Spider-Man: No Way Home (2021): Sony and Marvel’s Thrilling, Emotional Love Letter to Three Generations of the Webhead *SPOILER-FREE*

Spider-Man: No Way Home (2021) - IMDb

“Spider-Man: No Way Home” is directed by Jon Watts, who also directed the previous two MCU-set “Spider-Man” installments, which also have home in the title. I’m assuming if they make a fourth movie, it’s gonna be called “Grand Slam?” You know, instead of home run? Four?

Anybody?

Who cares?

Anyway, this film stars Tom Holland (Cherry, Onward), Zendaya (Space Jam: A New Legacy, Dune), Benedict Cumberbatch (Star Trek: Into Darkness, Sherlock), Jacob Batalon (Blood Fest, Let it Snow) Jon Favreau (Chef, Solo: A Star Wars Story), Jamie Foxx (Soul, Ray), Willem Dafoe (The Lighthouse, Aquaman), Alfred Molina (Raiders of the Lost Ark, Prince of Persia: Sands of Time), Benedict Wong (Annihilation, Raya and the Last Dragon), Tony Revolori (Dope, The Grand Budapest Hotel), and Marisa Tomei (Parental Guidance, Anger Management). This film revolves around Peter Parker, AKA Spider-Man, who has to deal with the newfound dangers that lie ahead now that his identity has been revealed, in addition to being connected to the recent event of Mysterio’s drone swarm in London, which has been interpreted differently by the general public. When Peter seeks Dr. Strange’s help to make everyone forget he was Spider-Man, the spell to make such a thing happen goes wrong, villains from other universes arrive, and it is up to Peter to do the right thing before the dangers of one universe then become the dangers of another.

Alright guys, it is that time again. A big movie in December. Although this time around, it’s not in the “Star Wars” franchise. Still huge. That being said, “Spider-Man: No Way Home” is the biggest movie of the year. I should note the box office suggests that this film is enormous, but there are still people who have not seen the film. I know at least a couple. With that being said, I will note that this review is spoiler-free. I am going to talk about certain points in the film that stand out, but I’m not going to go into deeper plot points. If you have not seen this movie and plan to see it, I can tell you that this review is safe to read.

“Spider-Man: No Way Home” is a follow-up to “Spider-Man: Homecoming” and “Spider-Man: Far from Home.” I have to say that when it comes to the first film, it is slightly more enjoyable than I remember it being. But given Spider-Man’s excellent writing in “Captain America: Civil War,” the writing for that film felt like a step down. I really liked Vulture. Peter’s chemistry with Aunt May (Marisa Tomei) was charming. I even liked Liz in that film. I still think the film has logic issues when it comes to how Peter’s suit works and how Tony Stark would want it to work, but the film is still decent enough to pass the time. When it comes to “Spider-Man: Far from Home,” that film felt like a step up. Jake Gyllenhaal did a great job as Mysterio. I liked Ned a bit better this time around compared to the original. Plus it was nice to see Spider-Man somewhere other than New York for a change. Plus, the end of the film promised a fantastic setup for what would ultimately become “No Way Home.”

When it comes to “No Way Home,” is it a thumbs up or a thumbs down?

I think neither. I’d say TWO thumbs up.

Now, like almost everyone else, I should note that my anticipation and my excitement for “No Way Home” was high. Not as much as “Dune,” but still high. But I was also nervous. Because the film promised massive multiversal shenanigans, which sounds great. I should note… It SOUNDS great. During the fall as we built up to this film’s release, “Spider-Man: No Way Home” in my mind sounded like it could be one of two things. It’s either going to be the best movie ever, or the worst movie ever, and nowhere in between. In crossover-speak, is it going to be the next “Infinity War?” Or is it going to be the next “Space Jam: A New Legacy?” God that movie was awful. Thankfully, upon leaving the theater, I can confirm that I felt excited to go see the movie again in less than 24 hours, and my mind literally melted on the way home from how exciting this movie was to watch.

