The Running Man (2025): Edgar Wright Delivers a Supersonic Ride

“The Running Man” is directed by Edgar Wright (Scott Pilgrim vs. the World, Last Night in Soho) and stars Glen Powell (Twisters, Anyone But You), William H. Macy (Fargo, Kingdom of the Planet of the Apes), Lee Pace (Foundation, Guardians of the Galaxy), Michael Cera (Scott Pilgrim vs. the World, The LEGO Batman Movie), Emilia Jones (CODA, Locke & Key), Daniel Ezra (A Discovery of Witches, All American), Jayme Lawson (The Batman, Sinners), Sean Hayes (Will & Grace, The Three Stooges), Colman Domingo (Sing Sing, Rustin), and Josh Brolin (Avengers: Infinity War, The Goonies). This future-set film is based on the book by Stephen King and follows Ben Richards who is put on a game show where he has the chance to become a billionaire by surviving for 30 days against hunters.

The 2025 adaptation of “The Running Man” is my first true exposure to the property. Yes, I have long been aware that Arnold Schwarzenegger starred in a previous adaptation years ago. It took me a while to realize that said adaptation was based on a Stephen King book. That said, I was onboard for this 2025 film just for the fact that Edgar Wright was helming it. I love his fast-paced directing style utilized in films like “Scott Pilgrim vs. the World” and “Baby Driver.” He has a knack for sick action scenes.

That said, compared to those movies, “The Running Man” does not hold a candle. Yet at the same time, like I often say about Pixar, an inferior Edgar Wright project can still equal a good movie, and a good movie “The Running Man” is.

While I have not seen the original “Running Man” film, I am aware that former “Family Feud” star and record-breaking lady kisser Richard Dawson played Bobby Thompson, a charismatic game show host. I cannot say much about Dawson’s performance given my lack of experience with the 1987 movie, but I can see why he was cast to play the character. Flash forward to 2025, where we have Colman Domingo, who last I checked, let me check my notes here =flips papers= hosted ZERO game shows. But Domingo’s performance as Bobby T makes me think he could easily kill it as a game show host in real life I would love to see what he could do on perhaps a reboot of “1 vs. 100” if that ever comes back. In fact, at times, that’s what part of “The Running Man” game show feels like, at least before “The Running Man” gets started. Maybe it is because both concepts involve one person trying to fend off a group of people.

Domingo says his role was inspired by Jerry Springer, and I can see where he is coming from, because if you watch those kinds of talk shows, even ones like “Maury” or “The Steve Wilkos Show,” there is a sense of heightened reality that those hosts are responsible for bringing to the table. In fact, when it comes to Domingo’s line delivery and the production design that often matches perfectly alongside it, it reminds me of something I and others would often compare “The Jerry Springer Show” to, specifically wrestling. The theatrics on “The Running Man” are much more extravagant than most real life game shows. At times it makes “Who Wants to Be a Millionaire?”, a show that partially succeeds on its elaborate production design, seem insignificant.

“The Running Man,” like many films set in the future, paints a dystopian, bleak picture of what’s to come. To my surprise, I found quite a bit in common with “The Running Man” and “Idiocracy.” Granted, people are much smarter in “The Running Man,” but if you look at the state of television in both films, you would notice that both heavily feature programming that focuses on people’s pain. Sure, we have that now. One of my all time favorite game shows is “Wipeout,” which features people falling from great heights in each episode. But it is on a different level in this film. Life in “The Running Man” has gotten to a point where gambling is supposedly dominating the world. For Ben Richards, getting on a game show means everything to him. Not necessarily because he likes the shows, but because those shows are a means to make a quick buck. He wants a better life for himself, his family, and game shows are a fast and easy way to get to that point.

Overall, I thought Ben Richards was a likable protagonist. The movie gives him one obstacle after another. He cares about the people he loves. I like the film indicating his distaste for being on “The Running Man” despite doing all he can to make it through. If I had one thing to say though, I feel that of all the characters in this film, Ben Richards is the most likely candidate to receive the title “character that could be played by almost anyone.” I have nothing against Glen Powell. Each role of his proves he is a movie star in the making. Powell has charisma, and he even impressed me in the neither romantic nor funny “romcom” some like to call “Anyone But You.” But as I look back at Ben Richards, I feel that this is maybe the least Glen Powell-esque the actor has been thus far. Through the films in which I have seen him, this is the most “everyday” Powell has come off.

