The 1st Annual JACKOFF Awards

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WARNING: The following post is nearly 11,000 words long. If you are able to make it through this entire post, I applaud you. However, your life is under your control, and you should decide how long you can read this for. I am not the judge of you, nor am I your boss. You should be able to decide how long you should gloss. Enjoy!

*All copyrights belong to their respective owners*

INTRO SEQUENCE!

Hey everyone, Jack Drees here! You have now entered the Cinema Zone. You are now about to witness the most important awards ceremony of all time. An event so grand that every celebrity earning such an award will brag about it to their friends and family. *Drumroll* The Movie Reviewing Moron presents… The Jackoffs!

*SEES NO AUDIENCE*

Disappointing.

But the show must go on! Today we are going to be celebrating and reflecting on what the Movie Reviewing Moron seems to see as the best in film. Similar to other awards ceremonies related to movies, there will categories dedicated to acting, directing, music, categories such as those. Also, much like those award shows, these are all appetizers for Best Picture, which I can guarantee you, will be the TRUE best picture this year. All of those other fake award ceremonies? Forget them! This is serious business! There’s also going to be some stuff on the side as well, so stay tuned. However, if you have seen my top 10 BEST movies of 2018, you’d already know what my best picture is. With that in mind, I decided to do something a little different than me picking a Best Picture winner. Given how my mind can change on what the top 10 movies of 2018 are, and I have an audience who also goes out to support film, I decided to reveal my top 10 best movies as of the point where I announce the nominees, and have others pick the best movie of the year. And for those who are curious to look back at my top 10 list from this past year, I will spoil the fact that the list has changed slightly since I’ve completed it. As for other categories, every other category from Best Actor to Best Original Song to Best Sound Editing to Best Original Screenplay is all from my mind.

Before we get to the nominees and winners however, I would like to point out that I have not seen every single film in 2018, therefore some of the nominations probably would be something where you’d beg to differ. One movie that has been getting a ton of buzz this Winter for example is Disney’s “Mary Poppins Returns.” Many people have enjoyed the movie, noted Emily Blunt’s performance, not to mention its music. I can’t say I’ve seen that movie, and I haven’t seen the original either. With that in mind, it just makes no sense for me to see this movie at this point for sake of putting it in any of the categories.

So, before we start revealing who was nominated and who won, I have to remind everyone, this IS an award ceremony. Most award ceremonies tend to be lighthearted, fun, and have some random jabs intact. This is a segment brought on despite no demand, “Jack Drees Tells Jokes to Nobody in Order to Please Himself.”

I’m going to state some facts about this year in film, and since there is no audience here, there will be no laughs. But since I want people in my life, I guess I will have to imagine there will be people laughing at my jokes, no matter how stupid the jokes really are. And I must say, 2018 really has been an excellent year for film, and I’m not just saying that. It’s one of the best years for film ever, as long as you weren’t dusted by Thanos, Tom Cruise’s broken leg, eaten by a Megalodon, or Tom Hardy attached to a parasite.

In January, the final installment of the “Maze Runner” trilogy, “Maze Runner: The Death Cure” released to the public. The main antagonistic side of the movie involves a corporation called “WCKD,” which is pronounced similarly to “wicked.” Viewers haven’t heard the word “wicked” so much since that one trip they took to Boston. Coincidentally, that last trip some of you might have taken was to see grown men and a supposed cheater hold a properly inflated trophy.

Emily Blunt appeared in a couple movies this past year, specifically “A Quiet Place” and “Mary Poppins Returns.” Both movies have a notable segment involving a bathtub. So far, Blunt has no movies scheduled for 2019, but I have a thought on the title of the movie Blunt will take on next. It’s called “The Shower.”

“First Man” released this year in October. While not everyone found it to be great, I found it personally to be one of the best films of the year. This film is partially about the Apollo 11 moon landing, and it is confirmed in this movie, that Ryan Gosling and Damien Chazelle fake the moon landing. IT WAS SHOT ON EARTH! IT’S A FAKE! IT WAS ON A FILM SET THE WHOLE TIME!

AMC Theatres introduced a new subscription service as part of their Stubs membership lineup. For $19.95 a month you can see 3 movies a week without charge in any format at an AMC location. The plan is called AMC Stubs A-List. This would be great for juvenile delinquents, because now you can sneak in the back of the theater in a slightly more sophisticated manner.

This recently mentioned plan was known to be a competitor to cheaper organizations such as MoviePass and Sinemia. I gotta give some props to MoviePass though, because the company’s CEO also happened to once be an executive at Netflix, so it’s possible they secretly have partial rights to the word “chill.” Imagine you’re a guy texting your girlfriend, “Hey, MoviePass and chill? ;)” You two decide to go to the cinema and see a romantic comedy. Then the sex scene arrives, and it’s time to take off your clothes and make physical contact with each other! The guy is probably going, “I have never been so immersed in a movie in my life!”

The guy’s probably young and got an uncontrollable sex drive.

However, it is also true that MoviePass has had some struggles this year. Their stock kept decreasing, they did a reverse stock split, the app crashed, and there were occasionally limited options of movies you were allowed to see. In other news, sneaking in the back of the theater is still free.

One of the later releases of December was “Holmes & Watson.” The movie earned low scores from critics, with many giving it the final verdict of “S*it, Sherlock.”

John Cena was in a couple films this year, including “Blockers” and “Bumblebee.” While both films aren’t widely regarded as horrible, the biggest problem is that we could actually see John Cena.

One of the releases we’ve gotten over the summer is a movie called “Billionaire Boys Club,” starring Ansel Elgort, Taron Egerton, Kevin Spacey, Jeremy Irvine, Cary Elwes, Emma Roberts, Billie Lourd, Suki Waterhouse, and Judd Nelson. This movie earned $126 on opening day, making it the worst thing Kevin Spacey’s ever d—whoops! Sorry! Did I really just say that?! I sincerely apologize!

Unsane,” a rather unique flick, released this year. What makes it unique? It was shot using an iPhone 7 Plus. It’s a good movie, but the problem is that every time it is shown in a movie theater, there would always be at least one person who wouldn’t turn off their phone.

Here is a fact some people might not know about. As of last year, Tom Cruise has starred in two films which are at the very least, partially named after Bethesda video games, Cruise did “Oblivion” in 2013, and just last year he did “Mission: Impossible: Fallout.” Neither of those movies are linked to the video game franchises, they just borrow the name. But in all seriousness, I just can’t wait for one of his future films, “The Mummy 2: The Evil Within.”

James Gunn, director of the two recent “Guardians of the Galaxy” flicks, was fired by Disney and prevented from directing the third installment in the franchise. He was eventually hired by Warner Bros. to work on “Suicide Squad 2,” which he is going to improve by adding in one thousand talking trees. Each one of them is going to say “Hodor.”

So it’s a “Game of Thrones” crossover. It’s gonna be great.

One of the more successful movies of the year, both critically and financially, is Bradley Cooper’s “A Star Is Born.”

It featured Lady Gaga’s most brilliant performance since her portrayal of the crazy lady hanging on wires from the Super Bowl 51 Pepsi Halftime Show.

“Black Panther” was a huge success this year, making the second highest box office total worldwide for 2018, not to mention, more money in the United States than “Avengers: Infinity War.” In other words, “Black Panther” is the most popular creation associated with the “What Are Those?” meme of all time.

One film that unfortunately cancelled production this year is a graphic novel-based project called “Cowboy Ninja Viking.” This movie was originally supposed to be called “The Overpolished Halloween Costume.”

Speaking of Halloween, A new “Halloween” movie came out this year, which simply went by the title, “Halloween.” Keep in mind, while some might call this lazy marketing, this just goes to show that nothing is superior to the original.

“Mamma Mia!: Here We Go Again, came out this year, featuring Meryl Streep, and just for having a job this year, Streep automatically gets an award!

“Incredibles 2” came out this June after a 14 year wait from the release of the original installment. For the parents raising kids who grew up with the first movie, you didn’t have to teach them patience. Disney and Pixar had that covered.

I remember as a kid, one of the movies I rented from Blockbuster multiple times was the original installment of the “The Incredibles.” Sadly, the store I frequented has been closed for over a decade now. And as of this point, there is only one Blockbuster Video still open. When there were three open this year, two of them were located in Alaska. A state whose stores surprisingly, seemed to have disappeared faster than the ice caps.

Hey, I said in the preview this wouldn’t be politically heavy! This is a human issue! Also, one for polar bears.

The HBO show “Last Week Tonight with John Oliver” tried to help keep the Alaskan Blockbuster stores in business by buying items from Russell Crowe’s divorce auction and donating the purchases to the stores. One of the notable purchases was a jockstrap worn by Crowe during Ron Howard’s “Cinderella Man.” Imagine if somebody wanted to rent that thing! “I’ll take this for five days, I just need it to win a contest at Comic-Con, and I’ll give it back.”

Speaking of Blockbuster, the company’s one remaining store is located in Bend, Oregon. This store managed to create its own beer to celebrate its lonely status. I didn’t do any research, but I’m pretty sure it gets you drunk really fast. So fast in fact for those who drank it, the biggest side effect was renting all the “Sharknado” movies.

It has been announced earlier this year that Illumination, the creators of “Despicable Me,” plan to make an animated “Super Mario Bros.” movie. In this movie, two brothers will show off their secret weapon, jumping.

“The Favourite” was one of the best reviewed films of the year, containing praise-worthy performances from actors including Olivia Colman, Rachel Weisz, and Emma Stone. The movie is also an accurate description of everyone’s worst experience while riding a horse.

One of the final releases from 2018 is the highly-praised “Vice,” directed by Adam McKay. This movie is about Dick Cheney, making it one of the longest dick pics in history. 

“If Beale Street Could Talk” was also a big hit this year with critics. For those of you who don’t know, “If Beale Street Could Talk” is directed by Barry Jenkins, the same guy who helmed 2016’s “Moonlight.” Today, in honor of that, I’m going to announce who won Best Picture, and give a special, honorary participation trophy for reading the wrong card.

Now since this is an award ceremony dedicated to honoring film, I might as well recognize movies everywhere, no matter what genre, franchise, time length, or even overall quality rating. Before we get to our first set of nominees, let’s take a look back what Jack Drees saw in 2018.

  1. Maze Runner: The Death Cure
  2. The 15:17 to Paris
  3. Black Panther
  4. Annihilation
  5. Tomb Raider
  6. Ready Player One
  7. Blockers
  8. Pacific Rim: Uprising
  9. A Quiet Place
  10. Avengers: Infinity War
  11. Isle of Dogs
  12. The Commuter
  13. Life of the Party
  14. I Feel Pretty
  15. Solo: A Star Wars Story
  16. Revenge
  17. Adrift
  18. Tag
  19. Incredibles 2
  20. Deadpool 2
  21. Won’t You Be My Neighbor?
  22. Uncle Drew
  23. A Wrinkle in Time
  24. Ant-Man and the Wasp
  25. Hereditary
  26. Mamma Mia!: Here We Go Again
  27. Skyscraper
  28. Mission: Impossible: Fallout
  29. The Last Movie Star
  30. How to Talk to Girls at Parties
  31. The Hurricane Heist
  32. Gringo
  33. Eighth Grade
  34. Love, Simon
  35. Game Night
  36. Kin
  37. Peppermint
  38. The Meg
  39. The House with a Clock in Its Walls
  40. Venom
  41. A Star Is Born
  42. First Man
  43. Marrowbone/The Secret of Marrowbone (same movie)
  44. Bohemian Rhapsody
  45. The Grinch
  46. Second Act
  47. The Spy Who Dumped Me
  48. Ralph Breaks the Internet
  49. Red Sparrow
  50. Sorry to Bother You
  51. Operation Finale
  52. 12 Strong
  53. Spider-Man: Into the Spider-Verse
  54. Gotti
  55. Welcome to Marwen
  56. First Reformed
  57. Unsane
  58. Vice
  59. The Favourite
  60. Aquaman
  61. Hotel Artemis
  62. The Mule
  63. Instant Family
  64. Beautiful Boy
  65. Green Book
  66. Roma
  67. Cold War
  68. BlacKkKlansman

Let’s announce some winners!

First up, is Best Supporting Actor. In the world of superheroes, they’d be the sidekick. In the world of gaming, they’d be player two. In the world of driving, they’d be in the passenger seat. However, in the world of acting, they are compelling characters who have come to enlighten generations. These five nominees are likely to do the same. Here are the nominees for Best Supporting Actor.

  • Sam Elliot (A Star Is Born)
  • Timothée Chalamet (Beautiful Boy)
  • Michael B. Jordan (Black Panther)
  • Mahershala Ali (Green Book)
  • Sam Rockwell (Vice)

And the Jackoff goes to…

Mahershala Ali in “Green Book!”

Deciding on a winning nominee for this category was not easy. When you compare Ali to the other performers on the list, Chalamet is a brilliant, young performer who has a bright future ahead. Rockwell did a terrific portrayal as George W. Bush in “Vice.” For awhile I thought Sam Elliott could take the cake because he was perhaps my favorite part of “A Star Is Born” in the acting department when I think about the film sometimes. However, Ali is a fine actor, as proven already in 2016’s “Moonlight,” and once again in “Green Book.” He has played a character who starts out as stoic and emotionless to occasionally belting out a mix of feelings as the film continues. As the first winner of the very prestigious and important Jackoff Awards, Ali should feel proud of himself, congrats! Here is a clip of Mahershala Ali in “Green Book.”

