Jake Johnson

Spider-Man: Across the Spider-Verse (2023): The Citizen Kane of Comic Book Movies

Posted on by Jack Drees

“Spider-Man: Across the Spider-Verse” is directed by Joaquim Dos Santos (Avatar: The Last Airbender, Voltron: Legendary Defender), Kemp Powers (Soul, One Night in Miami…), and Justin K. Thompson (LittleBigPlanet, Cloudy with a Chance of Meatballs). This film stars Shameik Moore (Dope, Incredible Crew), Hailee Steinfeld (The Edge of Seventeen, Hawkeye), Brian Tyree Henry (Godzilla vs. Kong, Bullet Train), Luna Lauren Vélez (Dexter, New York Undercover), Jake Johnson (New Girl, Let’s Be Cops), Jason Schwartzmann (Rushmore, Scott Pilgrim vs. the World), Issa Rae (Little, Insecure), Karan Soni (Miracle Workers, Deadpool), Daniel Kaluuya (Nope, Get Out), and Oscar Isaac (Star Wars: The Force Awakens, Moon Knight). This film is the sequel to “Spider-Man: Into the Spider-Verse” and follows Miles Morales as he faces conflict through his personal life, while balancing his time as his superhero persona. Meanwhile, he is introduced to the Spider Society, a realm of Spider-people just like him, where he must realize his true purpose.

“Spider-Man: Into the Spider-Verse” has had an interesting history in the realm of comic book movies. The film did well with critics and fans alike. But it did not garner as much box office revenue as its live-action counterparts. It was not a complete loss, as it grossed $384.3 million against a budget of $90 million, but the individual films starring Tobey Maguire, Andrew Garfield, and Tom Holland, all ended up making more. To be fair though, animated comic book movies were an unfamiliar territory in the theatrical market, not everyone knew who Miles Morales was compared to Peter Parker, and the film was already competing other blockbuster titles at the time including “Mary Poppins Returns,” “Bumblebee,” and DC’s “Aquaman,” which turned out to be the comic giant’s biggest hit.

That said, it does not change the fact that many people continue to hail “Spider-Man: Into the Spider-Verse” as one of the greatest comic book films of all time. I personally consider it a slight runner-up in 2018’s slate to “Avengers: Infinity War,” but it was a solid animation whose strengths came from its quick pacing, likable characters, intriguing storyline, and maybe the most unique animation style of the decade. I loved it in theaters, watched it a couple times at home, and find it to be one of the more refreshing animated titles to come out in recent years. I was pleasantly surprised to find out Sony Pictures Animation knocked this film out of the park after the gosh awful “The Emoji Movie.” Between “The LEGO Movie” and “Spider-Verse,” Phil Lord and Christopher Miller are partially responsible for some of the most memorable animations of the 2010s.

Naturally, I got excited when a “Spider-Verse” sequel was announced, which with the release of a trailer in 2021, received the title “Spider-Man: Across the Spider-Verse – Part One.” Since then, it has removed the “Part One,” but the concept remains the same. I thought if we got more of what the original provided, we would be in for another great time at the movies, but little did I know what I would be in for.

To clarify, “Spider-Man: Across the Spider-Verse” delivers the same strengths as its predecessor, but it also brings forth tons of new elements. Between the added animation styles, the Spider Society, new characters, and the expansion of the multiverse’s lore, there is a lot to love about this sequel, and I mean it when I say that. Not only do I find “Across the Spider-Verse” to be a step up from its predecessor. Not only do I find it to be one of the best movies of the year. Not only do I find it to be one of the best animated movies of all time. Not only do I find it to be one of the best comic book movies of all time. I think this movie falls into my top 20 or 10 movies EVER.

When it comes to superheroes, Spider-Man has always been my personal favorite. Mainly because of how I would often find myself in the shoes of Peter Parker as he tries to balance everything in his life. Granted, I do not have the same responsibility of protecting a major metropolitan area, but that is what makes the character likable in addition to his down to earth qualities. “Spider-Man: Across the Spider-Verse,” like its predecessor, instead focuses on the problems and life of Miles Morales, who much like the recently mentioned Parker, has to neverendingly deal with the problems of being a teen while also saving New York. Whenever I see Miles, he reminds me of my own life as I grew up. There are moments where I hear him talk and it reminds me of how much I wanted to either be by myself or take a chance to spread my wings a little.

In addition, throughout the film, we get a greater dive into Miles’s relationship with his mom, Rio. While we still get the connection between Miles and his dad that has defined the first film in a way, Rio has more of a presence in this picture. She has more of an impact on where things go compared to before. What captivated me is not only the chemistry she and Miles have, but the dialogue that supplements these two in their scenes. I always got a sense that Rio wanted what is best for Miles even if there is a disconnect between the two. But even in the moments where Rio would end up losing her mind over something Miles did, I am still rooting for Miles because I always got the sense that he was just trying his best to balance everything he can. These are emotionally complex, rich characters who I am glad I got to see in this film and hope to see more of in the future.

