The Wild Robot

Top 10 BEST Movies of 2024

Posted on by Jack Drees

Hey everyone, Jack Drees here! It is time to list my top 10 BEST movies of 2024! We just did the worst list, and I mean it when I say the bad movies this year where on a different level. That is not a sugarcoat. That is the honest truth. But it does not mean there were no good movies this year, as you will see in a moment. But before we get to that, I would like to remind everyone this is a subjective list. By no means is this list supposed to influence you into liking these movies. These are recommendations, these are endorsements, but they are also my own opinions. If you dislike any of the movies on this list, do as I said on the worst list if you like any of the movies I hated, make your own list! Also, I did not see every movie that came out this year. I missed “Moana 2,” “Despicable Me 4,” “The Substance,” “Heretic,” “Terrifier 3,” “Fly Me to the Moon,” “Wolfs,” “The Best Christmas Pageant Ever,” “Emilia Pérez,” among others. Not to mention “The Brutalist” has yet to come out in my area. Also, all the movies on my list are theatrical releases. There are no streaming, DVD, or TV exclusives. With that said, let’s start off by naming some honorable mentions that I have enjoyed throughout the year.

Honorable Mention: Daddio

My first honorable mention is “Daddio.” This film stars Dakota Johnson as a passenger in a taxi and Sean Penn as her driver. The movie has a lot to say about people judging others by what they see. It shows how if we were to get to know people on a deeper level, we would sometimes be surprised by what we learn about them.

Honorable Mention: The Fall Guy

“The Fall Guy” is director David Leitch’s love letter to stuntwork. If you have ever watched a movie and were wowed by the stunts, make an effort to check “The Fall Guy” out. The film not only has something for everyone, but such concepts are realized to their maximum potential. Also, Ryan Gosling and Emily Blunt have terrific chemistry on screen.

Honorable Mention: Flow

And lastly for honorable mentions is “Flow.” I was floored by this film during my initial watch of it in the theatre. This is an animated flick containing no dialogue and no human voices. The only noises that come close to dialogue in “Flow” are animal sounds. If you are looking for a textbook definition of “visual storytelling,” “Flow” is definitely it.

Now for those of you who follow the blog, you may be aware that I scored “Flow” a 9/10. You might be thinking this would have ended up in the top 10. The reality is, I think some, if not all, of the films on this list will probably have more replay value for me over time. Nevertheless, “Flow” is an undoubtable achievement. Give it a watch if you can.

Now to 10 more movies you should also give a watch when you get the chance… These are my top 10 BEST Movies of 2024.

#10: IF

Starting off the top 10 is “IF,” which is short for “Imaginary Friends.” This is a movie that I had iffy, no pun intended, thoughts about as I went into it. Then my screening finished, and I immediately thought it was one of the most heartfelt and nostalgically wonderful movies I can recall watching. This is a film I can recommend to just about anyone. It is a great watch for both kids and adults. “IF” highlights the importance of maintaining your inner child. Many of us growing up have imaginary friends, and those connections fade over time. This film presents moments when our adult characters probably need those imaginary friends more than ever. Ryan Reynolds plays a major role in the film, and he gives a surprisingly quiet performance. If you watch him in films like “Free Guy” or “Deadpool,” you would get the sense that Reynolds is a bit of a loudmouth. Not here. I love Reynolds as a movie star and this is one of the better performances I have seen from him. “IF” is directed by John Krasinski, and this is his first feature outside of the “Quiet Place” franchise. When it comes to the mood of each of these films, these could not be more different. But it shows Krasinski’s versatility as a filmmaker. I cannot wait to see what he comes up with next. On top of all of this, Michael Giacchino’s score is a banger. It does a great job at matching this film’s cheerful and optimistic spirit. When I review movies and say I would listen to the score on my own time, sometimes I end up doing so, other times I likely forget about it. This is one where I ended up listening to the score on my own time. It is great in the movie. It is stellar on its own. As a film, “IF” is one of my biggest surprises of the year.