Our next couple of categories involve sound. One understandable question that can be looked up on Google is the difference between sound EDITING and sound MIXING. The sound editing involves the incorporation of sound in general, but the sound mixing involves determining how exactly an audience will hear all of the movie’s sound. The hint to remember all of this, E comes before M. Appropriately, the award for sound editing will be done first. Here are the nominees for Best Sound Editing.

  • A Quiet Place
  • Avengers: Infinity War
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

And the Jackoff goes to…

“Ready Player One!”

“Ready Player One” is a movie that to me, excelled in just about every technical category imaginable. When it comes to sound editing, “Ready Player One” shines for having some of the most unique sounds of the year. Some of my favorites include the coins, the automobiles, and the Holy Hand Grenade. “Ready Player One” made my top 10 list of 2018 marking my personal best spot this year for sci-fi, and based on how the sound can immerse a viewer like me, it is easy to see why. Congrats to “Ready Player One,” hopefully its sound crew will be able to buy some bottles of wine with some nifty in-game coins as an indulgence for this award.

Let’s take a break from awards and focus on something that totally isn’t deceiving. Marketing.

For each Best Picture nominee, we are going to give them a special preview. I have copied and pasted a trailer for each movie directly from YouTube, so feel free to watch for your own pleasure.

Our first Best Picture nominee is proof that sometimes, sequels can be better than the original. Having seen several movies this year, many of the experiences of watching them have been great, but there were little to none that would get me to say to myself, “holy crap,” once the movie concluded. The film’s star, Tom Cruise, has gone through tremendous obstacles including a broken leg, helicopter flight training, real-life HALO jumping, and one of the most ambitious running scenes put on screen. The director, Christopher McQuarrie, has worked with the star before, delivering sick action, a continuation of what audiences have come to witness before, and perhaps one of the best sixth installments in a franchise ever made. Nominated for 5 Jackoff awards, THIS is “Mission: Impossible: Fallout.”

Going back to nominees, and moving away from the totally not deceptive concept of marketing, I have nearly decided to skip the sound mixing category, but that would make me more deceptive than a lot of movie trailers coming out today. Nevertheless, the sound mixing department in film is the group of people that not only lets an audience hear magic, but a certain level of magic. Here are the nominees for Best Sound Mixing.

  • Annihilation
  • A Star Is Born
  • First Man
  • Mission: Impossible: Fallout
  • Ready Player One

And the award goes to…

“Mission: Impossible: Fallout!”

“Mission: Impossible: Fallout” manages to immerse me into the movie by not only having a great, up-to-date sound selection, but by making me feel like my ears are occasionally being pierced by a bullet hole. The helicopter scene puts you right in the middle of the action with an obnoxious machine, followed by a feast of flying bullets at a magnificent volume. While it is nowhere near as loud or obnoxious as last year’s “Dunkirk,” it is a feast for the ears. Well done to the “MI” team and congrats on the award, should you choose to accept it!

Up next is an award that honors all who assemble the film’s cast. They say that it does not matter what is on the outside, it’s on the inside that counts. However, some feeling inside me has decided to award a certain group of people who have dedicated their time and effort to making sure one’s outside is as presentable as possible. Here are the nominees for Best Makeup & Hairstyling.

  • Aquaman
  • Bohemian Rhapsody
  • The Favourite
  • Operation Finale
  • Vice

And the Jackoff goes to…

“Vice!”

“Vice” is a movie about Dick Cheney and how he practically oversaw the operations of the US government while W. Bush was in charge. This movie actually partially took place during the 2000s, but I gotta say, you know that meme going around now that tells others how you look now compared to a decade ago? I would love to do a post on Twitter or Instagram or something for these people in real life and their film counterparts just to show how identical they look to each other. Plus, regardless of how Cheney even turned out, whether this is really a Cheney look-a-like or not, and this movie’s Cheney IS a look-a-like, don’t argue with me. I will give enormous props to the makeup department for taking Christian Bale, a guy who is in his forties, and making him look like an uppity grandad! It kind of reminds me of “Darkest Hour” which takes Gary Oldman and turns him into Winston Churchill. Overall, “Vice” is a polished film and made up for whatever faults it made before.

Our second Best Picture nominee, if you think about it, took ten years to actually complete and release to the public. Maybe six depending on who you talk to. This film is based on a comic book franchise, so if you think about it, it’s like the “Boyhood” of comic book movies. This is a film that has been built up for a decade, for nearly twenty installments in a single series, with two of them having the identical franchise name. For many comic book fans and general audiences alike, this film managed to go in a different direction as opposed to what some would traditionally expect. Many of the characters people have come to love in this film series have returned for an epic showdown against the no good, terrible, absolutely revolting, Barney the Dinosaur who wears a glove all the time. Nominated for 4 Jackoffs, THIS is “Avengers: Infinity War.”

I honestly think this movie’s crew should feel sympathetic. It stole all the money that other movies may have deserved. But then again, it’s nice to call something the highest grossing comic book film of all time so this is also something I find to be cool.

Anyway, going back to acting, here are the nominees for Best Supporting Actress!

  • Emily Blunt (A Quiet Place)
  • Claire Foy (First Man)
  • Rachel Weisz (The Favourite)
  • Amy Adams (Vice)
  • Leslie Mann (Welcome to Marwen)

And the Jackoff goes to…

Claire Foy in “First Man!”

Claire Foy is an actress who has been gaining tons of momentum in recent years. She is well known already for her lead role in Netflix’s “The Crown.” She starred in last year’s “Breathe” alongside Andrew Garfield. And she appeared in three films this year alone, with two having Foy as the star. I have actually seen Claire Foy this year in “Unsane,” which is a creepy, intriguing thrill-ride where she shines. But Foy is a different kind of shiny in “First Man.” Captivating, emotional, and a great description of everything I felt as an audience member during the experience, not to mention everyone who grew up in the 1960s. Congratulations to Claire Foy! Here is a clip of Claire Foy in her role as Neil Armstrong’s wife, Janet, in “First Man.”

The next category of nominations is dedicated to the makers of magnificently crafted, well-realized apparel of all sorts. These pieces of clothing are all worn on set during recording and behind the scenes. No matter how beautiful, glorious, or in some cases, how hard it is to actually wear, these pieces are all created by minds who have put time and effort into letting someone have a fashionable outlook for a given motion picture. Here are the nominees for Best Costume Design.

  • Kym Barrett (Aquaman)
  • Julian Day (Bohemian Rhapsody)
  • Sandy Powell (The Favourite)
  • Marlene Stewart (The House with a Clock in Its Walls)
  • Trish Summerville (Red Sparrow)

And the award goes to…

“The Favourite!”

No matter how the movie turned out, “The Favourite” has a plethora of costumes capable enough to take me into a time of old British royalty. The level of detail of just about every outfit was astounding and very fitting for the time period involved. “The Favourite” actually got a low score for me this year, specifically a 4/10. Said score still stands, but it does not mean I was unable to recognize whatever effort was actually put into the film. Olivia Colman actually felt like an entitled, reclusive, and occasionally helpless queen in her outfit. Kudos. Well done, and congrats to “The Favourite!”

Our third Best Picture nominee is a movie that comes from the mind of a legend in the filmmaking industry, Steven Spielberg. Based on the hit book of the same name, this movie tells a story set in 2045, where people have studied pop culture of the past as they try to win a special prize. Going through a virtual world created by a Steve Jobs-like nerd, the film’s characters and audience can gaze in wonder as they notice pop culture icons including the Iron Giant, King Kong, the Back to the Future DeLorean, the Akira bike, the Rubik’s Cube, and even Chucky. As one of this year’s most visually appealing films, not to mention one of the best sounding films, both in a pitch meeting and literally, it excels to please audiences looking for an immersive experience. Nominated for 4 Jackoffs, THIS is “Ready Player One.”

Our next award category is dedicated to the makers of the sets, the builders of dreams, and the masters of visual atmosphere. It is a production designer’s job to make sure a film presents itself in the best looking way possible. Here are the nominees for Best Production Design!

  • Bill Brzeski (Aquaman)
  • Curt Beech (BlacKkKlansman)
  • Fiona Crombie (The Favourite)
  • Nathan Crowley, Katherine Lucas (First Man)
  • Eugenio Caballero (Roma)

And the award goes to…

Nathan Crowley and Katherine Lucas for “First Man!”

The biggest praise I can give to “First Man” overall is its seemingly real vibe. When it comes to the filming locations and set design, that is shown off to the tenth degree. The interior scenes in the space center felt raw, and maybe even contributed to the feeling of danger and creeps throughout the film. A house was built in Georgia just for this movie alone, which may be unneeded, but also kind of interesting. Everything in the film had not only the appropriate feel for a space movie based on true events, but a movie that took place during the 1960s. Congratulations to “First Man” for the film’s SECOND win!

While production design may be the art that allows audiences to see pure joy. There is another category to be touched upon that allows audiences to hear pure joy. These five nominees have all created music to set the mood, set the tone, set the vibe, and remind us that a world without music is a world without emotion. Here are the nominees for Best Original Score.

  • Geoff Barrow, Ben Salisbury (Annihilation)
  • Marco Beltrami (A Quiet Place)
  • Justin Hurwitz (First Man)
  • Alexandre Desplat (Isle of Dogs)
  • Lorne Balfe (Mission: Impossible: Fallout)

And the Jackoff goes to…

Geoff Barrow and Ben Salisbury for “Annihilation!”

Wow! Another team win! Part of the reason why “Annihilation” won in the first place has to do with the overall experience of watching the movie. I was very much looking forward to the film’s release, but I wondered what the music would be like. In fact, during the trailer for the film, one of the film’s iconic tunes, “The Alien” can be heard. This sounded a bit odd at first. Not life-ending, but odd. In the film however, I cannot imagine any other song replacing it when it plays. It was literally an experience of endless vibrations when I first heard this thing of beauty in the theater! This film also manages to have a nice blend of calm, joyful music, alongside a mix of creepy-crawly music. It’s this mix, and the amount of talent behind the crew that lead to this win. Congrats to “Annihilation!”

Our fourth Best Picture nominee comes from a rather strange place, Netflix. This film comes from the mind of acclaimed director Alfonso Caurón. He has had experience working with a popular IP, such as “Harry Potter,” while simultaneously producing well done original material such as “Gravity.” After those big, boisterous films, Caurón has decided to make a project that apparently people would want to watch in a select number of theaters, and for others, on cell phones. This is a film that takes place near Mexico City as a family and their housemaid go through their daily lives. We also witness joy, drama, and heartbreak in a compelling story about life itself, and how difficult it can be. Nominated for 7 Jackoffs, THIS is “Roma.”

As I have previously exposed, I have seen a lot of movies in the year of 2018. A lot of them by the way, were great! In fact, I’d say the positives for 2018 definitely outweigh the negatives. However, there is a saying for movies, much like a ton of other art forms, there is no such thing as the “perfect movie.” Even the best movie ever, like “The Godfather,” “The Shawshank Redemption,” “The Dark Knight,” “Star Wars,” “Pulp Fiction,” even “Jaws,” all of those movies don’t have what it takes to be technically perfect. You know what? Maybe that saying is right. That’s why I decided to take some movies I saw this past year and tweak them just a little bit to make them a more quality product. Enjoy.

CLICK HERE TO VIEW THE SLIGHTLY IMPROVED VERSIONS OF SOME 2018 FILMS!

The next category belongs to the makers of computerized and practical effects. No matter how complex, how flashy, how realistic, the five artists and crews behind the visual effects of their respective films have all demonstrated excellence in allowing an audience to be dazzled, wowed, and in awe. From taking them to new worlds, to providing them with previously unknown feelings, and introducing them to concepts beyond one’s imagination, all of the nominees should feel proud of themselves. Here are the nominees for Best Visual Effects.

  • Annihilation
  • Aquaman
  • Avengers: Infinity War
  • First Man
  • Ready Player One

And the Jackoff goes to…

“Ready Player One!”

To me, there was literally no other movie that even held a candle to “Ready Player One” this year from a visual perspective. Watching “Ready Player One” was like watching two different movies in one because you have this story that takes place in an entirely digital universe and you have the other one which is in the real world. While there are certain effects to be seen in the real world, it is the digital world that shines as bright as Albert Einstein. The amount of time that must have taken to actually blend a feel of realism while simultaneously feeling like a video game is seemingly unfathomable. Steven Spielberg said this movie was one of the harder ones he had to create, and understandably so. I have to give massive credit to the other contenders. “Avengers: Infinity War” is a visual effects extravaganza that looks great on the big screen. The same can also be said for “Aquaman.” “First Man” actually took me to the moon and back. F*cking well done if you ask me. And for “Annihilation,” the visual effects not only looked great, but they fit the crazy feel of the film which gave it a “2001” vibe at times. However, congrats to “Ready Player One,” and its effects are a hi-five/hi-five.

As mentioned in my nomination announcements, I didn’t announce EVERYTHING that was going to be in this post. I wanted to leave some surprises to my viewers. One of which includes TWO lifetime achievement awards.

