MORE Celebrities?! Why I am Not Excited for the 2025 Season of Who Wants to Be a Millionaire?…

Hey everyone, Jack Drees here! I said in some recent posts that I am somewhat behind on my movie reviews. Unfortunately, that does not appear to be changing, because today I am going to be talking about a passion of mine I do not often get to discuss on Scene Before, game shows.

Today we are going to be talking about the upcoming season of “Who Wants to Be a Millionaire?”, and just how peeved I am by the current state of it. But before we get to why that is the case, I want to give some background on my relationship with this show.

As a game show fan, I have grown up watching “Who Wants to Be a Millionaire?” in the U.S. and have sometimes gone online to find variants of the show in other countries, including the original in Britain, and watch those as well. If I had to name a favorite game show format of all time, it would easily be “Who Wants to Be a Millionaire?”. In fact, I say that as someone who has not had the best luck with the show as a fan over the years. For one thing, I was born in 1999. So I was never conscious enough to truly experience Regis Philbin’s run on the U.S. version. I felt the changes later made to the show on syndication such as the eliminated lifelines, the eradication of the hot seat, as well as the lackluster music they decided to go with from 2010 to 2019 made for a product that I felt was significantly inferior to what the show had before.

Then came 2020, it was announced the show would come back to primetime. Good. They also announced there would be a hot seat. Good. They also brought the back the original music. Good. They also announced it would be a celebrity exclusive season. Okay… I mean… It is not ideal, but I will let it slide this one time.

Nevertheless, the fanboy in me was excited. I was truly bouncing off the walls. They even picked a decent host in Jimmy Kimmel, who I enjoy through his late night talk show, as well has his then recent gigs at the Oscars. I even reserved seats in the audience to see the first taping of the show in Los Angeles.

Then COVID-19 happened and nothing was ever the same.

Long story short, I got two free tickets for my mom and I. We got a flight to LAX. We got a hotel in Beverly Hills. All is fine and dandy. Then things start shutting down, and hours after we land and get to the hotel, I get a message from the ticket provider saying that the taping has been cancelled. I basically flew to Los Angeles for pure disappointment.

So what happens next? The show tapes its all celebrity season without an audience, and I have to say, despite some occasional bumps in the road in terms of the rules and question difficulty, it was a really good season. I had a ball watching the show return to its roots, and Jimmy Kimmel did a good job with hosting. The show did well with ratings, and it returned later that year. This time around, celebrities were still playing, but they also brought in some essential workers. It was a respectable balance of famous and not so famous players. A lot of those players across the board appeared to do very well with their individual games and they were all fun to watch. Though if I had one weakness, I think Jimmy Kimmel does a lot better communicating one on one with celebrities than he does the regular contestants. It could be attributed to his experience in late night television. He knows a lot of these people, and in some ways, a lot of the back and forth delivered a vibe that was similar to talk show banter. That is my one big gripe with the season I came to realize. If I had another one, it is the guaranteed minimum of $32 thousand given to each contestant. Essentially that means, no matter what, everyone leaves as if they successfully answered the 10th question of 15. It makes the game somewhat less engaging. Though the money is for good causes and for people who probably need it, so it is nice seeing the money going somewhere where it is needed.

Then a couple years go by where the show is essentially on hold, until it makes its triumphant return in 2024 for its 25th anniversary. Despite the special title, there was not much of a reason for me to get excited about it, as the program was showcasing all celebrity contestants again. And not just one, but two celebrities were playing each game! I was disappointed, but I was still onboard because it is still better than no “Millionaire” at all. Plus, the audience was back! And so was the Ask the Audience lifeline! Finally! Unfortunately, I was not a part of the audience like I would have been in 2020.

Then we get to this year… Just kill me.

Assuming we only get one season this year, the 2025 season of “Who Wants to Be a Millionaire?” is going to be the exact same format as the 2024 season. All celebrities, with two contestants per game. When will this end?

