75th Golden Globes and Gender Equality: What Does It Equal?

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Hey everyone, Jack Drees here! On January 7th, 2018 the “75th Golden Globes” was held. Seventy-five, undoubtedly, is a big number for any event, however this felt like other “Golden Globes” shows I watched with a 75 shoved in the title. Although based on my experience, it wasn’t as pleasant to watch. Nevertheless, it happened. Strange things occurred when it comes to the show. No, that’s not a “Stranger Things” pun, even though the show had a nomination. Apparently “The Boss Baby” was GOOD ENOUGH to be nominated for Best Animated Feature Film. As for one of the winners, specifically James Franco (The Disaster Artist), who won Best Actor in a Musical or Comedy, which in my opinion is incredibly deserved, he allowed Tommy Wiseau, the person who may be most responsible for his film, to come onstage as he was thanking him. As Wiseau came up, he tried to take the mic, but Franco pushed him out of the way. To be fair, Franco had limited time to speak so this was rather understandable. However it still comes off as either rude or weird. I don’t know, make your pick.

For those who were wondering what Tommy would have said, he went on KTLA 5, a local news network out of Los Angeles, CA. While he was on the program, he was promoting his disasterpiece, “The Room,” saying it’ll be back in cinemas for one night only, specifically Wednesday, January 10th. This technically means that “The Room” has a quality that associates with a lot of bad movies, despite how this is technically a rerelease, you can now say “The Room” released in January! During the promotion, the whole push incident was brought up. Tommy explained what he would have said if he actually had the mic. “If a lot of people love each other, the world would be a better place to live, and I’d say I’m making dream, it’s alive, it’s real, and again I’m very proud of “The Room,” etc. That’s it, that’s all I want to say. Nice thing. But somebody was like naaaaw, you cannot do that.” Out of all the things that were prominent at the Golden Globes this year, it was the message to not sexually harass and the promotion of the #MeToo movement.

The #MeToo movement was popularized in October 2017 when word was getting out that apparently a lot of men in Hollywood happened to be perverts. Such people included Harvey Weinstein, Kevin Spacey, Louis CK, Ben Affleck, Danny Masterson, Brett Ratner, and Bryan Singer. I think this movement is a good way to say that you shouldn’t sexually abuse others against their will.

When it comes to a lot of award shows I watch, I notice that they always touch upon certain social issues. As this occurs, people give their thoughts on the issue and I have nothing against it. Everyone is entitled to their own opinion, there’s nothing wrong with having an opinion on anything. Unless of course you actually enjoyed “The Emoji Movie.” This year, the Me Too movement was extremely prominent. Almost everyone was wearing black. Not just women, but men too. A lot of women mentioned something along the lines of sexual harassment and how awful it is in their acceptance speech, Oprah Winfrey was given the Cecil B. DeMille award, which lead to an extended speech about sexual harassment, how “time is up,” and letting women know that they shouldn’t have to worry about the concept as much in the future now that all of the #MeToo stuff is happening. The #MeToo movement from my personal point of view is a very positive movement. However, the question I have is, is it completely justified or executed in a proper manner?

On one hand, I’d say it’s absolutely justified, sexual harassment is a serious issue. I’m well aware it’s usually the men who give the harassment and the women who receive the harassment, and I’m proud of all these women coming out and telling the hidden secrets behind all of the perversion they’ve received over the years. There are times however during this Golden Globes event where I think the events surrounding it went a little too far.

As mentioned earlier, almost everyone who attended the Golden Globes wore black. When it comes to the people who didn’t, one standout is Blanca Blanco. Yes, that’s her real name. Blanca Blanco is an actress who appeared in movies such as “Teen Star Academy” and “Fake News.” So in other words, you probably don’t care about what she’s done career-wise. Blanco showed up to the event wearing a red dress, which eventually lead to loads of flak. She made an exclusive statement to Refinery29, an American digital media company whose target audience is young women, and she had this to say:

“I love red. Wearing red does not mean I’m against #timesup movement. I applaud and stand by the courageous actresses that continue to brake the circle of abuse through their actions and their style choice. It is one of many factors leading women to a safer place because of their status in the acting world. I am excited about the ‘Time’s UP’ movement because true change is long overdue.”

