Wicked (2024): A Great Leading Duo Cannot Save This Middle of the Road Musical

WARNING: Review MAY contain spoilers depending on your point of view.

“Wicked” is directed by Jon M. Chu (Crazy Rich Asians, In the Heights) and stars Cynthia Erivo (Genius, Widows), Ariana Grande-Butera (Victorious, Scream Queens), Jonathan Bailey (Fellow Travelers, Bridgerton), Ethan Slater, Bowen Yang (Awkwafina is Nora from Queens, Saturday Night Live), Marissa Bode, Peter Dinklage (Game of Thrones, Pixels), Michelle Yeoh (Crazy Rich Asians, Everything Everywhere All at Once), and Jeff Goldblum (Jurassic Park, Thor: Ragnarok). This film is based on a book that inspired a popular Broadway musical and centers around the connection between two students at Shiz University… A misunderstood green woman named Elphaba and a popular girl named Galinda.

Photo by Universal Pictures – © Universal Studios. All Rights Reserved.

“Wicked” is a property that I have heard by name for years. Obviously, I am familiar with some Oz stories, so I know that “Wicked” is connected to that universe. I have seen commercials on television promoting the play when it arrives in my local area. My earliest memory regarding the play has to do with one episode of “Deal or No Deal” I watched when I was 10 years old, when the contestant received an offer from the banker revolving around the play. But I cannot say I have seen the play, nor have I listened to the soundtrack. I have heard decent things about it, I know it is popular, I know people enjoy it. But I have never bothered to check it out. Safe to say, there is a first time for everything.

Perhaps the biggest movie phenomenon in terms of marketing in 2024 so far would have to be “Deadpool & Wolverine.” That film has pushed itself rather hard, gotten so many people looking forward to it, and gotten rather creative with its advertising leading up to its release. Though I say that with a supposed bias because I am definitely the target audience of “Deadpool & Wolverine.” “Wicked” on the other hand, not really. Like any genre, I can appreciate a great musical, but I would not say musicals are my first choice. Nevertheless, I am seeing more than enough promotion for “Wicked,” and I do not think I am alone in this. Though I will admit, like “Deadpool & Wolverine,” there are creative approaches I like regarding “Wicked’s” push. At AMC Theatres, where I usually flock to if I am seeing a movie, they made a reminder for audiences watching whatever film they paid for to follow the traditional rules of moviegoing. As this happens, Jeff Goldblum, who plays the Wizard in the film, says each rule, after which a completely fitting clip of “Wicked” plays.

In fact, this PSA played before my “Wicked” screening as well, which I saw at a Dolby Cinema auditorium at AMC. The video also comes with the rule, “NO SINGING,” which thankfully, my audience followed. Shoutout to my fellow moviegoers for maintaining a respectful atmosphere. But I could tell that I was part of a passionate crowd. There were some enthusiastic responses to certain parts of the film when they came up, I even remember seeing someone below me wearing a witch’s hat. I love when people embrace their inner fan. This is why I often go to conventions because I love those kinds of atmospheres.

Photo by Universal Pictures – © Universal Studios. All Rights Reserved.

Sadly, while “Wicked” clearly has fans, I cannot say I am one of them. I was not one before watching this movie, and I cannot say it turned me into one. This is genuinely one of the most middle of the road movies of the year. One can even argue it is disappointing. Because even as someone who was not the target audience, I could clearly see craftsmanship, love, and effort put into the picture. But there are also some things that have turned me off.

Once again, I am not the target audience for musicals, though I have enjoyed some. In recent years, I have raved about Steven Spielberg’s “West Side Story” remake time and time again. That said, the songs in this movie, while there are highlights, for the most part, did not really do anything for me. There are some tolerable pieces like “No One Mourns the Wicked,” “Popular,” and of course, “Defying Gravity.” But for the most part, the movie failed to impress me. I thought from the concept, the marketing, and the fantastical universe in which this movie was going to be set, we would get an incredibly vibrant film, but that is not the case.

Photo by Universal Pictures – © Universal Studios. All Rights Reserved.

