Carla Gugino

Lisa Frankenstein (2024): Kathryn Newton Shines in a Forgettable John Hughes-Esque Coming of Age Story with an Edge

Posted on by Jack Drees

“Lisa Frankenstein” is directed by Zelda Williams and this is her feature-length debut. The film stars Kathryn Newton (Ant-Man and the Wasp: Quantumania, Blockers), Cole Sprouse (Five Feet Apart, Riverdale), Liza Soberano (Trese, Make It with You), Henry Eikenberry (Euphoria, The Crowded Room), Joe Chrest (Stranger Things, 21 Jump Street), and Carla Gugino (Night at the Museum, Spy Kids). This film is a coming of age story showing the love connection between a young girl and a corpse who returns from the dead.

When it comes to the February 2024 cinematic lineup, “Lisa Frankenstein” is one of those films that had my attention from the moment I heard about it. While it did not look like the next big thing, the marketing showcased plenty to savor. For starters, the idea is kind of clever. I like the concept on the surface. The vibe the film seems to be going for definitely screamed kooky, but with a pinch of romance. This film was set to release the week before Valentine’s day making it an appropriate watch for such a time.

You also have a writer like Diablo Cody behind the scenes, who has not only written films I have enjoyed in the past like “Tully” and “Juno,” but she also has horror experience with “Jennifer’s Body.” I have only seen a bit of the film, but I didn’t dislike what I saw. I think it would be unfair of me to give a score on “Jennifer’s Body” without having seen the whole thing. That said, I recognize it is not Shakespeare.

This film is also the directorial debut of Zelda Williams, a name that I knew for years thanks to the Internet. But for those who do not know who Zelda Williams is, she is Robin Williams’s daughter. Yes, that one. I am not always the biggest supporter of nepotism, and I say that knowing that the film industry is sometimes notorious for it. But I was curious to see if Williams had a knack for this kind of work. While doing research for this review, I found out Williams has a history of making music videos, so she is not new to this industry. And having seen “Lisa Frankenstein,” that makes complete sense. Everything in this film is nicely framed and looks like something from another world. The lighting throughout the film comes in quite a variety. It’s also easy on the eyes. The color grading has this weird pixelated-like gloss to it that I found rather appealing. When it comes to this film’s aesthetic, it is a job well done. At times it felt intimate. At others it felt roomy. At others it feels downright fantastical. I am not sure if this is a proper tech demo movie for say a big screen TV, but maybe it will be serviceable for a 32 inch model.

Unfortunately though, the movie is almost all looks, with little personality. The script has a couple decent lines, but the vibe delivered between said lines feels inconsistent. I understand that this is a movie that blends the reality of the 1980s with the fantasy of a man coming back to life. But it is not enough to make a decent package. If anything, this film feels more like a mish mash than a proper horror comedy at times. It doesn’t really know what it wants to be. Now I say that knowing that we have gotten a decent number of movies over the years that combine genres. “Everything Everywhere All at Once” is a proper example. But I also recognize that I would probably not have this complaint if there were anything that would make those genre increments stand out. Sure, this movie has a bit of a throwback feel to 1980s John Hughes coming of age movies like “Weird Science” or “Pretty in Pink,” but it is not as good as those. If I watch “Lisa Frankenstein” again, there is less of a chance that I would finish the film and say “That was fun, another round,” compared to me going “You know what’s a good watch right now? A John Hughes movie.”

Kathryn Newton does an excellent job playing a somewhat twisted, but also kind of innocent lead role. There are a lot of layers to unpack with this character as the movie goes along and while I am not sure what roles Newton will take following this picture, this film goes to showcase her range. She can be dark, she can be down to earth, she can be otherworldly. She can do it all. Going back to the film’s aesthetic, Newton’s hair and makeup are on point. I have no idea if “Lisa Frankenstein” is even going to be considered for any makeup awards during next year’s awards season, it is still too early to tell, but I would say in regards to 2024 cinema, “Lisa Frankenstein” is this year’s first notable contender in that category.

The rest of the cast all do a decent job with their roles. Cole Sprouse proves silence is golden with his portrayal of The Creature. Liza Soberano gives a fine showcase of her talent as Taffy. But aside from Newton’s layered protagonist, I think the character that stood out to me the most in the movie is Carla Gugino as Lisa’s stepmother, Janet.

For some young people, it is hard enough to adapt to a new parent or guardian. “Lisa Frankenstein” presents a reality for our protagonist that makes it come off as near impossible for her to adapt to her stepmother. The movie presents a rivalry between these two that is probably more riveting than it needs to be. And a lot of it is in the performances between these two. Of course, the shenanigans our protagonist gets into plays a significant role as well, but nevertheless.

