn.

What makes “Thunderbolts*” in particular so compelling is its handling of the core characters. Again, these are nobodies. But in some cases, them being nobody is what makes them relatable. I think a lot of people will relate to characters like Yelena because the movie dives into her struggles of having no one by her side. After all, her sister died. She has been away from her parents for some time. She does not have a partner. The movie dives into various obstacles people can have with their mental health. This film came out in 2025, and knowing some of the things going on in the world, it feels like a movie some people will need right now. I can only imagine the conversation this would have gotten had this come out some time in 2020, or 2021, back when COVID-19 started to spread around the world. “Thunderbolts*” is playing a key role in kickstarting this year’s blockbuster season. It is undoubtedly a film that a ton of people are going to see. I imagine a lot of viewers are expecting to have fun. That is a core expectation of many of these tentpole releases. Having seen the film, I can say it is in fact, quite fun. But I also walked out of this film thinking about the people in my life, my social circles, and wonders as to what my future could present should I navigate in a certain direction. Maybe some people could see this film as a bit of a downer, but I think there is enough balance throughout the story to where it could wind up being some of the most fun one can have at the movies this year.

Photo by Marvel Studios/Marvel Studios – © 2025 MARVEL. All Rights Reserved.

On that note, the humor in “Thunderbolts*” works very well. Just about every joke landed for me. The highlight for me throughout the film, in terms of comedy, is easily David Harbour. This comes as no surprise because I found him to be the standout of “Black Widow,” mainly because of his execution of that film’s more comedic moments. Neither of these films are quite “Guardians of the Galaxy” funny, but that is a tall mountain to climb.

In fact, if I had a critique for the humor, it would be that some of the jokes feel like rewrites of what we have gotten in other Marvel projects. This might not be a surprise because there are so many projects already out, but after so many of them, you are bound to follow a formula or repeat something that was done before. One joke that finds its way into the script is the characters talking about how dumb a particular name is. As someone who likes these movies, I have noticed an arguable overuse of this kind of joke. But rarely does it fail for me, and “Thunderbolts*” is not an exception to the rule. Not only did I find this film’s “name jokes” funny, but they also play a key role in the story down the line.

I am an MCU fanboy. I make an effort to see all the films as soon as they come out. But it does not mean I am ignorant of any drawbacks that come my way. And this movie has some. One that comes to mind is Julia Louis-Dreyfus as Valentina. I do not have anything against how the character was written, but if anything, I felt like Louis-Dreyfus was playing herself. Maybe this is due to watching a lot of “Seinfeld,” but when I look at Valentina and listen to her speak, I cannot help but picture a boss lady variant of Elaine.

Another flaw has to do with the pacing. That is if you can call it a flaw. The film has an entertaining first half, but eventually, things pick up fast and furious to the point where the latter half outshines the former. “Thunderbolts*” is a great film, but I am going to remember it more for the second half than the first, which was fun nevertheless.

Knowing the MCU’s track record as of late, this next flaw should not be a shock. Some of the CGI could be a smidge better. Granted, a lot of the CGI in the film is great, and collectively, the effects are much better than say “Black Widow” or “Thor: Love and Thunder.” But some of the computerized effects looked kind of obvious. Although even those that did seem obvious sometimes looked polished or buyable enough to the point where I could be forgiving of their presence.

While the CGI may not be perfect, one technical aspect that pleasantly surprised me was the color grading of the film. With some occasionally obvious effects aside, I cannot say I have seen an MCU film that looks utterly incompetent. Though a common problem I find with some of these movies is through the color palette. Sometimes the colors do not quite match the mood of the film. “Captain America: Civil War” comes to mind. While it is a more serious MCU installment, I thought the colors were a bit too gloomy and dark for what the film turned out to be, especially with the airport throwdown. The color grading in “Thunderbolts*” was also on the gloomier side, but it felt natural for the story that was being told, as well as the vibe that was lingering in the background. The colors were consistent and amazingly did not take away from the more fun moments of the film. The film was always fun, but in the back of my mind, it was also a bit of a downer when it dove into some of the characters’ struggles.