This movie handles multiverse a tad differently than “Spider-Man: No Way Home,” which does so in a way that serves as a love letter to the character. This movie also serves as a love letter at times, and each time that is done, it works. That said, the more I thought about “Spider-Man: Across the Spider-Verse,” it can also be seen as a jab on formula, a jab on traditional storytelling. But at the same time it could also serve as a tribute to it. There is a certain aspect of the film that dives into Miles’s destiny, in addition to the destiny of other Spider-people. As this is addressed, I could not help but recognize how such familiar tropes worked and we may similarly see something that could eternally impact Miles no matter which path he follows. At the same time, Miles wants to avoid facing a certain destiny that may seem familiar to audiences and the many Spideys this film possesses. That adds to the unpredictability of this film. I could name quite a few moments in this film where I was taken aback by what was on screen. There are so many things going on in “Across the Spider-Verse,” much of which just so happens to be colossally epic.

Part of why I found “Spider-Man: Across the Spider-Verse” rather unpredictable as it went along is not only from how the film itself is laid out, but Miles’s overall connection with Miguel O’Hara. There is a scene in the trailers where Miguel presents a certain dilemma to Miles regarding the fate of other people. When Miles takes that conflict in a certain direction, the rest of the film delivers a flavor to it that I have not seen in a comic book-based story prior to this one.

That said, part of that flavor represents a tonal shift from one film to the next. If things go in a certain direction, the “Spider-Verse” trilogy may be this generation’s version of the original “Star Wars” trilogy. I am not saying they have completely similar stories, but from a technical perspective, both movies brought something innovative to the table. Both have a first film that follows that typical hero’s journey formula. The films are great for all ages. And sticking with the tonal shift, I would say that “Across the Spider-Verse” has the shocks, goosebumps, and occasional gloom of “The Empire Strikes Back.” There is a lot of fun to be had in “Across the Spider-Verse,” but once the film reaches the halfway mark, its sullenness dramatically increases. When this movie ended, I was excited to know what could happen in the eventual “Beyond the Spider-Verse,” but I also recognized that much like “Empire,” “Across the Spider-Verse” does not end on the highest note. This is not a bad thing because I am rooting for the heroes even more than I was before.

If you are a “Spider-Man” fan, you will adore this movie. If you are not as interested in other iterations of “Spider-Man,” I think you may still find something to love about how this movie handles its storytelling methods. This is far from your typical comic book movie. This is also far from some of your typical animated fare. Despite this movie earning a PG rating, it is honestly very adult at times. There is some mild language, mature themes, and most of the humor avoids gearing itself specifically for younger crowds. I honestly think like some Pixar films, there is a chance that if you are parent and end up taking your kids to see “Across the Spider-Verse,” you might end up liking it more than them. Maybe it will end up aging for some kids in the same way “Wall-E” aged for me. When I first saw the film at eight years old, I was enamored with the spectacle and adventure of it all. Then as I aged I began to appreciate the lessons it told and the “show don’t tell” method it employs. I think if some young children end up liking “Across the Spider-Verse” the first time they see it, they might carry it into adulthood and recognize how powerful that film is in a different way. It is more than just cool action and funny jokes. If I were eight years old I might witness those two things and think that is enough to satisfy my appetite. But as a 23-year-old, I feel “Across the Spider-Verse” is about being your own person, appreciating your family in addition to your friends, dealing with potential failure, and realizing that everyone is just trying their best to live to fight another day. If you want to see a paint by numbers animation that takes no risks and plays it safe, then by all means watch “The Super Mario Bros. Movie.” If you want to see an animation that takes risks, delivers something new, and expands an already exciting universe, or multiverse in this case, then “Spider-Man: Across the Spider-Verse” is the movie for you.

This film is as close to perfect as it can get. If it were not for one thing, the movie would be even better. My one problem with “Spider-Man: Across the Spider-Verse” is the sound mix. To be clear, the sound design in “Across the Spider-Verse” is great. It is a completely immersive movie in terms of audio. But at the beginning of the film and during one or two more increments, there are certain lines of dialogue I could not make out. If they turned down the music just a tad or increased Hailee Steinfeld’s audio as close as they can to avoid clipping, this problem may cease to exist. Maybe the movie will get the “Thor: Love and Thunder” treatment. Remember how that movie changed the CGI after its theatrical release? Perhaps this film could contain a slightly different sound mix before putting it out on digital and Blu-ray. Who knows? Although I say this is a slight dig because if I dilate my ears a little, I could make out what is being said, and even if I did not understand something, the visuals gave me enough context to know what is going on. Filmmaking is showing, not telling. And this film shows like few others do.

The first “Spider-Verse” is an achievement of the animation medium. This sequel takes that achievement the extra mile. That said, I am trying to be quite vague on how it does such things, because this movie is full of surprises, and I want you to go in as blind as I did to experience it to the fullest. If anyone reading this is experiencing what some may call “comic book movie fatigue,” I urge you to check out this film because it is likely to change your mind. If we keep getting movies like “Black Adam” or “Ant-Man and the Wasp: Quantumania” that are below the par of some of the better titles the genre has delivered over the years, then I could see where the fatigue is coming from. It is coming from mediocrity and blandness. “Spider-Man: Across the Spider-Verse” flips the entire genre on its head.

