Sing Sing (2023): A Feel Good Drama Showcasing Light in the Darkest of Places

DISCLAIMER: Before we begin this review, I want to remind everyone reading this, while I do my best to keep certain details away regarding the film, there are parts of this review that involve some things in the movie that surprised me. I talk about those points in this review and chances are it COULD affect your viewing experience if you see them yourself. It is hard to call these points spoilers, because it does not necessarily have to do with the plot, but it does involve something that if you had zero idea about it going into this movie, I will probably ruin the reveal for you. All I will say is, if you want to see these surprises the way I did, click out of this review, and go see “Sing Sing” yourself. Otherwise, enjoy my thoughts on the movie!

“Sing Sing” is directed by Greg Kwedar (Transpecos, Rising from Ashes) and stars Colman Domingo (Lincoln, Fear the Walking Dead), Clarence Maclin, Sean San José (Life Tastes Good, Dream for an Insomniac), and Paul Raci (Parks and Recreation, Sound of Metal). This film is set in a maximum security prison where a group of men who work on plays together do all they can to bring their latest production to life.

When you go to the movies as often as I do, chances are you will run into an endless barrage of trailers. Sometimes you might get anywhere between four to eight in a single screening. Despite my constant eyeing of the screen, I cannot say I am able to witness everything the studios are putting out. Heck, I recall only seeing a trailer for “Deadpool & Wolverine” in theaters once before it came out. Although if you count that little thing they did before certain movies with the two leads telling the audience not to use their phones, I guess you can say I saw some other marketing material for the film as well. But my point is, my experience with the marketing for “Sing Sing” is next to none. At least for what I recall. I say this despite knowing one of the problems of being a frequent AMC customer is that I get so many trailers in select screenings that it is sometimes difficult to remember them all. I heard about the concept of the “Sing Sing” and I figured it could be a pleasing time. But the only reason why I went to go see this movie in the first place is because the screening for it was free.

It feels nice going into a movie blind. Especially as someone who is so constantly exposed to everything the studios are trying to sell me. But of course, compared to some of the other movies out this summer, I did not have a ton of excitement for “Sing Sing.” Although that is for good reason, because I did not know enough about “Sing Sing” to get excited. However, I can confirm I am quite excited to discuss this movie because it was a great experience. This is one of those movies, kind of like “CODA,” that is going to stick with me emotionally months after leaving the theater. To be clear, I do not think this film is as good as “CODA,” but much like “CODA,” “Sing Sing” was wholesome, moving, and beautiful.

There is a saying that you should not judge a book by its cover. And “Sing Sing” sort of fits that idea. Because when I look at this title, I think of innocence, I think of unity, I think of community, I think of… Well… Singing… For those who do not know, and I did not know this going in, Sing Sing is the name given to a prison where this movie is set. The name is derived from a Native American tribe. Despite that, this movie shows how much the act of performing is in the blood of several people staying here. You have a set of people who take plays seriously, some who enjoy being comedic, and you also have people doing this in order to forget about their troubles. The reality is that as someone who has never set foot inside of a prison, I will never know what it is like to be incarcerated, to spend a night in jail, to do time. Nothing of that sort, but this movie presents the universal concept of escapism and does so through the lens of people who perhaps deep down hope to achieve it more than most. I go to the movies as often as I can, but I realize how lucky I am to be able to do that on a regular basis. These are people who have the plays at Sing Sing as one of their only ways to forget their troubles. Whether they are there for a crime they committed or put there for the wrong reasons, all of these people share a common bond, and it is nice to see here.