Another common MCU problem that fails to find its way here is the film’s villain. I am not going to dive into a ton of details regarding the character, but not only were they well written, but I thought they fit perfectly into the mental health motif. There is a climactic sequence involving said character that like several others in the MCU, is heavy on the special effects, but it winds up becoming a one of a kind battle that I do not recall ever seeing in this series of films. This is not my favorite MCU climax, but it is safe to say it is up there with some of the best.

Many of the characters in this film have appeared in other MCU projects. Thankfully, I can claim that you do not need to see those other films to understand what is going on in this one. While the film does reference a couple major events in the MCU that have been documented in other stories, I think an MCU first-timer can go into this film with no experience and have a good time with it. This story feels fresh, which is amazing to say considering the amount of familiar faces that make up the cast both on the film and TV sides.

Although for those who did see “Captain America: Brave New World,” there is one major event involving Bucky that is referenced in the film. It is resolved in a cop out-like manner. If you were looking forward to knowing more about that event, you get more. But not a ton. As much as I enjoyed this movie, this sort of shows the haphazardness of the MCU and how supposedly big setups in previous projects can be met with little payoff. Granted, the setup paid off. But perhaps barely.

If I had any other notes regarding the film, I will note that this is the first MCU appearance of Geraldine Viswanathan, and I thought she did a good job. At one point, her character kind of puts things into perspective for the younger people living in this universe, particularly how some of the major events such as the Battle of New York might come off as something that would now be covered in a history class. I thought that was a nice touch. For those who do not know Geraldine Viswanathan, she is a super talented young actress. This is not her best work. If anything, I recommend checking out the TBS series “Miracle Workers” if you want to get a true sense of Viswanathan’s comedy chops. But I am glad to see her make her way into the MCU.

By the way, there are two extra scenes during the credits. And without giving anything away, I got a big, fat laugh while watching the mid-credits scene. There is some line delivery in the clip that simply amounts to perfection.

Marvel Studios/MARVEL STUDIOS – © 2025 MARVEL. All Rights Reserved.

In the end, I would give “Thunderbolts*” two big thumbs up. This was a phenomenal time at the movies. Florence Pugh overdelivers in her lead role. David Harbour is comedy gold. Sebastian Stan is stellar as usual. And Lewis Pullman does a great job playing another supporting character named “Bob” following his efforts in “Top Gun: Maverick.” I am looking forward to seeing what the next few months bring in terms of blockbusters. If this year’s upcoming tentpoles are as good as “Thunderbolts*,” then the summer movie season is gonna rock. I am going to give “Thunderbolts*” an 8/10.

“Thunderbolts*” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Rust.” Yes, that one. The movie was not playing in too many theaters, but I was at the right place at the right time, and managed to check it out a few weeks ago. Look forward to my official thoughts coming soon. Also on the pipeline, I have reviews coming for “The Ruse,” “Mission: Impossible – The Final Reckoning,” “The Accountant 2,” “Bring Her Back,” and “Friendship.” If you want to read these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Thunderbolts*?” What did you think about it? Or, with this being the last MCU movie in phase 5, what did you think of this phase overall? Do you have a favorite film or TV show? Personally, my favorite project was “Deadpool & Wolverine” by a clear mile. Let me know your faves down below! Scene Before is your click to the flicks!

Gran Turismo (2023): Proof That Video Games Are Not Always Bad For You

Posted on by Jack Drees

“Gran Turismo” is directed by Neill Blomkamp (District 9, Chappie) and stars David Harbour (Black Widow, Violent Night), Orlando Bloom (Pirates of the Caribbean: The Curse of the Black Pearl, Lord of the Rings: Fellowship of the Ring), Archie Madekwe (Heart of Stone, Midsommar), Darren Barnet (Love Hard, Never Have I Ever), Geri Halliwell Horner (Foggy Nation, Spice World), and Djimon Hounsou (Shazam!, Guardians of the Galaxy). This film shares its name with the well-known PlayStation-exclusive video game franchise, and centers around a group of people who organize and participate in a racing event dedicated to taking people who play “Gran Turismo” and putting them behind the wheel of real racecars. This is also based on true events.

