Mortal Kombat: Annihilation (1997): Worst Video Game Movie Ever?

Hey everyone, Jack Drees here! Welcome to the second of two installments of my special review series, “Mortal Kombat: Finish the Reviews!” In this review series we will be discussing the two live-action “Mortal Kombat” films from the 1990s. I also want to apologize for saying in my previous review that Paul W.S. Anderson directed both “Mortal Kombat” AND “Mortal Kombat: Annihilaiton.” Of the two, Anderson only directed the former. With that being said, it is time to go back to 1997 and review “Mortal Kombat: Annihilation!”

Also, HELP me.

“Mortal Kombat: Annihilation” is directed by John R. Leonetti (Wish Upon, Annabelle) and stars Robin Shou, Talisa Soto, Brian Thompson, Sandra Hess, Lynn “Red” Williams, Irina Pantaeva, and James Remar. This film is the sequel to the 1995 film “Mortal Kombat,” inspired by the game of the same name, and this is yet another PG-13 action film that may as well have been created to entertain teenage boys who just want to watch sexy things and explosions on screen.

Wait, this film has a plot?! WHO KNEW?! “Mortal Kombat: Annihilation” follows a group of martial arts warriors who have to save the world from Shao Khan’s wrath in a matter of six days.

Last week, I reviewed “Mortal Kombat,” which I ended up giving a 6/10 due to its rather pleasant execution of style over substance. To me, that was a film that could have arguably been directed by Michael Bay if he took a few drugs and changed his behavior. It was fine. It’s a video game movie, those are not usually perfect, but “Mortal Kombat” was not offensive. It is forgettable, it is almost bland at times, but not one portion of it felt offensive.

Just like in my review for the prior “Mortal Kombat” installment, this was my initial foray into “Mortal Kombat: Annihilation” from start to finish. I’ve seen stuff online about it, pretty much all of which happened to be negative. So to say that I was looking forward to “Mortal Kombat: Annihilation” upon my first viewing would have been generous. Once again, for those who missed the previous review. I have played “Mortal Kombat” only once or twice, but I am somewhat familiar with the franchise, what you do, how graphic it was for its time, and so on. While the first movie had a slight charm that made it feel like the game for a moment or two, “Mortal Kombat: Annihilation” on the other hand just strips that charm away and cast out all my organs.

Prior to watching “Mortal Kombat: Annihilation,” my least favorite video game-based film of all time was “Super Mario Bros..” Ladies and gentlemen, that film has some fierce competition.

I want to talk about the video game film genre as a whole. In recent years, it is something that has noticeably been improving in minor trickles. While I will claim we have not seen a perfect video game-based film, we have gotten some recent hits like “Pokemon: Detective Pikachu,” which I thought was okay. But we also got “Sonic the Hedgehog,” which hit theaters in February 2020 and became my favorite entry to the genre. I saw it a couple times from start to finish, and I am quite excited for the sequel. I think that when it comes to the video game movie genre, it is something that either really needs some critical thinking from its crew or needs to take things slow and find its footing. The Marvel Cinematic Universe seems like it is going to last forever, but let’s say it does not. Let’s say comic book movies go the way of the dinosaur, I think video game movies could be the next box office juggernaut. Video games are a much bigger industry than film, which is also pretty enormous itself. And much like comic books, video games have some of the most immersive art that can draw inspiration for theatrical content. Even though I was not a fan of “Warcraft,” I will give the film kudos for its impressive renderings and effects that look incredibly fantastical. Even though time and time again has supported the basis of why video game movies should not be made, I do see potential for improvement in the future, especially in a time where movie theaters are trying to provide “experiences” in order for select people to return after a time ruled by COVID-19. Think about it, with minor exceptions like “Superman: The Movie,” before movies like “X-Men” in 2000, “Spider-Man” in 2002, and “Iron Man” in 2008, comic book movies were usually a joke. Look at films like “Batman & Robin” for example, which coincidentally came out the same year as “Mortal Kombat: Annihilation.”