I love the “Who Wants to Be a Millionaire?” format, but it does not change the fact that the people running it do not know what to do with it. If anything, them bringing the show back this year, and perhaps also the year before, comes off as an obligation. I do not have a lot of time for television as I watch so many movies, but game shows have always been some kind of exception. “Who Wants to Be a Millionaire?” is a great idea for a show, and if done right, it is exceptional. This season feels underwhelming based on what I have read so far. I have no problem with Jimmy Kimmel coming back. He is a good host. I think when it comes to suspense, I think he does a better job with that compared to Regis Philbin. For the record, I think Regis Philbin is the superior host, but Kimmel holds his own. He is funny, he has good delivery with the prompter lines, and he times himself well with what the contestants have to say. Do I think there are people who I would rather see have a chance at hosting? Perhaps. If I had a few desired picks, I would go with Levar Burton from “Star Trek: The Next Generation,” Taylor Tomlinson from CBS’s “After Midnight,” or heck, let’s throw Howie Mandel in there as well. I liked him on “Deal or No Deal.” Or even bring back one of the older hosts! I have a soft spot for Meredith Vieira. I think she did a fantastic job during her run. Jimmy Kimmel is a fine choice though, I dig him. So that is one positive with this renewal.

Now onto the negatives. This show is becoming increasingly dumbed down. I understand the need to dumb things down during the 2020 seasons with the standby experts each contestant brought in. Many of the players were giving money to charity, and there was also an ongoing health crisis. While we still have people playing for charity in this upcoming season, I will not deny that we are at a point where it sounds like the people making this show are intentionally making it as insultingly easy as they can. I do not know what the questions will be. I will note, there have been a few million dollar questions over the past 5 years on this show, and all of them were actually quite difficult. I had trouble figuring them out myself. But regardless of what questions the contestants end up getting, the journey to get to that million dollar question is inevitably going to be less exciting.

I would have no problem with two people playing at the same time if it were a special occasion during a long season. It has been done before. There have been Couples Editions of the show when Regis Philbin was hosting. I also have no problem with bringing in a second player to help out. On top of the expert in the shadows that assisted the contestant during the 2020 season, there have been lifelines on the show that involved back and forth communication between two people like Phone a Friend, Ask the Expert, and Plus One. But those lifelines only help the contestants for a certain window of time. When you have two players answering questions simultaneously for the entire game, you basically have a permanent lifeline. On top of that, if this season is going to be like the last one, then chances are some of the lifelines are going to be Phone a Friend, which again, involves communication between multiple people… Ask the Host, where Jimmy Kimmel tells the contestant what he thinks, or knows, the answer is… And Ask the Audience, where a bunch of people with keypads give away what they think the answer is.

When making a game show with a million dollar top prize, it should have the feeling of high stakes, tremendous pressure, and utter intensity. “Who Wants to Be a Millionaire?” has mastered that through many of its past seasons. But the way things seem to be laid out for the current iteration of “Who Wants to Be a Millionaire?” feels smaller and less exciting. In fact, it sometimes feels scripted. If you watched “Who Wants to Be a Millionaire?”, even in the daytime, you would notice that not every show starts with a contestant playing their first question. They could be on the second, third, maybe even the 15th. If you watched the last season, every episode was the same. You had two contestants playing at once during the show’s initial half. And for the second half, another duo would take their place. It gets repetitive after awhile. I have no idea what the tapings were like. I have to imagine some significant editing must have taken place to allow each pair of contestants to fill the hour without going over or under. But even if any of these contestants’ runs were authentic, it made “Who Wants to Be a Millionaire?” feel more predictable than it has ever been. Predictable is probably the last adjective I would want to use to describe this show. The beauty of “Millionaire,” as well as just about every other game show in existence, is that it does not follow a script. Sure, there are some lines the host has to say. Sure, there is a format that is often followed. Sure, many games are played so they can easily be completed in one episode. But the contestants fill in the gaps. While the pairs of contestants from the previous “Millionaire” season may have filled those gaps, the show sometimes felt rushed or unfinished.

