The Accountant 2 (2025): Ben Affleck and Jon Bernthal Shine in Two Hours of Punches and Booms

“The Accountant 2” is directed by Gavin O’Connor, who also directed this film’s 2016 predecessor. This film stars Ben Affleck (Justice League, The Way Back), Jon Bernthal (The Walking Dead, The Punisher), Cynthia Addai-Robinson (Spartacus, Arrow), Daniella Pineda (Jurassic World: Fallen Kingdom, The Originals), and J.K. Simmons (Spider-Man, Whiplash). This film once again follows Christian Wolff who teams up with his brother, Braxton, to find mysterious assassins.

Before going to see “The Accountant 2” I made an effort to rewatch the original. If you remember my amateurish review you would know that I connected to the film at the time. This was mostly due to how the protagonist was written and executed. Ben Affleck plays an individual who has high functioning autism. I have grown up having many of the traits and quirks that we see from various stages of this character’s life such as his lack of urge to socialize with others. I also thought the film does a good job at providing a humanized portrayal of autism as opposed to a more stereotypical, robotic interpretation.

Is “The Accountant 2” as good as the first one? No, it is not. But is it still worth watching? Perhaps. My biggest problem with this film is that it feels less story-driven and a little more action driven. It’s like the writers listened to Elvis Presley’s “A Little Less Conversation” and suddenly thought, “We’ve cracked the code!”

Now I have no problem with good action. And to be honest, this movie has some good action. However, the action scenes sometimes lack the oomph of those in the original. Part of it is because the story here is rather convoluted. I am not going to pretend the story in the original riveted me all the way through. The movie relied way too much on flashbacks towards the end to the point of utter boredom. But this sequel at times feels overstuffed.

While the film may be slightly above average, one great thing about it is the chemistry between Christian (Affleck) and Braxton (Bernthal). The film spends lots of time putting these two in the same place, and every scene between them is worth the price of admission. There is a fantastic scene where Bernthal says he wants a dog and Affleck says everything possible to confirm that he is a cat person. The delivery between these two is on point each and every time.

Going back to how I relate to the characters in this franchise, I almost see Christian and Braxton as a personal representation of a conflict that has been circling in my mind nonstop throughout my young adult life. While these two bond as brothers, they have their differences. One key difference between these two is their individual wants in life. We see Braxton as a lone wolf, which I have always been throughout most of my life. If he puts his mind to something, he does it. He works on his own terms. But then we find out a little bit about Christian, who would like to have a partner he can check in on every once in a while. In this way, Christian, is a little more than meets the eye. You would not expect someone of his mannerisms to be interested in a relationship, but I buy his desire. As I watched this film I thought these character differences represented my personal yin and yang. Do I love being alone? Quite a bit, actually. But do I want someone to check in on? A part of me thinks about it every day.

Speaking of conflicts, I have a conflicting opinion regarding Christian Wolff in this film. Starting with the positives, I genuinely think Ben Affleck put a lot of effort into his performance and he is a standout as the character. Although some of the choices that were made in regard to the character threw me off. I get that Wolff has autism, but he comes off as a robot in this film, especially in comparison to the original. If anything, Wolff is sometimes a lackluster stereotype for people on the spectrum. For some reason, some of his line delivery and choice of words lack authenticity. I would not say that this film paints autism in the worst light, but sometimes his performance, particularly through his onslaught of stoicism, is overly emphasized. Sure, in the original, Wolff may be a bit robotic, but he also has a heart as well as feelings. In this sequel, he sounds more like the T-800. Sure, Affleck is not entirely robotic. When paired with Bernthal in this film, the two seem like genuine brothers. But if I were to judge Affleck by himself, he is sometimes soulless. Again, this is not an incompetent performance. I just think a little more depth and pizzazz could have been added to it.