When it comes to the color palette, that is a spot where “Wicked” falters. The color grading in this film feels pale and wooden for a place that is clearly supposed to be otherworldly. If anything, it kind of looks like a rushed Marvel movie. Do not get me wrong, I love my Marvel movies. But there are a couple titles I where I think the color grading should have been cleaned up a little bit. It looks kind of empty. That said, the film’s look is not all bad. The production design feels grand and epic at times. Oz looks great. The interiors look great. There’s a shot early on showing a massive field of flowers that captivated me. That also leads me to say that I like the film’s camerawork. The framing feels wide and vast, trying to fit as much information as possible from one side of the screen to the other. This film is shot by Alex Brooks, who is no stranger to shooting musicals. In 2021, she shot “Tick, Tick…BOOM!,” which I adored. Months before that movie came out, she was credited for the less enjoyable but still fun “In the Heights,” also directed by Jon M. Chu. Brooks has a good eye for framing and definitely knows how to make shots feel grand, even if there are other aspects that drag such grandeur down.

Photo by Universal Pictures – © Universal Studios. All Rights Reserved.

Although if I had to name my favorite aspects of the film, there are two that come to mind… The leads. The entire film revolves around the relationship between Elphaba and Galinda. Thankfully, this movie casts both of these parts perfectly. For Elphaba, you have Cynthia Erivo, who not only plays her part well, capturing the uniqueness of her character that goes far beyond her looks, but boy can she sing. There is a lot of singing in this film, and admittedly, some of the singing in this film, particularly from multiple characters, sometimes feels out of place. Though it is not “Joker: Folie à Deux” bad. Some of it just feels tacked on if anything. I imagine some would say all of the singing in the film has a point. From my point of view, maybe it fits better on Broadway. I do not know. There are a lot of scenes within the context of a musical that I happened to buy. But there are other songs that either feel slapped together almost unnecessarily, or just plain annoying. But thankfully, Erivo sings all of her songs well, and the same can be said for Ariana Grande, who practically steals every scene she is in. She plays the popular girl type to a tee. She is fantastic. Dare I even say Oscar-worthy. I hope she gets a nomination. Whether it will be for Best Lead Actress or Supporting Actress we will have to see. I know Universal probably does not want Erivo and Grande competing against each other for the same award. The Golden Globe nominees just came out and both performers are in different categories. Even so, Grande is a knockout. There is an otherworldliness to her character that I bought into. She is funny, charming, and perhaps gives one of the best physical performances of the year. There are plenty of other actors in this film that play their individual parts well. I thought Jeff Goldblum was a great choice to play Oz. Michelle Yeoh is commanding as Madame Morrible, and Jonathan Bailey does a good job playing Fiyero Tigelaar.

As said earlier this review MAY contain spoilers depending on your point of view… This where is where we get into those potential spoilers. You have been warned.

Photo by Universal Pictures – © Universal Studios. All Rights Reserved.

Kind of like “Dune,” there is one thing “Wicked” hides in its marketing that I would have never gathered from trailers and ads alone. I knew about this before going into the film, because other people dropped the news beforehand. But for those who do not know, “Wicked” is a part one. Early on in the film, the title card of this movie shows up, we see “WICKED” in huge letters, and shortly after, the words “PART 1” shows up. And BOY does this movie feel like a first half of a two part story. You can say the same for “Dune,” a movie that for the record, I happen to fall within the target audience… My point is, I feel like “Dune” does a good job at not only getting me invested in a universe that aesthetically leaps off the screen ten times better than this one does. But I care more about the journey our lead character goes on. In fact, we see him during the start of the film in a certain way, and he fully develops as a character, giving a solid end to his arc in the story. There are questions regarding the character that are left unanswered, but I am intrigued enough to find out how things would unfold in a future chapter. Elphaba develops somewhat in this film, but her development feels slightly incomplete. “Dune,” despite being a book split in half, comes off as a full story. At least to me it does. I would not be surprised if some people disagree. It leaves the audience with questions. But as far as Paul Atreides is concerned, I think the movie gives him a solid progression. It left me knowing enough about the world of Arrakis. It left me knowing enough about Atreides. It left me wanting more. I left “Wicked” feeling as if I was watching an unfinished story that barely kept me awake. I remember last year when “Spider-Man: Across the Spider-Verse” came out. Like “Dune,” I happen to be in the target audience for that film too. I loved the movie, and I could tell that like “Wicked,” it was made with love. But also like “Wicked,” if I had a complaint about the film, it definitely feels like a setup movie at times. It is a great setup movie. But there is a reason despite me giving the film a 10/10 for its many positives during my review, I ended up sliding it down a spot on my Top 10 BEST Movies of 2023 list, where “Godzilla Minus One” just so happened to be my number one pick for the year.