I want to apologize to every bad movie I reviewed. I’m sorry, “Mission: Impossible II.” I’m sorry, “Cats.” I’m sorry, crappy 2016 “Ghostbusters” reboot. You have nothing on this movie because “Mortal Kombat: Annihilation” is rife with problems ACROSS THE BOARD! The screenplay comes off like it is written by a backwardly wired 10 year old! The directing is incompetent to a level beyond my imagination! The acting is almost worse!

I want to talk about tone. It is a very important factor that can make or break a movie. I will say, going into the first “Mortal Kombat,” whenever I look at the cover, I expected something bold, action-packed, a little violent. And in that first movie, I got glimmers of that. It was not perfect, but it worked to a degree. This second movie sort of follows the tone of the original, but has sucked out any sort of intelligence that the original movie had, and that is saying something because when I think “intelligent movies,” my mind DOES NOT automatically dart to “Mortal Kombat.” If you want to talk about tone, here is an easy comment I can deliver. Here is one of the first exchanges of dialogue in this movie.

That’s the tone of this movie. Just a bunch of over the top bull that will make you want to die! The line is almost comical, but simultaneously unforgivable. What did we do to deserve this treachery? I can imagine there is a scenario where an exchange like this would work, but it certainly did not work in this one. I do not just blame the actors for this outlandish, off-putting execution of these two lines. I also blame director John R. Leonetti, who I will do my absolute best to be fair to in this case, because the film is his directorial debut, but this does not feel like a good film to put on one’s resume as their first feature. Then again, look at Tim Miller! “Deadpool” was his directorial debut and that was near perfect! But at the same time, they had terrific writing, exciting fight sequences, and Ryan Reynolds’s brilliant and I’ll add, Golden Globe-nominated, performance to back it up! “Mortal Kombat: Annihilation” not only feels like it drifts far away from its video game counterpart, but unashamedly shows off a plethora of some of the most abysmal visual effects I’ve ever seen. There are creatures in this movie that make the monsters in the holographic Millennium Falcon game from “Star Wars” look like they are eye-popping and realistic!

I described this movie to a friend recently. For the record, this friend has not seen the movie. And I stand by this description. Here’s what I said over text…

“It basically feels like if Power Rangers went on an acid trip and somehow became horny. I can’t even describe how bad this is.”

I mean this to the tenth degree! This movie looks sexy, it’s got attractive people in it, there’s a selection of good-looking costumes. But it is overacted, overstylized, and at it certain points, it treated me like I was five years old! The dialogue is an enormous annoyance. The slo-mo in this film is not a saving grace, if anything, it was horrendous.

Robin Shou, Linden Ashby, Bridgette Wilson, Cary-Hiroyuki Tagawa, Christopher Lambert

I watched “Power Rangers” as a kid, and while I watched it, I was wildly entertained. Because the show, even though it was stupid and insulting, knew exactly who it was made for. Young boys. For the record, the “Power Rangers” franchise, which from generation to generation, has had numerous consistencies, was first introduced in the early 1990s. I feel like somebody either on the writing team, director John R. Leonetti, or some s*itty studio executive who just got into crack started watching a ton of “Power Rangers,” eternally left it on in the background, and its overexposure led to one of the most unwatchable pieces of crap on the face of the earth! This film is so bad that I am not even going to get into the characters! Yes, this film has characters, but they’re not really characters, they’re just potential faces and bodies that may as well have been created to be action figures.

The special effects in “Mortal Kombat: Annihilation…” Oh my f*cking god. Well, they exist. They’re special alright. A special kind of special if you ask me. Maybe “The Star Wars Holiday Special” kind of special! They look like they skip frames, they are barely textured, and are a true resemblance of how far we as a society have advanced since the terror of the 1990s and the corny visuals that were offered to viewers then. I sometimes joke about some modern visual effects looking like a Nintendo game or something on the PlayStation, this movie made any pixelated image in an early “Mortal Kombat” arcade cabinet look more lifelike and attractive!

LOOK AT IT!

Given what I recently said about this film’s characters and them existing seemingly almost as if they were to become action figures, you might as well argue that the special effects in this film come off as large scale action figures.

I MEAN, LOOK AT THIS S*IT!

