Army of the Dead (2021): A Stellar Cast Risk Their Lives Against Zombies in Quarantined Vegas

“Army of the Dead” is directed by Zack Snyder (Man of Steel, 300) and stars Dave Bautista (My Spy, Guardians of the Galaxy), Ella Purnell (Never Let Me Go, Sweetbitter), Omari Hardwick (Kick-Ass, Sorry to Bother You), Ana de la Reguera (Goliath, Narcos), Theo Rossi (Luke Cage, Sons of Anarchy), Matthias Schweighöfer (The Most Beautiful Day, You Are Wanted), Nora Arnezeder (Mozart in the Jungle, Safe House), Hiroyuki Sanada (Mortal Kombat, The Last Samurai), Tig Notaro (Transparent, Star Trek: Discovery), Raúl Castillo (Wrath of Man, Atypical), Huma Qureshi (Gangs of Wasseypur, Dedh Ishqiya), and Garret Dillahunt (The Mindy Project, Fear the Walking Dead). This film is about a group of people living in the future where Las Vegas has been taken over by zombies. These people unite together for one purpose, to get stinkin’ rich. To do that, they venture into Las Vegas, which is now a quarantine zone, to acquire a sinfully delicious amount of money.

I remember during the 2010s there was a huge zombie craze with shows like “The Walking Dead.” To be frank, as cool as zombies happen to be conceptually, I never fell into the rabbit hole of the craze. I mean I like “World War Z,” I like “Zombieland,” but I have not even gone back to watch many of the classic zombie stories. I still have not seen George Romero’s “Dawn of the Dead.” Admittedly, horror is one of my Achilles heels as a movie fan. I barely have any entries from that genre in my movie collection and of the genres that I imagine would “cater” to me, it is the one that I watch the least. I’m more of an action fan. I’m more of a comedy fan. I’m more of a sci-fi and fantasy fan. But there was something about “Army of the Dead” that sounded really intriguing. And I say this as someone who skipped the trailers. I just thought between the cast, Zack Snyder at the helm, and the environment, specifically a post-apocalyptic Vegas, it was a recipe for greatness. Now I did not think this would be a masterpiece, but it would at the very least be fun.

And fun it WAS.

I have not seen this movie since the theater last month. Yes, it released in theaters. But it’s also on Netflix if you want to watch it right now. Either way, I will just say, if you want something to watch where you can just shove tons of popcorn in your mouth, I think “Army of the Dead” is your answer. It is a film that, while well-crafted from start to finish, does not always take itself seriously, although I will admit it sometimes has an identity crisis that reminds me of the “Transformers” movies just a little. And for those reasons, it works like a charm.

If you want to know how not so serious this movie actually is, just watch the news segments during the film and listen to the quotes of the President of the United States. I do not want to spoil the film for those who have not watched it yet, but the President, who we do not necessarily see, does something that maybe in the world of this movie would make just a tiny tad of sense, but only to a certain demographic of people that would define themselves as uber-Patriotic perhaps. I don’t know, let’s just say that it is something that plays into the climax of the film and it is one of the highlights without giving anything away.

Going back to what I said about this film being like a “Transformers” movie, I am not necessarily lying. Because it is action-packed, there’s guns and explosions, and unfortunately, the characters, even though they have brief moments of charisma, leave a little to be desired. I did not think about this when watching the movie, but the main relationship between Dave Bautista and his daughter kind of gave me the same vibe of the relationship presented between the father and daughter in “Transformers: Age of Extinction.” In fact, walking out of the movie, and as I reflect on it, I barely even remember the names of the father and daughter when being forced to think about them without assistance from the Internet. The same can be said for all the other characters in the movie as well. I will say, the cast in the film is great, although there were quite a few characters I liked more than others. I was not necessarily a fan of Lily (Nora Arnezeder), as well portrayed as she was, but that has more to do with the plot and how things unfold than anything else.

Although if you want to know my favorite character in the film, I would say that honor goes to Tig Notaro’s character of Marianne Peters. If I have learned one thing in life, almost nothing matters more than a good first impression. And it when it comes to good first impressions, Peters’s first utterances in this film absolutely slap. On top of being one of the more wonderfully snarky characters in the entire film, Notaro did all of her footage on a green screen. For the record, her role was originally going to be played by Chris D’Elia but that changed in the middle of 2020 when sexual misconduct allegations surfaced regarding his name. From that point, Zack Snyder had to redo D’Elia’s scenes with someone new and that someone happened to be Notaro. I had no idea about this until after I watched the movie and I have to admit, having watched the film on the big screen, I did not notice any subtleties of an actor change.

After watching the movie, it is somewhat easier to pick up on this information, but it nevertheless looks nearly seamless. Well done.

In the previous film I reviewed, specifically “Wrath of Man,” I talked about the Johnny Cash song “Folsom Prison Blues” and how effectively used it was in that film. Since seeing the film, I have had little inklings of it in my head. I did not listen to that song much, but this film arguably has an even better use of a song that I do listen to from time to time. That song to be specific, is “Suspicious Minds” by Elvis Presley. I will not say too much other than the fact that this song plays in both the beginning and end of the film, but this once again goes to show the power of a film that can utilize a song to its fullest potential, because if executed right, it can ingrain itself into one’s head, kind of like it did with mine. I often point out the excellent use of film scores, but rarely do I point out written songs made prior to the movie that are then implemented later, and I figured now would be a good time.

In the end, “Army of the Dead” is not gonna win too many awards, it’s not gonna take Best Picture this year. I would be surprised if it is in my top 10 movies of the year in December, but it is a damn good time and one you certainly should check out. I often hear complaints from people who watch the movie that it is too long. Admittedly, I did not experience that fatigue. Maybe it is because I saw it in Cinemark XD and there were certain scenes that really popped that let me keep my chin up, but even though this film is almost two and a half hours, it felt like it was twenty to thirty minutes shorter than it actually was. The movie is just fun and that is all that I could ask for. I might be curious to watch it on Netflix one day, because I remember, speaking of Zack Snyder, when I watched the four hour “Zack Snyder’s Justice League” on HBO Max I had one or two brief pauses in between. I want to know if I would make it through “Army of the Dead” in one sitting, if I would need to pause, or if I would tap out at a certain point. That would be an interesting experiment, but it is not one I plan to do at the moment. Nevertheless, I *really* enjoyed myself with “Army of the Dead,” which by the way, I would now say has one of the more memorable opening credits sequences in film history. It sets the tone, it’s hypnotic, and presents everything you need to know. It was just the start of a straight up good time. I’m going to give “Army of the Dead” a 7/10.

“Army of the Dead” released in theaters on May 14th, although it is unlikely to be playing anywhere near you at the moment. So if you want to watch the film right now, it is available exclusively on Netflix.

Thanks for reading this review! My next review is going to be for John Krasinski’s brand new sequel, “A Quiet Place Part II.” Just crazy to think, that film was supposed to come out LAST YEAR. I will tell you if it is worth the wait very soon, just stay tuned! Speaking of staying tuned, be sure to follow Scene Before either with an email or WordPress account and check out the Facebook page so you can stay tuned for more great content! I want to know, did you see “Army of the Dead?” What did you think about it? Or, what are some movies that you think are too long? Let me know down below! Scene Before is your click to the flicks!

Freaky (2020): A Big Slash of Freaky Fun

“Freaky” is directed by Christopher Landon (Happy Death Day, Paranormal Activity: The Marked Ones) and stars Kathryn Newton (Blockers, Supernatural), Vince Vaughn (Wedding Crashers, The Internship), Katie Finneran (Night of the Living Dead, The Michael J. Fox Show), Celeste O’Conner (Selah and the Spades, Irreplaceable You), Misha Osherovich (The Goldfinch, NOS4A2), and Alan Ruck (Speed, Ferris Bueller’s Day Off). This film is a slasher comedy spin on “Freaky Friday,” the 1972 book written by Mary Rodgers, which was adapted into two movies from Disney. This time around, a high schooler named Millie lives her life as an outcast, and as the trailer claims, if this were a horror movie, she would be one of the first to die. Appropriately, she gets killed by the Blissfield Butcher, a known serial killer. Instead of dying, she ends up in the killer’s body, and they must switch back in 24 hours otherwise their switch will become permeant.

When it comes to “Freaky Friday,” the source material which this movie takes much inspiration from, that is a concept that you can utilize to enormous success. I’ve read the book, I’ve seen the original Disney film (which sucked), and I can only say that body switching provides endless possibilities. So when I saw the trailer for “Freaky” and found out that a killer and its victim switch bodies, needless to say I was in. Plus, I love the two leads and to see them together is a match made in Heaven.

This movie is a mix of “Freaky Friday,” “Friday the 13th,” and “Jumanji: Welcome to the Jungle,” specifically if it really emphasized the presence of Jack Black’s character, and it handles all those elements smoothly. The first five minutes of the film are pure horror clichés done well. It’s basically teens making poor decisions, kind of like in that GEICO commercial they now play every Halloween.

“If you’re in a horror movie, you make poor decisions. It’s what you do.”

“Freaky” is a slasher comedy, and I think overall that the movie does a spectacular job at not trying too hard to be one thing. It takes two genres, blends them together, and each element of the recipe matches up to deliver something excellent. And part of this is because I recognize that this is sort of goofy, while still being presentable enough for a theatrical environment. The film comes from Blumhouse, a studio known for making small budget horror movies, and the budget for “Freaky” is around $5 million. Now, if you went on a game show, that’s a good payday. Although when it comes to making movies in Hollywood, that’s basically chump change. This movie, for a $5 million feature, does not look half bad. In fact, I think much of the beauty is owed to director Christopher Landon, cinematographer Laurie Rose, and even editor Ben Baudhuin. There are several shots that line up incredibly well with what comes after it based on what exactly is featured in them. I can only imagine the storyboards for this movie! Everything feels intricate and planned out! Aside from “Tenet,” I don’t think I have seen better editing in a movie this year.

