Zootopia 2 (2025): Zoo Fast, Zoo Furriest

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“Zootopia 2” is directed by Jared Bush and Byron Howard, both of whom had their share of credits on the original movie. This film stars Ginnifer Goodwin (Big Love, Once Upon a Time), Jason Bateman (Game Night, Ozark), Ke Huy Quan (Love Hurts, Everything Everywhere All at Once), Fortune Feimster (Bless the Harts, The Mindy Project), Andy Samberg (Saturday Night Live, Hotel Transylvania), David Strathairn (The Bourne Ultimatum, Godzilla), Shakira (The Voice, Jennifer Lopez: Halftime), Idris Elba (Pacific Rim, The Suicide Squad), Patrick Warburton (Family Guy, The Emperor’s New Groove), Quinta Brunson (A Black Lady Sketch Show, Abbott Elementary), Danny Trejo (Machete, Storks), Alan Tudyk (Rogue One: A Star Wars Story, Wreck-it Ralph), Nate Torrence (She’s Out of My League, Hello Ladies), Don Lake (Watching Ellie, Space Force), Bonnie Hunt (The Bonnie Hunt Show, Cheaper by the Dozen), and Jenny Slate (Everything Everywhere All at Once, Big Mouth). This film once again centers around its main bunny and fox duo Judy Hopps and Nick Wilde as they take on a new case and pursue Gary Da’Snake, the first reptile widely seen in Zootopia in ages.

“Zootopia” released on March 4th, 2016. That is just days after I launched Scene Before. Based on this information, it is possible that I could have made the film my first ever review. Unfortunately, that never happened. Instead, I decided to a make singularly paragraphed and grammatically unsound post on why I was not a fan of the “Ghostbusters” reboot trailer. I am proud of my blog over the years, but if I could go back in time, part of me wishes I could have done a “Zootopia” review as my first ever post, because that would have meant I could have spent time talking about something that gave me joy, rather than something that triggered my apprehension.

If I did not make myself clear, I thought “Zootopia” was a load of fun. Like a lot of animated fare aimed towards families, it packs in a lesson, and I thought it was nicely implemented. “Zootopia” has fantastic commentary on racism, the importance of inclusion, and like a lot of Disney films, it also tells people to follow their dreams. Judy Hopps is an admirable protagonist and a great role model for children. A lot of these ideas were reinforced upon my recent rewatch of the film.

Disney/Disney – © 2025 Disney Enterprises, Inc. All Rights Reserved.

As for this sequel, I was quite excited to see where things could go. Much like the first film, the tone definitely felt kid-friendly, but it also looked like something that adults could watch without feeling like they wasted their time and brain cells. Thankfully, that is what I got with “Zootopia 2.” Does this film match the quality of the original? In some ways, yes. In others, not so much.

The biggest standout for this film to me is the humor. “Zootopia 2” sort of plays out like a late night talk show. If you watch a late night talk show like “The Tonight Show” or “Jimmy Kimmel Live!”, you will notice that there are often several attempts at humor every minute. Not every single one lands, but every once in a while either the host or the sidekick or even one of the guests will deliver something that will have the audience rolling out of their chairs. This is most definitely the case for me with “Zootopia 2.” The film has an endless supply of jokes. Some had me laughing out loud. Others had me chuckling. Others had me silent. And others had me almost rolling my eyes. Comedy is subjective, however, so chances are the jokes could someone laugh nonstop from start to finish. That said, to me, a lot of the jokes work, but there are quite a few that miss the mark and if it were not for this film’s handle on the commentary, which we will get to later, this would probably knock my score down a few points.

One of my favorite jokes, surprisingly, has to do with the song “What Does the Fox Say?”. I have never understood how that song ever became popular, but for whatever reason, there was a moment where someone references the song and it gave me arguably my biggest laugh of the film. I have no idea how that joke is going to land with others, but for whatever reason, it worked for me.

The film includes a fair amount of movie references too. Of course, there are tie-ins to other notable Disney-owned properties, including some under the 20th Century banner like “Alien.” If you pay very close attention, there is a clever cameo from Michael J. Fox that pays tribute to one of his most popular projects. There is a joke that pokes fun at the state of Hollywood and Disney’s ambition to make endless sequels and remakes. …Even though this is, after all, a sequel… The film even inserted a reference in the climax that felt totally out of left field, the children watching will likely not get it, but I think a lot of the adults will. Out of all the movies I thought “Zootopia” could reference as part of an elaborate visual gag, I was not expecting “The Shining.” But here we are.