But, before we announce the winners, I have to ask one question. What is the meaning of life? That is a question all of us seem to ask at least once. To some, life may be an overrated board game. Life could be the reason for anything. The ups, the downs, even the mediocrity. Here and now, it is my honor as mentioned, to present not one, but two lifetime achievement awards. For those of you who are wondering, I did not plan some in memorium video or line of text for this ceremony. Maybe I’ll do that in years to come, but that was not my original intention. Instead, I figured what I’d do is for one of my lifetime achievement awards, I’d figure honoring someone who is currently still with us, and someone who is no longer with us. The first prize is going to be given to the living soul, because as Agent Smith once said, in “The Matrix: Revolutions,” “Everything with a beginning has an end.” We start off with life, and finish with an inevitable death.

The winner of the first ever Jackoff Lifetime Achievement Award is a cameraman known for his work which has been around since 1975. Since then, he has collaborated with actors including Ryan Gosling, Morgan Freeman, Emily Blunt, Jeff Bridges, John Goodman, Harrison Ford, Hailee Steinfeld, Matt Damon, Daniel Craig, Josh Brolin, Tommy Lee Jones, Ana De Armas, Amanda Seyfried, Bryce Dallas Howard, Joaquin Phoenix, Tim Robbins, and Adrien Brody. His resume consists of works of art directed by Frank Darabont, Joel Coen, Ethan Coen, Denis Villeneuve, M. Night Shyamalan, Sam Mendes, Angelina Jolie, Ron Howard, and Martin Scorsese. He has been nominated and recognized for several prestigious awards, 9 BAFTAs, an AFI, 6 Critics’ Choices, and 14 Oscars. And for those of you who don’t know his story, it’s not like he is part of the New York Yankees and he keeps on winning Academy Awards. This man was nominated for 14, and out of all of them, he only won one. Also, it’s not like he could get one off the bat, because guess how long he had to wait? FOURTEEN TIMES! Now keep in mind, this is the very first Jackoff Awards ceremony. For all I know it could be the only one, we’ll just have to see. But no matter the number of award shows we have, if it is one, two, fourteen, over a thousand, I dunno, I am proud to present the first ever Jackoff Lifetime Achievement Award to Roger Deakins.

Congratulations to Roger Deakins, had he known he was getting this award, he would probably have something to say. But I have to say, I love his camerawork, his style never ceases to amaze, and I hope his future work will continue showcasing his excellence!

Our fifth Best Picture nominee is a documentary. Given how I have seen very little documentary titles this year, there will be no category for Best Documentary, but this film managed to stand out to me. They say the world is full of ridiculous people who are idiotic, lacking care, and selfish. This movie manages to show a man who only wanted to spread joy to the world and all of its children, Mister Fred Rogers. It also shows a man who is the perfect embodiment of a friendly, loving, and caring person. Revealing steps forward in diversity, tolerance towards minorities and sexual orientation, and proof that silence can be a great gift, this documentary succeeds to please its audience and deliver an emotionally charging feel good story. Best Picture happens to be the only nomination this film is receiving during this ceremony, but keep in mind, this is a documentary, and had I done a documentary category, this movie would win it. For the record, this is the only documentary I have seen this year. THIS is “Won’t You Be My Neighbor?.”

Before moving onto the rest of the show, I would just like to have everyone know in case they are reading this at a time that is later than February 10th, 2019 or if they aren’t from the US, the Super Bowl happened a week prior to this. Now, the Super Bowl is often regarded as one of the biggest televised events ever. However, this year, some people would call it a failure, including myself. Maybe everyone is getting bored of the New England Patriots constantly being involved, but one fact to take into consideration regardless is that the ratings for this year’s Super Bowl is the lowest its been in a decade. To be fair though, this has applied to various types of live broadcasts all over as time has progressed. For those who did watch though, they got to watch what many to be found a boring game, with only 3 points scored by one team in the first half. The final score was the lowest in Super Bowl history (13-3), with only one touchdown executed during the entire game. However, if you’re me. One thing that I found absolutely atrocious and ridiculous this year was the Pepsi Halftime Show. For those who don’t know me, the Halftime Show is something I don’t tend to care about. Don’t get me wrong, even though I don’t care, some of the shows were pretty well done. Part of me was surprised that I actually liked the Lady Gaga Halftime Show from a couple years ago. No, I’m being serious, I’m not saying that only because I nominated her for Best Actress. She was pretty good! This year however, a petition was going around to get “Sweet Victory,” a song made famous from the “Spongebob Squarepants” episode “Band Geeks,” to be performed at this year’s halftime show as a tribute to the recently deceased Stephen Hillenburg, the show’s creator. The petition actually gained quite a bit of traction. So much in fact that it currently has over a million signatures. In fact, I signed it when it first came up. For the record, this song was performed during the show’s version of the Super Bowl, making it more than appropriate for this type of setting.

After awhile, it seems that the crew behind the Super Bowl responded. Just look at this tweet right here.

After all the teasing and announcements that lead to the absolute possibility of this happening… It did.

Well, sort of.

(Video unavailable to WordPress, click Watch on YouTube to view video)

Some time into Maroon 5’s performance, audiences saw a clip of Squidward Tentacles introducing “a true musical genius who needs no introduction.” We then see the opening horn fanfare of the song. This was getting EPIC. Then… It stopped. Instead of “Sweet Victory,” we get Travis Scott performing “Sicko Mode.”

What. The. Actual. Ass?

As a “Spongebob” fan, and someone who NEVER watches the Super Bowl for the Halftime Show, NOT EVEN FOR THE FOOTBALL, I cannot possibly feel more ashamed to have witnessed this in my lifetime, and I think the crew behind the next Super Bowl ought to make it a TOP PRIORITY to REDO “Sweet Victory” and actually PERFORM the song to millions of people! How about that? Well, I’m just a nobody. I have no power. But I do have editing skills. I don’t think I’ll ever do this again, but in honor of Stephen Hillenburg, the legendary creator of “Spongebob Squarepants,” a Nickelodeon cartoon which defined many childhoods of my generation… THIS… IS THE JACKOFF AWARDS HALFTIME MONTAGE!

CLICK HERE TO WATCH THE HALFTIME MONTAGE!

And THAT… NFL and Pepsi, is how you pay tribute to a legend!

The next nominees are the ones who have taken the work of writers and directors, and realized them even further than they previously been realized. With constant time and effort on computers, software, flipping through video files, and more, these five nominees have taken moving images and audio, then eventually turned them into ambitious compilations. These are the nominees for Best Film Editing.

  • Barry Alexander Brown (BlacKkKlansman)
  • Tom Cross (First Man)
  • Benjamin Rodriguez Jr. (First Reformed)
  • Alfonso Caurón, Adam Gough (Roma)
  • Hank Corwin (Vice)

And the Jackoff goes to…

Alfonso Caurón and Adam Gough for “Roma!”

Another team win! Who knew? The nominees here were all equally excellent, making this one of the harder categories which I had to determine a winner. The reason why I chose “Roma” is a reason I feel could also associate with direction, screenplay, and cinematography. Keep in mind, this movie is nominated for all three of those other categories. With the excellence of those other categories in mind, the way those were executed in an editing job such as this, honestly makes this movie better as a whole. Another thing to keep in mind is how personal of a project this is for Alfonso Caurón, because all those things I just mentioned: the screenplay, cinematography, and direction. He did all those things for this one movie. I have a soft spot for people who are willing to take on projects with personal values. Granted, that is something Tommy Wiseau tried with “The Room,” but still. Congrats to “Roma” and its editors!

We live in a world where an apple can fall on one man’s had and enable him to create the “laws of motion.” However, in cinematic environments, not everyone comes from the same place. Sometimes there are worlds entirely dedicated to a religious holiday. Sometimes there is a world of heroes desperately waiting for work. Sometimes there is a multiverse of a Spider-people waiting to unite. Sometimes there is a world where arcade game characters can interact with each other and even go inside each other’s games. Sometimes there is a world where believe it or not, dogs talk and often like saying the word “I.” These five nominees have shown excellence in animated film and have inspired many to think outside the box. Here are the nominees for Best Animated Feature.

  • The Grinch (Yarrow Cheney, Scott Mosier)
  • Incredibles 2 (Brad Bird)
  • Isle of Dogs (Wes Anderson)
  • Ralph Breaks the Internet (Phil Johnston, Rich Moore)
  • Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman)

And the award goes to…

“Spider-Man: Into the Spider-Verse!”

If you were thinking anything else, I want you to think again. Because out of every movie that I’ve seen this year that’s animated, this was the only one which I gave a Best Picture nom to. In fact, one of these films is a dishonorable mention on my worst list. “Spider-Man: Into the Spider-Verse” is not only a surprisingly great film during such a fantastic time for comic books and superheroes, but also a unique take on the typical superhero flick. This is the film debut of the Miles Morales Spider-Man, and it is easy to say, I want more. Aside from the likable story and acid-trippy experience, this movie manages to separate itself from every other animated film this year based on its style alone. Literally every frame resembles a comic book! This is the 2nd best standalone “Spider-Man” film I’ve seen to date, so congrats to “Spider-Man: Into the Spider-Verse!”

Our sixth Best Picture nominee is a little independent film that tackles big topics. To me, I found it to be the perfect combination of science and religion coming together. This film begs the questions, should we stop having children? Is having children a sin in this current age? How much longer do we have before the Earth is no more? From a technical perspective, this film delivers excellent cinematography and images, all of which are presented in a full screen aspect ratio. With stellar performances from actors including Ethan Hawke and Amanda Seyfried, this film manages to have a place in a constantly changing world that may not be around forever. Nominated for 3 Jackoff awards, THIS is “First Reformed.”

These next two categories involve something a film can’t live without. A screenplay. Having gone through years of movie-watching, the screenplay has always been one of the most crucial elements to whether or not a movie could succeed. A comedy can’t succeed without humorous lines. A horror flick can’t succeed without outrageous scares. An action film can’t succeed without thrilling sequences. The nominees represented in these two categories have brought visions from the pages to the screen. Here are the nominees for Best Adapted Screenplay!

  • A Star Is Born (Eric Roth, Bradley Cooper, and Will Fetters)
  • Avengers: Infinity War (Christopher Markus, Stephen McFeely)
  • BlacKkKlansman (Charlie Wachtel, David Rabinowitz, Kevin Willmot, Spike Lee)
  • First Man (Josh Singer)
  • Welcome to Marwen (Robert Zemeckis, Caroline Thompson)

And the Jackoff goes to…

Eric Roth, Bradley Cooper, and Will Fetters for “A Star Is Born!”

Yet another category that could have been won by almost any of its nominees. I will admit, when I did my review for “A Star Is Born,” one of my minor criticisms involves some of the song lyrics. The same can be said about Lady Gaga’s nose, which I was not able to buy. But let’s be real about the movie. It’s a damn good story. It’s a story about two singers who find each other, make each other’s careers better, never back down from each other, and find love. It’s basically a perfect analogy for what happens when you become super popular and end up becoming a product as opposed to someone who just wants to share their visions with the world. Also, I got to give kudos to Bradley Cooper because he’s more known for acting, which he does in this movie, but now I am curious to see more of his writing material in the near future. Congrats to the writers of “A Star Is Born!”

Moving right along and sticking with the screenplay motif, here are the nominees for Best Original Screenplay!

  • A Quiet Place (Bryan Woods, Scott Beck, and John Krasinski)
  • Eighth Grade (Bo Burnham)
  • First Reformed (Paul Schrader)
  • Roma (Alfonso Caurón)
  • Vice (Adam McKay)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

Thought I was done talking about Caurón? Think again. While all five screenplays were worthy of a nomination, while some made me laugh, while some got me intrigued, there is not one screenplay to display the intensity and shock that I’ve seen this year than what I’ve received with “Roma.” There’s a lot of lines that make you want to feel like a part of the family in the movie. Some lines make you feel like you are along for the ride in this slice of life. And then there’s other moments where I almost wanted to crawl into the fetal position. There are many elements that go into the screenplay of “Roma.” Insanity, unexpected moments, complexity of life, tearjerkers, humor, sensuality, and perhaps even moments that nearly qualify as ones that can fulfill thrills. Congratulations to “Roma!”

Our seventh Best Picture nominee is a film that may be, to me, under a lot of people’s radars. Or, maybe I’m just plain stupid, and this nomination is an unpopular opinion. Steve Carell has shown himself to be one of 2018’s hardest working and overall best performing actors. His performances in “Beautiful Boy” and “Vice” were great, but there is one other film he was heavily involved in aside from those two. With his unique performance and collaboration with critically acclaimed director Robert Zemeckis, Carell manages to tell the true story of a grown man who plays an expansive version of dollhouse, and is absolutely proud of it. Nominated for 3 Jackoffs, THIS is “Welcome to Marwen.”

The next set of nominees have demonstrated excellence in camerawork. From wides done brilliantly to mediums done well and close-ups done extreme, the five nominees have all put in a tremendous amount of effort into their craft. Similar to how a movie’s story cannot exist without a screenplay, a movie’s display of a story cannot exist without camerawork. Here’s to those who have taken their best shots. Here are the nominees for Best Cinematography!

  • Cold War (Lukasz Zal)
  • First Reformed (Alexander Dynan)
  • Hereditary (Pawel Pogorzelski)
  • Mission: Impossible: Fallout (Rob Hardy)
  • Roma (Alfonso Caurón)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

And Alfonso strikes once more! If you ask me, one talent I find amazing in films is when one can produce a very long shot. Granted, there are times in “Roma” where they make it look easy. In fact, if you want to see a film that makes it look hard, I recommend “Mission: Impossible: Fallout!” However, there are several sequences where the camera never cuts and it is really just a thing of beauty. Part of me even wonders how they came up with a good amount of the material presented in the film. Plus, the rehearsals must have been tedious, but worth it. This is especially considering the fact that the star actually had no prior acting experience up to this point. Well done, “Roma!” Congratulations!

