
“IF” is directed by John Krasinski (A Quiet Place, The Office) who also stars in the film as Bea’s Dad in addition to also voicing a Marshmallow. Joining him in this film is a cast including Cailey Fleming (Star Wars: The Force Awakens, The Walking Dead), Ryan Reynolds (Deadpool, Free Guy), Fiona Shaw (True Blood, Killing Eve), Phoebe Waller-Bridge (Fleabag, Indiana Jones and the Dial of Destiny), Louis Gossett Jr. (An Officer and a Gentleman, Roots), and Steve Carell (Despicable Me, Anchorman: The Legend of Ron Burgundy). This film is about a young girl dealing with drastic changes in her life who is suddenly able to see imaginary friends of real people who have grown up and separated from them.

“IF” had me partially interested but at the same time, skeptical. When I watched the marketing for this film, I noticed that it was trying its best to show off its humor, but very few, if any of the jokes, made me laugh. That said, I thought “IF” had potential. The overall design looked nice. The cast was stacked. And it was being directed by John Krasinski, whose directing resume is limited, but nevertheless impressive. I admire his work on the “Quiet Place” movies, especially the first one. That first film had 25 lines of voiced dialogue. That is pretty impressive in this day and age for something that has become rather mainstream. While it is not my favorite horror movie of the 2010s, it is arguably the most beautifully made. Krasinski has shown what he can do behind the camera so quickly and so effectively to the point where I was looking forward to just about anything he could be directing next. I did not think it would be something like “IF.” But I had an open mind.
The best thing I can say about “IF,” particularly when it comes to John Krasinski, is that this movie is probably his best showcase of his abilities as a writer. Unlike the first “A Quiet Place,” where he had help from Bryan Woods and Scott Beck, Krasinski wrote “IF” by himself. For the record, Krasinski also wrote “A Quiet Place Part II” solo, but looking back at the film, I did not attach myself to all the characters. There was a certain magic from the first installment that seemed to be missing, even though I did ultimately lean positive in my verdict. “IF” on the other hand is not only magical, it is likely going to end up being one of the best family movies of the year. Not only that, I was pretty surprised by how good this movie ended up being. Again, I was a bit skeptical. But I was nevertheless pleased by how this movie turned out.
I have talked about my love for Pixar on this blog before. To this day, their batting average is incredible. No pun intended. Thus far, the only film from the studio I would give a thumbs down to is “Elemental.” I know it is probably a hot take, but I stand by it. “IF” is not a Pixar movie. It is not even an animated movie. But there are a lot of elements to this project that remind me a lot of what Pixar does best. Taking unlikely beings and flawlessly humanizing them. Going for deep, emotional layers. Using one’s experience from the real world and letting them craft the best story possible out of it. This movie was inspired by John Krasinski’s time as a father and it clearly shows. It reveals what it is like to see your kids grow up. Yes, they’re maturing. Yes, they’re becoming one of a kind human beings, but there is also a loss of childlike innocence. Growing up, to some degree, is where plenty of people look at their dreams and put them aside for whatever reality lies in front of them. In fact, “IF” sort of reminds me of one of my favorite Pixar movies. Particularly, “Inside Out,” which had an imaginary friend character named Bing Bong. Much like “Inside Out,” “IF” does a really good job at highlighting the role that having an imaginary friend can play in a child’s life. But this film also makes an argument as to why we would also need them as adults. When we grow up, we might actually need them more than we ever did before. It would make us feel young. It would make us feel free. It would make us feel happy.

One of my favorite arcs in “IF” has to do with the Grandmother (left), played by Fiona Shaw. We learn a bit about her backstory and interests throughout the picture, including her love for dancing. The way this story plays out breaches into fantasy to some degree, but for this movie’s universe and rules, it absolutely works. This movie is very much about maintaining every bit of that youthful spark you’ve had since you were born and this particular arc is perhaps the movie’s most graceful and dazzling example of that. I loved this character, and Shaw owns the role. Great casting.

Speaking of great casting. This movie does a pretty good job on the IFs, or imaginary friends. These characters are primarily voice roles so we do not see any actors themselves. But I thought Phoebe Waller-Bridge was a particular standout as Blossom, a humanoid butterfly. Emily Blunt does a good job as the Unicorn. Christopher Meloni unleashes some of the film’s more comedic moments as Cosmo, a detective. And Steve Carell gives it his all as Blue, a furry purple monster.
If I had to pick one person I thought would be miscast, it would probably be Awkwafina as Bubble. I like of the concept of her character, which is just a bunch of bubbles that can reconstruct once popped. It’s pretty clever. But I think Awkwafina, despite her clearly not sleepwalking here, continues to show that she somewhat lacks a chameleon nature about her. From my experience, I feel even if Awkwafina is not playing the same character in one movie to the next, she’s riding that line, and she continues to ride that here. I like Awkwafina, I think she is charming in films like “The Farewell” and “Shang-Chi and the Legend of the Ten Rings.” But is she the most disguisable, range-filled actor of her generation? If you are asking me, I would not think so. While we are on the negatives, I mentioned earlier that the movie had me turned off by the comedy shown in the marketing. There is one joke from the trailer revolving around Steve Carell’s Blue that honestly did not work for me. Specifically, the one where Bea is keeping Blue from saying “IFs.” It is about as awkward and as cringeworthy as I expected. But hey, at least this movie did not pull a “Madame Web” and straight up lie to me in the marketing. I thought the joke was odd in the trailer, and also odd in the movie. It feels great not being ripped off!