I said before that this movie is partially reminiscent of “Jumanji: Welcome to the Jungle.” While it is nowhere near as expensive or bloated with visuals, it nevertheless feels that way. And if you ask me, I think “Freaky” is better than “Jumanji: Welcome to the Jungle” and a much more timeless story. It is hard to tell whether “Freaky” will actually stand the test of time, but I do see it becoming a cult classic over the years. This is especially supported by how 2020 is basically a wasteland for entertainment. Yes, we’re watching a lot of TV, but that’s because it’s where we aim our eyes most of the time nowadays! Movies are practically nonexistent! There is a solid chance that movie watchers could find this on cable or Netflix or something and it becomes a Halloween mainstay. “Freaky,” if you ask me, has that potential.

If you ask me, the best part of this movie is Vince Vaughn, not as his character, the Blissfield Butcher, but as Kathryn Newton’s character, Millie, after they switch bodies. Seeing the character’s self-revelation is wildly entertaining. There’s this minor segment of the film where we see Millie groovin’ in a beaver outfit because she’s dressed up as the school mascot. But then we see after the major incident of the film, in order to show that Vince Vaughn is Kathryn Newton’s character, he’s just busting a move like a moron. The icing on the cake to that is showing off whatever this movie’s version of a secret handshake is. Similar to that, when we see Vince Vaughn’s personality move to Kathryn Newton’s body, her reaction, while I would have done it a little differently if I were writing the screenplay, was entertaining to watch. And it also addresses something all guys, and yes, ALL GUYS, YOU KNOW THIS IS TRUE, would do if they were in a girl’s body. One of the first things we see teenage girl Vince Vaughn doing is playing with her boobs. Wait, her boobs? His boobs? What’s the proper identity here? At the same time, we see Kathryn Newton’s character in Vince Vaughn’s body, who claims that urinating while standing ain’t bad.

Although one of my favorite scenes in this movie in terms of comedy is one moment in a discount store where we see Vince Vaughn talking to a key character we see through various portions of the film, I won’t dive too much further into it, but it goes to show that not only that “Freaky” has the scares, but tons of comedy chops. There are moments where I cringed, and I mean that in a good way. This movie, at certain points, is like experiencing life as Marty McFly in 1955 and finding out your mother wants to f*ck you. If you ask me, “Freaky” is no “Back to the Future,” but like “Back to the Future,” there are some truly hypnotizing character moments that rattled my brain like I switched on a vibrate function for it.

By the end of this movie, I just walked out having a good time. The young teens are genuinely funny. Kathryn Newton is killer, literally. Vince Vaughn continues to be legendary. And if there is one thing that I will remember this movie for the most, aside from how it executes its slick concept, it’s the chemistry between each character. I will also not lie when I say that it was sort of satisfying to see Kathryn Newton go from the school outcast to the sadistic “murder Barbie,” as Josh (Misha Osherovich) puts it. Newton is cute, but I can assure you she is not cuddly. Speaking of Josh… WOW. I want to see more from this guy.

I’ve already seen a few projects with Kathryn Newton, so I will not say this about her. Although if I wanted to point out anyone who has a bright future ahead as an actor, that designation would belong to Misha Osherovich. “Freaky” is admittedly the first full-length project I’ve seen him in, and I would certainly not mind seeing more of him. Part of my praise for him may have to do with the writing, as he does have some of my favorite lines in the movie, but I would love to see him as the star of a film one day maybe as someone really nerdy. He has that pitch to him that can align with that demographic. I think Osherovich can play such a character type very well. I would love to see more from this guy, no matter what it is. I think he has chops that we have yet to see. I want more!

In the end, “Freaky” is freakin’ fun. If you are looking for a stellar night out at the movies, this will serve you well. I will admit that horror is one of my weaker genres, therefore I barely dedicate any time to such movies. This was a fun horror flick that was hilarious yet scary. It’s part “Friday the 13th,” part “Jumanji,” part “Freaky Friday,” and all thumbs up! I came to this movie as I enjoy watching Kathryn Newton, but I stayed for Vince Vaughn. Both actors are incredible in this movie and make it worth the price of admission. I’m going to give “Freaky” a 7/10.

By the way, for those of you who remember earlier this year, Universal made a deal with AMC that would allow them to avoid utilizing the 90 day theatrical window. In other words, despite how “Freaky” is playing in theaters, it will not be long before it can be viewed at home. “Freaky” will be available on VOD to watch wherever you want on Tuesday, December 1st! If your local theaters are still closed, if you are not comfortable going to the theater, or if you are just not a fan of the movies, “Freaky” will arrive at home early as part of an observance towards the unusual 17 day theatrical window. I will say, for me, “Freaky” was a hell of a time at the movies, but I will leave the preferred experience up to the individual.

Thanks for reading this review! I don’t have any plans to go to the theater this weekend, although on Tuesday I will be watching Amazon’s new movie “Sound of Metal.” The film is set to hit theaters a few days later, specifically Friday, and will hit Prime Video two weeks after its theatrical debut. I will have my review up as soon as possible. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “Freaky?” What did you think about it? Or, did you watch either of the “Freaky Friday” movies? Did you ever read the book? Tell me your thoughts! Let me know down below! Scene Before is your click to the flicks!

Synchronic (2019): Time Travel in New Borleans

“Synchronic” is directed by Justin Benson and Aaron Moorhead, the same duo responsible for bringing us “The Endless.” This film stars Jamie Dornan (Fifty Shades of Grey, Once Upon a Time) and Anthony Mackie (The Hurt Locker, Captain America: The Winter Soldier) as two New Orleans paramedics whose lives change once they encounter a series of deaths linked to a drug by the name of Synchronic.

I am one of those people who often judges whether or not they want to see a movie based on the trailer. Unfortunately, given how I consider Scene Before an outlet of informative entertainment for my viewers, I had to make some sacrifices. Movies like “I Feel Pretty” and “Life of the Party” had terrible marketing, but because I am a team player, I saw both anyway. The results of both experiences were not very positive. Every now and then I’ll get something like “Sonic the Hedgehog,” which kind of looked a cliché corporate money grab with no inspiration attached. Turns out I was wrong and I now want to see the sequel! Similar to that, “Over the Moon,” which one trailer in particular makes it look like a been there done that children’s adventure, ended up being my favorite movie this year.

In the case of “Synchronic,” I knew very little about this film before going into it. The earliest memory I have about the movie is this statement shared on social media.

This is a perfect statement. I love the theatrical experience, but this is a great way to encourage people to stay safe, without shaming those who choose to see the movie early. Now, let me just say, that if I didn’t have a full-line commitment to the movie theater or if I were not doing Scene Before, there may be a chance that I decide to put “Synchronic” on my waitlist of movies to watch due to the pandemic, I have not heard much in regards it, or what it is about. Then again, it is also nice to go into a movie blind. Plus, this is a sci fi film, and sci fi is by far my favorite genre, so I would probably have been willing to shell out money for this thing no matter how you slice it.

Having seen “Synchronic,” I walked out of it feeling to similar to how I felt walking out of “Ad Astra.” The film, despite its best intentions to impress me, could not feel more dull! Both films fit into the realm of high-concept sci fi, but unlike the ambitions this movie reaches for, its entertainment value feels relatively low. Looking back at “Ad Astra,” the only things I recall immensely enjoying are the cinematography and one particular chase scene. Other than that, the movie is pretty much a forgettable snoozefest. It looks pretty though! Honestly, I’d rather watch “Ad Astra” at this point compared to “Synchronic,” which based on what I have to say, won’t say much. “Synchronic” is a movie that I really wanted to like, because I usually happen to be fascinated by anything sci-fi. Unfortunately, I walked out of this movie immediately forgetting about it.

If you want me to be straight up, I will address the elephant in the room. This movie, from the get go, had some pretty poor pacing. I will admit, I watched this movie shortly after finding out the results of a controversial election in the United States, so I was bound to be distracted at one point or another, but if this movie cannot get me to lock eyes onto it for a decent amount of time, that’s a problem. I almost never cared about any of the characters, even though I do recognize that the ensemble did a fairly decent job with their roles.

At the same time however, despite me not having much of a damn to give about any characters in this movie, it is a well put together production. At times, this movie reminded me of a movie I did like, “Annihilation,” another sci fi film that feels relatively high-brow. While it is not my favorite film of all time, this movie has a similar sounding score, which is not always boisterous (except in the final act when it is EPIC), but it is easy on the ears from time to time. “Synchronic” at times also has a weird sounding score you’ll want to put on when you drop some acid or something. That’s what I got out of it at the very least.

However, I have to say, there is only one thing that I genuinely took from “Synchronic” as a moment to remember and that is where we see our lead character played by Anthony Mackie messing around with the drug and seeing what happens when he takes it. What does he do? Where does he go? What spot does he have to be in to go to a certain place? I do not want to reveal too much, but one of the things I really like about this movie is how it executes a way of unleashing certain consequences. I won’t say much, but it sort of adds to the learning experience of testing the drug if you will.

