The Croods: A New Age (2020): A Wild Ride (Unfortunately, It NEVER Ends)

“The Croods: A New Age” is directed by Joel Crawford, who has been involved as a story artist for several DreamWorks films including “Kung Fu Panda,” “Shrek Forever After,” and “Rise of the Guardians.” This film is his feature-length debut and stars Emma Stone (The Amazing Spider-Man, La La Land), Nicolas Cage (Raising Arizona, Spider-Man: Into the Spider-Verse), Ryan Reynolds (Deadpool, The Hitman’s Bodyguard), Peter Dinklage (Avengers: Infinity War, Game of Thrones), Leslie Mann (Blockers, Welcome to Marwen), and Kelly Marie Tran (Star Wars: The Last Jedi, Adam Ruins Everything).

The long-awaited sequel to 2013’s “The Croods” centers around a family living in pre-historic times. They may have left the cave, but their journey is not over yet. In this movie, the Croods meet the Bettermans, a family who claims to be more evolved than those of the titular name.

I liked “The Croods” when I first saw it, but much like “Star Wars: The Last Jedi” and “Suicide Squad” it is one of those movies that I had fun watching in the theater, but quickly began to like less upon thinking about it more, not to mention a rewatch. To this day, other than maybe “Shrek Forever After,” “The Croods” may be my least favorite DreamWorks animation. Granted, I have missed some of the recent ones like “Trolls,” “Trolls: World Tour,” “The Boss Baby,” and “Abominable.” But I figured since there is very little to talk about in the movie world right now, I am willing to go see “The Croods: A New Age,” even if it wrecks my brain.

I will also be fair to the first movie, because even though the story and characters do not serve much for my memory, I do remember the movie looking stunning at times. It is one of the more attractive-looking DreamWorks films I’ve seen, and when it comes to color, it pops. But contrary to what Deadpool says, looks are not everything.

So how does “The Croods: A New Age” compare to its 2013 counterpart? Admittedly I cannot give a full confirmation as it has been awhile since I have seen that 2013 counterpart, but there are elements of this sequel that I think fare slightly better than the original, but not by much. The first “Croods” tries to be grand, and it succeeds at times, but there are also moments of that film where looking back I kind of roll my eyes. “A New Age” does an alright job with moving everything along in terms of characterization, but focuses much more of its time to cracking jokes that don’t always land or having big action just for the sake of keeping our eyes on the screen. Keeping our eyes on the screen is not a bad thing, but as I kept my eyes on the screen, I felt like I was witnessing another example of the style over substance problem. It’s a common thing I have seen out of a recent “Transformers” or Zack Snyder movie for example. The story could be interesting, but it occasionally takes a backseat for visuals. This is not always a negative, as “The Croods: A New Age” provides plenty of pretty visuals. However, when it comes to family animations, this is not one I would watch for plot or characters. I would probably put it on my TV as a test movie. I will say though, if you and your family need an excuse to get out of the house for Thanksgiving, maybe avoid some crazy in-laws who won’t shut up about politics, I will say that this movie, in terms of visuals, may be worth the IMAX price. I saw “The Croods: A New Age” in IMAX, and the presentation was better compared to a lot of movies I’ve seen this year.

I will say, one of the standouts of this movie is the dad, otherwise known as Grug. Much like in the first movie, Grug is voiced by Nicolas Cage, and I have to say, when it comes to how Grug is written occasionally, it feels like the voiceover role Cage was born to do. There’s a lot of over the top expression, zaniness, and hyperactive speech patterns that associate with the actor quite well. He also had a rather hypnotizing portion of his screentime dedicated to wanting bananas. The movie goes balls out with that story and executes it better than I would have imagined.

I also think when it comes to Eep and Guy, they have really good chemistry. Once again, it has been forever since I’ve watched the first movie, but I do remember their relationship being a highlight in that project as well. I think Emma Stone and Ryan Reynolds are fine casting choices for their roles and it’s nice to see Stone continuing her tradition, not only in “The Croods,” but in “Gangster Squad” and “La La Land” of getting it on with boy toy Canadians named Ryan.