In the end, “Spider-Man: Across the Spider-Verse” has delivered something brilliant that I felt as if I have not seen before in this overstuffed genre. “Spider-Man: Across the Spider-Verse” is the “Citizen Kane” of comic book movies. In addition to being a fantastic watch that pushes its medium forward, I think this is going to be one of the most influential and talked about films of the genre for years, possibly decades to come. This is a film that not only takes what is great about the original and imports it here, but attempts to take that greatness to the next level. Sequels naturally have to go bigger than the original. Sometimes it works, sometimes it does not. The jump this franchise takes from one movie to the next is seismic. “Spider-Man: Across the Spider-Verse” makes the original feel humble. And unlike say the transition from “The Matrix” to “The Matrix Reloaded,” the shift does not feel gimmicky. It is backed up by a good story, great characters, incredible dialogue, and animation that honestly looks better than what this franchise provided four and a half years ago. I rooted for the heroes, but I also sympathized for those who would be considered antagonists. There is not a character that comes to mind who I thought was not properly constructed. I have thought about this film long after I saw it. I found my experience to be overwhelming in the best possible ways. I walked out of the auditorium not believing what I just saw. And in a time where comic book movies dominate, “Spider-Man” movies come at you quicker than a bullet, and when sequels pop up all over, this feels like one of the most original, fresh films I have not just seen recently, but in my entire life. I need time to marinate where I rank this film amongst my favorites of all time. Maybe if I see it again, it would help. And yes, I do want to see it again soon. Therefore, I think it is inevitable that “Spider-Man: Across the Spider-Verse” is a 10/10!

Also, what is it with multiverses lately? “Everything Everywhere All at Once,” which was set in different universes, was far and wide my favorite film of last year. Meanwhile, “Spider-Man: Across the Spider-Verse” also joins the ranks and has now become my top film of 2023. I hope people do not overuse the multiverse concept just because of these successful outings. If it is used in the future, I hope they try to implement what these movies did. Specifically, a developed story with likable characters. I hope people do not just do multiverse for the sake of being crazy. Story should come first, characters should come first, the craziness may as well be bonus points.

“Spider-Man: Across the Spider-Verse” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! If you want to see more reviews, I have some coming soon! Specifically for “Hypnotic,” “The Machine,” and “The Flash!” I ended up seeing a couple of these movies before “Spider-Verse,” but I could not contain myself. I had to talk about this movie before anything else. “Spider-Man: Across the Spider-Verse” is a movie that if you asked me what to watch this weekend, I might pick that one for at least a month. It’s that good. If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Spider-Man: Across the Spider-Verse?” What did you think about it? Or, what is your favorite “Spider-Man” movie? Let me know down below! Scene Before is your click to the flicks!

Spider-Man: Into the Spider-Verse (2018): Does Whatever Spider-Acid Does

Posted on by Jack Drees

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“Spider-Man: Into the Spider-Verse” is directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman, and stars Shameik Moore (Dope, The Get Down), Jake Johnson (New Girl, Jurassic World), Hailee Steinfeld (The Edge of Seventeen, True Grit), Mahershala Ali (Moonlight, House of Cards), Brian Tyree Henry (Atlanta, This Is Us), Lily Tomlin (Grace and Frankie, The Magic School Bus), Luna Lauren Velez (How to Get Away with Murder, Dexter), John Mulaney (Saturday Night Live, Big Mouth), Kimiko Glenn (DuckTales, Orange Is the New Black), Nicolas Cage (Mandy, Raising Arizona), and Liev Schreiber (Spotlight, X-Men Origins: Wolverine). This film is about Miles Morales, a teenage boy who may be Spider-Man in his own reality, but it just so turns out that there’s a crossing in paths between several different realities. He eventually meets Peter Parker, who is Spider-Man in an alternate universe, and Parker guides Morales as he becomes the Spider-Man he’d ultimately want to be.

Going into “Spider-Man: Into the Spider-Verse,” I have been exposed to all of the major trailers. When it comes to how I’d personally receive them, they started out weak, but each one improved over the last. I’d say there’s a similar story when it comes to this movie itself, I wasn’t all that excited for it, then I hear more about it, and I’m getting increasingly hyped. I imagine some people had a similar feeling in their minds when it comes to another animated film we’ve gotten this decade, specifically “The LEGO Movie.” I can say that because I’ve seen the trailers, and part of it seemed weird, part of it seemed a little too kiddy. But once people heard more about it and its overwhelmingly positive word of mouth, it brought more excitement towards the eventual incoming audiences. I’m not saying “Spider-Man: Into the Spider-Verse” looked too kiddy or anything like that, but I’m saying that my hype levels for the movie were not all that high.