This film has a ton of villains ranging from Doc Ock to Electro, but it’s not like they’re just there for nostalgia purposes. Granted, at the end of the day, this film is sort of a tribute to the Spider-Man character and all the stories that came before this one. Anyone can put in a ton of cool characters and have them fight against Spider-Man. Heck, this movie could be Spider-Man vs. Godzilla vs. Agent Smith vs. Ron Burgundy, but it does not guarantee a good movie. It’s a basic case of concept vs. reality. The concept is great, but the reality could suck. But here’s the truth about all these villains…

Jamie Foxx’s Electro was written ten times better than he was written in “The Amazing Spider-Man 2.” Now, I will admit, they did kind of highlight a specific aspect about him from that film, specifically how Max was a nobody, which I thought had some okay setup before he was affected by a bunch of eels. But as we see him enter this universe, I could really tell that he was confused, he was concerned, and had no idea what was going on. They’ve even given him a new costume, which may be for story purposes, sure, but of course, who doesn’t want to sell more toys? Why do you think they gave 3PO a red arm in “The Force Awakens?”

My favorite villain of Raimi’s “Spider-Man” films was always Alfred Molina’s Doc Ock. I feel like even though his character was truly at the end of the day, an evil mastermind, he also had a heart. He went through tragedy the same way Peter did in those movies when he lost Uncle Ben. Only in the case of Doc Ock, he used his tragedy for evil, partially for a reason beyond his control. Even though he terrorized New York City, I feel bad for him, looking back. Plus, his arms are among some of the best practical effects ever. As for how he’s handled in this movie, I like the way they went about exploring his character’s newfound questions. After all, when you enter another universe, everything feels completely strange. Although when they first introduced him, they had a potential plot hole that could have affected how I viewed the entire movie that was corrected about ten to twenty minutes later. Glad they touched up on that. In this film, instead of his arms being practical, they were CGI, and I honestly could barely tell the difference. They did a really good job at making Doc Ock fit into a universe like this, even though it’s really the same character as another one.

But if you’re going to ask me who I think gives the single greatest performance out of all the film’s villains, I think that would have to be Willem Dafoe’s Green Goblin. Now I always sensed that Dafoe enjoyed playing the character of Norman Osborn and being a part of the “Spider-Man” franchise. Even after his character died in “Spider-Man” (2002) he came back for the sequels, and there’s also a bonus feature where Alfred Molina is pranked by Dafoe, wearing the Doc Ock tentacles, trying to motivate Molina to give the greatest performance possible. Part of this movie centers around Osborn struggling with his inner self, which is not new for him, and I feel like we get so many layers to his character. We see his bewilderment of the world around him. We see him conflict over power and normalcy, and I think his dark side is more evident than ever. Whenever he does something truly horrific in this film, not only is it well written, I think it may deliver the best performance I have seen out of a Spider-Man villain in a long. Long. Long. Long time. I really liked the Green Goblin in the 2002 “Spider-Man” movie. “Spider-Man: No Way Home” arguably made him even better.

Now I will say that there are a couple other villains in this film, including Sandman and Lizard. Of the film’s villains, those two were the weakest, but they were still better than a lot of the villains we get in the MCU nowadays. I say that because a lot of the films in the MCU sometimes fail to heighten the villain and instead we get a cliche bad guy who just stands in the hero’s way. These are two are better than Ronan in “Guardians of the Galaxy.” And they’re especially better than Malekith in “Thor: The Dark World.” These two have some occasional funny lines, and I like Lizard’s reference to his master plan which Electro ended up making fun of. It’s not like they did not need to be in the movie, the movie is definitely cool with them and they do not end up doing anything offensive. But of all the villains in the film, Sandman and Lizard are the weakest links because they have the least depth. We get more time with Doc Ock and Goblin, therefore we have more opportunities to see depth for them, but for Sandman and Lizard, not so much.

But of course, this film belongs to the heroes. Spider-Man, Doctor Strange, Ned, and MJ.

