Joy Ride (2023): Four Young Women Go Global to Deliver the Hardest Laughs Imaginable

“Joy Ride” is directed by Adele Lim, and this is her directorial debut. Prior to this outing, she has spent a much of her career writing various movies and TV shows. This film stars Ashley Park (Girls5eva, Emily in Paris), Sherry Cola (Turning Red, Good Trouble), Stephanie Hsu (Everything Everywhere All at Once, The Marvelous Ms. Maisel), and Sabrina Wu. This film is about four Asian American friends who go to China together in search of one of their birthmothers.

It is hard to find good comedies nowadays. I am not saying it is impossible. But usually when I think about some of the funnier recent movies, they honestly come from movies that could not be defined as comedies by themselves. “Free Guy” had me busting a gut, but you could argue that it is more of an action-adventure film than a comedy. The Marvel Cinematic Universe has delivered plenty of humor, but again, those are action movies. At times, “Everything Everywhere All at Once,” which is sort of a blend between action, adventure, and science fiction, had me wheezing and shaking my body. The only true comedies I recall watching in recent years that have been really good are “The Unbearable Weight of Massive Talent,” which yes, I guess you could say there is an actionish element there too. But in addition to that, I also really enjoyed films like “Clerks III” and “No Hard Feelings.” Either through a lack of good material or slim pickens, maybe both. If there are other comedies I saw, so be it, but that goes to show how weak the genre has been. When it comes to pure laughter, nothing has surpassed those titles. Sticking with the latter for a second, when I did my review for “No Hard Feelings,” I said I’m glad I saw it. However, I also said at the time, it was not even the funniest movie I have seen in the past few weeks.

Ladies and gentlemen, this is that movie.

Continuing to stick with the “No Hard Feelings” comparisons, I appreciated the raunch factor that movie provided. There are a few scenes that push some boundaries. But if you thought “No Hard Feelings” was dirty, hold your horses, because “Joy Ride” may the be, aside from maybe “Sausage Party,” the single filthiest movie I have reviewed on this blog. This film pulls no punches and unleashed all sorts of wild vulgarity that few movies of its kind have delivered. It is not as heavy in language as “The Wolf of Wall Street,” (the shorter runtime partially helps), but it nevertheless has tons of bombs and plenty of sexual content, much of which actually blends seamlessly with the situations at hand. There does not appear to be a moment of this movie that either feels tacked on or a waste of time. Everything works and is done to the point where it almost could not have been executed any better than it was. Though in all seriousness, if you are one of those people who does not like watching explicit scenes with parents, maybe find a way to watch this movie without them. Considering how “Joy Ride” was originally going to be called “Joy F*** Club,” it should not come as a surprise to know how naughty this movie is.

But just because this movie is all sex, all drugs, and all filth, does not mean it lacks a story. If anything I am pleasantly surprised with how amazingly laid out the story is. The concept is not too complicated, and if this movie had a minimalistic point a to b narrative to make me laugh, that would have been serviceable. But the trio of writers behind this movie decided to go beyond that barrier and not only bring a good story in addition to tons of laughs, but I would say when it comes to turning points, this film brings one of the best I have seen this year. I was kind of taken aback by how invested I became in the story for a film that is best described as a pure comedy. When I look back at movies like “Horrible Bosses” or “Anchorman,” I remember those movies not so much for the narrative, even though they tend to make sense, there is nothing broken about them. But I remember them mostly for the characters. Much like “Anchorman,” this film has a lead quartet that works both together and as individuals.

You have Audrey (left center), the serious lawyer who wants nothing more to remain successful and find her mom. Along for the ride is her best friend, Lolo (right), an artistic individual who has been by Audrey’s side since her youth. Also on the team is another artsy type, Kat (left), a famous actress, played marvelously by Stephanie Hsu, whose top tier work in “Everything Everywhere All at Once” is followed up nicely here. Finishing things off is Deadeye (right center), Lolo’s cousin, who deeply loves k-pop. Of the group, she seems to be the geek type. Not in a shy, reserved way though. Each individual appears to be rather outgoing, which matches the party-like vibe of the film from start to finish, but much like certain geeks such as myself, her obsession for what she loves is crystal clear.

Overall, the phenomenal lead cast makes this movie shine. The four lead women may not be the most well-known performers. Personally, the only one of the bunch I could have picked out was Stephanie Hsu. And unfortunately, due to how bad this film did at the box office, they might remain as such. But they make this movie worth the watch. All of the cast members play off each other perfectly and I loved every second they were on screen. I do not think a sequel is in the cards right now for “Joy Ride,” but I would love to see these four together again in some capacity. They did a great job.