In fact, if you look up this movie on IMDb, you’d see it has three directors, the writing credits, on the surface, makes the movie come off as if it is a factory product with eight people. LUCKILY, that’s not really the case when it comes to the movie’s script, because only two people wrote “Spider-Man: Into the Spider-Verse,” the rest just have to do with the comics (Stan Lee, Steve Ditko, etc.). Then again, I could be getting ahead of myself because after all, “Airplane” has three directors and many people seem to consider that film an all-time classic. This is doesn’t even mention the fact that for two of the three directors, this is actually their directorial debut. They’ve done other work when it comes to film, but directing is not on their list until now. All the doubts that I had about this movie, let me just tell you right now, forget em. F*ck em. Screw em. Throw em away. This movie. Is. WILD.

Let’s be real here, I love Spider-Man. Spider-Man is my favorite superhero of all time, and when it comes to theatrical releases, this might be the most fun I’ve had watching a “Spider-Man” film since 2004’s “Spider-Man 2.” Yeeeah, I’ll be honest, “Homecoming” was kind of wasted. And I’ll also be honest, when it comes to comic book movies this year, this personally might rival “Infinity War,” which says something.

If you have ever read my review for “Ant-Man and the Wasp,” I manage to compare my experience watching that movie, which was ultimately mediocre, to what it could have been like as a ten year old kid. I said if I were a ten year old kid, there’s a chance I’d enjoy it more than I did watching it as an adult. “Spider-Man: Into the Spider-Verse,” made me unleash my inner child and reminded me of how awesome the character is.

Speaking of awesome, let’s talk about Miles Morales. I thought the depth provided to this character made deeply me care about him. I thought his story was fantastic, I related to his character in a way that is almost similar to how I relate to Peter Parker as a main character in numerous other “Spider-Man” stories. In this movie, Morales is a teenager in boarding school, who eventually finds a girl he likes, but he doesn’t know how to control himself around her. I thought when it comes to playing “Spider-Man” himself, Morales is certainly worthy.

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Speaking of which, let’s talk about Peter Parker. We’ve seen Peter Parker at various ages on screen, we’ve seen him in college, in high school, and in this movie, he seems to be in his late twenties. We’ve also seen a side to Peter Parker we’ve never seen before… He’s fat. If you have ever watched “Impractical Jokers” and seen the episode where Joe becomes a superhero per se, this is pretty much a Spider-Man-esque version of that. I partially say that because Joe’s superhero name lives up to his own physique, specifically “Captain Fatbelly.”

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When it comes to Marvel movies, I have no problem whatsoever with pointing out some occasional lackluster villains. But this is a Sony movie, and not in the MCU, so that doesn’t even matter here! There are a couple of antagonists in the film, most notably Doc Ock and Kingpin. BOTH OF THEM ARE AWESOME! I won’t go into it, but be sure to lookout for Doc Ock’s ultimate reveal, it is a crowd pleaser. As for Kingpin, he not only looks intimidating, he knows how to put up a fight. The chemistry between him, his cronies, and even Morales, are all things of beauty when it comes to “Spider-Man: Into the Spider-Verse.”

On the topic of Morales and Kingpin, there’s this one fight they get into towards the end of the movie, it is perhaps one of the flashiest, wackiest, and balls to the wall action sequences I’ve ever witnessed out of a comic book movie. In fact, going back to my skepticisms, one of the doubts I had when it comes to “Spider-Verse” is the animation style. When I saw the teaser, I was like, did we just reenter the stone age? But the more I saw, the more I realized it was supposed to look like a comic book on the big screen. Granted, there are already a lot of films that take a comic book-like animation style, but I don’t recall a film like this that got a theatrical release or perhaps resembled quality as much as “Spider-Verse.” Not only did the comic book animation style benefit the movie as a delightful quirk, but it also helped at poking fun at comic books themselves. You would occasionally see random text boxes to establish thoughts going on in someone’s head or a location, sometimes when Spidey’s swinging, you’d see the word “Thwip” pop up, and speaking of things that pop up, the same can also be said for when Spider-Man is shouting “WOOOOOOOO!” It almost reminds me of “Pixels” when the characters “scored points” for doing something they need to do to get their mission done.

Another little spark of kudos has to go to the writing. This movie is written by Phil Lord, who also wrote “The LEGO Movie,” one of the funniest animations I’ve ever seen. Speaking of Lord, he also co-directed “22 Jump Street,” a movie which the other screenwriter, Rodney Rothman, happened to pen. Aside from those comic book quirks this movie has a fetish for showing off, the film manages to be humorous, charming, shocking, and even a tad emotional. Even the idea for this movie was surprisingly grand. The execution of this multiverse concept was done with absolute brilliance. I was able to buy into all of these Spider-people being who they are, and some of them come off as just plain funny. There’s a film noir style Spider-Man, there’s an anime style Spider-Man, there’s even a Spider-Pig!

“Spider-Pig, Spider-Pig. / Does whatever a Spider-Pig does. / Can he swing / from a web? No he can’t, / He’s a Pig. / Look out! / He is the Spider-Pig. -Homer Simpson

OK, well, technically he’s referred to as “Spider-Ham,” but who cares?