This is a film that fires on all cylinders in act one, keeps up the pace in act two, and while it does not fall apart in act three, if I had to name a “worst act,” it is easily the third. By the time the film reaches its end, I found it to be overstuffed, too long, and close to tonal inconsistency. The third act sometimes feels slow, and slow is the last adjective I should be using to describe a movie called “The Running Man.” The movie is 2 hours and 13 minutes long, and for the most part, it is paced well. That said, the third act has a pacing problem. Certain moments of the third act feel rushed and slapped together, while others tend to drag. It lacks the personality of the acts that came before. It is not the worst schlock I have seen this year, but I do not think it is up to the standards of Edgar Wright, who is generally praised as a filmmaker. This is not Wright’s finest outing, but it does mean the movie is bad. I would still recommend it if you want a fun action-adventure.

In the end, “The Running Man” is worth checking out. The film looks great, sounds great, and at times, it feels like Edgar Wright’s passion for the material shines through. That said, there are quite a few scenes in this film that are noticeably superior to others. “The Running Man” paints a future that I can see happening. It has traces of our present with the popularity of reality TV, gambling, and humanity’s noticeable desire to see others fail for the sake of entertainment. I am going to give “The Running Man” a 7/10.

“The Running Man” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Eternity!” Stay tuned! Also, look forward to my thoughts on “Wicked: For Good,” “Sentimental Value,” “Zootopia 2,” and “Wake Up Dead Man: A Knives Out Mystery.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Running Man?” What did you think about it? Or, what is your favorite Stephen King film adaptation released this year? As for me, I have not seen “The Monkey” yet, so I am not sure if I can validly answer that question, but I must declare that “The Life of Chuck” is a must see if you have not gotten the chance to check it out already. Leave your thoughts and opinions down below! Scene Before is your click to the flicks!

The Long Walk (2025): No Missteps, No Filler, All Killer

© Courtesy of Lionsgate

“The Long Walk” is directed by Francis Lawrence (The Hunger Games: Catching Fire, Red Sparrow) and stars Cooper Hoffman (Licorice Pizza, Saturday Night), David Jonsson (Alien: Romulus, Industry), Garrett Wareing (Perfect, Manifest), Tut Nyuot (The Dumping Ground, Dark Money), Charlie Plummer (Words on Bathroom Walls, Moonfall), Ben Wang (American Born Chinese, Karate Kid: Legends), Joshua Odjick (The Swarm, Sweet Summer Pow Wow), Roman Griffin Davis (Jojo Rabbit, The King of Kings), Josh Hamilton (Eighth Grade, Reality), Judy Greer (The 15:17 to Paris, Ant-Man), and Mark Hamill (Star Wars, The Wild Robot). This film is based on a Stephen King novel of the same name and centers around a group of young boys who compete in an event where they must keep walking to the finish line at three miles per hour, or die.

Photo by Murray Close/Lionsgate/Murray Close/Lionsgate – © 2025 Lionsgate

“The Long Walk” is the latest work from Stephen King to be adapted for the screen this year following “The Monkey,” which I did not see. As well as “The Life of Chuck,” which I did see and I can confirm it is one of my favorite films of 2025. What brought me out to “The Long Walk” is the same thing that brought me out to “The Life of Chuck,” the marketing. Although in this case, the vibe that the “Long Walk” campaign seemed to be going for was a lot darker and gorier. I dug what the team was going for. But there have been great trailers to bad movies. Just look at my review for “Godzilla: King of the Monsters…”

Thankfully, that is not the case with “The Long Walk,” which is more than just a great film, it is among my favorites of the year. When I left this film, the first thought on my mind was, “How does this rank against ‘The Life of Chuck?’” I have no clue what my best movies of the year list is going to look like, but right now there are two Stephen King adaptations that are serious contenders to be on the top half of the list.

Photo by Murray Close/Lionsgate/Murray Close/Lionsgate – © 2025 Lionsgate

“The Long Walk” supports the notion that sometimes the simplest ideas can make for the grandest stories. The concept of this film is that a group of young men have to walk and avoid getting shot to death. If what I described sounds somewhat boring, I get it. But this movie is much more than meets the eye. The cast may move at a slow pace, but this film is all killer, no filler from beginning to end. This story wastes no time getting straight into the event. We see a letter written to the protagonist, Raymond Garraty, saying he’s been chosen to participate in the Long Walk. Then we see have a moment with his mom, after which he exits the car and goes off on his adventure. This beginning offers a perfect blend of mystery and nerves. Seeing Garraty leave the car reminded me of what it would be like to see your child going off to fight in the military. You do not know what is going to happen. You are fearful of whatever is bound to happen. And you absolutely, positively do not want to see your child get seriously hurt.

