Scene Before 2019 HALFTIME REPORT (And Glance Into the Future)

WARNING: The following post is over 8,000 words long. Disappointingly, it’s not over 9,000.

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Hey everyone, Jack Drees here! 2019 is midway through and this year is going by fast! As far as my personal life goes, I’m in between my first and second year of college, I am enjoying my time off, and I’m the same movie reviewing moron as usual. Things have changed, but at the same time, I’m still the same flick nerd I have always been. And I mean that literally, but we’ll get to that later. However, I wanted to try something I haven’t done before on this blog. At the end of the year, I tend to do some reflective work, most notably countdowns. And while I am not going to do that at this current midway point, I would at least like to sit myself down and go over some recent highlights related to Scene Before. At the same time, I’d like to also look into the future. Admittedly, some of this is still in planning stages, but still.

I’d like to start off with something I’d like to call “TERRIFIC 3” and “TERRIBLE 3.” I am going to list 3 movies that I have watched this year that I would recommend to people and 3 other movies that I would tell people to avoid. Now, of course, these picks are subjective, if you think differently about these films than I, it might be slightly harder to talk to each other, but you are nevertheless entitled to your different thoughts. In fact, these are not supposed to be my top 3 best or worst of the year so far. If I like a film, I’ll list it, if I don’t like a film, I’ll also list it. These are not meant to be in any particular order. Anyway, let’s begin!

TERRIFIC 3!

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Starting off the Terrific 3 is “John Wick: Chapter 3!” I went to see this film in Dolby Cinema alongside my dad, who might be a bigger “John Wick” fan than anyone else I know. He and I walked out agreeing that the action in the film is absolutely top-notch. The action in “John Wick” films is certainly the aspect that would grab my attention more than any other. Long takes, innovative setpieces, gritty violence, all of it adds up to make some of my favorite action scenes of all time. When it comes to current action franchises, I am having some slight trouble deciding whether I prefer this or “Mission: Impossible.” It’s that good!

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Up next is a stellar DreamWorks animation whose franchise I never watched religiously, but always liked, “How To Train Your Dragon: The Hidden World.” If you have ever seen the game show “Deal or No Deal,” the show always highlights the phrase “timing is everything,” and when it comes to “How To Train Your Dragon: The Hidden World,” that phrase becomes more relevant than ever. This movie came out in the middle of my second semester of college, and I could not help but feel like the people behind the movie were trying to consider me in its target audience. After all, while “How To Train Your Dragon” may be a franchise directed towards families and children, this growing adult could not help but feel like a kid again. In fact, to add more to this true masterpiece of an animated film, I became more emotional during this movie than I did during perhaps more than any other. Even more than “Toy Story 3.”

Last but not least for the Terrific 3 is a movie that I decided to list because it’s on a slightly different end of the spectrum. Because let’s face it, I’m kind of recommending movies to you, and why recommend “Avengers: Endgame” when almost everyone went to see it? So let’s recommend a smaller movie, such as Terry Gilliam’s “The Man Who Killed Don Quixote.” Now some would argue that this is a 2018 flick, but in the United States, which is where I live, this didn’t come out until 2019. For those of you who don’t know this movie, “The Man Who Killed Don Quixote” took decades to make, and it’s about a guy who reunites with someone he worked with during a production. This person he meets with is convinced that he is Don Quixote. This did not get that big of a release in theaters, but it is worth seeing just because of its history, because despite going through “development hell,” it managed to turn out quite well! The movie is now available on home video including various VOD options.

Now let’s move onto something that probably doesn’t deserve any attention, but because I believe in equality, we’re talking about it anyway, the Terrible 3!

TERRIBLE 3!

First up is a movie that I want to put on here because what’s the harm with having an unpopular opinion? Oh wait, everything. Who cares? One of the most successful movies of the year, “Captain Marvel,” just didn’t stick the landing for me. This had a lot of hype building up to it, but I personally just couldn’t relate. And when I saw the final product, I felt like… Wait, why’s everybody laughing and cheering? Yes, there are a couple of cool moments in the movie. For example, I dug the 90’s references such as Blockbuster Video and Dial-Up Internet. Brie Larson and Samuel L. Jackson have some good chemistry, but when it comes to Larson in general, her performance was kind of mediocre. Granted, I know grade-A acting isn’t the biggest component of a comic book movie, but Brie Larson, an Academy Award winner, felt more like she was in a couple straight to DVD films and that’s it. Granted, I think she did a slightly better job in “Avengers: Endgame,” but her performance here simply underwhelmed me. Plus, there’s a moment in this movie that references a significant part of the MCU lore (having to do with Samuel L. Jackson) and quite honestly, the way they go about it just killed my brain.

Up next is a movie that could have been great but was simply wasted. From the creators of NOT “Firefly” comes “Serenity.” “Serenity” could be somewhat fun, not to mention a great “thinker” movie, but it manages to become more boring the more I think about it. I love the movie “Interstellar,” so I was somewhat excited to see Matthew McConaughey and Anne Hathaway unite once again for another project. Both have talent as actors and they’ve proven they have great chemistry. Honestly, I’d just go back to watching “Interstellar” if this is the movie we’re getting. Although this movie came out in January so it should not be surprising that we would get a movie of this quality.

And finally, we have what may be my worst movie of the year should nothing surpass it, “Godzilla: King of the Monsters.” The sad thing about “Godzilla: King of the Monsters” is that I was actually desperately anticipating this movie. When I went to see it, I was ready for what was about to happen. Or was I? Seeing movies in IMAX may be great because it feels so big, but when they’re a big mess, what is the point? Maybe the monster fights could be fun, but if I wanted to watch this movie again, I’d probably have to be heavily drugged. Because let’s face it, as cool as big monsters are, the unforgivable part of “Godzilla: King of the Monsters” are the one-dimensional human characters. This could be slightly less intolerable if the human characters were less of a focal point during the movie, but they made me want to go back and check out some of the “Transformers” movies again! They’re THAT horrible!

I just showed you all my terrific and terrible picks, now let’s go over a few recent highlights from my blogging journey.

As usual, I kicked off my 2019 with my traditional countdowns to reflect on the year of 2018 in film. I went over the best of the year along with the worst of the year. Some of my top picks included “Spider-Man: Into the Spider-Verse,” “Eighth Grade,” and “Mission: Impossible: Fallout.” Some of my bottom picks included “The 15:17 To Paris,” “Uncle Drew,” and “Life of the Party.” I enjoy doing these countdowns every year and this is the first year that I started writing what I would put in the countdowns as early as August. I did not do this for every single movie, but I visualized the lists a long time prior to actually releasing them. This does not suggest that I avoided considering movies released past August, as evidenced by some of my picks.

After I did my lists, I saw my first 2019 release, which according to IMDb, is actually a 2017 release. Based on my experience and research, I’d call it a 2019 release, but still. That film by the way is “The Upside,” which is a remake of 2011’s “The Intouchables.” I personally have not seen “The Intouchables,” and while “The Upside” from my perspective is not really anything special when it comes to cinema, it is still a fun time. I went to see it at a press screening, and there were tons of laughs to be heard.