On that note, when it comes to the live action roles, everyone plays their part well. Cailey Fleming is well cast as the lead. John Krasinski is also doing his best in front of the camera as the Dad. And Ryan Reynolds holds his own as Cal. While this film is not likely going to warrant any high caliber acting awards from these people, Reynolds in particular gives a standout performance because it is a lot different than what I am used to seeing from him. Usually I am used to Reynolds giving portrayals of his characters that lean more on the hyperactive end of the spectrum. This is evident through his efforts in projects like “Deadpool,” “Free Guy,” and “Spirited” for example. If anything, Reynolds’ performance in “IF” reminds a bit of his time in “The Adam Project,” partially because both characters serve as mentor figures to the film’s protagonists. That said, Reynolds seems to bring a much calmer, down to earth presence in this movie. As someone who has seen some of Reynolds’ previous work, I am not used to him toning things down a bit here, but it gives me more respect for him as an actor. Not that I did not have respect for him already, but this project shows a bit of his range.
“IF” also stands out to me from a musical perspective. This film’s score is composed by Michael Giacchino, a composer whose work I admire from films like “The Incredibles,” “Rogue One: A Star Wars Story,” and “The Batman.” “IF” is one of his best scores yet. Because in every moment, it fits the vibe of the picture. It ranges in its nature from being innocent at one point, to straight up bombastic in another. It is kind of like if the theme for “Mister Rogers’ Neighborhood” had a baby with the score for something much more epic, like “How to Train Your Dragon.” While “Wall-E” might currently be my favorite score from Giacchino, “IF” could honestly compete with that film to the point where it becomes my new top dog from the maestro. I know this is a Paramount movie, so I sort of apologize for the lack of brand synergy, but this is the kind of score that I would dare to blast from my phone if I ever go to Disneyland and make a run for the castle. That is, if it were not crowded there… Nevertheless, there is something about this score that makes me want to reclaim my youth and go back to a simpler time. Giacchino outdid himself here and I will definitely be playing the music in my spare time, perhaps as I write my future reviews.

As mentioned, “IF” is likely going to be one of the year’s best family movies. It is that good. If you have not seen “IF,” make an effort to do so. It is a movie that I would recommend to absolutely anyone. Kids. Teens. Adults. Seniors. Anyone. If you have ever had a human experience, this movie is for you. That said, going to back to my love for “Inside Out,” this movie reminded me of another thought that seems to stick in my mind regarding that film. While kids can definitely watch “Inside Out,” it is hard to know how much kids are going to appreciate it when they are young. I think kids will like the film. It is vibrant, colorful, packed with surprisingly decent humor, and it is a fun adventure. But I think this is a film that will resonate more with adults. I saw this film in a packed theater a week before it officially came out. There were lots of kids, but also plenty of adults. There were instances of the movie where a good amount of people took tissues out. I could hear crying in the audience. And those tears were clearly from adults. This movie seems to have hit these people where they live. I have no idea what the ratio would be when it comes to comparing children who at one point had an imaginary friend as opposed to those who did not. But even if you can go on the record and say you never had an imaginary friend, there is probably something in this movie for you. I did not know what to expect from “IF.” That said, John Krasinski is a mighty fine storyteller. With his range, I cannot wait to see what he does next.

In the end, “IF” is an easy recommendation. Go see this now. Take your family. Take your friends. Take your lover. Go by yourself even! I did! Solo movie outings rule! “IF” is filled to the brim with stunning visuals, clever concepts, and a story that anyone can attach themselves to. There are certain movies that I look back on like “Kung Fu Panda” that I liked as a kid, but have grown to appreciate more as an adult using the experience I have taken with me as I grew up. I am going to be curious to know how today’s kids are going to look back on this movie in a decade or two from now. When you have phenomenal casting, a script that is better than it has any right being, and an overall look to the film that is stupendously easy on the eyes, there is not much else to ask for when it comes to my experience with “IF.” I am going to give “IF” an 8/10.
“IF” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for another family film. “The Garfield Movie!” Look forward to my thoughts on that coming soon! Also coming soon, I will be sharing my thoughts on “I Saw the TV Glow,” “Back to Black,” “Summer Camp,” and “Young Woman and the Sea.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “IF?” What did you think about it? Or, did you have an imaginary friend? I cannot say I ever imagined a friend from scratch if I recall correctly, but I can confirm throughout my life, I have imagined myself being friends with pre-established fictional characters or celebrities. Maybe it kind of shows a weakness in my imagination if you will. Let me know down below! Scene Before is your click to the flicks!
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