“The Croods: A New Age” introduces some previously unseen characters along the way. Specifically, much of this revolves around the Bettermans, a more evolved family living over a wall that separates the Croods’ land and what they view as the place of “Tomorrow.” I will say, first off, could they have chosen any other last name? One of the first lines out of Leslie Mann’s character is “emphasis on the ‘Better,'” in reference to her last name. I get the point, but this honestly makes the movie feel like it is talking down to its viewers. And yes, young children are watching this movie. And if I were a kid watching this movie, I’d end up having a good time. But I don’t need facts like this shoved in my face when I could use my head like an intellectual.

With that rant over, let’s talk about the Bettermans. I think the Bettermans are a fairly fascinating depiction of how humans have evolved. They show off their “better” ways of doing things, such as their versions of elevators, toilets, sleep, and so on. Sometimes it made for fun parts of the movie.

Oh yeah, apparently they have a merchandisable sloth too.

I’m not gonna lie, I do not think the sloth from the first movie is as funny as they’re trying to make it out to be. It’s kind of like the Chicken from “Moana,” one of the most overhyped animations I’ve seen in recent years.

I do not have much more to say about “The Croods: A New Age,” but I have extremely conflicting feelings about the climax. I say so because the climax has many of the essentials needed. It is exciting, action-packed, visually stunning, and intense. But it kept going on forever. Although I might be exaggerating because it just so turns out that it didn’t. “The Croods: A New Age” is 95 minutes long. That is four minutes shorter than the original film. Looking back, it feels as if the first two acts were short pieces of buildup, but they just wanted to inject as much action and adventure as possible by the halfway point that the movie felt like it could end at one moment, but it instead goes on. This feels like “Lord of the Rings: Return of the King,” except that instead of not knowing when to conclude, it didn’t know when to get to the actual conclusive point to begin with. I love fast-paced, balls to the wall thrill rides, but “The Croods: A New Age” comes with the unfortunate disadvantage that it does not really give me much time to breathe.

I was never bored by “The Croods: A New Age,” and that is an absolute positive, but this film was like an overpowered roller-coaster. It’s exciting, it’s thrilling, but sometimes discombobulating. You’re in the moment, but you also want it to end. If cinemas are open near you, and you plan to see “The Croods: A New Age” in theaters, go for the most immersive experience possible. But sometimes it gets a little TOO exciting, at least for me.

In the end, “The Croods: A New Age” is not the worst animated movie of 2020, but it is by no means the best. It is definitely fun if you have a family. Kids might end up enjoying it. If you were satisfied with the first film, chances are you might end up digging this one. I think the Betterman family was a fine addition character-wise, but I do not see myself popping on this movie again in the near future. I am going to give “The Croods: A New Age” a 6/10.

I will also say that I stayed for the end credits, because I wanted to know if there is an after credits scene. By the way, there is not. But I noticed the special thanks section and they thanked the entire crew that pulled the film off, despite the challenges of 2020. I thought that was a nice sentiment and I would not be surprised if I see that statement in more movies going forward. Statements that reflect on the tough time to get a movie going, but they managed to pull it off in the end.

“The Croods: A New Age” is now playing in CinemaSafe theatres. It is available in 2D, 3D, IMAX, and other large formats such as Dolby Cinema and Cinemark XD. The film will hit premium VOD services including Google Play, VUDU, and cable options like Xfinity On Demand on December 25th as Universal is observing a shortened theatrical window.

Thanks for reading this review! This weekend I am going to be watching and reviewing the all new HBO Max film “Superintelligence” starring Melissa McCarthy. “Superintelligence” may be in my top 3 least anticipated films of the year, but I have a job to do. So here we go! It is my obligation to risk brain damage this weekend! Yeehaw! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Croods: A New Age?” What did you think about it? Or, what is your favorite animation of 2020? For me, that’s an easy choice. “Over the Moon.” I cannot stop listening to the soundtrack right now! Let me know down below! Scene Before is your click to the flicks!

