Will STAR WARS: THE RISE OF SKYWALKER Be Shown On IMAX 70mm Film?

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Hey everyone, Jack Drees here! Last year, I created a post asking the following question. Will “First Man” be shown on IMAX 70mm film? The answer, no. This year, there is another movie that I have followed for some time that is making me ask the same question. Specifically, “Star Wars: The Rise of Skywalker.” Why? Because despite a majority of this decade’s “Star Wars” films getting 70mm IMAX releases, there are reasons to believe that “The Rise of Skywalker,” the final film in The Skywalker Saga, will miss the mark.

When J.J. Abrams’ “Star Wars: The Force Awakens” came out in December 2015, that released in a number of IMAX 70mm locations, along with standard 35mm and 70mm theaters. It also was projected on IMAX’s then new laser technology in other locations. While that’s not film based, it is a digital response to IMAX’s film projection. When it comes to being projected in IMAX 70mm, the following locations took action.

US/CANADA

Alabama
McWane Center IMAX Dome Theatre – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Florida
Museum of Discovery & Science AutoNation IMAX – Ft. Lauderdale
IMAX Dome, Museum of Science & Industry – Tampa

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
Branson’s IMAX, Entertainment Complex – Branson
St. Louis Science Center OMNIMAX Theatre – St. Louis

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Washington, DC
Lockheed Martin IMAX, National Air & Space Museum

Texas
Omni, Fort Worth Museum of Science & History – Fort Worth

INTERNATIONAL
LG IMAX, Darling Harbour – Sydney, Australia
The Science Museum – London, England

That’s 15 locations. That is less than the number of seasons of “The Simpsons,” “Family Guy,” “NCIS,” “America’s Funniest Home Videos,” “Jimmy Kimmel Live!,” “Real Time with Bill Maher,” “Judge Judy,” “Dr. Phil,” “South Park,” “The Bachelor,” and the combined seasons for “Star Trek: The Original Series,” “Star Trek: The Next Generation,” and “Star Trek: Deep Space Nine.”

“Rogue One: A Star Wars Story” also came out in certain IMAX 70mm locations, but the difference between that and “The Force Awakens,” aside from being a spinoff, is that the film was not shot specifically for 70mm IMAX projection. “The Force Awakens” was shot using IMAX branded cameras, and when a number of films were shot using that, IMAX presented the movie having those scenes fill the entire screen. This is true for many of their digital-based locations, as well as those running film. In fact, the film was shot completely in digital using an ARRI Alexa 65. Nevertheless, it still managed to hit 13 IMAX 70mm screens.

Alabama
IMAX, US Space & Rocket Center
IMAX Dome, McWane Center

California
AMC Universal CityWalk Stadium 19 & IMAX – Universal City
Esquire IMAX – Sacramento
Hackworth IMAX Dome, The Tech Museum

Canada
Kramer IMAX, Saskatchewan Science Centre

Florida
IMAX Dome, Museum of Science & Industry

Iowa
Blank IMAX Dome, Science Center Iowa

Indiana
IMAX, Indiana Stare Museum

Minnesota
IMAX Theatre, Minnesota Zoo

Missouri
OMNIMAX, St. Louis Science Center

Pennsylvania
Tuttleman IMAX, The Franklin Institute

Texas
Omni Theatre Fort Worth Museum of Science & History

Granted, this was a starting list. I say so because “Rogue One” was shown in more IMAX 70mm theaters after its initial release, including one in Connecticut’s Maritime Aquarium, which is one of the closest venues of its kind to where I live. When it comes to this specific theater, they managed to do the same for “The Force Awakens.”

Then came “Star Wars: The Last Jedi,” directed by Rian Johsnon. Much like its chronological predecessor, “The Force Awakens,” this was partially shot using IMAX cameras. I will say though, personally, I missed out on the IMAX experience for this film when it came out. But based on research, I did not miss much. Why? Multiple sources suggest that the film never had any scenes projected from top to bottom on IMAX 70mm screens. The entire movie was projected in an aspect ratio of 2.39:1, which is conventional in the movie industry. The original IMAX-specific aspect ratio is 1.43:1. “The Force Awakens” had 5 minutes of IMAX footage intact. All five minutes was blown up to fill the brand’s screens. But for those who went to see “The Last Jedi” in IMAX, they may have gotten crystal clear images, but black bars up the wazoo. Turns out, as a matter of fact, IMAX was the only film format in which this movie happened to be presented. No standard 35mm or standard 70mm was available. And if viewers did manage to check out these types of IMAX screenings, chances are they flocked to one of these places.

US/CANADA

Alabama
IMAX Dome, McWane Center – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Connecticut
IMAX, The Maritime Aquarium – Norwalk

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
OMNIMAX, St. Louis Science Center – St. Louis

North Carolina
The Charlotte Observer IMAX Dome, Discovery Place – Charlotte

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Texas
Omnitheatre, Fort Worth Museum of Science & History – Fort Worth

UK
London Science Museum – London

That’s 11 locations. That is less than the number of seasons of “The Big Bang Theory,” “Supernatural,” “It’s Always Sunny In Philadelphia,” “Criminal Minds,” “America’s Got Talent,” “Ridiculousness,” “Bones,” “Grey’s Anatomy,” “Face Off,” “The Bachelorette,” “SpongeBob SquarePants,” “Dallas,” “Two and a Half Men,” and “Love Connection.”

As for “Solo: A Star Wars Story,” which released almost half a year after “The Last Jedi,” that was not filmed with any IMAX technology. It still released in the IMAX format however, going through a traditional DMR (Digital Media Remastering) process. Here are the theaters that presented “Solo: A Star Wars Story” in IMAX 70mm.

There aren’t any, the film was entirely released in digital formats.

That’s 0 locations. That is less than the number of seasons of “Freaks and Geeks,” “Firefly,” “Clone High,” “Swamp Thing,” “Whiskey Cavalier,” “The Michael J. Fox Show,” “Bam’s Bad Ass Game Show,” “Son of Zorn,” “Bordertown,” “Inhumans,” “Selfie,” “Heroes: Reborn,” “Ghosted,” “America’s Next Best Weatherman,” and “State of Georgia.” FYI, ALL OF THESE got cancelled after one season.

To be honest though, I can’t complain too much because the entire movie was shot digitally on ARRI Alexa cameras.

And when it comes to a good portion of the locations that have played a few of these recent “Star Wars” movies in 70mm, not only are they few and far between, but many of them rarely play Hollywood features. Many of these theaters simply show IMAX-distributed documentaries that are either new or cater to a theme that would associate with a venue. Not to mention, a glaring fraction of these are domes, and while I will say I rarely go to domed IMAX theaters, one thing to point out about them is the 180° style of the screen. With a number of cinema screens, it is sometimes easy to notice a slight curve they can provide, and traditional IMAX screens are no exception. Forget about a curve with an IMAX Dome, it’s practically a boulder sliced in half. Not only do they rarely show Hollywood features, but they also can have a quirky looking image when there are black bars involved. Granted, I have yet to see something like this for myself in person, but from what I’ve seen online, it’s almost weird looking. I almost wonder if it would turn off a good portion of general audience members.

History aside, let’s move onto the present and the future. Despite IMDb’s current claims that this film will be shot with IMAX cameras, no word of mouth from Disney, J.J. Abrams, Kathleen Kennedy, etc., has said anything related to such a claim (except this one, based on brief research). After all, I don’t know for sure, it could have been inserted long before, or maybe just as soon as the film happened to be starting production. However, IMDb is also claiming that the movie will be presented in multiple film formats. These include 35mm, 70mm, and IMAX 70mm. By the way, they are also suggesting these were also formats used for shooting.

“Shot on 35mm, 70mm, and 70mm IMAX, this is the third Star Wars film to be shot in the IMAX format, the first film in the franchise to be shot on 70mm film, and the first Star Wars film since Star Wars: Episode VI – Return of the Jedi (1983) to be shot entirely on celluloid.”

OK, I can buy this movie entirely being shot on film. After all, one of the things that J.J. Abrams wanted out of “Episode VII” was the nostalgia factor, which was partially brought to the table through filming the movie in celluloid, an action that the prequels neglected for the most part. But to be fair, “new technology” sometimes has a ring to it.

As for what technology was used specifically, I think we still need updated information on it. Because when it comes to technical specifications, that is still a mystery kept by those who made this film. Yes, there are articles suggesting a mixture of 35mm and 70mm cinematography in the movie, but many of them are from the end of 2016, a month before “Rogue One” came out. However, perhaps the most credible information I came across was this occasionally updated article as seen on fromthegrapevine.com. For those who are lazy, there is a suggestion via an image that this next “Star Wars” film will be shot in 70mm.

Granted, I highly doubt that this movie will be mostly shot in digital. The past two films in the trilogy have been shot using film for a good portion of the runtime, therefore to maintain a similar feel, Abrams must have said film was the way to go.

And with this information in mind, I will point out that IMAX has a vast history of showcasing movies that were not shot through their technology on their true projection format. The thing is however, that time happened back when the DMR process was starting to get into full swing. With IMAX’s jump into digital projection in 2008, it wasn’t too long before IMAX started getting picky with what films would be shown in their original format. “Rogue One” was a rare exception back when it came out in 2016.

In fact, let’s look at IMAX in 2018 and what they have done with this technology. Unfortunately, IMAX missed the opportunity to put “First Man,” their only new release that year shot with IMAX 70mm tech, in theaters catering to that format. They were shown in IMAX Laser theaters, which is a nice consolation, but having been in both venues for different movies, it’s not the same. The only “new” 70mm experience that came out was a limited 50th anniversary engagement of Stanley Kubrick’s “2001: A Space Odyssey.” Aside from that, there was a 10th anniversary limited engagement of Christopher Nolan’s “The Dark Knight” which played around the same time period. There was another movie released in IMAX shot with their technology (Avengers: Infinity War), but that film was shot completely in digital. This allowed a complete fill of the screen in many, smaller, digital venues, but not for the venues IMAX was originally known for.

If you think I am pulling these facts out of my butt, let me just point out to you, I am not. There is a Wikipedia page that lists every single IMAX film that has gone through a DMR process. Yes, Wikipedia is not the most scholarly source of all time, but over the years, this has been pretty reliable for this subject matter.

List of IMAX DMR Films

In fact, if you scour the list, go to the section labeled “2019,” and scroll down to “Star Wars: The Rise of Skywalker.” you’ll notice it does not suggest there will be any IMAX 70mm screenings, nor does it say anything about the cinematic equipment. Granted, a lot of the information related to this does not exactly need to be displayed now, the movie does not even release until December. Even with that in mind however, it is slightly concerning. I can live with a lack of IMAX 70mm screenings if it wasn’t shot in that exact format, but if it was, I feel like we are gonna be in a “First Man” situation all over again. Although that movie flopped as far as I am aware so, who knows? It might have been for the best. I enjoyed the movie, in fact it was one of my favorites of the year, but regardless, it didn’t have proper financial legs.

It is perhaps slightly inevitable that “Star Wars: The Rise of Skywalker” will be a financial success. I say SLIGHTLY inevitable, because while a number of recent Disney “Star Wars” flicks made over $1 billion at the box office, the most recent one, “Solo: A Star Wars Story” did not meet the financial standards of films that came prior to it, including the spinoff “Rogue One.” At the same time, it has things going for it. For one thing, it’s the conclusive chapter to The Skywalker Saga, it involves characters we have known for the past two films and even further into the past, Lando is back, and Palpatine seems to be making an appearance as well. It has the potential to win audiences and a portion of the fanbase overall. Well, that depends on how divided said fanbase is by the time this movie comes out, because it’s pretty ugly right now. And even though that ugliness is a thing, there are enough fans in the “Star Wars” community that could potentially show up for a new flick in the franchise.

If you ask me, I think Disney, Lucasfilm, Bob Iger, IMAX, among others would not have minded the idea of releasing the film in IMAX 70mm. Sure, “Solo” didn’t do as well as they would have hoped, but based on how that is a film that not many audiences asked for in the first place, added onto the prior success of films that came before it, they wouldn’t mind releasing the film in an IMAX 70mm format. They’re making more money with the Skywalker films compared to the spinoffs, and let’s face it, audiences care about Rey, they care about Kylo, they care about Chewie, they care about Lando, they care about BB-8. The praise is there, the studio just has to make a decision. Another factor to consider is the transition to go back to how Disney originally released these types of films. Specifically, by doing so in December. This is a good strategy because people are home for the holidays, kids are on break, and with a bunch of Oscar-bait films competing against each other, this blockbuster has a significant chance of standing out.