A couple weeks later I went to one of my local arthouse theatres to see a flick that I almost ended up passing on. Specifically, “Roma.” Why? Because when it comes to today’s media, Netflix is a company that I traditionally tend to avoid. But one of my local theaters managed to get access to a 70mm film print of “Roma,” which would be presented for a limited time. I took advantage of the opportunity and purchased a few tickets for a matinee show. Not only was the experience breathtaking, but the movie was one of the best of the past year. If I had to redo my top 10 lists of 2018, this would be on the best list, but I saw “Roma” after completing said lists.

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I also decided to try out a new concept this year which I have decided to make an annual tradition, the Jackoff Awards. For awhile, over the past year, I have grown to admire the Oscars based on how much respect they tend to pay towards the film industry. Granted, they’re not perfect, but what they’ve done over the years is absolutely intriguing. I thought to myself, why not do a big awards related post? Present similar categories to other major shows, I do my own comedy bits, and it was perhaps the most ambitious post I have ever done. As for Best Picture, I decided to present what was then my top 10 of 2018, which DID include “Roma,” and instead of having me choose Best Picture, I would allow my audience to choose the winner. I figured it would allow for diversity in terms of opinions, and I managed to get a surprisingly diverse number of votes. I got some votes for “Spider-Man: Into the Spider-Verse,” “First Man,” “Ready Player One,” but the winner turned out to be last year’s biggest comic book movie, “Avengers: Infinity War.” Honestly, if there were any movie to put in my Blu-ray player on a Friday night at this point, it would most certainly be that one.

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I then continued my journey in March by going to the place that I would associate with film more than any other, Los Angeles. My family and I stayed right near Hollywood Boulevard and I got to visit a few media-related sights including Warner Brothers Studios, the TCL Chinese Theatre (where I saw “Captain Marvel”), and Universal Studios Hollywood. I also got the chance to witness a live taping of “Conan.” While I didn’t make a big post related to this, I managed to briefly discuss some of my highlights here and there.

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For those of you who are curious about my “Conan” taping experience, I managed to witness almost two full shows. Why? Conan O’Brien had to be somewhere when his Thursday show would air, so naturally, he had a demand, he wanted us, Thursday’s audience, to “make Tuesday’s audience look like s*it.” We got see all of Tuesday’s show, which had a couple comedy bits and an interview with Timothy Olyphant (Live Free or Die Hard, Santa Clarita Diet) and a good fraction of a Thursday night show which featured comedian Moses Storm, who joked about cell phone users, “Shark Tank,” and revealed a story where he would tape episodes of Conan O’Brien’s older talk show episodes over his religion-related educational programming. By the way, Conan in person looks like a real life action figure. Maybe it’s the makeup. Maybe it’s the lighting in the studio, but my gosh.

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I also got to visit an RPX venue for the first time. For those who don’t know about RPX, they are a premium format that can be found exclusively in cinemas under Regal Entertainment Group ownership. I didn’t plan on attending RPX when I did, but I managed to get something off my list of movie-related things to do before I died. After all, “Us” just came out, and I was in the Boston area. I figured just to save time, I’d go for the earlier, but more expensive show that Regal Cinemas Fenway was providing, as opposed to another show which would be starting a half hour later. For your information, I was aware that I was going into an RPX screen. I didn’t mind my decision, I figured if I wanted to see “Us,” I’d go see it in full scale glory because I was really anticipating it. While I have still yet to see “Get Out” to this day, I have heard about its overwhelmingly positive reception and I was expecting that Jordan Peele would deliver another sick movie. While “Us” was not perfect, it was definitely worth seeing, and I wouldn’t mind watching it again. As for the RPX experience itself, I thought the seats were not too bad. The capacity was through the roof, the screen, while not entirely wall to wall, was huge. As for the sound… It is undeniably better than a standard theater, but I was a little underwhelmed. Maybe I went to see the wrong movie, maybe the employees turned the speakers down, but when I compare the sound to something like IMAX or Dolby Cinema at AMC, I would go back to both of those places first.

Moving onto April, I managed to survive the whole “Avengers: Endgame” ticket buying craze. For those not fully immersed into what I just stated, I must point out that “Avengers: Endgame” tickets went on sale April 2nd, and the Internet went balls to the wall nuts when it came to snagging tickets. I had to wait in Fandango’s line, AMC was having problems, and it got to the point where I had to buy tickets from a somewhat local cinema chain, on their own, slightly buggy website, just to make sure I could get into school on time. I almost took the train to one of my local AMCs because I could stop by there on the way to school. If I did that, I am willing to bet I would have missed out on opening night of “Endgame,” which was the day I was shooting for. After all I did want to get my review out as soon as possible, and I did manage to score a couple tickets on remaining good seats for a 9PM show. Not at an AMC, but at a Showcase Cinemas. While it was not my first choice, I don’t regret going there, because an hour before going into the cinema, I got a glimpse at everyone leaving the 22 MCU movie marathon the theater was showing over a few days. Everyone was being applauded, and they left with some merch. I recorded this aftermath on Facebook Live, and despite my camera’s focusing problems and poor cellular service, I managed to get some respectable footage. Also as a Bostonian, I was proud of myself to catch a reporter from one of my local news channels, WBZ, or CBS Channel 4. To be specific, Tashanea Whitlow. As for the premiere itself, the movie was fun, and the three hour runtime was rather justified given what we as an audience received. I didn’t think it was perfect, I’d much rather watch “Infinity War,” but it was a great finale to over ten years of films. I will also say, this may be due to where I went to see the movie, seeing “Infinity War” was also a better experience. Because I went to see it at a 7PM show on opening Thursday on an eight story IMAX screen. If you have ever gone to see an event-type film in India, that is one of the most solid comparisons I could make to my experience. It was like going to a Stanley Cup game or something. “Endgame,” which was in a sold out theater in regular 2D, had barely any applause (although some reactions here and there), and out of everyone in the theater, I may have been the most obnoxious. If I had to make a sports comparison, I’d probably say it was like going to a slightly more competitive golf tournament. It was lively at times, but not like the roof was being blown off the place. I know some people are not particularly fans of going to theaters where everyone is reacting to the film’s key moments, but as a fan of the MCU, it’s something that I considered to be a privilege during my “Infinity War” experience.

May was an interesting month for me, because I just finished my first year of college, so I got a little more active on the Scene Before side of things. I’m now trying to earn revenue with the blog, I saw more movies than I did in months such as March or February, and I even changed my domain name. Unfortunately, scenebefore.com was taken, so I wanted to make sure I can fit something that would associate with me, but also be precise. I thought something like moviereviewingmoron.com, while definitely appropriate, is a tad too long. Luckily, after some searching, I found out that flicknerd.com was available. Did I ever call myself “flick nerd” on this blog? No, but I figured it would be a cool name to have because its simplicity will probably gain enough traction overtime. It’s hard to tell though, because this advanced blogging journey, at least from my point of view, is just getting started. I’m looking for sponsors, more potential viewers, but I’m also trying to be the same movie reviewing moron that everyone has come to know.

One of my highlight posts of the month is titled “What THE BIG BANG THEORY Has Meant To Me: A Nerd’s Perspective.” For those who are unaware, CBS’s “The Big Bang Theory” just finished it’s twelfth and final season on the air, so I figured I’d take some time to remind the world of what the show has meant to me as a fan, as someone who would constantly tune in to new episodes, and most of all, as a nerd on the autism spectrum. I probably won’t have time to give a detailed description of everything I said, so if you want to read the post, click this link!