Welcome To Marwen (2018): Back to the Future Part IV: A Robert Zemeckis Film

MV5BMjIxMjUwMjItMGIxYS00NTlmLTgxZTQtMzg2Yjc1ZWQ3YTYxXkEyXkFqcGdeQXVyMjM4NTM5NDY@._V1_SY1000_CR006311000_AL_

“Welcome To Marwen” is directed by Robert Zemeckis (Back to the Future, Forrest Gump) and stars Steve Carell (The Office, The 40-Year-Old Virgin), Eiza González (True Love, Baby Driver), Leslie Mann (Blockers, Knocked Up), Merritt Wever (Signs, Nurse Jackie), Janelle Monáe (Hidden Figures, Moonlight), Gwendoline Christie (Star Wars: The Force Awakens, Game of Thrones), Leslie Zemeckis (The Polar Express, Beowulf), and Neil Jackson (Quantum of Solace, Abesentia). This film is about an assault victim who likes cross-dressing. The victim’s specific name is Mark Hogancamp, and after the attack, it has been revealed that his memory is not in good shape. In order to restore his memory, Hogancamp decides to build a World War II village in his yard.

I saw the trailer for “Welcome to Marwen” a while back, and even if I didn’t see the trailer, I probably would have been excited for the film no matter what. Why? Well, Robert Zemeckis is directing the film. I loved his work in numerous films including “Back to the Future,” “Who Framed Roger Rabbit?,” “The Walk,” I just think the dude has serious visionary talent when it comes to crafting a film. “Welcome to Marwen,” on paper, is no exception to this notion. The film manages to focus on the real life events of Mark Hogancamp while simultaneously giving a nearly animated look at his dolls. So in a way, you can also call this the live action version of “Toy Story.”

If you want my short thoughts on the film right away, I’ll be honest, I really f*cking enjoyed it. In fact, I have to say it’s one of the year’s best films, but to be completely honest it is not for everyone. When I say that, I don’t mean that in a way that is sort of related to the movie showing mature content or giving viewers scares or anything, but there is something in this movie that I noticed, but when I went on social media, it kind of got an uplift in terms of how it was addressed.

Without spoiling anything, Steve Carell’s character has a certain “attachment” if you will to his dolls. I have a feeling some will consider it cute, some will consider it creepy. I am on the side that finds this to be cute. But if you really want to know if I have problems with the film itself, I only really have one thing that I think I can address, and it’s kind of in the nitpick territory.

“Welcome to Marwen” is based on a true story, and I haven’t looked much into said story or watched the documentary from which this movie adapts, so I don’t know how much is altered. Although there is one story that applies to the dolls, I won’t go into detail about it, it could be possible that Hogancamp came up with bits and pieces of the story at the very least, and it involves time travel. The dolls are supposed to go into the future by 15 lightyears. The fact is, I have to be Mr. Movie Reviewing Moron and point out that lightyears are a unit of distance and not time. A lightyear is nearly six trillion miles. If this were fiction, I’d probably be a bit more harsh when it comes to this film, especially if it were a movie specifically revolving around time travel, but I still couldn’t help but point this out.

The reason why I love “Welcome to Marwen” so much not only has to do with visuals, characterization, directing, anything like that, but it also has to do with the fact that this is a story about storytelling. A good portion of the movie focuses on the CGI world of dolls. It partially helps us in understanding who exactly our main character is, not to mention, who he wants to be. Not only was the world immersive, engaging, and charming, the doll characters are also a delight. They have this vibe to them that makes you want to hang out with them, or at least one that makes you think they can protect you. And in total honesty, the last time I saw some sort of concept similar to the style executed in “Welcome to Marwen” is probably… …well, I don’t know. If they ever make a live action “Toy Story,” I’d remind Disney and Pixar “Welcome to Marwen” beat them to it.