All of these actors who play the heroes are great and I think when it comes to Ned (center) in this movie, he’s kind of a bundle of joy. When I saw Ned for the first time in “Homecoming,” I thought he was annoying. I kind of grown to like him in that movie a little bit, because I kind of get the enthusiasm behind finding out your best friend is Spider-Man, but I think of these three movies, he had the worst writing because his questions can get excessive. To me, the writing in this film made the most sense of the three, although his storyline in “Far from Home” was hilarious. It’s one way to write teen love I guess. Although if I have one thing to say, it’s not a huge complaint, but it is something worth pointing out, something happens with Ned in this movie that is out of random chance. It was never something that was established that he could do, or something he learned. It just happened. I mean, if you watched the movie, they “teased” it a little, but kind of as a joke, nothing more. I guess foreshadowing is foreshadowing, even if it’s a throwaway joke.

Zendaya’s MJ is another character that to me evolved with time. In the first film, she felt overly snarky. In the second film, I got to know her a little better and I began to appreciate her as a character just a bit more. In this third film, we see her with Spider-Man from the start, and I think their chemistry has blossomed into something special. It is worth noting that all three live-action Spider-Men from Tobey Maguire to Andrew Garfield to Tom Holland all dated their character-based love interests at one point in real life. Maybe that’s why their chemistry all feels natural. There was a scene on a school rooftop, it’s in the trailer, that stood out to me as to why Holland and Zendaya work together. Although I was a bit surprised to see MJ reading a physical newspaper as opposed to some article on her phone. I dunno, just a stereotypical generational thing.

Doctor Strange is in this film as well, and judging by the trailers, his performance at first felt a little different from his previous outings in the MCU. Having seen the movie, and having remembered some of the other movies he’s been in, it actually feels somewhat consistent. Maybe it feels different because he’s communicating with teenagers, which may not be his forte. I may be making excuses, but I think if you’re an adult, you may have a way of communicating with teenagers in a slightly different tone than you would with your spouse or your boss. You know, unless your employer works at “LitDonald’s!” Keep it 100 with our Big Lit! Sauce me some of those yeet fries! Enjoy the LitRib for a limited time! Although when it comes to consistency, there is a one-liner out of Strange about birthday parties that feels wonderfully similar in tone to this exchange in “Infinity War.”

Dr. Stephen Strange: If we don’t do our jobs…

Tony Stark: What is your job, exactly, besides making balloon animals?

Dr. Stephen Strange: Protecting your reality, douchebag.

But of course, we need to talk about Tom Holland. Spider-Man stories have shown a balance between a hero struggling to maintain his friendships, his identity, while also trying to save the world. In the case of “Spider-Man: No Way Home,” this balance is handled brilliantly. The film starts off right where the last one ended, and right off the bat we already see Spider-Man protecting what he has left of his identity, his love interest, and the people he knows. We already start off the movie with one of the worst possible things that could have happened to Peter Parker, and that’s just the beginning. We see him deal with controversy in school. Parker’s trying to find a lawyer. The people he loves are being hurt for reasons beyond their control. As we go through Spider-Man’s journey, the tragedy only builds up. And this is what makes Spider-Man a hero. When he goes to Doctor Strange to make everyone forget he’s Spider-Man, he’s not just looking out for himself, he’s looking out for the people around him. His friends, family, colleagues. There’s a subplot in the film where the trio are trying to get into college and that is only made harder through their connections to the battle in London.

I expected this film to be exciting. I expected this film to be fun. But part of me was not ready for how much emotion this movie packs. Now I figured there would be at least one emotional moment because it is the third film of a trilogy and that’s where certain ends are tied up for good and that sort of thing. This film has multiple powerful scenes and happenings that bring a balance between the expected excitement and the emotional weight. Tom Holland in this film honestly delivers one of the best performances of his career because of this. I don’t think he’ll be nominated for an Oscar, but by the end of the film, there’s a particular arc that is perfectly assembled and you don’t even need words for it. Just the expressions on his face alone make the scene perfect. You may know what I’m talking about when it comes around.