Do I want to see a reality where we get the opportunity to go check out “The Rise of Skywalker” in IMAX 70mm? I would, but I know it’s not certain. Given my clustered knowledge of how this movie is being shot, I don’t know if it is being shot in the IMAX format, but even if it isn’t, I would be willing to show up for an IMAX 70mm presentation simply because it is the clearest picture in existence. And… Disney, if you are planning on releasing this in IMAX 70mm… PLEASE… Consider releasing it at the Providence Place IMAX. It’s one of the closest true IMAX venues to my house, and one of the best theaters I have ever been to. I will flock there immediately if you release your film there in this specified format.

Am I being an obsessive nerd about this? Probably. Do I care? Hell no! In fact, with all statistics being considered, it makes me worried for the future of how IMAX movies are presented. Yes, we are likely getting Christopher Nolan’s “Tenet” in IMAX 70mm next year, but are we simply doing so because it’s a Christopher Nolan film? Is it because of the director’s power in the industry? He’s my favorite director working today, but it’s still a question I can’t help but ask! “Star Wars” is a big franchise. And this latest film is seemingly shot in a big resolution. So why not let us as an audience look at the big picture?

YUP. PUN ABSOLUTELY INTENDED.

“Star Wars: The Rise of Skywalker” hits theaters December 20th, 2019. I am looking forward (although I am also slightly apprehensive) to seeing how this sequel trilogy will conclude. I do have faith in J.J. Abrams, especially after the excellent job he did with “The Force Awakens.” It also seems inevitable that I am going to see the movie on opening night, even if I get access to a press screening before the movie hits theaters everywhere. As for IMAX, I don’t care what you do with this movie. If it is shot in your format, release it in 70mm. But based on the popularity of this franchise, consider that sort of release even if this movie was shot in a smaller format. What will happen? I don’t know, only time will tell! Thanks for reading this post! I just want to remind everyone that next week starts the second half of 2019, so I will be creating a mega-post containing a halftime report and a glimpse into the future of Scene Before. Be sure to look forward to that! Also, stay tuned for my second trailer of “Project 2020.” If you have seen one of my posts back in April, you know what I am talking about. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, do you have any thoughts on this “Rise of Skywalker” in IMAX 70mm matter? Or am I just batcrap crazy? Also, are you looking forward to “The Rise of Skywalker?” Let me know down below! Scene Before is your click to the flicks!

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2001: A Space Odyssey (1968): A Symphony in the Stars *SPOILERS*

Hey everyone, Jack Drees here! In just a few weeks, “First Man” will be hitting theaters, and in preparation for that, I’m going to be doing three reviews for movies that have some sort of relation to space. I will be posting these reviews weekly, so on the day this review is posted, expect another review in this series around the same time the week after. For this first review, we will be talking about “2001: A Space Odyssey,” which I feel is totally appropriate given how this year is the film’s 50th anniversary that way I have more than one excuse to do a post on it. Also, I must warn you that while this is technically a review of the movie, and my tradition is to leak as little important information as I can. This review is filled to the brim with spoilers. So if you have not seen “2001: A Space Odyssey,” proceed this review with caution. Without further ado, let’s open the pod bay doors!

Duuuuuuun. Daaaaaaan. Daaaaaaaawwn.

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DUN DUN!

“2001: A F*cking Space Odyssey” is directed by Stanley Kubrick (Spartacus, Dr. Strangelove) and stars Keir Dullea (David & Lisa, The Good Sheppard), Gary Lockwood (Star Trek, The Six Million Dollar Man), William Sylvester (Gorgo, The Six Million Dollar Man) among some other people you may or may not have heard of. This film takes place, as the title suggests, in a depiction of 2001 before it even happened. Although that’s not necessarily all there is to it, because the movie starts in prehistoric times. This is why if I’m asked to explain the plot of “2001” to you, I’d almost say that the plot doesn’t necessarily stick in a particular direction. Keep in mind, I don’t mean that in a negative way. It’s not like one of the “Transformers” movies where there’s either a very basic plot or a nonsensical plot to the point where it’s almost a compliment to even call those films “a movie with a plot.” Gosh I love this movie.

“2001” when it comes to ratings and reviews is one of the more interesting films I’ve encountered. You know how movies like “Fight Club” got terrible reviews by critics and yet we still manage to talk about them today? “2001” is “Fight Club” before “Fight Club.” Maybe not entirely because from what I hear about “Fight Club” when it first came out is how it got mostly bad reviews, “2001” on the other hand was simply polarizing. In fact, when it comes to 1968 releases, “2001” actually managed to become the biggest film at the box office of the year. But now fifty years later, not only are we still talking about it, most of the reception it still gets today is most likely to be positive. On IMDb, it has the #90 spot on its top 250 list. Many screenings are still being shown of this movie in theaters from one occasion to the next. In fact this year alone, MANY screenings have been going on in what this film was shot and projected in, 70mm film. I actually went to two of those screenings in two different theaters, and I might as well describe both of them as epic. There was even a week where “2001” happened to be presented in IMAX, which I also took advantage of. As far as this year goes, “Avengers: Infinity War” may be the biggest reason to see a movie in a theater according to many people. I personally beg to differ, “2001” might be THE movie you must see in a theater before you die no matter what year we’re talking about. There are so many sequences, which I’ll eventually dive into, that make a “2001” experience in a theater worth every penny. And that’s not to say that watching it at home is terrible. I own the movie on Blu-ray and it looks fantastic on my TV. “2001” to this day is one of the few movies I even watched with an overture, and when I hear it, it’s so freaking special. There was actually a point where it was on a plane, at the ready, just for me to watch on the itty-bitty TV they have. I avoided such a thing because they didn’t include the overture, and this film, while I would CERTAINLY watch it anywhere, was made to be seen on the biggest screen possible.

If I were to talk about this movie in detail, I’d like to divide it into three sections.

You’ve got the first section titled “The Dawn of Man,” which is the entirety of the ape scenes. The second section is in space where we see Dr. Heywood Floyd’s journey. And we have the ultimate section where we meet Dave, Frank, and HAL. This movie could probably work if the ten or so minutes of “The Dawn of Man” had been erased, but it is all the better for having it in there. I have a friend who watched this movie alongside their mother, who kept asking questions about what this movie was trying to do or be as she observed everything that was going on.

If you are very unfamiliar with this movie, there might be a chance that you might not be able to fully grasp the point of the apes in the beginning. Although with due time, it could enhance the movie’s entire message. Towards the end of this sequence, we see them create tools. We see a fight go down among the apes as they some take turns slashing with a bone. The bone is defined, as this movie pretty much suggests, as mankind’s earliest tool. There’s a point where we see the bone thrown up in the air, it goes back down, and we just cut to…

SPACE.

In fact, the first shot we get in space is of a satellite, which some people have said is a nuclear missile. If that’s the case, this movie is better than it needs to be. That means we go from mankind’s most primitive weapon to mankind’s most advanced weapon. We go from a bone that can take out a monkey, to a big fat hunk of junk that suggests that its user is NOT MONKEYING AROUND.

Let me just say though, all of the space scenes are BEAUTIFUL. This movie was made in 1968, and it looks so much better in terms of effects than a vast amount of content coming out today. You disagree? Well tell that to Stanley Kubrick who won an Oscar for the effects work done on this film!

Let’s talk about some of the characters in “2001,” starting with Dr. Heywood Floyd. His story is mostly covered through the movie’s second act. He has to maintain a cover story. He has to go after an artifact. Overall, this character indicates something that not only this movie’s characters indicate, but the movie itself indicates. Sometimes nothing can turn into something. This movie is on the slower side of the spectrum, but it’s all the better for it because you can inevitably focus on what is happening and not provide more information that we as an audience don’t really need.

Speaking of which, you want to know how much this movie can associate with the word “nothing?” The first line of spoken dialogue aside from whatever gibberish the apes are saying is given somewhere around the fifteen to twenty minute mark. The last line of the movie is given about twenty minutes or so before the end credits roll.

Two of the third act’s characters include Dave Bowman and Frank Poole. They are onboard the ship where HAL 9000 resides. These two don’t seem to have any sort of close relationship to each other that the movie dives into, but they are put on the mission together, which works for the plot. The duo happens to be heading to Jupiter on a ship by the name of Discovery One. As we meet Dave and Frank, we get an insight as to what their mission is along with their relationship with HAL.

Speaking of that, this is where we meet HAL. Our first lines of dialogue spoken by all of these individuals were all given during an interview. Dave and Frank aren’t necessarily complaining about anything, and HAL is the same way. His words of dialogue are especially worth holding onto because it is what we all want to be. And I say this regardless of whether we are human or technology. HAL goes on saying that he is “incapable of error” and he has a stable relationship with Frank and Dave. This is where we find out HAL was programmed to have emotional capabilities.

Soon thereafter, we see HAL wish Frank a happy birthday. More specifically, after he plays a message where Frank’s parents do the same. This shows how HAL has complete control over the entire ship and he has tons of responsibility. We also see a scene that if you didn’t realize how much this movie was about where we may have been heading with technology, this was hopefully your wake up call. We see Frank and HAL playing each other in a game of chess. HAL outsmarts Frank.

After we see that, we take a look at a scene where HAL alerts Dave of a part of the ship that was going to fail in 72 hours. What happens in terms of removing that part, forget it, we’re gonna jump over it. But an important thing that HAL says afterwards, is that this may be “attributable to human error.” HAL even affirms that incidents like these have always been due to human error and that the computer is never a problem related to this.

It’s scenes like these that make me think about where technology will go in the future, what it will do in the future, how we will stand with or against it in the future. And that is f*cking important, because this movie came out FIFTY YEARS AGO. Whoever these people who watched it back when this came out happen to be, they probably thought something along these lines, and now “their future” might have already arrived! I’m still in my teen years and yet this movie makes me wonder what technology is ultimately going to do! We are pretty much at the point where if you don’t have technology (for the most part) you’re basically a caveman. This movie makes me wonder when/if technology will take over to the point we as a human race are no more. Everyone is now attached to their smartphones, which like HAL, seems to be controlling all of our daily lives. We use it to make calls, receive messages, and depending on who you are, even buy newer phones!

When HAL kills Frank, the way that scene plays out is BRILLIANT. It shows you Frank flying in space, even hitting a pod, which has no sound whatsoever, which is how space works so I appreciate the accuracy. Most big deaths in movies have some sort of sound attached to it. Perhaps an explosion, some dramatic music, maybe even a headbutt. This death is different and honestly stands out from many other deaths we see in movies today. Not only does HAL kill Frank, but he kills some other individuals on the ship who happened to be in cryogenic sleep mode. None of them were awake for the whole movie, I didn’t know much about them, and yet those deaths are just tragic.

Of course, we can’t go without mentioning “Open the pod bay doors, HAL.”

After the recently mentioned deaths, not to mention Dave’s attempt to rescue Frank, Dave asks HAL to open the pod bay doors so he can reenter the ship. HAL denies Dave’s request, to which Dave asks what the problem happens to be. HAL says Dave knows the problem as well as HAL does. The computer knows what’s up. Dave says he’s gonna go in the emergency airlock, which leads to a lack of communication with HAL from then on. Once Dave is inside, we get one of my favorite rants that just scream “Oh s*it, I f*cked up, I need to defend myself,” in the history of film.

“Just what do you think you’re doing, Dave?”

“Dave, I really think I’m entitled an answer to that question.”

“I know everything hasn’t been quite right with me. But I can assure you now, very confidently, that it’s going to be alright again.”

“I feel much better now. I really do.”

“Look, Dave. I can see you’re really upset about this. I honestly think that you ought to sit down calmly, take a stress pill and talk things over.”

Throughout this ramble, Dave isn’t even talking, he’s just going into HAL’s control room. Ready to end this tragedy. He begins disabling HAL, and we see HAL feeling very afraid, which eventually leads to things he must have said in the past, or things maybe he’s programmed to say once turned on. The whole death is really just something that I feel might be hard to replicate in a future film.