While a film’s score may often be recognized as its signature music, it does not mean that it is the only kind of signature music. While a film’s score can develop a reputation for being catchy, iconic, or magnificently crafted, it is the original songs that will likely receive many downloads on iTunes. These five songs have been partially synonymous with their specific films this year. Here are the nominees for Best Original Song!

  • I’ll Never Love Again- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Shallow- Lady Gaga, Bradley Cooper (A Star Is Born)
  • Ashes- Celine Deon (Deadpool 2)
  • A Place Called Slaughter Race– Sarah Silverman, Gal Gadot (Ralph Breaks the Internet)
  • What’s Up Danger- Blackway & Black Caviar (Spider-Man: Into the Spider-Verse)

And the Jackoff goes to…

“Shallow” from “A Star Is Born!”

Did I mention in my review that I had lyric problems when it comes to the songs shown in “A Star Is Born?” Yes. However, this song was actually perfect. Not only was it a well crafted song, but the way it was executed during the movie was brilliant. You have a song written by the character of Ally, who has never performed live before. When she actually has the guts to perform live, the way Lady Gaga portrays her character is unbelievable when you remember that Lady Gaga herself has actually been singing for years. The song has perhaps been in association with this movie more than any other song, and honestly, I think it deserves to be that way. Congratulations to Bradley Cooper and Lady Gaga!

Our eighth Best Picture nominee is a film that either tells a true story that took place in outer space, or a faked attempt meant to fool TV viewers on a soundstage. This film is a look into the buildup, drama, and execution of one of the most ambitious scientific projects of the 1960s. Helmed by “Whiplash” and “La La Land” director, Damien Chazelle, one man and his crew prepare forever for a life-changing mission that takes them into the stars, and it is almost seemingly impossible that they’ll ever return home. It is a story of hope, aspiration, courage, and danger. Nominated for a shattering 10 Jackoff awards, THIS is “First Man.”

If you remember the bit I did earlier with the three movies where I slightly improve them, let me remind you, that was just the beginning. Because I really only improved one minor portion of the film. However, there is one film where I decided to improve a good chunk of it. If you have ever seen the movie “Ready Player One,” it is seemingly regarded as one of the nerdiest movies of 2018. Tons of Easter eggs, references, and inclusions of various IPs are seen throughout. Honestly, despite being one of my favorite movies of 2018, part of me is willing to argue that it’s not nerdy enough. Some of you might be thinking, “Hey, Jackass! Are you out of your mind?” No. Because I just made it nerdier! Ladies and gentlemen, I give you… “Ready Player One: NERDVANA EDITION!” Take a look!

CLICK HERE TO VIEW READY PLAYER ONE: NERDVANA EDITION!

Going back to the nominees, we have got some heavy hitters remaining, it is only a matter of time until Best Picture, but let’s just build up to it. Starting with Best Director. The director of the film is the one responsible for overseeing the key components of production. It is the director’s duty to guide, aid, and encourage people to complete a project. These five nominees have all created cinematic achievements that are likely to stand the test of time. Here are the nominees for Best Director!

  • John Krasinski (A Quiet Place)
  • Damien Chazelle (First Man)
  • Ari Aster (Hereditary)
  • Alfonso Caurón (Roma)
  • Adam McKay (Vice)

And the Jackoff goes to…

Alfonso Caurón for “Roma!”

Unreal! This is the FOURTH win during the same ceremony by Alfonso Caurón! Can you guys tell this is a passion project? “Roma” was one of the final movies I saw before I announced my nominations, and I knew before going in that some considered it to be a wonderful piece of art. Those people who have made those claims are absolutely right! Not only is this one of the most moving, emotional movies of 2018, it is also one of the most well put together movies of 2018! Again, with the efforts of Caurón in multiple positions, this movie just shows a little passion goes a long way. When I saw “Gravity” a few years ago, also directed by Alfonso Caurón, I was wowed. When I saw “Roma,” I wondered how Caruón still had a hint of sanity left in him. Congratulations, once again, to Alfonso Caurón!

Our ninth Best Picture nominee is a film that is filled to the brim with truth. It’s a film that shows how truly awful middle school can be. It’s a film that shows how truly stressful making friends can be. It’s a film that shows how truly confusing talking to your first crush can be. With the breakout performance given by the young Elsie Fisher, not to mention the brilliant screenplay and direction delivered by Bo Burnham, the two crew members and many more reveal the horrors of being a teenage girl in the 2010s. It also successfully showcases the pressure and stress of being a small YouTuber, who may be delivering positive content meant to please everyone, but doesn’t get enough attention in return. Nominated for 3 Jackoff awards, THIS is “Eighth Grade.”

Let’s move onto the final acting categories!

Each and every day on set, it is an actor’s job to obey the director, follow the script, and break a leg. From playing pretend as a kid to being a part of a production crew, acting is a universal pasttime. For actresses in 2018, some highlights include a singer who won’t sing her own songs, a teenager trapped in a world of social media and pleas for popularitya queen who requires assistance maintaining the thronea mother who must deal with the worst events of her family’s lives, and a housemaid who may be an employee, but also a welcome member to an alternate family. Here are the nominees for Best Actress!

  • Lady Gaga (A Star Is Born)
  • Elsie Fisher (Eighth Grade)
  • Olivia Colman (The Favourite)
  • Toni Collette (Hereditary)
  • Yalitza Aparicio (Roma)

And the Jackoff goes to…

Toni Collette in “Hereditary!”

“Hereditary” is a movie that is mainly solid due to its execution of technical genius. The opening shot is a thing of beauty. However, with technical stuff aside, Toni Collette doesn’t fail to impress in the realm of acting. In “Hereditary,” Collette plays a mother to a couple of kids. This is not to say her life as a mother is normal, which could be explained, but that would involve spoiling the movie. There are several scenes where I still recall Collette’s excellence as a performer since my first viewing of “Hereditary” in July. One example is during a scene where she, along with her husband and son, are sitting together at the dinner table. Such a scene can remind you of how to talk to your mother, not to mention how awkward family dinners truly can be. In fact, I have the scene down below! Here’s a glance at Toni Collette in “Hereditary!”

And now… after watching that clip, you have been hypnotized to NEVER sit at a table full of food with your family ever again.

Sticking with acting, it would be impossible to forget 5 more nominees who have dedicated their voice, physicality, and time into their respective roles. For actors in 2018, some highlights include a music star who finds lovea talented showman and vocalist who has inspired millionsa cop who tracked down white supremacistsa priest who is concerned for future generations of the Earth, and an artist who developed his own village of dolls. Here are the nominees for Best Actor!

  • Bradley Cooper (A Star Is Born)
  • John David Washington (BlackKkKlansman)
  • Rami Malek (Bohemian Rhapsody)
  • Ethan Hawke (First Reformed)
  • Steve Carell (Welcome to Marwen)

And the Jackoff goes to…

Rami Malek in “Bohemian Rhapsody!”

Well well well, well well. Yet another tough category! All of these actors are deserving of their nomination and have all killed it in their respective roles, but at the end of the day, I have to pick one. The reason why I chose Rami Malek is because he took someone who I have known about, I even did a project heavily involving him in sixth grade, and the actor transformed himself into this other person with excellence. “Bohemian Rhapsody” may not have made me look at all of its characters as much as Mercury, although that may just be a personal issue more than anything else, but I have to give it respect because it turned Malek into Mercury in the blink of an eye. Another thing I must point out, that might be significantly underrated is Malek’s ability to recreate Mercury’s movements. There is a comparison video online that can show the difference between Mercury and Malek during the Live Aid concert. Rami Malek, well done! Here is a clip of Rami Malek in “Bohemian Rhapsody!”

Our tenth and final Best Picture nominee is a film about what it means to be a hero. Well, guess what? It is what everybody asked for. ANOTHER “Spider-Man” movie! But this time, it’s animated. In a year of great superhero movies, this is one of the definite highlights. As one of the few movies this year featuring “Spider-Man” or characters related to his franchise, this film not only shows that Spider-Man is a role model type of hero that can truly take names, but that there is more than one “Spider-Man” out there. As the film debut of the Miles Morales “Spider-Man,” I personally almost couldn’t be giddier about how this film turned out. It has a unique animation style resembling a comic book, whacky action scenes, and fast-paced writing with smart humor that is delivered with excellence. Nominated for 3 Jackoffs, THIS is “Spider-Man: Into the Spider-Verse.”

All that remains for movie award giving tonight is Best Picture, however, we are not there just yet. First things first, I am handing out the second Lifetime Achievement Award of the ceremony.

The Jackoff Posthumous Lifetime Achievement Award is appropriately, being given towards the ceremony’s conclusion. While this year’s recipient is no longer with us, their legacy shall live on. The winner of the award is a man who has dedicated his life to inspiring millions, and unleashing his own imagination to share with the world. While he may not primarily be known for film, his inspiration over the years has translated into the art form, including a modern trend of comic book-based films, an innovative and successful cinematic universe, and a plethora of memorable cameos. Some of his notable movie lines include “I think I know that guy,” “I thought he’d be taller,” and “Oh man, I am so fired.” This winner is known for creating many of the characters that readers, TV and movie watchers, gamers, and nerd culture junkies have followed as time has passed. From Spider-Man to Iron Man. From The Incredible Hulk to the Fantastic Four. From Captain America to Captain Marvel. From Black Panther to Black Widow. All of these characters have established a legacy under one similar brand name, much like the creator himself. To this day, all of these characters have a place in popular culture, and are constantly changing the game in various art forms. It is my honor to declare the first winner of the Jackoff Posthumous Lifetime Achievement Award, is Stan Lee.

If Stan Lee were here today, he probably wouldn’t give two craps about this award unless I did a video of him doing a walk-on cameo. However, Stan Lee has proven to the world that he has had a magnificent life to share with mankind. Lee has given a tremendous gift to millions, so why not have someone hand a gift to him? Congratulations to Stan Lee, and should there be a second Jackoff Awards next year, this award will be named after him!

And finally, the moment you have probably all skipped to by endlessly scrolling down, Best Picture. These ten movies have all made an impact on me personally this year, however, it is not my decision to declare one of these films the best of the best under this current scenario. The reality is, all of these films are great, but to determine which film is the best, I left it up to the people to decide, and you guys decided! These are YOUR votes, not mine! According to the results, the poll for Best Picture has received 17 responses, and luckily, there is a true winner without any sort of tie. These ten movies were created for audiences everywhere to think, be entertained, enjoy themselves, and escape from reality. Through the hard work and ideas of crews of all sorts, it is hard to imagine another ten movies worthy of replacing this lineup. Here are the nominees for Best Picture!

  • Avengers: Infinity War (Kevin Feige)
  • Eighth Grade (Scott Rudin, Eli Bush, Lila Yacoub, Christopher Storer)
  • First Man (Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle)
  • First Reformed (Jack Binder, Greg Clark, Victoria Hill, Gary Hamilton, Deepak Sikka, Christine Vachon, David Hinojosa, Frank Murray)
  • Mission: Impossible: Fallout (J.J. Abrams, Tom Cruise, Christopher McQuarrie, Jake Myers)
  • Ready Player One (Steven Spielberg, Donald De Line, Dan Farah, Kristie Macosko Krieger)
  • Roma (Alfonso Caurón, Gabriela Rodriguez, Nicolas Celis)
  • Spider-Man: Into the Spider-Verse (Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, Christina Steinberg)
  • Welcome to Marwen (Jack Rapke, Steve Starkey, Robert Zemeckis)
  • Won’t You Be My Neighbor? (Morgan Neville, Caryn Capotosto, Nicholas Ma)

And the Jackoff goes to…

“Avengers: Infinity War!”

“Avengers: Infinity War” has gathered its first and sole win of the ceremony. The movie was also nominated for three other Jackoffs including Best Sound Editing, Best Visual Effects, and Best Adapted Screenplay.

It just goes to show, when you give an audience the power to choose a movie to win Best Picture, chances are they’re going to snap their fingers and dust the other films away. This is a film that has been in development for a long, but effectively put together time. It takes the iterations of characters people have followed for a decade and puts them all in a love letter to blockbusters and comic book films. The screenplay is one of the most unique ever written for a comic book film, to the point where people in my life were shocked and dismayed by it, but based on their final verdicts of the film, they felt such feelings were delivered in a positive way. My review for the film was also unique, because I had to hide SO MANY THINGS from the eyes of the public because the reality is that “Avengers: Infinity War” has details that are meant to be witnessed for the sake of shock or surprise. Even now, almost a full year after the release of “Avengers: Infinity War,” there is a chance that someone would want to end my life, or at least threaten to do so over the Internet depending on what I say about “Avengers: Infinity War.” I personally to this day, find the film to be a game-changer. Sure, it is the nineteenth installment of a comic book-based movie series that has been going on for years, but that is part of the point. There are many movies out there that can succeed for being an original hit. There are many movies that can have stellar technical aspects or acting. However, how often can you say that we have a cinematic universe which has been built for ten years, with about twenty films, with the nineteenth being an ambitious culmination that made billions of dollars, became the highest grossing comic book film ever, and somehow manages to be a new favorite film for many people? Should Marvel Studios continue their efforts, is it possible that their cinematic universe could become more important than the “Star Wars” franchise? And if it is, that is certainly saying a lot. Congratulations to Kevin Feige and everybody else who worked on “Avengers: Infinity War!” You have won Best Picture!