By the way, me spelling “brake” is not an error, that’s how Blanco wrote her statement.

Up above is a photo of Blanco in her red dress, and this is when the controversy first started. A number of people think the dress is fine example of stupidity that disgraces the #MeToo movement whereas others think its just a nice looking dress that stands out. I’m on the side that doesn’t exactly care about the dress color. It’s extremely elegant and presentable as a dress, and it doesn’t matter whether its red or black or violet! Although rainbow colors would be a little weird for it according to my imagination. Blanca Blanco is that one person who shows up at the photo studio for a family photo who didn’t wear the same outfit, and I don’t care! By the way, why do outfits always have to match for family photos? That’s so odd! If I ever shown up to an event such as the Golden Globes, I would try to look nice, but in the end, color isn’t something that should necessarily be non-optional for its attendees. You can do it to show your support for a movement, but just because someone doesn’t wear a certain color, it doesn’t mean they don’t support a movement. What was it that Blanca Blanco said in that statement?

“I love red.”

You go girl! Also, what amazes me about this is how women’s rights are still an issue today, and everyone is kind of saying that this woman doesn’t have the right to wear red. By the way, I’ll have Blanca Blanco remind you something.

No red-shaming!

Next up, we’re gonna talk about Natalie Portman, or as I like to call her, one of the two people in a romantic relationship that had no chemistry in “Star Wars Episode II.” She’s a fine actress, but from a script perspective her character just didn’t work. During hear appearance at the Golden Globes, she went onstage alongside Ron Howard, and before going any further. Look at Natalie’s smile! She looks like she went into an orphanage, stayed awhile, and had a nice meal. And by a nice meal, I mean she ate all of the children! While the two were onstage, they were presenting the nominees and winner for Best Director. Natalie had one thing to say before the nominees were presented. She said, “And here are the all male nominees.” Best Director had five nominees, all of which were male. They are Christopher Nolan (Dunkirk), Steven Spielberg (The Post), Martin McDonagh (Three Billboards Outside Ebbing Missouri), Ridley Scott (All the Money in the World), and Guillermo del Toro (The Shape of Water). Let me just say that all of these from what I heard were completely justifiable nominees, and I can somewhat understand people complaining that Greta Gerwig (Lady Bird) or Patty Jenkins (Wonder Woman) didn’t get nominated. However, I don’t really find this joke funny. For one thing, it’s kind of forced and comes off as cringeworthy. Another thing I don’t like about it is that it’s basically shaming talented people, just because they’re men. Yes, you can technically say that the nominators are to blame here, but in reality, it doesn’t change the fact that you’re accusing them for nominating people and what they did was wrong because they have something that they can’t alter! Well, unless you get a procedure done. Not to mention, Portman was standing next to Ron Howard, a male director. Do I find the jab offensive? Not really. It’s just something that shouldn’t have been said. This may be a night to promote gender equality, but it’s also a night to celebrate achievement in film. And yes, more female directors would be nice, but it’s a female’s choice on whether or not she directs a movie just like how it’s a male’s choice. As much as I would love to see more great movies directed by women, I ultimately just want to see terrific movies directed by PEOPLE. Speaking of women and men, let’s talk about how the show opened.

Seth Meyers kicked the night off by walking onstage, and before he introduces himself with his full name, he says to everyone, “Good evening ladies and remaining gentlemen.” Having heard that, not only is that clever, but also hilarious. The monologue continues and eventually arrives at a point where Seth does a bit that he does on “Late Night with Seth Meyers” called Jokes Seth Can’t Tell, but every single joke is coming from a Hollywood star in the Golden Globe audience. I can’t really say I laughed all that much, even though it was nice hearing Jessica Chastain’s voice. At one point, we get to Amy Poehler, who I can’t really say makes terrible decisions in the business given that she played Joy in “Inside Out,” but hearing her talk here made me think I was watching “Ghostbusters” 2016. I’m not against feminist values, but she’s just forcing this “mansplaining” joke, if you can call it a joke, down everyone’s throat. It just felt like an awkward comedy or a really horrible “SNL” sketch.