Is there anything in this film as genuinely gutbusting as the DMV scene? No. Although that is a bit unfair to say because that scene achieves a level of comedic genius greater than God. I rewatched the film a day prior to checking this new one out, and I laughed just as hard, if not harder than I did during my initial watch of the movie in theaters.

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“Zootopia 2,” like its predecessor, provides some excellent commentary that could not be more fittingly timed. I do not like to talk about politics on Scene Before, but the film sort of reminds me about how some people are feeling about the current position of the United States. I will not go into specific detail as I will probably spoil the movie, but there is a key part of the story that taps into the importance of history. This is something that you would have to watch the movie to see come to fruition because me saying more would diminish the commentary’s impact. If you know your history, or are living in a certain state of awareness right now, “Zootopia 2” might stick with you upon leaving the theater. The film also showcases the importance of working together while also serving as a reminder that people might not always be on the same page with their partner. Part of working together sometimes means compromise and this film heavily leans into that idea.

The film does not break new ground story-wise, but delivers familiar beats in an entertaining way. If you watched the first film, you would know that the story mainly revolves around a bunny and a fox, an unlikely duo. While that film taps into how unlikely such a duo is, this sequel heavily expands upon that idea to the point where it allows both characters to grow. Parts of the film are rather predictable, but there are moments where we see the tension growing in Judy and Nick’s partnership that hit me. There is one moment on a mountain involving a particular object that felt earned at the exact moment it happened.

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Like the first film, which features “Try Everything,” “Zootopia 2” has an original song from Shakira called “Zoo.” Frankly, I am not as big of a fan of this song as I am of “Try Everything.” The song, while by no means incompetent, has a lot less personality than “Try Everything.” Sure, in context of the movie, one could say it is used in conjunction with celebrating 100 years of Zootopia. Although if that were the case, I wish the song would have a had more of an oomph for such a momentous occasion. It lacks splendor and diversity in its beat. Again, the song is not the worst I have ever heard, but I thought it could have been better. I have not gone back to listen to “Try Everything” since “Zootopia” came out. The song, like this one, is a bit too poppy for my taste. But I think the song is perfectly used in the film and the lyrics could not be a better match for what the story was trying to shoot for. The lyrics in this song are okay, but I found “Try Everything” to be inspiring whereas “Zoo” did not leave much of an impact. That said, the day after seeing the film, I was at another cinema waiting for my screening of “Wake Up Dead Man,” only to see a mother and son walking out of their “Zootopia 2” screening, at which point the mother starts singing the lyrics of the song, so what do I know? It’s catchy, perhaps.

“Zootopia 2” features plenty of returning characters, but the film also makes room for new cast members, including Ke Huy Quan as Gary Da’Snake, Generic name aside, the character is likable. While Ke Huy Quan is an incredible action star as seen through films like “Everything Everywhere All at Once,” his high-pitch voice makes it very easy to sympathize with his character. Da’Snake often evokes a friendly presence and ends up playing a notable part throughout the film, which unlike the original, has reptiles.

The film also features the great Patrick Warburton as Mayor Winddancer. It is funny how Warburton can use the same voice for every character and yet carry so much personality each time. It is kind of like Brad Garrett, his normal voice is sometimes the best voice for the role. Even though I think J.K. Simmons is the slightly better performer, I think Warburton’s Mayor character is a slight step up from the original movie’s Lionheart. I liked getting to know about Winddancer’s background as a movie star. If anything, Winddancer is perhaps Zootopia’s closest comparison to Arnold Schwarzenegger, who many know as the Terminator, but he also spent years serving as the Governor of California.

Also, I know not everyone is eager to stay for the end of a Disney animation, but if you have time, you may want to stay for the credits. If you pay close attention at the end, you will notice something of importance.

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In the end, “Zootopia 2” may not match the quality of its predecessor, but it is a fun, entertaining, and gorgeous-looking sequel. It does a great job at showcasing the continued journeys of its core characters we have come to know while solidly expanding the universe. Ke Huy Quan is a great addition to the cast, and so is Patrick Warburton. Those two actors in particular stand out. There is a lot of humor in “Zootopia 2,” which does lead to a lot of laughs, but it does not mean that there are no duds in the mix. I will give the writers an A for effort though. It seems like the team had a lot of fun coming up with the jokes. The film is a blast for kids and adults alike. I am going to give “Zootopia 2” a 7/10.