An interesting thing I found on “2001’s” Wikipedia page is that critic and poet Dan Schneider recalled HAL’s death being sad. And in all honesty, I can see why. This movie gives you time to see HAL go. The death is a process to go through, and I believe as I watched this scene certain times, I may have felt HAL’s pain. HAL, without a doubt, was an ungrateful son of a bitch as this movie went on. But when he starts defending himself through words, I think that one of two things are absolutely possible. He either is genuinely sorry for his actions, after all he has been programmed with genuine emotions. Or maybe he is trying to defend himself, lie, and attempt to please Dave in a time such as this. Given how HAL has been programmed with genuine emotions, it makes me wonder, does HAL have the ability to know when he’s lying? Does he know how to lie at all?

HAL comes off as fairly certain that the HAL 9000 series is a perfect piece of machinery. Was that a total lie? Did he lie about the chess match against Frank being “a very enjoyable game?” Was the game considered “work” for HAL in order to please Frank? Did HAL enjoy the match, but feel that his win made the humans on the ship useless? There are so many relevant questions to be asked.

You know how I mentioned the last line of the movie comes about 20 minutes before the credits? That is given by Dr. Heywood Floyd, which makes him the only character to appear in multiple time periods of the entire film. Afterwards we are introduced to the ultimate segment, “Jupiter and Beyond the Infinite.”

I need you to take the greatest horror movie of all time. Maybe it’s John Carpenter’s “Halloween,” perhaps “Psycho,” or maybe if you are a fan of Stanley Kubrick and you’re reading this you might say “The Shining.” Keep that movie in mind. The sequence that defines this final part of the movie to me, is the Stargate sequence. If you have followed this blog for a long time, you may know I’m a super-fan of IMAX. I know a bit about IMAX’s history, including one of their pre-shows. A lot of people today are exposed to IMAX’s epic countdown before they watch a movie in that format. This has also occasionally been mixed up during certain films including “Blade Runner: 2049,” “Spider-Man: Homecoming,” and “Suicide Squad.” Before that was a thing however, IMAX had a couple introductions where it’s basically a journey through this wormhole which I’d love to see brought back everywhere for a special occasion if possible. The stargate sequence is pretty much what I described except more hypnotizing, and more horrifying. One of the first questions on my mind after watching the stargate sequence for the first time was the wonder of how high Stanley Kubrick had to have been to include that in the movie.

I mean, I eventually found out that when some people watch “2001,” they’re on drugs or they drop acid, and I can totally see why. It’s not my thing. In fact having seen this sequence in theaters a few times now, the sounds of the stargate were so unbelievably boisterous that it kind of drowns out the music at times. You take the visuals which are eye candy to say the least. You take the music which is a mixture of excitement but a reminder that what you’re watching is simply put, f*cked up. You also take the shots of Dave himself, you can tell he’s scared and doesn’t know what the heck is going on. All of it makes a sequence that is nothing short of masterful.

The way they did this sequence was actually through slit-scan photography, which was done by Douglas Trumbull. You know what? I refuse to call the guy Douglas Trumbull. Instead, I’m calling the guy a genius. This process was also used in Alfred Hitchcock’s “Vertigo” and when it comes to “2001,” this actually required a customized machine. The sequence is haunting, it’s colorful, and it’s just strange. When I have “2001” on and this sequence playing, each time feels like my first time because it’s hard not to be hypnotized by a scene like this.

Now we get to the very ending, where Dave is in this room. He notices an alternate version of himself. The thing is, he’s older. The difference isn’t by much, but if you look closely, you can notice some grey hairs on the alternate Dave. There are also two more alternate versions of Dave himself. You have the one at a dining table and another lying down in bed. The one sitting at the table is not in a suit and instead, some sort of robe. It’s almost like he’s an old Jedi master that is trying to enjoy his last moments before he dies. Speaking of which, this alternate version glances over to another alternate version, whose skin is so worn to the point that he looks like a deranged grandfather. He’s practically on his deathbed. We notice him raising his hand up into the air very slowly. It’s slower than a shy kid in his history class. This hand raise is almost as if he is calling to God. In fact, if you watch the scene, you might notice the monolith, present before in the film, right in front of the bed. It’s as if the monolith is symbolizing Dave’s next stage, which is the star child. We notice this baby on the bed, which also happened to appear where old Dave was once lying down. Where does this baby end up?

SPACE.

Wikipedia suggests that Stanley Kubrick once said that this space baby is the next stage of human evolution. Now this baby has not cried once in this entire movie. If Kubrick is suggesting that we don’t have to go on a plane anymore and hear a crying baby. Spectacular, I hope this is futuristically accurate. Kubrick also said that this space baby, in his mind, is Dave as an elevated being, which is what evolution can suggest. But this film, as the old saying has been thrown around, is seemingly up to interpretation. I do agree on him being reborn, but part of me wonders if this makes Dave “a chosen being.” We always wonder what would happen to us after we die. Maybe the good go to heaven. Maybe the bad end up in hell. And if you kill a supercomputer with genuine emotions, you are reincarnated as a space baby. I can’t wait for the day when everyone forgets that Ken Jennings and Brad Rutter lost to a supercomputer on “Jeopardy!” all because they eventually destroy one with their bare hands and it sends a curse on society.

Another thing that can bring lots of interpretations to the table is the monolith. Our first glimpse of the monolith is during The Dawn of Man. The apes seem to have much curiosity towards the monolith upon first glance. They are all around it trying to decipher whatever the heck it is they are looking at. One thing I’ve noticed is that most of the moments where the monolith can be seen, we see the sun growing over it. When it comes to the first two scenes with the monolith, specifically the scene with the apes and the one on the moon, those are both moments of discovery. We have the apes curious to know what they’re looking at and the men curious to know what they’ve found. It shows how we as mankind are still curious even after we make discoveries years ago. The monolith may also be a way of symbolizing life itself. We see the birth of mankind in The Dawn of Man, where we create tools, and pieces of the puzzle are forming together. We see the moon discovery with the fact that the monolith knows the letter “e.” By the way, that “e” thing, I feel like those who have seen this movie might know what I’m talking about and might consider what I said to be some sort of joke based on actual events, but there’s this sound that can be heard towards the end of that scene and it’s basically the same sound that the fire alarm would make at the school I went to in grades 1-4. I had to cover my ears in the theater during that scene for good reason. We also see the monolith in the stargate signifying that maybe Dave is not going to be in as good of shape as he once was. The stargate, while majestic and beautiful to us as an audience, was not all fun and games for Dave. Then we see the rest of Dave’s life play out. The last thing Dave apparently sees is the monolith, therefore signifying death. Not the death of mankind, but the death of Dave. Although at the same time, maybe if Stanley Kubrick’s words of Dave evolving to the next, superior form of man can be applied here, maybe it can be the death of OUR mankind as we know it, and the birth of a new mankind.

Let’s also talk about the music in this movie. Before “2001” ultimately ended up with the music it has, it once was going to have a score by a composer known as Alex North. Before this film, he worked with Kubrick before on “Spartacus.” After he worked on the score however, his work was eventually discarded. Instead, Stanley Kubrick decided to insert pieces of music that already existed such as Richard Strauss’s “Also Spoke Zarathustra” and Johann Strauss’s “The Blue Danube.” By the way, those two have ZERO relation to each other. That first song I mentioned? That’s the one from that famous opening title sequence. That’s the song that has received parody after parody to the point where it’s almost not even a joke anymore. This song plays three times in this movie, and each time is just about as epic as the last. As for The Blue Danube, that plays three times, but none play the song in its entirety. There is not one original song here. In most movies, I’d ask myself why the f*ck that would be the case. Here, I wouldn’t blame others for asking such a question, but the biggest surprise to me is how much something like this works here. I mentioned I went to see this in the theater. When you listen to the music, it’s more like you’re taking a trip to an opera house as opposed to a movie theater. Much like the stargate sequence, it’s a trip. All of the music just feels grand, it matches with what the movie is trying to be, which is an ambitious epic.

This movie also shows something in space that I never really thought too much about until I saw this movie. I know that at NASA they have those zero gravity simulators and those can help you know what you’re in for regarding your future space travel. Although there are several scenes, and these are noticeable when the space scenes begin, where people are learning how to adapt to their spatial environment. There’s a scene where a stewardess is trying to walk and she’s having a tad of trouble doing so. You also have a scene that shows people needing to learn how to use the toilet in space. It gives us a look at humanity at a new stage in our cycle. We have now gotten to the point where space travel is pretty much a necessity and now we need to learn how to adapt to it.

Before this closes off, let’s dive into some detail about HAL. One recent notion I heard about this movie is that HAL, despite being a supercomputer, might be the most “human” character in the entire movie. Having heard that, such a thing makes every bit of possible sense. All of the humans in this movie for the most part, while they do appear human, barely have any sense of emotion. Even when they’re seemingly in danger, they don’t act like they are as much as HAL would. If you take HAL’s final words, you can tell that he made a mistake. You can tell he is trying to defend himself. Everyone else is trying to get work done. Sure, people do work, but each and every day we are letting the machines do all the work for us. It’s as if we are really the machines and HAL is the sole human in this entire film. In fact, as we become the machines, which we rely on to get work done, the machines have the ability to grow a consciousness, to the point where they can beat us in literally anything. After all, in terms of how animals operate, humans are pretty high in terms of superiority. The time when machines are as emotional as say a human is a point where one can assume that they can “win” the fight for survival. The whole message of the movie is that mankind created tools, allowing us to advance ourselves, to the point where we create a doomsday tool.

Gosh I love this movie. Oh, I forgot one more thing.

SPACE.

In the end, “2001: A Space Odyssey” is one of the best sci-fi movies ever made. Not only in terms of story, but also in how it was made, how it was directed, the effort put into every single set. This film has been influential on many more sci-fi films that have arrived after it. I can imagine it STILL being talked about even a thousand years from now. Not to mention, as a film it is different, imaginative, and also just something that can evoke lots of emotions. Either fear, sadness, inspiration, whatever. Stanley Kubrick, I love you, I want to watch more of your movies, you have outdone yourself here. I’m going to give “2001: A Space Odyssey” a 10/10. Thanks for reading this review! My next space movie review will be up on Thursday, October 4th, and I am not sure what I’m going to do next. But I would like to announce that one of the installments in my space movie review series is going to be “Gravity.” I will say, if I don’t have that review next week, I can guarantee that will be up the week after. As for the other movie, I’m actually still deciding. The mystery remains. Be sure to follow Scene Before either with your email or WordPress account so you can open the pod bay doors and find some more great content! I want to know, did you see “2001: A Space Odyssey?” Or, what is your favorite Stanley Kubrick movie? I’ll be honest, I need to see more of his work. But if you have a favorite, let me know down below! Scene Before is your click to the flicks!

2001: A Space Odyssey (1968) Getting Limited IMAX Release *Tickets Now On Sale!*

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Hey everyone, Jack Drees here! Before we dive into this post, let me just ask you all something. What is your favorite form of social media? If you ask me, my two favorites have to be YouTube, the site that won’t stop playing the same freaking GEICO or Google ad before watching EVERY VIDEO YOU CLICK ON, and Twitter, the elementary school playground where Donald Trump pushes his enemies down the slide, Wendy’s is being the class clown, and former Economic Secretary to the Treasury of the UK, Ed Balls, is trying to play “Guardians of the Galaxy” with his friends all the while doing a terrible Groot impression.

A couple things to say. First, YES, that is a real tweet. It’s exactly as Ed Ballsy as it looks. And second, it’s I AM Ed Balls! Actually, wait a minute, he’s playing the character, it should I am Groot. Never mind. Speaking of social media, some of the most popular things people happen to find as they flock around their favorite sites is pictures or videos of babies. Why else do you think “Charlie Bit My Finger” is one of the most viewed YouTube videos of all time? If that’s the case, I’m a little dumbfounded that some channels having to do with babies are getting left in the dust, for example, one created by a couple known as Paul and Genevieve. This channel, while it doesn’t exactly focus on kids doing peculiar, cute, or funny things on camera, it does focus on the preparation for becoming parents, and by that I mean, literally trying as hard as possible to get pregnant. This is all explained… in “What the IVF?!”