Ever since I was a kid, I loved racing games. I grew up playing “Hot Wheels” titles on various consoles. I have racked up plenty of hours on “Mario Kart,” and “Need for Speed: Underground 2” remains one my favorite games of all time. Despite my love for the genre, I have never played “Gran Turismo.” That said, I was rather curious about this film from the getgo. Partially because we have been seeing in recent years that video game movies have been getting better, even if it is by the most minute of a difference. Recently we have had the “Sonic the Hedgehog” movies, which have been decent. Despite its flaws, I had fun watching the recent “Mortal Kombat” reboot. Even with some departures from the games, that film delivered a gore factor the 1990s films did not provide. I also thought “The Super Mario Bros. Movie,” while not the greatest definition of the word cinema, had glimmers of joy even if it relied on too many familiar beats. Both from a storytelling and nostalgia perspective.

The other reason why “Gran Turismo” excited me is because it was based on true events. This begs the question as to whether one should actually call this a video game-based movie, to which you can point in either direction. It is not a story based on the game itself, but it significantly uses the games to further the plot.

Speaking of the story, when it comes to “Gran Turismo,” the script is full of cliches and familiar beats. This can be a negative given the predictability factor of the film, but I sometimes say that having these beats are not always bad when you consider how they are used sometimes. If anything, “Gran Turismo” reminded me a bit of Pixar’s “Cars.” While they are not the same movie, they have similar protagonists in terms of their motivation, and both films tend to cruise down familiar roads. But the way both films do so allow for a well-executed narrative.

Speaking of cliches, one of them involves the protagonist trying to win over his love interest, and I honestly admire the way this movie goes about it. The main character is obviously on the younger side, and the way he admires his crush, at least for what we see, is through social media, specifically Instagram. I think the way this display is handled happens to be beautifully modern and kind of relatable. And by the time we get to the actual romance aspect of the film where we put two people in the same room, it is kind of cute. I like the main couple together. Archie Madekwe and Maeve Courtier-Lilley have solid chemistry.

If I have any core problems with the film, it is that it at times almost comes off as a commercial. Sure, we have seen movies in recent years that could double as commercials like “The LEGO Movie” and “Barbie,” but they did enough to make me feel like I was watching a good movie as opposed to something that was forcing me to buy something else. If the movie got me to buy a “Gran Turismo” game, that is not a problem. That is a sign that the movie is good enough to get me into the franchise. But at times, it almost serves more as a commercial for Nissan than a movie. When I was watching “Ford v Ferrari” several years ago, I did not think of it as a commercial for the Ford brand and instead I thought of it as a good story about accomplishing something monumental. Okay, well, I did buy a Ford in 2022, so… Who knows? Nevertheless, “Gran Turismo” serves as a fine story too, but I almost feel like it is trying to get me to buy a Nissan product every time the logo is shoved in my face.

Oh, and of course, this is a Sony movie, therefore Sony has plenty of product placement material for itself. In fact, there is a scene in this film that could have been all the more sentimental and charming if it were not in this movie, or if I did not know anything about product placement. There is a subplot in the film regarding the way David Harbour’s character, Jack Salter, listens to music. He uses an analog tape player, it kind of becomes a trademark for him at a point. There is a moment later in the film where Jann gives Jack a Walkman. I am all for promotion. But there comes a point where certain things cross the line. This is one of those times where the line is crossed. Thankfully though, the movie is still good enough to the point where the product placement does not bog everything down.

At its core, “Gran Turismo” is a classic underdog story. The protagonist, in this case Jann Mardenborough, wants to be a pro racer despite that idea coming off as a near impossibility. He has his doubters, including he people who recruit him to take on his dream, who are even doubted themselves for organizing their event in the first place. Just to be clear, other than mini golf, I have never gone golfing in my entire life. And let’s face it, just because I can hold my own in Wii Sports golf does not mean I will be joining the PGA anytime soon. But if there is one thing I love about the movie “Gran Turismo,” it shows that maybe video games do not rot the brain in a way that a lot of people suggest. Because the idea behind the program this movie revolves around is to take people who professionally play one of the most realistic racing simulators and put them in real racing machines. One thing I remember about being a kid is that I played a lot of NBA 2K. In conjunction with that, I would also shoot a lot of hoops on a court across the street from my house. Looking back, I feel that because I often did one of those things, I kept doing the other, and vice versa.