Sticking with “Across the Spider-Verse,” I enjoyed all the characters, the animation, the production value, everything that particular movie had to offer. They do way more than enough to make the part one worthwhile. As for “Wicked,” there are decent characters but they are in an off and on story. The world is not as interesting as I hoped it would be. A few songs are okay, but I cannot say I am raving about them. In fact, some of the song sequences gave me a headache. Part of it may do with me seeing the movie in Dolby, but still. If I were to watch the movie a second time either at home or in a regular theater, hopefully that does not happen again. The pacing of this movie is as slow as snail. The movie is two hours and forty minutes long. It honestly almost feels like three or even longer. I found myself rather invested in the second half at times, but the first half? I found myself wanting to fall asleep. But I could not do that, because I was in a Dolby Cinema, and the songs were so loud they were giving me a headache!

As the film was ending, I will be real, despite my many negatives, I was rather riveted by Erivo’s take on Defying Gravity. This is not a song I would listen to on my own time, but within the context of the story, she puts on a good show. There is also, again, really good camerawork in this sequence. There are a couple shots that are so immersive you feel like Erivo is singing right in your face. For many people, I would imagine this would be the reason why the movie is worth seeing. Unfortunately for me, I was immensely tired after the first half to the point where the movie barely redeemed itself by the conclusion. This was a good sequence. I just wish it were in a movie that had more of my attention.

Photo by Universal Pictures – © Universal Studios. All Rights Reserved.

In the end, I left “Wicked” rather unfulfilled. I will remind everyone, this is a part one. Unfortunately, this film failed on an important objective, which is getting me excited for part two. I am probably going to see it, because I know a lot of people will be talking about it. But if I were not reviewing movies, chances are I might skip it unless someone I know invited me to see it as their plus one. Again, I am not the target audience for this movie. It was likely made for someone who was not me. But the same can be said about other movies I reviewed like “Barbie,” “On the Basis of Sex,” and “Hope Gap.” I liked all of those movies! I cannot say the same about this one. If you like “Wicked,” good for you. I am glad you had fun. But I found the soundtrack to be mediocre, the overall look of the film to be slightly unappealing, and the world to lack my overall investment. I have to give credit to certain groups in this movie. A lot of the actors do a good job. The costumes are really nice. The sets definitely have effort put into them. This movie comes with plenty of good, but I nevertheless found an equal amount of bad. You could even say there are things that make “Wicked” watchable, but it is done in a package that failed to win me over. I like Jon M. Chu as a director, and when it comes to unleashing good performances out of his cast, that is where he excels here. But when it comes to creating an enjoyable musical atmosphere, I think he does better job with that with “In the Heights.” I do not love “In the Heights,” but I think it is a slightly better film than “Wicked.” If someone were in the room with me and they put it in on, I would not leave. I would watch it again. As is the case “Killers of the Flower Moon” last year and “Elvis” the year before that, “Wicked” is probably going to be a huge awards contender. But like those two other films, I am definitely in the minority with my negative opinion when it comes to “Wicked.” I mean, I liked the movie more than “Challengers…” Go ahead, punch me in the face. I do not care. I said what I said. All I can do is give my honest opinion. I am going to give “Wicked” a 5/10.

One last thing I want to bring up… I do not know if this was a studio choice or a directorial intention or if this was just my screening, but I want to know if anyone else experienced this. When I saw this film for the first time, I noticed that there was a tint attached in my presentation that was pink and green. It stayed that way during the entire film. You might think I am just seeing things because those are the two consistent colors throughout the picture. Although I must point out that this tint was also present during the trailers. When the MPA warning flashed, I noticed hints of pink in the font. I am not sure what the purpose of that was, but it was kind of distracting. Did anyone else see that too or was it just me?