I will say though, this movie is written by Justin Benson, who co-directed the film with Aaron Moorhead. One of these two have to be a massive “Back to the Future” fan because this movie not only has time travel, but also a scene where they have an ad playing in a bar promoting “Back to the Future,” and one character even has a dog named Hawking, most likely after Stephen Hawking! In “Back to the Future,” you may remember Doc had a dog named Einstein, after Albert Einstein. In fact, I do not think this is coincidental at all, because both dogs almost look the same! Just watch both movies and tell me they don’t!

This movie did one thing right, even if it was not what it ultimately set out to do. It made me want to watch a much better time travel movie. Congratulations, “Synchronic!” You made me want to travel back to 1985! Good job! In reality, I do have respect for both filmmakers helming this project, even if I am not entirely familiar with their work, because I always enjoy getting a high-concept film like this. I just wish the end result was better.

This movie had a pretty cool ending. Unfortunately though, I had to suffer through a massively boring 90 minutes to get there. I do not think I’ll ever watch this film again unless I need something to fall asleep to, or if it is on cable and I need something in the background. At the same time, I do have faith in Benson and Moorhead, and maybe due to a hectic week, I was in a weird mood. Nevertheless, I stand by my points.

In the end, “Synchronic” is simply one of those movies that looks like it could be masterful, in fact there were certain scenes that I enjoyed watching mainly from a presentation view, but this movie excels more with style than it does substance. There is something there substance-wise, but it just did not sit with me. I imagine this film will have an audience over the years, and who knows? Maybe this is another “Empire Strikes Back,” where a good number of people saw it originally, didn’t like it, but as it got a following and as years went by, it became synonymous with the “Star Wars” name. “Synchronic” could be one of those movies that I could watch again a year from now with a different perspective. And while that excites me, I have to be honest. To be quite honest, this had the pace of the 2020 election. I’m going to give “Synchronic” a 5/10.

Thanks for reading this review! This week I will be seeing the all new film “Freaky” starring Kathryn Newton (Supernatural, Blockers) and Vince Vaughn (Wedding Crashers, The Internship) in this horror spin on “Freaky Friday.” I am quite excited, not only because we are getting more new movies in a year where movies have barely even come out, but this one looks pretty sick. It looks scary, hilarious, and fun. So I’m ready for a good time at the movies. Let’s do this! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “Synchronic?” What did you think about it? Or, what is the best movie to fall asleep to? It can also be a good movie! Let me know down below! Scene Before is your click to the flicks!

The Hunt (2020): A Bloody, Brain-Damaging Political Meltdown

“The Hunt” is directed by Craig Zobel (Compliance, Z for Zachariah) and stars Ike Barinholtz (Blockers, Snatched), Betty Gilpin (GLOW, Nurse Jackie), Amy Madigan (Roe vs. Wade, Gone Baby Gone), Emma Roberts (Nerve, Scream Queens), Ethan Suplee (My Name is Earl, Boy Meets World), and Hilary Swank (Insomnia, Boys Don’t Cry). This film follows twelve strangers who are taken separately but wake up together in a clearing. They eventually find out they are placed for a specific gathering known as the Hunt, where elites take down those of lower class for sport.

“The Hunt” is a film that I have been intrigued by since I saw a trailer for it last year, particularly due to its subject matter. The rich hunt down the poor for sport? Sign me up! This can make for a good movie! Then the movie got delayed because of political and human issues. Although at the same time this movie gained controversy because it’s about liberal elites killing deplorables. I never really bought into this ideology, not because of my views on politics and society, but because I never picked up anything in the marketing that specifically shows anything of extreme political nature. Yes, there’s a lot of weaponry and shooting, and that can associate with the second amendment, but I saw this is a movie where the higher-class and lower-class duke it out! Kind of like “Ready or Not,” although in this case there is more than one person representing the lower class.

Having seen “The Hunt” from start to finish, I now see what everyone is talking about. This movie is extreme, unapologetically political, and most of all, it’s just awful. Awful, plain and simple!

For the record, I saw “The Hunt” towards the end of October 30th. This review is being written on October 31st. So I had some time, not to mention a good night’s sleep to think about this movie. There’s a lot that can happen in one night between the passage of time, stars shooting the air, and figuring out how you can sleep in a different spot than usual on your memory foam mattress. A lot of changes have occurred, and that’s why I’m here to tell you that when it comes to my thoughts on “The Hunt,” I can confirm that ABSOLUTELY NOTHING HAS CHANGED!

“The Hunt” is a mess of a film! The worst part about it, compared to a few other bad movies that came out this year like “Scoob!” and “The Murder of Nicole Brown Simpson,” I had reasons to look forward to it! Remember last year when we got “Ready or Not?” That movie SMASHED! I walked out of the auditorium grinning like an idiot because I felt terrified, but I had a ton of fun at the same time. Both movies deal with similar issues. Higher and lower classes going against each other, fighting to the death. But the thing about “Ready or Not,” aside from it being super crazy, balls to the wall, and just an overall good time, is that I did not need to know everything about either side to understand them. I knew one side was elite, the other not as elite. While I was rooting for one person in particular, I at least understood both sides. There was even a fantasy aspect to that movie! That is bonkers! And part of me wishes I came up with the idea for “Ready or Not!”

Here, this film follows a bunch of people on one side, pretty much all of them are on some level of the right. All of them are unlikable. But hey! The left get some representation too! Guess what? It’s just as bad! I don’t care what political identity you have! What your views are on gender roles! Just be a character that does not get on my nerves! There’s a ton of lines in this film that poke toward extremes for the left and right, and pretty much each and every time I lost my mind. Now I don’t mind political or social commentary in my media. It’s everywhere! One of the recent films I reviewed, “Yellow Rose,” follows a family living illegally in the United States. Regardless of my views on that, I saw that the crew managed to make a GOOD STORY first. They didn’t hammer me over the head with what I should believe and treat me like an idiot. Sure, every movie, including that one, has a vision and part of that has to do with what the director or writer feels is “the right of the world,” but if you can do that while creating admirable characters and watchable storylines, you will allow me to keep my attention toward the screen.

I always watch “Family Guy,” which dives deep into a political or societal issue every other episode, but it manages to keep the humor and for the most part, provides some intrigue from a character and story perspective. “The Hunt” had none of that. This feels like a bad “Family Guy” episode stretched out for an hour and a half because it deals with more politics, and crappy characters from left to right. There is not one person I could side with during this film. Everyone is just a caricature of what is wrong with society, and they fail to represent any charm whatsoever.

In fact, this whole movie starts off like a “Family Guy” episode, there’s political humor, blood, gore, and violence. Sometimes it’s borderline comical. Unfortunately, this feels like a “Family Guy” episode from the later seasons, where they rely too much on gross-out humor or dark violence or politics. Too much of something can lead to boredom with said thing. And unfortunately, when it comes to how this movie deals with political satire, it wears out really fast.

“The Hunt” is a movie that made me ask a ton of questions. For example, “Why am I watching this?” Another example, “When will this be over?” Also, “THIS IS ONLY AN HOUR AND A HALF?!” This movie may be short, but it is certainly not sweet. The worst part about this movie, is that my first impression of it resembled a sense of excitement. There was violence, blood, guts, suspense, and all that jazz, but by the time we get to the first moments in the gas station, all the building blocks fall to the ground. Yes, there is some intrigue throughout the movie, but I did not care. The intrigue came from characters who I never grew to admire. I couldn’t stand any of them, and I continued to wonder why I would watch them. And speaking of questions, there is some mystery attached to certain characters as the runtime ticks, but one question I wanted answered about the film never gets answered. I admire when films leave certain points open to interpretation, but this was not one of those times, I just felt pissed off if anything.

I will say one thing though, this movie has some good casting. Ike Barinholtz is genuinely charming here, and this should not be a surprise given how Barinholtz usually turns out to be one of the best parts of everything he’s in. Even in “Snatched,” that terrible Amy Schumer flick, he had some of the best lines and was arguably the most energetic member of the cast. Barinholtz gives it his all. Hilary Swank is likable here too as the mysterious Athena. And even though I never got attached to the main protagonist of Crystal, I think Betty Gilpin played her part well in this film. The cast is admirable, but you can say the same thing about “Cats” too! Doesn’t say much about the film’s quality! Ian McKellan is in this movie! What does he do? He licks a plate!

I’m out.

I know I recently said that 2020 gave the best film of the year with “Over the Moon,” which if you have not seen, it is extraordinary. But with “The Hunt,” this reminds me of the horrors 2020 originally intended to deliver. Part of me is glad I did not see this in March, because I wouldn’t have wanted my final movie theater experience before the pandemic to be so insufferable that I would not want to go back when everything returned to normal. Not only is this one of the worst films of 2020, but by far one of the most disappointing. I heard it was going to get political. I thought it would just be sprinkled in! THIS IS RIDDLED with political madness! Or even issues that should be human issues that are made political because our society is making heads spin all over! Just talking about this movie makes me ultra-nervous for my next physical, because it’s sending my blood pressure through the roof!

In the end, “The Hunt” is almost indescribably bad. “The Hunt” makes me want to move to Canada! I’ve rarely felt as grossed-out, and I don’t mean that in a good way, after watching a movie. Again, I go back to “Ready or Not.” That film deals with similar themes, but it leaves all the fun in there while also handling the serious vibe that these themes bring. And most importantly, in that movie, I cared about everyone, regardless of their motivations! So if you want to watch something spooky this Halloween, go watch “Ready or Not,” now available on DVD, Blu-ray, Digital, HBO, and HBO Max! Don’t watch “The Hunt!” And I will say, I live in the United States. This is too much politics for me before an election. Although I really hope that failed to sway me in one direction or the other in regard to my opinion on this movie. What is my opinion on this movie, you ask? I’m going to give “The Hunt” a 2/10.