This film is directed by Francis Lawrence, whose resume includes the “Hunger Games” franchise. The film does, at times, have a “Hunger Games” vibe considering it is set in the future, and everyone is playing a game where only one can survive. That said, unlike “The Hunger Games,” which features a lot of buildup before the games, the “game” in “The Long Walk” goes on for practically the entire runtime. Again, it does not take long for the game to start, and once it finishes, it does not take that long for the film to end. Speaking of which, if I had any critiques for the film, the ending does feel a smidge unfulfilling, but this film is consistent with its ending based on how quickly it tends to get to the point.

I do not think it is a spoiler at this point to say that people die in “The Long Walk.” Heck, people die in lots of movies. Sorry if I ruined most of your unwatched entertainment. “The Long Walk” is not breaking new ground. But I do dig how it handles its deaths. I did not read the book so I cannot comment on any differences between the film and the source material, but every death in this movie, to some degree, feels appropriate and earned. It does a great job at picking who lives and dies at certain times of the film. It allows time for certain characters to flesh themselves out, and when said characters die, it makes those deaths all the more gripping. The film has a number of characters who linger in the background, but those put in the foreground are all stellar. I enjoyed getting to know every single one, even if they were written in such a way where it was clear the movie was trying to get you to root against them.

Photo by Murray Close/Lionsgate/Murray Close/Lionsgate – © 2025 Lionsgate

This movie stars Cooper Hoffman (center), who continues to make a name for himself after his breakout role in 2021’s “Licorice Pizza.” I had some problems with “Licorice Pizza.” Hoffman’s ability to give a competent performance is not one of them. Similarly, he does a commendable job in “The Long Walk.” Hoffman plays the incredibly layered Ray Garraty. I enjoyed not only getting to know the character in the present, but the movie also effectively uses flashbacks to tell his story and detail his background.

Photo by Murray Close/Lionsgate/Murray Close/Lionsgate – © 2025 Lionsgate

When I think of Mark Hamill, my mind unfairly darts to thoughts of Luke Skywalker. What can I say? I live for “Star Wars.” But forget everything you know about that hero, because Hamill slips into the antagonist role of the Major with ease. He is a character that I love to hate. Hamill plays the part with such a stern, demanding tone where I could easily tell he was having a ball on set. Hamill’s dialogue in the film is minimal, and often to the point. But whenever he does speak, every line is a highlight. They say a movie is only as good as its villain, so by that logic, “The Long Walk” is exceptional. Hamill’s performance is so well-delivered that I cannot see anyone else in his shoes.

In the end, “The Long Walk” is one of the best movies of the year. This film is not for everyone, but if you can handle some blood and gore, I think you are going to have a ball from the first scene to the last. “The Long Walk” is more of a thriller than a horror flick, but it has a lot of elements that would make a “horror” flick so admirable. “The Long Walk” is a concept that is as simple as it gets, but it is done as perfectly and exquisitely as possible. I am going to give “The Long Walk” a 9/10.

“The Long Walk” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next review is going to be for “A Big Bold Beautiful Journey.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Him,” “Eleanor the Great,” “The Lost Bus,” and “One Battle After Another.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Long Walk?” What did you think about it? Did you read the book? How does the film compare to it? Let me know down below! Scene Before is your click to the flicks!

The Life of Chuck (2024): The Best Fictional Narrative of 2025 Thus Far

“The Life of Chuck” is directed by Mike Flanagan (Doctor Sleep, Ouija: Origin of Evil) and stars Tom Hiddleston (Loki, Kong: Skull Island), Chiwetel Ejiofor (The Lion King, Doctor Strange), Karen Gillan (Guardians of the Galaxy, Jumanji: Welcome to the Jungle), Mia Sara (Ferris Bueller’s Day Off, Timecop), Carl Lumbly (M.A.N.T.I.S., Supergirl), Benjamin Pajak (Where It’s Beautiful When it Rhymes, Camp Haedus), Jacob Tremblay (Room, Wonder) and Mark Hamill (Star Wars, The Wild Robot). This film mostly follows its titular character as he navigates multiple chapters of his life.

“The Life of Chuck” is the third film directed by Mike Flanagan based on a Stephen King work. I have not seen his other films, “Doctor Sleep” and “Gerald’s Game,” so I cannot compare this film to those. In fact, as marveled as I was by this film’s awe-inspiring trailer, I ultimately bought a ticket after hearing the many positive reviews this film received from critics and moviegoers alike. Plus I needed a better use of my time than whatever the heck “The Phoenician Scheme” was.