Also, I want to say, Barbra Streisand (Yentl, The Guilt Trip) showed up at the event, and when she went onstage, this happened to be towards the end of the show. This was some time after Oprah Winfrey accepted her Cecil B. DeMille award. I must say, out of everyone who appeared and spoke at the event, she probably had the speech that will be recalled most out of them all. When Oprah exclaimed “Their time is up,” that put my brain into remembrance mode. So when Streisand shows up onstage later, she reminds everyone that time’s up, she was the first and only female director to win Best Director at a Golden Globes event, and that we need more female directors, not to mention more nominated female directors. I’m gonna say the same thing I said about Natalie Portman. People should make great movies, not just women. And I’m also gonna say this, just let the people nominated have their night. Much like Natalie’s jab, I don’t find anything Streisand is saying offensive. In fact, she does make a good point, we do need more competent movies from female directors. Although in reality, movies are movies, and people are people. I don’t care who directed the movie, as long as it’s not Anthony Ferrante (Sharknado 1-5). In the end, I just think what she’s saying is somewhat disrespectful at this time and place. If all the Best Director nominees were objectively terrible, let’s just say the nominees were Michael Bay (Transformers: The Last Knight), Paul W.S Anderson (Resident Evil: The Final Chapter), Peter Chelsom (The Space Between Us), Tomas Alfredson (The Snowman), and Dean Devlin (Geostorm), then I’d understand. However, all the nominees probably deserved some respect based on how well received their films happened to be. I seriously want to know, when you watch “America’s Got Talent,” does the host, AKA the one who presents all the winners and people going through to the next round, say something like “We need more variety winners?” No they don’t! I’m not against Oprah Winfrey’s speech whatsoever because it was mainly about ending abuse. Not nominating many female directors isn’t abuse, it’s just not considering people in a certain category. Also, I must say, at least Natalie Portman’s comment, while perhaps forced, was an attempt to make people laugh. Streisand’s comment just felt like it was rushed and it literally had no impact other than simply existing. With the exception of a gender swap, there is probably no other way a man can change exactly who they are. They’re a man, they can’t control that, just as how women can’t control being a woman. I’m not against the idea of nominating more female directors and having them win, but I’m against the idea of women literally having to insult boys for being boys. PLEASE DON’T TAKE THOSE LAST FOUR WORDS THE WRONG WAY.

There are so many people who gave this Golden Globes event a 1 on IMDb, and I can see why. I wouldn’t say it’s a 1/10 show, there are some good moments, it’s just that a chunk of the stuff about Time’s Up came off as forced despite being a positive movement, much like the #MeToo movement. You can share ideas, but there’s a fine line between sharing ideas and forcing them. Sharing them was done with Seth’s introduction line, forcing them was done with Natalie Portman as she presented the Best Director nominees. Next year, let’s try sharing and see how that pans out. Thanks for reading this post, I just want everyone to know that next week I will have my review up for “Molly’s Game,” I’m going to see it next Monday, so I’ll either get the review up by the end of the day or on Tuesday. Also, on Thursday, January 18th, I’m going to be starting my review series for the “Maze Runner” movies, starting with the first installment, simply referred to as “The Maze Runner.” This is being done because the third movie in the series, “Maze Runner: Death Cure,” will be releasing January 26th, and I figured I’d review the first two “Maze Runner” films in preparation for the third installment. Stay tuned for those reviews, and look forward to more great content! Did you watch the 75th Golden Globes show? What did you think? Let me know down below! Scene Before is your click to the flicks!