Thanks for reading whatever this is! If you made it to the end of the post, I congratulate you for doing so. Well done. If you felt bored the entire time, I will remind you, there are worse things out there: jury duty, root canals, losing all your gambling money! This is the most experimental post I have ever done, I would appreciate any and all feedback if you feel it is necessary. If I listen to said feedback is currently a mystery, but I’ll certainly at least keep it in mind. I personally enjoyed doing this, despite how much time it actually took to complete the damn thing, but I found myself having a ball nonetheless. Will I do another one of these in the future? It MIGHT depend on the response, but I already have ideas for what I am going to do should I do a second year. Thanks to everyone for reading this! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, do you agree with my picks for the Jackoff Awards? What would you change, if anything? Let me know down below! Scene Before is your click to the flicks!

What the Heck is Up With Justice League (2017)? *PART 2*

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Hey everyone, Jack Drees here! Last November, I asked a question to the world. What the heck is up with “Justice League?” I made a post with that title where I talk about various incidents that have been going on involving the crew of the then upcoming “Justice League” movie. To view this post, click the link below!

WHAT THE HECK IS UP WITH JUSTICE LEAGUE (2017)?: https://scenebefore.wordpress.com/2017/11/09/what-the-heck-is-up-with-justice-league-2017/

Although before we go any further with our current post I just want to get something out. Why are you here today on the Internet? I figured it was because you wanted to waste some time and avoid cleaning your room. Come on now! Your mother’s about to walk in and she’s gonna freak out! Well, allow me to once again introduce, Genevieve and Paul. Check out some earlier posts for less recent introductions. They are on the Internet for multiple reasons, but one of them is to tell the story leading up to their conception. The explanation of the conception journey is gone over in a little thing I like to call “What The IVF?.”

“WTIVF?” is a new series on YouTube where Genevieve and Paul go through the struggle of having a kid. The struggle being, well, making a kid. Each episode features a new adventure between the two where they encounter unfortunate realities in sex, testing, math, examinations, costs, and needle injections that end up hurting harder than a simple step on a LEGO brick! The video you see up above is the third episode in the series. The past two have been sexy, but now things are getting awkward! Paul is on a mission for science, but he has no idea what he’s in for! If you enjoy this video, be sure to like it, share it, subscribe to the “WTIVF?” channel, hit the notification bell, leave a comment, all that jazz! I’ll post links down below to their social media profiles including their YouTube, so check em out and tell them that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

Judging by the title of this post, you might be thinking, “What crazy hijinks is being cooked up this time?” Well, I can tell you. This post may be asking what the heck is up with “Justice League,” but it is also going to be asking what the heck is up with the Detective Comics Extended Universe? As you may know, “Justice League” is the fifth movie in the DCEU. It takes all your favorite DC superheroes and places em all together in one movie. Together, they join forces and try to take down the evil Steppenwolf. I reviewed “Justice League” almost a week after it came out and if some of you read it, some of you may call that the real part 2 to this series, but that’s not the main focus of the post. My very own thoughts were more important. Whatever the heck is going on does get a load of attention, but my main intention was to review the movie. Here however, we need to about the utter s*it that’s being happening lately.

As mentioned in my review, “Justice League” made a combined domestic and international total of $278.8 million on its opening weekend. While that is certainly a lot of money for a film in general, it’s kind of underwhelming if your film is called “Justice League.” This whole topic gets crazier when you realize that “Thor: Ragnarok,” which was out two weeks prior to “Justice League,” made so much more on its opening weekend worldwide (approx. $427 million). “Thor: Ragnarok” is an action-comedy that has less superheroes and less money put into it. Having seen both movies, I will even say that PERSONALLY, “Justice League” is the better movie. And I might be a bit generous when I say that because I now own the 4K and I rewatched it. Some of the effects look like they were from a college student’s film. I had believe it or not, a better time watching “Justice League” than I did watching “Thor: Ragnarok,” but it doesn’t mean I can’t point out its flaws.

I will also have you know that I paid more money to see “Justice League” in the theater than I did when I went to see “Thor: Ragnarok,” and I brought more people with me to see it. I went with a companion to see “Thor: Ragnarok” on opening weekend, and they ended up going another time in the future with their family. I didn’t, but adding that in, I guess some logical sense can be made behind “Thor: Ragnarok’s” overall total. Not to mention, they didn’t go see “Justice League.” Although I will say that I went with one more person to see “Justice League” than I did for “Thor: Ragnarok” and to my knowledge, neither of them have seen “Thor: Ragnarok.”

With that being said, that basically covers the extremely early events of “Justice League” and “Thor: Ragnarok,” and now, both theatrical runs have lead up to this point. I now have a 4K Ultra HD Best Buy exclusive steelbook for “Justice League” and I don’t have one copy of “Thor: Ragnarok.” One week after the “Justice League” movie came out on 4K and other home video formats such as Blu-ray and DVD, I found out some news that Marvel may be popping drinks over, and news that’s leaving DC rolling their eyes. “Thor: Ragnarok” made a total of $853,968,214 right now. “Justice League” just finished its theatrical run, and its total came out to $657,924,295. Keep in mind, that recently mentioned number, is objectively, a lot of money. Although judging the two movies and what they contain, the idea of a “Justice League” movie making as much as money as it did against a punier movie such as “Thor: Ragnarok” is what’s called a surprise and a f*cking half!

My personal opinion on both films aside, “Justice League,” according to many people, was not as good as it could, would, and should have been. When you take the movie and put it in that sort of viewpoint, it can be said that “Justice League’s” total against “Thor: Ragnarok” is valid, but part of me wonders what this means overall for the DCEU. Let’s take a look at the worldwide totals for every movie, including “Justice League,” released in the DCEU thus far.

MAN OF STEEL: $668,045,518
BATMAN V. SUPERMAN: DAWN OF JUSTICE: $873,634,919
SUICIDE SQUAD: $746,846,894
WONDER WOMAN: $821,847,012
JUSTICE LEAGUE: $657,924,295

This does beg a question, where does the DCEU go from here?

The DCEU is obviously going to have to make some choices from here on out. After all, with all the popularity Marvel is getting at this point, it’s getting harder and harder each and every day to compete with them.

One thing I’ve heard as a suggestion is the possibility to reboot. I do think this is a good idea, but also a bad one. Let’s start with the positives.

If you reboot, you have an opportunity to reorganize and readjust your vision to only make POSITIVE products. Let’s face it, there are numerous souls who weren’t satisfied with various DC films. The lack of satisfaction towards those films could have lead to the downfall of “Justice League.” Also, I usually try to promote movies and support them for being different, but one thing that’s an odd choice for DC, is that barely any of the heroes who happen to be in the Justice League thus far, had their own movie released prior to “Justice League.” Superman had one, Batman had one, Wonder Woman also had one, but not The Flash, Aquaman, or Cyborg. Sure, you can also make the point that not every Marvel superhero in the Marvel Cinematic Universe had their own film released before “The Avengers.” Although judging by the time, did you really think putting out a Hawkeye film before “The Avengers” would have gotten everyone flocking to the theater? Everyone would probably go see it now, including me even though I think Hawkeye’s as useless as a rock paper scissors match to determine what time it is. I will say however in DC’s defense when it comes to making money, forming the Justice League and actually putting out that movie prior to releasing standalone films might be an interesting strategy to get people who liked seeing certain heroes in “Justice League” in their own films. That way, instead of going to see “Justice League” only once after maybe ignoring some prior installments, they have some awareness of a character existing in the universe and their existence intrigues them enough to go see their standalone film. Maybe, just maybe, to fully determine the idea of this reboot thingy, we should wait and see what “Aquaman” makes at the box office. Besides, it’s not like Marvel didn’t do something like this before. They briefly introduced Black Panther and Spider-Man in “Captain America: Civil War” and the two went onto getting successful standalone movies down the road. Plus, another thing that keeps coming to my attention is that DC is constantly announcing project after project, but these projects never seem to go anywhere. Marvel seems to maintain a steady pace and seems to focus on the present. They sprinkle in some ideas about what can be done in the future, but they don’t seem to have the clutter that DC has. This is the great thing about Marvel president Kevin Feige. The DCEU always seems to be scrambling and doesn’t really know where to go next, but Marvel always has a path. Now let’s talk about something I usually consider a positive, but point out its flaws.

My usual philosophy when it comes to movie-making is that someone’s vision should be fulfilled, and when it comes to that, I’m mainly talking about the vision of the director. When it comes to Marvel, you can see that the directors of those films unleash what they view as figments of their own imagination, and they ultimately have a vision of where their movie should start and where their movie should finish. But the thing about the Marvel Cinematic Universe is that the visions of the director, doesn’t play as big of a part in the series as much as producer Kevin Feige’s. If you look at all the Marvel movies, they all don’t feel like they’re in their own little area. While they technically are, they all have a tone, story, and feel that reminds you they’re in the Marvel Cinematic Universe. DC’s movies, when it comes to directing, come off as a bunch of people who try to make their own food, they bring it to a big banquet and see who takes it or considers it the best food of all. If you compare the styles of Zack Snyder and Patty Jenkins, you might notice that their movies are written a bit differently, tonally speaking they’re not exactly similar, and they seem like a movie only they or a few other people would make for themselves. I’m not against them having their own thing for now, but if this universe gets to a point where a major storyline plays in future films, it’s gonna have to get more collaborative.

Now let’s talk about one big con when it comes to rebooting. Who are gonna play the roles of the heroes? Well, if they’re gonna do an all new universe with the same exact heroes that have been introduced thus far, I do think they should recast Christian Bale as Batman, but separate it from the “Dark Knight” trilogy universe. Although since that’s probably unlikely to happen, I’ll be a bit more realistic.

BATMAN: Jake Gyllenhaal (Nightcrawler, Stronger)
SUPERMAN: Wes Bentley (Interstellar, The Hunger Games)
WONDER WOMAN: Deepika Padukone (xXx: Return of Xander Cage, Chennai Express)
THE FLASH: Timothée Chalamet (Interstellar, Call Me by Your Name)
AQUAMAN: Whatever bloody person has long blonde hair or can put on a blonde wig, this one’s really freakin’ hard. Or if someone can find Patrick Swayze’s ghost that would work too.
CYBORG: Dexter Darden (The Maze Runner, Joyful Noise)

While you can reboot, recast, and therefore start something new and fresh, it’s going to affect the current universe’s positives. Not only do we have a surprisingly great Batman (Ben Affleck), one that’s actually beloved by moviegoers and comic book fans, but we also have a fantastic Wonder Woman. Some people may beg to differ, but I personally thought Gal Gadot as Wonder Woman is what made “Batman v. Superman: Dawn of Justice” worth watching. Not Batman, not Superman, but once I walked out of the theater, I thought Wonder Woman was the s*it. And no, not because she was sexy. Although that’s bonus points. To prove to you how much I truly loved Wonder Woman in that movie, I went to Rhode Island Comic Con in 2016 and she was there. I stood in a line for five hours JUST to meet her and get an autograph. It was a fast paced line, but I did get to talk to her. She was pregnant at the time so I took a moment to congratulate her, and she thanked me. Not only did I love Wonder Woman as a character in this universe, but people, mainly girls, were hyping up the standalone “Wonder Woman” film like crazy. I was too, many people were skeptical of how it would turn out, but I knew this was going to be something special just based on how the character was portrayed in “Batman v. Superman.” And judging by many people’s opinions, it was. I might even think that the standalone “Wonder Woman” film, might even be better to me on a personal level than a gigantic number of the MCU films. If you reboot, you’ll lose a short-lived legacy of Gal Gadot inspiring girls all over and if the Wonder Woman who replaces Gadot doesn’t live up to her, some folks are going to be disappointed. It’s not to say that rebooting can’t work. Batman’s been rebooted multiple times and people had not much of a problem behind it for the most part and Spider-Man’s recently been rebooted for the MCU and people seem to like that. Although if this reboots, it needs to follow a collaborative path or something. Don’t copy Marvel beat for beat, otherwise you’re just an imitator. Develop your own path, and have people follow it. Hire qualified directors and writers, perhaps ones with lots of experience, and despite having a path to follow, allow directors and writers to add their own flare to the table. Have a collaborative effort while still promoting imagination.

I honestly don’t want the DCEU to end and reboot. But based on all the announcements that’s been going on lately and the total confusion-fest that some call news, it looks like it’s either heading that way, there’s gonna be another DC movie universe going on at the same time, or something else that I don’t even know at this point due to an increasing headache I’m getting from looking at all of this! At this point! I should change the name of this post to “WHAT THE FLYING F*CK IS UP WITH JUSTICE LEAGUE (2017)?!” When it comes to news, this is the Trump administration of movie news. A lot comes out and it’s sometimes just bonkers. I’m a DCEU defender, I know it’s not been great thus far, but I do see potential if the right people are hired to do each job, a more collaborative effort is put into each product, and while I don’t want each movie to be the same, I want the movies to feel like they know they’re in the proper series. I don’t want a reboot, some others seem to feel the opposite way of me, but this is where I stand. Although before we put this post to rest, I’ll say something that can get some people talking. “Black Panther” has been out for weeks now, but I’ll say, the movie’s been out for a month, and it already passed above the $1 billion mark. Its current worldwide total is at $1,211,644,236. Years ago, if some Gandalf-like wizard came out of a portal and told you that “Black Panther” will be out for a matter of days, and it will make more money than a very recent “Justice League” movie, you’d laugh your ass off. Am I right?!