“Wicked” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! By the way, a lot of people appear to be seeing “Wicked” as part of a double feature with another film, “Gladiator II.” Be sure to check out my review for that movie as well! Also on the pipeline, I have reviews coming for “Smile 2,” “Nightbitch,” “Kraven the Hunter,” and “The Lord of the Rings: The War of the Rohirrim.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Wicked?” What did you think about it? Or, what is your most unpopular movie opinion regarding this year in cinema? Let me know down below! Scene Before is your click to the flicks!

The Croods: A New Age (2020): A Wild Ride (Unfortunately, It NEVER Ends)

“The Croods: A New Age” is directed by Joel Crawford, who has been involved as a story artist for several DreamWorks films including “Kung Fu Panda,” “Shrek Forever After,” and “Rise of the Guardians.” This film is his feature-length debut and stars Emma Stone (The Amazing Spider-Man, La La Land), Nicolas Cage (Raising Arizona, Spider-Man: Into the Spider-Verse), Ryan Reynolds (Deadpool, The Hitman’s Bodyguard), Peter Dinklage (Avengers: Infinity War, Game of Thrones), Leslie Mann (Blockers, Welcome to Marwen), and Kelly Marie Tran (Star Wars: The Last Jedi, Adam Ruins Everything).

The long-awaited sequel to 2013’s “The Croods” centers around a family living in pre-historic times. They may have left the cave, but their journey is not over yet. In this movie, the Croods meet the Bettermans, a family who claims to be more evolved than those of the titular name.

I liked “The Croods” when I first saw it, but much like “Star Wars: The Last Jedi” and “Suicide Squad” it is one of those movies that I had fun watching in the theater, but quickly began to like less upon thinking about it more, not to mention a rewatch. To this day, other than maybe “Shrek Forever After,” “The Croods” may be my least favorite DreamWorks animation. Granted, I have missed some of the recent ones like “Trolls,” “Trolls: World Tour,” “The Boss Baby,” and “Abominable.” But I figured since there is very little to talk about in the movie world right now, I am willing to go see “The Croods: A New Age,” even if it wrecks my brain.

I will also be fair to the first movie, because even though the story and characters do not serve much for my memory, I do remember the movie looking stunning at times. It is one of the more attractive-looking DreamWorks films I’ve seen, and when it comes to color, it pops. But contrary to what Deadpool says, looks are not everything.

So how does “The Croods: A New Age” compare to its 2013 counterpart? Admittedly I cannot give a full confirmation as it has been awhile since I have seen that 2013 counterpart, but there are elements of this sequel that I think fare slightly better than the original, but not by much. The first “Croods” tries to be grand, and it succeeds at times, but there are also moments of that film where looking back I kind of roll my eyes. “A New Age” does an alright job with moving everything along in terms of characterization, but focuses much more of its time to cracking jokes that don’t always land or having big action just for the sake of keeping our eyes on the screen. Keeping our eyes on the screen is not a bad thing, but as I kept my eyes on the screen, I felt like I was witnessing another example of the style over substance problem. It’s a common thing I have seen out of a recent “Transformers” or Zack Snyder movie for example. The story could be interesting, but it occasionally takes a backseat for visuals. This is not always a negative, as “The Croods: A New Age” provides plenty of pretty visuals. However, when it comes to family animations, this is not one I would watch for plot or characters. I would probably put it on my TV as a test movie. I will say though, if you and your family need an excuse to get out of the house for Thanksgiving, maybe avoid some crazy in-laws who won’t shut up about politics, I will say that this movie, in terms of visuals, may be worth the IMAX price. I saw “The Croods: A New Age” in IMAX, and the presentation was better compared to a lot of movies I’ve seen this year.

I will say, one of the standouts of this movie is the dad, otherwise known as Grug. Much like in the first movie, Grug is voiced by Nicolas Cage, and I have to say, when it comes to how Grug is written occasionally, it feels like the voiceover role Cage was born to do. There’s a lot of over the top expression, zaniness, and hyperactive speech patterns that associate with the actor quite well. He also had a rather hypnotizing portion of his screentime dedicated to wanting bananas. The movie goes balls out with that story and executes it better than I would have imagined.