I also saw another one of my favorite films so far this year, “John Wick: Chapter 3 – Parabellum!” Not only that, but like I mentioned earlier, I managed to catch a Dolby Cinema presentation of it, which surprisingly, didn’t make me feel like I was getting shot in the head, which may be a good thing. Seriously though, “John Wick: Chapter 3” is probably the best installment of the franchise yet, and Keanu Reeves might now just have a better trilogy than “The Matrix!”

But I cannot say the end of the month was great, because “Godzilla: King of the Monsters” happened. Sad day. Even though I went to see the film in full scale IMAX glory, it didn’t feel like something worth my time.

Moving onto June, I managed to do something pretty cool with my dad. He and I go to the movies together a lot because for the most part we have similar tastes. We match together when it comes to sci-fi, action, comic book-based material, comedy, etc. However he has never been to an advance press screening, so I thought just for fun he and I could do so for the new movie, “Men In Black: International.” It’s a movie that I probably would have checked out had I waited for it to release everywhere. After all, “Men In Black 3” is my favorite movie of 2012. However, since this was free, not to mention, early, I thought dad and I could trek to the theater and see what this movie had in store. I personally enjoyed it. I know some people were scared of how this movie would turn out based on the marketing (Then again, it’s a Sony film, whaddya expect these days?). I thought the first trailer was alright, but not great. The second trailer was an improvement and actually got me more interested in the film. As for the film itself, it is not Shakespeare, but it’s a fun time at the movies. Chris Hemsworth and Tessa Thompson have great chemistry together and I think Kumail Nanjiani’s character is a fantastic comic relief.

The best movie I saw this month was “Toy Story 4,” which I must point out, I probably was not even looking forward to back when it was announced. Boy, times do change! Unfortunately, I had to witness brain cell erasers such as “Replicas,” which I bought on Blu-ray since I had some Best Buy rewards to waste. I also saw “The Secret Life of Pets 2,” which is worse than getting scratched in the eye by a cat. Yes, Harrison Ford is in it. Yes, he is the best part of the movie. But I might as well be at the point where I would rather have a dog sniff my butt then go so that film again!

Now that I have recapped my highlights, I just want to remind everyone of what’s being planned for the future. Here is my unofficial schedule for the second half of 2019!

JULY:

Throughout the month of July, there are not that many movies coming out compared to other months in the year (at least according to Wikipedia), but I am planning on catching a few blockbuster highlights such as “Spider-Man: Far From Home,” despite how little anticipation I have for it. I also really want to catch Disney’s live-action remake of “The Lion King.” I am not a fan of the Disney live-action remake trend, but I feel that this movie will be a great theater experience and also rather compelling. I don’t know how much it is going to be a carbon copy of the original or how much it’ll go in its own direction, but I am somewhat curious as to what will come of it. I know it is longer than the original, which slightly worries me, because it could add something that perhaps the 1990s film didn’t even need, therefore ruining my experience. Plus, it’s being directed by Jon Faverau, who also worked on 2016’s “The Jungle Book,” another Disney live-action remake, which was one of my favorite movies of said year. I also really want to check out “Crawl.” The trailer didn’t have me fully onboard, but I am still curious as to how this film will turn out. Plus, it’s being produced by Sam Raimi, who is known for his work in the horror industry, and one of my favorite comic book movie directors.

This does not mean that I want to ignore independent work, because on the same weekend as “Spider-Man: Far From Home,” A24 is releasing one of my most anticipated movies of the summer. Specifically, “Midsommar.” When your movie is A: Directed by Ari Aster, who had a phenomenal feature-length directorial debut last year with “Hereditary,” another A24 film, and B: Described by Aster as “a Wizard of Oz for perverts,” I am instantly intrigued. “Midsommar” takes place in rural Sweden as a young couple takes a vacation and settles in the area. Alongside their friends, they eventually discover that this area has a festival that takes place once every ninety years, which creeps them all out. I want to see Ari Aster succeed, so hopefully this film does well.

Speaking of successful filmmakers, another well-known director in the industry, specifically Quentin Tarantino, is going to be releasing his ninth film, “Once Upon a Time In Hollywood.” And to be honest, as anticipated as I am to see this film, I have to let something out. I have not seen much of Tarantino’s work. I will most likely be going to see “Once Upon a Time In Hollywood” when it comes out, maybe in 35mm, but before I do that, I am going to be doing a small series of reviews for Quentin Tarantino movies. In fact, I already have a few lined up. Specifically, “Pulp Fiction,” “Django Unchained,” and “The Hateful Eight.” Those reviews will be done as weekly projects and they should all be up before the official release date of “Once Upon a Time In Hollywood,” July 26th.

 

AUGUST:

SAMSUNG CAMERA PICTURESRemember how I would occasionally announce I am going to cons from time to time? For some reason I have failed to do that this year. It’s not like I am not going anywhere, but I have just failed to put myself in front of my keyboard and try to say, “Hey guys, here’s where I’m going, stalk me!” Not that don’t mind the attention, I’m just saying. But if you really want to know about my next con, I do have it booked, and I will be going to Terrificon, which for those of you who have been following me for some time, you’d know that is also the first con I ever documented on this blog. And I am thinking of doing something a little different this time, just to spice things up. I’m trying to push more video content into my posts, maybe I’ll insert a compilation of the con’s highlights. I’ll record it on my camera, maybe my phone, whichever has more memory at the time. Maybe I’ll post it on YouTube and link it here. Who knows? But here on Scene Before I am trying find ways to innovate, and maybe this could be one of them.

Speaking of cons, this is NO GUARANTEE, partially because I have not even bought tickets, but there is one convention that is about a half hour away from my house that I kind of want to go to. Whether or not I am going, that’s a different story, but should things go in a certain direction, I may end up going to Fan Expo Boston, which is a con I have surprisingly never been to. And the guest list this year, aside from a couple big cancellations, is solid so far. You’ve got Zachary Levi (Shazam!, Tangled), who I will say, even if you are not into his work, he is a fun guy to meet, he is upbeat and has a massive sense of charm. Part of the cast of “Blade Runner” is going to be there including Sean Young, Rutger Hauer, and Edward James Olmos. I have a feeling there are more guest announcements coming our way, and if there are, I cannot wait to hear them, because there have been a lot of cool names who were there over the years to the point where I almost have slight regrets on missing out. If I were to get tickets to Fan Expo, I’d probably just go for one day. After all, Terrificon is the week prior, and I am staying overnight during that weekend, so my budget might be slightly higher at that event compared to Fan Expo.

Moving away from cons, I will say that my biggest film catches for August right now have to be “Hobbs & Shaw,” “Dora and the Lost City of Gold,” “Good Boys,” “Where’d You Go Bernadette?,” and “Scary Stories to Tell in the Dark.” There is not much from August that I am truly anticipating, but I will inevitably go see a few things here and there. And if you want to know something, I only put down “Dora and the Lost City of Gold” because let’s face it, “Dora the Explorer” was a part of my childhood, and nostalgia equals money nowadays. Granted, this movie looks a tad more adult-friendly than the cartoon. But am I looking forward to it? Hell no. In fact, I am thinking it is only going to ruin my childhood, but I might as well give it a chance just because I am a nice guy. I saw the recent “Power Rangers” film partially out of nostalgia and that worked for me, might as well do it with “Dora” and see if that works.