“What the IVF?” is a series on YouTube where the recently mentioned couple attempt as hard as possible to have a baby. Each and every Monday, a new adventure is uploaded to the interwebs, and usually the adventure is not a pleasant one. In fact, most of these adventures continue to remind the couple about the struggles of their journey as they deal with incessant crying, pain, needles, thinking they’re under a dark spell, needles, appointments, needles, “trying everything,” and more needles! You can find the latest “WTIVF?” content on a YouTube channel specifically dedicated to the series. Their latest video is a bit of change of pace from the norm. Most of the events have been shot prior to this channel’s inception, however this is the first full-length video audiences get to see around present time. If you like unicorns, this episode is probably more preferable than some others in the series. Be sure to subscribe to the “What the IVF?” YouTube channel, ring the notification bell, check out the show’s other homes on the interwebs, all links are down below including a personal website for the show itself. Also, be sure to tell Paul and Genevieve that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

If you have been following me here on Scene Before lately, you might know that I have done a recent post titled “Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s.” In that post, I talk about the two times I saw “2001” in a theatrical setting. Both times were in 70mm equipped cinemas in the state of Massachusetts. That post took a long time to make, but overall I’m pretty proud of it. If you want to read it, click the link below and check it out. But if you’re more focused on this post, please stay here, because I’ve got some words I need to spit out. I’ve already seen “2001” twice this year in theaters, both of my experiences were nothing short of fabulous. And you know what? I think it might be time to go see it again. Unfortunately, there are no 70mm runs near my house at the moment, nor are there any other engagements that I’m personally aware of. But there is something big coming.

This year, “The Incredibles,” my all time favorite animated movie FINALLY got a sequel released to the public, and incredible it was indeed! My experience of seeing that movie was also pretty darn incredible as well. Before the release of “Incredibles 2,” one of my deepest desires was to see its prior installment in the IMAX format. I thought throughout most of my life that this was an experience that I would always dream of, but it was never going to become a reality. But for one night, it did. As part of a double feature which included both “Incredibles” installments, my dream of seeing “The Incredibles” in the IMAX format came true. By the way, this was shown before the official technical release of “Incredibles 2.” To specify, it was shown ONE DAY PRIOR TO THE OPENING THURSDAY NIGHT SCREENINGS! However, this month, something just as incredible will be hitting IMAX, and that is “2001: A Space Odyssey.”

Having seen “2001: A Space Odyssey” a bunch of times now, a part of me couldn’t be happier. I haven’t watched the movie from start to finish until this year, but when I did sit down to watch this movie, it made me realize what I had been missing. It’s a movie that came out in the 1960s, and yet it looks better than a bunch of movies coming out today. The space shots are majestic and full of glory. People back then would agree with me in saying those shots look amazing, and I think they look so beautiful that I had to see this movie in theaters not once, but twice! There are other reasons too, but nevertheless.

But in all seriousness, a movie like this in IMAX? I’m in for sure! Aside from the huge scale glory that can apply to “2001,” I think that “2001” is a perfect choice for a movie to bring into the IMAX format simply because it’s that good of a movie. And I’m not saying that only because I think it’s one of my all time favorite movies, which it is, but to say I’m alone on that sort of statement would be completely false. As you know, two of IMAX’s main focal points are to crank out their exclusive content such as those documentaries which are traditionally exclusive to museum settings, and to immerse audiences into new content from other studios. However bringing older movies to be presented in the IMAX format has become a somewhat increasing trend over the years. This has been done with “Raiders of the Lost Ark,” “The Wizard of Oz,” “Harry Potter,” “Forrest Gump,” “Jurassic Park,” and “Top Gun.” I honestly don’t mind this trend. As much as I try to promote originality, it’s fun to see what it would be like to witness a movie that was in theaters at one point on the big screen once again, maybe share that experience with younger generations, and since it involves IMAX, that experience could actually be enhanced.

One thing that I’ve noticed however when it comes to a number of these presentations is that some of them don’t exactly utilize the ultimate technology of IMAX by showing the movie in IMAX’s 70mm projection. In fact, with a movie like “2001: A Space Odyssey,” which was shot using 70mm equipment, not to mention shown in theaters during its theatrical run using 70mm projectors, the whole idea of presenting this in IMAX 70mm film just sounds perfect! And that is EXACTLY what is going to happen!

I will say though, I am probably unlikely to catch one of these 70mm screenings. I live about an hour away from Providence, RI, which has an IMAX 70mm projector, but based on evidence I’ve witnessed since tickets have recently gone on sale, I can’t really say that Providence is actually showing this movie. They even have digital projectors, but the movie isn’t even being shown on that. In fact, if you’re reading this right now, there’s a good chance that YOU might not even get the chance to see the movie in IMAX 70mm. Here’s a list of the theaters showing “2001: A Space Odyssey” in IMAX 70mm.

AMC Loews Lincoln Square 13 (New York, NY)

AMC Metreon 16 (San Francisco, CA)

AMC at Citywalk Hollywood (Universal City, CA)

Ontario Place Cinesphere IMAX (Toronto, ON, Canada)

Indiana State Museum (Indianapolis, IN) (Starting September 7th)

Although, something feels strange about all this. This is starting towards the end of August (for the most part), there is another movie that is supposed to be showing in IMAX 70mm that seems to be in just about all of these locations. Don’t believe me? Here’s an article from Variety, published last month.

‘The Dark Knight’ Set for 10th Anniversary Imax Re-Release (EXCLUSIVE)

If you are too lazy to read articles, there’s not much wrong with that, I understand, but the article basically states that around the same time, IMAX is doing a one-week engagement for “The Dark Knight” because it just turned 10 years old. And I will say, that is actually a grand idea. For one thing, it not only dazzled audiences for how much of a quality movie it turned out to be. But it also happened to be the first major Hollywood film shot using IMAX cameras. Turns out, both “The Dark Knight” and “2001: A Space Odyssey” will be playing on the same day as each other at different showtimes. And having heard this sort of news, I actually think that’s almost mind-blowing because when I usually go to an IMAX it usually has one film playing a day unless there’s some special event going on like an opening Thursday night. So we have two big movies playing simultaneously in IMAX, we have both of them on 70mm film, and they have around two and a half hours of footage! That’s a LOT of film! A little bit of digression here, but the funny thing about this is that “The Dark Knight” is actually directed by Christopher Nolan and now this presentation of “2001” is actually being kind of overseen by Christopher Nolan. Gosh he’s my favorite director of all f*ckin’ time.

And if you can’t catch this movie on IMAX 70mm film, there’s still other opportunities to catch this movie in the IMAX format. According to sources including the Hollywood Reporter, Deadline, and others, this movie is said to be shown in more than 350 IMAX theaters. IMAX has over 1,000 theaters in existence, so I can only wonder which ones will be selling the golden tickets. Although another thing to consider is that all of these theaters that are playing the movie in IMAX 70mm are located somewhere in North America. Is it possible that this is only exclusive to North America? I think that might be the case. In fact, don’t trust me completely, because I don’t have evidence to completely back this up, but I think I remember reading about this somewhere, I don’t know where, but wherever I read this had a statement saying that this was exclusive to North America. I don’t know, maybe I’m imagining things, but I don’t work for Warner Brothers, I don’t work for the movie industry, so I’ll admit upfront, I might not be the first guy you’d want to trust on every single detail you hear.

Another thing I will say though is that “2001: A Space Odyssey” is one of those masterpieces that you have to catch before you die. There’s a reason why it has a spot in the IMDb top 250! And let me tell you something about this movie. Last June, I caught the movie twice in a 70mm theatrical setting, as mentioned earlier. A week after I saw “2001” in the theater for the second time that month, I was going on a trip to Walt Disney World, because my family and I decided to give more money to the people we already gave money to for their work on “Avengers: Infinity War,” “Incredibles 2,” “Black Panther,” and unfortunately, “Solo: A Star Wars Story.” On the way back from the trip, I was searching through JetBlue’s options for free movies. One movie on the free list was “2001,” so I started watching it. And I realized it was missing something I usually get when I watch the movie, not only at the theater, but even when I watch the Blu-ray.

It was the overture that occurs before the MGM logo… In fact, if I remember correctly, I don’t even think the MGM logo appeared either.

Sure, that is a weird compliant… But having watched this movie several times, that is probably something that I will continue to associate with my experiences. And this made me realize something. “2001” IS NOT A PLANE MOVIE. Would I watch “2001” anywhere I go? I probably would. I consider it to be one of my favorite movies of all time. But if you ask me, if you should watch the movie on a plane, that is probably not my goto choice. If you want the full power of “2001,” either watch it in an area where you can get some peace and quiet on a decent TV screen or projection wall, or in a theater. I don’t know if we as living creatures will ever get an opportunity to watch “2001” in IMAX ever again. Maybe I will, maybe when it turns 75 or 100 years old, but in all seriousness, being given the chance to witness this masterful work of art in a place having to do with one of my all time biggest influences towards wanting to pursue a career in the film industry is a chance I don’t want slipping past my radar.

Thanks for reading this post! If you have read this and are rather interested in that post I just mentioned, “Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s,” I’ll have you know that the link to it is down below, so if you want to check it out, go right ahead! As for new reviews, the future is somewhat uncertain, but there are few things I’m seeking out right now including “The Spy Who Dumped Me,” “The Darkest Minds,” and one of my most anticipated movies of the year, A24’s “Eighth Grade.” Maybe I’ll sprinkle in a countdown somewhere since I haven’t done one in awhile, but seriously, only time will tell what will be happening here. Stay tuned for more great content, be sure to follow me and like this post! I want to know, are you planning to see “2001: A Space Odyssey” in IMAX? If so, which theater are you setting your eyes on for this? Let me know down below! Scene Before is your click to the flicks!

Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s: https://scenebefore.wordpress.com/2018/07/17/going-to-see-2001-a-space-odyssey-1968-a-tale-of-two-70s-spoilers/

Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s *SPOILERS*

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Hey everyone! Jack Drees here! The last number of weeks have been wild. Not just here on Scene Before, but I mean life in general. From learning to drive, to dealing with college, to being invited to a pre-release screening and accepting an invitation for the first time, to going to see my first double feature in a theater, to perhaps one of the most infuriating and crap-induced days of my entire life, vacations, family reunions, and everything has just been stacking up on my schedule like pancakes at IHOb. That’s right! IHOb! Apparently someone thought it was so brilliant to switch the last initial of IHOP. The new initial by the way, happened to be “burgers.” The International House of Pancakes, has now become the International House of Burgers. IHOP is synonymous with breakfast in the same way that Sprint is synonymous with *muffled voice*

GUY ON OTHER END: Sorry, what was that? I can’t hear you.

ME: Oh, sorry, let me try going into another room!

*Footsteps*

ME: OK, let’s try this again, where were we?

GUY: Something about IHOP.

ME: Oh, right, thanks!

IHOP could have gone with several names for their replacement initial if they wanted to stick to having a “b!” Bacon! Breakfast! Buttermilk! And as weird as it sounds, Belgians! Seriously! International House of Belgians! That… The more I think about it… Kind of has a ring to it. Or, what if the “b” was so random that it had nothing to do with food whatsoever? Imagine the name change being International House of Butts. I think smoking is usually frowned upon at IHOb, but you have butts that get right into the restaurant and eventually land in a seat! What about International House of Balls? Because it takes balls to go to a diner and eat pancakes with fake syrup. Or even more random, what if the “b” is for a person’s name? IHOP could become the International House of Bob. Maybe the International House of Bianca? That not good enough? What about the International House of Becky? Still not satisfied? Why not settle for the International House of Barry? Everyone will come in, desperate to ask an employee, “Who the hell is this wacko named Barry?” And maybe if your name is Barry, you’ll get your entire meal half-priced! If you are a FAMOUS Barry, your meal is free! That’ll bring all the Barrys in! Barry Trotz! Barry Williams! Barry Manilow! Now is your time to be the best Barry you can possibly be! After awhile, IHOP learned their lesson and changed their name back to what it originally was, but this just felt like a natural disaster! Screw whatever s*it went down in “Cloudy with a Chance of Meatballs,” allow me to introduce Hurricane Burger!

Seriously though, this rant is not what you came in for, you came in for something related to “2001: A Space Odyssey.” Over a couple of weeks, I’ve taken two opportunities to go see “2001” in two different movie theaters. Both times, I saw the movie in 70mm, which is the way that many audiences witnessed the film back when it came out. Speaking of that, this print that was shown at both theaters I went to was a photochemical recreation of the original camera negative for the first time since the film’s theatrical run. There are no digital tricks, add-ons, or gimmicks. It’s quite possibly the closest one could get to going back in time and watching this movie in a theater during the year of 1968. During the realization of how this print would ultimately turn out, the whole project was under the supervision of critically acclaimed director Christopher Nolan, who has been a lover of “2001: A Space Odyssey” for a very long time. Nolan has directed films including the “Dark Knight” trilogy, “Memento,” “Inception,” and most recently, “Dunkirk.” He has also created a film with several similarities to “2001,” “Interstellar.” The first presentation of these “unrestored” prints occurred at this year’s Cannes Film Festival, where Nolan received a standing ovation upon being greeted. Warner Brothers went on releasing a number of prints at select theaters, and not all of them have been released yet.