For those keeping track, “Secret Mall Apartment” is my favorite movie of the year so far. For those who have not heard of the film, it is a documentary. However, if I were to name a favorite fictional movie of the year so far, “The Life of Chuck” might be it. This movie has everything in it. Joy. Sadness. Spooks. Nostalgia. Slices of life. You name it. “The Life of Chuck” broke my heart and put it back together. I have not read the short story this film is based on, but I was riveted by what Mike Flanagan and crew have done with their work.

This is a film that in one moment, will shatter you to pieces, and in another, make you want to chase your dreams. Part of this has to do with the film’s structure. Like many stories, the film starts at a bit of a low point. But if you watch a lot of, say, stories structured through the hero’s journey model, you may see people who have nowhere to go but up. The protagonist grows with time. They become someone bigger. This film is the opposite. “The Life of Chuck” essentially starts with the “end times” and goes backwards. The execution of this idea is a stroke of genius. It is almost the film’s way of suggesting that life sucks as you get older. The film starts on a downer note and with each act, each scene, each concept, it delves into something more dream-like. The film still has downer moments in later scenes, but the film starts with what some may call the lowest low and while not everything that happens prior is perfect, it definitely brings more joy than what the film presents at the beginning.

“The Life of Chuck” made me wonder what it could be like to live life backwards. Maybe not in a sense where I, for example, read or write this review in reverse, but I mean this in the sense that we take chunks of our life from day to day and live those out starting later in life. Maybe you start off retired, then have kids, get married, graduate from college, and so on going back to getting that one gift you always wanted as a child. I will be frank, I feel my life has only gotten better as I aged, but I do not know how many people can say the same. People, understandably, as they age, want to be young again. This movie presents a series of moments that make life worth living, but arguably the ones that hit me the hardest are those we see towards the film’s conclusion, when we see our character at their youngest. It reminded me of a certain time in my life and what it felt like to be in that position.

This film made me think and ask tons of questions. I was not expecting to go full “Barbie” and think about dying. I will not go into detail as to why that is. But if you have seen the movie, you will understand what I am getting at here. Judging by what I said, some would argue that “The Life of Chuck” is not the easiest watch. That sentiment has some validity to it, but at the same time, I would still recommend the movie to a lot of people because the heavier material is perfectly balanced with doses of optimism.

That said, the film is not perfect. As much as I praise this film for starting things the way it did, the first act could arguably be trimmed a bit and have little to no effect on the plot. Do not get me wrong, I like the first act. In fact, watching the first act evoked a similar vibe to one of my favorite movies, “Interstellar.” Much like that film, the first act is set on a nearly dead planet earth. The internet is down, TV is down, cars are blocking the streets… The score from John Grush and Taylor Stewart also effectively sets the mood for each scene. The first act does a good job at world building, but it builds something that we barely see and hardly matters to a certain degree. There are a few things that matter in the first act that stand out, but there is plenty of fluff that I thought could be cut. The first act is never bad. I enjoyed what was in front of me. It was just a little long.

One thing that surprisingly worked for me in this film was the narration. When I first heard the narrator’s voice, I was a little hesitant as to how it would benefit the story, but I quickly warmed up to him by act two. He had some good material to work with. By the way, the film is narrated by Nick Offerman, which despite my lack of experience of watching “Parks and Recreation,” even I know he has an objectively soothing voice.

Kind of like “Friendship,” I would be curious to know how “The Life of Chuck” ages for me. I saw this film as a 25 year old and it has gotten me to think about the choices I made while growing up. It also made me reflect on tales and life lessons I learned during that time and it has me wondering how I will evolve. The film seems to tap into the idea of maintaining one’s child-like spirit as they age. As we grow up, the whole world is ahead of us. And while there are many beauties to life that lie ahead, there is a possibility that if we are not careful or go down a certain path, we lose our sense of wonder, our passion for life. There are certain things in life that if we found out about it years in advance, would shake us to the core. Some things are sometimes best kept as a secret. But it is no secret that “The Life of Chuck” left me gobsmacked.

In the end, “The Life of Chuck” is cinema. This is a movie I would honestly recommend to almost anyone. It is not always the happiest film. But it utilizes every emotion in the book to perfection. You will laugh. You will cry. And despite what I just said earlier, I guarantee you will smile too. This is a story that starts off great and maintains my interest throughout. It is one of the best films of 2025. I am going to give “The Life of Chuck” a 9/10.