I also think when it comes to Eep and Guy, they have really good chemistry. Once again, it has been forever since I’ve watched the first movie, but I do remember their relationship being a highlight in that project as well. I think Emma Stone and Ryan Reynolds are fine casting choices for their roles and it’s nice to see Stone continuing her tradition, not only in “The Croods,” but in “Gangster Squad” and “La La Land” of getting it on with boy toy Canadians named Ryan.

“The Croods: A New Age” introduces some previously unseen characters along the way. Specifically, much of this revolves around the Bettermans, a more evolved family living over a wall that separates the Croods’ land and what they view as the place of “Tomorrow.” I will say, first off, could they have chosen any other last name? One of the first lines out of Leslie Mann’s character is “emphasis on the ‘Better,'” in reference to her last name. I get the point, but this honestly makes the movie feel like it is talking down to its viewers. And yes, young children are watching this movie. And if I were a kid watching this movie, I’d end up having a good time. But I don’t need facts like this shoved in my face when I could use my head like an intellectual.

With that rant over, let’s talk about the Bettermans. I think the Bettermans are a fairly fascinating depiction of how humans have evolved. They show off their “better” ways of doing things, such as their versions of elevators, toilets, sleep, and so on. Sometimes it made for fun parts of the movie.

Oh yeah, apparently they have a merchandisable sloth too.

I’m not gonna lie, I do not think the sloth from the first movie is as funny as they’re trying to make it out to be. It’s kind of like the Chicken from “Moana,” one of the most overhyped animations I’ve seen in recent years.

I do not have much more to say about “The Croods: A New Age,” but I have extremely conflicting feelings about the climax. I say so because the climax has many of the essentials needed. It is exciting, action-packed, visually stunning, and intense. But it kept going on forever. Although I might be exaggerating because it just so turns out that it didn’t. “The Croods: A New Age” is 95 minutes long. That is four minutes shorter than the original film. Looking back, it feels as if the first two acts were short pieces of buildup, but they just wanted to inject as much action and adventure as possible by the halfway point that the movie felt like it could end at one moment, but it instead goes on. This feels like “Lord of the Rings: Return of the King,” except that instead of not knowing when to conclude, it didn’t know when to get to the actual conclusive point to begin with. I love fast-paced, balls to the wall thrill rides, but “The Croods: A New Age” comes with the unfortunate disadvantage that it does not really give me much time to breathe.

I was never bored by “The Croods: A New Age,” and that is an absolute positive, but this film was like an overpowered roller-coaster. It’s exciting, it’s thrilling, but sometimes discombobulating. You’re in the moment, but you also want it to end. If cinemas are open near you, and you plan to see “The Croods: A New Age” in theaters, go for the most immersive experience possible. But sometimes it gets a little TOO exciting, at least for me.

In the end, “The Croods: A New Age” is not the worst animated movie of 2020, but it is by no means the best. It is definitely fun if you have a family. Kids might end up enjoying it. If you were satisfied with the first film, chances are you might end up digging this one. I think the Betterman family was a fine addition character-wise, but I do not see myself popping on this movie again in the near future. I am going to give “The Croods: A New Age” a 6/10.

I will also say that I stayed for the end credits, because I wanted to know if there is an after credits scene. By the way, there is not. But I noticed the special thanks section and they thanked the entire crew that pulled the film off, despite the challenges of 2020. I thought that was a nice sentiment and I would not be surprised if I see that statement in more movies going forward. Statements that reflect on the tough time to get a movie going, but they managed to pull it off in the end.

“The Croods: A New Age” is now playing in CinemaSafe theatres. It is available in 2D, 3D, IMAX, and other large formats such as Dolby Cinema and Cinemark XD. The film will hit premium VOD services including Google Play, VUDU, and cable options like Xfinity On Demand on December 25th as Universal is observing a shortened theatrical window.

Thanks for reading this review! This weekend I am going to be watching and reviewing the all new HBO Max film “Superintelligence” starring Melissa McCarthy. “Superintelligence” may be in my top 3 least anticipated films of the year, but I have a job to do. So here we go! It is my obligation to risk brain damage this weekend! Yeehaw! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Croods: A New Age?” What did you think about it? Or, what is your favorite animation of 2020? For me, that’s an easy choice. “Over the Moon.” I cannot stop listening to the soundtrack right now! Let me know down below! Scene Before is your click to the flicks!