If I have to be real, I was never once bored with “Gran Turismo.” Even in moments where I felt like I was watching a film I probably could have come across years ago, I had a blast. When it comes to racing films, this is not the pinnacle of the concept, but it certainly drags miles ahead of what “Fast & Furious” has been doing lately. It is full of good performances across the board. David Harbour in particular shines as Jack Salter. The race scenes are often exciting and thrilling. By the end, I was rooting for Jann. I was hoping he would succeed. If “Gran Turismo” counts as a video game movie, I guess you can say it is one of the better video game movies out there.

In the end, “Gran Turismo” is one of the better films released over the summer. I think as far as the PlayStation-inspired films go, this is definitely a step up from “Uncharted.” If we keep getting some movies from PlayStation Productions that are on this level, or higher, they are heading in the right direction. That said, if this trend were to continue, I hope that we would get less of Sony’s product placement up the wazoo. That would have to be my biggest distraction in an otherwise solid movie. I am not entirely against product placement. Even some of the better Sony movies in recent years like “Spider-Man: Into the Spider-Verse” and even more recently, “Bullet Train,” feature Sony products in what could also be described as a commercialistic manner. But I don’t usually think about that when I think of those movies. Because those movies are good enough to the point where the product placement does not distract me, and even when it happens, it does not feel like it is in my face. I get it, money talks. But there is a drawing line. This is the same reason why I ended up hating “Space Jam: A New Legacy” a couple years back. I am going to give “Gran Turismo” a 7/10.

“Gran Turismo” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next reviews are going to be for “Meg 2: The Trench,” “Bottoms,” and “A Haunting in Venice.” Stay tuned! If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Gran Turismo?” What did you think about it? Or, what is a way that video games have influenced your life? It can be positive or negative, either way works. Let me know down below! Scene Before is your click to the flicks!

Violent Night (2022): A Movie So Naughty It Deserves to be On This Season’s Nice List

Posted on by Jack Drees

“Violent Night” is directed by Tommy Wirkola (What Happened to Monday, Hansel and Gretel: Witch Hunters) and stars David Harbour (Black Widow, Hellboy), John Leguizamo (Ice Age, The Menu), Alex Hassell (The Boys, Cowboy Bebop), Alexis Louder (Copshop, The Tomorrow War), Edi Patterson (Plan B, Vice Principals), Cam Gigandet (The O.C., Reckless), Leah Brady (The Umbrella Academy, Erin’s Guide to Kissing Girls), and Beverly D’Angelo (National Lampoon’s Vacation, American History X). This film is set during Christmastime, and when a family gets together at a large house to celebrate the holiday, a group of mercenaries attempt to infiltrate the property. With the family in trouble, it is up to Santa Claus to save this family from harm by stopping the infiltrators in their tracks.

Ah… The holidays… The most wonderful time of the year. Full of joy, happiness, and all the pretty things. Plus, you know, materialism. It is the that time of the year to beat up some bad guys!!! In this season where everyone is inevitably going to be rewatching a bunch of comforting holiday classics like “Elf” or “The Polar Express,” “Violent Night” presents itself as an antithesis to the familiar “Christmas movie.” Yes, it is Christmastime. Yes, there is Santa Claus. Yes, there are Christmas songs playing in the background. But instead of watching the next “Fred Claus,” there is a chance that with “Violent Night,” I have just tuned into the next “Die Hard.”

For those of you who have seen “Die Hard” and defend it as part of the many Christmas movies out there, you might say that it is not Christmas until Hans Gruber falls from Nakatomi Plaza. Similarly, I think Christmas came early this year when Santa bashed a bunch of mercenaries and put them in their place. Now am I going to put “Violent Night” on in front of my family while opening Christmas presents? Maybe not. However, once all the unwrapping is done and I find some privacy, I might put it on because this film is beautifully gory and as the name suggests, violent. It knows how to have fun from scene one to the climax.

David Harbour is excellent as Santa Claus, and part of it is because of the script. When I usually think of Santa I usually think of a jolly old man who can do no wrong. This film showcases a Santa who has grown tired of his job, he is sick of delivering the same trendy gifts to children, but he also seems to have a soft spot for the children that stand out on his nice list. Now, if I had one minor complaint, it is that the film occasionally resorts to kids’ animation humor where Santa calls out one of his reindeer for taking a dump on a roof, but that would be a small script flaw in an otherwise entertaining flick. Harbour carries this film as Santa Claus and I would not mind seeing more of him as the character.