Although I do want to talk about one thing when it comes to the emotion. This is a spoiler-free review, so I will not go into detail. But the ending of “Spider-Man: No Way Home,” despite its instant feeling of satisfaction, induction of a smile, and solid conclusiveness to certain characters, probably would have been made better if Peter did one thing to possibly prevent another thing from happening. If I did a spoiler review, I would expand on it. But again, I cannot. The point of me making this review is not to discuss every single plot point and detail. It is to convince my viewers as to whether they could make a formal decision on whether “Spider-Man: No Way Home” is worth seeing. I recommend you do, I think this is easily one of best “Spider-Man” films ever made. But I want my viewers to go into this film knowing as little as possible, but with enough details as to what I like, didn’t like, and maybe that will help them know whether or not this movie is for them. I would not instantly recommend this movie to my mom (although I would recommend Shang-Chi), but I do recommend a lot of you reading this should go check out “No Way Home” on the biggest screen you can.

I will also point out that this is Jon Watts’s third film in this trilogy, making him the first director to direct a complete trilogy in the MCU. Jon Favreau directed two installments for “Iron Man,” but Shane Black did the third. Joss Whedon did the first two “Avengers” films, but the next two ended up going to the Russo Brothers. When it comes to all three movies, they are solid. But the directing in these films do not really give him much of a chance to individualize himself. And as for this movie, I think Willem Dafoe’s face reveal, as exciting as it was, could have been handled slightly better. It was still exciting, but it was very quick. Although I think if you take into account the end of the film and the performances from just about everyone, this may be the best-directed film in the franchise. Everyone felt true to their characters and when came to Peter’s emotions, Watts likely knew exactly how to touch base with Tom Holland. I think after seeing this film, I am curious to see if there are any specific quirks Watts develops, but I nevertheless think he will do a good job with “Fantastic 4,” whenever that comes out.

One last thing before we move on, J.K. Simmons is back as J. Jonah Jameson. You saw the little snippet of him in the previous film, but now we have him here and the way they utilize him is perfect. For this modern era, his placement in the universe makes sense. He’s basically Alex Jones if he was trying to find a cure for his balding. After seeing this film, I am convinced that nobody else aside from J.K. Simmons can play J. Jonah Jameson. Debate over.

Spider-Man: No Way Home (2021)

In the end, “Spider-Man: No Way Home” is the best film in the Jon Watts trilogy. It’s a triumph for Tom Holland. It’s at the end of the day, a love letter to the character. My favorite “Spider-Man” movie is “Spider-Man 2,” and right below that would have to be this one. It’s that good. The movie has its flaws, but no movie’s perfect. I think the best part about “Spider-Man: No Way Home” is that it doesn’t just use all these previous characters and actors just for the sake of marketing. Granted, it definitely helps. But each villain had at minimum, the slightest of reason to be there. Even Sandman and Lizard. The first two “Spider-Man” films in the MCU happen to be about teenage Spider-Man dealing with teenage situations from crushes to school dances. This film, in my imagination, is literally Spider-Man attempting to push back a giant boulder of inconveniences and tragedies. And by the end of the film, I felt enough of its weight to make me care for everyone. If you like “Spider-Man,” you will love this movie. I don’t know if you will like it more depending on whether you have seen the other villains before, but that’s another debate for another time. Please check this film out, take your friends, take your family, take everyone. It’s best experienced with an audience, and there are some are some epic potential applause break moments depending on when and where you see this film. I’m going to give “Spider-Man: No Way Home” a 9/10.

To me, this kind of reminds me of “Once Upon a Time in Hollywood…” because despite the glaring issues that such a movie has, I ended up giving it a 9/10. The reason for that is because those issues barely get in the way of all the other crazy sequences and crowd-pleasers of this film. The fan part of me wants to give a perfect score, but again, there’s some issues that keep that from happening. There’s the fan side of me and the critic side of me. Today, I have to be the critic. The film is an experience that I want erased from my memory in order to go back and witness again. For those reasons alone, I highly recommend you go watch this film in a theater. But reserve your tickets in advance, you’re gonna want the best seats.