So I want to know, why do you think “Justice League” made as much money as it did? What do you think the future for the DCEU will be? There are future movies coming out such as “Aquaman,” “Shazam,” “Flashpoint,” and “Wonder Woman 2.” The fate of these films may be uncertain and the fate of the DCEU may depend on the reception and box office returns of these installments, so let’s hope the results are positive! Thanks for reading this post! Pretty soon I’ll have my review of “Tomb Raider” starring Alicia Vikander. I went to see the movie hours ago, and I have quite a bit of things to say about it. Also, I can assure that by the end of the month I will have my review up for “Mission: Impossible” starring Tom Cruise to kick off my “Mission: Impossible” review series. Stay tuned for more great content! Scene Before is your click to the flicks!

Justice League (2017): What Does This Mean for the DCEU? (PLUS TALK ABOUT THE MOVIE’S BOX OFFICE RETURN)

Before we get into my review for “Justice League,” let me remind you that the buildup for this movie has been objectively crazy. Regardless of whether you’re a fan of DC, you’re anti-DC, you’re a fan of Marvel, or you just aren’t into movies based on comic books, you might as well agree with me on how bonkers this movie’s buildup truly is. I cover all of that including the director change, the sexually suggestive events, the date of the review embargo lift, all in another post I’ve done titled “What the Heck is Up with Justice League (2017)?” If you want to check that out, click the link down below and that’ll take you to that post and you can discover the complete insanity of “Justice League’s” buildup.

WHAT THE HECK IS UP WITH JUSTICE LEAGUE (2017)?: https://scenebefore.wordpress.com/2017/11/09/what-the-heck-is-up-with-justice-league-2017/

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“Justice League” is directed Zack Snyder (300, Watchman) and stars Ben Affleck (The Town, Argo), Gal Gadot (Fast Five, Criminal), Jason Momoa (Game of Thrones, Conan the Barbarian), Ezra Miller (Fantastic Beasts and Where to Find Them, The Perks of Being a Wallflower), and Ray Fisher as the members of the league established in the title. Batman and Wonder Woman try to unite a bunch of beings with superpowers in order to defeat the evil Steppenwolf.

*MAJOR BOX OFFICE RANT AHEAD, IF UNINTERESTED, GO TO NEXT PARAGRAPH*

Before we actually go any further, part of me is glad that I’m not seeing this film on opening weekend. This is because I can now make a portion of this post dedicated to how nobody went to see this on opening weekend. If I were to see this on opening weekend, I would have. However it didn’t fit into the schedule of those who I was going to see this with. I will say this, if you have read the post I recently mentioned, you may recall I said essentially Marvel does better at the box office compared to DC, and to show that, I went through the results of 2016 comparing DC’s “Batman v. Superman: Dawn of Justice” with Marvel’s “Captain America: Civil War.” To be fair, those movies had somewhat similar concepts, although “Batman v. Superman” is something that comic book junkies have been waiting to see on the big screen for years. Not to mention, “Batman v. Superman” released first. The thing I said must have brought more people into the theater has to have been the difference in tone and the reviews regarding the movie. Just look at Rotten Tomatoes! The box office results for both movies ended up being pretty high. I wouldn’t say they’re close, but it doesn’t mean they’re not high. Although I will say “Batman v. Superman” failed to make over $1 billion overall unlike “Captain America: Civil War.” Now fast forward to November 2017. This month, two big superhero movies come out. “Thor: Ragnarok” is scheduled to come out November 3rd, two weeks prior to “Justice League,” which comes out November 17th. So “Thor: Ragnarok” releases, and as expected, it won the box office on its opening weekend. The total “Thor: Ragnarok” earned on said weekend is around $427 million. In just a week, the movie has flown past $500 million. This is over $50 million greater than the combined total the original “Thor” made DURING ITS ENTIRE RUN! Also, just recently, specifically November 19th, reports came in that “Thor: Ragnarok” has now reached $739.2 million at the box office! This report suggests that “Thor: Ragnarok” has also made more money than “Thor: The Dark World” in just a couple of weeks! Also a little thing to keep in mind, the budget for “Thor: Ragnarok” was estimated to be $180 million. Suggesting that “Thor: Ragnarok” made its budget back on opening weekend. As for “Justice League,” that movie had an estimated budget of $300 million. Unfortunately, they couldn’t make it back. Some of you might be thinking, did they at least make as much as “Thor: Ragnarok?” Hate to point this out to you, but if you’ve been reading this whole paragraph, that’s a stupid question, because I said “I can now make a portion of this post dedicated to how nobody went to see this on opening weekend,” so if that doesn’t give you any hints I don’t know what will. Overall, the box office total is considerably high, but comparing it to a film like “The Avengers” would be like comparing the heights of the Statue of Liberty and the Empire State Building. Both are high when you look at them, but compared to the Statue of Liberty, the Empire State is a whole new level of high. The specific worldwide total for “The Avengers” turned out to be $392.5 million dollars on the first weekend whereas this year’s “Justice League” came out to $278.8 million. “The Avengers,” a movie whose budget is estimated to have been $220 million, made its budget back on its opening weekend. Yes, that’s a shorter total, but I’m leaving that in. Interestingly, “Justice League” happened to make more overseas than “The Avengers” ($185.5 million vs. $185.1 million). Going off of “The Avengers,” just think about this. A technical action-comedy starring Chris Hemsworth as a short haired Thor, made more on opening weekend than “Justice League,” which has Batman, Wonder Woman, Cyborg, Aquaman, and The Flash. Strange, isn’t it? When it comes to international openings, this takes the #20 spot for the top openings in that category and when it comes to the worldwide rankings, this happens to be in the top 25 worldwide openings of all time. In reality, $278.8 million is a lot of money for a movie to make over a single weekend, although with a movie like this, it’s a tad odd that it wouldn’t end up making more.

Can somebody drop a coconut on my head? I think I’m going f*cking insane!

So, where was I? Oh yeah right, I have a whole review to do! This just goes to show you the absolute s*itshow this movie is regardless of my personal thoughts. Going into this film, I had similar feelings as I did with “Thor: Ragnarok.” Although with this particular movie there happened to be some differences. Like “Thor: Ragnarok,” “Justice League” had me going in with mixed thoughts. I honestly thought the trailers for this movie were better, although the TV spot marketing, at least from my memory, was barely noticeable. Visually, I thought this movie was somewhat superior, even though “Thor: Ragnarok” happened to be vivider. Based on this year’s movies released thus far from both DC and Marvel, you might as well say DC is kicking Marvel in the ass. “Wonder Woman” is currently at a spot somewhere as one of my top movies of the year. The other movies released in the MCU thus far, “Guardians of the Galaxy Vol. 2” and “Spider-Man: Homecoming,” underwhelmed me. OK, maybe “Spider-Man: Homecoming” didn’t underwhelm, after seeing the trailers, especially the one that revealed way too much about the movie, the hype I had for the movie was not as high as I hoped it would be. Nevertheless, that movie could have been better. Although despite “Wonder Woman” being one of my favorite DC films ever made, the reception for that movie regarding the DCEU, or the Detective Comics Extended Universe, is pretty much a fluke. “Man of Steel,” while not liked by everyone, did get a number of positive reviews from critics and audiences. “Batman v. Superman: Dawn of Justice,” in terms of reception, was one of the most controversial movies of 2016. In fact, “Suicide Squad,” also released in 2016, happened to be met with the same results. I had at least one thing that I enjoyed about every DCEU movie thus far. As of now I think “Suicide Squad” sucks, but at least some of the action was cool, the visuals were stunning, and the casting for Harley Quinn (Margot Robbie) was stellar!

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Now we’re here, “Justice League” is out. While it currently has better results, at least according to Rotten Tomatoes, than “Batman v. Superman: Dawn of Justice” and “Suicide Squad,” it’s not getting exactly what one would call positive reception. The big question is, does “Justice League” qualify as a film or not? I’d say it does. It’s got problems, but I’d say there’s still hope for the DCEU. It’s by no means as good as “Wonder Woman,” but I’d say it’s worth your money.

As mentioned, this movie has problems. So let’s begin our Negative Nancy segment of the post. This movie is an hour and fifty-nine minutes long. In all honesty, it could have been longer. I do believe this movie is going to get an extended cut for the home video release so my issue may be resolved there depending on what happens. The main reason why I wanted this to be longer is for characterization purposes. Let’s look at Cyborg in this movie.

Cyborg is played by Ray Fisher, who I imagine is a lovely guy. After all, while I never technically met him and shook his hand, I saw him at Comic Con as I was waiting in line for the person next to him. By the way, I’m referring to Gal Gadot, who’s also in this movie, and I’ll get to her later. While I did get some of his backstory, and I also happened to be introduced to a parent of his, I don’t really feel like I got to know Cyborg in full detail. If the movie was a bit longer much like some of the other installments in the DCEU then maybe we would have gotten a closer look at Cyborg. Also, this does bring one question to my mind. How long was this intended to be?

This film was directed by Zack Snyder, a man who had prior experience when it comes to films based on comic books or graphic novels. These films include “300,” “Watchman,” along with two movies in this film’s universe, “Man of Steel” and “Batman v. Superman: Dawn of Justice.” However, he didn’t have complete control. For the record, that was his decision. An unexpected tragedy hit the Snyder family earlier this year when Zack’s daughter, Autumn, committed suicide. This caused Joss Whedon to take over.

Joss Whedon was added on in order to finish the movie and shoot some extra scenes. The movie also went through reshoots, which isn’t new for this universe considering “Suicide Squad” also went through reshoots which happened to be met with mixed opinions. Joss Whedon, much like Snyder, isn’t a stranger to comic book films. Whedon directed both “Avengers” 1 & 2 so as far as concept goes, this is almost like a trip down memory lane. I like Joss Whedon, but he almost might be a problem here. When it comes to directing, it might involve one person with a certain vision for their movie. It almost felt like Joss Whedon came in with a different vision and it kind of affected this particular movie. Part of that vision, from what I can tell, possibly came from a musical perspective. Snyder initially hired Junkie XL to do the movie’s music, but it turns out that he was eventually fired and replaced by Danny Elfman. After hearing Elfman’s score in this film, I wasn’t exactly impressed. Not only is it somewhat ordinary, but even borrowing themes from other superhero films with characters didn’t work out. I liked what he did with Wonder Woman’s theme, but that’s about it. This is rather unfortunate because I love Danny Elfman. Admittedly, I don’t think he’s the right guy for this project. Junkie XL was probably the better choice. I even saw a video on YouTube that showed Junkie XL’s real theme for this film, which was scrapped due to Elfman replacing him. After hearing that, I knew for sure Junkie XL was right for this. It’s not surprising Danny Elfman did the music if you think about it, because he worked with Joss Whedon in the past on “Avengers: Age of Ultron.” I didn’t even like the score for that film, maybe superhero crossover films aren’t for him. He did well on standalone superhero films though such as the “Spider-Man” trilogy, so if he were doing superhero films, that’s what he should be hired for. Who knows? It might not even be Whedon’s fault, because this movie, from a perspective regarding itself from a point of view that I imagine must be Zack Snyder’s, could have affected it as well.

I’ve seen news and trailers regarding this movie leading up to it. At times I heard this movie was going to have more humor than say, “Batman v. Superman.” Tell me guys, doesn’t that sound like Marvel to you? Maybe Zack Snyder thought if the movie was more like a Marvel movie, and by that I mean generally more comedic and happy go lucky, he’d receive more positive criticism. Granted, the movie was funny, and there were moments where the comedy happened to work. Although in general, let’s just say this. If a movie sets up a tone, it’s best that they stick with it. This movie starts out rather dark, in fact part of it has to do with the death of a major character in the DCEU. There’s still comedy throughout and it works. Some of the comedy, maybe not as much because I’ve seen it in the trailer, but overall it works. Then we progress throughout the movie, while some of the original vibe is still there, it’s starting to diminish. The movie’s getting tads lighter as we go. This may be due to the writing, the reshoots, anything. In fact, it could be Joss Whedon’s fault after all! He was credited for his work on the screenplay. Also when it comes to the screenplay, Whedon technically had possibly more credit than Snyder because while Snyder had a focus on the movie’s story, Whedon was given credit on the screenplay itself.

Some people might not notice this, but Whedon also likely decided on changing the climax of the movie. The idea is pretty much the same, there are scenes from multiple trailers (both before and after Snyder’s departure) that made it into the final cut, but you might notice the sky is red. I mentioned this in my “What the Heck is Up with Justice League (2017)” post comparing this result with one of the earlier trailers where we see identical moments with a dark blue sky. I thought the blue sky worked, the red was a little too much. I will give some credit because the sky wasn’t, say, pink, but I thought the dark blue was more fitting for the movie overall.