This movie had a fantastic start, but it is all downhill from there! If you have brain cells, do yourself a favor, take a nap. Don’t watch this movie! They say that television rots the brain, but this movie destroys it. Avoid “The Hunt” at all costs!

Thanks for reading this review! Happy Halloween to everyone reading this, otherwise known as the last day that I will tell everyone, “IT’S NOT CHRISTMASTIME YET! STOP DECORATING THE STORES!” November 1st is when I think it’s go time. Although if I have to hear some of the same songs over and over again, I will consider going into cryogenic sleep. Nevertheless, I’m not sure what my next review will be. I will be a bit busy next week as I will be celebrating my 21st birthday. For all I know, I might not even post anything. Although I have been dedicated to making a post a week for years now, so who knows. Anything can happen! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Hunt?” What did you think about it? Also, did you see “Ready or Not?” What are your thoughts on that? Personally it is favorite movie of 2019! Let me know down below! Scene Before is your click to the flicks!

You Should Have Left (2020): Not Exactly False Advertising

“You Should Have Left” is directed by David Koepp (Ghost Town, Premium Rush) and stars Kevin Bacon (Apollo 13, Footloose) alongside Amanda Seyfried (First Reformed, Ted 2) as a couple who book a vacation at a home in the Welsh countryside. I won’t say much, but strange things happen as we get to know our characters, their personalities, and their backstories.

How to get Peacock streaming: Details on NBC Universal's new service

“You Should Have Left” is the first film I watched on Peacock. For the record, I’ve had the service for a couple months now, but for the price, I’m digging it. It’s got a good selection of content, but one of my favorite things about it is the novel “channels” feature where programming is logged into a particular non-stop lineup. Nevertheless, as I stepped away from familiar territory to watch this movie, I was not sure what to expect. 2020 has been a roller-coaster of year. Not just for everything that’s been going on, but for film as well. The year started off horrible, stayed horrible, got slightly better. And unfortunately, I still don’t even have a 10/10 movie yet! I will say, I gave “Tenet” an 8, and upon repeat viewings, that score may have bumped up to a 9. Although that’s been pretty consistent with Christopher Nolan’s library.

As for “You Should Have Left,” it’s got a 5.3 on IMDb, mostly poor reviews from both critics AND audiences on Rotten Tomatoes, and a 46 on Metacritic. Not the best verdicts if you ask me. But I watched the movie anyway, because it’s 2020, who cares anymore. I gotta tell you. I sat through this movie, waiting for something to happen. And yes, things were happening on screen. But nothing of value showed up for a long time. It got to a point where I really didn’t care about our two leads.

I’ve said this before this year, I’ll say it now for “You Should have Left.” This movie is BOOOOORRING!

Now, it didn’t make me want to shove ten knives in my eyelids, which is a positive sign. But I had nothing that I felt I would remember all that well by the end of the year. The house where most of the movie takes place looks nice. It’s a proper location for a movie like this. But welcome to my house! Welcome to the Jack Cave! You’re under my authority now, and as an authoritative figure. I command that “You Should Have Left” pays attention to my demands. My demand being, listen to my negative review!

As mentioned, this movie stars Kevin Bacon and Amanda Seyfried. Two competent actors. Both of them played their part well, I have nothing against their performances for the most part. I don’t think I would give them Oscar buzz or anything, but both actors serve their purpose in this movie and play their parts as best they can. But the problem is that I haven’t reached the opportunity to get fully attached to either of their characters. I don’t mind either of these actors, just the characters they’re playing. They try to give some depth to Kevin Bacon’s character, and said depth does play a sizable part in the film. However, for whatever reason, I never found myself 100% in love with either of the leads. I never had a chance to care. This movie goes for an hour and a half, but unfortunately, this movie spends much of its time making it feel like nothing’s happening.

Now I don’t mind slow burn type movies where not everything happens lickety split. I like challenges for the attention span every now and then. But this movie… I– wow! I can’t even describe it coherently! Nothing happens!

I will be positive here with my next statement, not just because I’m trying to lighten the mood, but because I like being honest. This movie also features Avery Tiiu Essex (Modern Family) and this is her second role… Ever. Her first documented role, at least according to IMDb, is Young Claire from “Modern Family.” I have not seen the episode where she appears. Admittedly, I quit watching the show during the middle of the series because I don’t see the humor other people see in it, but having seen her in this movie, I think she did a good job, and for a second documented performance. This ain’t half bad. I think Avery Tiiu Essex has a bright future ahead of her, but I simultaneously wish she just has better movies to back her up. At the same time though, this is perhaps the life of an actor. You do something to get your name out there, maybe the movie will suck, but you nevertheless put yourself before an audience. If I were a casting director, I’d consider her for a role depending on the project.

But honestly, just because this movie was competently performed throughout, does not excuse the lackluster writing. This movie has some cool traits behind it. The beginning is well-written and somewhat intriguing. It’s kind of spooky as well, and given how this movie’s in the horror genre, it works! But there are so many times where I just wanted to look at my phone. Keep in mind, I was watching this at home, not at a theater.

There were a couple times where the movie slowed down enough to give me the urge to rewind. And one line in particular caught my attention. And by that I mean, it sent an electrical shock into my brain.

This movie is based on a book by Daniel Kehlmann. For all I know, the book is better than the movie, I have not read it myself. But there’s a line where the family looks around the house to see what’s what. They come across what would become the daughter’s bedroom, and the mother suggests that her bed “is the size of Connecticut.” I know this is nitpicking… Connecticut is not that big of a state! CONNECTICUT IS THE 3RD SMALLEST OF THE UNITED STATES! There are so many other states you can choose from! Texas! Alaska! California! New York! Florida! BUT CONNECTICUT?! I know… This is admittedly, possibly the stupidest thing I could ever complain about, but it nevertheless irks me! Word choice matters! I’m sorry, but that line caught me off guard! I don’t know where it came from! The book, the movie! I don’t know! Maybe there’s something I don’t know about the character that could make the line better. What is their relationship with Connecticut? Did they go there? Did they live there? Do they hate that state with a burning passion? Which, if you do… Try Frank Pepe’s pizza! I It’s a place that started in New Haven and it now has become a chain in the northeast! This is not sponsored, I’m just a fan!

I gotta say though, before I watched this movie, I don’t recall watching the trailers. Although I did watch a bunch of On Demand previews because they showed up on my TV from time to time. This movie is not only less spooky than I would want it to be, but it feels very confused in its identity. I know sometimes there are movies where you don’t know what box to put them in because they are one genre or another, but if that were the case with “You Should Have Left,” it didn’t work. Is it a family drama? Is it a horror flick? I don’t know. It kind of tries being both, but in doing so, it can’t do either successfully. So if you get Peacock, kind of like I did, I’d look for another movie before turning this one on.

To add on even further disappointment, I should point out that this movie is written and directed by David Koepp. While I don’t talk about David Koepp too often, his resume is solid! Especially when it comes to his writing credits. “Jurassic Park,” “Spider-Man,” “Mission: Impossible.” He has screenplay credits for all three of these great blockbusters! I’ll even say that one film in particular he wrote and directed, specifically 2012’s “Premium Rush” is a film that I wish more people talk about. To see a guy with an admirable history in the film industry do something like this is profoundly disappointing, and it kind of makes the movie a little worse than it should be. Although I would imagine some would be willing to acknowledge his blunders as well. While I have not seen the film myself, many have pointed out that “Mortdecai” is one of the inferior additions to Johnny Depp’s cinematic library. Even so, Koepp’s a man who has brought some positive additions to Hollywood’s history! If it weren’t for him, I wouldn’t have gotten to hear Willem DaFoe sing “Itsy Bitsy Spider.” Just, make better movies. That’s all I ask.

In the end, “You Should Have Left” is the best possible title they could have given this movie. Because it was basically telling me, the viewer, that I should have left. This movie is dull, confused as to what it wants to be, and even though it has some scares, a lot of them are forced, cheap, and shoehorned! I think the young girl in this movie has a bright future ahead, but this movie will not shine on my best list at the end of 2020. I’m going to give “You Should Have Left” a 3/10.

Thanks for reading this review! My next review is going to be for the all new movie “The Last Shift.” This is exclusively out in theaters now, so per usual, I won’t force anyone who doesn’t feel safe going to a theater to go see this movie, but without saying anything else, I highly recommend “The Last Shift.” I will explain more about why I recommend it in my review, which should be up later this week. Be sure to follow Scene Before either with an email or a WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “You Should Have Left?” What did you think about it? Or, what are your thoughts on Peacock? Did you get the service? Do you have a certain plan for it? Let me know down below! Scene Before is your click to the flicks!

Becky (2020): The Most Interesting Kevin James Performance to Date

“Becky” is directed by Jonathan Milott and Cary Murnion, the team who also brought you the movie “Bushwick,” starring Dave Bautista. This film stars Lulu Wilson (Annabelle: Creation, The Haunting of Hill House), Joel McHale (Card Sharks, Community), and Kevin James (The King of Queens, Paul Blart: Mall Cop). This film follows its titular character, Becky, as she and her dad drive-up to a house by a lake. Her life has hit rock bottom between family matters and trying to keep herself together. Aside from that, she’s a rather typical teen girl. Suddenly, convicts break into the house, so we begin our tension-filled ride where it is a matter of life and death.