“Spider-Man: No Way Home” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! I want to let you guys know that I have more reviews coming up including one for “King Richard.” Stay tuned for that! If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Spider-Man: No Way Home?” What did you think about it? Or, which Jon Watts-directed “Spider-Man” movie is your favorite? Let me know down below! Scene Before is your click to the flicks!

Ralph Breaks the Internet (2018): The Emoji Movie For Intellectuals

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“Ralph Breaks the Internet” is directed by Phil Johnston (Zootopia, The Brothers Grimsby) and Rich Moore (The Simpsons, Futurama) and stars John C. Reilly (Guardians of the Galaxy, Kong: Skull Island), Sarah Silverman (A Million Ways to Die in the West, Bob’s Burgers), Gal Gadot (Wonder Woman, Keeping Up with the Joneses), Taraji P. Henson (Hidden Figures, The Curious Case of Benjamin Button), Jack McBrayer (30 Rock, Forgetting Sarah Marshall), Jane Lynch (Hollywood Game Night, Glee), Alan Tudyk (Firefly, Rogue One: A Star Wars Story), Alfred Molina (Spider-Man 2, Raiders of the Lost Ark), and Ed O’Neill (Modern Family, Finding Dory). This movie is the sequel to Disney’s 2012 animated hit “Wreck-It Ralph.” On this second go around, in a situation which involves saving Vanellope’s game, “Sugar Rush,” Ralph and Vanellope decide to go on an adventure to the Internet. Throughout the journey we experience some mishaps, attempts at humor, and unfortunately, product placement. But you know, it could be worse, it could be “The Emoji Movie.” We’ll get to that eventually.

Going into “Ralph Breaks the Internet,” I didn’t have truly high expectations from the marketing. As a matter of fact, part of me thought the marketing just plain sucked. The first teaser trailer left me feeling icky. Then again it might really be due to how much I can’t stand the Flo Rida song “Good Feeling.” But who knows? Maybe the next trailer could have kicked total ass, but let me just say that it really did the opposite. Instead, the trailer made me hand my own ass right over to it. To me, once I saw the “Oh My Disney” portion of the trailer, it just really felt like a massive commercial for all the Disney properties. Disney! Disney propaganda! Bring the kids! Go to Disney World! Buy all of our stuff at the Disney store! Pretty soon, after we finish dismantling Fox, we’re gonna buy Lionsgate so that way we can own “The Hunger Games” and have Jennifer Lawrence be stuck as Katniss Everdeen til the day she dies! Oh yeah, we’re gonna reboot “Twilight” too even though everyone knows it’s a complete and total waste of time. But hey! Teen girls! Get em’ in the theater! Money! Money! Money! Money! Money! The last trailer however ended up giving me what I wanted. While the trailer is not like anything I’ve seen for say, “Ready Player One,” it definitely provided what could have been some solid ingredients for a proper “Wreck-It Ralph” installment.

Walking out of the movie, I gotta say, I’m shocked. This movie’s actually pretty great! There’s only one other movie this year that I’ve reacted similarly to, and that’s “Blockers.” It’s a movie with a less than stellar marketing campaign, a movie that a part of me thought was going to suck, and just something had I not been reviewing movies, I’d be more hesitant towards when it comes to spending my money at the cinema. It just so turns out that “Ralph Breaks the Internet” is a solid sequel, continuing the journeys of the characters many viewers knew and loved since the first installment, delivering a story that is just about as enjoyable as its predecessor. And in reality, it is a better version of “The Emoji Movie.”