There is not really much else I’d want to say when it comes to “Spider-Man: Into the Spider-Verse,” but one thing I will say, is that there’s a possibility, that this movie could be a game changer. There has been an over-saturation of comic book based films and superhero movies put out on the big screen. However, I cannot recall the last time I saw one like this. For one thing, most of the comic book-based work we are getting today happens to be done in live-action. Also, this could potentially bring an increase of comic book-like superhero flicks. Maybe Disney would happen to get in on the action and do separate universes for heroes like Iron Man, Captain America, Black Panther, and Doctor Strange. Part of me also wonders since Warner Brothers/DC has no plans currently to do another “Superman” movie with Henry Cavill, if they want to do an animated “Superman” film in this sort of style at some point. Based on the box office, the quality of this film, and perhaps the spark that I BELIEVE it would make in young, aspiring filmmakers/animators, this genre only has potential to grow from this point. The comic book and superhero genre in film is already beyond enormous, and while part of me thinks sometimes that it is getting too big, there’s another part of me that would love to see a little more of this style of filmmaking. And it’s clear that people want to take this on. After all, it was recently announced that Sony is gonna try doing a female spinoff to this film. I don’t know the full details, but I’m hearing Gwen Stacy is going to be playing a significant role.

In the end, this is not just a fantastic comic book movie, but it’s also a great movie by itself. “Spider-Man: Into the Spider-Verse” is a well animated, weird, and nicely done film. It reminds me of why I love “Spider-Man” as a character, and when it comes to theater experiences, this is definitely one of the best I had this year. I saw this in IMAX, and the sound for this movie is beyond crazy. The scenes with intense action or fast-paced effects almost made me bend over in awe. I want to say one thing about this movie. Even though this movie is animated, I wouldn’t say it is entirely kid-friendly. To me, it’s almost like a Pixar film. It’s a film that families can enjoy, it’s a film that kids and adults alike can find interesting. The jokes are smart, the animation is beautiful, and I don’t think there’s one single moment in the film that I think is specifically meant to cater to children. Also, another thing I will say is that this film is one of the wildest, most wicked things I’ve seen in a while. I cannot recall the last time I saw an animated movie that made me think a part of me was on acid for some of the runtime. I loved “Spider-Man: Into the Spider-Verse,” not only is it one of my favorite Spidey films, but also one of favorite animations of the year! I’m gonna give “Spider-Man: Into the Spider-Verse” a 9/10. Sure, I called this movie a game changer, and yeah, it is one of my favorite “Spider-Man” movies, but as far as replay value goes, I think there are a couple other films that I’d rather watch more than this one this year. As a contribution to film and how it could revolutionize the game, this might be a 10/10, but for my overall verdict, I’d give a 9/10. That’s just me though. Also, stay until the end of the credits, because there is a GREAT end credits scene! Thanks for reading this review! If you thought this was going to be the last 2018 comic book movie I’d review, you thought wrong. Next week is the release of “Aquaman.” I have no set date as to when I’m seeing that, but I do have my sights set on seeing the film as soon as possible. I might go see a movie or two before, because I now have the time to do so, and with courtesy to AMC’s $5 Ticket Tuesday, some may argue that I have the money to do so as well. Be sure to follow Scene Before either with a WordPress account or email so you stay tuned and swing on by for more great content! I want to know, did you see “Spider-Man: Into the Spider-Verse?” What did you think about it? Or, if Spider-Man were real, who or what would be your preferred vision of the masked hero? Let me know down below! Scene Before is your click to the flicks!

Tag (2018): The “It” Movie of the Year!

Posted on by Jack Drees

Before we start this review of “Tag,” let me just have you know that I here at Scene Before have been truly grateful to create content to whatever portion of my audience still continues to follow me. And you may or may not know with this post, I have hit a milestone. This “Tag” review you’re reading right now is my 200th post (not counting one that was deleted)! This news of having two-hundred posts almost slipped under my radar. And you know what? I like you all, so I gotta do something for ya in return. I won’t exactly say what it is, but stay tuned, it’s a surprise! Be sure to look out for my NOT EXACTLY 200TH POST SPECIAL coming soon!

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“Tag” is directed by Jeff Tomsic and stars Ed Helms (The Office, Vacation), Jake Johnson (New Girl, Jurassic World), Annabelle Wallis (Annabelle, X-Men: First Class), Hannibal Buress (Neighbors, The Secret Life of Pets), Isla Fisher (Now You See Me, Rise of the Guardians), Rashida Jones (Parks and Recreation, The Social Network), Leslie Bibb (Iron Man, Law Abiding Citizen), along with Jon Hamm (Mad Men, The Town), and Jeremy Renner (The Avengers, The Bourne Legacy). This film is about a bunch of friends who have been playing tag with each other since the first grade. Now they’re all adults, and one has a wedding coming up. This person has never been “it.” Everybody else is coming for him, and he’s not gonna let that get in his way. Did I mention this is based on true events?