“Zootopia 2” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Wake Up Dead Man: A Knives Out Mystery.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Jay Kelly,” “Bugonia,” “No Other Choice,” and “Fackham Hall.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Zootopia 2?” What did you think about it? Or, which of the two “Zootopia” movies do you like better? For me, the original gave me one of my all time biggest laughs as a moviegoer with the DMV scene, so I have to pick that one. Let me know down below! Scene Before is your click to the flicks!

Love Hurts (2025): Sparks Barely Leap Off the Ground in This Action Flick

“Love Hurts” is directed by Jonathan Eusebio (300, The Fall Guy) and this is his directorial debut. The film stars Ke Huy Quan (Everything Everywhere All at Once, Indiana Jones and the Temple of Doom), Ariana DeBose (West Side Story, Wish), Daniel Wu (American Born Chinese, Into the Badlands), Mustafa Shakir (The Deuce, Luke Cage), Lio Tipton (Warm Bodies, Two Night Stand), Cam Gigandet (Reckless, The O.C.), Marshawn Lynch (Bottoms, Westworld), and Sean Astin (The Lord of the Rings: The Fellowship of the Ring, Teenage Mutant Ninja Turtles). This film is about a realtor whose past comes back to haunt him when he receives a message from his former partner-in-crime.

Everyone loves a comeback story, although in the case of Ke Huy Quan, I am going to channel LL Cool JJ and say that he has been here for years. The reality is, whether we knew it or not, Ke Huy Quan has remained the slightest bit active behind the scenes leading up to his big return in front of the camera, “Everything Everywhere All at Once.” If it were not for the deserved success of that movie, chances are we would never get a film like “Love Hurts,” which I was looking forward to. It kind of had a mainstream, 2010s, 2020s-esque action flick feel that you would get out of a film like “John Wick” or “Nobody” with some twists and turns, but like those movies, the choreography and scenes looked stellar in the marketing.

As off and on as I am about “star power” in a movie, Ke Huy Quan is the reason why I watched “Love Hurts.” But how could he not be? The actor played a significant role in my favorite film of 2022, won an Oscar, and when he is not busy taking names, he is taking selfies with every star he can find. This is part of why I am disappointed to say that “Love Hurts” is not that great.

“Love Hurts” is not horrible, but if I have any real highlights for the film, they certainly would not be for the characters. Some could argue that since this is an action movie one does not always come for the characters, but the way I see things, the less engaged I am with the characters, the less engaged I am with the action. I will defend the action scenes from a technical perspective. I do not think there was a single bad sequence. In fact, there are a couple that I am still thinking about and find to be incredibly creative. But this film seems to be more concerned in showing off what its talent can do, as opposed to what its characters can do.

If you are seeing this movie solely for Ke Huy Quan, then he is probably not going to disappoint you. Other parts of the movie might, but I do not think Quan is going to be one of them. Not only does Quan solidify himself as a buttkicking action star with his role of Marvin Gable, but he is charismatic. He brings a unique energy to this genre of filmmaking. A lot of our modern action stars like Jason Statham, Keanu Reeves, and Liam Neeson tend to have this obviously masculine aura to them both in terms of the way they look and act on screen. Ke Huy Quan very much screams cute, but not cuddly. I think the movie was smart to make him a dedicated real estate agent. Even if his character was not hiding something underneath, I think Quan is a good fit to play someone working in that industry.

This is a movie that I cannot see myself revisiting in its entirety, but instead rewatching certain clips on YouTube. Because there are a couple cool scenes where we see Marvin Gable either trying to defend his award, or dodge some baddies while trying to keep a house together for example. The movie goes at a brisk pace, and with an 84 minute runtime, that should not be a shocker. For the most part, the film is simple and effective in terms of progressing the narrative. It is not a unique narrative. But does have a soft flair one does not typically find in these types of action movies. As the film continues, however, things get more convoluted, and therefore, unmemorable.

Also, Ariana DeBose is in this film, a great actress in her own right, but I am convinced she needs a new agent. Yes, she was fantastic in “West Side Story.” But just about everything afterwards was critically panned or unmemorable. Between “Argylle,” “Kraven the Hunter,” and now this… She is not on the hottest of streaks. Yes, I liked “Wish.” I stand by that opinion. Yes, I liked “I.S.S.,” but not a lot of people thought it was worth seeing considering it failed to make its budget back. As I am writing this paragraph, I forgot the name of her character. That is not the best of signs. Granted, I have also forgotten the names of characters for movies I enjoy, but I bring this up because you might as well just name this character “the love interest” or “the girl.” The movie could have fleshed out this character more and individualized her to a better degree. It does however do okay when it comes to establishing Ke Huy Quan’s infatuation with her, but sometimes the film tells such a concept when it really should just show it.