#9: Abigail

If you have ever wanted to see a ballerina vampire torment some folks on screen, then “Abigail” is definitely for you. “Abigail” is directed by Matt Bettinelli-Olpin and Tyler Gillet, the same duo behind “Ready or Not.” While this film is not quite as good as “Ready or Not,” it maintains a very similar vibe. Not only is the film scary and tense, but it is also distinctively funny. I do not know of a proper adjective for the kind of humor presented in both of these films, but I certainly laughed a lot watching them. The film also has a great cast including some bigger names like Giancarlo Esposito, Kathryn Newton, and Dan Stevens just to name a few. However, the scene stealer is Alisha Weir, the young girl who plays this film’s titular vampire. Her character is written and executed with an extreme sense of unpredictability. I can imagine Weir had a lot of fun playing her. You could even say she had just as much fun as I did watching her on screen.

#8: Sing Sing

Coming in at number 8 is “Sing Sing.” Of all the movies I saw this year, this is the one that arguably put the biggest smile on my face. This film showcases the importance of art as an escape. As for this film’s cast of characters, they are a group who embrace that idea, especially considering their situations. The film is occasionally serious. After all, it is set in a prison. But my favorite moments of the movie are when we get to see our cast making a play, escaping into their characters, rehearsing, any instance of them leaving their world so they can enter another one. It reminds me of why I love art. Colman Domingo gives one of my favorite performances of the year and as soon as the movie ended, I felt an incredible sense of joy. Again, this is an occasionally serious film, but if you are looking for a feel good movie, I highly recommend “Sing Sing.”

#7: A Quiet Place: Day One

I enjoy the “Quiet Place” franchise, but not a single film from it made my top 10s at the end of the year after they were released. That changes now, because I think “A Quiet Place: Day One” may be the best film in the franchise yet. This film sees the rise of its patented creatures, the Death Angels, as they wreak havoc in New York City. This is an incredible concept considering how one of the main objectives the characters in the “Quiet Place” franchise have to take on is not uttering a sound. We see this reality take effect in one of the loudest cities on earth. The film introduces some compelling characters who I rooted for the entire time. While this film is scary, I still find the first “Quiet Place” movie to be the most terrifying in the franchise. It may be due to the novelty the film had when it came out. Although I will also say that of all the “Quiet Place” movies, I think “Day One” is perhaps the most exciting one yet considering its huge scale, likable leads, and compelling screenplay.

#6: Dune: Part Two

I ended up watching this next film for the first time on February 29th, a day that comes only once in a blue moon. On that note, movies as satisfying and thrilling as “Dune: Part Two” also come once in a blue moon. I really enjoyed the first “Dune” movie but I think everything that was great about 2021’s “Dune” is improved even by the slightest of margins in this 2024 sequel. The fight choreography had me on the edge of my seat. The cinematography is grander in scope. The color spectrum is more eye-popping. The journey is more engaging and better paced. Many people say the first “Dune” feels like a part one. After all, these two films are one book split in half, but I see the first “Dune” movie as a full story where its protagonist has a solid arc. At the same time, this film does successfully pay off some of the things that were teased in the original film. We get to see more of Zendaya’s character, Chani, and she does a good job with the role. The scene where Paul Atreides rides a sandworm for the first time will go down as one of my favorites of the year. Seeing that come to life in IMAX was jaw-dropping. Also, just like the original movie, Hans Zimmer kills it here with the score. A score like the one here continues to support why he rivals John Williams as my favorite film composer working today.

#5: Saturday Night

This next film spoke to me on a personal level. Not necessarily because I am a loyal fan of the show it is about, though I do find it entertaining. But as someone who works in live production, I have to put “Saturday Night” somewhere on this list. This film beautifully captures the stress that comes with live TV, an industry I just so happen to be a part of. Everything is down to the wire, and in some cases, there is a sense that anything can or will go wrong at the moment you least expect. “Saturday Night” is this year’s most fast paced, heart-racing anxiety trip. It throws a lot of material into an hour and a half of storytelling, and not a single moment of it is boring. The film contains a stacked cast who all play their parts well. This film is a perfect balance of comedy and drama. There are a lot of lines and gags that go hard but at the same time, I understand that these characters are probably under their own degrees of stress. They have a lot of prep work to deal with. They are a bunch of nobodies trying to make names for themselves. They do not know if their show is going to make it to air. This film is directed by Jason Reitman. I happen to like a number of his films including “Ghostbusters: Afterlife,” “Juno,” “Tully,” “Young Adult…” But I think “Saturday Night” is easily my favorite of his so far.