Although speaking of the script, it is not the most verisimilitude-filled story of the year. Although to be fair, when you have a Santa Claus that beats up bad guys Deadpool style, that does not exactly call for the most realistic story of all time. In fact, there are certain conveniences and happenings in the movie that occur and the excuse that gets brought up in those moments is that it is “Christmas magic.” As someone who has seen and reviewed a ton of movies, it has become notoriously difficult to “turn off my brain.” But sometimes, the best thing to do in a movie like this is to follow this saying uttered by Barbara from “Tenet,” specifically… “Don’t try to understand it, feel it.”

And I can tell you how I felt after watching this movie. In a word, incredible.

I also like the scenes when the family happen to all be together. For the record, this movie takes place in an extravagant household and the people inside are all wealthy or notable. A couple standouts include Alex Hassell as Jason Lightstone, the favorite son. Gertrude Lightstone, who leads the family corporation. Also, Alexander Elliot as Bert, a young man who will do anything to get attention on social media. For the most part, the main group sounds like a bunch of entitled people. And in some ways, that is as accurate of a description as I could give them. But much like “The Menu,” which I reviewed last month, it was difficult for me to find any of these privileged individuals annoying or obnoxious. Credit where credit is due.

Although when it comes to the mercenaries, they are equally as entertaining. Most notably, John Leguizamo as “Scrooge.” (center) While I think there are more memorable antagonists in other movies, few have made me go through such an immediate transition to make me literally despise them (in a good way) like the one in this flick did. There is a moment where the stakes transition from the fates of one household to every kid on earth, and it is because of this guy. Leguizamo sells the part like hotcakes and I certainly bought it.

Before going into “Violent Night,” I heard this movie is similar to “Die Hard” and “Home Alone” and in some ways, that is an accurate description of what this film is in essence. There are unused elements brought to the table. For instance a deadly Santa Claus, and the idea of Christmas itself being saved, but if you like “Home Alone” and “Die Hard,” there is a good chance you might enjoy “Violent Night.” This is likely a coincidence, and also not the most cinematic example, but I would say there is a pinch of “Paul Blart: Mall Cop” sprinkled here too because the bad guys all have code names that are Christmassy.

As I have said, this film is violent, brutal, and not the most happy go lucky depiction of the holidays. It is cute, but not cuddly. But one thing this film gets right is that it does not simply resort to being a full-fledged slaughterhouse of a time and instead balances its brutality with some earned heart. Santa Claus and Trudy’s connection powers the film into the night sky and blasts it away full throttle. Seeing a somewhat broken Santa enjoy a conversation with a girl who evidently fulfills many qualifications on the nice list is heartwarming. “Violent Night” does for Christmas movies what “The Suicide Squad” did for comic book movies. It gave a satisfying journey that perfectly balances rambunctiousness with sweetness. It is not all rainbows and unicorns, but the rainbows and unicorns that do exist are not out of place.

“Violent Night” brings on the true meaning of Christmas. Watching Santa Claus give some old jolly saint nicks, red noses, and 12 days of pain. Watch it if you have a chance.

In the end, “Violent Night” does not sell itself short, it is beautifully naughty but to the point where it feels nice watching it. If you are looking for action, look no further. If you are looking for gore, look no further. You might not be looking for comfort and joy, but you may be delighted to find it here. David Harbour plays a great Santa Claus and I would not mind seeing another movie where he returns to play the character. Whether it means he deals with a different family or group of people like Benoit Blanc in “Knives Out” or we return to see another adventure with him and the Lightstones. I want more of this character, give it to me now. I am going to give “Violent Night” a 7/10.

“Violent Night” is now playing in theatres everywhere, including large formats like Dolby Cinema and Cinemark XD. Tickets are available now.

Thanks for reading this review! If you enjoyed this review, I have another one coming soon! Tonight I will be seeing “Empire of Light,” directed by Sam Mendes. The film hits select theaters starting tomorrow night so I hope to have a review up by the middle of next week. If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Violent Night?” What did you think about it? Or, what is your favorite on-screen Santa Claus? I’ll even count the fake ones like the department store Santa from “A Christmas Story.” List your picks down below! Scene Before is your click to the flicks!