I remember watching some episodes of “Who Wants to Be a Millioniare?” in the United States as well as other countries, and when some people win the million dollars, the host will take time to talk with them, congratulate them, and let the audience breathe. That kind of communication did not happen every single time, but even when it did not, the show still gave a moment for everyone in the room to celebrate. I think this is a moment best exemplified by last season, when contestant duo Ike and Alan Barinholtz won the top prize. Unfortunately, there was not much Jimmy Kimmel could do to build up the million dollar win because the contestants used the Ask the Host lifeline. When that lifeline is used and a contestant locks an answer in, Jimmy must let the computer “reveal the correct answer.” The answer turns green, the contestants lose their mind, and so do Jimmy and the audience. Confetti shoots out, Jimmy acknowledges the win, and suddenly, the show is over. Maybe that is how things were when this specific portion of the show was being taped. But as a viewer, I would have liked to have maybe digested the moment a little more. Maybe once the music stops, you could hear the audience cheering, or we could get to know a little more about the duo’s charity and what this money means to them. I feel something was missing here. Yes, I know what I am saying sounds scripted. But come on. Would you rather see these celebrities take the money and run? Or would you want to take a moment to celebrate the win with them? It is not like this kind of thing has not happened in recent years.

Heck, during Jimmy Kimmel’s second season, that actually happened when celebrity contestant David Chang won! The player became the first celebrity in history to win the million, which was acknowledged on air. He and Jimmy celebrated with elbow bumps. The sideline expert joined in. They paused for a moment to breathe, and then they sit down and discuss how everyone felt in the moment. They even took time to call David Chang’s phone a friend, ESPN’s Mina Kimes, to bring her in on the celebration. In fact, you can see this for yourself in the full episode, which as of this post’s publication, you can watch on YouTube. The million dollar question begins around the 17 minute mark. You’re welcome.

Fast forward to the Barinholtz duo, Jimmy simply hands the check and the show is over. I was thrilled they won. Very thrilled, actually. I did not know much about his father, Alan, but deep down I knew Ike Barinholtz could make it to the end because I had the privilege of also watching him on “Celebrity Jeopardy!”, where he also did very well, and not just by celebrity standards. I just wish “Who Wants to Be a Millionaire?” could have celebrated an achievement as unbelievable as this with a little more pizzazz. In film speak, it is like if a movie wins Best Picture at the Oscars, but they do not let anyone give an acceptance speech. Again, if you want proof, the full episode is available on YouTube as of this post’s publication. The million dollar question begins around the 38 minute mark. Once again, you’re welcome.

I know during Regis Philbin’s time on the show, the contestants who won the million, or in Ed Toutant and Kevin Olmstead’s cases, anywhere between $1.86 million to $2.18 million, would also be given a check and shortly leave after. But that is supplemented with a bit of a breather where the music dies down. Maybe they celebrate with someone they know, or they get a thunderous response from the audience, perhaps even the people working behind the scenes.

I love some of the changes that have been made to the U.S. version of “Who Wants to Be a Millionaire?” in recent years. Jimmy Kimmel is a fine addition to the show. I appreciate the production going back to its roots with the hot seat and the original music. Those are two of my favorite production elements in any project I ever watched, and not just game shows. The current set, which was inspired by the latest one used in the United Kingdom, is spectacular. Ask the Host is also not a bad lifeline. It shows that the host does not always have the answers. They do not make the questions. They are just providing them.

Although if I must be honest, as great of a format as “Who Wants to Be a Millionaire?” is, this current edition of it needs improvement. I am not necessarily suggesting for it to air multiple nights a week. But there needs to be a prioritization of regular contestants. I am not going to pretend I know how much money every celebrity contestant has in their bank accounts. Although if the game is called “Who Wants to Be a Millionaire,” it is much less inspiring and captivating to know that a lot of the contestants playing the game are already rich and famous. You think John Mulaney WANTS to be a MILLIONAIRE? No! His net worth is somewhere in the tens of millions! At this point, I would think he wants to be a NEPTILLIONAIRE! Yes, I know Mulaney, and other celebrity contestants, are playing for charity. But in all seriousness, why not let a regular Joe try for a million? Game shows are built to let people potentially win big, make it rich. People dream of going on “Who Wants to Be a Millionaire?”. While it may not be the pinnacle of trivia programs that “Jeopardy!” seems to be at this point, it has become a staple in game show history. Why not let some average people live out that dream?!