#4: The Wild Robot

Honestly, my top 4 are almost interchangeable. You could almost label my top 4 films as a tie and finish the list right there. But at this point, these films are very close to matching in quality. That said, I would be an idiot to miss out on telling you that “The Wild Robot” is an exceptional picture. I am not a parent, but I can easily recommend this film to any parent who has ever lived. In the simplest terms, the film is about the journey of parenting. Only thing is, the task is taken on by a robot and they have to raise a gosling. The robot realizes that the journey in raising this young bird is beyond her programming. Sometimes she will resort to improvisations and sacrifices. Some people say parenting is the hardest job in the world, and this movie brings that saying to life. You are literally raising someone who knows you from the minute they are born, and the process prompts tons of questions that not everyone would know the answer to. Much like “IF,” the film is great for kids and adults, but I think there will be plenty of adults who enjoy it more than kids because there is a lot that speaks to people at a certain time in their lives. The animation style, while sometimes a little cheap-looking, is unique and sometimes wows the eyes. This is a great film for family movie night, but if any parents are reading this, be very careful because you might shed a tear.

#3: Anora

Coming in at #3 is “Anora,” which is by far the craziest trip of a movie I have seen all year. Watching this movie is like drinking 10 cups of coffee. It will keep your eyes wide open. This movie has two imperfect, but extremely likable main characters. You have Vanya, a spoiled child of a wealthy oligarch. And you also have Ani, a sex worker played by Mikey Madison, an actress who I think has a pretty decent shot at winning an Academy Award this year. This movie puts these two people together until something happens where they are told to drift apart. While one would not be wrong to call this film a drama, I would also say “Anora” is one of the funniest movies of the year. It has a vibe of a grounded Tarantino flick like “Reservoir Dogs” or “Pulp Fiction.” If I had to pick a favorite second act of a movie I have seen in 2024, I think “Anora” would be my winner. My auditorium burst into chaotic laughter so many times during this portion of the film. Experiences like the one I had with “Anora” solidify why I love going to the movies.

#2: Look Back

One of the reasons why I put “Saturday Night” on this list is because of how much I was able to attach the movie to my own life. The same can be said for my next pick, “Look Back.” For those looking for something short to watch, you are in luck. This movie is just a tad less than an hour so it is barely a feature by some stretch of the imagination. That said, the hour is filled with absolutely powerful material. The film showcases the importance and unpredictability that can come with friendship. We see our main character, Fujimoto, befriend a shut-in named Kyomoto. The two vary in terms of their personalities but they end up bringing out the best in each other. Both end up making manga together, and Fujimoto helps Kyomoto come out of her shell. This movie truly spoke to me as an artist. We see early on that Fujimoto is a dedicated manga artist for the school newspaper. But when Kyomoto jumps on the scene with her own manga, Fujimoto’s peers start to think her drawings are inferior, therefore prompting her to try as hard as she can to improve her work. I think many artists, myself included, get a little jealous when we see someone we think is better than us at our own craft. Then we get to the second half of the movie, where things just take a turn. It is moving, sad, and utterly powerful. This year has presented some unique animation styles. We saw 2D and 3D blend together in “Inside Out 2.” We saw fantastical vibrancy that almost feels lifelike in “Transformers One.” We saw a variety of animation choices come to life in “The Wild Robot.” “Look Back” is also rather unique. It sometimes transports into the style of manga drawings with consistent colors or even black and white. On top of all of this, “Look Back” has one of my favorite musical scores of the year. Haruka Nakamura delivers some booming orchestral pieces that floor me just thinking about them. Again, this is a short movie. So if you are looking for something to watch in just a short span of time, this could work. But if you cry easily, you might want to keep the tissues on standby.