Once again, this film is directed by Zelda Williams, and despite my negative comments for this film, I am not going to tell her to give up on filmmaking. I think she does a fine job with this movie in terms of bringing various sets and talent to life. Some frames from this picture still linger in my mind because of how stylish they come off. But when it comes to characterization and writing, that is where the movie needs work. It has a great concept but it just doesn’t stick the landing. But I also cannot entirely blame her, because she did not write the film. That job belongs to Diablo Cody, who I like as a writer, but this is not her best work.

In the end, “Lisa Frankenstein” has good intentions, but comes off with lackluster execution. Despite some inklings of quality, I will not deny that this movie could have been better. As a horror movie, it is not that eerie or terrifying. As a comedy, it does not have many laughs. When you take these ideas together, the movie kind of falters in both genres. There are good things about it, yes, but those good things do not justify a rewatch. Those good things barely stand out. That is if they do at all. Kathryn Newton’s great. Sure. Carlo Gugino is terrific. Sure. The design across the board almost couldn’t be better. Double sure. But I also think that if you are at the movies right now, there are better options for your choosing. “Lisa Frankenstein” is not offensively bad. But it could be better. How better? Well, judging by my score I think “Lisa Frankenstein” could be better than a 5/10.

“Lisa Frankenstein” is now playing in theaters and is available to rent or buy on VOD.

Thanks for reading this review! My next review is going to be a fun one. It is for the most anticipated film in the history of the world, “Madame Web!” Boy oh boy! I am sure everyone is expecting Scene Before’s first EVER 11/10 score on this one… We shall see. Speaking of film reviews, pretty soon I will be dropping my thoughts on “Drive-Away Dolls,” “Bob Marley: One Love,” and “Dune Part Two.” Stay tuned! If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Lisa Frankenstein?” What did you think about it? Or, what is your favorite Diablo Cody script? Let me know down below! Scene Before is your click to the flicks!

The Space Between Us (2017): I Need More Space

Posted on by Jack Drees

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“The Space Between Us” is directed by Peter Chelsom who also directed “Hannah Montana: The Movie” and “Serendipity” and stars Asa Butterfield, Carla Gugino, Gary Oldman, and Britt Robinson. This movie revolves around a guy who was born a Martian, he travels to Earth and hangs with a girl which leads to eventual self-discovery.

I’ve heard about this movie months ago when it released in theaters, but I’m reviewing it now considering I found it for ten bucks at Newbury Comics, which if you’re from New England or Long Island, you’d probably already know they’re a chain of stores whose main focus happens to be products in the realm of nerd culture. Interestingly enough, it’s where I buy a good portion of my movies. I also know someone who saw this movie. If you ever notice the header of my blog, you may notice this blog’s operated by “the #NerdArmy’s film critic.” The Nerd Army is a social media group I’m a part of, and one of my pals in that group, Kayla, saw this movie too. She thought it was horrible, so maybe I wasted ten bucks on a piece of crap. Guess what? Kayla was right! I honestly think “The Space Between Us” might just be up there with movies like “Star Wars Episode I” and “Battlefield Earth” as one of the worst science fiction movies ever made.

On paper, this sounds like a cool concept. You’ve seen movies with Earthlings on Mars like “John Carter,” now we have a Martian on Earth. Now, that has been done before generally speaking, just look at all the alien invasion movies we’ve gotten over the years. And I will say this film does look nice at times. Not as nice as Ridley Scott’s “The Martian,” that’s a whole different ballgame. While I may be praising this film from a cinematography perspective, it’s not perfect, because there are jumpcuts in this film and I have seen films like “Manchester by the Sea” where you might just find one and let it slide. Here however, I found three of them. They were all quickly paced and they aggravated the crap out me! Going back to the concept, if you take out the whole interplanetary idea and have the two main characters on the same planet, you might as well have a love story as cringeworthy as Anakin and Padme’s love story when they’re in “Star Wars Episode II.” Although I will say, the movie’s tone had been set far before the romance.

As mentioned, this movie is about the first person born on Mars, or Asa Butterfield’s character of Gardner, who we will get to. It’s established in the very beginning that one character is pregnant with him. The birth of Gardner is soon shown for us all in order to prepare ourselves for what we’re about to suffer through. And speaking of which, we as an audience aren’t the only folks suffering, because the mother dies. By the way, a pregnant woman has never been in space, so I can’t talk about any scientific inaccuracies there. Also, the mother’s death is not a spoiler because this is less than ten minutes into the film. It’s almost as if the mother dying instantly is a signal for how either this movie will make you want to die or the movie itself feeling like it’s going to die.

Asa Butterfield plays the character of Gardner Elliot, the character isn’t exactly someone I hate, in fact that would be directed towards the next character I’m gonna talk about, but the script makes him look like someone I will be eternally ashamed to hang out with. Granted he’s from Mars, but regardless of wherever the heck he’s from, seeing his character was the equivalent of a mom that tries to sound enthusiastic about something when she’s really not as enthusiastic as she sounds. …Or Tyra Banks when she hosts “America’s Got Talent.” By the way, if anyone from NBC or “America’s Got Talent” is reading this, please replace Tyra Banks in season 13 of the show.