The beauty of watching “Who Wants to Be a Millionaire?” when it started was the potential of it making someone an overnight sensation. NO ONE could have predicted John Carpenter, an IRS officer from Connecticut, making it to the million dollar question with all of his lifelines, reading the question, finally using his phone a friend to call his dad, only to tell him that he does not need his help because he is going to the win the million dollars, which of course, he did, because the answer was “Richard Nixon.” That is must see TV.

You might be questioning me right now. After all, I did say earlier that I think Jimmy Kimmel does a better job communicating with celebrity contestants than he does with regular ones. That has been established. But it does not mean he lacks potential. It is not like he only communicates with celebrities. In fact, he spent some time on another game show with some non-celebrity contestants through “Win Ben Stein’s Money.” He has showcased some solid hosting skills on that show and I think he has the potential to do the same on “Millionaire?” should they bring back non-celebrity contestants there too.

I am going to let the crew behind this season of “Who Wants to Be a Millionaire?” have their fun. Maybe I will watch the show. Maybe I will not. Who knows at this point?… But this format is slowly losing its flair. Make it an event. Make it engaging. Introduce the viewers to some nobodies who could potentially become somebody. Let some regular people phone a friend instead of letting Jimmy Kimmel have an excuse to talk to his friends. He already has “Jimmy Kimmel Live!” for that. I want this show to do better, and that, is my final answer.

Thanks for reading this post! Interesting enough, this is not the only game show-related post you will see on this blog in a matter of days. Because if you are curious to know what my next review will be, it is “The Luckiest Man in America.” For those not aware, that movie is based on the events of the infamous “Press Your Luck” episode featuring Michael Larson. I was really looking forward to checking out that film. I hope you all are looking forward to reading my review of it. If you enjoyed this post and want to see more like it, follow Scene Before either with an email or WordPress account! Also, check out the official Facebook page! I want to know, are you looking forward to the upcoming season of “Who Wants to Be a Millionaire?”. Am I an idiot for making this post? Please tell me in the comments, I assure you I do read them. What are your thoughts on “Who Wants to Be a Millionaire?” as a show? Do you like it? Dislike it? Leave your thoughts down below! Scene Before is your click to the flicks!

Midsommar (2019): Can Ari Aster Top Hereditary?

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“Midsommar” is directed Ari Aster, who is known for directing numerous shorts along with his feature-length debut which came out last year, “Hereditary.” This film stars Florence Pugh (Fighting with My Family, The Commuter), Jack Reynor (Sing Street, Free Fire), William Jackson Harper (The Good Place, The Electric Company), Vilhelm Blomgren (Gösta, The Days the Flowers Bloom), and Will Poulter (We’re the Millers, The Maze Runner). This film involves a couple and a bunch of close friends going away together to rural Sweden. While the main characters intended to take a simple vacation to view a mid-summer festival, they eventually find themselves becoming more involved with various activities having to do with a Pagan cult.

If you asked me about my thoughts on Ari Aster as a filmmaker before this movie came out, I would have simply told you that I love him. Granted, I could be biting off more than I can chew because he only directed one feature film, but it does not change the fact that said feature film, specifically, “Hereditary,” floored me as soon as I witnessed it in the theater for the first time. The interactions between the family was truly worth appreciating. The cinematography is eye candy as delicious as white chocolate Kit-Kats. And Toni Collette gave one of my favorite performances of the decade as Annie. Naturally, the more I heard about “Midsommar,” the more excited I got. In fact, of all the movies coming out this summer season, “Midsommar” might be the one I anticipated the most, which is surprising when you consider how I waited over a month to go see it in the theater. But I just checked it out, so here we are! I feel like I have some weight off my shoulders!