#1: Deadpool & Wolverine

If you read my rankings for the worst movies of 2024, you would notice one consistency on that list. Much to my disappointment, it happened to be comic book movies. These films have defined me as a moviegoer and most of them have been fun to watch over the years. Though this year was a complete letdown. That is excluding one crystal clear diamond in the rough. My #1 movie of the year is “Deadpool & Wolverine.” You can make an argument that I am rather predisposed to this movie, but it does not change the fact that out of all the experiences I have had watching films this year, this was by far the most entertaining. This is a film that honestly shattered my expectations. I am still iffy over Disney buying Fox and the ramifications of said purchase, but if we keep getting movies as exciting as this, I am willing to acknowledge any positive that comes my way, and this is a big one. Admittedly, while I have watched Hugh Jackman play Wolverine in films before, this latest outing of his does not offer the same nostalgia value that “Spider-Man: No Way Home” did in 2021 with their supporting webheads. However, that may also suggest how great this film is as a standalone feature. It is definitely a movie where certain viewers will probably pick up select details others might miss, but it also has a lot that general audiences can savor. Stunningly choreographed action that is gracefully edited. Excellent meta humor that rivals the previous two “Deadpool” installments. And an overall pace that flies by.

Yet at the same time, this film is not short on fan service. Going back to “Spider-Man: No Way Home,” as much as I loved the film, part of me saw its surprise cameos coming. “Deadpool & Wolverine” on the other hand caught me so crazily off guard multiple times. Just when I thought this film unleashed its most out of left field character, it sets off another bomb that somehow drops my jaw even further than it did previously. These surprise characters also do more than just wave at the camera, they actually serve the story.

“Deadpool & Wolverine” won me over as a Marvel fan. It won me over as someone who enjoys watching Ryan Reynolds and Hugh Jackman. It won me over as someone who grew up with Shawn Levy as a director. One of my first movie theater experiences is his family film, “Night at the Museum.” I am so happy to see Levy’s career continue to the point where he gets to helm one of the most graphic comic book movies ever. For the record, if I were to rank the “Deadpool” movies, I still think the original is the best one. This one would be a strong second, however. The “Deadpool” trilogy as a whole has proven to be a success. I also think this sparks some good news for the MCU after a rough patch in the Multiverse Saga. I liked every film since “Endgame,” but my opinion would be challenged by casual and hardcore fans alike. Some would say the universe itself has become convoluted with so many characters and ideas to the point where some of the projects feel like homework. That said, if watching “The Falcon and the Winter Soldier” on Disney+ feels like homework, then “Deadpool & Wolverine” feels like coming to class, the teacher brings in the TV, and we just watch something fun for the entire period. “Deadpool & Wolverine” is a movie that does not take itself too seriously and offers a relaxing vibe despite its gratuitous violence and excessive use of the f-word.

Out of all the films I have seen in 2024, this is the only one I ended up watching three times. And this is definitely a film I recommend watching more than once because I ended up noticing certain details and jokes that I missed before. “Deadpool & Wolverine” does not lose its edge by the third viewing. Each watch is as thrilling as the last. That said, my first viewing of “Deadpool & Wolverine,” the only time I watched it in cinemas, was by far my favorite filmgoing experience this year. My friend and I had a great time. There was no shortage of laughing and cheering from the crowd. “Deadpool & Wolverine” is a film that I want to watch again with a friend or two who never saw the film, just to find out how they would react to it.

Is the film perfect? No. Like a lot of Marvel movies, I think the villain could be better, but given all the other positives the movie has, that is a small price to pay. “Deadpool & Wolverine” is the most entertaining cinematic experience I have had in a long time. It was the movie event of the year. It is also the BEST movie of 2024.

Thanks for reading this countdown! I appreciate all your support throughout another exciting year for film. No perfect movies this year, but a lot of really good ones. I will take the hits as they come along. With these countdowns out of the way, I would like to take this time to announce a new project I am working on. So far, I have no movie reviews on deck. January is a rather slow month for film, and I took the last weekend to travel a bit. Though in addition to these countdowns, I am also planning on doing my top 10 BEST and WORST movies of the 2020s so far. That includes all the movies I saw from 2020 to 2024. These are going to be published in the same order as the yearly countdowns, so expect my worst list coming soon!  If you want to see projects like this one and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, what are your best movies of 2024? What movies hit you where you live? Let me know down below! Scene Before is your click to the flicks!