Interesting enough, for those who do want to know the name of DeBose’s character, that, my friends, is Rose. For the record, I know people named Rose, and I am aware it is not the most uncommon name. But that has to be on purpose. It reminds me of a theory my dad has about Cliff Booth in “Once Upon a Time in Hollywood.” He thinks the character, who is accused of killing his spouse, has the last name Booth, just so the script can allow for someone else to refer to him as “John Wilkes Booth” in a scene. 

The film is centered around Valentine’s Day, and this presents a potential problem for rewatchability in the same way I look at Christmas movies. I have nothing against watching “Fred Claus.” But I would not watch it outside of November or December. Unfortunately, “Love Hurts” is barely good enough for February. If you want a good Valentine’s Day-centric action movie, there is one already, and it is called “Deadpool.” Heck, it could even be a good watch around Christmas. Or literally any day of the year, it is perfect.

“Love Hurts” is the directorial debut from Jonathan Eusebio. I do not think he should automatically give up directing based on this one lackluster product. Although if he were to continue, I hope his sophomore outing is better than this. On the bright side, Eusebio at least has some credibility in the industry. He has shown his talents helping coordinate stunts and choreography in films like “The Fall Guy,” “Pirates of the Caribbean: At World’s End,” and the first three “John Wick” installments. Some of this film’s strongest elements are the action scenes, and it comes as no surprise knowing who helped direct said scenes.

In the end, “Love Hurts” neither left me infatuated or brokenhearted. If anything, the movie is just okay. If you put the film on silent, I would still pay attention to the visuals. But as I said before, this movie packs a lot in it by the time it is over that I did not really care about the film’s substance. I would love to see Ke Huy Quan in more projects. I am glad he is voicing a character in the upcoming “Zootopia” sequel, but I would also be open to more live-action roles as well. I think he is talented and would not be a surprise if he puts another Oscar on his shelf in the future. However, I do not think anyone will be winning any Academy Awards for this film. I am going to give “Love Hurts” a 5/10.

“Love Hurts” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next reviews are going to be for “The Brutalist” and “I’m Still Here.” Stay tuned! If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Love Hurts?” What did you think about it? Or, who is an actor that has not done any work in a while that you think has a pretty good chance of making a comeback? Is there anyone you would like to see who has not been on screen in a while? Let me know down below! Scene Before is your click to the flicks!

Kung Fu Panda 4 (2024): Jack Black Does His Best in a Bland Fourth Installment to One of DreamWorks Animation’s Finest Franchises

“Kung Fu Panda 4” is directed by Mike Mitchell (Trolls, The LEGO Movie 2: The Second Part) and Stephanie Stine (Raya and the Last Dragon, How to Train Your Dragon: The Hidden World) and stars Jack Black (The Super Mario Bros. Movie, School of Rock), Awkwafina (Renfield, Migration), Bryan Cranston (Godzilla, Malcom in the Middle), James Hong (Everything Everywhere All at Once, Mulan), Ian McShane (John Wick, Pirates of the Caribbean: On Stranger Tides), Ke Huy Quan (Everything Everywhere All at Once, Indiana Jones and the Temple of Doom), Dustin Hoffman (Kramer vs. Kramer, Rain Man), and Viola Davis (Suicide Squad, Fences). This fourth installment to the “Kung Fu Panda” franchise centers around Po, who must become the Spiritual Leader and seek the next Dragon Warrior. As he deals with this new curveball in his life and finds himself in kahoots with a grey fox, Po must also keep the evil Chameleon from bringing back his past foes from the spirit realm.