Black Widow (2021): Natasha Romanoff’s Solo Marvel Movie Finally Arrives

Posted on by Jack Drees

“Black Widow” is directed Cate Shortland (Somersault, Lore) and stars Scarlett Johansson as the title character in her first solo movie after appearing in various MCU films since 2010’s “Iron Man 2.” Also joining Johansson is Florence Pugh (Midsommar, Fighting with My Family), David Harbour (Suicide Squad, Hellboy) O-T Fagbenie (Maxxx, Ma Rainey’s Black Bottom), William Hurt (Into the Wild, A History of Violence), Ray Winstone (Point Break, Beowulf), and Rachel Weisz (Denial, The Favourite). This film follows the Avenger Black Widow as she confronts a conspiracy tied to her past. The film follows her on the run not only for her life, but she’s also fleeing from her mistakes, and is set between the events of “Captain America: Civil War” and “Avengers: Infinity War.”

Sorry to use the cliché phrase, but it’s finally arrived! I’ve wanted to see a “Black Widow” solo film ever since the early 2010s. Not only is she one of the standout characters of the MCU, but of all the characters that started in this universe as part of the supporting cast, I think Black Widow is arguably the one who I wanted to see more of compared to any other. Hawkeye? Who cares? Granted, I thought he was a shining star in “Avengers: Endgame,” but early on in the MCU, I thought he was the least compelling of all the hero characters. There are times in “Iron Man 2” where I honestly think Scarlett Johansson shines more as an action star than even Robert Downey Jr., the film’s lead. Naturally, when they first announced that a “Black Widow” movie was happening, I was incredibly giddy. I thought it was a solid way to get to know more about a character who has displayed some spotlight over the years, but never took all of it for herself.

I will admit, the first trailer, while good, left me a tad uneasy by the end because those who saw it may remember the big action sequence in the end where the laws of physics are those of Middle Earth times five. In fact, I will say, that sequence was fun and worth the ticket price for the big screen experience, but it is also something that comes off like a video game. Now, video games over the past number of years have become experiential to the tenth degree, and so have our movies, but this movie by the end of it throws a middle finger to reality just for the sake of looking cool. Granted, it’s the MCU, which has a lot of fantastical elements. But this is something I would expect more out of a “Guardians of the Galaxy” movie as opposed to a movie like “Black Widow” where in comparison, it is a bit more grounded. However, this brings me to my next notion.

First off, I liked “Black Widow.” It was a fun time and I do recommend it to fans of the character, Marvel, and even general moviegoers who have not dipped their toes into the MCU all that much. If you cannot leave your house for whatever reason, by all means check the movie out on Disney+. It is worth $29.99 on top of your subscription fee, but I am sure if you watch it, you’ll have a decent time. If you want an experience, check this thing out in theaters! One of the big trends that has been going on in Hollywood and movie fandom is the desire or building up of anticipation for people to get back to the cinema. We’ve seen films like “A Quiet Place Part II,” which was good, alongside “F9: The Fast Saga,” which was bad, do that already. Both films have performed decently at the box office and evidence suggests that “Black Widow” has come out of the gate stronger than both of these films. Cinematically, “Black Widow” reminded me of the “Mission: Impossible” movies. Spies gone wild with crazy action sequences that for the most part are well choreographed.

The best part of the “Black Widow” movie is not even the action itself, which is one of the first things I think of when it comes to Marvel. Many of the universe’s films including “Captain America: The Winter Soldier,” “Ant-Man,” and “Avengers: Infinity War” come packed with some of most memorable action scenes of the past decade. In the case of “Black Widow,” the best part is arguably the family dynamic between Romanoff and the people from whom she has distanced since her younger years. Scarlett Johansson and Florence Pugh have near perfect chemistry and they felt interlinked like little cogs in a clock in every other scene. I think Rachel Weisz was an interesting choice to play Natasha’s mother, and the execution pleased me. Although the best part of Natasha’s family has to be David Harbour as Alexei, also known as Red Guardian. Every other utterance from Harbour in this film is candy to the ears. Harbour is perfectly cast and as of right now, I do not think I can imagine anyone else taking this role from him.