The Wild Robot (2024): DreamWorks’ Incredible Story On the Beauty and Struggles of Parenting

Posted on by Jack Drees

“The Wild Robot” is directed by Chris Sanders (How to Train Your Dragon, The Croods) and stars Lupita Nyong’o (Star Wars: The Force Awakens, Black Panther), Pedro Pascal (The Mandalorian, The Last of Us), Kit Connor (His Dark Materials, Heartstopper), Bill Nighy (Emma., The Best Exotic Marigold Hotel), Stephanie Hsu (Everything Everywhere All at Once, Joy Ride), Mark Hamill (Star Wars, Kingsman: The Secret Service), Catherine O’Hara (The Nightmare Before Christmas, Beetlejuice), Matt Berry (The SpongeBob Movie: Sponge on the Run, What We Do in the Shadows) and Ving Rhames (The Garfield Movie, Mission: Impossible). This film is about a robot who goes by its product name, ROZZUM Unit 7134, or “Roz” for short. The story dives into Roz’s adventures in the wild, including an unexpected encounter with a baby goose, which leads to her becoming said goose’s parent. Now she must do all she can to master something that goes beyond her programming.

“The Wild Robot” is one of my most anticipated movies of the year. It is easily my most anticipated animated film of the year. I have been super excited for this film ever since I saw the teaser trailer before watching “Kung Fu Panda 4” in the theater. The footage contained tons of beautiful shots, an interesting color scheme, and even though it did not give a lot the story away, I had a strong feeling this movie was going to be deep. It was going to make the audience think. I had a feeling that “The Wild Robot” would be the 2020s version of “Wall-E,” both in terms of material and quality. Before I get into my thoughts about the movie, I can say the movie has some similarities to “Wall-E,” it has the same DNA, but it is a much different animal.

“The Wild Robot” is what you get when you strip certain parts of “Wall-E” and insert them into a movie whose story is primarily about parenting. Whereas “Wall-E” is about a robot finding love with another robot and saving a plant, this film is about a robot finding out who she is while also dealing with what some would argue is one of the hardest tasks you can ever be given.

While this movie’s protagonist is dealing with a hard task, it is easy for me to say that “The Wild Robot” is one of the best movies of the year. As far as animated movies go, it is hard to say it gets better than this. As much as I am happy for “Inside Out 2” becoming the biggest animated film of all time, “The Wild Robot” clicked with me more. That said, you cannot go wrong with watching either film. But if I had to pick one, “The Wild Robot” would be my choice.

“The Wild Robot” is perhaps an answer for the parents who are forced to take their children to the theater to watch these kinds of movies. Of course, animated movies often appeal to children, but it should not be forgotten that the parents are probably the ones paying for their tickets. I want to know how parents will view this movie by the time it is over. Because I believe this is a story that will appeal to a lot of them.

I see movies as escapes from reality, so if I were to pitch a movie like this to a parent and tell them that this story is perhaps an encapsulation of something you are already dealing with, there could be a better way to sell it. I do not know. But some of the best movies are those that relate to the audience, that speak to them. They are movies that people can identify with containing characters whose personalities and experiences are similar to their own. I think a lot of parents will find something to relate to when they see the character of Roz and everything she goes through. Now you may be wondering, will kids enjoy this movie? Of course they will! It is funny, it is action-packed at times, and it contains characters that easily appeal to that demographic. The main character is a robot and by her side are a variety of wild animals. Kids love those! For all I know, for some younger viewers, this is going to be one of those movies, kind of like “The Incredibles” was for me, that I enjoyed watching as a kid because of its adventure and action elements, but rewatched as an adult with a greater appreciation for how it handles its characters’ struggles of getting older. I honestly would want to know if parents will have more fun with this movie than their own children. But I can say I saw this movie in a theater full of children on a Sunday morning. They seemed to be positively interacting with it for much of the runtime, so it definitely has their appeal.