The star of this movie is Colman Domingo, and he easily shines in the lead role. He comes off as the serious one of the group sometimes, but I feel deep down he is willing to drive himself out of his comfort zone. Domingo has some memorable scenes as John “Divine G” Whitfield and it still feels too early to tell if this performance will be up for awards contention, but I think Domingo has given one of my favorites so far this year. This film is not the strongest at the box office. It has been out for weeks and only recently crossed the two million dollar mark. Granted, it never had a large number of showtimes, and it does not have the star power of say “Deadpool & Wolverine.” Colman Domingo is without a doubt the movie’s biggest name. The only other person I recognized in the cast, and it actually took me a bit to figure out what his name actually was despite knowing his face, was Paul Raci. Boy oh boy is it great seeing him here, because I loved his performance in “Sound of Metal” and he manages to bring a similar feel to his portrayal here. He comes off as the voice of wisdom of the bunch. Much like his outing in “Sound of Metal,” Raci brings a calming, welcoming presence to his character. I very much enjoyed seeing him in another role and hope this is not the last I see of him.

As mentioned, this film does not have the biggest stars. However, as far as I am concerned, I do not think that is a bad thing. Because “Sing Sing” manages to cast a group of people that may not have been my first choice, but seeing this film made me realize I would not want this cast to be any different than the way it is.

This movie reminds me a bit of “The 15:17 to Paris,” Clint Eastwood’s biographical drama about three men and their journey leading up to a train attack. For those of you who have not read my review, I can tell you it is absolutely insufferable and obscenely uneventful. But one thing I remember from that movie is that the main characters are played by the real people attached to the true event the movie bases itself upon. While creative, I could honestly tell they were not the greatest thespians. This leads me to one of my praises for this film, I am marveled by the performances given by some of the prisoners, especially because they are played by actual people who were imprisoned at Sing Sing. And while I may not be able to recognize these people compared to some of the big movie stars we see on screen today, when the credits rolled and the cast was revealed, I was taken aback by this group’s acting abilities. Granted, maybe I should not have been too surprised considering they have acting experience through plays, but I thought this was a professional group of people trying to be someone else. The definition of acting is playing pretend, that is traditionally what I would expect from most situations. Can you have people play themselves? Sure. There have been cases where it has happened and it has worked. But “Sing Sing” is not just a case where it worked, it is a case where I found myself heavily immersed into each performance on display.

Going back to “The 15:17 to Paris,” when the film was over, I looked at the actors on screen, thought their performances could have been better, and came up with my own interpretations of some more professional people that could take their place. That is not the case with “Sing Sing,” as every single person in the cast kills their respective role. It is hard to tell if these actors playing themselves are going to be contenders for awards in the coming months, but I think it would not just cool to see, but legitimately fitting, to see these people get a Best Ensemble nomination at the SAG Awards, because I bought the entire group, and I think you will too.

“Sing Sing” tackles a lot in one picture. It deals with people’s reputations, toxic masculinity, and the value of teamwork just to name a few topics. And all of these ideas are handled well. Above all, “Sing Sing” shows how art can bring people together. It also shows the value of escapism and being able to become the person you want to be. It is definitely a serious picture at times, but if you are looking for straight-up fun, this movie has a shockingly decent amount. I found myself smiling quite a bit during this film’s runtime.

One last thing, this regards the film’s ending. The film makes a certain choice at the end, and honestly, I was surprised by the direction they decided to take things. It almost felt unfinished and out of left field, like I was waiting for the big event to happen, only for the movie to tell me it is not happening. But as I saw what the film presents as an alternative, I thought it was a brilliant move. This direction was wholesome, it was lovely, and it was satisfying. As I said, I smiled quite a bit during this movie, and this was one of those times. This film is not all smiles and laughs, but I would recommend you check this movie out. Maybe it will bring out some emotions of your own.

In the end, “Sing Sing” totally sings. This is one of the better movies I have seen this year. While it is probably not my favorite, it is one that I will be thinking about as we get closer to awards season. Unfortunately, not many people saw this movie. Remember how I mentioned the rather low box office total for this film? Sadly, I could not contribute to it, I was able to see this film for free. But I urge you to check this movie out as soon as you can. Whether you are able to buy a ticket for this movie, watch it when it comes out on home video, or even at a free screening like I did, I hope you see it and enjoy it as much as I did. I hope more people spread the word about this picture. It is a must watch for sure. I am going to give “Sing Sing” a 9/10.