Although before we go any further, I want to give a special shoutout to a friend of mine. His name is Choyon, and he went to go see this movie in July, only to tweet the following:

I cannot say I have seen the original “Wicker Man” film, but from what I gathered by this tweet, that was probably an enormous insult towards “Midsommar.” Having said that, I replied to him saying that I’ll probably instead check out “Spider-Man: Far From Home” that weekend, which in reality I didn’t do until two weeks after tweeting that out. He replied to me saying “Spider-Man” sounds like a better choice, calling “Midsommar” “pretentious crap.” These were followed by two more tweets.

I love Hereditary, I am almost scared for how I’ll feel about this thing after seeing that film. –Me

It may be a letdown, just saying –Choyon

I’ll remind you that Choyon has previously been a contestant on “Jeopardy!” and “Who Wants to Be a Millionaire” so I for one am able to trust him in an assortment of ways. Then again, while he appeared on “Jeopardy!,” he participated in the final round only to do this:

Yeah, that happened! It even got featured in a video from SGSA (Stupid Game Show Answers), a famous name in providing game show fail compilations for years.

But even with that, he is right. “Midsommar” broke me, tore me apart, and ignited me into scorching flames. If I had to judge this as if it were two movies, I would point out the movie’s excellence in terms of direction, cinematography, and location choices. The technical aspects stand out for good reason. But there is a lot that I can’t stand when it comes to how the film plays out as to what characters do on camera.

From the very start of the film, I am instantly reminded of one of my problems involving “Hereditary.” Below is a quote from my review of said film.

“I heard him crying and made me think he was doing a terrible impression of Matthew McConaughey.”

If you put that in context, I will point out that “Hereditary” had a ton of terrific performances by its cast, including Jackoff winner Toni Collete, but one performance that caught my eye at a certain scene was the one given by Alex Wolff. Why? Because he happened to be crying in a manner that managed to lack any sort of match to realism, and overall, it made me think of him as some cartoon who fails at animating their own expressions. This movie gave me the worst possible first impression it could by having Florence Pugh’s character also cry in a manner that just irked me. Granted, I know crying is a natural thing, I know people do it in various situations, but again, I just don’t know if these actors would cry in the movie in the same way they would in real life. And having seen two movies from Ari Aster now, it makes me wonder as to what he will have stored in the future for his projects. Is this going to become a cliche? Is this going to be an Ari Asterism? Is he going to have at least one oddball, Lifetime movie-esque sobbing scene for each one of his films? And I will say, this crying, while annoying, was not even the worst part of this sack of crap!

I will say, when it comes to the characters in general, they are very off and on. For one thing, I kind of hate the main group of guys in this film because they all seem to just be less than friendly to the main character at times and it is sort of off-putting. There’s a scene where everyone completely establishes they don’t want to go on this trip to Sweden with her, only to pretend to be nice to her when she’s in the room and invite her to the trip. I understand why they would invite her, even if they have something against the main character to begin with. But even so, upon first seeing all the guys, they all had this rather unlikable vibe to them. It’s like if a speeding ticket was a person!

But I will say, upon first seeing rural Sweden and the setting for the movie’s main events, I was undeniably impressed. The setting looked vibrant and beautiful, almost to the point where I wanted to go there. All the costumes stand out and it brought this feeling of immersion. Sadly though, as the movie progressed, there was not much of interest when it came to various happenings in Sweden. Granted, the movie does a good job at letting us as an audience experience the traditions of the cult, but when it comes to shock value, which this movie seems to promise, I almost felt nothing. Maybe because I saw it coming though. I remember going into this movie being told it’s more gross than scary, and honestly I can see why, but I won’t go into it.