Let me just start off by saying that both experiences of “2001” were absolutely spectacular! I consider “2001” to be one of my all time favorite movies, so naturally I wouldn’t mind watching it anywhere, but the fact that I’ve went out to see it in a theater in 70mm probably brought out the best the film ever had to offer.

Every other time (maybe except one) that I’ve watched the movie “2001,” whether it was start to finish, split into parts, whatever, it was on a Blu-ray disc, and the transfer that “2001” has gotten on that particular disc is not bad whatsoever. I say maybe except one because I’d bet my first viewing was on a DVD. You can see all the necessary details, no colors look all that weird, and the sound is pretty good too. Although for the past couple of viewings, I’ve gotten off my ass, and went into a theater with other people. See guys? I have a life! I can go out of the house every once in a while! And with just enough motivation, I think you can too!

The first time I walked out of “2001” after seeing it in a theater, I don’t think I said this right away, but I can guarantee you that at one point, even if it is days after my experience, I said something along the lines of “THIS CHANGES EVERYTHING.” Sounds like you would hear that phrase every now and then. I was born just barely before 2000, but I can imagine back in 1977, when “Star Wars” came out, some people, adults, teens, and children living at that time probably at the very least had that thought in their mind after their first “Star Wars” experience. In 1994, “Toy Story” came out, and when it released, there was not much like it in the animation genre. It blew a lot of minds out of people’s heads and just lead to just about nothing but high appreciation. In fact, this year, in 2018, minds are still being blown. We have just witnessed the culmination of the Marvel Cinematic Universe, “Avengers: Infinity War,” and people are having many emotions towards it. I thought it was a total game changer, not to mention one of the all time greatest movies I’ve witnessed that is based on a comic book due to how the execution of the content the film contained turned out and the way it ended. Even after “Avengers: Infinity War,” my mind is still able to be blown, and with this mind blowing experience, it’s not just amazing because it’s truly unlike anything I’ve ever seen. But it’s also something that I’ve technically seen before, but am now getting to view in a whole new way that feels unique.

Without further ado, let’s talk about both of my experiences in detail!

SOMERVILLE THEATRE, SOMERVILLE, MA (JUNE 3RD, 2018, 12:30 PM):

The first of my two experiences took place at the closest theater to my house where this sort of thing happened to be taking place, the Somerville Theatre. The theater first opened in 1914 and my presentation was in its original auditorium. As far as getting there, I went with my friend by her car on a Sunday afternoon, leaving my home an hour prior to showtime. And since it was Sunday, we were kinda lucky, parking was free. Yay! We get in the theater to realize there actually is a line to get tickets or check in. My friend and I already had our tickets. Then once we grab our tickets, we get into another line on the opposite side of the sidewalk from where we walked in. Continuing our luck, it wouldn’t take that long for us to enter the theater given our distance in line. Once we enter, we grab our seats somewhere towards the rear end, and more luck happened to be on the rise! CENTER SEATS! As we grab our seats, I decide to go on into the lobby because I wanted a popcorn and soda.

I enter the lobby, knowing where the snack stand is because this is not my first time at this theater. As I walked forward, I knew exactly what to order. I ended up getting a large combo which cost less than $10! Holy crap! You know how much I have to pay for a combo like that an AMC? It’s somewhere around $15 to $17! I do it to support the theater and they actually make more money off of food purchases than ticket sales, which is why I don’t bring my own stuff into the theater. But just the other day I was down in Disney World, and they had an AMC on the property, where a large popcorn and a large drink would cost me around $15 to $17, and even when I use a discount which I earned from rewards points, it’s still a good deal, but if I remember correctly, it still cost me more than a large combo at Somerville Theatre WITHOUT rewards points. By the way, both of those combos actually allow you to get free refills. Boom. The guy at the register was really nice too. He complimented on my Cinema Sins t-shirt, and pointed out that everyone who got something at the stand so far in the day, including myself, ordered a large combo. The streak was eventually broken, but it’s still cool to be part of the team! Speaking of broken streaks…

I get back into the theater, and I accidentally enter the wrong row. I’m one row ahead of where I’m supposed to be. So instead of executing my gymnast skills of lifting my legs over a seat, I walk out on the side, like a normal person. Then suddenly, bad luck ensues. Not just for me, but for the poor man whose drink I accidentally spilled. I hear a noise, and this guy say “S*it.” I didn’t know what to do for a second. So it was time to play a game, let’s call it “Somersolve,” the game of solving problems in Somerville, Massachusetts. The objective is to avoid getting into a problematic situation and solve a problem. So, I act calm, and let out my humorous side.

“On the bright side, it’s a free refill.”

The guy who I interacted with seemed to take the situation lightly, my friend offered to spend some money on him toward new refreshments, to which he replied that he’s alright and ended up getting a free refill. Based on my observations, the guy ended up moving to a different seat. By the way, if this guy I’m referring to is reading this, I’m sorry!

Once it’s just about time to begin the action, a guy comes into the theater and starts talking on the microphone. He greets and welcomes everyone, and he states that the projectionist in the booth is considered by numerous people to be “the best in the business,” suggesting that he’s projected “2001” many times. Then the bad luck continued… He goes on to say that a gear on the projector is actually broken, and from what I heard, this happened many hours, perhaps a day or two, prior to my arrival. The projector still works, and the movie is still playable. However, there is a drawback to all of this. During certain points of the movie, the screen will go black for a minute, and the movie will stop. And no, this is not in an intermission type of pause (although the movie did provide one). What would happen is the screen will suddenly stop displaying an image. No sound would be heard whatsoever. And you know what? The guy was gonna make it up to anyone who wasn’t fond of this. If this bothers anyone, they actually get their money back, which is actually not a bad deal because they paid a premium price and maybe they can show they aren’t getting their premium service. Once I heard this, I was worried. What was gonna happen? What scenes were I going to miss? Oh my gosh! Human sacrifice, dogs and cats living together, mass hysteria! Nevertheless, the speaker had an admirable hint of charm to him, and appeared to be extremely presentable. He also states some of the technical aspects I gave to you all in this post. The Christopher Nolan thing, the original camera negative thing, stuff like that. Once he finishes speaking, everybody begins to clap. It was clear that a good number of people were either really hyped for this experience, they love “2001,” they are enthusiastic about the whole 70mm situation, or clapping is possibly an undiscovered effect of dropping acid. Then, the auditorium returns to the low volume it previously contained. Afterwards, music begins. It’s the overture.

From what I can tell, the overture didn’t even start from the clear beginning. OK, whatever, it’s just the overture, there’s no picture during this moment, I can deal with that. I got to hear over 75% or 80% of it at least. Around the song’s technical halfway mark, I notice the slight dimming of a ceiling light. Once the song comes to a close, almost all of the auditorium is dark, excluding the screen, which has been revealed by the opening of the red curtain, and a few red lights on the walls. Then I see it. The MGM logo. The adventure has begun. We as an audience are then greeted to the famous, masterful, and endlessly parodied opening accompanied by Richard Strauss’s “Also Sparch Zarathustra.” I felt reborn. I almost wanted to clap immediately, but I didn’t want to be the one awkward attendee making everyone question humanity. I already made one person question such a thing when I spilled their drink. One thing I kinda sorta expected from there on out, was silence. Everyone was hypnotized to the screen, including me. I was trying to be respectful and not eat and drink too much for sake of not letting out too much noise. It reminded me of when I went to see “A Quiet Place” and would try to not be as obnoxious as I might be during other movies with my drink, and literally dissolve popcorn by use of my tongue. The screen demanded my full attention. When the movie started, and as it progressed, I did notice a slight difference in color when it comes to various shots. I didn’t consider it a bad thing, in fact compared to my Blu-ray, I think it truly captures the retro feel that maybe you’d want out of a movie like “2001,” and the more I think about it, makes it feel slightly less artificial. It’s not to say that it’s less clear than my Blu-ray, it’s higher in quality. Blu-rays go up to 1080p, and I have a player that can upscale those kinds of discs to near 4K quality. When it comes to 70mm, 4K is 70mm’s meal for breakfast. Now, let’s get to what could have been the worst part of the experience, had we been ripped off.

As mentioned, we were told that there would be short pauses during our presentation, which will eventually lead to the return of the movie playing. I was worried, I didn’t want to complain too much, then it happened. Around the “voiceprint identification” scene, the screen goes black, and the auditorium is almost in complete darkness. And since we were told about this, nobody really complained! I was thinking that we were going to miss a segment of the movie, and that point would be Floyd talking to his daughter while simultaneously wishing her a happy birthday. Nope! We didn’t really miss anything! Yippee! What a relief! This happened a couple more times during the screening. The first one being one of the earlier scenes on the ship introducing Dave, Frank, HAL, and the hibernating scientists. When that occurred, I turned to my friend, and tried to vocalize myself at a volume at which others in the auditorium could possibly hear me, asking, “What the HAL?” Nobody cracked, and based on what I could tell, she could correct me eventually considering she reads this and we see each other every once in a while, but my friend must have thought I was taking myself seriously and said “hell.” I tried to make sure I was coming off in the proper way so I told her what I was trying to say. The next pause occurred towards the climax of the film, and I have to say it may have been the PERFECT break. I say this because it’s right in between the Jupiter and Beyond the Infinite Sequence, and the last spoken line of dialogue in the movie given in the HAL control room.

One thing I was super excited for was the scenes in space. I will probably rave until I die about my experience watching “Interstellar,” a movie with many similarities to “2001,” one of them being that both movies heavily take place in space. Seeing the jumpcut from the bone to the satellite (TOTALLY A NUCLEAR MISSILE) started to make me smile like I had just realized I won a million dollars on “Deal or no Deal.” As I progressed through this first moment with The Blue Danube playing in the background, I think the girly part of me kicked in and I wanted to cry. If you told me I went to an enormous and epic opera house in space, I would have believed you. Speaking of the Blue Danube, one of the conveniences of sitting towards the back of the theater is getting to see all of the action from those upfront, and there’s this scene where you see a guy reading instructions on how to use a zero gravity toilet. It just shows how much we have to relearn what we already know how to do on Earth in space. Towards the front, there were a couple guys chatting and one that I assume was talking about exactly what I’m referring to. We may have gotten far as a society, but it is still our duty to learn how to poop in space. Yay, humans!

One thing that occurred in both Somerville Theatre and the second cinema I want to talk about is something near and dear to my heart.

“2001” to me is an interesting movie when it comes to sound. It has a soundtrack that’s big and loud, and yet there are several moments in the movie, mainly in space where you hear, LITERALLY NOTHING. Hey, I’m not complaining! That’s scientifically accurate! I love the big and loud soundtrack, which when I saw the movie at Somerville, brought an immersive, not to mention symphonic feeling to the auditorium. But there’s one noise in the movie, while I still am technically fine with having it in there in the first place, that I JUST. CAN’T. STAND. A bunch of astronauts are on the moon together, observing the monolith in front of them. Then, it’s picture time! One astronaut is trying to align a bunch of other astronauts together in front of the monolith and take their picture. In the process, this loud screech comes out of nowhere. It’s ear-piecing to the tenth degree! And I don’t just mean that for those around the monolith, but also for me. My friennd was covering her ears too! I have sensitive ears, and there are a lot of noises that I’ll surprisingly get by in a movie theater, but that is something which I had to survive.

One of the best parts of my Somerville experience is HAL’s last moments, which was a hint of preparation for my second experience which I will touch upon. I got some surprising reactions during my experience. The most surprising one I’ve gotten up to this point is probably the collective laughter towards Floyd’s daughter wanting a bush baby for her birthday. Then, we get to the final moments of HAL. Dave enters the ship through the emergency airlock, you can hear him breathing. Then we hear HAL, say the following lines in chronological order, starting with the earliest:

“Just what do you think you’re doing, Dave?”

“Dave, I really think I’m entitled an answer to that question.”