I bought this movie for one reason, and one reason only. This might shock some of you considering how I imagine this guy can sometimes be considered a punchline when it comes to modern movies. Kevin James. I grew up watching his work like “Paul Blart: Mall Cop,” “The King of Queens,” “Here Comes the Boom,” “Grown Ups,” (which sucked), and so on. I even liked “Zookeeper!” How many people can say that?! Granted, I haven’t watched it in years, but it got plenty of laughs out of me through the times I have watched it. My fascination for his work has not died down in recent times, I went to his stand-up show, I follow his social media, and I checked out his YouTube channel, which has pretty cool concept behind it. Kevin James plays a sound guy on a film set, and I’ll show you an early video, where his character worked on “The Empire Strikes Back,” where one of the movie’s iconic scenes is about to go down.

I think the man is hilarious. Keep this in mind.

With that being said, I know a bit about one other lead, specifically Joel McHale. I’ve seen him in other movies, not to mention on ABC’s “Card Sharks,” which is coming back for season 2 very soon. Prior to this film, I didn’t really know much about Lulu Wilson, but I should also point out she’s mainly known for horror projects. When it comes to my knowledge about film, horror is one of my weak spots. So all in all, this was kind of my major introduction to Lulu Wilson.

Overall, “Becky” is a movie that I don’t think will be remembered for much buzz by the end of the year. Nevertheless, I enjoyed it. I watched this movie at home, and I will always defend the theatrical experience, even during a pandemic, although I would never force anyone to go during such a time if they didn’t want to. With that in mind, this movie had my attention like some of the better theatrical experiences I’ve witnessed this year. Movies like “Tenet,” “Summerland,” and “Sonic the Hedgehog.” But part of why it had my attention is because of the movie’s simplicity. It all comes down to the basic want to survive. And I think “Becky” does a really good job at highlighting the potential stakes. What does this family do? Will Becky make it? I was rooting for them, and when the movie can get me to do that, there’s a sign it is doing something right.

I will say though, when it comes to Lulu Wilson as Becky, I think there are a couple snippets of her performance that are a bit inferior to the rest of said performance. Wilson has IMDb credits going back to 2012, so it is not like she’s starting, but having not seen much of her acting career, I don’t really have much to say except, she’s “alright.” Much of the second half of the film is where she truly gets to shine. I won’t go into much detail, but when the movie intensifies, so does Wilson. For all I know, maybe this is a directorial issue. The duo behind this movie, like Wilson, has some experience helming media, but they are not as experienced as other filmmakers. I’m not saying they didn’t have a vision for this film, but what I am saying is that I feel like there are certain scenes where they managed Lulu Wilson and her character better and others where they just didn’t do as swell of a job.

Speaking of mixed thoughts, I have mixed thoughts on this film’s score. I know this film does not have a big budget, so it’s not like I was expecting something of the likes of John Williams to show up, but it’s got a very techno feel, and I’m not sure if I dug it. This film’s score comes from Nima Fakhara, who has a lot of credits. Can’t say I’ve seen many of them, but I imagine he’s done better work in the past.

But what may be the best thing in this film, and I sort of talked about this already, but it is worth bringing up once more, is the casting. This film has a good fit for Becky (Lulu Wilson), her father (Joel McHale), but I feel like the antagonistic side in particular is what stands out the most. Robert Maillet, who has appeared in a few blockbusters including “300” and “Pacific Rim,” makes an appearance here as a villainous sidekick of sorts. He. Is. Perfect. Some roles in movies will be remembered based on how an actor performs his or her lines. This role however will be remembered just because Robert Maillet… exists. That’s the best way I can describe this. Just seeing him on screen is scary enough. Just his height and physical structure makes for an outright intimidating character! He looks like Lou Ferrigno if he were always pissed off by his kids! Angry, muscular, tall, and he’s often got a murderous look on his face!

But of course, I cannot leave this review without mentioning Kevin James. This is complete subversion of my expectations. Because I’ve always seen Kevin James as the big, goofy, pasty white dude that tries to go for a laugh. Sometimes it works, sometimes it doesn’t. But here, there’s none of that. Kevin James isn’t funny here, and if he was, it would honestly ruin the movie for me. Because in reality, he’d be playing someone I’m used to seeing, perhaps “himself” as some would say for certain actors. Kevin James gives dialogue in a rugged manner that I am not used to seeing from him, his physical stance throughout the movie is intimidating at times, and so are some of his lines due to solid writing. I have always classified James as the guy who is charismatic, lively, and upbeat in a comedic way. This is a guy who lead a sitcom for almost a decade where he jumps on a couch in the nude eating pizza.

Just for clarification…

This guy…

Is this guy.

This is not my favorite thing with Kevin James in it, but I cannot deny that this might be his best performance as an actor mainly because of how much of a diversion he’s taken with this. Gotta say though, after this movie, if they ever do an “Avengers” parody, I would not mind seeing James play Thanos. If it’s a full blown Marvel movie, that’s a no from me unless he changes his physical structure a little, but I would not mind seeing him in a parody.

In the end, “Becky” is a good movie, a thing we could all use in 2020. Although one thing I should mention, this movie’s not for everyone. If you don’t like blood and gore, you might want to stay away. My mother came into my room as I watching this film, I told her it has Kevin James in it, as she admires the actor. I’m starting to wonder if I’d recommend this film to her. It’s a good movie, but you probably have to have the right mindset and personality to fully enjoy it. I’m going to give “Becky” a 7/10.

Thanks for reading this review! TOMORROW, I’m going to be doing something fairly unusual, TALKING ABOUT TV! Tomorrow is the 10th anniversary of what is arguably my favorite television episode of all time, “Family Guy’s” And Then There Were Fewer! I will be doing a spoiler-heavy dive into the episode, and talk about some of the reasons why I love it so much. As for movies, I’m not sure if I’ll see anything this weekend, but if I do, I will talk about it. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “Becky?” What did you think about it? Or, what is your favorite project with Kevin James in it? Let me know down below! Scene Before is your click to the flicks!

The New Mutants (2020): This Review Has Been Delayed 2 and a Half Years

“The New Mutants” is directed by Josh Boone, who also directed the 2014 film “The Fault in Our Stars,” based on the hit book of the same name. This film stars Maisie Williams (Gen: Lock, Game of Thrones), Anya Taylor-Joy (Emma, Split), Charlie Heaton (Stranger Things, Marrowbone), Alice Braga (City of God, Queen of the South), Blu Hunt (The Originals, Another Life), and Henry Zaga (Teen Wolf, 13 Reasons Why) in what could arguably be one of the bigger tragedies of 2018 and 2019, but such tragic outcomes helped this movie form some semblance of comedy by 2020. More on this in a second, but this film is about a group of mutant teenagers who all stay in a facility together. I won’t give too much away, but these teenagers meet someone new to the facility, Danielle Moonstar, who ends up making friends, enemies, and discovers more about mutant powers.

I saw “The New Mutants” in IMAX Laser this past Thursday. So at one point I thought in honor of this movie FINALLY coming out, after the merger, the delays, the pandemic getting into gear… I would make this review and not release it until early 2022. It’ll be just like creating the movie! But of course, I’d be insane! I’m not going to do that. So, let’s talk about “The New Mutants.” This movie is the latest installment to the “X-Men” universe, even though it really is a spinoff that has just about nothing to necessarily associate with the main franchise. I’ll be honest with you guys. I love comic book movies. I love superheroes. Give me a Marvel or DC movie any day!

…I have not seen one “X-Men” film from start to finish except “Deadpool” and “Deadpool 2.” I’ve seen part of 2013’s “The Wolverine,” but that’s about it!

Although I will point out, if you have not seen any “X-Men” films, it won’t really matter going into “The New Mutants,” which definitely helped someone like me who doesn’t want to waste a ton of time catching up on everything else. Granted, I was able to watch six “Fast & Furious” films in less than a week before watching “Furious 7” in the theater, but “X-Men” seems a little more daunting at this point.

Now, I’ve talked about the Disney Fox merger on here before. I’ve talked about how quite honestly I don’t happen to be a fan of the idea. But, I have no position in Hollywood, I have no power, and I can’t talk to mice. One of the things I respect Fox for is that when it comes to some of their recent work in the comic book movie genre, it has been fairly experimental. Yes, there have been R rated comic book movies before, “V For Vendetta” is one of my favorite films of the past fifteen years! but it doesn’t mean they’re common! “Deadpool” is basically “Family Guy” in comic book movie form. It makes fun of the genre, blockbusters, and takes comedy to another level. “Logan,” even though I have not seen it, is something that I recognize is not your traditional comic book movie. Not only do we get to see an R rated Wolverine, but there’s tons of added foul language, and one of my friends, and perhaps more accurately one of their friends, does not necessarily view “Logan” as a perfect comic book movie.

…They view it as a perfect “movie.”

As for “The New Mutants,” I respect the direction in which this movie was taken, because there’s no other comic book movie like it. The movie takes place in one location for the most part? There’s not really any bad guys?

…Horror? Sign me up!

I really like the vision for this movie as it is not only unique, but also because it barely has excuse to display bloated visual effects for a couple of hours. Now I like my big summer comic book action movies. This movie, like the typical fare, has action, but it’s not like we’re watching big, humongous fights like we’ve gotten in the MCU. I’d even say this movie is a bit more intimate than “Joker” because this film in particular takes place in one spot and has a fairly small cast. If anything, the best way I can describe “The New Mutants” is if “The Breakfast Club” took place in prison. You have these people who are placed together whether they like it or not, they have their individual personalities, and kind of like detention, you might as well wonder when time runs out.