The supporting cast is great too, between everyone on the basketball team to those in Audrey’s family, but perhaps the highlight of said cast would have to be Meredith Hagner (Search Party, Disenchantment). Hagner plays Jess, a drug smuggler, and she is not in much of the movie, but the scene she is in is one of the film’s best. Look out for it, if you like gross humor, you might be entertained.

One of the best things about “Joy Ride” is that despite how it is heavily marketed as a laugh out loud comedy and contains all sorts of vulgar humor, it does not shy away from being heartfelt. Because I like these characters so much, I not only end up rooting for them, I feel bad for them when something tends to not go their way. When the characters hit a certain low, I am hoping they get back up. There is a certain goldilocks zone with this film by the end of it that despite being filled with dark humor through most of it, it ends up meshing together with, like the title, a joyful vibe. Check out this film, you’ll laugh, you’ll have a good time, and it is the filthiest comedy I have seen in years.

In the end, “Joy Ride” does not always make sense. But even in its more unrealistic moments, there is a sense of immersion in them. This movie builds a world around it in which I found myself invested. The characters are layered, the jokes are hysterical, and the screenplay is more Shakespearean than it has any right being. If you are not cool watching certain films with your parents, think twice before turning “Joy Ride” on with them in the room. But I think this is a great film to watch with friends, or even by yourself. The premise may be simple, but the movie within the premise can only be described as a goldmine. I am going to give “Joy Ride” an 8/10.

Also, this movie would not be as good as it is if were not for the writers. Adele Lim, Teresa Hsiao, and Cherry Chevapravatdumrong are responsible for one of the best comedies in the past decade. Also, I want to shout out Cherry Chevapravatdumrong specifically, as she also wrote my favorite television episode of all time, specifically “And Then There Were Fewer” from the “Family Guy” series. I talked a bit about the episode a few years back and it still remains a gem in my book. Here is hoping we get more good material from her, in addition to Lim and Hsiao.

“Joy Ride” is now playing in theaters and is also available to rent or buy on VOD platforms.

Thanks for reading this review! My next review is going to be for “Mission: Impossible – Dead Reckoning Part One.” Also coming soon are my reviews for “Oppenheimer,” “Haunted Mansion,” “The First Slam Dunk,” and “Barbie.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Joy Ride?” What did you think about it? Or, what comedy has your favorite main cast of characters? Hard to pick one, but I would either have to go with “Ghostbusters” or “Anchorman” at the top of my head. Let me know your picks down below! Scene Before is your click to the flicks!

Brightburn (2019): Superman: The Quest for Rest In Peace

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“Brightburn” is directed by David Yarovesky (Guardians of the Galaxy, The Hive) and stars Jackson A. Dunn (Shameless, Legendary Dudas), Elizabeth Banks (The LEGO Movie, The Hunger Games), David Denman (The Office, Traffic Light), Matt Jones (Mom, Breaking Bad), and Meredith Hagner (Men at Work, Search Party). This film revolves around a family and its child, Brandon Breyer. Brandon is growing up fast, and at times seems to be a relatively normal child. But we soon discover that he has powers, he sometimes behaves poorly, and he has various elements of a psychopath. Basically, take Superman, but make him malevolent, wicked, and some sort of equivalent to a devil worshiper.

I originally saw the first trailer for “Brightburn” last year, and I was somewhat excited for this film upon seeing that trailer. It looked beautiful, bold, and a tad scary too. In a way, this film is a mix of horror and a traditional comic book style story. The movie is not based on any preexisting property by name, even though it does contain similarities to “Superman.” To add even more comic book and superhero elements into the mix, let me just point out that James Gunn, director of the two recent “Guardians of the Galaxy” films, has a producer credit on this movie. This film is also kind of a family project, because the two writers are related to Gunn. You’ve got Mark Gunn, a cousin of James. And Brian Gunn, who happens to one of James’ brothers. It’s clear that this movie was partially done with combined passion, and it’s nice to see a family come together to entertain audiences. Granted, I don’t like everything they’ve done. I think “Guardians of the Galaxy Vol. 2” may be one of the most overrated movies of the past few years. And both Brian and Mark wrote “Journey 2: The Mysterious Island,” which may be my least favorite movie with The Rock in it.