“The Accountant 2” is not a movie I can see myself renting or buying to watch on my own schedule. To me, it is a cable movie. It is a movie that I would watch on a Sunday at home and eventually rely on for background noise. Now whether this movie will ever end up on cable is another story. The film is from Amazon after all and I doubt they want anybody leaving Prime or whatever the heck MGM+ is. Seriously, who uses MGM+? Anyone? If you have not seen the original “Accountant,” I much recommend that film over this one. It moves at a better pace, is less convoluted, and honestly does a much better job at characterization than the sequel. I enjoyed getting to know Christian Wolff not only through his profession but as someone who is on the spectrum. I thought the flashbacks during that film, most of them anyway, were used to its benefit. Like this sequel, the original has some decent action, but I cared more about what happened during those action scenes based on what I was learning about Christian as a character at the time. The sequel’s action is not bad, but it suffers from inferior character progression as well as storytelling. If it were not for the perfect chemistry between Affleck and Bernthal, I do not think I would be lending as much praise to this film.

In the end, “The Accountant 2” has its ups and downs. There are other recent films I would recommend watching before this one, especially in the action genre. Although if you are simply looking for good action, you will find it here. But this film is not a full meal. It satisfies in some ways and leaves a little to be desired in others. Do not get me wrong, Ben Affleck does not do a bad job in this film, and neither does Jon Bernthal. But I would not rush to see this film right away. I am going to give “The Accountant 2” a 6/10.

“The Accountant 2” is now playing in theaters and is available to stream on Prime Video.

Thanks for reading this review! My next reviews are going to be for “Bring Her Back,” “Friendship,” “Ballerina,” “The Phoenician Scheme,” and “The Life of Chuck.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Accountant 2?” What did you think about it? Or, which of the two “Accountant” films do you like better? Let me know down below! Scene Before is your click to the flicks!

The Instigators (2024): Wicked Average

“The Instigators” is directed by Doug Liman (The Bourne Identity, Jumper) and stars Matt Damon (The Martian, Good Will Hunting), Casey Affleck (Manchester by the Sea, Gone Baby Gone), Hong Chau (Kinds of Kindness, The Menu), Michael Stuhlbarg (Call Me by Your Name, The Shape of Water), Paul Walter Hauser (Cobra Kai, Inside Out 2) Ving Rhames (The Garfield Movie, Mission: Impossible), Alfred Molina (Raiders of the Lost Ark, Spider-Man 2), Toby Jones (Frost/Nixon, W), Jack Harlow (White Men Can’t Jump), and Ron Perlman (Hellboy, Pinocchio). This film is about two men who go on the run with a therapist after a heist does not go as planned.

As someone who has lived in Massachusetts all his life, it should not come as a surprise that I have a few Boston-based movies under my belt. Movies like “The Departed,” “Good Will Hunting,” “Spotlight,” “Ted,” “Patriots Day,” “Stronger…” Granted I still have not seen everything like “Mystic River,” “Black Mass,” “Gone Baby Gone…” Still waiting to get around to those. But as someone from this area, I feel it is my duty to check out a Boston-based film when possible, which is one reason why I saw “The Instigators” recently.

Sadly though, I cannot say I was that excited for this movie. The trailer failed to impress me, and I did not think this movie was going to do that well.

There are times where I almost forgot I had to review this movie, which is really weird when you consider my experience with it. This is a true story… When I saw this film on opening Thursday night, I am not making this up, my theater was decked to the brim with “The Instigators” posters. If this were my bedroom, you would think I have an unhealthy obsession with this movie. That should probably give you some indication as to how my experience went down.

For the record, I do not despise “The Instigators,” but I also cannot say it is worth your time either. This is one of those movies that barely kept me awake as it went. Does it have a good pace to it? Sure. Do I like the cast in the movie? Sure. Do I think the movie has some clever moments? Sure. But everything about the overall experience of the film just screams middle of the road. There is nothing outright amazing about “The Instigators,” especially when compared to other Boston titles like “The Departed.” If I was in a Boston mood and I wanted to truly pay attention to every single detail on screen, I would simply turn on “The Departed.” But as for “The Instigators,” the situation in which I most likely see myself watching this movie again in the future would probably be when I just need some background noise. Part of me wants to say that I could maybe catch the movie on cable and just leave it on, but I highly doubt that Apple is going to allow that to happen. I do not think they are in that kind of business.