“So I want all the girls watching here, now, to know that a new day is on the horizon! And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say “Me too” again.” -Oprah Winfrey

10 Movies That Have Changes You May or May Not Have Noticed *SPOILERS*

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Hey everyone, Jack Drees here! You might have clicked on this post thinking “Oh, crap! Clickbait! GO BACK! GO BACK! GO BACK!” First off, thank you for giving me one extra view, very much appreciated. Second, regardless of how clickbaity this sounds, I will say what you’re about to read is somewhat interesting. When movies come out, you might think of it in a certain way. You might go back and watch it the way you remembered. Although in some cases you might go back and watch it, and there’s something different about it. Today we’re going to be looking at some of these changes, see if you see the movie in a different view than you did before. One rule I’m making for this list is that no made-for-TV changes apply here. If a movie gets a change from its original release because it airs on TBS or something, it doesn’t count. So changes as the one from “Home Alone” where Buzzy doesn’t say “I wouldn’t let you sleep in my room if you were growing on my ass,” and instead says “butt,” doesn’t qualify. Just for the record, this is not a countdown, these aren’t in any specific order, and I’m not sticking to any sort of idea, stating how much I like or dislike these changes. I might go into that, but I’m not saying I like every single change or dislike every single change. So let’s dive into this.

Revenge of the Nerds: Phone Number

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The first change comes from the 1984 comedy “Revenge of the Nerds.” This is one of my personal favorite comedies. The sequels? Not so much. The movie has been released on VHS, Laserdisc, DVD, and Blu-ray. However, the sequels haven’t gotten past the DVD mark. This is a change that is seen on both the DVD and Blu-ray editions of the film. In 2003, the film was put out on DVD, but with a reedit brought to the mix. There’s a “For Rent” sign in the movie which had a genuine phone number on it. For legal reasons, the footage where the phone number was displayed was removed. Note, I didn’t say blurred, but removed. I have never seen the footage of where the phone number is revealed and as I write this, I’m looking at originaltrilogy.com, where a bunch of users are talking about this change and a couple of them called it “jarring.” I will have to watch the original cut in order to agree or disagree, but if you really want to make everyone happy, just blur the phone number. Also to everyone, please don’t call the phone number. Don’t be a dick.

All the Right Moves: Lea Thompson In the Nude

Remember how I said this isn’t a countdown? Well, I guess this may be an excuse to talk about movies I haven’t seen. Ladies and gentlemen, I give you “All the Right Moves,” starring Tom Cruise (Risky Business, The Outsiders) and Lea Thompson (Jaws 3-D, Back to the Future). Why am I talking about this? Well apparently I was in Connecticut and while I was there, I managed to pick up a bunch of Blu-rays to add to my collection. This movie happened to be one of them and I figured it would go great in my Tom Cruise collection. Due to random research, I came across something interesting. When “All the Right Moves” came out in 1983, there’s a sex scene featuring Tom Cruise and Lea Thompson which contains full frontal nudity, however when the Blu-ray released in 2012, the framing of Lea Thompson’s character in the nude was altered. This prevented people from seeing Lea nude below the waist. I don’t want to sound like a pervert, but I don’t know why that change had to be there. First off, the movie’s rated R. Second, if people who have watched this before are rewatching this today, they might be slightly jarred by what they’re seeing and the experience of that scene might be ruined for them. Not to mention, this is a Blu-ray cut! Not a cut made for television! On TV, I can sometimes understand some movies being altered for certain viewers for a number of reasons. But, on a Blu-ray?! What do I know really? I’ve yet to see the film so I can’t really say much.

2001: A Space Odyssey: “Affirmative, Dave” and Nineteen Minutes of Footage

It’s been almost fifty years since the release of “2001: A Space Odyssey.” In that span of time, the movie has been considered a classic by fans of science fiction and film from a general perspective. You know what they say, if it ain’t broke, don’t fix it. This change, much like the “Revenge of the Nerds” change, didn’t really break the film or anything for some people. In fact you can say it broke the film less because if you think about this, it’s not really that jarring compared to the “Revenge of the Nerds” change. In 1998, MGM released “2001: A Space Odyssey” on DVD, with a slight change in the dialogue. During the scene when Dave is trying to get through the pod bay doors, he asks HAL “Do you read me, HAL?” In that particular release, HAL responds by saying “Affirmative, Dave.” Although in the original release, HAL says “Affirmative, Dave. I read you.” What makes this change extra wacky is that the English subtitles for the DVD released by MGM actually still displays the line from the original release. The full dialogue however was revived in future home video releases from Warner Brothers. Speaking of changes, when “2001: A Space Odyssey” was first released, it was slightly over two and a half hours long. The version which is seen on most home video releases is a version that’s just slightly shorter than two and a half hours. Stanley Kubrick, the director of the film, removed nineteen minutes of footage after the film premiered. It would be nice to see that footage restored for when “2001” comes out on 4K, I’d totally buy that!