“The Life of Chuck” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next review is going to be for the Celine Song’s newest film, “Materialists.” Stay tuned! Also coming soon, I will share my thoughts on “Elio,” “Jurassic World: Rebirth,” and “M3GAN 2.0.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Life of Chuck?” What did you think about it? Or, did you read the short story that inspired this film? Let me know your thoughts on it down below! Scene Before is your click to the flicks!

It: Chapter Two (2019): Hiya, Sequel!

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“It: Chapter Two” is directed by Andy Muschietti, director of the 2017 “It” installment. This film stars Jessica Chastain (Zero Dark Thirty, Interstellar), James McAvoy (Split, Wanted), Bill Hader (Cloudy with a Chance of Meatballs, Power Rangers), Isaiah Mustafa (Shadowhunters, Horrible Bosses), Jay Ryan (Go Girls, Sea Patrol), James Ransone (Sinister, The Wire), Andy Bean (Swamp Thing, Power), and Bill Skarsgård (Deadpool 2, Allegiant). “It: Chapter Two” takes place 27 years after its predecessor, specifically 2016. If you have not seen 2017’s “It,” it’s established in that film that the main antagonist, Pennywise the Dancing Clown, wreaks havoc amongst certain individuals every 27 years. In 1989, we were introduced to the Losers Club, a group of mocked teens who unite to conquer their fears and take down the clown. At the end of the movie, the group forms a pact that if Pennywise ever happens to be alive or makes a return, they will meet up to face him once more. After all this time, the adult versions of these characters join forces once again, discuss where they’ve ended up all these years, while Pennywise happens to be on the loose.

If you have followed Scene Before over the past couple of years, you’d know that I talk about a lot of big movies. However, due to a lack of interest or commitment on the subject matter, I never got around to reviewing the first chapter of “It.” I also never watched the version of “It” where Tim Curry plays Pennywise (although I did watch Doug Walker’s Nostalgia Critic review). And one more thing… What was it? Oh, right. I NEVER READ THE BOOK! To this day, I have yet to read a single page of “It.” Movies are more fun, sorry books! I almost avoided any commitment I could possibly have with this movie, but there were certain factors about it that eventually intrigued me. I went to Best Buy one day, picked up 2017’s “It” on Blu-ray, which came with a $8 off sticker for the sequel (which I must have thrown out, like an idiot). I then waited almost a month to watch the movie, and when I finally witnessed what I’ve been missing for the past couple of years, I lost my mind. The main characters are so relatable, so charming, and when you put them together, it’s the recipe for perfection. Ultimately, “It” was a scary horror movie, but above all, an excellent coming of age story.

This brings us to the opening weekend of “It: Chapter Two.” I’ve heard a lot about this movie before I went into the auditorium. I’ve heard it’s got scares, people seem to like it for the most part, the cast is great, especially Bill Hader as Richie. While seemingly liked, it is not perfect, it does have notable problems here and there. And these statements, for the most part, are pretty much on the money. “It: Chapter Two,” from my perspective, is a film that feels as if it is trying to be “Return of the King.” The runtime is nearly three hours, it covers the finale of the written material from the books, and much like “Lord of the Rings,” this movie significantly showcases the power of companionship. Did this movie really need to be three hours? Probably not. I wouldn’t have minded a extended runtime, but it didn’t need to as long as “Interstellar.” I say that because when it comes to the material presented in the three hours of “It: Chapter Two,” a lot of it almost feels tacked on.

Remember “Suicide Squad?” One of the big problems with that movie is that it couldn’t focus too much on the present and instead relied heavily upon various flashbacks that would constantly appear out of nowhere. This movie has a good amount of flashback footage that isn’t off-putting, but pretty exorbitant. It kind of gets to the point where the flashbacks are charming, I guess, but they overstay their welcome.

But when focusing on the present, the characters are in fact the some of the best parts of this movie. It’s nice getting to know these new versions of previously established losers, especially considering how they all turned out to be winners in the very end. Richie became a stand-up comedian, Beverly is a fashion designer, Bill writes mystery novels, etc. I really admire how everyone in the Losers Club, which is appropriately named as it consists of people who were picked on, comes out on top in the end. But it’s not like everyone’s lives turned out to be rainbows and unicorns upon becoming adults. Beverly starts out the movie in an abusive relationship with her husband. Bill, while he seems to be a fine writer, doesn’t seem to stick the landing on his endings. Richie even has a little mishap upon returning to Derry, because he apparently yelled at a fan because he forgot a line he said during one of his gigs. Not everything’s perfect.