I cannot name one single freaking positive in this entire movie. The only positive I can come up with is that it ends, because it means I can get some s*it done. Some much more important s*it, that’s what I say. I think the only positive, if this even counts, is that it ended the series. I mean, there’s probably other places to go from “Mortal Kombat: Annihilation,” but no third movie was greenlit. For all I know, there could have been a third one and it may have ended up being the worst one in the franchise. This once again makes me excited for the 2021 “Mortal Kombat” movie that looks ten times better than what New Line pooped out in 1997.

Robin Shou, Linden Ashby, Bridgette Wilson, Cary-Hiroyuki Tagawa, Christopher Lambert

I think the only way that this film can possibly get any worse is if it were longer. The runtime is 95 minutes, and I assure you when the film hit minute 95, I was in utter relief. Ending this film felt like a divorce. I just wanted to get out, go away, and f*ckin’ celebrate. I’m surprised I did not end up popping a few bottles to mark the occasion. I survived “Mortal Kombat: Annihilation.” I’ve heard the horror stories, it sounded like a movie where I would laugh, but little did I realize how much I would want to vent, because this movie grabbed me, dragged me across the floor, and finished me with its mightiest fatality. But like in many video games, it pays to have an extra life, and I used my extra life to conquer this bloody nightmare.

In the end, “Mortal Kombat: Annihilation” killed me. It finished me. I’ve seen a lot of bad films. “The Emoji Movie,” “Battlefield Earth,” “Samurai Cop,” “Sharknado.” This might actually be worse than all of them! Of all the movies I have watched and talked about in the history of doing Scene Before, “Mortal Kombat: Annihilation” may just be the worst one I’ve ever watched. It’s barely like the video games, and at times, it makes the older video games look real! I almost see no scenario where I watch this movie ever again, unless I was bats*it drunk with a group of friends, we’re all at my place, I grab the Blu-ray, and we prepare to laugh our asses off. And then maybe I cry myself to sleep. I can imagine having nightmares about this movie. I can only imagine what they’d look like.

AH! TERRIBLE-LOOKING EXPLOSION! GO AWAY! SCRAM! YOU FREAKING ASS!

I cannot even believe I survived whatever the hell this movie actually is. Because it is not a movie, it is a pathetic excuse of a compilation of visual images that technically qualify as a 95 minute story.

To those who want to watch “Mortal Kombat: Annihilation,” “Too bad your brain… WILL DIE!”

I’m just done, this movie broke me. I’m going to give “Mortal Kombat: Annihilation” a 1/10.

Worst screenplay ever.
Worst direction ever.
Worst effects ever.

Almost the worst movie ever if you ask me.

I will also add that on the poster for this atrocity, the slogan is “Destroy all expectations.” That would be true, if I even had them to begin with!

Movies like this make me glad that movies like “Sonic the Hedgehog” have followed. Maybe the video game movie realm will end up getting a lot better with time, but films like this one most certainly reveal some of the worst this subgroup has to offer. Avoid “Mortal Kombat: Annihilation” at all costs, unless you like torture or bringing pain to your enemies, in which case, those are your exceptions. But DO NOT watch this movie. You’ll thank me later.

Thanks for reading this review! Thanks for reading part 2 of 2 of the “Mortal Kombat: Finish the Reviews” review series! I just want to remind everyone that I have upcoming reviews for “Boogie,” “Nobody,” and “Godzilla vs. Kong.” I will admit, it may take me some time to get out each one of these reviews because I am in the middle of my busiest college semester yet and I am currently working on a side project that I may end up sharing with you guys. More details may arrive soon.

Also, I want to address my next upcoming series, “7 Days of Star Wars,” where I will review the first seven main saga episodes in the “Star Wars” franchise. When planning this series, I hoped to release it from Sunday May 2nd to Saturday May 8th, which would coincide with Star Wars Day, May the 4th. Do not take this as an official confirmation, but I have considered postponing the dates for the upcoming review series. It’s not that I do not want to do it, it’s just that I’ve been incredibly busy and I would rather have a series I am proud of instead of a series that is rushed. I currently have no review series planned for June, so maybe I’ll push it back then at the latest. If you want to know about upcoming content on Scene Before and more shenanigans, be sure to follow the blog either with an email or a WordPress account. Also, check out the official Facebook page! I want to know, did you see “Mortal Kombat: Annihilation?” What did you think about it? Or, and this is good time to ask this, what is the worst movie you have ever seen? “Mortal Kombat: Annihilation” may arguably be mine, there are like one or two that may be worse. I would have to rewatch the other two if I even dare. Either way, let me know about your horror stories down below! Scene Before is your click to the flicks!