I will say one thing about this movie, I like all the characters. I think Danielle is a well-written newcomer to the facility. I think the other teenagers in the building are also pleasing to watch. The woman in charge of the facility and everyone in it, AKA Dr. Reyes, was not only a likable character, but competently performed by Alice Braga.

I will say though, if there were one standout character in this movie, it would have to be Illyana Rasputin, played by the very talented Anya Taylor-Joy, an actress who I’d personally argue would happen to have 2020 be “her year” by the end of it if nothing else comes out. Then again, I may be somewhat biased… She showed up at a screening I attended. I liked her in “Emma.” “Radioactive,” which is now available on Prime Video, was pretty good. “The New Mutants” is another solid movie featuring said actress. I think overall Taylor-Joy had the best performance, and she played one of the more compelling characters in the movie. I really enjoyed seeing Rasputin and the puppet she carries around. Any scene with those two together is purely entertaining. I think Taylor-Joy does a really good voice transition with it too. I will say, the fact that I like her so much does feel really weird, because she has one of the more dynamic personalities of the group, but at the same time I’m supposed to hate her. Then again, take a movie like “Back to the Future.” Sure, I know Biff Tannen is a complete and total butthead, but he has a good personality that makes me as viewer simply like him. Sometimes movies have likable assholes. Maybe I don’t agree with them, maybe I don’t want to be them or emulate their behavior, but they’re likable nonetheless.

I will say though, even though I don’t have a ton of issues with “The New Mutants,” the biggest problem I will point out is probably the directing. Now, I like the vision of this film. If anything, it should not have been altered in any way. I think the horror elements of this film make it stand out amongst an overcrowded genre, and it’s nice to see a comic book movie that feels fairly intimate. However there was a scene in particular, where the teenagers are sitting around. I imagine all the actors are giving what they can to make sure they give the best performance possible, but I noticed they were having a conversation that quite honestly didn’t feel natural. It’s not the wording, phrasing, or anything like that, it’s more having to do with the way everybody talked. It didn’t feel like actual teenagers talking. There was just a second watching where one or two characters felt like robots, or maybe even exposition machines. Directors have a lot to do. One of the most essential duties of a director is to get solid performances out of their actors. And I think the cast, for the most part, do a good job with their performances. But there was just one scene that stood out to me where nobody felt natural, and I wouldn’t necessarily put any of the blame on the actors themselves.

If you were to ask me, “Jack, would you watch ‘The New Mutants’ a second time?” I’d probably respond with a “yes.” However, if you were to expand on that question and say “When is the second time you are watching ‘The New Mutants’?” I wouldn’t be able to answer to the best of my ability, but if I were to guess, I’d predict maybe when it hits HBO or FX or whatever cable network it happens to hit. I don’t see myself (for now) buying the Blu-ray for this film when it comes out. Talk to me again in a couple months, that could change, because I am an avid collector of comic book movies, and I am willing to expand my “X-Men” collection. But at the same time, even though a lot stood out to me, and I appreciated what made this movie differentiate itself from other entries to its genre, I don’t see myself going back to watch “The New Mutants” instantaneously. It’s rather unfortunate, as I did really like the movie. It was worth seeing in the theater, but it almost feels like a one and done type of deal.

Was this worth the two to three years of delays from April 2018 all the way to present day just to see this movie? I’d say so. It was worth my time. I had fun. If I had any other problems, looking back at this film, there are one or two borderline cheesy lines from one of the characters involving his/her reaction to another character using his/her power. But other than that, this is a pretty good movie, and for comic book movie fans who want to go back to the theater, I think that many of them will be relatively pleased with what “The New Mutants” has to offer.

In the end, “The New Mutants,” which really feels like “The Old Mutants” at this point based on how long it took to put this thing out, is fun, dark, and occasionally spooky. I will admit, horror is one of my weaker spots in my film palette. But I have often expressed my love for comic book movies, and to have one mix with horror and do so with excellence is certainly pleasing. I think the cast is admirable, both as individual performers and as parts of a group, and I hope even though Disney merged with Fox, which could end up equating to a slight loss in creativity if you ask me, we can still get some more experimental comic book films down the road if possible. Again, I enjoy movies like those in the Marvel Cinematic Universe. I can’t wait for “Black Widow” this November, and even though I’ve often gotten “Mission: Impossible” vibes from the trailers, it takes a lot of elements from familiar aspects of the genre. I’m just hoping for more originality at this point. I don’t know, it’s just the way I feel. One last thing before I give my official verdict, I was also pleased to know that I happen to live less than hour away from where this movie was shot. Maybe I’ll do a post on that sometime soon if I ever get to see the major shooting location. Just saying. I’m going to give “The New Mutants” a 7/10.

Thanks for reading this review! Next week, guess what? I’m going to see “Tenet” not once, but TWICE! I already have my ticket booked for an early access screening slated for Tuesday! And I’m going again Thursday for IMAX! I cannot wait, this is going to kill! I am almost questioning myself for booking tickets for two different showtimes, but I also don’t care as I am supporting the film industry, my favorite industry, during this trying times, and I get to experience one of my most anticipated films of the year in two vastly different ways. If you want to see more great content from Scene Before, give this blog a follow either with an email or WordPress account! Also, check out my Facebook page! It’s been around for over two years, kind of like the delays for this movie! I want to know, did you see “The New Mutants?” What did you think about it? Or, are theaters open near you? Have you gone to the theater recently? What did you see? Is everyone following the rules? Let me know down below! Scene Before is your click to the flicks!

Gretel & Hansel (2020): You’ve Heard the Story. Prepare to Fall Asleep to It.

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“Gretel & Hansel” is directed by Oz Perkins, AKA Osgood Perkins (Legally Blonde, I Am the Pretty Thing That Lives in the House) and stars Sophia Lillis (It, Sharp Objects), Samuel Leakey (MotherFatherSon), Charles Babalola (Bancroft, The Legend of Tarzan), Jessica De Gouw (Arrow, Dracula), and Alice Krige (Star Trek: First Contact, Chariots of Fire). This film is based on the classic tale by the Brothers Grimm. This has received adaptations in the past, but this is one of the latest attempts at adapting such material because well, originality is dead. So the best we can do now is take something in hopes of flipping it on its head hard enough to get something different, but also interesting.

Safe to say, this movie… Didn’t do that. I’ll get to that later.

Now, I will be fair to “Gretel & Hansel” here. Because the truth is, I am not that familiar with the material which this film happens to be based on. Have I heard the name thousands of times over the years? Sure. But you can say the same thing about my knowledge of other aspects regarding culture. Things like “Fortnite,” “Stranger Things,” “South Park,” Cracker Barrel, Red Lobster, Fanta, AKA a drink that wouldn’t exist if it were not for ties to Nazi Germany. It’s true by the way, look it up.

Let me just start off by stating some things I like about the movie. Oz Perkins does a really good job at providing an intimate feel to this picture. It made me wonder why I didn’t wait until say September or October to watch this. Granted, this film did come out in January, at least in U.S. cinemas that is, but if it came out in September and October, it would have provided a proper vibe for spooky season. After all, “Gretel & Hansel” is in the horror genre, it is genuinely creepy at times, not to mention kind of quirky, and the environment just screams “autumn.” In some ways, this film reminded me of the 2015 flick, “The Witch.” Now let me just say, I HATED “The Witch” upon my initial viewing, and I still haven’t watched it a second time. But I will admit, the style presented in “Gretel & Hansel” kind of reminded me of that movie. Things that stood out in this context include the slightly less than wide aspect ratio, the bold and nearly colorless grading, and the somewhat extended pace of the film. It all worked… At times.

In other times it was just… BOORRRRRRRRRING!

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Wow! I don’t think I’ve nearly come this close to tuning out a movie since maybe “Cats!” But let’s also be fair here, “Cats” is a disaster in every sense of the word that makes all other movies look like Shakespeare. Compared to “Cats,” which is an injection of infinite cyanide, “Gretel & Hansel” is one tiny little dart aimed at your leg. It hurts, maybe you’ll get to the point where you’ll pass out, but you’ll inevitably get back on the horse. Your chances of instant death are significantly reduced.

Nevertheless, I do want to point out, despite the fact that I do appreciate the art of filmmaking itself, not to mention an assortment of motion pictures that are perhaps, intentionally slow, take the “Blade Runner” films and “2001” as just a couple of core examples. I was just bored by whatever the heck was happening during “Gretel & Hansel.” I mean, I got the concept down willy nilly, but the in between of it all was just… tiresome. It’s really unfortunate that the movie just so happens to fall into a mess like this. Because there are several scenes that are visually stunning, not just from a practical perspective, but even some effects that are clearly fantastical manage to pop. There’s a nice blend between the grim–

Wait a minute, is that a pun? I think that’s a pun. Anyway…

There’s a nice blend between the grim reality and horrific fantasy here. Too bad I won’t remember a lot of it. In fact, as I write this review, I can only back track to what could be a very select few highlights of the film in terms of what I liked. Not the best of results if you ask me.

I will say though, when it comes to casting Gretel and Hansel for this film, I do think the department did a fine job when it comes to finding people who look the part and happen to provide fantastic chemistry. At this point, for an interpretation like 2020’s “Gretel & Hansel,” I almost cannot imagine anybody else filling in the shoes of these characters. They feel like two kids who try to work off each other despite having some differences. Given what time frame this movie takes place in and what this film in general has to offer, this feels like a legit brother and sister duo. Thumbs up to Claire Curry and Julie Harkin for their swell job on casting. In addition to that, thumbs up to both Sophia Lillis and Samuel Leakey for giving it their all in regards to their performances of their individual characters.