I think we are at the point in the MCU where characters who have had less spotlight are getting their chance to put themselves in the driver’s seat. We’re obviously talking about Black Widow in her solo movie, but the Disney+ shows have revealed what happens when you let characters like Wanda Maximoff and Bucky Barnes take the wheel. I have no idea if there will be an end date for the MCU, but I would love to see a Red Guardian solo film at some point. Make it happen, Disney. He is probably my favorite supporting character of the film, and I love David Harbour’s portrayal of said character.

But let’s not take anything away from the star of the show, Scarlett Johansson. I have loved her iteration of Black Widow since I had a first glance in “Iron Man 2.” While we do get elements of Johansson’s past performances as the iconic character, this movie did a really good job at taking a character who I liked, but I also acknowledge has barely been humanized. Part of the reason why I liked Black Widow as a character is that there was a balance between badassery and sensuality provided within what was written for her. But in actuality, I barely knew anything about her. The movies didn’t really need to explain much at the time, but we’ve gotten to a certain point where we know so much about everyone else who had the lens enhanced on them so much, that it was time for Black Widow to take a turn. This movie is a perfect evolution for this character with a backstory that falls in line with her identity and it still has that MCU craziness that people tend to seek nowadays. I contend to this day that Natasha Romanoff as a character is someone who I would want to date. I mean, it’s Scarlett Johansson. Come on. But the point is, the character for a long while is someone who I did not know everything about, but I’ve seen enough of her that would make me ask her questions about… Well, her. Having learned about her now, I might think her family is a little crazy, but nevertheless. I’m glad we got this movie. This gave me the chance to learn more about Natasha herself, and thankfully, even though this movie could have arguably been nothing more than a cash grab, the story feels neither flimsy or slapped together. Everything from start to finish makes sense and has a purpose in the movie. Well, everything except physics.

The MCU over the years has become known for its humor. In a lot of cases it works, but I will also say that movies like “Thor: The Dark World” tries hard to be funnier than it actually is. When it comes to humor, “Black Widow” lands somewhere in the middle, which works for the character at hand because when it comes to the MCU and humor, I have more or less put those two ideas together and linked people like Tony Stark or Peter Parker or Nick Fury. Natasha Romanoff usually came off as stern or serious, and this has honestly been one of her more defining traits as a character. In fact I’d say most of the humor in this movie, as possibly implied, comes from David Harbour in addition to say Florence Pugh. There’s also this fun segment of the film dedicated to Natasha’s signature pose, which I liked partially because it mocks the traditional idea that superheroes don’t just kick-ass, but they have a tendency to show off while doing so. That and maybe it is something for the action figures to show off. Think of the “Deadpool” “superhero landing” scene but it is described for more than just ten seconds of screen time.

Unfortunately however, one of the biggest deterrents of “Black Widow” is a common complaint people have had over the years through a number of MCU films, the antagonistic side in this film is underwhelming. Taskmaster was beyond disappointing! Taskmaster is very much a character with all style and quite frankly, nearly no substance whatsoever. The film seemingly tries to give substance to the character, I could see where they may have been going with it. But I could not even come close to caring about the character to begin with so when the time arrives that the movie tries to persuade me to care, I just shake my head. Taskmaster kind of reminds me of Darth Maul if you sucked all the coolness out of him. Because remember how in the “The Phantom Menace,” Darth Maul had very little dialogue? He barely did anything except wield a kick-ass double lightsaber and some cool tricks? Taskmaster is basically Maul if you went out of your way to make me snooze while I laid my eyes upon the character. Sure, Taskmaster has the Red Room, which sounded like it could have been interesting, but I guess this is why we can’t have nice things. I will say, Maul is not the worst MCU villain. That honor likely goes to Malekith from “Thor: The Dark World,” but wow! Taskmaster was one of the highlights of the film’s marketing and they bricked it!

At the same time though, one of the strengths of the MCU, even when the villain is not exactly menacing or compelling, is that the script takes as much time as it can to make you effectively care about the hero. When it comes to Natasha Romanoff, that is no exception. Part of this is established in the first ten to fifteen minutes where we see Black Widow as a kid. I feel like Black Widow as an adult has had this way about her where she always hid what she was thinking and some of, but not all, of her emotions. Seeing her as a kid not only provided a thrilling start to the film, but made me care about the character when we got to see her as an adult.