 

SEPTEMBER:
If I had to predict my least active month for the rest of the year, I have to call it right now, September is certainly a contender. For one thing, I’m going back to college, so I need to adjust to a new routine. I’m still going to keep my promise of doing at least one post within every 7 days or so, that way you can keep witnessing my constant dedication to this blog. I’m probably not gonna go see “IT: Chapter Two” mainly because I still have not seen the first one. Although the cast is pretty nifty from what I have experienced. But I am interested in “The Goldfinch,” I have some slight intrigue towards “The Report,” and maybe I’ll check out “Abominable.” I saw one of the trailers for it, and it looks like it might not be a new animated classic or anything, but I am somewhat curious to check it out, partially because even as an adult, I still have a slight need to check out animations from time to time. Plus, it is from DreamWorks, and I’m currently trying to seek out their next big thing. “Kung Fu Panda” is done, “How to Train Your Dragon” seems to be done, maybe this, or something else, can be their next kickstarter to a solid franchise. Then again, apparently they’re making sequels to “The Boss Baby,” “The Croods,” and “Trolls,” so why should I expect absolute quality? Nevertheless, it’s worth a shot.

Although if you had to ask me what my most anticipated movie would be for the month of September, it’s a no brainer, “Ad Astra.” I love space, I love compelling, dramatic stories involving space travel, even if it is close to Earth. Plus, the second half of the year for numerous ages of my life have typically contained at least one epic space movie. Maybe “Ad Astra” will be the next to join the ranks with other movies from this decade like “The Martian” and “Interstellar.”

 

OCTOBER:

This October is pretty interesting to me, because there will be a weekend where my mother and sister are out of the house and I will quite honestly, need something to do. I can’t just stay trapped behind walls! I have to see the world! Nevertheless, that particular weekend is the release of “Joker,” which I am inevitably going to check out no matter what, but for the sake of having an early review, I’m going to check it out as soon as possible. I have Fridays off from school this upcoming semester, maybe I’ll do it then. The following week is the release of Will Smith’s “Gemini Man,” directed by Ang Lee, so I might see that. And the week after is slightly bigger because Taika Waititi is coming out with his latest directorial feature, “Jojo Rabbit,” where believe it or not, Waititi himself plays Hitler. I never pictured that, but this film certainly has my attention. That same week is also the release of “Zombieland: Double Tap.” I had fun with the first “Zombieland.” I enjoyed the chemistry between Jesse Eisenberg and Woody Harrelson, and it has, at least to me, a pure highlight from Bill Murray’s acting career. And to my surprise, he’s coming back for this movie! I also want to check out “The Aeronauts” which is being released by Amazon, and the reason why I want to check it out is because it is Amazon’s first attempt at an IMAX run and it is also being released a week early in that format. The film will technically be in standard theaters in November after it’s week-long IMAX run. And if this is the case, this reminds me of the excitement I had for Robert Zemeckis’ “The Walk,” because that released a week early in IMAX and that was quite an experience.

Speaking of lesser known films, one other thing I want to check out is the South Korean flick “Parasite.” It’s getting tons of buzz at film festivals, having earned Palme d’Or at Cannes, winning the Sydney Film Festival, and already making tons of money in Korea. The film’s US release is this October, which would put it in a reasonable spot to be remembered by Academy and Golden Globe voters.

 

NOVEMBER:
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This November is particularly interesting. Because November 1st is the day I’m heading off to Providence for Rhode Island Comic Con, and that’s the day after Halloween! I’m not cosplaying (at least I have no plans to right now) at this con, but I just want to walk around the convention floor for hours and stumble upon every costumed individual and wish them a Happy Halloween. Nevertheless, I am staying true to my annual tradition of going to Rhode Island Comic Con. The guest list is usually filled to the brim, so I cannot wait to hear more announcements over these upcoming months. Even so, the convention has had some huge announcements for guests thus far. Some guests include Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), William Shatner (Star Trek: The Original Series, Boston Legal), George Takei (Star Trek: The Original Series, Kim Possible), Steven Yeun (The Walking Dead, Final Space), and to my utter surprise, and possible delight, Chevy Chase. By the way, Chase made an announcement about his upcoming appearance online and the video he made for it is very funny.

Sticking to the announcement wishlist concept, I recently made a submission on the con’s website suggesting names of five possible guests that I want to see. They include: James Murray, Curtis Armstrong, Kunal Nayyar, Doug Walker, and James Holzhauer. I could be mistaking Doug Walker for somebody else, but even if I am, he would be fun to see at the con. Of all these names, the one that really stands out to me is James Holzhauer. Out of all the people on this list, he is the least “celebrity-like” of all of them. James Murray comes close, but barely misses the mark. For those who are unaware, Holzhauer is the name of the recent “Jeopardy!” contestant who wouldn’t stop taking the show’s money. He has nearly broken Ken Jennings’ regular winnings record, only to be stopped by an opponent who beat him by more than double his final total for the game he lost. I think Holzhauer appearing at Rhode Island Comic Con would not just be unique, but also entirely appropriate. After all, it would probably bring in a new audience of people who would otherwise skip out on cons. Plus, as a game show enthusiast, I cannot help but keep talking about Holzhauer like he’s my own child. It’s almost as if being able to catch the latest “Jeopardy!” episode or at least reading up on the latest stats was the ultimate bragging right. Also, this year I’m going with a VIP ticket, which comes with various perks.

VIP Ticket Perks:

  • 3 day admission
  • Early bird admission (9AM Sat & Sun)
  • Private VIP Entrance
  • Private VIP Lounge
  • 3 Exclusive RI Comic Con Show Prints
  • Rhode Island Comic Con Swag Bag
  • 20% off RICC Branded Merchandise
  • Exclusive VIP 2019 RI Comic Con Badge
  • Exclusive RICC AR Comics-Comic Book
  • Exclusive RICC Comic Book
  • VIP Autograph Fast Pass Line
  • VIP Photo Op Fast Pass Line
  • Chance to Win 2020 VIP Pass
  • One Exclusive Mystery Item

I am personally excited for the con, and believe it or not, it is not the first time I’m getting a VIP badge, because the first time I went, which was in 2015, I managed to get said badge as well.

That same weekend is also the release of the new “Terminator” film, “Terminator: Dark Fate.” It is a cliche title, but its first trailer, personally had me intrigued. I’m excited to see what Tim Miller has up his sleeve in terms of direction. I am somewhat excited to see James Cameron involved again, although I am slightly worried because we now have more disposable “Terminator” movies than memorable “Terminator” movies. Let’s just hope we can change that.

