Glass Onion: A Knives Out Mystery (2022): And Then There Was Fun

“Glass Onion: A Knives Out Mystery” is directed by Rian Johnson (Star Wars: The Last Jedi, Looper) and once again stars Daniel Craig (Casino Royale, Logan Lucky) as Benoit Blanc. This time around he is surrounded by castmates like Edward Norton (The Incredible Hulk, Fight Club), Janelle Monae (Antebellum, Hidden Figures), Kathryn Hahn (WandaVision, Bad Moms), Leslie Odom Jr. (One Night in Miami, The Murder on the Orient Express), Jessica Henwick (The Matrix Resurrections, Game of Thrones), Madelyn Cline (Outer Banks, Stranger Things), with Kate Hudson (Almost Famous, Fool’s Gold), and Dave Bautista (Blade Runner 2049, My Spy). This film centers around a group of friends who gather together at the Glass Onion, owned by tech billionaire Miles Bron. Joining them is detective Benoit Blanc, a man who Bron admires.

I loved the first “Knives Out.” When I did my top 10 of 2019, the film ended up making the best list and eventually got a Best Picture nom during the 2nd Jackoff Awards. It appears I am not alone because the film ended up making over $300 million worldwide, which is nothing to sneeze at given how the film cost $40 million to make. Naturally, a sequel was inevitable. Lionsgate even greenlit a sequel in 2020.

The following year however, they sold the rights to two upcoming sequels to Netflix.

Now, I get it. Money talks. $469 million for the rights to make two sequels is great if you are a producer asking for such a price and such a demand is met. However, what worried me about this shift is that the films, since they are now in the hands of a streaming-first company, is that they will not be put in theaters, and the overall quality of the content is going to decrease. I am glad to report that I have underestimated my happiness with the verdicts on both matters. First off, this film did get a theatrical release. Albeit a limited engagement There is a good chance that if you did not see this film in theaters already, then that chance might be gone because it was scheduled to be in theaters for a week only. Second, I am happy to announce that “Glass Onion: A Knives Out Mystery” is a solid addition to the franchise.

Rian Johnson is a talented director. I was not a fan of “Star Wars: The Last Jedi.” But his direction was never the problem. From that film, to the previous “Knives Out,” and even this one, I have always been an admirer of Johnson’s filmmaking style from the intricate shot choices to the showcasing of vast environments. His movies always have a clean look to them, even if it revolves around murder like this one. This movie was shot in Greece. The location choices, one after the next, showcased hypnotic glimmers of beauty. And like any solid director, Johnson tells this story in such a fashion that could not be more entertaining.

To showcase how well-crafted this film is, I want to talk about a specific cliché in movies. The use of guns. I have seen a lot of movies in my life, and therefore, I have seen a lot of movies with guns. Whether they are used by the protagonist, antagonist, or a side character. This is the first time in ages that I watched a film in a theater and I jolted because a gun went off. As someone who has practically seen lots of jumpy moments, with some better than others, this satisfied me like you would not believe. You know how many movies have guns? They are practically a dime a dozen. I have not heard a gunshot utilized this effectively in a film in perhaps the longest time. Part of it is probably because of the gun’s limited use and how well written the characters were. I cared about each one. All of them have their moment and I did not leave feeling the need to diss on a single character or the actors who played them. They all did a great job.

Daniel Craig is back as Benoit Blanc. I have seen all the Daniel Craig “James Bond” movies from “Casino Royale” to “No Time to Die.” All due respect to Craig, and I know he has no plans to play Bond again. But if I had to choose who I would rather see Daniel Craig play for the rest of his life, I think Benoit Blanc would be my pick between those two. He’s quirky, he’s fun, and if Rian Johnson kept writing him, I think he would have me right where he wants me. Right in front of the screen.

Much like the previous “Knives Out,” the characters here often have an over the top vibe but in such a way that they still feel like real people. One such performance where this shows is Dave Bautista, who I will not unveil all the details about, but he comes off as someone who will do anything to protect his masculinity whether it means keeping his girl or his gun by his side. I thought Bautista was perfectly cast in this film and I am glad to see he is improving his acting abilities. I am glad to see he has more range than just Drax the Destroyer in “Guardians of the Galaxy.” Other standouts in the movie include Madelyn Cline as Whiskey, Leslie Odom Jr. as Lionel Toussaint, and Kathryn Hahn as Claire Debella, who in this universe is the governor of Connecticut.