I don’t know what it really is about this movie… Why does it get a below average vibe from me? The production value is excellent and everyone involved does a top notch job. But the directing and screenplay doesn’t really seem to be that well executed when translated to screen. I can almost imagine the pitchroom meeting.

“We’re going to reinvent the German folktale for a new age! We do not need a lot of money to do it. The audience will take in the beauty and wonder of what will be a depressing world in which to live. It’s gonna be great.”

I like immersion and great production as much as the next guy. But if you have seen me review movies a lot over the past year or so, one of the big things I bring up is pacing. If you have a good movie, but it isn’t well paced. You’re not always gonna get a pass in that department. Did everything that happened in “Gretel & Hansel” need to happen? That’s a tough question to answer. Because guess what? This movie is ONLY EIGHTY-SEVEN MINUTES LONG! By today’s standards for feature films, that’s pretty freaking short! This is the Napoleon Bonaparte of feature films! If “Gretel & Hansel” cut out a lot of what made it slowly paced, I almost wonder if it would just perhaps barely be feature-length by technical standards. According to the Academy it would probably be a feature because by their standards, features are over forty minutes long. Same goes for the AFI (American Film Institute). But you might not get a pass from the Screen Actors’ Guild, which considers features to be seventy-five minutes at minimum. I wonder… Does that include credits? Just curious.

In the end, “Gretel & Hansel” is making me sleepy-eyed just thinking about it. Seriously, as I type this, my face is tilting towards my shoulder. I do not think I will be watching this film again anytime soon, despite the excellent production factors put into it. I enjoyed “Gretel & Hansel” as something to look at for an hour and a half, and compared to other movies that I will not watch again, I did not exactly want to rip my face off afterwards. However, that is not enough for this borefest to qualify as a quality movie. I’m going to give “Gretel & Hansel” a 4/10.

This year, man. This year. Although this film came out in January so this is somewhat normal. In other news… Disney is getting greedier than Mr. Krabs by making “Mulan” a Disney+ exclusive that you have to pay $29.99 TO WATCH ON TOP OF YOUR MONTHLY SUBSCRIPTION. I’ll pass! I’m already paying for Prime Video, HBO Max, and I just got Peacock the other day! I am not that much of a streamer, and I don’t need more! By the way, my YEARLY PRICE for Peacock is the exact price you have to pay for “Mulan” on Disney+. Buh-bye for now!

Thanks for reading this review! My next review is going to be for “Capone,” starring Tom Hardy. I just bought the Blu-ray a couple weeks ago, and I popped it just this past week to gather some thoughts on it. Stay tuned for that review and other great content from Scene Before! Follow the blog through a WordPress account or an email to see the latest goings on! OR, if you want bonus content, like the official Facebook page! I want to know, did you see “Gretel & Hansel?” What did you think about it? Or, what is your preferred adaptation of the “Hansel & Gretel” material? Are you an oldtimer who doesn’t want anyone on their lawn? Say the original material for all I care. Either way, there’s a good chance I have not checked out any of your answers so any thought I give to it may be invalid. Scene Before is your click to the flicks!

Vivarium (2019): As Strange As 2020

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“Vivarium” is directed by Lorcan Finnegan (Foxes, Without Name) and stars Imogen Poots (28 Weeks Later, Green Room) and Jesse Eisenberg (The Social Network, Now You See Me) as a couple who want to purchase a house. An agent shows them a house located in a quiet, seemingly peaceful area. Oddly, just about every house is identical and every aspect of the neighborhood feels like something specifically crafted for a lower budget, artsy Tim Burton picture or something. …Maybe the 2018 film “A Wrinkle in Time.” That one in particular is done by a different director, but nevertheless. As the couple tour what’s marked as house #9, they eventually find themselves without the agent, trying to escape the neighborhood. They never manage to find their way out. After the endless search, they find an infant, and are given instructions… “Raise the child and be released.”

Oh parenting, the hardest task in the world. Here. We. Go.

2020 has been a strange year. There has been talk amongst film fans, including myself, on what Best Picture could end up being. “Sonic the Hedgehog,” should nothing else arrive, could end up being a big contender. “The Invisible Man” has received plenty of positive verdicts. Honestly, with all things considered, I wouldn’t sleep on “Impractical Jokers: The Movie.” That is… if I controlled the Academy and had all the power. Love those guys. But one of the lesser talked about films of the year is this little flick called “Vivarium.” Prior to today, the film has a box office total of $123,044. I knew very little about the project, despite how it has some notable names attached. Although I did buy the Blu-ray, popped it in the player, and watched the movie later on. Do I regret watching it? Not really… But… Kinda.

Let me just say, as a movie from a technical standpoint, “Vivarium” is very pleasing. I like the production design and framing of the film. It very much reminded me of a Tim Burton project like “Edward Scissorhands” if it were set in a slightly more modern time. The movie has this blend of fantasy and touch of reality that gives it its own unique feel. I kinda dig it. I think all the actors including Imogen Poots, Jesse Eisenberg, and Jonathan Aris did a really good job playing their respective roles. They were all believable and well cast. If I were to watch this in a theater, I’d probably do my best to stay quiet and admire all the detail as things go by on the big screen. Although, I cannot see myself watching this movie many more times in the future.

One of the most controversial movies of the past year is Ari Aster’s “Midsommar.” For the record, I liked Ari Aster’s directorial debut, “Hereditary,” so I figured “Midsommar” would be a worthy follow-up to what he has provided in the past. I was wrong. It turned out to be one of the most insufferable film experiences I have put myself through in recent memory. Like “Vivarium,” “Midsommar” looked pretty appealing and had fantastic design to keep me gazing on the screen. It even had a good cast, I think Florence Pugh is a likable actress. Although if you ask me, I’d recommend an alternate film of hers to watch, “Fighting with My Family,” directed by the very talented and hilarious Stephen Merchant. But the film annoyed me in the long run. It was a film that tried to be disturbing and haunting, but just ended up feeling overly grotesque and off-putting. And while “Vivarium” feels a lot more tame, it kind of has that “Midsommar” feel. Upon finishing “Vivarium,” a part of me felt a little icky. And that’s a bit odd to say because while “Vivarium” is technically a horror movie, there is not really much that kept me disturbed. Maybe there were some spooks intact, but it didn’t really feel like something horrific or life-ending in a sense. It comes off as one of those artsy films that really tries to go all out there and be as strange as possible. In all likelihood, that may have been what the crew was going for, and in some ways, it works. But there are some cases where flaws happen to stand out.

I mean, no movie’s perfect, but this is a movie that really could have been awesome, but if the script didn’t go a certain way, I probably would have felt a little more satisfied. What way would I have wanted it to go? Well… I can’t tell you. That would perhaps spoil a great portion of the movie. But let me just say one thing, it involves the “kid” character, who I honestly grew to hate by the end of this movie. That’s all I can spit out without getting arrested by the spoiler police.

I like the way that this movie tends to handle parenting because it does go to reveal the disconnect between parents and their kids sometimes. Maybe the parents have a certain thought on their mind which may have to do with “helping the kid” or “doing what’s best for the kid” to which the kid ultimately disagrees or throws a tantrum or something of that nature. This movie sort of reminds me of why I may not want to be a parent anytime soon.

This is partially shown through say the performance given by Jesse Eisenberg, and I think that this is one of his better performances that I can think of if you ask me. Because when I think of Jesse Eisenberg, I will point out, I often reflect upon him in a positive light. I’ve seen him do good things, but he always seems to have this dimension to him that he carries from one character he plays to another. He’s a fast talker, almost to the point of mumbling, and it feels like he often plays a live-action cartoon. It’s like he’s on caffeine for extended periods which makes him rather obsessive and hyperactive. Here, from what I can recall, Eisenberg is calmer compared to other times I’ve witnessed him. Granted, I have not witnessed everything from Eisenberg. I still need to watch “The Social Network,” and not just the first two or three minutes which I think I DVRed one time.

I will say though, I am writing this review at the end of July 2020, and in a way, this movie may get a little too close to home for some viewers. Why? Well, it basically dives into what happens when a couple isolates in a home. Like, you know, just like every single one of us has in 2020. So do I recommend “Vivarium?” I’d say yes, minus the final five to ten minutes which were kind of a letdown for me. But remember, if you stayed in your home for four months, this could be a little bit… I’ll say creepy. I’m just hoping none of you have kids, maybe then it’ll get super creepy.

In the end, “Vivarium” started out alright, became pretty good, but nearly crashed during the climax. I know for storytelling purposes, there’s not really much that could necessarily be changed about the “kid” character, but that kid was one of the single most annoying characters I have seen in a movie in a long time. I get it, but… still, it drives me mad. I’m going to give “Vivarium” a 7/10.

Come on, 2020! Give me something great! Yes! We have “The Way Back!” We have “The Vast of Night!” We have “Hope Gap!” Those are good movies. I want GREAT movies. I think the last great movie I saw that was new may have been “The Farewell,” which technically speaking is a 2019 film even though I watched it in 2020 as I was wrapping my cycle for the 2019 lineup. If “Tenet” doesn’t come out on the first weekend of September, there is no hope left for movies this year. I wish I wasn’t being this dramatic. I want to avoid going into a rant, so… Let’s just move on.