Some of my other most anticipated films of the month include “Ford v. Ferrari,” “Knives Out,” and “A Beautiful Day in the Neighborhood.” “Ford v. Ferrari” takes place during a race to determine which of the two recently specified car brands will dominate. “Knives Out” is an upcoming mystery crime film directed by Rian Johnson. I did not like his interpretation of the “Star Wars” universe, but it does not mean I am not willing to check out his future work. Plus, this movie has a number of big names that I imagine a lot of people would like to see. Some include Daniel Craig (Casino Royale, Logan Lucky), Chris Evans (Captain America: The First Avenger, Gifted), Lakeith Stanfield (Black Panther, Sorry To Bother You), Ana de Armas (Blade Runner 2049, War Dogs), Jamie Lee Curtis (Halloween, Scream Queens), the world’s best Kevin Spacey impersonator, Christopher Plummer (All the Money in the World, A Beautiful Mind), and recent Jackoff winner Toni Collette (Hereditary, The Sixth Sense). As for “A Beautiful Day in the Neighborhood,” it is in the current conversation to be my most anticipated film for the remainder of the year. For one thing, I saw “Won’t You Be My Neighbor?” last year, which much like “A Beautiful Day in the Neighborhood,” is about Mister Rogers. That documentary not only compelled me, but reminded me of my personal flaws in my childhood, and maybe inspired me to be a better person. I still rage out on this blog a lot, but it’s something that I don’t really do for me, I do it for the entertainment of others, so that’s different. But it reminded me of how much it pays to respect those around you. Plus, TOM HANKS IS PLAYING THE STARRING ROLE?! Who else could do that?! He’s practically the nicest guy in Hollywood! SIGN ME UP! Believe it or not, that comes out the same weekend as “Frozen II,” but who cares about that?! Rogers for life!

 

DECEMBER:

The end of the year is always a crazy time for me, but just like last year, it’ll perhaps be less busy than it has been in other years. My fall semester will end during the month, and I’ll be in the cycle of watching previous movies from the year at home. This does not mean that I’ll be skipping theatrical releases, because award season is in full swing. This means I’ll be paying extra close attention to films that receive Golden Globe nominations, and as for reviewing movies I watch at home, the chances of that are very slim. But this does not mean that big blockbusters are entirely off the table. For one thing, they tend to sometimes do pretty well in certain technical categories, and we have another “Star Wars” film this year. I have intentions to go see “Star Wars: The Rise of Skywalker” opening Thursday night, mainly because I want to buy tickets as early as possible. If I can’t do that, I am going to try extra hard to find an available press screening, because aside from “Endgame,” “The Rise of Skywalker” is perhaps the biggest movie of 2019. Aside from being titled “Star Wars,” it is supposed to end “The Skywalker Saga,” and J.J. Abrams is directing again. I was not a huge fan of “The Last Jedi,” but I love “The Force Awakens” like it is my own brother. I am honestly more excited for “The Rise of Skywalker” than I was for “The Last Jedi” before that came out because I was somewhat worried that “The Last Jedi” would be a carbon copy of “The Empire Strikes Back.” Turns out it wasn’t, despite similarities to older films in the saga. And I even say this knowing how some things in “The Last Jedi” turned out. Having seen the trailer back in April, knowing certain plot points that could play out, and realizing J.J. Abrams could save this sequel trilogy, I am rather giddy for this December. But despite my excitement, I gotta ask. HOW IS PALPATINE STILL ALIVE?! I am excited to possibly see him in this film, but really?! When he was thrown down the pit in “Return of the Jedi,” yeeaah, HE F*CKING DIED. There is no coming back from that. I’m intrigued, I just need to be convinced.

When it comes to smaller films, one such film I am very excited for is “Little Women.” The film is supposed to explore the lives of sisters as they live in 1860s Massachusetts. It may not be my type of movie on paper, but one reason why I am excited is because the film is being directed by Greta Gerwig, who also helmed one of the best coming of age stories I have seen in recent years, “Lady Bird.” In addition to that, the cast is killer! This movie’s got Meryl Streep (Sophie’s Choice, The Iron Lady), Emma Watson (Beauty and the Beast, Harry Potter and the Philosopher’s Stone), Laura Dern (Big Little Lies, Jurassic Park), Saoirse Ronan (Lady Bird, Mary Queen of Scots), and Timothée Chalamet (Interstellar, Beautiful Boy)! I am also probably going to be looking into “1917,” which is a war film. Those tend to often go for awards, which is why I have my sights set on it. There are a couple films that I might check out that I would probably regret seeing, but the only real film that I’d struggle with reviewing is “Fair and Balanced.” Granted, this does not mean I am not looking forward to the film, nor am I expecting to be underwhelmed with it, in fact it sounds rather intriguing from a storytelling point of view. But the movie is about relationships between women and Fox News owner Roger Ailes, and I feel that it is going to be rather hard to keep my political opinions out of the review. I’m not saying I am a core conservative that keeps a closed mind, I try to see all sides and then form my own opinion. I have made various political jokes here and there on Scene Before, but politics is not my top priority, especially when you consider how divided we are as a country right now. Although I did manage to check out “Vice” last year, which was pretty good, but part of it had to do with the buzz it has been getting. Who knows? Maybe I’ll check out “Fair and Balanced,” for all I know it could be the best movie of the year, but I feel like it would be hard to review if I’m going to have to inject my experience with how the world operates in terms of politics. We’ll just have to see.

And of course, I’ll be finishing off the year, or perhaps more likely, kicking off next year, by recapping my top 10 BEST and WORST movies of 2019. I enjoy doing these countdowns every year, because I get to honor films one more time, and also give myself a minor stress release.

Although I must remind you, it is 2019, and here on Scene Before I am trying to constantly find new ways to deliver exciting content to you all. In 2017, I did a couple of cutaway style parodies, in 2018 I did a post talking about my Blu-ray collection, and just this year I introduced the world to the Jackoff Awards. The question is, where I do I go next? I’ve done tons of countdowns, reviews of the past, reviews of the present, what could be next? I know! ALL OF IT IN ONE. Ladies and gentlemen, if you have been following Scene Before and saw one of my posts in April, you’d know that I put out a trailer for something I once referred to as “Project 2020.” Although, based on statistics, I doubt many of you have even glanced at that post. But for those of you who know what I’m talking about, good for you. You get a “good job” sticker! But for those of you who don’t know, watch this trailer down below!

*ALL COPYRIGHTS BELONG TO THEIR RESPECTIVE OWNERS*

That’s right! I am going to be crafting a list of my highlight movies of the 2010’s, and I must have you know, I am setting this list up to be bigger than the lists I traditionally do at the end of the year. While this is still in planning stages, I will be intending to make this list perhaps a top 25, maybe a top 50. I was also debating on a top 100 as well. Depends on how much time I have. I am honestly MORE THAN EXCITED to work on this list, and release it to you all. I started Scene Before in 2016, which means I did not get too many chances to talk about films from years prior, so not only is this a personal reflection of various films I watched during my blogging journey, but a reflection of an entire ten year span that I lived through before becoming this active on the Internet. I’m not gonna say anything, but 2014 was a great year for film as far I’m concerned, so depending on how the rest of 2019 plays out, we might see a good number of films I’m passionate about from that year make the list. This is not to put down any other year from this decade, I’m just giddy of what’s to come…

And by the way, a worst list is in the works too.

At home I am making an effort to watch various films that have come out this decade just to catch up, and maybe add something to the best or worst list at the end of the year. I’m not gonna get into too much detail, because I do want to save some secrets for when the list comes out, but I am stoked just to be working on this.