“Glass Onion: A Knives Out Mystery” is stacked with comedy. Thankfully, a lot of it lands. At times, it is almost funnier than the original. The crowd, myself included, gave plenty of audible laughter throughout the runtime. If you ask me, this is a film that is both great to watch at the theater and at home. Netflix, if you read this, I am sorry, the theatrical experience, is, AND WILL ALWAYS BE, superior to anything you can get on your television. However I was watching this movie and there were several shots where certain things that were either plot-specific, character driven, or important to the film in some way, but I occasionally found myself distracted by looking at the background. This movie has its fair share of background jokes, blink you’ll miss it jokes, and other various attempts at humor. Either way, there were a lot of laughs.

Much like the previous “Knives Out,” this sequel came out at a perfect time. The film is appropriate for Thanksgiving because people are gathering with friends and family they have not seen in forever. Similar to what these two films have shown themselves. And when the film hits Netflix on December 23rd, it gives friends and family the opportunity to watch another group of friends and family hang out. The film also happens to be reflective of the times and reminds me of what being in some social groups must be like. For context, this film acknowledges the existence of the COVID-19 pandemic. We see people wearing masks, there’s uncertainty of whether or not people can be in such close contact, and we even see Kathryn Hahn’s character, Claire Debella, talking on the news as to how she plans to navigate her state through the current situation.

The movie is great, although I think the laughs were slightly less ache-inducing than the original, despite there being plenty. If I had any other problems with the film, the third act gets incredibly unhinged. I do not mind unhinged storytelling, but for most of the movie, like the original, the characters feel like slightly heightened versions of people that could exist in everyday life. As soon as we get to the third act, we see things that feel less down to earth and it takes the realism out of the movie that previously existed. The movie ended up being a fun time, but if I had to pick a movie to watch again between this film and the original, I would go with the original. I have heard from others that this film is as good, possibly better, than the original, and I can see why. Both are good movies, but if I had to choose one, the 2019 film is the one I would choose. That said, “Glass Onion” is a killer time and if you need something to watch this holiday season either by yourself or with family, you might not be underwhelmed.

In the end, “Glass Onion: A Knives Out Mystery” is a hilarious follow-up to the original with some of the best direction of the year, terrific writing, and an admirable ensemble cast. Much like the first film, I had the privilege of watching “Glass Onion: A Knives Out Mystery” in a crowded theater, and I love that I got to see the movie firsthand with a community. I laughed, I jittered, I locked my eyes with the screen like I was trying to win a staring contest. This is what movies are about. As much as I would have loved for this movie to receive a full fledged theatrical release, I am thankful Netflix put this in theaters at all. There are problems, including one that almost threw me off, but the positives outweighed the negatives. Rian Johnson and Daniel Craig have delivered a nicely done sequel. I am going to give “Glass Onion: A Knives Out Mystery” a 7/10.

“Glass Onion: A Knives Out Mystery” is finishing up its advertised theatrical run. Who knows? Maybe it will be playing at a festival somewhere in the future, maybe Landmark might do a special screening. I am just holding out hope that people get to see this in the best way possible. But for those who want to wait for the home viewing experience, “Glass Onion: A Knives Out Mystery” will be available on Netflix on December 23rd.

Thanks for reading this review! My next review is going to be for the all new Disney animated feature “Strange World.” The film just hit theaters last week, and I managed to catch a screening of the film over the weekend. I will share my thoughts soon. If you want to see this and more from Scene Before, follow the blog either wtih an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Glass Onion: A Knives Out Mystery?” What did you think about it? Or, which film did you like better? The original “Knives Out” or “Glass Onion?” Let me know down below! Scene Before is your click to the flicks!

Welcome To Marwen (2018): Back to the Future Part IV: A Robert Zemeckis Film

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“Welcome To Marwen” is directed by Robert Zemeckis (Back to the Future, Forrest Gump) and stars Steve Carell (The Office, The 40-Year-Old Virgin), Eiza González (True Love, Baby Driver), Leslie Mann (Blockers, Knocked Up), Merritt Wever (Signs, Nurse Jackie), Janelle Monáe (Hidden Figures, Moonlight), Gwendoline Christie (Star Wars: The Force Awakens, Game of Thrones), Leslie Zemeckis (The Polar Express, Beowulf), and Neil Jackson (Quantum of Solace, Abesentia). This film is about an assault victim who likes cross-dressing. The victim’s specific name is Mark Hogancamp, and after the attack, it has been revealed that his memory is not in good shape. In order to restore his memory, Hogancamp decides to build a World War II village in his yard.