Going into this movie, I gotta say this was really something I was truly looking forward to. This is a comedy based on true events, and it seemed to have itself center around friendship. One of my favorite movie trilogies ever, “Lord of the Rings,” nails its friendship theme, and naturally, I had some hopes for “Tag.” In reality, both pieces of art are very different when you take their ultimate results, but I figured this would be a movie that’s not only funny, but also just a message to remind yourself how important having friends truly is. I was also wondering if in terms of my overall verdict if this could compete with another movie I saw this year that has truly grown on me, “Blockers.” And you know what? When it comes to my thoughts on “Tag,” it’s certainly a fine competitor to “Blockers!” In fact, as of now, I’d probably have to think about this hard, “Tag” is quite possibly the best comedy of 2018! And without diving too much into spoilers, I’m gonna start off with a complaint that I seriously want to get out of the way.

If you know me, you’d know that I HATE product placement. There are times where I think it is fine, but for the most part, it blows. I will say though, the best part of this movie, is that there is only one instance of product placement that stuck out to me, and it is at the VERY BEGINNING of the film. As soon as that is over, the film is a laugh-filled thrill ride from start to finish. This movie is what happens when you take “The Disaster Artist” (comedy based on true events), combine it with “Premium Rush” (movie involving fast-paced thinking from characters), and put the two in a blender with “Wedding Crashers” (movie where wedding plays importance in story). In fact, when it comes to the overall way this movie was told (genre, pacing, etc), it’s hard to think of a better way that it could have been done. Is “Tag” realistic depiction of the events shown throughout? I can’t confirm entirely since I wasn’t a witness, however I would lean more towards saying “no” to answer that question. Although in the end, for a movie such as this, it doesn’t really matter, “Tag” allowed me to have tons of fun and absolutely enjoy myself.

There are a ton of characters in this movie, in fact I’m going to argue that there really isn’t one that I would consider to be the “main character.” I would say this film would technically have one sole “antagonist” (Jerry), but when it comes to having a main character, that doesn’t appear to be the case. I say this because in reality, this is more of a team-up of main characters than anything. They’re all after one guy, Jerry, and when you see Jerry, you know he’s ready to fight. I’d say that this film has a similarity to “Avengers: Infinity War,” it focuses a lot on its opposition. It doesn’t go out and make the opposition the main character just like “Infinity War,” but it does go out and highlight the power and unstoppable force of Jerry. When it comes to highlighting someone as a main character, you could make the argument that Ed Helms plays the main character, Hoagie, because he always has his name appear as if it were the most important one on the film’s posters, but I feel that wouldn’t be true because while the movie does revolve around him in one way or another, I’d argue that pretty much every character has their moment to shine.

Now let’s get serious for a moment and talk about Jerry. He’s played by Jeremy Renner, who I’d say plays the worst hero in the Marvel Cinematic Universe, but plays one of the best characters in “Tag.” The thing about Jerry in this movie is that throughout each and every May when the friends play tag, Jerry is the one who is never “it.” He’s fast, he’s smart, and will always find a way to get you! Some of the best parts of the movie is when he talks to himself during tag. He’s figuring out whatever plan he can execute, and makes a moment that’s already funny and engaging, doubled in terms of both elements. And you know something? This really just adds a hint of surprise to the film. Jeremy Renner is one of those people I actually consider to be a fine actor, and he usually does a fine job in whatever you put him in. Although, one of my biggest worries going into “Tag” happened to be Jeremy Renner. I say that because I never particularly pictured Jeremy Renner being in a comedy. Although then again I never pictured Ansel Elgort as an action star and look how that turned out! What do I know about actors? Renner’s performance shines and makes the character of Jerry a total standout.

I don’t want to have to talk about each and every character on the team against Jerry, because that would take forever. However, when it comes to all of these characters, they all seem to have their own individual traits that stand out to them as opposed to another character alongside them. One character that truly stood out to me was the character of Anna, played by Isla Fisher. For the record, if you watch the movie, you can’t really say she’s in the game, because as suggested, the rules state that there are no girls allowed. However, there are times where she just acts like the most competitive psycho you’ll ever see in your entire life. I’m just imagining myself playing tennis, and instead of grunting as she returns the ball to the opposite side, she screams “f*ck you” or something. This may be a slight negative towards the movie, although in the way, it’s kind of also a positive, the team doesn’t really feel like it has one character that is supposed to shine more than any other, but at the same time, it can allow you to root more for the team as opposed to one individual part of the team.

One of the most interesting parts of the movie is seeing everyone trying to tag or outrun each other. If you have ever played tag as a kid for fun, let me just say that you have NOT played tag, and this movie will give you some pointers to throw down to your eight-year-old self. One character in this movie goes to the mall, because that’s where Jerry is. To make the character’s self look less obvious, they dress up as an elderly woman. This brings out one of the best combinations of action, narration, and intensity to the entire movie.

I kind of brought this up in the beginning, but I’ll sort of state this again, this movie has a very centralized theme of friendship. These friends have been together for a very long time and they’ve been playing a specific game for a long time. Tag is basically the one thing that is in these folks’s lives that keeps them attached to one another. As we grow up, we start to lose a connection with our own friends that we’ve known as kids, it’s just a natural thing that occurs. But these people keep in touch with each other in such a way that triggers a sense of nostalgia and togetherness. This movie does a good job at highlighting the importance of friendship while still maintaining a mood that you’d still traditionally find in a comedy. The very thing I just mentioned is why this is a true competitor at this point for “best comedy of 2018,” because this isn’t really just a funny comedy, it feels like a real story with real people (with exaggerated thoughts and emotions), and that may be because this is based on a true story.