Blade Runner: Endless Cuts (SPOILERS AHEAD)

“Blade Runner” is one of the best sci-fi films ever made. In fact, a sequel just released in October and it might be just as good, if not better, compared to the original. Followers over the years have been exposed to multiple editions of what director Ridley Scott regards as “probably his most personal and complete film.” Ridley might not be lying when he says that, and we’ll get to that in a second. “Blade Runner” has had seven different cuts of the film released to the public.

In 1982, the workprint prototype version was shown to test audiences in Denver and Dallas. This was also shown in 1990 and 1991 to audiences in San Francisco and Los Angeles as a “Director’s Cut.” Although it didn’t have the approval of Ridley Scott. We’ll get back to that in a sec.

There was also a San Diego sneak preview version shown to audiences only once in May 1982. This version included three scenes that was never shown in any other version of the film (before or after).

Then we have the version the US audiences saw in theaters. This included a “happy ending” that the studio wanted in the film. Fun fact by the way, there are aerial helicopter shots which weren’t even filmed for “Blade Runner.” These shots were actually from Stanley Kubrick’s “The Shining.” The movie also included narration by Harrison Ford, who played the lead character of Deckard. While some might say Ford either was angry about his task or he intentionally narrated poorly, he said it was simply bad narration. This was also referred to as the “Domestic Cut,” which wasn’t released on DVD until 2007 as part of a collector’s set of the film.

Then we have the International Cut. This cut is a minute longer than the US version, and included more violence in three action scenes than the US version. This cut was eventually released in the US on VHS and Criterion Collection laserdiscs. Interestingly, this version was shown to the US on HBO during the 1980s, the 1990s, and 2015.

In 1986, the US broadcast version was released. This was put together by CBS to meet TV broadcast requirements. There’s even narration that wasn’t in any other version of the film leading up to it, plus a different opening crawl. And yes, I said made-for-TV changes don’t count, but I’m just providing evidence to prove my point.

Next came the Director’s Cut, which was created technically by film preservationist, Michael Arick. This cut was discovered as a 70mm print which nobody had an idea that it actually was the movie’s workprint version. This was discovered after a screening of the film in Los Angeles. Ridley Scott said the cut was roughly edited, lacked a key scene, and the climax missed Vangelis’s score. The Director’s Cut was very popular that it rereleased theatrically in 1992. This cut also brought up a very popular fan theory if you will to the table. At one point in the film, we cut to a clip of a moving unicorn. The original idea for this scene was to cut between Deckard and the Unicorn, but the condition of the print associated with this was not presentable, so it just shows the unicorn trotting. This scene along with a clip of Deckard holding an origami unicorn, may suggest he is a Replicant. Speaking of things this film removed, the movie no longer has the narration from Deckard along with the happy ending the studio wanted. Despite being called the “Director’s Cut,” Scott wasn’t satisfied. To be fair, he was busy with “Thelma and Louise,” time and money happened to be a problem, however this cut brought more satisfaction in general to Scott than the original. There’s one cut although, that brought even more satisfaction to Scott…

Here’s where we get to “The Final Cut.” This is the cut where Ridley Scott had complete artistic control. Remember the unicorn dream? Turns out in this version, the original dream was included. You know, the one where it cuts between Deckard and the unicorn. Other additions include alternate edits and violence featured in the international cut. It turns out there were parts of this version that went through reshoots to fit in this version. One such example is Zhora’s death scene. Fun fact, if it weren’t for Warner Brothers gaining total control over distribution rights in 2006, this would have probably never been released. This project started once the 21st century began, and in mid-2001, legal and financial troubles put the project to a halt.