I saw the trailer for “Welcome to Marwen” a while back, and even if I didn’t see the trailer, I probably would have been excited for the film no matter what. Why? Well, Robert Zemeckis is directing the film. I loved his work in numerous films including “Back to the Future,” “Who Framed Roger Rabbit?,” “The Walk,” I just think the dude has serious visionary talent when it comes to crafting a film. “Welcome to Marwen,” on paper, is no exception to this notion. The film manages to focus on the real life events of Mark Hogancamp while simultaneously giving a nearly animated look at his dolls. So in a way, you can also call this the live action version of “Toy Story.”

If you want my short thoughts on the film right away, I’ll be honest, I really f*cking enjoyed it. In fact, I have to say it’s one of the year’s best films, but to be completely honest it is not for everyone. When I say that, I don’t mean that in a way that is sort of related to the movie showing mature content or giving viewers scares or anything, but there is something in this movie that I noticed, but when I went on social media, it kind of got an uplift in terms of how it was addressed.

Without spoiling anything, Steve Carell’s character has a certain “attachment” if you will to his dolls. I have a feeling some will consider it cute, some will consider it creepy. I am on the side that finds this to be cute. But if you really want to know if I have problems with the film itself, I only really have one thing that I think I can address, and it’s kind of in the nitpick territory.

“Welcome to Marwen” is based on a true story, and I haven’t looked much into said story or watched the documentary from which this movie adapts, so I don’t know how much is altered. Although there is one story that applies to the dolls, I won’t go into detail about it, it could be possible that Hogancamp came up with bits and pieces of the story at the very least, and it involves time travel. The dolls are supposed to go into the future by 15 lightyears. The fact is, I have to be Mr. Movie Reviewing Moron and point out that lightyears are a unit of distance and not time. A lightyear is nearly six trillion miles. If this were fiction, I’d probably be a bit more harsh when it comes to this film, especially if it were a movie specifically revolving around time travel, but I still couldn’t help but point this out.

The reason why I love “Welcome to Marwen” so much not only has to do with visuals, characterization, directing, anything like that, but it also has to do with the fact that this is a story about storytelling. A good portion of the movie focuses on the CGI world of dolls. It partially helps us in understanding who exactly our main character is, not to mention, who he wants to be. Not only was the world immersive, engaging, and charming, the doll characters are also a delight. They have this vibe to them that makes you want to hang out with them, or at least one that makes you think they can protect you. And in total honesty, the last time I saw some sort of concept similar to the style executed in “Welcome to Marwen” is probably… …well, I don’t know. If they ever make a live action “Toy Story,” I’d remind Disney and Pixar “Welcome to Marwen” beat them to it.

Speaking of this world, this is also responsible for many of my personal surprises in the movie. This is technically a vision where dolls can talk, but I didn’t expect the badassery out of some of the action scenes which were given to me here! In fact, there are times, when this movie, despite being PG-13 and not R, goes for dark violence. There is a scene in the movie where a doll splits in half! There is also a scene where a doll falls into a fence, and the top of the fence is going through its body like a sword!

Before we discuss Steve Carell’s character of Mark Hogancamp, I would just like to say that this year has been interesting for a couple cast members of “The Office.” You have two transitions from a couple of actors who were once comedy-oriented and now they’re trying to get more serious. You have John Krasinski who did “A Quiet Place” and you also have Steve Carell who was in “Beautiful Boy,” “Vice,” and this movie. Also, when it comes to Carell I gotta say, the dude can act. I was able to buy this character and see him for the way he was. He manages to deliver certain mannerisms that made me feel for his character. If I were to make a comparison, if you have ever seen “Anchorman” and you wanted a more serious version of his character in that, with perhaps ten times the depth provided to his character in that movie, this is the flick for you.

The other real highlight in this movie for me in terms of characters is the one played by Leslie Mann, specifically Nicol. Yes, there is no “e” in her name. Mann’s character in this film is someone who not only has a story of her own, but manages to play quite a bit into the story of Hogancamp as well. There is a scene in this film that was extremely well acted by both Carell and Mann, and no matter what you think of it in terms of realism, I thought it was very well done.