As far as the action goes in this movie, I’d say for the most part, it’s awesome. Zack Snyder has proven that he can direct great action scenes in previous movies and he just shows he’s not messing around in this one. There was one scene that for the most part, was great, but there was a time where I almost couldn’t tell what was happening. Just for the record, it wasn’t as bad as “Transformers 5.”

Another complaint I’ll give here is that Steppenwolf wasn’t exactly the strongest villain I’ve ever seen. Comic book movies in general, mainly the ones that have come out this decade, lack memorable villains. There are exceptions like “Captain America: The Winter Soldier” and “Spider-Man: Homecoming” but for the most part, they don’t exactly resemble greatness when it comes to antagonists. Steppenwolf was a serviceable villain with a somewhat clear motivation, however at the same time, he was rather cliche.

Now that that’s over, let’s move onto some positives. The cinematography in this movie is very solid for a comic book film. There are a number of scenes where it’s rather conventional, but at times, the camera is moving like crazy which goes along perfectly with the fast paced action. If you ask me, the DCEU’s best cinematography however comes from “Man of Steel.” Although that’s kind of a compliment since both movies were directed by Zack Snyder. At the same time however you can say I’m kind of insulting the cinematographer because the director of photography for “Justice League” and “Man of Steel” are two different people.

I also appreciated the film’s CGI. Did it go overboard? At times, but that’s not a first for comic book movies. Overall, you can say the effects were massive, somewhat colorful, and somewhat breathtaking. Seeing Aquaman stop water from reaching a further distance was spectacular to watch. Also, you might not know, but Cyborg’s costume is CGI, and I got to say it worked.

Speaking of things that are done digitally, Henry Cavill appeared in this movie. I won’t go into further detail about what he did, but he’s there. During the movie’s production, he had a mustache. Why was this? He was simultaneously working on “Mission: Impossible 6” where his role required him to have said mustache. Under regulation, Cavill couldn’t shave it off, so it was removed digitally. While you don’t really see much of it, it’s still visible. I don’t know how much of the movie-going population would catch something like this, but it caught my eye nevertheless.

Sticking with the topic of heroes and the actors who portray them, let’s talk about some in depth, except for Cyborg since we already went over him. Starting off with Batman, played by Ben Affleck, he’s basically one of the two people organizing the Justice League. Before “Batman v. Superman” I was somewhat skeptical about him as Batman but now that I’ve seen him multiple times as the Caped Crusader, I have to say he does a fine job portraying the character. As Bruce Wayne, Affleck seems to stay according to plan and as Batman he appears to remain deep voiced and alert.

The other person organizing the league is Wonder Woman, played by Gal Gadot. There is LITERALLY no other person that should be playing this role but Gal! I may be biased because I love Gal Gadot, I view her as my celebrity crush, I met her at Comic Con, but seriously! Just watch Gal Gadot in this movie and you’ll come to realize, she has this system down. Her battle cries are probably some of the best I’ve heard in a movie! The accent, which by the way, is actually the real way Gal talks, works for the character! Seeing her in action is such a treat! The list of positivity is extreme! Her character, once again, SHINES in this movie. I was able to buy into both Wonder Woman and Diana Prince. When a movie makes you do that, you know you have a great character. On a sidenote, there’s a point in the movie where Bruce and Diana are having a conversation and when “Steve Trevor” comes up, I was wowed. I can’t exactly recall the quote where Trevor’s name is mentioned, but it was a highlight in the movie’s screenplay for me.

This movie also has Barry Allen, AKA The Flash, played by Ezra Miller. Out of all the characters in the movie, this one was pretty much the comic relief. Sure, there’s funny lines given by multiple characters in the film, but if there was one person that stole scenes from a humor perspective, it had to have been The Flash. I didn’t really laugh as much as other people, but I did end up laughing. His character was hyperactive, excited, and rather fleshed out. I can also give kudos to Ezra Miller for giving a good performance.

The last hero I’ll bring up is Arthur Curry/Aquaman, played by Jason Momoa. If you have read the comic books and watched this movie, you may notice some differences when it comes to Aquaman here. His backstory is similar overall, but in terms of character traits, he’s not completely identical. One difference you may notice is the hair. When you compare the hairstyle to the comics, it’s similar to certain installments, signifying that the hair in the comics isn’t always the same. Although one thing you might notice here is that the hair isn’t blonde, it’s more on the darker side of the color spectrum. Overall, I bought into Aquaman, I enjoyed seeing him in Atlantis, and personality-wise, he’s kind of like a rockstar. That’s what I get from the way he talks. On a little sidenote, I made a post months back saying that footage was leaked for the upcoming “Aquaman” movie. Turns out that’s actually in this movie. If you want to read that, link’s down below.

https://scenebefore.wordpress.com/2017/03/03/leaked-aquaman-footage-revealed-on-zack-snyders-twitter/

Speaking of characters in this movie, Commissioner Gordon also makes an appearance here. This is Gordon’s first appearance in the DCEU and the reason why I’m excited he’s here is not because I have a passion for the character but I have more of a passion towards the actor who plays him. That actor by the way is JK Simmons (Whiplash, Juno). When it comes to JK Simmons, if you put a picture down on a table with his face on it and do the same with other actors, there’s a good chance that I’m gonna tell you “Screw the others, this guy’s the man!” I say this because JK Simmons is probably my favorite actor when it comes to ability. There are actors who I personally idolize more, such as Curtis Armstrong, but JK Simmons usually never fails to impress me, and that continues in this movie. Granted it’s not his best performance, but it’s also not his worst. He convinces me as Commissioner Gordon and I hope to see more of him if this movie’s universe continues. One interesting fact you may or may not know, JK Simmons is also J Jonah Jameson in Sam Raimi’s “Spider-Man” trilogy. So basically he went from doing movies under one comic book company onto another. Whether you prefer Marvel or DC, let’s just agree that JK Simmons rules!

Here’s a question you might be asking. Is this movie good enough for the DCEU to continue? Personally when it comes to watchability, yes. However, the critics seemed to give this mixed reviews, it did make tons of money despite how it could have made more, and I have a feeling that moviegoers will either compare it to Marvel saying it’s not as good or too much like Marvel. Do I think it’s like Marvel? In ways, but DC has seemed to develop it’s own characteristics that Marvel doesn’t traditionally use that makes it stand on its own. “Batman v. Superman: Dawn of Justice,” another movie in the DCEU, was dark as hell. It could have worked if more character development came into play. If these movies find their own path in terms of vibe, whether it be light or dark, personally I prefer dark, depending on the movie, and they focus more on characterization, then this universe would be less flawed. My other suggestion is that they try to just release one cut in theaters and go with it. I don’t care if it’s long as long as it’s effective. The original cut for “Batman v. Superman” was 2 hours and 31 minutes and that didn’t work out. This is why audiences loved “Wonder Woman” when they saw it. It functioned as a story and it managed to work out as far as the runtime goes (2 hours 21 mins). If a movie doesn’t rush and makes sure it can tell its story in full detail, chances are it will be better. Also, it seems suspicious that they would make the runtime 1 hour and 59 minutes. It almost seems as if the movie happened to be longer, the studio would be worried about making less money. I don’t know, but I think it’s a good assumption. Although it’s not as suspicious as when a movie gets split into two parts (The Hunger Games, The Twilight Saga). But seriously, quality matters, not quantity.

In the end, I’d say “Justice League,” while not perfect, is an enjoyable ride and is certainly better than some of the other comic book films we’ve gotten this year. In fact, I’ll even go as far as to say, I’d rather watch this than “Thor: Ragnarok.” Am I a DC fanboy? Not really, I’m just a guy who likes good movies, and I had more fun watching this than I did watching “Thor: Ragnarok.” Is this movie as good as “Wonder Woman?” No, but I’d definitely say it’s worth watching if you’re into DC, you like action, and if you can get by the tones that clash throughout the film. I’m gonna give “Justice League” a 7/10. After watching a bunch of movies in both the Detective Comics Extended Universe and the Marvel Cinematic Universe, I’ve got to say that the Detective Comics Extended Universe is this year’s clear winner. While Marvel’s films had some neat effects, cool moments, and likable villains, they all tried to be funny, but ended up falling flat for me. The DCEU balanced heroism, action, and humor. “Wonder Woman” is one of the best directed superhero films I ever watched, “Justice League,” despite its imperfections, is a joyride. So I can’t wait to see what next year brings for both cinematic universes and find out which one comes out on top. Now I know I’ve been talking for awhile and believe it or not, I’m unfinished. Because I need to talk about Stardust!

Stardust is an app you can use to talk about movies and TV. I recently used this to talk about “Justice League” along with my quick thoughts on it and I recommend you do so as well. Although if you don’t want to talk about “Justice League,” you can choose from thousands of movies and TV shows to give your two cents towards. You talk about how much you like them, how much you hate them, you don’t even have to see them! Stardust also allows you to follow people and see what their latest reactions are. If you want to follow me, my handle is JackDrees. It’s kind of like Snapchat minus the risque elements of the app that Tinder is also known for. If you want to download Stardust go right ahead, I recommend doing so that way you can start sharing your thoughts on movies and TV shows.

Thanks for reading this extended review, I also hope you enjoyed the little piece I did on the movie’s box office return, I tried to put a good amount of effort into that. Part of me feels slightly crazier than I once was for doing it, but I also had some fun writing all of this s*it down. I’m going to see “Wonder” on Black Friday. I’ve heard great things about this movie so far, I loved Jacob Tremblay in “Room,” so I’m really looking forward to this. Stay tuned for my review for that, along with more reviews! I need to know, what is the best superhero movie you’ve seen this year? I can’t say I’ve seen “Logan” so I gotta go with “Wonder Woman.” Also what is the worst superhero movie you’ve seen this year? My pick would be “Guardians of the Galaxy Vol. 2,” but each person will have their own opinion. Comment below, I’d love to hear your responses! Scene Before is your click to the flicks!

What the Heck is Up with Justice League (2017)?

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Hey everyone, Jack Drees here! Last weekend we got a new movie from Marvel Studios, specifically “Thor: Ragnarok,” and while many people, including myself, say that Marvel has proven to create excellent films, there are also many that say DC, isn’t like Marvel. Now, I will say this, I saw “Wonder Woman” in the theater this year, and as of now, I actually think I like that movie better than any of the movies released thus far in the MCU. Based on Marvel’s past records and reception, it’s guaranteed that “Thor: Ragnarok” will be a box office success and a likable movie according to many viewers. Now the real question I have is, can DC deliver on the same thing?

As much audiences and critics loved “Wonder Woman,” not everyone thought movies like “Man of Steel,” “Batman v. Superman: Dawn of Justice,” and “Suicide Squad” were worth watching. Also, this upcoming “Justice League” movie is being directed by Zack Snyder, who I haven’t seen GREAT films from yet, but many people like him for his work on “Watchman” and “300.” I haven’t seen “Watchman,” but I have seen “300.” If you ask me, I enjoyed “300,” I thought it was a visually stunning movie with a very fitting vibe, some great music, but it ultimately rounded out to a 7/10 experience for me. I’ve also seen “Sucker Punch,” which like “300” is visually appealing, although not as good. However there’s one action sequence in that movie that was f*cking amazing! Zack Snyder’s films, from memory, don’t usually have much substance, but a good amount of style interjected into them. That style has worked for our eyes even in the DCEU (Detective Comics Extended Universe), the way the action is shot in “Man of Steel” is extremely exhilarating to the point that even Doug Walker, AKA Channel Awesome’s Nostalgia Critic, someone who in a video said “‘MAN OF STEEL’ SUCKS!”, said that the action in the movie was super awesome and felt like “Dragonball.” In “Batman v. Superman: Dawn of Justice,” part of the movie was shot in the IMAX format, which looked great when presented on IMAX screens. Interestingly, when the movie came out on home video, the aspect ratio changes which were shown in IMAX theaters, weren’t shown on the home video version. The movie is also full of eye candy visuals all over the place. Not to mention, Wikipedia suggests “Batman v. Superman” is the 7th most expensive movie ever made, which is tied with “Harry Potter and the Half Blood Prince,” “The Hobbit: The Battle of the Five Armies,” “Captain America: Civil War,” and “The Fate of the Furious.” Zack Snyder isn’t the only one who has a major say in the production of “Justice League” however…

If you have seen or heard “The Avengers” and “Avengers: Age of Ultron,” you may know those movies were directed by Joss Whedon, who is also known for creating the TV shows “Buffy the Vampire Slayer” and “Firefly,” both of which have received followings from nerds over the years. Whedon is also involved with “Justice League’s” post-production and that’s because Zack Snyder’s daughter died after committing suicide. This happened March 20th, 2017, and this lead to Snyder initially hiring Whedon to take over. Speaking of replacements, when it came to the movie’s score, Junkie XL (Mad Max: Fury Road, Deadpool), who also did part of the score with Hans Zimmer for “Batman v. Superman,” was originally hired to do “Justice League’s” score, however Joss Whedon hired Danny Elfman to take his place. This does make a lick of sense if you think about it, because Elfman has worked with Whedon in the past during “Avengers: Age of Ultron.” If you ask me, that score wasn’t very good. Nothing stood out about it except for the end of the movie when the theme you hear from the first “Avengers” film pops up, which wasn’t even an original piece from Elfman, that was done by Alan Silvestri, who also did another score I admire, specifically “Night at the Museum.” Now, I like Danny Elfman. The man’s done some of my favorite scores (Spider-Man trilogy, Oz the Great and Powerful), but given the vibe we’ve seen from this universe thus far, and having heard Elfman’s past scores, I seriously wonder how the music would go with the movie in terms of meshing together properly. Although this might be good for “Batman” fans, because reports have come up lately that his theme for Batman will be in the upcoming “Justice League” movie. You know, the one audiences first heard back in 1989. Also, this might be interesting for “Superman” fans as well because another report came out suggesting that his score will feature a dark twist on the iconic “Superman” theme, originally done by John Williams. As interesting as that is, the future, as far as this movie goes, seems shaky. But on a positive note, specifically for myself, the music we’ve gotten in the Detective Comics Extended Universe thus far is miles better than most of the music in the Marvel Cinematic Universe.