For those of you who have watched “The Emoji Movie” or know what it is, you’d be aware that it takes place inside a cell phone, where all of the Emojis live. They live in a town called Textopolis and their life is basically being processed and sent through texts. Here in “Ralph Breaks the Internet,” we start off in the same little arcade people know from the first movie, where all of the video game characters live in harmony. As viewers probably know, their daily lives involve being the very characters they were designed to be. Ralph is the continuous building wrecker, Felix is the neverending building fixer, Vanellope is the nonstop racer, and Pac-Man… eats dots. Because that’s what yellow circles do apparently. Then boom! A little bit of chaos goes down, Vanellope’s game, “Sugar Rush,” has to be unplugged because the wheel breaks down. However, Ralph is Vanellope’s best friend, and we all know, best friends are supposed to be there for each other. So Ralph decides it would be a good idea to take a journey alongside Vanellope into the Internet to save her game. The world of the Internet in this movie almost reminds me of the space resort in Wall-E, everything just feels so sleek and it’s all very populated. It’s like a city that receives no pollution. You know, unless you look hard enough. The chemistry between Ralph and Vanellope truly shines in “Ralph Breaks the Internet,” and you can definitely tell they are best friends. This movie even tries to show the power of friendship and how unbreakable of a bond one can have with another person and I’d say the execution of that message is incredibly well done.

Moving away from our leads, let’s talk about one standout new character named Shank. She’s voiced by Gal Gadot and happens to be a street racer in a popular computer game. There’s this one game Ralph and Vanellope come across by the name of “Slaughter Race,” that’s where they meet this character. Seeing her and the gang who she happens to know turned out to be a bigger highlight in this film. Also, when they first meet her, there’s actually a very entertaining chase scene. Look out for it.

Speaking of new, let’s talk about something very old. Disney. I mentioned earlier that one of the trailers to “Ralph Breaks the Internet” was off-putting to me because it has an overload of Disney references. It just felt like a cheap way of pointing out how amazing Disney is. In reality, I think Disney’s kind of overrated. Sure, they own a lot of things I like, but there’s going to be a point where they ruin everything I love. They already partially ruined “Star Wars” for me so there is that. This all starts out somewhat commercialized, but some of it is well executed, and partially realisitc. There is a point where we cut to someone in a comic con panel-like setting. And they ask this question that is the stereotypical version of a deep question that a comic book nerd would ask. That’s all the detail I’ll give related to that, because there’s something else that’s pretty cool in relation to what I just said, but that was a definite highlight.

Another highlight when it comes to this is the scene where we see all the Disney princesses together. I thought at first that this was going to be completely cringeworthy. It was actually brilliant. You know how certain shows on Fox actually make fun of their own network and others associated with it?

THE SIMPSONS
FOX NEWS HOST: “Welcome to Fox News– your voice for evil.” (The Simpsons)

AMERICAN DAD!
ROGER: “Sure, we don’t report the news, we make it. Accuracy is so time-consuming. Fiction is the new fact.”

FAMILY GUY
LOIS: Where’d you hear that?
CHRIS: Fox News.
LOIS: Then it’s a lie. Everything Fox News says is a lie.
CHRIS: But this one’s true mom, you saw it with your own eyes and then you reported it.
LOIS: Even true things, once said on Fox News, become lies.

FUTURAMA
TOUR GUIDE LADY: “To your right, you’ll see 30th Century Fox studios. Fox uses those search lights to blind pilots, then film the resulting plane crashes.”
*SEARCHLIGHT SPOTS PLANE, EVENTUALLY ALLOWING IT TO CRASH
BENDER: *snaps photo* Neat!

Yeah, this is basically the Disney princess scene in a nutshell. Or should I say part of it, because that’s the part that’s going for humor. The other part is a bit more serious and plays a part in Vanellope’s overall arch in the movie. I don’t want to get too much into it, but this movie manages to poke fun at the princesses for their constant need to sing, their desire for men as if the concept of lusting after a guy is their only path in life, and they even throw a little jab at Pixar. If you have ever seen the movie “Brave” you’d know that the main character is Merida (Kelly MacDonald). All of the other princesses have a voice that pretty much anyone (at least any English-speaking individual in the US) can understand. But “Brave” takes place in Scotland and I remember awhile back I was talking to my grandmother or someone else and they said that Scottish people are difficult to understand. This is what I imagine would be a perfect stereotype from perhaps my grandmother’s vision towards the Scottish. OK, whatever, maybe Merida actually said something in Gaelic (according to IMDb), but still, it’s hard to comprehend regardless of whatever standard we are talking about. As a joke, one of the princesses reminds us as an audience, “she’s from the other studio.”