Now as someone who resides on the North Shore of the Bay State, I do fit into some local stereotypes. I do enjoy Dunkin’, I buy a ticket to a ballgame at Fenway, I have used the term “Storrowed” every once in a while, and I have even had the privilege of seeing a couple Boston Marathons in person. When I was in college the Boston Marathon route went right by my campus, so I took advantage of my commuter parking pass and got to see the event play out a couple times. Heck, I went to see this movie IN THE ONLY THEATER TECHNICALLY IN BOSTON, not any of its suburbs, selling tickets for it! But I have to be real with you, as much as I try, to varying successes and failures, to maintain my local roots, I have to admit this movie does a good job linking itself to the Greater Boston culture. When I say this however, I should also say, the movie almost does… TOO GOOD of a job. Sometimes the outcome this movie provides when it comes to its Boston tributes, if you can call them that, is almost pornographic. Whether it means Alfred Molina randomly showing up with Dunkin’, getting Rob Gronkowski of all people to make a rather gratuitous cameo, or having Hong Chau’s character mention she’s from Lynn during a chase and having the other characters say “Lynn Lynn the City of sin” just because. Though I must admit, there is a scene in the movie where we see a protest outside of Boston City Hall and I almost burst out laughing as soon as I saw a sign that read “FIX THE MBTA!”.

It is almost as if the crew behind this movie decided to ingrain themselves so heavily in Boston culture to the point where they sort of built a decent atmosphere for the film, but did not have the brains on how to make the film as entertaining as can be. Because as I look back at this film, I find to be uneventful, unmemorable, and minimally engaging. I cannot say I hate any of the characters on screen, but I am not going to remember their names in six months.

That said, this film is led by Matt Damon and Casey Affleck, and the two, to my lack of surprise, have decent chemistry in their roles. They both do a good job as two guys from Quincy, and even though I admit their journeys in this film fall into some pits of predictability, I enjoyed seeing their motivations play out and their personalities come to life. But when you have these two leading a movie like this, I kind of expect something more from the script or the plot, or even the direction.

Heck, this movie is directed by Doug Liman, whose resume partially includes “The Bourne Identity” and “Edge of Tomorrow,” which like those movies or not, you would probably agree with me when I say they look pretty cinematic. This movie honestly looks like it was made for television between its lighting that appears as if the crew forgot to brighten the bulb a tad occasionally. Yet at other times, it has some unusual camera tricks that try to appear cinematic, but only manage to feel jarring the longer I gaze my eyes upon them.

If I had to pick a performance in the film that stood out to me the most, it would probably be Ron Perlman as Mayor Miccelli. At a glance, Perlman very much looks the part of a politician. He has this look to him that like some politicians, you question yourself in the back of your mind on whether or not to trust him. His presence in the film made for some good scenes, especially towards the end.

And you know what? This is a poetic transition. If I had anything else to say that is positive about the film, I must admit, I was not 100% thrilled with all that it had to offer, but there are several scenes where you can easily be entertained by these characters. The entire cast oozes charisma, even if they are playing characters whose names you will probably erase from your memory after leaving the theater. Is part of it because some of the actors in the cast are recognizable? Perhaps. Why do you think I am going about this review referring to the actors names but not acknowledging their respective characters? But like some of their previous work, those recognizable actors play their parts well here. However, for me, this film was missing something. If anything the film is almost too stereotypical and lacking in any oomph that will make audiences remember it for years to come.