In the end, “Tag” is definitely worth your time and money. Given what most people would say, “Tag” is unlikely to win the box office on its opening weekend against “Incredibles 2,” but I can guarantee you that it will very likely take the second place spot. And you know what? This movie is worth the money! Not only is it a great comedy, it’s a great story! I really enjoyed “Tag,” I would definitely go out to Best Buy and buy it when it comes out on home video, and I’m going to give it an 8/10. Also, I find it hilarious that I really like this movie because in my elementary school years, any game involving running or tagging was a game that I particularly didn’t want to play. It’s kinda crazy to me! Thanks for reading this review! Pretty soon I’ll have my review up for “Mission: Impossible: Ghost Protocol,” which will be my fourth entry in my Tom Cruise “Mission: Impossible” review series. Also, before I sign off here, I’d like to thank Warner Brothers for the free screening that I got of “Tag,” allowing me to finish this review early for you all. And if you want to see a post which I’ve written prior to going to see “Tag,” the link for it is at the end of this post you’re reading. Stay tuned for more great content! I want to know, did you see “Tag?” What did you think about it? Or, if you’re an adult, what is one way that you and your friends from school years keep in touch? Let me know down below! Scene Before is your click to the flicks!

SCENE BEFORE IS FINALLY VERY IMPORTANT (FIRST TIME ACCEPTING A PRE-RELEASE SCREENING INVITE): https://scenebefore.wordpress.com/2018/06/03/scene-before-is-finally-very-important-first-time-accepting-a-pre-release-screening-invite/

Scene Before is FINALLY Very Important (First Time Accepting a Pre-Release Screening Invite)

Posted on by Jack Drees

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Hey everyone, Jack Drees here! I’ve got a lot going on here lately on Scene Before. I still have to finish my review for “Revenge,” which by the way, at a point when watching that flick, I paused it in order to make this post as quick as possible. Not to mention I’m seeing “2001: A Space Odyssey” on Sunday in 70mm, which is not my first time watching the movie, but I love it so much that I had to take advantage of an opportunity like this. Not to mention, I still have yet to see “Deadpool 2!” Did I mention I have an “Incredibles” double feature coming up one day before the new “Incredibles” installment releases in theaters? Judging by all of this, I can personally say I have a lot on my plate. It almost feels like parenting. All of these movies are my kids that I have to watch. Speaking of kids, allow me to introduce you to Paul and Genevieve. No, they’re not kids, they’re adults. But they’re having kids! As I’ve gone over bunches of times, they have the phrase “keep effing trying” locked in their minds. They’ve been pushing themselves to the limit. They’ve been through hell and back! This is all explained in “What the IVF?!”

“What the IVF?” is the new series about the recently mentioned couple, Paul and Genevieve, as they do whatever it is a spider ca–err I mean they can, to have a baby. Unfortunately, the process of making one is a nightmare. This series goes over the various struggles the couple face ranging in areas including sex, math, appointments, and the pieces of crap some people call needles! You can see the latest “WTIVF?” content on YouTube, available on a channel sharing the same name as the series itself! Their latest video features–AH! CRAP! MORE NEEDLES! The couple try to make their injections a bit more interesting than the ones they’ve done in the past. How so? They jam out to music while they stick needles into the other person! A neat idea, and now that I think about it, this is not the first time I’ve seen something like this, because I remember a news story where someone was at the doctor’s office getting a shot and I believe some of the employees start singing Taylor Swift’s “Shake it Off” while injecting a needle. Anyway, you can find out more info about “WTIVF?” from the show’s YouTube channel, be sure to subscribe and ring the bell, don’t forget about the show’s other social media accounts, along with the show’s personal website. Also be sure to tell Paul and Genevieve that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

Now you may be reading the title of this post and thinking to yourself, what makes this so important? This blog is a nobody! This guy who might as well be a jackass is a nobody! And speaking of nobody, nobody reads this damn thing! Let me just inform you, yes, my name is Jack and I have an ass. No one really reads this blog all that much. And as far as me or my blog being a nobody, I guess you can kind of say that falls into your last statement which I have just confirmed is true. However, something happened recently that might have just changed my “nobody” status into, “taking names, without kicking too much ass.”

Some time ago, I’ve known that a lot of reviewers I follow get invited to screenings for various movies before they release to the public. Some may be invited to the world premiere, some may go to a theater near them depending on where they live. I figured I’d take advantage of this sort of deal. So I’ve done this under a number of places online. One notable sign up I did was for Warner Brothers. So earlier today, I get an email with the following subject:

“Sign Up for Passes for TAG Today!”