Thanks for reading this post! If you like Scene Before and want to see more content, consider following me either with an email or WordPress account! As for upcoming content, I want to remind everyone, in case they forgot by now, I will soon be starting my Quentin Tarantino review series, which will eventually culminate with a review either at the end of July or beginning of August with my thoughts on “Once Upon a Time in Hollywood.” I cannot wait to get started on this, Tarantino is a filmmaker I have often admired behind the scenes, but I have barely seen any of his material. Now is a good time to start! Also, be sure to check out my Facebook page! Get your latest updates from the movie reviewing moron by using Facebook, the home of some of the all-time laziest efforts at wishing someone a happy birthday. Be sure to stay tuned for more great content! I want to know, is there something that you would like to see be done here on Scene Before, perhaps for this half of 2019? Or, what is your favorite Scene Before moment, post, anything that I have done so far this year? It can even be this one for all I care! Let me know down below! Scene Before is your click to the flicks!

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The Man Who Killed Don Quixote (2018): Terry Gilliam’s Snail Crawl

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“The Man Who Killed Don Quixote” is directed by Terry Gilliam (Brazil, Time Bandits) and stars Adam Driver (Star Wars: The Force Awakens, Girls), Jonathan Pryce (Glengarry Glen Ross, Tomorrow Never Dies), Stellan Skarsgård (Good Will Hunting, Mamma Mia!), Olga Kurylenko (The November Man, Oblivion), and Joana Ribeiro (Madre Paula, Dancin’ Days). This film is about a film director named Toby who runs into a Spanish cobbler from his past. Said cobbler believes himself to be Don Quixote. Throughout the runtime, the movie displays the two’s adventures.

Now this movie is actually pretty special, not necessarily to me, but to the history of cinema and its director, Terry Gilliam. If you know Terry Gilliam and what he has done in the past, you’d know that he has worked on multiple “Monty Python” films, “Brazil,” and “Time Bandits.” Regardless of the movies that he made in the past that general audience members do know, this is one that a bunch of people may have known by name, but never have gotten a chance to look into. Because this has a special place in cinematic history. It’s a movie that has embodied the term “development hell.” No matter how hard this visionary tries to successfully make a film, he fails. Actors keep getting sick or losing interest, sets break apart, funding goes down the drain, dogs and cats living together, mass hysteria! In fact, as several sources suggest, including the film itself in its opening titles, this took about three decades to complete. And if you notice some of the casting choices and complicated set pieces in the film, it is somewhat easy to see why.

But the question I have is this. Is the movie too outdated for today’s era? Does it tend to hold up? I honestly think it does. While I have not seen any of the “Monty Python” films to this day (almost saw “Life of Brian” once though), I can see why people come back to those films, and the humor, from what I gathered, must have translated from those films into this one. In fact, when it comes to this film, it is nothing short of hysterical! The chemistry between the two main characters is delightful, and even reminds me of George and Lennie from “Of Mice and Men.” It’s not exactly a precise comparison, but if you have been exposed to both properties, you’d be able to see why I’d say that.

In fact, part of me is almost surprised that this movie’s story turned out as well as it did, because when it comes to “The Man Who Killed Don Quixote,” I really heard a lot more regarding its production value and whatever comes from the technical side of things, which we will get into momentarily, but I am almost surprised that the story turned out as well as it did. Granted, with this much time to work on a production, it would be somewhat expected that the story would go through tons of revision to get the best possible product. And I think, while not perfect, the story is definitely worth noting. Conceptually, the idea of someone thinking they actually ARE a character they’ve played in their past is nothing short of genius, but even some of the greatest ideas had poor execution. Hey, let’s make a “Star Wars” film where Darth Vader is a kid! It’ll be full of digital creatures, critical space politics, and highly choreographed fighting! Alright! Chop chop! We’ve got until 1999, let’s party like it’s the end of the world!

I already talked about the dynamic duo of this film, but when it comes to their individual characters, they are kind of great on their own. In fact, Adam Driver’s character sort of reminds me of myself in some ways. He’s a director who is really into his craft, he tends to remain somewhat calm but is not afraid to be honest, and he seems somewhat motivational too. I think Adam Driver was good casting, and despite watching the documentary “Lost In La Sancha” and doing research on this film, I honestly think that it is hard for me to see anybody else playing Driver’s character. As for “Don Quixote,” I thought he was perfect. It is only April, and I don’t even know if I will technically qualify this film as a 2019 movie, but if I do, Jonathan Pryce as Don Quixote is the best performance of 2019 thus far. He’s basically Gandalf if he collided with an elementary school teacher. Compared to Driver, Pryce is hyperactive, upbeat, and often speaks in a much higher pitch. Then again, when you’re still the guy playing Kylo Ren, you’re going to need to practice in order to continue possessing your dark and brooding role. In fact, this duo’s chemistry is so good that when the movie moves toward’s its climax, all the buildup to it is definitely worth showing. I won’t go into the climax, but something really weird and interesting happens. Yes, that’s completely vague, I don’t care, figure it out for yourself. This allows yourselves to use your imaginations, it’s powerful!

As far as this movie goes as a production, I think the cinematography is great, the locations almost come out of a storybook, the sets are complicated to the point where you would either wish to visit them or at least wonder how they were conceived. It definitely has that feeling you would get out of a “Lord of the Rings” film, although in a slightly smaller scale, which isn’t really a bad thing. There are some neat edits to be seen, and if you watch the movie, you can definitely get an image as to why this took years to make. Just seeing the first windmill within minutes sets the tone for the entire movie (alongside the opening titles), I knew I was in for a ride, and I definitely walked out with… what’s a tamer version of an adrenaline rush? In fact, when it comes to my experience, the movie tends to showcase that 110%, because I saw this film under an engagement from Fathom Events since they were saying the film was going to be in theaters for one night. Turns out it is a getting a VOD and theatrical run starting this weekend, but still. As part of the event, I stayed for the credits and got a quick look into how the film was made. In fact, it is easy to tell that everyone was passionate about Gilliam’s project. There was even a brief clip with Adam Driver saying “I just love his movies.” Knowing Gilliam’s track record, it is easy to see why. In fact, one of my most recent reviews was for the movie “Us,” and I said that the movie intrigued me enough to make me want to take a glance at “Get Out,” I can say something similar about seeing this movie and Terry Gilliam’s filmography. I kinda want to watch more “Monty Python,” “Time Bandits,” (my dad is BEGGING me to watch that), “Brazil,” and perhaps whatever else he has up his sleeves. Let’s just hope his future projects don’t fall apart like this one!

In the end, “The Man Who Killed Don Quixote” is a marvelous movie for cinematic adventures! Knowing the backstory behind this movie, this is what it must have been like. You’re a kid trying to build a complex LEGO set, one in which you have been putting years of effort into only to have your younger sibling smash it to the ground. Again. Again. And again. Knowing that such a development hell-esque movie could turn out like this, gives me hope for the industry going forward. I’m glad that the end result had come out to something that feels the opposite of someone just wanting to get something done so they don’t have to do it again. You know, kinda like when you’re a dad dragged by your young teen daughter to a One Direction concert. Terry Gilliam has obviously put his heart and soul into something that isn’t quite perfect (much like this film’s progress), but is definitely worth highlighting as an important piece of art in cinematic history. I’m going to give “The Man Who Killed Don Quixote” an 8/10. Thanks for reading this review! Pretty soon I’m going to have my review up for “Apollo 11,” the recent documentary which reveals footage of the mission of the same name. Also, next week, we’ve got some important movie news! If December 25th is Christmas, then APRIL 25th is Avengersmas. Wait… Avengersmas? Endgameas? Endgamas? Infinitymas? Marvelmas? Whatever, I’ll let everyone have their own interpretation on the matter. One of my upcoming reviews, is for the biggest movie, well… ever. 22 installments, 11 years, no reboots, and a crapton of end credit scenes. Next week I am going to “Avengers: Endgame” opening night and holy crap, it is rare for me to have this much anticipation for a film! I am honestly shocked myself because I’ve often thought of some recent installments to the MCU as less memorable compared to some others, but not only do I have faith in this one, but this is practically an event. And I am certainly glad to be a part of the event. April 25th, you cannot come soon enough!