“I know everything hasn’t been quite right with me. But I can assure you now, very confidently, that it’s going to be alright again.”

“I feel much better now. I really do.”

“Look, Dave. I can see you’re really upset about this. I honestly think that you ought to sit down calmly, take a stress pill and talk things over.”

I mean, sure, a computer telling someone to take a stress pill is a bit out of the ordinary, that can work as comedy. In fact, when I walked out of one of these experiences, I said that I always thought that maybe the highest form of comedy I found in “2001” happened to be the part where the apes first use the bone as a weapon. These unexpected reactions however were not distracting, it was just a bunch of people enjoying themselves and having a good time. The one thing that disappointed me however is that with all of these reactions of laughter towards HAL, not one was given towards him singing “Daisy.” It’s a complete change of pace and it’s just funny seeing an electronic sing! It’s like seeing Edna Mode from “The Incredibles” go on “American Idol!” I almost wanted to start laughing at that moment, but just like what I said about the intro, I wanted to avoid being the awkward guy in the auditorium.

Then came what possibly might be the best part of the movie, the stargate sequence. This is a moment where the auditorium’s sound system just BOOMED. I’m not gonna go too much into it, because there’s some nifty stuff I want to save for the next experience, but it was awesome. The end came, and so did applause. I probably stood out the most when it came to the applause. I was literally standing up applauding. Some clapped, some wooed, but I stood up with my hands bouncing off each other. I had a great experience that is difficult to describe in words. It may have been bumpy, but I wouldn’t have traded this time at the theater for anything else.

I had such a great time, and I would easily put it in my top 10 best movie theater experiences. But the thing is, I wanted more… Before I went to Somerville Theatre to see “2001,” I asked my dad if he wanted to go, but he couldn’t make it. Nothing against him, a guy’s gotta do what he’s gotta do. Nothing against my friend either, I really enjoyed my time with her. But, I figured this would be something I wanted to do again, and I had a chat with my dad on the phone. I told him about my experience, describing it as “epic,” which it was, that is, if my experience could be described in words. He stated at one point he was jealous that I got to go to this. That gave me an idea. I REALLY wanted to see the movie in 70mm again, and I think my dad wouldn’t mind doing something like this. Father’s Day was slowly, but steadily approaching. While Somerville Theatre was scheduled to show “2001” for two weeks until it goes away, another nearby theater has yet to show their 70mm prints of the movie. I told dad I’d buy tickets for this show, I’d pay for it, and the experience would be on me. That wasn’t really true, my dad paid for train transportation and dinner, although I had money and tried to keep him from paying, but I paid for the tickets at least, not to mention the food I purchased for myself at the theater.

COOLIDGE CORNER THEATRE, BROOKLINE, MA (JUNE 17, 2018, 7:00 PM)

When going to my second experience, I had no idea what I was in for. I was well aware that the theater was going to have some similar architectural aesthetics to Somerville, based on images I’ve seen online. The experience was actually a tad more expensive than Somerville, which makes sense since I’m seeing this in the evening as opposed to the early afternoon. I may have jumped on the wagon a tad early, buying tickets for this experience as soon as possible. Little did I realize, sometime after purchasing tickets, Somerville would have extended their run of “2001” for a week. Knowing Somerville, the experience would have been cheaper. But I didn’t care, because this brings a breath of fresh air. And I mean that in a literal sense because I went to the Somerville Theatre a couple months prior to the “2001” event, also for another 70mm experience. This second 70mm “2001” viewing was my first time at the Coolidge Corner Theatre. I was pretty amped. This theater is actually younger than Somerville. First established in 1933, the Coolidge Corner Theatre is widely considered one of the best movie theatres in New England.

I left alongside my father and sister approximately three hours prior to showtime. I felt this would allow us to guarantee a higher possible chance of earning decent seats. We ended up going to the closest subway station to my house on the Massachusetts Bay Transportation Authority, AKA the MBTA, AKA the T, AKA the place numerous Bostonians go to as much as Dunkin Donuts. I planned this, considering I was the one behind the wheel, and my excuse, “trains are awesome.” So we get off at our designated stop, my sister and father don’t really have any sort of preference on where to eat. But I did have a place in mind considering I’ve done extended research.

There were multiple restaurants in Coolidge Corner, but the one that attracted me the most was a place nearby that goes by the name of Oath Pizza. They have multiple locations in Massachusetts and having seen footage of them on the New England exclusive restaurant tour show, “Phantom Gourmet” I was eager to check them out due to how much boasting was given towards their “90 second pizza oven.” Keep in mind, that 90 second thing, is likely just for the oven’s actions. But you know what? Doesn’t matter, the pizza was a delight. Because I’m boring, I got the “classic cheese.” My sister got a make your own pizza of some sort. Dad however, came to play. It’s father’s day. He can order whatever he wants. While some may be tempted by the “spicy mother clucker,” and I’m willing to bet maybe he was too, he didn’t go for that. Instead, he went for the whole hog. I mean, it had smoked bacon and sausage. In his worldview, that’s my father’s version of not going wrong. The place had a Chipotle kinda feel considering they brag about their dedication to natural ingredients, not to mention the place was rather small and a little more upscale than your typical fast food chain restaurant such as McDonald’s or Burger King. The pizza from what I heard was actually rather crunchy, and what I heard was definitely correct. The more I think about it, it’s a better version of the pizza Pringles.

Once finished, we had more than an hour to waste before the movie. If I remember correctly, I believe we picked up our tickets prior to doing anything else. So while my father and sister have no idea what they want to do, I automatically declare to everyone that we’re trotting over to GameStop, because there’s one nearby. But that ultimately backfired. It’s Sunday. The store closes at 6PM, so we couldn’t go in. We pass by the Brookline Booksmith, which I’ve been inside, and it is rather nifty, but none of us really chose to go in today. We do some walking, and I notice a comic book store. My minor nerdgasm starts to kick in. I’m attracted, and everyone follows me towards it. But once again, we’ve fallen into the Sunday trap. That store was scheduled to close at 6PM as well. With almost nothing to do, we are almost left stranded in the middle of Coolidge Corner, possibly just inevitably waiting outside before we can actually go into our auditorium. But then, a miracle happens. The miracle of CVS. We go in and just start making fun of everything. The biggest standout is whatever we could say about medicine. My sister eventually got somewhat intimidated to the point where my father thought we were overstaying our welcome. Fun fact by the way, this is not the only CVS that’s less than a two or three minute walk away from the theater! We were in the closer one, if you want any specification.

We are let in the theater around somewhere between thirty to ten minutes before scheduled showtime. The seats were pretty much the same scenario as last time. We were towards the center of our row near the back. I go get myself some popcorn and a soda, and I experience something that I’ve never witnessed in a movie theater before. No battle of the soda corporations. That’s right! For the first time ever, I enter a theater that has neither Coke or Pepsi! When I was at Oath Pizza, they had no “traditional soda,” they instead had Stubborn soda, but the closest thing I can find to “traditional soda” was probably root beer. On the menu at Coolidge Corner Theatre, I find “cane soda” and “diet cane soda.” I ask the employee at the register if the diet cane soda is like Diet Coke, to which I remember the person giving some answer that relates to “yes.” I end up getting that. While the price for my large popcorn and soda was more expensive than Somerville, it certainly isn’t a price I’d complain about. The popcorn was nice and fresh, but the soda was something I really had to get used to. From what I imagine upon further research, it must taste like the Coke you’d drink in somewhere like Mexico, because that has cane sugar. But what do I know? I’m an American who recently graduated from high school, and according to everybody else in the world, our education system is crap, so what do I know?

One thing that kind of surprised me about the theater in Coolidge Corner and was slightly different than Somerville, was that there was music playing inside the theater. It wasn’t “2001” based or anything, it was just regular music. Although during my first time in Somerville there was “Back to the Future” music blasting inside the theater. To me, that made sense, because the movie I was seeing, “Ready Player One,” happened to have “Back to the Future” playing a huge part in it. Similar to Somerville, we get a guy coming in the theater, who speaks to everyone near the screen. He also lectures us on the specs of the print we’re about to witness, warns us of an intermission that will be taking place, luckily it’s only one and intentional this time, and he even goes on advertising other stuff related to the Coolidge Corner Theatre which sounded interesting personally. He warns everyone to enjoy the show, and then applause ensues. I’m willing to bet that *maybe* I was the one who started the applause. We are just about to start the movie, I was ready. After about a minute of preparation, I heard the noise of glory. The overture. And you know what? I could actually hear the whole thing this time!

When it came to the overture, And in terms of lighting, it was slightly different than Somerville. For one thing, the dimming began rather early. And the whole auditorium didn’t go black instantaneously, it was a lot darker in Coolidge Corner than it was in Somerville. Most of the lights went off, but a couple were on, most noticably two lights on opposite sides of the stage, shining on the red curtain. Fun fact by the way, for those who don’t know, the overture song is called “Atmospheres,” and atmospherically speaking, Coolidge Corner wins against Somerville in my book. Coolidge Corner’s lightshow, or in this case, darkshow, felt like it could be choreographed in my imagination, but the one in Somerville came off as a tad clunky. But whatever, it’s not even the main course of the movie, it’s just the appetizer. Throughout the overture, my dad turned over to me, and actually asked if I got this thing in Somerville as well. I replied saying, “yes.” It was go time. Almost all the lights, except some side ones, were soon completely off. The curtain opened. The famous introduction began. I was in full focus mode.

This time, I was a little more conservative when it came to my popcorn and drink. Sure, I mentioned my drink was tough to have at times because it’s a bit different to consume than what I usually get at the movies, although still tolerable. Not to mention, unlike Somerville, I heard nothing about a free refill. Doesn’t matter to me, I’m here for the movie. Even if your movie is called “The Emoji Movie,” chances are I’m at the theater for the movie.

Once the movie starts, I begin to notice the color differences once again. We get to the first monolith scene with the apes, and while it’s very intriguing and hypnotizing, I’m noticing something that’s different, and that is the sound. There was moment during the song that plays in that scene. It didn’t have as much of a vibration effect in the auditorium. No big deal, the sound is still spectacular and probably superior to anything I’d watch at home. And you know what? I looked online and noticed some different speaker placements, so maybe that contributed to it. Either that, or maybe the volume was higher on one system compared to another. Part of it may have to do with seating arrangements as well. Because all of the seats at Coolidge Corner are in one designated area. Although with Somerville, as mentioned, the seating arrangements include an orchestra section and a balcony section. The speakers are more in an upsey-downey fashion as opposed to a straight line.

Once we got to the first scene in space, I was once again instantly reminded of how majestic “2001” truly is. Noticing the first shot with the satellite as the camera moves towards Earth is nothing short of beauty in an image. One thing I noticed is that the audience in my theater wasn’t exactly as talkative as the one prior. That can be a good thing if you want to focus on the movie, but if you want an unexpectedly fun experience, it’s gotta have the audience laughing at stuff you don’t expect to be laughable, which is what I got at Somerville. Unlike Somerville, nobody at Coolidge Corner seemed to laugh at the “bush baby” wish. Although one thing that both experiences had in common is that both times the call between Floyd and his daughter ended, there would be a price showing up on the screen. Once the charge is on the screen, some laughs ensue.

One thing I also noticed about Coolidge Corner that gives it a boost in points against Somerville, is that the image is a lot smoother. And when I say that, I’m not talking about it in terms of the images displayed. Those are pretty similar in terms of overall motion. But if anything, this is more of a comment towards the projection. There’s one scene in particular during the movie as I watched it in Somerville that I began to notice something odd. After the conference which Floyd gives a speech, we cut to a set of establishing shots in space. Throughout, I’m noticing the images jumping up and down. Why is this exactly? I don’t know. I wouldn’t consider that an issue, because it doesn’t necessarily interfere with the experience, but it’s just something I noticed. At Coolidge Corner, there seemed to be none of that interference through the whole film. This is just a part of why I gotta give more points to Coolidge Corner in the atmospheric category when it comes to showing this film.