It’s hard to know what to expect from this film, considering you have multiple minds taking control of it. You have Zack Snyder’s and you have Joss Whedon’s, whose mind came into play during post-production. In fact, I’ve seen a change in terms of the vision when it comes to the film’s look as a whole. I went to YouTube and took screenshots of a similar part of both the trailer released in March and the most recently released trailer. In the trailer released in March, the sky looks dark and blue, whereas in the latest trailer it looks fiery and red. Just compare the scene where Aquaman is car surfing and see what I mean. Two different visions might ruin the movie and affect it significantly. Not to mention, it just begs a ton of questions. These include “How much has changed?” “Why was there change?” “How will the changes affect the final product?” If you ask me, Joss Whedon can direct better stories than Zack Snyder whereas Zack Snyder is better with style. This movie has reportedly gotten reshoots since Whedon took over, so maybe the original product had not much story and it’s possible that Whedon could be changing that. Although there was another movie that has gotten reshoots in the DCEU that while it ended up pleasing certain people, it couldn’t make everyone happy, specifically “Suicide Squad.” There’s a good chance that the reshoots might not end up paying off and leaving certain people rather unsatisfied with the results. Also, what if these reshoots are making this movie a simple carbon copy of “The Avengers?” I ask that because Whedon directed that movie and if you think about it, in fact if you know the material you don’t even have to think about it, they’re very similar in terms of concept.

Speaking of shooting troubles, let’s talk about Henry Cavill. It was reported that he would be in the movie, but at the same time, it was also reported that he was shooting for “Mission: Impossible 6” which is set to come out in 2018. In fact when he was shooting “Mission: Impossible 6,” his role required him to have a beard. He had to go back and forth between productions, which by the way, different studios are behind the two films. Paramount is behind “Mission: Impossible” and Warner Bros. is behind Justice League. Cavill couldn’t shave his beard during his time working on “Justice League” so essentially it was removed digitally during post production. That’s pretty much all I’ll say about him because if I go on with certain thoughts related to Cavill, it would spoil “Batman v. Superman.”

Speaking of actors in this movie, let’s talk about Ben Affleck. A lot of people like Ben Affleck, both as an actor and a director. Here he’s acting as Batman, which going into “Batman v. Superman,” some people were worried about, but as audiences walked out, they actually didn’t mind his interpretation. Although some might wonder what the future is going to be for this man. You may be aware of the whole Harvey Weinstein fiasco going on at the moment. You know, the sexual harassment scandal. Turns out that Affleck is chums with Weinstein and he made a tweet containing the image below:

Fun fact about this tweet, someone noticed it, that someone being Rose McGowan, she called Affleck a liar, because he knew about Harvey Weinstein’s actions. She later tweeted “Ben Affleck fuck off.” I will say though, there is a time that she took this kind of case too far, when it came to another person who tweeted about this, Ryan Gosling. He tweeted saying he felt bad about everything that’s going on, and she quote tweeted Ryan’s tweet saying this: “you could at least do us the courtesy saying our names.” My response, just be thankful. Ryan Gosling is trying to remind people this is a serious issue and this is his way of doing it. It’s like saying every single birthday card must have a gift certificate inside it, otherwise it’s not a birthday card. Although in all seriousness, this is literally where we are at! A cinematic universe’s biggest star caught in a scandal that’s larger than the Mall of America! It doesn’t even end there, in the wake of this, several people have called out on Affleck for sexually harassing them. For example, in 2003, he groped Hilarie Burton’s breasts on MTV’s “TRL.” Another example is during a Golden Globes party in 2014 with Annamarie Tendler. On October 11 of this year, she made the following tweets:

As far as other cast members go, they’re not exactly involved in any of this Harvey Weinstein business, but this is a serious matter. Ben Affleck has such a major role in the DCEU, so he’ll either be kept around, which I think might result in slight controversy at the very least, or he’ll be fired, needing to find a new actor to play Batman. After all, this universe’s Batman is getting a standalone film directed by Matt Reeves, director of “Cloverfield” and this year’s “War for the Planet of the Apes.” Not to mention, Jason Momoa, the fellow playing Aquaman, was recently under a similar situation. You may or may not know he happened to be Khal Drogo on “Game of Thrones,” otherwise known as the one reason many people either subscribe to HBO, or the one reason some people pirate it. Jason Momoa attended a San Diego Comic-Con panel in 2011, which was for “Game of Thrones.” He said at one point that he loved the show because he got to “rape beautiful women.” Based on what I’ve read, this is a much smaller case than Harvey Weinstein’s super-sized scandal, but it is something that many would consider a distasteful comment. Although to be fair, he did apologize for it.

Next up, you have the release date. This film is being released on November 17, 2017, which is two weeks after “Thor: Ragnarok.” That movie owned the box office on its opening weekend. It soared past the first “Thor” at an 84% increase, and also flew by “Thor: The Dark World” at a 41% increase. As far as the US goes, this is the fourth largest opening of the year. There’s a chance that while this movie is out, people might still be thinking about “Thor: Ragnarok.” Plus, people in general have gone to see Marvel movies and liked Marvel movies as opposed to DC movies. This takes us into an interesting battle: “Batman v. Superman: Dawn of Justice” vs. “Captain America: Civil War.” Both movies had heroes fighting against each other and despite the fact that two of DC’s most popular heroes were duking it out in a fight that many fans have waited to see for years in a live action movie, “Captain America: Civil War” ended up making more money. According to Box Office Mojo, “Captain America: Civil War” is in the top 3 films, in terms of gross, released in 2016, with a total of $408,084,349 domestically and $1,153,304,495 worldwide. “Batman v. Superman” earned a spot as the highest grossing film released by Warner Bros. in 2016, and it made it to the #7 spot in terms of all films for the particular year. That film’s total gross came out to $330,360,194 domestically and $873,260,194 worldwide. Now there are multiple factors that could have contributed. People seemed to give more positive reception towards “Civil War,” which in my opinion it deserves. Although I will say the audience score for “Batman v. Superman” on Rotten Tomatoes is at 63%, which is a positive score. However the critic score is much lower at a total of 27%. Compared to “Captain America: Civil War,” both scores are lower. The audience score and critic score are nearly identical for “Civil War” with the audience one being 89% and the critic score being 90%. By the way, Rotten Tomatoes in general should be taken into consideration since it is a source that a good number of moviegoers seem to rely on before they decide whether or not a movie is worth their time and money. There’s a possible chance that more families went to see “Civil War” as well, which I wouldn’t be too surprised by considering Marvel has shown to advertise themselves as slightly more family friendly than some DC films. Also keep in mind there are more heroes in “Civil War.” While “Batman v. Superman” has two heroes in a fight, a mega-throwdown is a crucial part to “Captain America: Civil War.” “Batman v. Superman” has Batman, Superman, and Wonder Woman interjected in there. “Captain America: Civil War” has Captain America, Iron Man, Ant-Man, Black Widow, Hawkeye, Falcon, Vision, Rhodes, Bucky (yes, he counts here), Scarlet Witch, plus the introductions of this universe’s interpretations of Black Panther and Spider-Man. The biggest thing that triggered people like me to go to this movie aside from being in the MCU is that Spider-Man was in the movie! Also, he was being played by a teenager! Plus, you gotta consider, Marvel’s owned by Disney, the creator of Scrooge McDuck, and as of now, a literal Scrooge McDuck. Maybe the world is used to Marvel movies, know they’re good according to personal opinions, and have less to say about DC. Also, there’s a possibility that certain individuals ended up seeing the movie more than once during its theatrical run. I will admit, I was one of those people. I went on opening night and I went again during its third weekend. I didn’t see “Batman v. Superman” twice in the theater, I did however watch it more times overall compared to “Captain America: Civil War” when I bought the Blu-ray. Speaking of weekends, “Batman v. Superman” also suffered a significant box office drop from its first to second weekend. The total drop happened to be 69.1% (not counting Thursday previews), compared to 1997’s “Batman & Robin,” which dropped 63.3% from the first to second weekend. I’ll remind you, “Batman & Robin” is a movie considered by an enormous number of people to be the worst “Batman” film ever made, and quite possibly the worst, if not one of the worst comic book films ever made. You never know what could happen. Maybe people will see it. Maybe people will like it. Although there is a good chance that if this movie fails to impress people, it could drop dramatically, in a result that’s possibly worse than “Batman v. Superman,” because if the world has taught us anything about movies and opening weekends, comic book movies are the bomb. Not to mention more money is given towards it if more than one hero is part of the story, unless we’re talking about a movie I’ll mention in just a moment. Also less people will go see it the more negativity they hear about it. In 2015, “Fantastic Four” was widely disliked and that also suffered a tremendous drop from the first to second weekend. To be specific, it turned out to be 68.2%. Also, I won’t go into much detail about this because it’s kind of in assumption territory, but I wonder how many people are avoiding this because they think we don’t need “another Marvel deal.”

Another thing that has some people worried, including myself, is that as of now, no reviews of this film have been put out yet, and there’s a reason for that. The review embargo doesn’t lift until the day before the movie comes out, specifically November 16th. Let’s compare this to other movies based on comic books. The “Logan” review embargo was lifted on February 15th, 2017, which was multiple weeks before the movie released and that movie is considered by many to be one of this year’s best films. “Thor: Ragnarok’s” release date was placed two weeks prior to the one for “Justice League,” specifically November 3, 2017. The embargo for that movie was lifted on October 19th, two weeks prior to opening night. Many people praised that film and commercials even stated by MCU standards, it’s the best reviewed movie yet. 2015’s “Fantastic Four” had its review embargo lifted August 6th, which was the day before the film came out. So “Justice League” ultimately has something in common with a film that was considered terrible by comic book fans, terrible by average moviegoers, and may as well have just been for Fox to just keep the rights to the franchise so it doesn’t go to Marvel Studios. There was a point this year where I thought based on my personal tastes, “Thor: Ragnarok” was going to be slaughtered by “Justice League,” but now I’m increasingly thinking the opposite. The production for this film is so clunky that it makes the production for “Suicide Squad” look like a walk in the park! The trailers have evidence of used footage which has been changed from one trailer to the other! And in the end it almost feels like some of this is just being rushed!

I can describe my current excitement for “Justice League” in the same way I did at a point for “Thor: Ragnarok.” I’m excited, but also worried. Part of me really wants to enjoy this movie because it’s “Justice League.” You’ve got all the DC heroes coming together, the effects look good, the casting choices are stellar! However the behind the scenes stuff and the review embargo news makes me apprehensive. I also wonder what certain theaters are going to do now that Ben Affleck is constantly being called out for his actions related to sexual abuse, not to mention I wonder how audiences will react to this movie now that this is going on. If this movie fails, the DCEU might die hard and that would personally be disappointing news because I wanted to see what Warner Brothers would do with a cinematic universe related to DC Comics. Also, I want to see more work from Gal Gadot. Although if I could make a suggestion, if Affleck is fired, I’d like Warner to ask Christian Bale if he would like to return as the caped crusader. On a lighter note, let’s talk about a convention.

This weekend, specifically November 10-12, I will be in Providence, RI for this year’s Rhode Island Comic Con! I will be going all three days, Friday through Sunday. This will be taking place at the Rhode Island Convention Center, the Dunkin Donuts Center, and a hint of the Omni Providence hotel. I’ll be walking around the convention, making purchases, attending panels, all that jazz. I’ll even make a post documenting my time at the convention for you all to read if you’re interested in checking that out. This convention is dedicated to comic books, movies, and TV. You’ll be seeing a good number of artists there, not to mention vendors, but you’ll also run into a ton of celebrities. Some of the headliners include William Shatner, Elijah Wood, Michael Colter, Mark Ruffalo, Ian McDiarmid, Jerome Flynn, Dave Bautista, and Norman Reedus. There will also be some music related guests including Gene Simmons and Al Yankovic. What I’m personally most excited for is the “Revenge of the Nerds” reunion, where several cast members from “Revenge of the Nerds” will be coming to the con, signing autographs, doing photo ops, and will be talking at a panel together. This is gonna be sick! If you want to find me at Rhode Island Comic Con, you do need a ticket to get in, they are still on sale by the way, and chances are you might see me in blue sunglasses. This is my third year in a row going to this event, it’s a lot of fun, I highly recommend it, and I hope to see you there!

Thanks for reading this post, hope to see you at the convention this weekend if you can make it and if you can’t make it, that’s fine. Also, if you are part of a convention or convention organization and want me to review a con related to it, either comment or email me! I do have a contact page so don’t be shy. Stay tuned for more reviews and posts! Also, how do you feel about this buildup to “Justice League?” Worried? Calm? Let me know down below! Scene Before is your click to the flicks!