Speaking of this world, this is also responsible for many of my personal surprises in the movie. This is technically a vision where dolls can talk, but I didn’t expect the badassery out of some of the action scenes which were given to me here! In fact, there are times, when this movie, despite being PG-13 and not R, goes for dark violence. There is a scene in the movie where a doll splits in half! There is also a scene where a doll falls into a fence, and the top of the fence is going through its body like a sword!

Before we discuss Steve Carell’s character of Mark Hogancamp, I would just like to say that this year has been interesting for a couple cast members of “The Office.” You have two transitions from a couple of actors who were once comedy-oriented and now they’re trying to get more serious. You have John Krasinski who did “A Quiet Place” and you also have Steve Carell who was in “Beautiful Boy,” “Vice,” and this movie. Also, when it comes to Carell I gotta say, the dude can act. I was able to buy this character and see him for the way he was. He manages to deliver certain mannerisms that made me feel for his character. If I were to make a comparison, if you have ever seen “Anchorman” and you wanted a more serious version of his character in that, with perhaps ten times the depth provided to his character in that movie, this is the flick for you.

The other real highlight in this movie for me in terms of characters is the one played by Leslie Mann, specifically Nicol. Yes, there is no “e” in her name. Mann’s character in this film is someone who not only has a story of her own, but manages to play quite a bit into the story of Hogancamp as well. There is a scene in this film that was extremely well acted by both Carell and Mann, and no matter what you think of it in terms of realism, I thought it was very well done.

When it comes to all of the dolls Hogancamp owns, each one manages to have its own story, which I really liked. They are not just pieces of plastic that Hogancamp plays with. In fact, his own doll even helps explain the story of him getting beat up for cross-dressing. If you had to ask me personally, I have no interest in cross-dressing, but for those of you who do, that’s your thing and I don’t care, I’m not gonna straight up attack you over it. The film does a great job at making you side with someone because they were attacked for something they wore. If they wore a t-shirt that said “EVERYONE DESERVES TO DIE,” that’s a different scenario, but nevertheless, this film succeeds.

I also will say one thing about this movie, it’s directed by Robert Zemeckis, director of “Back to the Future.” The thing about “Welcome to Marwen” that I want to talk about has to do with my recent nitpick. One of the gadgets that plays into the story of the dolls in the movie is a time machine, and it nearly resembles a Delorean. So if you guys want to see Robert Zemeckis direct another “Back to the Future” movie, this is the closest you’re going to get.

In the end, I LOVED “Welcome to Marwen!” Is this a movie for everyone? From the way it is marketed, almost. It’s not for kids, there’s some serious s*it that goes down in the movie. But I wouldn’t say that I’d recommend this movie for every single audience. But for ME, and ME PERSONALLY, I ate this movie up. It sort of blends “Toy Story,” “The Secret Life of Walter Mitty,” and “Back to the Future.” This film might be an Oscar contender, but I don’t think it’s gonna make much money though. Aside how this film is seemingly going to be divisive in terms of criticism, it is competing against “Aquaman,” “Bumblebee,” “Mary Poppins Returns,” and “Spider-Man: Into the Spider-Verse,” but if you want to support an artistic vision, this is for you. I have no idea how long this is going to last, and I’m sorry for saying this based on how many reviews are trashing on this movie, I’m going to give “Welcome to Marwen” a 10/10! This is probably one of those scenarios where my unbelievably crazy opinion is going to stand out from a lot of other people. So you know what? In celebration of absurdity, let’s talk about some other unique film opinions I have.