I would also like to talk about the voicework of “The Wild Robot.” I have seen the trailers for this film, so I did see the typical casting list where they flash a ton of celebrity names. This movie continues the cliche where we use celebrity voice artists as opposed to certain people who primarily do voicework. Although to be fair some of the cast has some notable voiceover experience, like Mark Hamill. With that in mind, not only does everyone do a good job here, I could not tell that they were voicing their own characters. I almost forgot these actors were in the movie. Sure, I knew Lupita Nyong’o was the lead. But as I heard her voice, it sounded more hyperactive than what I used to hearing from her. I am not sure if she piped herself up or if there is a filter being applied to her recordings in post. But it works. I have seen Pedro Pascal in a number of projects, and I not tell he was Fink the fox. Ving Rhames was also in this movie, and I guarantee many of you reading this recognize his voice. From “Mission: Impossible” on the big screen to the current Arby’s commercials on the small screen, Rhames always has a commanding presence. And his character, Thunderbolt the falcon, is also a great example of such a presence. He sounds bold and god-like with every line. But even then, I could not tell that was Ving Rhames. This is not a dig, if anything it is the highest of compliments.

Even though this movie’s cast is recognizable, most, if not all of these cast members put on a disguisable performance. The movie does a much better job at masking the actors doing these voices than say “DC League of Super Pets,” whose leads’ voices I could recognize and become distracted by in a heartbeat. When the credits rolled, I whispered to myself, “Wait, Mark Hamill was in this?!” Looking back, I believe I knew that in advance. But for one thing, I did not see the trailer in awhile. And again, it goes to show how good these voice performances are. These are characters, not celebrities playing themselves.

Going back to what I said about this film being like “Wall-E,” “The Wild Robot” never specifies when exactly it is set. But I was able to pick up that like “Wall-E,” this movie was set in the future. Both films tend to highlight the mistakes we have made as humans. Whether it is not solving climate change or trying so hard to find a new home to the point where we may have forgotten to preserve the one we have. Also, the central protagonists of these movies are robots, which you could argue we are over-relying on for our many conveniences as we speak. Both “The Wild Robot” and “Wall-E” feature several robots created by large corporations. Both robots who we know as these films’ protagonists serve their respective purposes, but they are also tasked with making people’s lives easier. In the case of “The Wild Robot,” we see that Roz’s attention extends to other animals. Although to be fair, “Wall-E” mostly had human characters. I remember there being a cockroach in the movie, but that may be it.

This film also reminded me of “The Iron Giant.” By that I mean the movie is in a sense an edition of that movie where the roles are reversed. Kind of… If you have ever seen “The Iron Giant,” you would know the robot is the fish out of water character, and the main protagonist, Hogarth, helps him adapt to being on earth. In this film, we see Roz go from adapting to her environment on earth, to teaching a gosling everything she knows. There are plenty of animated movies out there featuring robots. Heck, my last review was for “Transformers One,” and that movie has plenty of them. But I am proud to say that “The Wild Robot” is just as masterful as “Wall-E” and “The Iron Giant,” two movies featuring robots that deserve every ounce of praise that they can possibly get. If you want me to be real though, of these three movies, I think “The Wild Robot” is the weakest of the bunch.

This leads me into my problems with the movie. For one thing, the animation style, while definitely creative, sometimes feels unfinished, perhaps on purpose. Sometimes it works, other times it feels cheap. There are several environments that caught my eye. The design of the robot is well done. I loved seeing how this movie represents foliage in certain scenes, which makes it a proper release for this time of year. But there are also certain places or effects that come off as less textured than others. Part of me also questions the way this movie addresses communication between Roz and the animals. We see Roz spending time translating the animals’ language, so we learn after some time that Roz can understand the animals. But we are seeing Roz communicate and have full-fledged conversations with these animals in English. I get that a lot of movies tend to personify animals and have them speak English. But I am surprised on how well both the robot and these animals understood each other. Perhaps all the conversations were in English for us, the audience. It is a minor complaint, if that. Maybe with a rewatch that complaint will go away. Besides, the movie has good dialogue. It has a lot of funny lines from several characters, even those who barely appear in the film at all.