Thanks for reading this review! I’m not sure what my next review is gonna be. I wanted to watch Greyhound on Apple TV+, but I’m trying to figure out the best way to watch it on my TV. After all, my smart platform, which is included with the television set, is Android TV, which of course, is from Google, one of Apple’s biggest competitors. This may be why there is no deal between the companies to have Apple TV+ on the Android TV platform. Nevertheless, if you want to see more great content from Scene Before, be sure to follow the blog either with an email or WordPress account! Also, check out the blog’s official Facebook page! I want to know, did you see “Vivarium?” What did you think about it? Or, how is isolation going for you? Are you still in the house? Are you out and about? As one who lives in the United States, I HATE MY LIFE. That’s all I can say. Leave your comments down below, and hopefully my next blog post will come sometime soon! Scene Before is your click to the flicks!

The Murder of Nicole Brown Simpson (2019): Worse Than The Haunting of Sharon Tate?

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“The Murder of Nicole Brown Simpson” is directed by Daniel Farrands, who also directed the gosh-awful piece of crap that some would call a movie, “The Haunting of Sharon Tate.”  This film stars Mena Suvari (American Pie, American Beauty), Nick Stahl (Terminator 3: Rise of the Machines, Sin City), Agnes Bruckner (The Bold and the Beautiful, Once Upon a Time), Drew Roy (Falling Skies, Hannah Montana), and Taryn Manning (Orange Is the New Black, Crossroads) in a film that dives into the final days of OJ Simpson’s wife, Nicole Brown Simpson, as shown from her point of view.

If you have been following my blog, you’d already know that I have talked about a couple films this year and reviewed them. However, this is ultimately the first film released this particular decade that I have to tackle. And to be honest, I wish I could have chosen a better one.

To call what I’m reviewing a “January movie” is perhaps generous. Because for those of you who must know, the month of January is usually a dumping ground for films. Maybe the film is not that good, not that profitable, and maybe studios don’t know what to do with it. But when I think of other bad January movies, a lot of them contain some sort of charm when compared to “The Murder of Nicole Brown Simpson.”

This film is from director Daniel Farrands, who also directed a movie I mentioned earlier, which happens to be the worst movie I sat through in 2019, “The Haunting of Sharon Tate.” I don’t, THANKFULLY, remember all that I saw. But what I do remember is that I witnessed one of the most distasteful, incompetent, not to mention insulting films I have ever sat through. IT WAS EVEN RELEASED IN THEATERS! F*CKING THEATERS!

And guess what? This one is no different! Not only did it get a small release in theaters, but just like “The Haunting of Sharon Tate,” this piece of s*it can just go to Hell! I rented this film on Prime Video with absolute curiosity as to what I was going to witness. But honestly, this movie feels like a tarnation even if it is free. As I watched this film, based on the vibe and characters, this felt like one of those films that could easily go straight to Lifetime, but for some reason, I have no full idea why, this got approved for a theatrical release.

Technically speaking, it’s barely watchable. The music is fitting, but also kind of a waste of time and space. The camerawork… well, is full of properly framed material… But there’s not really much of anything special about it. But speaking of things on camera, this director must really love horror movies. Because I saw a review before checking this movie out, but having witnessed that review, I have been informed that there is a clip that might as well be out of “Nightmare on Elm Street.” Now, I have not seen “Nightmare on Elm Street” but I have seen the clip that this film CLEARLY rips off.

Actually, you know what? Saying that this film rips off “Nightmare on Elm Street” is honestly too generous. If anything it almost tries to… pay respects, I guess? BUT IT DOES SO TO ABOMINABLE LEVELS! If anything it just does a horribly shot and blasphemously edited sequence that pretty much can only be compared to something out of a really bad Michael Bay movie. The scene has so many massively off-putting jumpcuts and mind-numbingly annoying flickers that I am almost surprised I did not exit my viewing experience with a headache! IT’S SO BAD!

Speaking of Lifetime movies, the characters and acting levels represented in this film are very fitting for such an environment.

There’s this whole subplot about Nicole trying to find someone, the dialogue in the earliest scene regarding this is still in my head, specifically where one of her friends is trying to encourage her to go to town on a waiter. Cringe! Period! I can’t even form complete sentences at this point! GAH! Even if Arnold Schwarzenegger confirmed to me that it’s not a tumor, I’d probably feel like a tumor is destroying me as we speak.

I will give credit though to the lead actress, Mena Suvari, because I feel like even though this movie fell apart through screenwriting, music, and the lack of ability to helm a project, this is still a competent performance. I felt like this was the performance needed out of a character like this. She’s shy, not incredibly outspoken, and a bit reserved. It might be the best part of the movie. Although given how much this mess shatters itself like a newer model iPhone when tossed to the ground, it doesn’t really say much!

For all of you writing a book on the history of film reviews, mark this day, because I am about to use “The Haunting of Sharon Tate,” a film that broke me to no end that it wound up being my #3 worst film of the past decade, AS THE POSITIVE in a comparison. We have officially reached worldwide insanity.

Whereas “The Haunting of Sharon Tate,” did one thing, and I repeat ONE THING that could have been interesting regarding its screenplay, this film has nothing that feels fresh or emotionally investing, even though the main character is about to get bloody murdered! “The Haunting of Sharon Tate” AT THE VERY LEAST had one interesting point within its screenplay… Are our lives written from beginning to end? Is everything in our lives pre-planned? Can we write our own scripts? That reminds me, THIS MOVIE HAS A F*CKING DREADFUL SCRIPT! Am I being a little harsh? It’s possible. After all, this is the first feature-length script from Michael Arter, who also had a credit for “The Haunting of Sharon Tate” as a production coordinator. Still, I gotta be truthful, I have to point out what irked me, because honesty is the best policy.

In fact, get this. Whenever Simpson says something regarding how she thinks she is going to brutally murdered one day or something else along those lines, it felt like an utter joke. And speaking of jokes, there is a scene where Simpson and another character are sitting in the kitchen as they drink… WAIT FOR IT. WHAT COULD IT EVER BE? Oh, I know! ORANGE JUICE! Is it just me or is this movie a punishment for someone? Possibly a punishment for me?

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I should also point out, when it comes to Simpsons’ friends, specifically Kris Kardashian (Agnes Bruckner) and Faye Resnick (Tayrn Manning), their characters at times feature some of the most painful to watch overacting I sat through in recent memory. If this film was a parody, this probably would have worked. Admittedly, this is what the film feels like at times, but without any intention whatsoever.

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Also, Faye Resnick’s wig is one of the worst I have seen on film. It almost looks like a wig someone would wear if they made a poorly realized stage play for an episode of “Friends” and they needed someone to play Rachel.

“The Murder of Nicole Brown Simpson” is just short of an hour and a half, making it barely feature-length. Luckily, it does not feel longer than it needs to be, but this almost makes the movie feel disappointingly cheap, especially when considering that not all of the footage is shot specifically for it! Daniel Farrands is a director who I will be honest, needs to avoid going down the rabbit hole he seems to have fallen into. Is he a nice guy in person? Probably. Maybe he’s a charming fellow. This isn’t the only type of film Farrands has helmed. After all he has done documentaries before he dove into feature-length movies. Documentaries which by the way, also focus on the realm of horror. But I really think stories based on famous murders is not going to be something I would look forward to from now on if Farrands is behind the camera. If Farrands is really passionate about horror, then maybe he has some potential to create something magical within its genre, but these past couple of films I have seen from him have been dull, unsatisfying, and a waste of my time. Speaking of unsatisfying, this film contains a sex scene that isn’t exactly gross, but it feels poorly put together. The music in this scene feels incredibly out of place! It makes the belly-button sex in “The Room” look like “Pulp Fiction!”

In the end, this film is MURDER. It is nothing short of one of the worst experiences of film-viewing that I have ever dredged through. This is the first 2020 film, (some say it’s a 2019 film, but it’s a 2020 film as far as the United States is concerned) that I have witnessed. If this is not the worst film we are getting this year, not to mention for the remainder of this entire decade, then chances are this is God’s way of punishing us. “The Murder of Nicole Brown Simpson” is perhaps acted as competently as possible, at least as far as Mena Suvari is concerned. Although the film is also shrouded in a piss-poor script, catastrophic scenes, and terrible directing. Is this film worse than “The Haunting of Sharon Tate?” Honestly, yes. As boring as “The Haunting of Sharon Tate” is, the film, from what I remember is collectively acted better, and I’ll also reiterate that the conversations about fate were at least somewhat intriguing even if they were almost tacked on. Story-wise, this film honestly has nothing. I’m going to give “The Murder of Nicole Brown Simpson” a 1/10. This is honestly one of the worst films I have ever seen, and I’ve seen a lot of them, especially over these past number of years. I’d honestly rather watch “Cats” again! I’m not kidding! It’s that bad! Daniel Farrands, get your act together, and make better films! Get crackin’!

Thanks for reading this review! I just want to let everyone know that I just saw “Dolittle,” the latest movie, not to mention reboot in the “Dr. Dolittle” franchise and the first film featuring Robert Downey Jr. outside of Marvel Studios since 2014’s “The Judge.” I just went to see it in Dolby Cinema and I hope to have my thoughts on it as soon as possible. Be sure to follow Scene Before if you want to stay up to date on my latest content, you can do so by using an email or WordPress account! As for social media, check out my Facebook page if you want to not only receive access to my content as early as possible, but also random thoughts from the Movie Reviewing Moron. I want to know, did you see “The Murder of Nicole Brown Simpson?” What did you think about it? Or, now that 2020 is here, what films have you seen so far? I know it’s early, but just for fun, give me your best and worst. Just to make it easier, feel free to insert films from past years! Let me know down below! Scene Before is your click to the flicks!