One comment about this film before it came out that admittedly made my hype levels rise as high as a skyscraper came from director Ari Aster himself. Back in March, he referred to “Midsommar” as “a ‘Wizard of Oz’ for perverts.” Honestly, I took that as a bit of a joke. I did expect this movie to be somewhat gory, I did expect a lot of the costumes to pop, I also expected the locations and setpieces to set the tone for what’s to come, but holy s*it, he’s right. I won’t go into complete detail, but that is a good way to describe this film based on certain scenes.

But it does not change one thing. THIS MOVIE SUCKS!

I–I can’t believe it! This is Ari Aster I’m referring to! I should be praising him like he is god or something! But now, he has diminished some of my hopes for his future projects! As if the movie itself was bad enough based on the beginning and the main events as everyone happens to be in Sweden, the ending just takes those two concepts and makes them look like a breeze to sit through. Why? Because, again, without spoiling anything, it is simply one of the most repulsive things I have witnessed in recent memory. In fact, I might even go as far to say that the ending to “Midsommar” could qualify to be a part of my top 10 worst endings in film history! Granted, I saw where the film was going with the ending, trying to have this compelling vibe that maybe could get some viewers to be speechless or something. It could possibly get them to activate their brain a little bit. In a way, if I had to use a recent example, it kind of had a similar feel to the ending I witnessed in last year’s “Annihilation,” only that movie was ten times better and more interesting than this piece of crap!

In fact, if I really had to make a comparison between this film and something else it has to be “The Favourite.” It’s a film that I heard a lot about, it has a reasonable amount of hype behind it for various reasons, it looks beautiful (both in previews and the final product), but it turned out to be a colossal disappointment. Granted, I will point out this movie is superior to “The Favourite” in terms of how invested I was from start to finish. It was less boring, better paced, and overall a slightly more hypnotizing story. But it does not change the fact that when it comes to “Midsommar,” it is a film that had tons of potential to be associated with prestige, and sadly, it ends up falling flat on its own face.

The best way I could describe the ending to “Midsommar” without further context is by once again going back to the idea of this movie being gross as opposed to scary. To me, it was neither, it was simply annoying. If you think hearing Jar Jar Binks and his hellish voice is ridiculous at home on your living room TV, try going to a cinema with surround sound and listening to every single utterance during this film’s climax. I imagine when this film comes out on DVD, it is not going to change how nearly headache-inducing the ending could possibly get.

Ari Aster, I love you! Please make a better film than than this! I was rooting for you!

In the end, “Midsommar” might as well have as much of a chance of completely impressing me during a repeat viewing as White Castle does of creating a pancake-sized burger. The worst thing about “Midsommar” is not necessarily how bad it is, but how disappointing it is. I say that because there are lot of movies out there that I knew were going to be terrible before watching them like “Batman & Robin” and “The Emoji Movie,” but “Midsommar” looked fantastic. In fact when I call this my most anticipated film of the summer compared to another film that opened the same day, “Spider-Man: Far From Home,” which ended up surprising me to the point of absurdity, it leaves a hole in my heart. I cannot even recommend this movie as background noise, because again, this film has an ending that is probably just as annoying to me as annoying as Teletubbies may be to parents who are raising newborn children. But again, I cannot give this movie a 1/10 because it is well shot, it does look impressive, and I say that to the point where it would make for a good tech demo. Well, as long as the product is on mute at certain points. I’m going to give “Midsommar” a 3/10. Thanks for reading this review! I just want to remind everyone that pretty soon I’ll have my review up for “Crawl,” a film about a father and daughter who are caught in the middle of a Florida hurricane. If you want to read a review for an Ari Aster flick that I think is worth your time, my link to my “Hereditary” review is down below! Be sure to follow Scene Before with an email or WordPress account, also be sure to like my Facebook page if you have an account there as well! Stay tuned for more great content! I want to know, did you see “Midsommar?” What did you think about it? Am I crazy right now or something? Or, who is a director working today who doesn’t have much background that you are curious about? Aside from Aster, Tim Miller would be one of my picks. I’m somewhat curious as to what he’s going to do with “Terminator: Dark Fate.” Let me know down below! Scene Before is your click to the flicks!

Hereditary (2018) REVIEW