In the end, “The Instigators” is a somewhat entertaining movie, but it is not one that had me engaged the entire time. As the heist goes down, I am interested in what is going on. But I cannot say there are any standout moments in this film that will cement it as one of my favorites of the year. Does everyone in the cast do a good job? Again, sure. But they are not Oscar-worthy. This movie is on Apple TV+, and I can frankly see why. I have to be real, their record has not been working for me. Other than “CODA,” which is amazing, I cannot say I have seen one movie from Apple yet, and I include “Killers of the Flower Moon” in this thought, that has totally floored me. If you were planning on watching “The Instigators,” I am here to tell you your time will not be completely wasted, but you can probably use that time to do other things that would be more exciting. I am going to give “The Instigators” a 5/10.

“The Instigators” is now playing in select theaters and is available on Apple TV+ for all subscribers.

Thanks for reading this review! If you want to see more reviews like this, I have more coming! Stay tuned for my thoughts on “Sing Sing,” “Borderlands,” “Skincare,” “My Old Ass,” “Reagan,” and “It Ends with Us.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Instigators?” What did you think about it? Or, since I clearly have no faith in their service, what is something you recommend on Apple TV+? Yes, I know they’ve got shows like “Ted Lasso,” “Severance,” “For All Mankind,” but I want to specifically ask if there are any movies from them that you enjoyed. Let me know down below! Scene Before is your click to the flicks!

Air (2023): Dribbles of Nostalgia Meets Cheer-Worthy Excitement

“Air” is directed by Ben Affleck (Live by Night, The Town), who also appears as one of the films stars. Alongside him in this studded cast are names including Matt Damon (The Last Duel, The Martian), Jason Bateman (Game Night, Horrible Bosses), Marlon Wayans (Scary Movie, The Wayans Bros.) Chris Messina (Devil, Argo), Chris Tucker (Rush Hour, The Fifth Element), and Viola Davis (Suicide Squad, Fences). This film is about Sonny Vaccaro’s mission to put Nike on the map and track down rookie Michael Jordan to make the greatest shoe of all time.

I am not a sports nut. Granted, I live near Boston, so I have admittedly had some history of going to a Sox game or searching up certain highlights on YouTube or reluctantly watching the Super Bowl because my grandma’s favorite team, the New England Patriots are in it. While I am not a sports person, I am a movie person. And I have come to learn some sports are like movies. There are so many compelling tales to be told whether they are historic rivalries like Magic Johnson vs. Larry Bird, the legacy of Tiger Woods, or the miracle on ice during the 1980 Olympics. But those stories are about the players, which we have seen on screen before. What has not been shown on screen as often are the success stories of those who are supplementing sports and their respective athletes. Despite having an athlete like Michael Jordan in the movie, “Air” is not about an individual athlete or group of athletes accomplishing something bigger than themselves. Instead, it is about a company who is trying to reinvent the wheel. Only with a shoe.

For those of you who know your film history, you would know Michael Jordan himself has appeared in movies before. He was the star of the 1990s time capsule, “Space Jam,” which I unfortunately had the displeasure of watching. The sequel starring LeBron James is not much better. If you want any filmmaking advice, here is my suggestion. If you are going to make a movie featuring Michael Jordan, whether he is in it, or somebody plays him, leave Bugs Bunny out of it. And that is one reason why “Air” is a really good movie. As for other reasons why this is a really good movie, the screenplay may be the best I have witnessed so far this year. Not only is it based on a compelling true story, not only does it have great dialogue, but it is funny, dramatic, and on top of that, the characters are well-crafted and executed with care. Alex Convery should be proud of himself. This is not only a great screenplay, but this has brought him his first credits. Ever. According to IMDb, this is his first writing credit, in addition to being his first producing credit. As far as I am concerned, he started his career off with a bang.

Sonny Vaccaro is an admirable protagonist. He may look like an everyday dude, but he has a drive to him that I cannot help but respect. He has a goal in mind, he knows it is difficult to accomplish, but he will do just about anything to achieve it, even if others call him crazy. There have been many protagonists throughout history who aspire to conquer larger than life obstacles. All this guy wants in life is to sell people a shoe that can do it all. And this movie does a great job at making that obstacle feel bigger than it should be. Damon’s performance is a perfect balance between nuanced and heightened. It hits the Goldilocks Zone. Damon is perfectly cast as Vaccaro and I almost cannot imagine anyone else playing this character.