Also, last week I revealed a trailer for something I am calling “Project 2020,” I figured if you guys didn’t see it yet and have some sort of curiosity as to checking it out, I will provide a link to the video down below, please check it out. Or don’t, it’s your guys’ world and I just live in it. Be sure to follow Scene Before with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “The Man Who Killed Don Quixote?” What did you think about it? Or, what is a movie that you like that is known for going through some kind of development hell? Let me know down below! Scene Before is your click to the flicks!

Project 2020: ANNOUNCEMENT TRAILER

Captain Marvel (2019): Not That Marvelous

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“Captain Marvel” is directed by Anna Boden and Ryan Fleck (Sugar, Half Nelson) and stars Brie Larson (Room, The Glass Castle), Samuel L. Jackson (Pulp Fiction, Snakes On a Plane), Ben Mendelsohn (Ready Player One, Rogue One: A Star Wars Story), Djimon Hounsou (Gladiator, Blood Diamond), Lee Pace (The Hobbit: The Desolation of Smaug, Lincoln), Lashana Lynch (Fast Girls, Brotherhood), Gemma Chan (Mary Queen of Scots, Crazy Rich Asians), Annette Bening (American Beauty, 20th Century Women), Clark Gregg (The New Adventures of Old Christine, 500 Days of Summer), and Jude Law (Fantastic Beasts: The Crimes of Grindelwald, Closer). This film is the 21st installment in the cinematic universe. Good luck with your marathons, newcomers! “Captain Marvel” is about a soldier from another world who has memories of her past on Earth. As she is sent down to Earth, or as her planet’s kind calls it, “C-53,” she must combat a foreign force who can disguise themselves into other people and save the universe from further destruction.

OK… Here we go. I went into this movie rather excited. I must point out though, it is not because I am seeing the movie, but because I got to see it in the historic Chinese Theatre. This was kind of a dream of mine and I was waiting to go away to see this movie instead of seeing it on its first two nights just to make the experience special. And it was! When it comes to my familiarity with Captain Marvel, it is admittedly lower compared to other superheroes. But regardless of how familiar audiences and I are with this character, Disney and Marvel had an excellent marketing opportunity on their hands. They have never done a movie with a woman in the lead role before, so after almost eleven years of making MCU films, this is the first time this was being done. Unfortunately, it was not good.

Let me just get some things out of the way. I’m straight, I’m white, and I am a male. I am well aware that my physical and internal qualities that I can’t change, unless I go through surgery, puts me in the position of associating with the most hated type of person on the planet. So… reviewing this movie is hard. But I will say some things that I actually found to be good about the movie. This movie is kind of a crowd-pleaser. Much like a bunch of other MCU films, it had many attempts at humor, some of which totally worked. Some of the action is flashy and the visuals are very colorful. Speaking of that, the deaging done on Samuel L. Jackson is top-notch. And there are tons of callbacks to the 1990s that take up a portion of screentime.

Blockbuster Video, as seen in the trailer, plays a big role in the film. There’s a couple moments where people were laughing because of how 1990s technology worked. There was the use of Dial-up, CD-ROM had its share of screentime, and as I imagine some people expected, pagers were used in the movie.

But as a story, the movie is cliche, which would be fine because “Wonder Woman” was actually cliche and that film was actually pretty kick-ass, but the thing about “Wonder Woman” which made me not care for “Captain Marvel” is the difference in pacing. “Captain Marvel,” in reality, was a somewhat boring movie. Granted, there were parts that were exciting and entertaining, but there was a part of me that didn’t care about what was going on, I didn’t give a crap about the Kree, and after watching the movie, there are perhaps some parts that I feel like I am going to forget about in less than a month.

Let’s talk about Brie Larson in this film. I like Brie Larson as an actress. She’s very talented, she’s won awards, and she is in one of my favorite movies of 2015, “Room.” Also, I just watched “Scott Pilgrim vs. the World,” a movie featuring said actress, and that was one of the best films I’ve seen in recent memory. Brie Larson has a tendency to sign on to play good roles. Granted, this doesn’t always happen (watch “The Glass Castle”), but she usually has a keen eye for her roles. In fact she joined a movie that I am rather excited for the more I hear about it, “Just Mercy.” Knowing how the world of Hollywood tends to work, or at least having an illusion as to thinking I know how it works, Brie Larson definitely saw potential in a role as her particular character in the Marvel Cinematic Universe. Based on the legacy of said universe, I could definitely see potential. However, the execution of her performance was… I don’t know how to say this… Very off and on. The elements are all there for a decent Captain Marvel performance at the very least. A lot of the mannerisms done in the movie are all right for said character, and there is some range presented in terms of personality. But I feel like Brie Larson was at times directed to act a certain way that just didn’t work. It felt like watching multiple characters in one to the point where it is almost easy to assume Captain Marvel had multiple personality disorder. The performance just kind of didn’t work for me, which is absolutely disappointing because Brie Larson is practically an A-list actress. She won an Oscar for crying out loud! There are some moments where I found Captain Marvel to have some charisma behind her, some emotions to display, and others where she is just stoic. While there are times where such emotions (or lack thereof) can work for the movie, it is hard to tell exactly if everything flows as properly as I would hope. Speaking of proper flow…

One of the best movies in the Marvel Cinematic Universe is “Guardians of the Galaxy.” Not only did it make a rather unknown comic book IP become known and loved by millions, but when the first movie came out, it was actually pretty unique as far as comic book movies go. And one way that statement can be supported is through the movie’s soundtrack. Not only is it fun to listen to, but it has practically had an association with the movie in a way that many other soundtracks don’t. While “Captain Marvel,” unlike “Guardians,” doesn’t rely on a soundtrack for music all that much (maybe except for 90s’ references), there is this one moment where a pop song can be heard. I won’t go into much detail, but it is during a fight. If the crew behind this film was trying to capitalize on the success of “Guardians of the Galaxy,” then I can totally see that. But it didn’t f*cking work. In fact, that “Guardians”-esque moment, might just be the most cringeworthy part of the entire movie. And for those of you who know what I am talking about, I don’t know if you will agree with me, but this is just how I feel. In fact, it totally wouldn’t surprise me if some of these songs were put in because of “Guardians of the Galaxy’s” popularity because Nicole Perlman worked on this movie, earning herself a story credit. For the record, she was a writer behind “Guardians of the Galaxy.”