  • ANIMAL HOUSE WAS BORING!
  • MAD MAX: FURY ROAD IS NOT AS GOOD AS EVERYONE SAID!
  • I ENJOYED PAUL BLART 1 & 2!
  • GROWN UPS 2 IS NOT JUST BETTER THAN THE ORIGINAL, IT’S ACTUALLY A GOOD FILM!
  • I LIKED CARS 2!
  • REVENGE OF THE SITH IS THE BEST STAR WARS MOVIE!
  • I LIKED A COUPLE OF LIVE-ACTION TRANSFORMERS FLICKS (1 & 3)!
  • I LOVE TIM BURTON’S CHARLIE & THE CHOCOLATE FACTORY!
  • FANT4STIC WAS BAD, BUT NOT AS BAD AS EVERYONE MAKES IT OUT TO BE!
  • GUARDIANS OF THE GALAXY VOL. 2 IS NOT GOOD!
  • THOR: RAGNAROK IS OVERRATED!
  • THE HOBBIT MOVIES HAVE A PURPOSE IN SOCIETY!
  • OZ THE GREAT AND POWERFUL MIGHT MATCH THE ORIGINAL WIZARD OF OZ IN TERMS OF QUALITY!
  • I LIKED VALERIAN AND THE CITY OF A THOUSAND PLANETS!
  • I HATED WE BOUGHT A ZOO!
  • PITCH PERFECT IS ONE OF THE WORST COMEDIES I’VE EVER SEEN!
  • DISNEY NEEDS TO STOP THE TREND OF THEIR LIVE ACTION REMAKES DESPITE HOW BEAUTIFUL THEY SOMETIMES MANAGE TO APPEAR!
  • BLACK PANTHER IS OVERRATED!
  • IRON MAN 3 IS MY FAVORITE IRON MAN MOVIE!
  • SPIDER-MAN 3 WAS AWESOME!

So there you go. In the comments section, I want to know a few things. Did you enjoy “Welcome to Marwen?” Not everyone has seen it yet, but still. Also, what are some controversial or odd opinions you have about movies? Your full honesty is absolutely appreciated. Thanks for reading this review! This weekend is a pretty big one for movies, and maybe I’ll catch one of the films that come out on Christmas weekend. The one I want to see, aside from ones that could have potential at winning an Oscar, is “Aquaman.” After all, if I do so, it’ll mean I’ll have given my thoughts on every major comic book movie this year. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!

Blockers (2018): When Parents Don’t Want Their Kids Gettin’ Cocky

Alright fellow moron followers, it’s that time! We’re gonna talk about sex! And to do that, we’re not just gonna go over my thoughts for the movie “Blockers,” we’re gonna be doing a usual promo. Sex may be fun, hot, and climactic. You know, unless you’re Genevieve and Paul. If you’re Genevieve and Paul, sex is not all fun and games! It’s work! Hard work! No! They’re not f*cking porn stars! They’re in a YouTube series where they’re trying to conceive! Watch them… in “What the IVF?!”

“What the IVF?” is an all new series on YouTube that goes over one couple’s long journey to conception. Watch Genevieve and Paul as they deal with various struggles and small victories! As time passes, they realize, them becoming parents will only become a reality if they push themselves to the limit instead of just having sex and having a natural procreation method. Not to mention, getting injected with tons of needles. You can find the latest videos from Genevieve and Paul on the “WTIVF?” YouTube channel. Also be sure to hit the notification bell and subscribe for all new content! Their latest entry to the series involves a fertility appointment, and things just don’t go according to plan. If YouTube doesn’t satisfy you, check out all the other “WTIVF?” social media profiles and the series’s own website. All links are down below, tell em Jack Drees sent ya, and now let’s continue getting sexy!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

mv5bmje0odiznjkzml5bml5banbnxkftztgwodq3mzu4ndm-_v1_sy1000_sx632_al_

“Blockers,” or C*ckblockers, as the promotional material implies, is directed by Kay Cannon and stars John Cena (Trainwreck, The Wall), Leslie Mann (Knocked Up, This Is 40), and Ike Barinholtz (Suicide Squad, Neighbors) as three parents who get together who try to stop their daughters from losing their virginities on prom night. Basically if you watch the movie, take the concept for “American Pie,” add in some elements of modern-day s*it in there, change the gender of the teens in a pact to get laid, and make the parents bigger parts of the story, and you get “Blockers.”