I said we’ll get to the product placement, so you know what? Let’s go nuts. It’s not as blatant or annoying as “The Emoji Movie,” but it’s still a thing. There’s a whole segment that takes place in eBay which is actually very entertaining. In fact, I won’t go into complete detail, but if there is one company, aside from Disney, that this movie is a feature-length commercial for, it’s eBay. There’s a whole segment where we see Ralph and Vanellope bidding against a user in the real world, but they don’t know how eBay works. They think the objective is to bid high numbers and leave it at that. They don’t understand that in reality, you have to bid high, but you also have to be cautious of how high you go and occasionally ask yourself, “how high is too high?”. There’s also this one character called The Eboy, who to mt surprise was played by Sean Giambrone. For those of you who don’t know him, he’s the lead kid in ABC’s “The Goldbergs,” one of my favorite sitcoms on TV right now. Essentially, without spoiling the movie, it is a big fat commercial for eBay. Thankfully, it’s done brilliantly, and not many other brands are coming in to make me have a headache. There are some notable instances here and there from companies such as Amazon, Google, Twitter, Snapchat, etc.

One surprise, considering YouTube, is the fact that it is not even in this movie. Think about it, Google, which owns YouTube, is getting a slice of the promotional cake, but YouTube is getting nothing but an attempt at humor. There is however a part of the movie that involves a fake video sharing site called Buzzztube. It is run by a girl named Yesss, played by Taraji P. Henson. The segment where we go through this happens to parody YouTube by saying things like “trends don’t last,” and “if you want to be popular, repeat whatever is popular.” Hey, Disney, that sounds familiar! To me, that’s one of those things that’s simply funny because it is true.

I don’t want to talk about too much more, because if I do, I’ll spoil some stuff that should be kept as secret. But there’s one thing about this movie that kind of surprised me. There are TWO end credit scenes. I guess having a random appearance from Marvel’s characters can technically make you qualify as a “Marvel movie.” Coincidentally, Stan Lee has a cameo in this film. RIP by the way.

In the end, “Ralph Breaks the Internet” was a pretty fun time. It has its flaws, but they are extremely minor and don’t leave the positives in the dust. And, by the way, I’m a guy, I like adrenaline rush type of movies like “Point Break” or “Baby Driver,” but I will admit, there was a point or two in this film, where I almost felt like tearing up. I won’t get specific, but it’s true. Is this film BETTER than the original? I honestly don’t know. I said in the beginning that this is a solid sequel to a lovely original film, but to be honest, I have not watched the original “Wreck-It Ralph” from start to finish since 2013 so I don’t even know if I can give a completely valid opinion at this point. However, much like the first movie at this point, I’m going to give “Ralph Breaks the Internet” an 8/10. Thanks for reading this review! I just want to remind everyone that it is December, and my head is spinning. I have tons of plans for the month after this and 2019 as a whole. But before we get to that, since I have my countdowns for my best and worst films of the year coming up, there will be some movies I will be watching which have been released this year that might not end up being reviewed. Who knows? Maybe that’s a lie. But I’ve done this for the past couple of years so it is kind of my tradition now. Plus, December’s a big month for me in terms of reviewing blockbusters and Oscar-bait titles. I need to focus on those, because, ya know, priorities. Be sure to follow Scene Before using your email or WordPress account that way you can stay tuned for more great content that unfortunately, breaks the internet less than an irrelevant woman’s sex tape. I want to know, did you see “Ralph Breaks the Internet?” What did you think about it? Or, what is your preferred choice between the “Wreck-It Ralph” movies? Let me know down below! Scene Before is your click to the flicks!