Porky’s: Cherry Forever’s Extra Nudity

“Porky’s” is an interesting movie to say the least. When it comes to its reception, critics weren’t exactly pleased, but it did gain a cult following and there are still people who go back and watch it today. As far as 1980s coming of age stories go, this isn’t my goto pick. However, back in the 80s, this was a hit among many people who flock to the cinema. The film was #1 at the box office for nine consecutive weekends, suggesting that either a lot of people either wanted to see it, liked it and went multiple times, or happened to be really horny. The film eventually released on VHS and something appeared in that which never appeared in the theatrical release, or the future DVD release. Based on how the release was open matte, more nudity was revealed in the VHS version. This happened during the Cherry Forever scene. The additional nudity was a result of the transfer, and was never intended to be shown. You know, unlike my secret identity–whoops! That was close! I almost told you guys I’m the guy who saved the Golden Gate Bridge from absolute destruction. Oh, crap! I did it! I’m a failure! I was told by a wizard to keep that a secret! Oh, well! Sucks to be me!

xXx: Head-butt

One interesting move executed in battle is a headbutt. There’s something about it, you’re literally using your head to bounce off someone else as a fighting technique. Plus, the term itself is awesome. One movie where a headbutt is shown is 2002’s “xXx,” starring Vin Diesel. This movie isn’t exactly the next “Citizen Kane” or anything, however it is a fun action flick with some interesting lines in the lines in the script. Going back to headbutts, when this movie was released in several territories, audiences were exposed to a moment where a headbutt occurs. One territory where audiences didn’t get to see this however, was in the UK. Similar to the US’s MPAA, the UK operates under a rating system referred to as the BBFC. The BBFC has a rating labeled as 12A/12, which was the rating “xXx” was given. If the headbutt was kept in, the rating wouldn’t have been secured and would have bumped up to 15. This is how the film was presented for years. The headbutt wasn’t even in the eventually released Director’s Cut DVD. Although on January 5th, 2017, the film was rereleased on Blu-ray in honor of the film’s 15th anniversary. It was at this point that the BBFC waived the cuts to the film, and the headbutt was then inserted. The BBFC must have had this slogan for years:

BBFC: We’re buttheads!

Ferris Bueller’s Day Off: Paramount Logo

I love “Ferris Bueller’s Day Off.” It’s a coming of age story that a lot of people in high school can relate to. In fact, you can also include anyone going to school in general, not to mention anyone who’s working a s*itty job can relate to. Sure, “Office Space” kind of does the same thing, but this came first. This change doesn’t even affect much of the movie, it just has to do with the logo. This movie is from Paramount, and if you know who they are, there’s a good chance you’ve seen one of their logos. Some time after the movie was in theaters, it came out on VHS. However, the VHS versions contain a plastered Paramount logo depending on the year the print released. The original logo although was restored on all future DVD and Blu-ray releases.

American Graffiti: Digital Effect

Ah, George Lucas. What have you done? You took a bunch of people’s childhoods, which were epic because of your “Star Wars” movies, and you threw them in the garbage! Because if you haven’t noticed, the original “Star Wars” trilogy has made a crapton of changes over the years! Well ya know what?! I’m not gonna focus on that! Because I already did a countdown focusing on those changes, and apparently George Lucas made a change to “American Graffiti” as well! This change didn’t exactly offend me as much. Then again I only saw this movie once. The change is shown in the 1998 Collector’s Edition DVD and VHS, and once you hear what it is without any specification, it almost sounds like something George Lucas would do. Lucas requested for the opening scene which features Mel’s Drive-In to have a sunset with clouds. The original opening had a cloudy sky with buildings in the background. In this opening, the buildings are still there, but the weather is different. Interestingly, there was also a documentary on the making of “American Graffiti” included as a bonus feature on the DVD, and the original shot was inserted there. Time travel much?