One of the reasons why I am such a movie nut is because ever since kindergarten, I had a television in my bedroom. Therefore, almost every night, I would put a movie on the television. Around third and fourth grade, one of the movies I would loop on my DVD player is “Kung Fu Panda.” And I mean it when I say loop. One of the things I noticed early on about that DVD is that unlike many others I owned, it automatically starts the movie after a short period of inactivity. So when I would fall asleep to it, I would eventually wake up and find myself watching another scene from the film. It was like playing movie roulette. Safe to say, I watched “Kung Fu Panda” a buttload of times as a kid. And I must also note that the second film, which I watched a few years later, is on the same level as the original for me. To be frank, based on a recent rewatch of all three films, I think the second one might be my favorite. The third one’s not bad, but it has its fair share of weaknesses. It leans more heavily towards a comedic route whereas the other two tend to keep comedy and drama slightly more balanced. Although that is kind of funny to say because if I had to choose a movie I think is the funniest of the three, my mind directs itself to “Kung Fu Panda 2.” Guess it goes to show how much I liked it.

When they announced a “Kung Fu Panda 4,” I did not think it was as odd of an idea as say, a “Toy Story 4” when they announced that. That said, when they announced a “Toy Story 4,” I was not prepared for how much I would end up enjoying it. Even though “Kung Fu Panda 3” is the weakest of the previous installments, I thought it did an okay job tying things up in a bow and sending off our characters with grace. But now, apparently, there is more material to unravel. If “Toy Story 4” could work, there is always a chance that “Kung Fu Panda 4” could work as well.

What did I think of this new “Kung Fu Panda” installment? Much like the “Toy Story” movies, I can claim “Kung Fu Panda” is 4 for 4. All the movies released in this franchise are good. Unfortunately, also like “Toy Story,” this fourth installment is the worst of the quadrilogy.

That said, there is one noticeable positive consistency between this film and its predecessors, and that is Jack Black as Po. Obviously, having done the amount of material he’s done in the past, Black has the Po character down to a bit of a science. When it comes to “celebrity” voice actors, I think Black is one of the most talented working today. He is dynamic, upbeat, and always in the moment. He spews every line like he knows there is no tomorrow. There is always a sense of passion with his delivery. As I will highlight in this review, this movie does not have the best storytelling or writing. But Black makes the most of what’s in front of him.

While the main storyline with Po definitely has its moments, one of the most noticeable problems of “Kung Fu Panda 4” is a subplot between the two dads. You have Po’s biological father, Li (Cranston) and his adoptive father, Mr. Ping (Hong) getting into an adventure of their own. Something I have come across a lot through this movie and my recent rewatch of the other three is that these films tend to highlight lessons and experience that can tie to parenting. This one is no exception. An enormous heartbeat that drives the subplot involving these two fathers are their worries for their son. While something like this may come off as relatable to an older audience, perhaps a select few adults who saw these movies as kids and passing the torch to the next generation, it is the weakest part of the film.

In fact, the balance of comedy and drama is not the only thing that seems to be missing in this film. You know who is also missing? The Furious Five. Now, the film does establish they are missing for a reason. They are off on other missions. But a huge part of the “Kung Fu Panda” franchise is seeing Po interact with these five warriors. Unfortunately, co-director Stephanie Stine said on a Discord Q&A they were not in the movie due to the costs of the original actors. I missed them throughout this film, they have great chemistry together.

Instead, the closest thing we get to a side warrior in this film is Awkwafina as Zhen. I will give this character one thing over the Furious Five. Unlike the Furious Five, this new character is not just named after its respective animal. Imagine if I had a kid one day and I named it “Human.” That’s a choice if there ever was one. Moving onto more important characteristics, I will also note that this character very much represents someone who has seen a lot through urban life. Yes, we have seen Gongmen City in “Kung Fu Panda 2,” but “Kung Fu Panda 4” introduces a different kind of city in Juniper City. The first connection I can immediately make with this city with something in our lives is New York, particularly Manhattan. Everyone’s on the move, it’s crowded, and the film goes on with the fitting notion that you cannot trust everyone.

As for Awkwafina’s performance in the film, I had similar feelings regarding it to how I felt watching her performance in “Migration.” I was pleasantly surprised with it. Unlike “Migration,” Awkwafina plays a much more central character this time around so we see much more of her, but I was delighted to have my expectations exceeded. Her performance is definitely enhanced by some okay writing and layered storytelling. Again, compared to the other installments, the story and writing is not as good. But Zhen’s character is one of the script’s highlights. I was kind of worried that she was going to be an annoying sidekick who would get my nerves real fast. And while she is far from the franchise’s best character, the way she is handled in this movie gets my approval.