Although if I had to note another performance that perhaps stands out more, it would be Viola Davis’s efforts as Deloris Jordan, Michael Jordan’s mom. There is a certain flair to her performance that only she can provide. Davis is already an incredible actress by herself, but having a character as compelling as this one makes for a winning combo. While Damon is a fantastic lead, Davis, almost unfairly, steals every scene she is in.

Speaking of the Jordan family, this movie made an interesting choice regarding the Michael Jordan character. A Michael Jordan character does appear in the movie, but Jordan does not play himself. Michael Jordan is played by Damian Delano Young, which given his limited resume, this movie should end up being his big break. Throughout the select moments and scenes where Jordan can be seen in frame, we never see his face. His dialogue is also kept to a minimum. Granted, this is not Michael Jordan’s story per se. He is a supporting character, he is a crucial part of the story, but at the end of the day, it is Sonny Vaccaro’s story. It reminds me of Steven Spielberg’s “The Post,” where Richard Nixon, a crucial fixture of the film’s idea and setting, only makes an appearance in one scene with bare visibility. Michael Jordan is used sparingly and mostly towards the end of the movie. Do I think it is a tad odd we never see Jordan’s face? Maybe a little. I would like to see a reality where someone plays the character and shows his face, but I think the version we got allowed the character to feel special despite not doing much at all.

There is something about “Air” that left me… Well, up in the air. This movie is set in the 1980s and it is shoehorned with reference after reference after reference. On a positive note, I felt that when it comes to encapsulating the time period, the movie did an excellent job at capturing that magic. I think if you grew up during the 1980s, you might be taken back. If you admire culture based in the 1980s, you might be in for a treat. That said, I think the constant references and deep cuts become distracting after awhile. I only need to be reminded that we are in a certain time period so many times. Although if I had to note one deep cut that blew my mind once it came up, it is the use of Tangerine Dream’s score from “Risky Business.”

There are movies that I know are based on true stories, but I do not know all the ins and outs of what happens, therefore making the narrative more satisfying. “Air” is a movie containing events I could sometimes see coming, but they nevertheless have a gigantic oomph when they happen. However, giving my lack of knowledge on sports and shoes, it made the movie’s final moments all the more satisfying. When I left “Air,” I had a smile on my face. I am glad a story like this was told. It made me happy.

If I have any other comments to make on the film, it would be that the looks of the film are pristine. And I am not necessarily talking about the camerawork or cinematography, although that is not bad either. I am referring to the costumes, the makeup, and outlooks of all the characters. The costumes are not as intricate as say a period piece set centuries ago, but going back to what I said about this film’s nostalgia factor, these costumes feel like they belong in a time like the 1980s. “Air” is well written, well paced, and maybe I will watch it again sometime.

In the end, how could I not enjoy “Air?” In today’s society where we still have COVID-19, we still have division, we still have chaos, I always happen to be looking for stories that make me feel good, and “Air” is one of those stories. I think this movie is going to do very well with audiences over time. I do not know how much of a presence it will have at the next awards season given how early it has come out. But if Amazon Studios gives “Air” a big enough push, it can do some magic. With its already successful theatrical run, I hope it also does well when it drops on Prime Video. “Air” is not my favorite film I have seen so far this year, but it is one that I am going to think about on a consistent basis. Also, between “The Way Back” and now “Air,” Ben Affleck is the new king of basketball movies. I am going to give “Air” a very high 7/10.

“Air” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! Pretty soon I am going to have reviews for “How to Blow Up a Pipeline” and “Sisu,” both movies just recently came out, and I saw both of them. I will have my thoughts sometime soon. Also, I have my ticket to go see “Guardians of the Galaxy Vol. 3” this week, so you can also expect a review for that movie coming soon as well. Stay tuned! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Air?” What did you think about it? Or, who is your favorite athlete? Let me know down below! Scene Before is your click to the flicks!