But with all of the creative forces combining together for “Brightburn,” how did they all add up? O-K? I guess? This was not my most anticipated film of 2019, but it was up there in terms of films I was looking forward to. In fact, of all the films that came out during its particular opening weekend, it was probably the one I wanted to see the most. Granted, I ended up seeing “Booksmart,” which ended up being good. I still have no interest in seeing “Aladdin,” but I finally got around to seeing “Brightburn” only to have numerous less than positive things to say about it. I mean, it’s not all bad. But it seriously could have been a lot better.

As a concept, it is certainly intriguing, and there are a lot of ideas that go into the concept that are executed fairly well. That being said however, this almost seems like a pitch movie.

“It’s gonna be Superman, but evil! Comic book movies are the thing right now! Let’s see what we can do with one of the most iconic comic stories of all time, but with a sinister twist! It’s gonna be great!”

This movie ultimately reminds me of a movie like “Lucy.” Remember “Lucy” from 2014? If you haven’t seen “Lucy,” Scarlett Johansson plays this girl who gets drugged by some less than friendly people, all the while discovering how to use more than 10% of her brain. It seems like a good movie to write with a couple of people around you, discussing ideas of how to use one’s brain at a greater level than what mankind is traditionally capable of. But it doesn’t mean anything for the movie in terms of how watchable or compelling it will turn out in the end, it’s just a collection of seemingly rad ideas.

If there were an evil Superman per se, this movie would be a good example of how such a character would work. In fact, I literally do mean evil Superman because the movie starts off with a crash on a farm, and the crash involves a baby boy. This baby grows up, we see him seemingly hitting puberty, and he becomes a stalker, an aggressive talker, and a violent maniac.

I also gotta give props to everybody acting in this movie, and this even includes our lead kid actor, Jackson A. Dunn. He owns the part as Brandon. He’s almost a perfect embodiment for a child of his age in terms of how he presents himself (despite being more aggressive than the average person). When he would cover up truths or lie, I felt like that would usually be how a kid of his age would do such a thing. And he, thankfully, did not overplay his character in any scenes involving dark violence, gore, etc. I guess in that sense, I might as well give props to the director for properly handling this film’s scenes.

But sticking to acting, the two standout performances in the movie have to be from the parents played by Elizabeth Banks and David Denman. The best part about their characters to me really sticks out like a sore thumb during the halfway point, specifically how they view the main situation of the whole movie. And it just goes to show how far Elizabeth Banks’ character would go to unconditionally love her kid. Granted, there are slight hints of wanting what’s best for him. But at the same time, she comes off as one of those mothers who will put her kid before anyone else regardless of how they behave or what they tend to do in their daily life. This sort of reminds me of those situations where a parent will endlessly defend their child or deny any of their faults. Her character’s thoughts and actions are completely different compared to those of David Denman’s character, who thinks the kid is up to no good, he’s violent, and he’s showing no signs of being a sane person.

My last compliment I can really give to this movie is that it does look really nice. The cinematography kind of made me feel like taking several deep breaths of fresh air. Granted, I did watch the movie through a 4K Blu-ray, but still. I also dig the farm location, I think overall, it suits the movie very well.

In the end, “Brightburn” is a movie with an interesting twist on a well-known concept, but I don’t know if I’d ever watch it again. Comic book movies are currently more popular than they’ve ever been. This is not based on a comic book, but if you told me it was, I wouldn’t be surprised. One trend I’m seeing now is the rise of comic book villain stories on film. We just saw it in “Venom” last year, which sucked hard. And we’re seeing it again this October with “Joker.” Thankfully, this is not anywhere near as unwatchable as “Venom.” But this movie doesn’t add anything big or bold to the type of genre with which it is trying to associate. “Brightburn” is a tad scary, it is somewhat entertaining, it is well-acted, but it doesn’t have an enormous “oomph” factor to it. I’m going to give “Brightburn” a 6/10. Thanks for reading this review! This weekend is the release of Brad Pitt’s “Ad Astra,” which I hear is getting great reviews so far, and I cannot wait to check it out whenever I can! I’m hoping to go see it Friday, because I do have Fridays off from school, so it would be good timing on my part. Plus, I am busy Sunday evening, so I can’t go see it then. Also, while not completely official, I wanted to touch upon another recent trend in the movie world, specifically “alternate programming at the movies.” If you have been following the news lately, sporting events and TV shows are making their way to cinema screens, and I want to talk about that! Be sure to follow Scene Before if you want hear me talk about this, or other movie-related topics! Also, check out my Facebook page! I want to know, did you see “Brightburn?” What did you think about it? Or, what is your favorite “Superman” movie? Let me know down below! Scene Before is your click to the flicks!