And speaking of imperfections, let’s talk about Pennywise. I’m not saying he’s a flawed character or anything, just saying he’s a psychopath. Bill Skarsgård is a f*cking boss in this film! This shouldn’t be too surprising because Pennywise was a standout in the original film. Films like this also remind me of how much fun it is to play a villain. Who wouldn’t want to play a vicious, horrifying killer clown that eats people? Everything about Pennywise was what I wanted out of this movie. The voice, the dialogue, the makeup, the crazy antics, the exploration of lore, whatever was presented was as delicious as pizza! That even includes one or two moments that are a bit heavy on CGI to the point where it is easy to pick up if you look hard enough.

But I will say, I don’t know if this movie will end up having the same replay value that I think the first one will end up having. It’s a bit early to say since I just saw this film on Saturday, plus I waited until last Thursday to watch the original. But if I were alone on Halloween and needed something to watch in the living room while handing out candy to children, I currently much prefer the original. Both films are effectively scary, and in this film, there are a lot of gross, disturbing, and shocking moments to witness. Remember that trailer with Jessica Chastain visiting the old lady? Get ready. That scene where Pennywise is surrounded by black and utters “Hello?” F*cking nuts. And the climax, while a bit extended, is undoubtedly entertaining. But as a story, this film is a tad more convoluted and a bit more poorly paced compared to the original. The original has a bit of an advantage due to the shorter runtime, but I can live with films going past three hours (which this one almost does). With that being said however, everything in those three hours has to matter, or be something that I as an audience member can care about, and unfortunately, that’s not the case for everything presented in that time.

Also, speaking of time, the ending takes FOREVER to fully establish itself. There are like two, three, four, perhaps even five or six points during the climax where the movie could stop, and wrap itself in a bow that is satisfying. Unfortunately, it goes ahead and says “Look at me, I’m ‘It: Chapter Two!’ There’s no stopping me now! Ha ha! Yeah!” And it’s kind of unfortunate because 2019, in my view, has not been the all-time best year for movies, but if there is one thing that stands out this year compared to others, it’s the eternal positive impact many endings will have on me as a viewer. We’ve had “How to Train Your Dragon: The Hidden World,” “Avengers: Endgame,” “Once Upon a Time in Hollywood,” “Ready or Not,” and “Toy Story 4.” All of these movies have magnificent final moments that I will perhaps forever appreciate. The ending of “It: Chapter Two” tries as hard as it can to leave a big impact, and I imagine for a chunk of people, it will. However, for me, I was appreciative of what was happening, while also hoping to get out of my chair because I feel like I have seen more than enough. It wasn’t like Pennywise bit my arm or anything, but it was like I was in line in a crowded Burger King or something.

In the end, “It: Chapter Two” is dark and gorey, but part of the mess associated with this movie is the less than pleasant pacing. The characters are great, the transitions they seem to make from teens to adults make sense for the most part. I find it a tad interesting that Ben is much more physically fit as an adult compared to how he was as teen, but Tom Brady is still winning Super Bowls, so anything can happen if you put your mind to it. If the movie were at least ten or so minutes shorter, perhaps fifteen, I think the pacing would be fair and square. But just because the movie is a bit sloppy on pacing, doesn’t mean it wasn’t enjoyable. So with that being said, I’m going to give “It: Chapter Two” a 7/10. Thanks for reading this review! I have no idea what my next review is going to be, at least for films out in theaters right now. I’m still trying to get my ass to a “Hobbs and Shaw” screening before it’s too late, maybe that’ll be the one I go to next. But I also heard a lot recently about this movie called “The Fanatic,” starring John Travolta. It’s not a big moneymaker, nor is it playing at too many cinemas, but I’m hearing a lot about this movie. It even got a Hilariocity Review from YouTuber Chris Stuckmann! And this film looks like it could be the next “The Room.” Perhaps even better than “The Room” in terms of how enjoyable yet horrible it really is. It’s available On Demand, maybe I’ll rent it, check it out, see what it’s all about, because as of recently, I’ve kind of been dying to see it in order to know what I’ve been missing. If you want to see that review or other great content, consider following Scene Before with an email or WordPress account, tell your friends about the blog, it really helps me out! Also, check out my Facebook page! I want to know, did you see “It: Chapter Two?” What did you think about it? Or, did you ever read the “It” book? Is it better than this movie? Is it better than the Tim Curry “It?” Let me know down below! Scene Before is your click to the flicks!