Django Unchained (2012): Now You Have My Attention, Tarantino

Hey everyone, Jack Drees here! Before we begin this post, I want to announce that I officially purchased my opening night tickets for “Once Upon a Time in Hollywood,” which is the latest film from director Quentin Tarantino. I’m going to see the movie in 35mm and I will likely have my review up by the end of the opening weekend. But since that movie is not out yet, I am going to be tackling a couple more Tarantino films from the past including one of the latest additions to the director’s library, “Django Unchained.” I sat down last week, watched the film for the first time, and let me just say, any movie that has Robert Carradine (King of the Nerds, Revenge of the Nerds), chances are I will have some interest in checking out. Without further ado, let’s start the review!

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“Django Unchained” is directed by Quentin Tarantino (Reservoir Dogs, Pulp Fiction) and stars Jamie Foxx (Ray, Collateral), Christoph Waltz (Inglourious Basterds, The Green Hornet), Leonardo DiCaprio (Titanic, Inception), Kerry Washington (Scandal, Save the Last Dance), Samuel L. Jackson (The Avengers, Snakes on a Plane), Walton Goggins (Justified, The Shield), Dennis Christopher (Breaking Away, It), James Remar (2 Fast 2 Furious, Sex and the City), Michael Parks (Red State, Planet Terror), and Don Johnson (Miami Vice, Nash Bridges). This film involves a dynamic duo, specifically a freed slave and German bounty hunter. The freed slave’s main purpose throughout the film is trying to reunite with his wife. To do that, they have to travel to a plantation in Mississippi.

I was pretty excited to watch “Django Unchained” for a number of reasons. As of watching “Pulp Fiction” and reviewing it, I instantly had Tarantino fever. “Django Unchained” had a decent cast including Jamie Foxx and Leonardo DiCaprio. Plus, while he does not play a major role, Robert Carradine, one of the members of the legendary Carradine acting family, is in this movie. While I may not be invested in said family, Carradine is personally one of my idols simply for being host of “King of the Nerds,” one of the only good reality shows to ever exist. I was pretty much set for whatever Tarantino was going to deliver.

I just want to remind everyone that in the name “Django,” the “D” is silent. But as for my thoughts on the film, I almost feel that in a world where praise can make noise, my praise for “Django Unchained” would be pretty freaking audible. That is not to say that it is as good as “Pulp Fiction,” there are a couple issues I have with “Django Unchained,” including one or two that could be used in comparison to “Pulp Fiction.”

When I watched “Pulp Fiction,” I had my eyes glued to the screen for pretty much the entire picture. Part of me wants to say that for “Django Unchained,” but I’d be lying if I didn’t go without saying that the pacing for “Django Unchained” occasionally becomes a hindrance. The thing that kept me looking at the screen for “Pulp Fiction” was the execution of the dialogue between characters, not to mention actions in between. “Django Unchained,” much like “Pulp Fiction,” is a movie that is very cool to look at. It feels exactly how I would want a western-style film to be. But there are one or two points where I am thinking to myself certain scenes can be executed in a slightly different way for the sake of shortening the runtime or some other reason. Who knows? Maybe it’s one of those things that I will learn to appreciate over a second watch, but it’s hard to tell. It’s not like I became angry with the ways certain scenes went down, in fact, there is one scene in particular past the halfway point that goes on for a long time, and the execution there is brilliant. And that’s the thing about Tarantino that I have come to appreciate over the past couple of films I watched. There are a lot of movies out there that I would criticize for having extended scenes that go on forever, with boring dialogue. There are particular long scenes in this that may have dialogue that some directors and writers could probably leave behind. Tarantino however, seems to be the master when it comes to shoehorning in useless scenes. It’s mind-boggling that I as an audience member could be witnessing a moment of the film that is borderline unneeded, but because of what is being said, it feels like a cherry on top of a sundae!