This movie is the directorial debut of Kay Cannon, who is mainly known as a writer and producer when it comes to her work in Hollywood. Cannon has written all three “Pitch Perfect” films, and produced the two sequels. I only saw the first one, I thought it was one of the worst comedies I’ve ever seen, even though a number of people seem to like it, but it certainly kept me from seeing the next two movies. Cannon also wrote several episodes of “New Girl,” which honestly, I need to still watch! They have reruns now, so I have a good opportunity on my hands. As I went into “Blockers,” I didn’t expect much, and my low expectations had partially to do with Kay Cannon, who I imagine, is a rather nice woman, but as far as I’m concerned, I didn’t like her s*itty movie from about six years ago. But hey, if were sitting in a chair in a coffee shop, having a coffee with her, I wouldn’t feel like I was tied to that chair. How someone is as a writer and someone is as a person are two completely different ideas! And luckily, in terms of how this movie was not only from the perspective of director Kay Cannon, but also the perspective of writers Brian and Jim Kehoe, it was so much better than it deserved to be! Seriously, from some of the advertising, I was somewhat convinced that this movie would be mediocre at best, but I walked out thinking to myself that I watched a movie where “American Pie” and “Revenge of the Nerds” had a lovechild! Is this movie a masterpiece? Heck no! But not only did I have a fun time, part of me feels that this movie goes over some very important themes. But before we get into why I’m craving this movie like ice cream, let’s dive into negatives.

First off, this movie has a ton of points where I nitpicked the hell out of it. I won’t go into extreme detail because it seems rather spoilery, but he biggest standout to me is when Ike Barinholtz’s character said he’s never watched anyone have sex before. My first thought after hearing that line was, “You’re a grown man who has impregnated someone, and raised a kid.” There’s not one point in your life where you rented something from the adult video store? I don’t know, That’s how he comes off to me. The more I thought about it, maybe he was just referring to in-person sex, but it doesn’t change how that original thought popped into my mind. Another thing I sort of didn’t like, is one joke that kind of makes fun of “Fast & Furious” and Vin Diesel. While it was somewhat executed well, audiences have seen a joke similar joke to that almost three years ago now in “Vacation.” Granted, that movie from what I heard was trash, but having promotional material, I imagine some people might watch this movie, witness this joke play out, and view it as perhaps less funny than if it was had “Vacation” never happened. I remember witnessing other various nitpicks, but I’ll be real with you, I can’t exactly recall them off the top of my head. It just goes to show how many positives there are in this movie compared to negatives.

Let’s talk about the three parents in this movie. You have the recently mentioned Ike Barinholtz who plays Hunter, whose daughter goes by the name of Sam, played by Gideon Adlon (The Real O’Neals, Z Nation). Hunter used to be married, but after reveals of him cheating on his wife, divorce happened. Barinholtz did a great job playing a very hyperactive, overenthusiastic, and somewhat aware dad. And by somewhat aware, I mean in terms of how teens communicate. This is something that the movie dives deep into. When the other two parents were trying to decipher whatever it was the teens were trying to say based on what was being typed out and shown on an accidentally left open laptop, Hunter was basically helping the two parents out with knowledge. To add some hilarity to the mix, Hunter treated the text reading like a puzzle, and some lines given in context to that were nothing short of lovable. I was totally able to buy him as a single parent and his connection with his daughter, especially towards the end of the film, was believable and charming.

Speaking of divorced parents, you’ve also got Leslie Mann’s character of Lisa. She is portrayed as this somewhat kick-ass, caring, and memory-sharing mother. She gave birth to a daughter named Julie played by Kathryn Newton (Paranormal Activity, Lady Bird), and their chemistry was totally believable. Mann’s character definitely delivers a fine performance of a parent who is somewhat concerned about the future of her child, and when it comes to overall concern, Lisa shines more than any other character.

Now we have an interesting character, and when I say that, I mean in terms of who plays him, not so much of how he’s laid out in terms of overall characterization. We’re about to talk about a little someone in this movie.

AND HIS NAME IS JOHN CENA!

How is John Cena in this movie? I’ll be completely honest with you, I don’t know. I couldn’t see him. He wasn’t anywhere in sight.