Then we get to the part of the film that I’m willing to bet my dad was highly anticipating, because that’s the part where our main characters are introduced. This made me realize that to certain people, HAL is more than an evil supercomputer trying to take over a spaceship. When it comes to people like my dad and he thinks about HAL, there’s a good chance that my dad is thinking about how funny HAL is. In fact, I don’t think there’s even one person I know currently that would probably laugh at HAL in this movie as much as my father. I mentioned in Somerville that a bunch of people were dying laughing towards the end of the movie because of some of the stuff that HAL says, but my dad pretty much laughed at HAL for the entirety of his screentime. There are certain times during the film where HAL is talking, just saying things such as pointing out how foolproof he is. My dad just starts cracking up. Did it annoy anyone? I’m not entirely sure. In fact, if it did annoy other people, let me just have you know, it was Father’s Day, let my dad have his fun. Speaking of HAL, I can say watching the movie in the theater definitely has its perks. As far as watching this film from beginning to end, I’ve watched this movie in school off of a projector. It was pretty good quality, I wouldn’t say I have any complaints about it. All of the other times have been on a Blu-ray disc played on my 43″ 4K TV. The images are upscaled to near-4K quality. A 43″ TV is decent sized product for where I use it, and the images have always come off pretty crystal clear. I always appreciate the movie’s huge scope every time I watch it. Watching the film in 70mm however, allowed me to notice the little things. For the first time in recent memory, I was literally able to observe the label “HAL 9000” above the red eye located on the computer’s monitor. I watched the movie once more after seeing it in Coolidge Corner, and having this information locked in my head, it made me try to focus really hard on the HAL 9000 label once I got to the point where it could be seen.

We get to the intermission, and I see the white text come up, signifying that normal people can get up, go to the bathroom, grab some food, stretch, those sorts of things, while the abnormal go outside and drop acid in preparation for the stargate sequence. When I was at this screening of the film, I noticed that everyone didn’t really react to the intermission. The best way I can describe the atmosphere that maybe everyone felt in the theater was some sort of jaded-like feel. For some reason when I went to Somerville, some people felt the need to clap and cheer once seeing the intermission warning pop up. Here, it was quiet. I find the audience reactions here to be expected, and I do respect them because it just shows that everyone knows not to be chaotic. Although while the reactions at Somerville for the intermission happened to be quirky, I also found them to be rather charming. I didn’t even get up from my seat during the intermission, I just turned on my phone for a sec, browsed through some things, and turned it back off.

The overture begins again… Atmospheric as ever. I was amped like you wouldn’t believe. The curtain soon opened and the feature presentation resumed. Soon, you see Frank’s death. My dad once again stood out among the audience, and nobody seemed to give a flying f*ck. As Frank began to struggle, my dad uttered, “Bye, Frank.” This is during a scene where there is barely any sound whatsoever, which if this were not the case, I don’t think his remark would have had as much charm behind it. I always found this scene interesting though, and this interest has grown significantly over these past couple of watches. Even though one of the movie’s main characters is dying, and it’s a pretty big death for the movie, nobody really reacts to it. There may be reasons behind that though. For one thing, it happens in a near-silent set of clips. Another point to consider is that this movie is fifty years old and there’s a good chance everybody knows exactly what to expect at this point of the film. When I saw “Avengers: Infinity War,” people basically didn’t even know what to think at certain points of the film when certain major characters died. That’s most likely because of the buildup these characters had prior to dying and we’ve gotten more time to know them. Plus, I imagine a good number of people didn’t see certain deaths coming. Nobody was scared of Frank dying in “2001.” Maybe some people didn’t see it coming, maybe some did, who knows really? But still, we didn’t really get to know Frank to such a high extent. While Frank’s overall character development was at a low level, I wouldn’t say it needed to be built, and I think that’s part of the genius that goes into “2001.” You get to know people, but you don’t need to see them grow or observe their backstory to care about them. It’s almost like “Dunkirk” but with less characters and a bit more detail behind certain characters.

Then we arrive at one of my dad’s absolute favorite parts of the movie, HAL’s death. While there was not as much noise that could be heard like there was in Somerville, there were definitely some audible laughs. My dad was definitely part of the laughing crew. I could tell this was one of my dad’s favorite parts of the film because he and I were quoting it on the way home.

Now I mentioned the stargate sequence in my section about Somerville, but I really want to talk about it here. I honestly had a slightly better and perhaps more memorable experience at Coolidge Corner during the stargate scene than I did in Somerville. Don’t get me wrong, Somerville was AWESOME. But one thing that stuck out to me during that scene more than any other during the movie, although if I remember correctly, may have been noticeable in others, is that part of the image, specifically towards the bottom, is off the screen. I noticed this as soon as we get to the first shots of Jupiter and Beyond the Infinite with the monolith. Coolidge Corner didn’t seem to have that same flaw. In both experiences, I just got ecstatic as the music built up. Everything was established, except for the stargate. Then we get this haunting, unbelievable, f*cked up, melt your face off, not to mention exhilarating vocalization from the chorus! It’s like I was walking into the mind of Mr. Burns from “The Simpsons!” It was like watching a Nicolas Cage movie and it’s nothing but kick-ass dream sequences! It was like going on MySpace today in 2018 and suddenly realizing it became the most popular form of social media in one night! I felt like I was having an orgasm! My dad was on a totally different thought process than I was. I always thought of the stargate sequence as a simple trip, or a journey through a wormhole and other things mish-mashed along the way, once I walked out of the theater alongside the other two people I came along with, my dad told me he thought of the video game “Rock Band” during the stargate sequence. All the colors and wild occurrences that can be witnessed throughout is what made him create that link. If you ever listen to the music during this scene, you’d be aware that the overture song is actually playing throughout portions of the sequence. The overture itself is epic when hearing it in the theater by itself before the movie starts playing, but during this scene, I was almost convinced I was in the movie. It felt like it was being played at a different volume, a different pitch, it was a whole new level of immersion and adventure. That stargate sequence, alone, is worth the price of admission. It’s to this day one of the wildest things I’ve witnessed in a movie, and I’d probably put it in maybe top 10, 20, 30 movie sequences I wouldn’t mind being forced to watch for the rest of my life.

As soon as we get to the credits, a lot of people in the theater start applauding. I don’t go to the extent that I did at Somerville where I stand up, but I did clap. As I left the theater, I got a peak into the projection booth, I noticed the film reels spinning and I couldn’t help but point it out to my sister and father. My father enjoyed the experience, you all know my thoughts on it, but what about my sister’s? Turns out this was her first time watching “2001” from start to finish, and personally, a 70mm experience such as this is one of the best ways to do it. Her thoughts on the film as a whole? From what I could tell, I wouldn’t say she didn’t enjoy it, but she found it somewhat hard to get through. For one thing, there’s a lot happening, a lot of information to be processed. Another factor that contributed is that the whole experience of getting through the movie was about three hours. I was personally wide awake. I happened to be taking on a grand opportunity to watch a great movie with people I admire in a setting that is difficult to acquire at times. In those moments, I may have handed my dad the most selfish Father’s Day gift I’ve ever given to him, but based on the time we had, it was all worth it.

Thanks for reading this promised, delayed, and perhaps long-winded thing some people might call a post! I really wanted to get this out earlier, but due to a lack of time and motivation, I screwed up. You might ask, what about the movie reviews? My movie reviews are basically the building blocks of Scene Before. This is why you haven’t seen that many countdowns lately, the only ones I’ve done so far this year are my top 10 best and worst movies of 2017. Because my main purpose behind this blog is to review movies, and I feel like that is something that can easily be associated with Scene Before. This post you’re reading right now, is just a special, rare gem, buried beneath the ground, ready to be revealed around the world. Now going back to business, I do want to review the movie “Eighth Grade.” This has already released in a couple markets, but not everywhere. I tried getting passes for an early screening, but I just got an email saying the screening was full so I can’t go. Although if I can see it when it comes out, I’ll definitely be sure to review it! I’m also going to be probably seeing something I’d tell you some time ago that I’d never see, but due to my mother’s interest in it and the fact that it’s playing at an awesome local IMAX theater, I’m planning on checking it out anyway. That movie by the way, is “Mamma Mia!: Here We Go Again!” And based on the reviews I’m seeing for “Mission: Impossible: Fallout,” you can guarantee I’ll be checking that out as soon as time will allow. Stay tuned for more great content! I want to know, what are your thoughts on “2001: A Space Odyssey?” Did you get to ever see the movie in 70mm? Will you take advantage of such an experience in the future? Leave your answers to those questions below, and speaking of questions and answers… My dad who came along with me for the second experience gave the answer to the question, “What is the opposite of infinity?” The answer, the number of times my dad will go to IHOb! And based on the results of that campaign, you can sure bet that number will last forever! Scene Before is your click to the flicks!

10 Movies That Have Changes You May or May Not Have Noticed *SPOILERS*

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Hey everyone, Jack Drees here! You might have clicked on this post thinking “Oh, crap! Clickbait! GO BACK! GO BACK! GO BACK!” First off, thank you for giving me one extra view, very much appreciated. Second, regardless of how clickbaity this sounds, I will say what you’re about to read is somewhat interesting. When movies come out, you might think of it in a certain way. You might go back and watch it the way you remembered. Although in some cases you might go back and watch it, and there’s something different about it. Today we’re going to be looking at some of these changes, see if you see the movie in a different view than you did before. One rule I’m making for this list is that no made-for-TV changes apply here. If a movie gets a change from its original release because it airs on TBS or something, it doesn’t count. So changes as the one from “Home Alone” where Buzzy doesn’t say “I wouldn’t let you sleep in my room if you were growing on my ass,” and instead says “butt,” doesn’t qualify. Just for the record, this is not a countdown, these aren’t in any specific order, and I’m not sticking to any sort of idea, stating how much I like or dislike these changes. I might go into that, but I’m not saying I like every single change or dislike every single change. So let’s dive into this.

Revenge of the Nerds: Phone Number

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The first change comes from the 1984 comedy “Revenge of the Nerds.” This is one of my personal favorite comedies. The sequels? Not so much. The movie has been released on VHS, Laserdisc, DVD, and Blu-ray. However, the sequels haven’t gotten past the DVD mark. This is a change that is seen on both the DVD and Blu-ray editions of the film. In 2003, the film was put out on DVD, but with a reedit brought to the mix. There’s a “For Rent” sign in the movie which had a genuine phone number on it. For legal reasons, the footage where the phone number was displayed was removed. Note, I didn’t say blurred, but removed. I have never seen the footage of where the phone number is revealed and as I write this, I’m looking at originaltrilogy.com, where a bunch of users are talking about this change and a couple of them called it “jarring.” I will have to watch the original cut in order to agree or disagree, but if you really want to make everyone happy, just blur the phone number. Also to everyone, please don’t call the phone number. Don’t be a dick.

All the Right Moves: Lea Thompson In the Nude

Remember how I said this isn’t a countdown? Well, I guess this may be an excuse to talk about movies I haven’t seen. Ladies and gentlemen, I give you “All the Right Moves,” starring Tom Cruise (Risky Business, The Outsiders) and Lea Thompson (Jaws 3-D, Back to the Future). Why am I talking about this? Well apparently I was in Connecticut and while I was there, I managed to pick up a bunch of Blu-rays to add to my collection. This movie happened to be one of them and I figured it would go great in my Tom Cruise collection. Due to random research, I came across something interesting. When “All the Right Moves” came out in 1983, there’s a sex scene featuring Tom Cruise and Lea Thompson which contains full frontal nudity, however when the Blu-ray released in 2012, the framing of Lea Thompson’s character in the nude was altered. This prevented people from seeing Lea nude below the waist. I don’t want to sound like a pervert, but I don’t know why that change had to be there. First off, the movie’s rated R. Second, if people who have watched this before are rewatching this today, they might be slightly jarred by what they’re seeing and the experience of that scene might be ruined for them. Not to mention, this is a Blu-ray cut! Not a cut made for television! On TV, I can sometimes understand some movies being altered for certain viewers for a number of reasons. But, on a Blu-ray?! What do I know really? I’ve yet to see the film so I can’t really say much.