As for the characters in “Django Unchained,” all of them are well written. In fact, there are some cases where I refuse to call them characters and instead call them “A+ dialogue generators.” I really felt for Jamie Foxx’s character of Django at certain points, and there are times where I managed to find him pretty kick-ass. And such kick-assery is established from the very first scene, which is carried through the entire film with ease. And as far as his chemistry with Christoph Waltz goes, it is taken to the point where I cannot even imagine anybody else playing either of their characters.

By the way, I love this scene.

Amerigo Vessepi: What’s your name?

Django: Django.

Amerigo Vessepi: Can you spell it?

Django: D-J-A-N-G-O. The D is silent.

Amerigo Vessepi: I know.

I dunno, there’s something about that which just randomly screams, “Hey! I kick ass and take names!” And not only do I have to give credit for Jamie Foxx for the way he delivered that line, but I think top credit has to go to Quentin Tarantino, because I imagine he wanted this line specifically in the way which it happens to be presented here. Granted, it is also an Easter egg because this movie was inspired by the 1966 movie “Django,” starring the guy opposite this movie’s “Django” in the conversation above. Specifically, Franco Nero.

Although, even though I said I cannot imagine somebody playing someone else’s character, there’s one exception, but the reasoning for it is kinda crazy. When I read the cast on the Blu-ray case for this movie, I almost thought KERRY Washington said DENZEL Washington, so I cannot currently get him out of my head!

Speaking of things I cannot get out of my head, part of me really wants to see this movie turned into a video game. Why? Because this movie at times is unnecessarily violent, but it is all the better for it. There’s one shootout towards the end in particular that was a giant bloodbath. Said shootout contains a number of satisfying kills, and I would probably would need to rewatch this film, or maybe that scene in particular, but it could end up being in my top 20 favorite action scenes. And it does not take away from any emotion that I had towards the characters, because Django would get himself into a less than satisfying situation that made me admire the other side for how they executed their actions (stylistically), but I was still able to latch onto Django as a character.

I also gotta give credit to the costume and makeup department, especially with the transformation of Samuel L. Jackson. Because in this movie, he does not completely look like Samuel L. Jackson and instead looks more like the stereotype for a retired badass NBA basketball player. Per usual, Jackson is charismatic, plays a well written character, and at this point I’m pretty much repeating myself, I do not see anybody else playing his character. It’s amazing what a little grey hair can do to make a role more convincing.

In the end, “Django Unchained” is a fun ride, and kinda bonkers. Depending on the next movie I watch from Tarantino, he could become my favorite screenwriter of all time, and while this was not as good as “Pulp Fiction,” this manages to have the same Tarantino flair that movie had which I appreciate. This is not to say that “Django Unchained” is a ripoff, but it is just another reason why I happen to admire Tarantino’s directorial choices. He’s edgy, creative, and badass. “Django Unchained” solidifies itself as one of the best films of its year and when it comes to other violent films out there, this makes every other film look like it was made for children. “Django Unchained” kicks ass! I’m going to give “Django Unchained” a 9/10!

Thanks for reading this review! For those of you who want to know my next installment in the Tarantino review series, it is going to be his latest film, specifically 2015’s “The Hateful Eight.” I wanted to see this movie in theaters, but I never got around to it because of competition. Let’s face it, I ended up seeing “The Force Awakens” four times in a matter of two months. Nevertheless, I am very excited, I enjoy a good mystery every once in a while, so hopefully this will be good! As for new releases, I’m still trying my best to get myself to go see “Spider-Man: Far From Home.” I’m wondering if it is gonna be this year’s “Deadpool 2.” It’s a movie that I want to see, one that I am trying extra hard to get myself to see, but for one reason or another, I almost failed to get around to it. We’ll see what happens! Be sure to follow Scene Before with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you ever watch “Django Unchained?” What did you think about it? Or, what is your favorite unnecessarily violent film or scene from a film? Let me know down below! Scene Before is your click to the flicks!