As of now, “Kung Fu Panda” is a multigenerational franchise. There are a fair share of gen y and z individuals who likely found themselves invested in some crevice of the property at least once when they were kids. Some of those people probably know or have children of their own now that they can share this movie with. Additionally, they made a television series on Netflix called “The Dragon Knight” that some younger viewers likely watched, so the age range this movie is targeting is slightly diverse. As someone who was introduced to the first movie by watching it at the IMAX at eight years old, I have a bit of a nostalgic connection to this property. And a big selling point of this movie is the nostalgia factor. Not just having heroic faces like Po and Shifu back, but also having the franchise’s villains return as well.

…Kind of.

As mentioned earlier, this movie features the Chameleon (Davis), who can turn into other beings, including Po’s old enemies. This means we see the return of Tai Lung (McShane), even if it is some grade B variant of the character because this Tai Lung does not necessarily come with the same depth as the one we saw in the original film. Not that I’m saying this character’s depth is supposed to be exactly the same. The chameleon is the main antagonist this time around. This story is more about her. That said, I liked her motivation to copy as many kung fu masters’ abilities as she can. On paper, it sounds enticing. Voice-wise, Viola Davis was a decent pick to voice the character. She does a good job with the role.

That said, it is nice to see McShane come back to voice Tai Lung, especially when this movie features other characters from the franchise’s past, both heroic and villainous, and we don’t even get a line out of them. We also see Lord Shen and Kai, the villains of “2” and “3” respectively. But they don’t make much of a contribution to the final product. They’re just there. This movie runs at a tight 94 minutes, which is consistent with the previous installments, and the runtime of DreamWorks Animations in general. I know there appears to be a formula to making these movies, but I would not mind them expanding the runtime just a tad to get a little more out of the other movies’ villains, especially when we see as much of Tai Lung as we do. For all I know, their respective actors said “no,” were busy, or they were never in the plan to begin with. But this could have been the “Spider-Man: No Way Home” of the “Kung Fu Panda” franchise where we get an epic return of the franchise’s villains. Maybe that was the plan all along, it did not fall into place, and the crew had to work with what they had. They had to work with no Furious Five, and a couple of wasted villain cameos. At a certain point it could have been too little too late. Is the movie still watchable with the material we have? Sure. But it could be better.

Much like “Kung Fu Panda 3,” the humor seems to be mile a minute. Unfortunately, the jokes are not enough to save the movie. The problem with having quite a bit of jokes is that not all of them are going to hit. They are quite off and on. There are a fair few that land, but there are also many that don’t. The jokes that miss in this film are by no means the worst I have ever heard. I was never offended. They just didn’t work for me. Despite the movie’s flaws, tonal differences from its predecessors, and lack of Furious Five, I am still glad I saw it. I had a good time with what was given to me. But I will not deny that unlike the franchise’s previous weakest link, “Kung Fu Panda 3,” which I had an urge to watch a second time as soon as I left, I do not think “Kung Fu Panda 4” sits in the same camp. That said, give it a shot and see what you think. For all I know, it may be a better experience for you.

In the end, “Kung Fu Panda 4” is a fun movie, albeit a slightly forgettable one. This movie comes with the pros of its predecessors from a polished animation style, flashy action sequences, a great score composed Hans Zimmer and for the first time in this franchise, Steve Mazzaro. To top it off, the movie delivers a spectacular voice performance Jack Black. Having seen this movie though, I do not know if I want to see a fifth installment. That said, if another “Kung Fu Panda” gets made, I hope that they can bring back some of the dramatic flair of the original two movies. I do not mind humor. I am not saying “Kung Fu Panda” should not be funny. If anything, it is a franchise that lends itself to comedy. I just wish the jokes we got were better. Also, between a continuously likable protagonist with Po, an okay supporting character with Awkwafina’s Zhen, and a somewhat well realized, but noticeably gimmicky antagonist with the Chameleon, the characters serve the story sufficiently enough for it to be halfway decent. “Kung Fu Panda 4” is a chance to introduce the franchise to a new generation. But I think a better way would be to put on one of the first two movies. But that’s just me. I am going to give “Kung Fu Panda 4” a 6/10.

“Kung Fu Panda 4” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! If you want to see more reviews, you’re in luck! Stay tuned for my thoughts on “Ghostbusters: Frozen Empire,” “Snack Shack,” “Godzilla x Kong: The New Empire,” and “Monkey Man.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Kung Fu Panda 4?” What did you think about it? Or, did you see the other “Kung Fu Panda” movies? Tell me your thoughts on them! Let me know down below! Scene Before is your click to the flicks!