Although I want to address something that has been bothering me. I love the MCU, but I’ve had a number of concerns regarding it over the past number of years. I feel like one of my biggest concerns culminated with the recent release of all the Disney+ shows. Without going into spoilers, “Black Widow” seems to be starting a trend that I did not exactly expect to see as early as we did, where we apparently have setup in one of the Marvel movies for one of the TV shows. At least that’s the impression I got. I know in the TV shows there also seems to be setup for the movies, but keeping this in mind, it kind of concerns me because it takes me, a Marvel Cinematic Universe fan, and feel more like I am watching all of these films and TV shows as homework as opposed to reasons involving enjoyment. While I have no proof, my biggest concern for Marvel and Disney is that they will force me to watch the movies to understand the TV shows and watch the TV shows to understand the movies. “Black Widow” did not exactly support my concern 100%, but there is a scene in the film that enhanced it. I remember years ago I was talking about how Marvel would crank out two, three movies a year. I thought we would see a breaking point from that, but apparently the majority of them are at least good. Now I’m concerned between all the movies and TV shows we’re getting that we will see some sort of clog entering the MCU in terms of quality. Again, I could be underestimating Kevin Feige. I could be underestimating Marvel. I could be underestimating Disney. I could be underestimating all the directors. I could be underestimating all the writers. But at the same time, I believe I have a reason to be concerned. I will also state that this may be a “me problem.” I just like having one particular medium to follow in order to weave every story and moment together. This is why I like the fact that the DCEU movies have rarely crossed ties with any of DC’s TV shows. They’re two separate things with special identities that only they could associate with. Again, this may be a me problem, but if I were in charge of the MCU, part of me would want to come up with a “me solution.”

On that note, there is an end credit scene in “Black Widow.” This should not come as a surprise to MCU diehards. But nevertheless, if you’re watching this movie, stay for the credits.

In the end, “Black Widow” is a fine welcoming back to the realm of the MCU movies, but it comes with its flaws. Scarlett Johansson once again proves that she is a great pick to portray the Natasha Romanoff character. And speaking of which, I would say that her younger counterpart, Ever Anderson, may have a nice future of talent ahead of her. At the same time though, it feels like it covers many of the MCU’s basics but doesn’t do much of anything special with them. As much as I liked phase 2 in the MCU, it had quite a few villains that I did not fall in love with. Taskmaster feels like they are a villain that belongs in the phase 2 crowd. And again, I love the MCU, but part of me feels that it is becoming increasingly overwhelming and now that there seems to be an emphasis on tying the MCU movies and TV shows together, it is a cause for me to be concerned. Again, this is something that I cannot say is fully concerning me, it is something I’d have to wait and see as we move along. But nevertheless, I’m wondering if the MCU could potentially be hitting an unbreakable ceiling. I’m going to give “Black Widow” a 7/10.

“Black Widow” is now playing in theaters everywhere including IMAX and you can also catch the film on Disney+ with Premier Access for a $29.99 fee on top of your subscription.

Thanks for reading this review! Tomorrow, we venture to the weird waters of world’s end to fetch back witty Jack! Tomorrow I’ll be reviewing “Pirates of the Caribbean: At World’s End,” the third installment in the “Pirates of the Caribbean” franchise and the conclusion to Gore Verbinski’s “Pirates of the Caribbean” trilogy. I just watched the film on Sunday and I cannot wait to share my thoughts with you in my latest installment of the Scene Before exclusive review series, “Pirates of the Caribbean: The Chest of Reviews.”

As for new releases, this Sunday I will be going to watch “Space Jam: A New Legacy” so I will have a review up for the highly anticipated film next week as it releases in theaters and on HBO Max. I will admit, I was not a massive fan of the original “Space Jam.” I did not grow up with it, in fact I just watched it for the first time recently. Here’s hoping this sequel will be better. If you want to see this and more on Scene Before, follow either with an email or WordPress account! Also, be sure to like the official Facebook page! I want to know, did you see “Black Widow?” What did you think about it? Or, what movie are you looking forward to most in the MCU’s phase 4? For me, it’s gotta be “Spider-Man: No Way Home.” The way things are looking, some serious s*it is probably about to go down. Let me know your pick down below! Scene Before is your click to the flicks!