2001: A Space Odyssey: “Affirmative, Dave” and Nineteen Minutes of Footage

It’s been almost fifty years since the release of “2001: A Space Odyssey.” In that span of time, the movie has been considered a classic by fans of science fiction and film from a general perspective. You know what they say, if it ain’t broke, don’t fix it. This change, much like the “Revenge of the Nerds” change, didn’t really break the film or anything for some people. In fact you can say it broke the film less because if you think about this, it’s not really that jarring compared to the “Revenge of the Nerds” change. In 1998, MGM released “2001: A Space Odyssey” on DVD, with a slight change in the dialogue. During the scene when Dave is trying to get through the pod bay doors, he asks HAL “Do you read me, HAL?” In that particular release, HAL responds by saying “Affirmative, Dave.” Although in the original release, HAL says “Affirmative, Dave. I read you.” What makes this change extra wacky is that the English subtitles for the DVD released by MGM actually still displays the line from the original release. The full dialogue however was revived in future home video releases from Warner Brothers. Speaking of changes, when “2001: A Space Odyssey” was first released, it was slightly over two and a half hours long. The version which is seen on most home video releases is a version that’s just slightly shorter than two and a half hours. Stanley Kubrick, the director of the film, removed nineteen minutes of footage after the film premiered. It would be nice to see that footage restored for when “2001” comes out on 4K, I’d totally buy that!

Blade Runner: Endless Cuts (SPOILERS AHEAD)

“Blade Runner” is one of the best sci-fi films ever made. In fact, a sequel just released in October and it might be just as good, if not better, compared to the original. Followers over the years have been exposed to multiple editions of what director Ridley Scott regards as “probably his most personal and complete film.” Ridley might not be lying when he says that, and we’ll get to that in a second. “Blade Runner” has had seven different cuts of the film released to the public.

In 1982, the workprint prototype version was shown to test audiences in Denver and Dallas. This was also shown in 1990 and 1991 to audiences in San Francisco and Los Angeles as a “Director’s Cut.” Although it didn’t have the approval of Ridley Scott. We’ll get back to that in a sec.

There was also a San Diego sneak preview version shown to audiences only once in May 1982. This version included three scenes that was never shown in any other version of the film (before or after).

Then we have the version the US audiences saw in theaters. This included a “happy ending” that the studio wanted in the film. Fun fact by the way, there are aerial helicopter shots which weren’t even filmed for “Blade Runner.” These shots were actually from Stanley Kubrick’s “The Shining.” The movie also included narration by Harrison Ford, who played the lead character of Deckard. While some might say Ford either was angry about his task or he intentionally narrated poorly, he said it was simply bad narration. This was also referred to as the “Domestic Cut,” which wasn’t released on DVD until 2007 as part of a collector’s set of the film.

Then we have the International Cut. This cut is a minute longer than the US version, and included more violence in three action scenes than the US version. This cut was eventually released in the US on VHS and Criterion Collection laserdiscs. Interestingly, this version was shown to the US on HBO during the 1980s, the 1990s, and 2015.

In 1986, the US broadcast version was released. This was put together by CBS to meet TV broadcast requirements. There’s even narration that wasn’t in any other version of the film leading up to it, plus a different opening crawl. And yes, I said made-for-TV changes don’t count, but I’m just providing evidence to prove my point.

Next came the Director’s Cut, which was created technically by film preservationist, Michael Arick. This cut was discovered as a 70mm print which nobody had an idea that it actually was the movie’s workprint version. This was discovered after a screening of the film in Los Angeles. Ridley Scott said the cut was roughly edited, lacked a key scene, and the climax missed Vangelis’s score. The Director’s Cut was very popular that it rereleased theatrically in 1992. This cut also brought up a very popular fan theory if you will to the table. At one point in the film, we cut to a clip of a moving unicorn. The original idea for this scene was to cut between Deckard and the Unicorn, but the condition of the print associated with this was not presentable, so it just shows the unicorn trotting. This scene along with a clip of Deckard holding an origami unicorn, may suggest he is a Replicant. Speaking of things this film removed, the movie no longer has the narration from Deckard along with the happy ending the studio wanted. Despite being called the “Director’s Cut,” Scott wasn’t satisfied. To be fair, he was busy with “Thelma and Louise,” time and money happened to be a problem, however this cut brought more satisfaction in general to Scott than the original. There’s one cut although, that brought even more satisfaction to Scott…

Here’s where we get to “The Final Cut.” This is the cut where Ridley Scott had complete artistic control. Remember the unicorn dream? Turns out in this version, the original dream was included. You know, the one where it cuts between Deckard and the unicorn. Other additions include alternate edits and violence featured in the international cut. It turns out there were parts of this version that went through reshoots to fit in this version. One such example is Zhora’s death scene. Fun fact, if it weren’t for Warner Brothers gaining total control over distribution rights in 2006, this would have probably never been released. This project started once the 21st century began, and in mid-2001, legal and financial troubles put the project to a halt.

Porky’s: Cherry Forever’s Extra Nudity

“Porky’s” is an interesting movie to say the least. When it comes to its reception, critics weren’t exactly pleased, but it did gain a cult following and there are still people who go back and watch it today. As far as 1980s coming of age stories go, this isn’t my goto pick. However, back in the 80s, this was a hit among many people who flock to the cinema. The film was #1 at the box office for nine consecutive weekends, suggesting that either a lot of people either wanted to see it, liked it and went multiple times, or happened to be really horny. The film eventually released on VHS and something appeared in that which never appeared in the theatrical release, or the future DVD release. Based on how the release was open matte, more nudity was revealed in the VHS version. This happened during the Cherry Forever scene. The additional nudity was a result of the transfer, and was never intended to be shown. You know, unlike my secret identity–whoops! That was close! I almost told you guys I’m the guy who saved the Golden Gate Bridge from absolute destruction. Oh, crap! I did it! I’m a failure! I was told by a wizard to keep that a secret! Oh, well! Sucks to be me!

xXx: Head-butt

One interesting move executed in battle is a headbutt. There’s something about it, you’re literally using your head to bounce off someone else as a fighting technique. Plus, the term itself is awesome. One movie where a headbutt is shown is 2002’s “xXx,” starring Vin Diesel. This movie isn’t exactly the next “Citizen Kane” or anything, however it is a fun action flick with some interesting lines in the lines in the script. Going back to headbutts, when this movie was released in several territories, audiences were exposed to a moment where a headbutt occurs. One territory where audiences didn’t get to see this however, was in the UK. Similar to the US’s MPAA, the UK operates under a rating system referred to as the BBFC. The BBFC has a rating labeled as 12A/12, which was the rating “xXx” was given. If the headbutt was kept in, the rating wouldn’t have been secured and would have bumped up to 15. This is how the film was presented for years. The headbutt wasn’t even in the eventually released Director’s Cut DVD. Although on January 5th, 2017, the film was rereleased on Blu-ray in honor of the film’s 15th anniversary. It was at this point that the BBFC waived the cuts to the film, and the headbutt was then inserted. The BBFC must have had this slogan for years:

BBFC: We’re buttheads!

Ferris Bueller’s Day Off: Paramount Logo

I love “Ferris Bueller’s Day Off.” It’s a coming of age story that a lot of people in high school can relate to. In fact, you can also include anyone going to school in general, not to mention anyone who’s working a s*itty job can relate to. Sure, “Office Space” kind of does the same thing, but this came first. This change doesn’t even affect much of the movie, it just has to do with the logo. This movie is from Paramount, and if you know who they are, there’s a good chance you’ve seen one of their logos. Some time after the movie was in theaters, it came out on VHS. However, the VHS versions contain a plastered Paramount logo depending on the year the print released. The original logo although was restored on all future DVD and Blu-ray releases.

American Graffiti: Digital Effect

Ah, George Lucas. What have you done? You took a bunch of people’s childhoods, which were epic because of your “Star Wars” movies, and you threw them in the garbage! Because if you haven’t noticed, the original “Star Wars” trilogy has made a crapton of changes over the years! Well ya know what?! I’m not gonna focus on that! Because I already did a countdown focusing on those changes, and apparently George Lucas made a change to “American Graffiti” as well! This change didn’t exactly offend me as much. Then again I only saw this movie once. The change is shown in the 1998 Collector’s Edition DVD and VHS, and once you hear what it is without any specification, it almost sounds like something George Lucas would do. Lucas requested for the opening scene which features Mel’s Drive-In to have a sunset with clouds. The original opening had a cloudy sky with buildings in the background. In this opening, the buildings are still there, but the weather is different. Interestingly, there was also a documentary on the making of “American Graffiti” included as a bonus feature on the DVD, and the original shot was inserted there. Time travel much?

Kindergarten Cop: Little Terrorists

I imagine some people getting a sense of surprise from “Kindergarten Cop.” The film itself is a comedy where a cop goes undercover as a kindergarten teacher in order to locate the ex-wife of a dangerous criminal. This movie released in 1990 and stars Arnold Schwarzenegger. It’s kind of interesting to put the Terminator as the star of a comedy, but stranger things have happened. Although I wouldn’t say it’s all too strange because another comedy, “Twins,” released two years before this one, and while not all critics and audiences appreciated the film, there were a number of them to say it was worth a watch. Interestingly, both comedies were directed by Ivan Reitman, who also directed “Ghostbusters” 1 and 2. And the movie does have some witty Schwarzenegger lines and also has some funny lines given by a bunch of kids as well. Speaking of lines, let’s talk about one of them. As mentioned, this movie released in 1990, which is eleven years before 9-11. Once that day occurred, it inspired the removal of one particular line in all future versions of the film. After Schwarzenegger’s first day with the kindergartners, he has this to say about them.

JOHN KIMBLE: They’re horrible. They’re like little terrorists.

I’d just like to state that if I were in kindergarten watching this film, it would probably be debatable on whether or not I should be watching it given it has a PG-13 rating. However I don’t know if this one incident means this line should be deleted. I don’t know if Reitman decided on this or if Universal did or anyone else for that matter, but you don’t really need to get rid of it. Sure, in reality, kindergartners aren’t commonly associated with terrorists, although that would make for an interesting cartoon or something, but I don’t see how this would offend anyone. I mean, it’s probably better than changing the line, but the elimination felt unneeded. Let’s face it. Kindergartners are crazy, and I know that because I was one. I wouldn’t blame someone comparing me with a terrorist at that age because I was a chaotic brat. Anyways, let’s move on.

Jaws: Smile, You son of a… (SPOILERS AHEAD)

“Jaws” is considered by many to be one of the greatest films of all time. It has a terrific script, admirable characters, and an awesome score from John Williams, who went on to do “Star Wars,” “Superman,” “Raiders of the Lost Ark,” “E.T,” “Home Alone,” “Jurassic Park,” “Schindler’s List,” “Saving Private Ryan,” and “Harry Potter.” If you’ve seen the ending, you’d probably know how it ends. Part of that ending involves the character of Brody. He’s in a duel against the shark and he’s got a gun. He’s in full concentration mode, trying to take the creature down. In honor of the movie’s 30th anniversary, a DVD was released in order to celebrate. This brought a very minor change in one line, in fact, it’s actually one of the lines of the movie that I remember most. In versions prior to this release, before Brody shoots his gun to kill the shark, he says “Smile, you little son of a bitch.” Here, he says “Smile, you little son of a…” and then his gun is shot. Like the original, all the blood and gore remains, but the word “bitch” is removed. I’m glad I’m not Jesse Pinkman from “Breaking Bad,” because finding this out would be the worst day of my life. I can now say that my memory suggests that all the versions of “Jaws” I’ve seen in my life at this point, have this specific “bitch” removed. I want to know how this feels for everyone who has either seen the original version and possibly been exposed to alternate editions of the film. How does this “bitch” removal come off to you? Does it take away from the scene? Does it not take anything away at all? Does it anger you? I really want to know. I can’t say much about this change, but if they ever alter “You’re gonna need a bigger boat,” there will be riots.

Thanks for reading this post, there’s a good chance I just possibly either ruined a scene for you, so if I did, I apologize. If so, don’t blame me, blame the people who changed them! Nevertheless, the year’s almost over, the holiday season is coming to its conclusion, but that also means I will have two countdowns coming up. Like at the end of 2016, I’m counting down my top 10 BEST and WORST movies of the year. I’ve seen a number of films that came out this year. Most of those films are ones I reviewed, and there are others I’ve watched but couldn’t make a review of for the sake of time such as “The Great Wall,” “American Assassin,” and “King Arthur: Legend of the Sword.” Believe it or not I will still be going to see more movies as the year comes to a close, because I have aspirations to go see “Downsizing,” “Father Figures,” “The Disaster Artist,” and if any other opportunities come up to see a movie released this year, I’ll take those as well. Stay tuned for more great content! Also, what is the worst alteration you’ve ever seen in a movie? For me, I gotta say Darth Vader screaming “no” at the end of “Return of the Jedi.” Leave your responses down below! And yes, can also includes ones from TV. Scene Before is your click to the flicks!