“Sing Sing” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Borderlands,” the new film based on the video game of the same name. Also coming soon, I will share my thoughts on “Skincare,” the new thriller starring Elizabeth Banks as an aesthetician. And if that is not enough to satisfy you, I will also be talking about films like “My Old Ass,” “Reagan,” and “It Ends with Us.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Sing Sing?” What did you think about it? Or, is there any way that art has helped you in your life? Let me know down below! Scene Before is your click to the flicks!

Sound of Metal (2019): Hearing is Precious, Here’s Proof

“Sound of Metal” is directed by Darius Marder (The Place Beyond the Pines, Loot) and stars Riz Ahmed (Rogue One: A Star Wars Story, Nightcrawler), Olivia Cooke (Ready Player One, Bates Motel), Paul Raci (Goliath, Switched at Birth), Lauren Ridloff (The Walking Dead, Wonderstruck), and Mathieu Amalric (Quantum of Solace, The Grand Budapest Hotel). This film centers around a drummer named Ruben, who we find out early on is losing his hearing at an alarming rate. His sponsor, worried for him, makes him go to a deaf community and meet Joe, who runs said community. Ruben does this all the while struggling to live with his new situation.

I often poke fun at this company because its business practices usually prevents competition from getting their foot in the door. But if one company has been coming through during this pandemic when it comes to film, it would have be Amazon. They have consistently been releasing film after film, and while not all of them are great (I’m looking at you, “My Spy”), they have come out with some of the more watchable ones this year. “The Vast of Night” was my first 8/10 of the year, which unfortunately came in over the halfway point of the annual calendar. “Radioactive” had a great lead performance by Rosamund Pike and is a marvelous telling of Marie Curie’s life story. Amazon also put out a couple good, but not great, documentaries this year. If it were not for Hulu’s “I Am Greta,” “Time” would be my favorite documentary of 2020. I think Amazon has a solid track record this year. Not perfect, but solid.

“Sound of Metal” is Amazon’s best 2020 release yet.

People say that film is a visual medium, and they’re not wrong. When you have a character whose hearing is being taken away, it makes you appreciate the sights of whatever gets captured on camera. This is a film that at various points, has minimal dialogue, and relies on what you see, not hear. I have seen space movies where they drop the sound to mimic the endless vacuum of the starry sky, but “Sound of Metal” is that if it were brought down to earth. Even at points where the movie became somewhat difficult to watch, it had my attention simply because it was effective enough in its demanding of it. They say that audio is half your movie, and “Sound of Metal” does a really good job at suggesting that such a half may not always be a necessity. I have good hearing, and at times, it’s a curse due to my sensitivity to certain sounds. This movie occasionally made me feel deaf.

It is difficult to determine who will end up being this year’s Best Ensemble, but if I had to pick a perfect candidate right now, that would have to be the cast of “Sound of Metal.” Staying consistent with previous thoughts, many of the performances in this film are not what they are because of their lines, but through their physicality. This movie primarily focuses on two languages. English and sign language. All this leads to what ends up being some of the best writing and directing I have witnessed all year.

Riz Ahmed is a triumph in this film. I have witnessed Ahmed in previous projects, most notably “Rogue One: A Star Wars Story,” and I thought in his previous roles that he served his purpose. Here however, it is difficult to deny that he was allowed to shine and reveal his true acting abilities. His portrayal of Ruben is raw, gritty, natural, and sort of mind-boggling at times. Ahmed is a true performer, and I liked him before “Sound of Metal” came out, but this is the first movie I’ve seen him in that puts his name on the map for me.