I will give some credit to Samuel L. Jackson however because like usual, he did a fine job as Nick Fury. And I will give even more credit to whoever deaged him. Sticking with the “Guardians of the Galaxy” theme, one of the highlights of the truly disappointing “Guardians of the Galaxy Vol. 2” was the deaging CGI done on Kurt Russell. It was nice to see Nick Fury not only have hair, but believable looking hair. Jackson’s performance as Fury was definitely worth buying for how such a character would behave in the 1990s. However, without going into spoilers, there is something that happens in this film that references something in the future, and it takes place during the end of the film (no, not during the credits, around the climax). It is absolutely crucial to Fury’s character. The way that this film manages to go about it, managed to get a big laugh from the audience, but I thought this GIF would sum up my thoughts on this whole situation.

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Now imagine a part of my brain saying that for an eternity, and you have my thoughts on this moment towards the end of the climax.

And I gotta say, I feel like I am in a weird place as I review this movie. I am a straight white male. I have nothing against women having their own superhero. What I am against however is when people think take the idea of gender equality and twist it to make one gender look better than the other, and I will say, despite “Captain Marvel’s” numerous flaws, not to mention its overall lack of memorability, one of its strengths is that it made a woman look good as a role model, while not exactly putting guys down. If you have ever seen me talk about the 2016 “Ghostbusters,” chances are you know my thoughts on that movie, and none of them are good. One thing I absolutely hated about the 2016 “Ghostbusters” movie is that it went out of its way to display moments that practically make just about every man in the movie look like idiots. There’s a secretary played by Chris Hemsworth who literally makes Patrick Star look like a genius. They ruin the reputation of Bill Murray. And there’s a scene where the ladies shoot a giant ghost in the nuts. There are no moments where I feel like if I had a place in the “Captain Marvel” movie’s universe where I’d have an IQ below 40. Thanks, “Captain Marvel!”

I don’t really have too much more to say in terms of my own originally gathered thoughts, but I will point out that when it comes to “Captain Marvel,” I feel like this movie manages to disappoint me in more ways than I would imagine. While the villain in this film could definitely be worse, I feel like we are going back to phase 1 and even phase 2 MCU, because the villain here was just not memorable. And speaking of villains I don’t really find to be all that great, Ronan the Accuser apparently had a few moments in this film! Like… OK… More “Guardians of the Galaxy” stuff, whoppity do! I have no idea why you even needed much of Ronan’s presence in the movie, but somehow he’s here! Then again, his appearance, much like the film’s main antagonist, could definitely be worse.

Also, another thing to consider about “Captain Marvel” is that this is the 21st film in the Marvel Cinematic Universe. Now that we have gotten to this point, it is getting harder to impress me because a viewer, it almost feels like I’ve seen everything. Granted, there are some unseen things in “Captain Marvel.” This is the first female-led film in the franchise, this is the first film to take place mainly in the 1990s, and it is also the first film where we get to see a cat play a significant role.

By the way, if anyone wants to know my thoughts on Goose the Cat, I thought he was funny, but I don’t think I liked him as much as other people. Although I imagine this character is going to inspire some people to create some funky, psychedelic t-shirts, which if that is the case, I can’t wait.

However, going back to my main point, I have been a follower of the Marvel Cinematic Universe for years. And with following, comes knowledge, and having a competent knowledge of the MCU, to MAYBE hold my own in a related trivia competition, makes me realize that a lot has happened over the years. There are times when material might just seem like something we’ve seen in the past, but with a different name attached. “Captain Marvel,” the more I think about it, just seems like a newer, inferior version of “Thor” with elements of “Captain America: The First Avenger” intact. You have this god-like being who is trying to find their identity or place in the universe, and part of it takes place in space, while another portion is set on Earth. Plus, it is another fish out of water story.

Also, before we get into the verdict section, I will point out a statement from MCU executive Kevin Feige.

“Captain Marvel, she is as powerful a character as we’ve ever put in a movie. Her powers are off the charts, and when she’s introduced, she will be by far the strongest character we’ve ever had.”

Having now seen “Captain Marvel,” I am definitely not going to deny that Captain Marvel is powerful as hell. However, as far as her character being the most powerful of all, that is still up for debate. At least from my point of view. And speaking of which, there is a climactic moment towards the movie that was probably played for comic relief, but it also made a certain moment feel rushed and kind of cheap. More powerful does not always mean more exciting. And I say this whole “power” thing is up for debate for one reason and one reason only.

Can Captain Marvel do this? I’ll wait… I’ve got years of my life left, which give tons of time to provide an answer.

In the end, I hate to say it, but “Captain Marvel is one of the worst movies of the MCU. Granted, that statement might not say all too much as very few have actually gotten a low score from me. I go to the movies for memorable experiences, and many of the MCU’s installments have provided said experiences. I basically put my money on the table for “Captain Marvel,” because again, I went to the Chinese Theatre, which is MILES from where I live, and I literally mean MILES, because I am from Massachusetts. The Chinese Theatre is states away! I had a good time, and I would love to come back. After all… There is a “Star Wars” movie coming out soon… But the whole experience would have been perfect if I went to see a better movie, and “Captain Marvel” was just not that great. I am happy for women who are getting a hero they want to look up to, but I am not judging “Captain Marvel” completely as a feminist piece, I am judging it as a film. As a film, “Captain Marvel” is visually appealing, which is not surprising at this point for a comic book movie. It is pacing-wise, perhaps the worst of the twenty-one films presented in this series. And I felt that I wouldn’t pop this in my Blu-ray player right away if I had the chance. There is a mid-credits scene worth staying for, and there is another scene that happens towards the end. It is honestly unneeded, but if you like your end credits scenes, there’s your update. I’m going to give “Captain Marvel” a 4/10. I honestly don’t know if this grade is going to stay where it is. Because I honestly didn’t like this movie, but part of me had glimmers of enjoyment. And part of me also wonders if I am being generous because this movie stars a woman. I didn’t find myself to be angry throughout the film, so maybe this is technically a 4/10 for me. Only time will tell if this grade manages to stay where it is. And I gotta point out something regarding this “Captain Marvel,” DC did this type of film better! How often do I get to say that? Maybe they screwed up on “Suicide Squad,” the effects on “Justice League,” and keeping a singular vision alive, but they managed to do a female-led film better than Marvel, and that is an accomplishment for DC if I have ever seen one. “Wonder Woman” over “Captain Marvel” for sure, if you ask me! Thanks for reading this review! I actually wanted to make an announcement regarding April, while most of the month is uncertain in terms of content (although an “Avengers: Endgame” review is a undoubted guarantee), I do have a confirmation for you all. For those you who follow the director Terry Gilliam, you may be familiar that he worked on films such as “Brazil” and “Monty Python and the Holy Grail.” Recently however talk has been going around regarding his new film, “The Man Who Killed Don Quixote.” For those who have ever heard of this film, you may be aware that production for it actually took decades to complete. Why? Total and utter disaster, that’s why! Anyway, here in the US, it is playing in several theaters for one night. Courtesy of Fathom Events, I have scored a ticket to one of these shows on April 10th! Next month, expect a review from “The Man Who Killed Don Quixote,” and if it takes forever to complete… Who knows? It could be just like the movie and go through several failures regarding production! Be sure to follow Scene Before with your WordPress account or email to catch that review and more great content! I want to know, did you see “Captain Marvel?” What did you think about it? Or, have you been to the Chinese Theatre? What did you see? What was your experience like? I personally enjoyed it, minus the movie. But I want to hear about your experience! Let me know about it in the comments section! Scene Before is your click to the flicks!