Britt Robinson plays Tulsa and as suggested in the recent paragraph, I don’t like her. Sometimes she’s rather annoyed by Gardner which I can understand because they’re from different planets so they wouldn’t behave identically. However as I got to see more of her character, I became irritated with her for a brief period. I wouldn’t say she’s one of the worst characters of all time, but seriously, she was a nutjob!

Also in this movie you have Gary Oldman, or as I like to call him, Robert Carradine with long hair. I don’t even know if that’s all that good of a comparison, but as I watched the movie I thought that was what he looked like at a point. So Bobby–err I mean Gary plays Nathaniel Shepard. Now Oldman probably gave the best performance out of everyone in the movie, but despite what I said, it doesn’t really make the movie that much better. Because I’ve seen good performances in bad movies, such as Emily Blunt in “The Girl on the Train.” For the record, that performance was better than this one, how much better you ask? Well that one would have probably been nominated for a Golden Globe or an Oscar in my book had the movie been better! Oldman’s performance is alright, but there’s not much of anything all that redeeming about it.

Now the love story could definitely be worse. This isn’t like, love at first sight, the movie seemed to establish that the two grew a connection between each other. But the way the movie in general plays out when the love story builds is that it goes from random conversations on videochat to the point when the character of Gardner Elliot travels to Earth making the movie develop a fish out of water story. There was a movie that released this year that actually came out after this one, that being “Wonder Woman.” The fish out of water cliche worked in “Wonder Woman,” but it didn’t work in “The Space Between Us.” In this movie, the fish out of water segment was just awkward, it made me engage in untypical body movements, so based on that you can tell it was just plain awful. There are also moments when I can easily tell it’s supposed to be funny, and maybe it got some chuckles in theater auditoriums, but I watched this movie alone in my room, the only laughs that are going off in here are… actually none. I have not much else to say there. And when we get to a moment when the love takes full effect, guess what happens? Cheesy dialogue! WHO SAYS THE STUFF THAT IS SAID IN THIS MOVIE?! Granted, I’ve never been in love nor have I gone out with anyone with the exception of a prom night, but in real life, this isn’t how people talk! For the record, the guy from Mars is actually saying this mumbo jumbo, but it’s still cringeworthy as hell! I said part of this before, but I’ll say it again! When it comes to the Earthling, I hated her. She reminded me of that teenage girl from “Independence Day: Resurgence” who I actually recall more than a good number of the characters from that movie. Annoying, angry, and unfriendly. This was just a relationship that was just hard to watch, and when the love is in the air, you can’t just help but think about putting a gun in your mouth.

In the end, “The Space Between Us” is simply a movie I’d never want to watch again unless I was being paid. My friend Kayla wasn’t lying after she saw this movie, this really was a meteor that was about to destroy a planet. This movie was originally scheduled to come out December 16, 2016, which is the same day that “Rogue One: A Star Wars Story” came out, although STX pushed it back to February 3, 2017. While it may be good for STX because they didn’t have to compete with a much bigger film, it might just be bad for the viewing public because this probably increased chances of people suffering. By the way, when I said this movie didn’t have to compete with a much bigger film I might as well be lying to you because it competed against “Rings,” which made over thirteen million dollars in the United States as opposed to this movie which made over three million dollars in the United States. Granted the ratings for “Rings” on IMDb at least are lower than “The Space Between Us,” but it doesn’t change the fact that this was pure s*it. I’m gonna give “The Space Between Us” a 1/10. As an idea, this movie sounded cool in ways, but so did “The Girl on the Train.” My next mission is to find a t-shirt that says I survived “The Space Between Us.” One last thing is that there’s an alternate ending to this film. I was watching the Blu-Ray and it was in the bonus features. I’d probably have to watch the original ending again to compare completely, but for now I gotta say the alternate ending’s better. Thanks for reading this review. On the subject of sci-fi, I am planning to see “Blade Runner 2049” sometime soon, I think that’ll be, without argument, a better movie than this crap. Also, if you are currently in a “Blade Runner” frenzy, be sure to check out a post where I talk about what “Blade Runner” has gotten right about the future ahead of its release. Stay tuned for more reviews, and also, I have a couple questions, what is your favorite movie involving Mars? Or, what is the worst science fiction film you’ve ever seen? Answer those questions in the comments! Scene Before is your click to the flicks!

WHAT “BLADE RUNNER” GOT RIGHT ABOUT THE FUTURE: https://scenebefore.wordpress.com/2017/10/06/what-blade-runner-got-right-about-the-future/