Kindergarten Cop: Little Terrorists

I imagine some people getting a sense of surprise from “Kindergarten Cop.” The film itself is a comedy where a cop goes undercover as a kindergarten teacher in order to locate the ex-wife of a dangerous criminal. This movie released in 1990 and stars Arnold Schwarzenegger. It’s kind of interesting to put the Terminator as the star of a comedy, but stranger things have happened. Although I wouldn’t say it’s all too strange because another comedy, “Twins,” released two years before this one, and while not all critics and audiences appreciated the film, there were a number of them to say it was worth a watch. Interestingly, both comedies were directed by Ivan Reitman, who also directed “Ghostbusters” 1 and 2. And the movie does have some witty Schwarzenegger lines and also has some funny lines given by a bunch of kids as well. Speaking of lines, let’s talk about one of them. As mentioned, this movie released in 1990, which is eleven years before 9-11. Once that day occurred, it inspired the removal of one particular line in all future versions of the film. After Schwarzenegger’s first day with the kindergartners, he has this to say about them.

JOHN KIMBLE: They’re horrible. They’re like little terrorists.

I’d just like to state that if I were in kindergarten watching this film, it would probably be debatable on whether or not I should be watching it given it has a PG-13 rating. However I don’t know if this one incident means this line should be deleted. I don’t know if Reitman decided on this or if Universal did or anyone else for that matter, but you don’t really need to get rid of it. Sure, in reality, kindergartners aren’t commonly associated with terrorists, although that would make for an interesting cartoon or something, but I don’t see how this would offend anyone. I mean, it’s probably better than changing the line, but the elimination felt unneeded. Let’s face it. Kindergartners are crazy, and I know that because I was one. I wouldn’t blame someone comparing me with a terrorist at that age because I was a chaotic brat. Anyways, let’s move on.

Jaws: Smile, You son of a… (SPOILERS AHEAD)

“Jaws” is considered by many to be one of the greatest films of all time. It has a terrific script, admirable characters, and an awesome score from John Williams, who went on to do “Star Wars,” “Superman,” “Raiders of the Lost Ark,” “E.T,” “Home Alone,” “Jurassic Park,” “Schindler’s List,” “Saving Private Ryan,” and “Harry Potter.” If you’ve seen the ending, you’d probably know how it ends. Part of that ending involves the character of Brody. He’s in a duel against the shark and he’s got a gun. He’s in full concentration mode, trying to take the creature down. In honor of the movie’s 30th anniversary, a DVD was released in order to celebrate. This brought a very minor change in one line, in fact, it’s actually one of the lines of the movie that I remember most. In versions prior to this release, before Brody shoots his gun to kill the shark, he says “Smile, you little son of a bitch.” Here, he says “Smile, you little son of a…” and then his gun is shot. Like the original, all the blood and gore remains, but the word “bitch” is removed. I’m glad I’m not Jesse Pinkman from “Breaking Bad,” because finding this out would be the worst day of my life. I can now say that my memory suggests that all the versions of “Jaws” I’ve seen in my life at this point, have this specific “bitch” removed. I want to know how this feels for everyone who has either seen the original version and possibly been exposed to alternate editions of the film. How does this “bitch” removal come off to you? Does it take away from the scene? Does it not take anything away at all? Does it anger you? I really want to know. I can’t say much about this change, but if they ever alter “You’re gonna need a bigger boat,” there will be riots.

Thanks for reading this post, there’s a good chance I just possibly either ruined a scene for you, so if I did, I apologize. If so, don’t blame me, blame the people who changed them! Nevertheless, the year’s almost over, the holiday season is coming to its conclusion, but that also means I will have two countdowns coming up. Like at the end of 2016, I’m counting down my top 10 BEST and WORST movies of the year. I’ve seen a number of films that came out this year. Most of those films are ones I reviewed, and there are others I’ve watched but couldn’t make a review of for the sake of time such as “The Great Wall,” “American Assassin,” and “King Arthur: Legend of the Sword.” Believe it or not I will still be going to see more movies as the year comes to a close, because I have aspirations to go see “Downsizing,” “Father Figures,” “The Disaster Artist,” and if any other opportunities come up to see a movie released this year, I’ll take those as well. Stay tuned for more great content! Also, what is the worst alteration you’ve ever seen in a movie? For me, I gotta say Darth Vader screaming “no” at the end of “Return of the Jedi.” Leave your responses down below! And yes, can also includes ones from TV. Scene Before is your click to the flicks!