I also admire Ahmed’s chemistry with Olivia Cooke, who plays Lou in this film. For the record, Lou is Ruben’s sponsor, while also revealing to be romantically involved with the guy. Unlike Riz Ahmed, Olivia Cooke was a name that has circled around my head for sometime, and the reason for that is because “Ready Player One” ended up being one of my most rewatched movies of 2018. I like Olivia Cooke in “Ready Player One,” she was great in that movie. Much like Riz Ahmed, I sort of got to see more of Cooke’s true colors in this movie. This is a performance that absolutely dives into the emotions of the character at hand. I could feel the connection between her and Ahmed, and such a bond turned out to be one of the highlights of the film.

If this film has done one thing, that would be to make me realize the talent that can come from even people I do not know. I knew who Ahmed and Cooke were, but one man who I have not seen prior to this film is Paul Raci. I have no idea what his future holds, but with enough luck, it may end up being one with massive success. His portrayal of Joe really helped this film bring itself to an intimate level. Ruben is the rough, rugged, obnoxious main character who needs to realize what is ahead. Joe is calm, poised, and patient. If I were stuck in traffic with this guy, it would not be the worst car ride ever.

Continuing the subject of unknown, recently realized talent, this is the feature length directorial debut of Darius Marder, and if he keeps up his game, he could be a household name. This is his first feature film, and it is still a bit early to tell if his name will be big enough, or noteworthy enough to associate with the greats. Nevertheless, depending on how COVID-19 continues to unfold, we’ll have to see when Marder’s next film hits, but this is a fantastic debut. I would love to see more from Marder if possible, and maybe he’ll be the next big name in the industry.

If I had any problems with “Sound of Metal,” they would honestly be quite hard to point out. While the casting is amazing, it is a little weird to have a relationship between the main characters if their respective actors are 11 years apart in age. At the same time though, age is just a number. I will also say, time will be the defining factor here, but it is hard to tell whether I will obligate myself to go on Prime Video and watch this movie again. It’s not that I did not like the movie, I enjoyed it very much. But there are a couple scenes that immediately deliver a lack of comfort. While the feeling did provoke a sense that my time watching the film was well spent, it was nevertheless brought through scenes that may have been harder to watch than others.

Upon reflection, I would have to say that I love the way that this film starts and ends. I say so because it is a perfect encapsulation of Ruben’s journey. I will not go into much detail, but it has to do with his profession, the effects of said profession, and the overall journey of the film. This forms a recipe for greatness, and ultimately, one of my favorite movies of the year.

In the end, “Sound of Metal” is a nearly flawless attempt to highlight what it is like to lose your hearing. It shows ups, it shows downs, it shows in-betweens, showcasing a hard journey for the main individual and people around him. We can all agree that 2020 is objectively the worst year to be a film fan, that even stands true with the notion that “Parasite” deservedly won Best Picture at the Academy Awards. Theaters have been closed. A lot of the films that are in theaters right now are probably just getting dumped. Disney+ got absolutely greedy with their “Mulan” experiment. Not many movies have been extraordinary. Although there have been a few that have been extraordinary like “The Last Shift,” “Over the Moon,” and “Yellow Rose.” As of today, “Sound of Metal” joins those movies in said category. I am going to give “Sound of Metal” a 9/10.

“Sound of Metal” is in select theaters starting Friday, November 20th, and will then drop onto Amazon’s Prime Video as an exclusive two weeks later, December 4th.

Thanks for reading this review! I am not sure what I will be watching this weekend, if anything. But over Thanksgiving weekend, I am going to be reviewing “Superintelligence,” the all new film hitting HBO Max starring Melissa McCarthy and directed by her husband, Ben Falcone. Two and a half years ago, I reviewed “Life of the Party,” which these two collaborated on. It ended up being my least favorite film of the year. This can only go so well. Will 2020 strike me down once more? Will we see a turnaround for the celebrity couple? Find out soon on Scene Before! If you want to see that post, and more posts like this one, be sure to follow Scene Before either with an email or WordPress account! Also, check out my Facebook page! I want to know, did you see “Sound of Metal?” What did you think about it? Or, have you watched any Amazon movies this year? Which one is your favorite? Let me know down below! Scene Before is your click to the flicks!