Now if you don’t know what “Tag” is, it’s a comedy about a bunch of friends who have been playing tag with each other since first grade. This is based on a true story, and these folks have basically risked everything in their lives. Relationships, jobs, staying in their part of the country, whatever.

Bear in mind, this is NOT my first time getting an invitation to a screening. I’ve actually been invited to several screenings. I’ve been invited to screenings for films such as “Downsizing,” “Three Billboards Outside Ebbing, Missouri,” “Super Troopers 2,” and “Leap!.” Although for one such reason or another, having to do with such factors as timing or distance, I decided to ignore all of these screenings. Then I saw this email, checked the theater, checked the time, and I thought to myself… OK… Don’t get scared. Be a man. Don’t be a dude. I want Drax the Destroyer to say that I’m a man. Then I took my phone and showed the magical message to my mother. She thought this was amazing, and I asked her if she wanted to tag (no pun intended) along (screening had option to bring one guest). She thought something like this would be cool to do, and I immediately claimed two passes.

So this essentially marks a milestone in not only Scene Before history, but also my life. My goal here on Scene Before is to entertain you, get content out as quick as possible while making sure it has quality behind it, and make sure (mainly depending on the occasion) that my content is relevant for reasons having to do with what it contains or the time said content is released. Now that I get to see “Tag” over a week before it opens for special opening shows on Thursday, June 14th, and for all standard shows on Friday, June 15th, my content will probably have more relevance than ever. Most of the movies I review on this blog release at a certain time, and I go see it when it comes out in theaters. There are cases where I’ve done opening Thursday night shows for some movies and quickly uploaded my review the following day. Although in reality, there’s a good chance that some people who read my review have already seen the movie. This is especially when you consider that a lot of people went out to see the movie already on opening night (Avengers: Infinity War, Star Wars: The Last Jedi). I imagine some people just read my blog either because they think I’m a decent person, I’m cool, or they just know who I am. However, what I’m trying to do is build a following among the movie community, the movie fan community, and it is hard. Not only them, but I want a bigger audience in general. I’ve done this for two years and I have slightly over thirty users (email and WordPress) following me, one of which I can tell you is likely to be a spam account. I know a lot of people throughout the span of time have read Scene Before for one reason or another, but regardless of whatever reason you read this, kinda sorta as mentioned, my main goals are to pass time where I enjoy myself, inform others, and entertain people. My sixteen-year-old self who created this blog back in tenth grade would have had been pleased had he realized where this blogging journey would go. How far it’ll take me. I consider this to be one of my personal greatest accomplishments if you ask me.

I also have to say, I don’t know how long this blogging journey will continue. I’m an aspiring screenwriter for movies, director for movies, producer for movies. I have visions. If I end up in any such position where I choke or don’t reach said aspirations, this is what I have. I would love to continue blogging on here for the rest of my life if I could, and maybe, depending on how life goes, and I hate to say this, but how many views or earnings I get from this in the future, it could become a living. I really don’t know and I don’t want to get ahead of myself. However, if I continue getting invited to screenings like these, that only increases the possibility of me of delivering more content to you. And don’t worry, I will do my absolute best to avoid sacrificing quality. Because in a world that contains a bunch of wackos called humans, I want to satisfy, befriend, and entertain those sorts of wackos.

And before I close this off, let me just have you know that this is in no way a sponsorship deal for “Tag,” Warner Brothers (although in all seriousness they’re probably my personal favorite film studio), New Line, or anyone behind the scenes of this movie I’m going to see. If this were a sponsorship for any of these sorts of things, I’d probably have a lot money in my pocket, vault, or Scrooge McDuck bin than I do at the moment. But in case somebody related to what I just mentioned is reading this…

BASED ON TRUE EVENTS (WE’RE NOT KIDDING), the all new comedy from Warner Brothers and New Line Cinema, “Tag,” is in theaters everywhere Friday, June 15th! Rated R! Advance tickets are now on sale!

Also, no offense to a number of you reading this, given what I’ve been saying, as far as the world of movies go, I now may be more important than you. That does not make me better, but that makes me more important. But don’t worry, I will use my importance to both of our benefits and deliver more excellent content!

Thanks for reading this post that I’d thought I’d make just for the heck of it. Today is Saturday, June 2nd (depending on where you live, plus on my end, WordPress time is four hours fast), and that means tomorrow is Sunday, June 3rd, otherwise known as the day I go see “2001: A Space Odyssey” in 70mm film! And just so you know that this is in part thanks to Warner Brothers, not to mention Christopher Nolan, a director who has most of his films distributed by Warner Brothers, so before I go insane let me just get away from this. Although before I do, I must say, Christopher, you rock, you’re my idol, you even made my favorite movie ever, so I love what you’ve done in the past! Also, as mentioned, I said I’d review “Revenge.” I don’t have a date set for when that post will be done. I finished the movie, but given what I have going on this weekend and given this post, next week, I have to literally think of when my post should be all finalized. Stay tuned for more great content! So let me ask you all, how often do you get invited to pre-release screenings? If so, what was your personal favorite pre-release screening that you’ve been to? Let me know down below, and remember, I’m important! Scene Before is your click to the flicks!