OK, I saw him.

John Cena plays the character of Mitchell, and he’s basically this overprotective father. His daughter goes by the name of Kayla, who in the movie is played by Geraldine Viswanathan. Out of each chemistry between each main parent to their daughter, this one was believable as well, but if I had to choose the one that is the least believable, I’d pick this one for now. Here’s why. I’ve done some research regarding this movie. John Cena is white, and he was born in West Newbury, Massachusetts. You’ve got Mitchell’s wife, Marcie, played by Sarayu Blue. She was born in Madison, Wisconsin, and she kind of looks like her family has an Indian origin. As for their daughter, the girl who plays her is from Australia. She might look like a mixed race child, but something feels off. Again, I’ll mention, most of my problems in this movie are nitpicks. John Cena though gives a great interpretation of a father and in some ways, reminds me of my own father a little bit.

Moving away from mature people, let’s move onto the movie’s three main teenagers. As you can see in the image above, they’re standing along with three guys, all of which you can probably guess are their prom dates. The three girls, Kayla, Julie, and Sam, have great chemistry and I buy them as best friends and dates to their boys. I’ll also have you keep in mind that part of that great chemistry may have resulted from the very thing that happened at the beginning of the movie. The film starts off with a montage in 2005, when the girls meet in kindergarten, otherwise known one of those times when you realize your life is about to go through a downward spiral of crap. The montage itself was sweet, effective, and illustrates the point that these girls are best friends maybe without having to make you question it. Their setup to actually plan on simultaneously declare their quest for virginity loss, might be a tad bit rushed, but you could also make the argument that they’re teenagers and teenagers often rush into things and I can totally get that. Maybe, and I’m not being sexist here, I would have believed this if the girls were actually boys. Because in real life, people usually think of boys talking more about sex and losing their virginity than girls do. In fact, this movie an interesting topic that I often think about in relation to that, which we’ll get to in a bit. But in all seriousness, girls, after seeing this movie, I want to know, would you say that from experience or personal thought that girls talk about sex and stuff like that as much as guys? Maybe in a positive light? I seriously want to know because this movie is honestly just making me think and I kind of want some experience or two cents from someone who would apply in the realm I’m referring to.

By the way, the girls’ dates were all pretty cool to watch here, but my favorite teenage boy in the movie has to be Kayla’s date, Connor. He’s played by Miles Robbins (The X-Files, Mozart in the Jungle) who not only does a great job with the character, but I also have to give kudos to the writers. The movie sets up Connor as someone who Kayla likes, but not as someone Kayla’s father likes. Granted, in some ways, it almost makes her father look like a dick, but it didn’t really take too much away from the movie. Listen to me, imagine if I were taking some girl to prom, I pop into her house, and the girl’s father looks at me and I have the hairstyle Connor has, there’s gonna be some s*it going down soon. I don’t think there’s anything wrong with it, but I’m not Kayla’s father.

Now let’s dive into this movie a little bit deeper and talk about how it tackles some issues regarding teens, parents, those kinds of people. You have many movies out there that might as well be quests to losing one’s virginity. Movies like “Porky’s,” “American Pie,” and f*ck, I’ll say it, “The 40-Year-Old Virgin.” Out of these movies, I’ve only seen “Porky’s” and “American Pie.” From what I’ve seen, I wouldn’t say they’re terrific. “Porky’s” almost seems like a good background movie in some cases, and “American Pie” was enjoyable, but I didn’t really connect to any specific character. Maybe it takes a couple watches, but I will admit, I didn’t enjoy that movie as much as I thought I would. Also, when it comes to these “virginity loss quest” movies, they’re usually from a male perspective. I will bring up that “Blockers” has all male writers, but the director for this movie was a female. To me, this brought an interesting balance in terms of what both genders thought of teenagers and sex.