When it comes to all of the dolls Hogancamp owns, each one manages to have its own story, which I really liked. They are not just pieces of plastic that Hogancamp plays with. In fact, his own doll even helps explain the story of him getting beat up for cross-dressing. If you had to ask me personally, I have no interest in cross-dressing, but for those of you who do, that’s your thing and I don’t care, I’m not gonna straight up attack you over it. The film does a great job at making you side with someone because they were attacked for something they wore. If they wore a t-shirt that said “EVERYONE DESERVES TO DIE,” that’s a different scenario, but nevertheless, this film succeeds.

I also will say one thing about this movie, it’s directed by Robert Zemeckis, director of “Back to the Future.” The thing about “Welcome to Marwen” that I want to talk about has to do with my recent nitpick. One of the gadgets that plays into the story of the dolls in the movie is a time machine, and it nearly resembles a Delorean. So if you guys want to see Robert Zemeckis direct another “Back to the Future” movie, this is the closest you’re going to get.

In the end, I LOVED “Welcome to Marwen!” Is this a movie for everyone? From the way it is marketed, almost. It’s not for kids, there’s some serious s*it that goes down in the movie. But I wouldn’t say that I’d recommend this movie for every single audience. But for ME, and ME PERSONALLY, I ate this movie up. It sort of blends “Toy Story,” “The Secret Life of Walter Mitty,” and “Back to the Future.” This film might be an Oscar contender, but I don’t think it’s gonna make much money though. Aside how this film is seemingly going to be divisive in terms of criticism, it is competing against “Aquaman,” “Bumblebee,” “Mary Poppins Returns,” and “Spider-Man: Into the Spider-Verse,” but if you want to support an artistic vision, this is for you. I have no idea how long this is going to last, and I’m sorry for saying this based on how many reviews are trashing on this movie, I’m going to give “Welcome to Marwen” a 10/10! This is probably one of those scenarios where my unbelievably crazy opinion is going to stand out from a lot of other people. So you know what? In celebration of absurdity, let’s talk about some other unique film opinions I have.

  • ANIMAL HOUSE WAS BORING!
  • MAD MAX: FURY ROAD IS NOT AS GOOD AS EVERYONE SAID!
  • I ENJOYED PAUL BLART 1 & 2!
  • GROWN UPS 2 IS NOT JUST BETTER THAN THE ORIGINAL, IT’S ACTUALLY A GOOD FILM!
  • I LIKED CARS 2!
  • REVENGE OF THE SITH IS THE BEST STAR WARS MOVIE!
  • I LIKED A COUPLE OF LIVE-ACTION TRANSFORMERS FLICKS (1 & 3)!
  • I LOVE TIM BURTON’S CHARLIE & THE CHOCOLATE FACTORY!
  • FANT4STIC WAS BAD, BUT NOT AS BAD AS EVERYONE MAKES IT OUT TO BE!
  • GUARDIANS OF THE GALAXY VOL. 2 IS NOT GOOD!
  • THOR: RAGNAROK IS OVERRATED!
  • THE HOBBIT MOVIES HAVE A PURPOSE IN SOCIETY!
  • OZ THE GREAT AND POWERFUL MIGHT MATCH THE ORIGINAL WIZARD OF OZ IN TERMS OF QUALITY!
  • I LIKED VALERIAN AND THE CITY OF A THOUSAND PLANETS!
  • I HATED WE BOUGHT A ZOO!
  • PITCH PERFECT IS ONE OF THE WORST COMEDIES I’VE EVER SEEN!
  • DISNEY NEEDS TO STOP THE TREND OF THEIR LIVE ACTION REMAKES DESPITE HOW BEAUTIFUL THEY SOMETIMES MANAGE TO APPEAR!
  • BLACK PANTHER IS OVERRATED!
  • IRON MAN 3 IS MY FAVORITE IRON MAN MOVIE!
  • SPIDER-MAN 3 WAS AWESOME!

So there you go. In the comments section, I want to know a few things. Did you enjoy “Welcome to Marwen?” Not everyone has seen it yet, but still. Also, what are some controversial or odd opinions you have about movies? Your full honesty is absolutely appreciated. Thanks for reading this review! This weekend is a pretty big one for movies, and maybe I’ll catch one of the films that come out on Christmas weekend. The one I want to see, aside from ones that could have potential at winning an Oscar, is “Aquaman.” After all, if I do so, it’ll mean I’ll have given my thoughts on every major comic book movie this year. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!