The script itself is an impressive look at what it is like to be a parent. I say this as if I have kids. I do not. But from what I have heard and seen about parenting, this movie presents parenting as a concept that no one really understands until they try it, until they do it. There is a moment where Roz finds out she is the first point of contact of a newborn gosling. Pinktail, a possum played by Catherine O’Hara, explains to Roz that she is now said gosling’s mother. Roz responds by saying she does not have the programming, to which Pinktail tells her “No one does.” I was a first-born child. I can only imagine what my parents were thinking when they first had me. I am sure they were happy, but also in a neverending state of asking questions. I probably presented them with situations that they did not see coming. Even if I was a second-born child, chances are I could have done the same thing. But I recognize that raising me was a learning curve. I can only imagine how hard it is for Roz, who is not only of a different kind than the gosling, who we eventually know to go by the name Brightbill, but is programmed specifically for helping humans. Did she ask for something like this to happen? No she did not. But she handles it as best she can because while parenting is not in her programming, as a robot she is designed to complete tasks, and to her, this is just the latest one she has been given.

It is also rather refreshing to see an animated movie about a parental figure like this. When I look back at DreamWorks’ animated slate for example, the movies are normally about younger or childless characters. Sure, Shrek and Fiona have children, but they progress to that point after multiple movies. Yes, you can say Hiccup from “How to Train Your Dragon” is parent-like, but his relationship sometimes presents itself somewhat similarly to that of an owner and their pet as opposed to a parent and child. That, and the first film spends time showing complications between Hiccup and his own father. Although in “How to Train Your Dragon: The Hidden World,” the movie ends on a note that is perhaps reminiscent of what it must feel like for a child to leave the nest after so many years. Age is not the biggest topic or concern in “The Wild Robot,” but whereas we have seen several movies of this nature where there is a mentor figure hanging somewhere in the background, maybe as a prominent supporting character, Roz, our main hero sort of becomes a mentor figure herself. Yes, she is a fish out of water, and you could also argue that Fink the fox and other characters are helping Roz in her journey. But it is nevertheless refreshing to see a movie of this kind where we focus on Roz’s concern on whether her goose will be able to fly, as opposed to one where the goose must learn how to fly no matter the cost.

And it is not like the movie refuses to give depth to Brightbill the goose. The movie decently highlights his journey and his individualities. This movie represents a journey that many parents can relate to, but also does a great job at showing Brightbill’s struggles of fitting in. He is kind of an outcast. Not only did I see his struggles that came with being different, but in the case of a character like Roz, I could only imagine her struggle realizing how others treat her child times. But this is ultimately not Brightbill’s movie, it is Roz’s movie. And I can guarantee, Roz’s movie is a fantastic one.

In the end, “The Wild Robot” is one of the year’s finest films. The animation is sometimes iffy, and the climax feels oddly bigger than I would have expected out of a film like this, but it does not change the fact that this is one of DreamWorks’ most unique movies. Is it my favorite DreamWorks animation? Probably not. Given time to marinate over the past week I thought of a few movies I enjoyed more. The first two “Kung Fu Panda” movies come to mind. “Puss in Boots: The Last Wish” has gotten a few watches out of yours truly since its release nearly two years ago. “How to Train Your Dragon: The Hidden World” is one of those films that came out at a perfect time for me and I find it to be a marvelous story. But if I had to round out my top 5 DreamWorks Animations, “The Wild Robot” would probably be up there at this point. And it deserves to be. It is a deep story showcasing both the beauty and the struggles of parenting. It is about a robot who learns to become more than what it was designed to be. It is a movie that kids will probably enjoy when they are younger, but will probably see in a different way as they age. If there is one movie in theaters you should see right now, this might be it. I am going to give “The Wild Robot” a 9/10.

“The Wild Robot” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for the brand new sequel, “Joker: Folie a Deux,” which I will give some credit, the movie is prompting conversations. As far as whether my addition to the conversation is positive or negative, you will find out about that soon enough. If you want to see this review and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Wild Robot?” What did you think about it? Or, what are your favorite DreamWorks Animations? Let me know down below! Scene Before is your click to the flicks!