When it comes to the parents, they’re obviously worried. John Cena comes off as very overprotective, not just because her daughter’s virginity is going to be taken, but perhaps even because it’s going to be taken by a guy whose hair probably doesn’t even belong in this world. Hey! I never said that! I’m not John Cena! Connor seems like a nice guy who knows that he wants his first time to be special, but hey, parents will be parents.

Leslie Mann is going through a bunch of worries when it comes to her daughter. She’s going to college soon and the mother is concerned of losing the kid she raised forever and ever. She wants her daughter to go to a local college and stay near her mother, but this girl wants to go to UCLA, and that’s just an upset to her. Oh yeah, and her daughter’s on a virginity loss quest, don’t forget about that! By the way, her daughter is technically the one to jumpstart this whole quest!

Ike Barinholtz, as mentioned, doesn’t even live with his daughter. Like Leslie Mann’s character, he’s divorced, but he lives alone without a child. And when it comes to his daughter, not only is he concerned about her being in this sex pact. He’s worried about her sexuality. Sam, the daughter of Ike Barinholtz, is gay. She’s going out with a boy. We actually see her worried about this and have a desire towards a certain girl later, but Ike’s character doesn’t have that knowledge.

This movie as a whole dives really deep into a ton of the main characters and unleashes little figments of their personality. It’s a sex comedy that doesn’t feel like a comedy where sex is bound to happen and it’s really all you think about. It’s almost more like “Revenge of the Nerds” in some ways because that’s a sex comedy, but it also dives deep into the characters and their own little individualistic traits to get you to care about them. There’s not many people who feel like they are just written on a page or cookie-cutter. This feels like a vision. Sure, it has that typical studio comedy feel, and it is complete with tons of Apple product placement, but the characters in this movie all have a chance to shine.

I will also admit, I was watching this film alongside my mother, and I was wondering how awkward it would be for the two of us. For one thing, I was not expecting much out of this movie, but also another thing is that I’m eighteen years old. I gotta say this movie came out at what might be a proper time for me. Relying on numbers from the Centers for Disease Control and Prevention, the average age for one to lose their virginity according to them is 17.1 (both males and females). Sex is something my mother and I don’t talk about, and why would we talk about it? What… benefit… is there to life… of having a sex-related conversation between a parent and a child? It’s gonna do nothing except make one of us want to exit the room! My mother actually reads this blog, and I’m trying to get inside her mind. What if there’s one day she finds out about me having sex? Sure, maybe when I’m an adult maybe that’s natural. OK, well, I’m technically an adult at this point, but certain members of society would probably still refer to me as a child or teenager. I’m willing to bet a number of adults know that teens, especially ones in my gender, think about sex all the time, but they always see us doing it as dangerous or horrifying. As a teen, I get why, but I feel like that no matter what gender the characters are, whether it’s the kids I’m talking about or the parents, this movie does a fantastic job of not only highlighting the thoughts of the young and the old when it comes to teen sex, but it also seems to add a nice touch by not choosing a side in this debate and calling one right or wrong. This feels like a film, not propaganda. I don’t know if it will open much discussion between kids/teens and parents about sexual activity, but maybe it will develop some along those lines with maybe close friends.

In the end, I honestly couldn’t have gotten more of a surprise from “Blockers” than I already have. “Blockers” feels like one of those movies that we as a society didn’t really deserve, but someone was nice enough to let us have it. I’d love to thank Kay Cannon for directing the hell out of this, and I’m sorry that I called your other movie a piece of crap. I’m gonna give “Blockers” a 7/10. Thanks for reading this review! Next week I have a week off from school, giving me more opportunities to go to the theater and see something. Maybe I’ll go see “Rampage,” “Pacific Rim: Uprising,” “A Quiet Place,” “Isle of Dogs,” we’ll have to find out! Also, be sure to stay tuned for my review for “Mission: Impossible II” which will be up by the end of the month! Stay tuned for more great content! I want to know, what did you think of “Blockers” if you saw it? Or, what is your favorite sex comedy? Me personally, I gotta go with “Risky Business.” It feels natural, the characters are great, and the music is awesome! Let me know down below! Scene Before is your click to the flicks!