Jurassic World: Rebirth (2025): Dinosaur Dullness

“Jurassic World: Rebirth” is directed by Gareth Edwards (Godzilla, The Creator) and stars Scarlett Johansson (Black Widow, Under the Skin), Mahershala Ali (Spider-Man: Into the Spider-Verse, Moonlight), Jonathan Bailey (Bridgerton, Wicked), Rupert Friend (Obi-Wan Kenobi, Pride & Prejudice), Manuel Garcia-Rulfo (Sicario: Day of the Soldado, The Lincoln Lawyer), and Ed Skrien (Alita: Battle Angel, Deadpool). This film is about a group of people who are on a mission to extract DNA from dinosaurs in order to achieve a medical breakthrough.

Photo by Universal Pictures and Amblin Entertainment – © Universal Studios. All Rights Reserved.

Here we go again. “Jurassic Park” is undoubtedly a well known franchise. But so far, it is, at best, two for six as far as yours truly is concerned. Maybe three if I am being generous. Of course, the original “Jurassic Park” is peak cinema. I also enjoyed “The Lost World.” The film had some engaging sequences. The other films as far as I am concerned are dinosaur fodder, but I will admit when I watched “Jurassic World” in the theater a decade ago, it was a cool experience, especially in IMAX 3D. But having watched it at home, I think the film as a story and character piece is mediocre at best.

I went into “Jurassic World: Rebirth” with little expectations. After all, the odds were against this film being good based on the data I have provided thus far. Plus, I thought the last film, “Jurassic World: Dominion,” is one of the most abysmal blockbusters of all time. They say you are only as good as your last project.

Photo by Universal Pictures and Amblin Entertainment – © Universal Studios. All Rights Reserved.

I saw “Jurassic World: Rebirth” with a friend. Upon walking out of the film, I told my friend that I thought it was one of the weaker installments. Because that is the truth. I thought compared to the original, this was a waste of time. It is really hard to establish myself as a “Jurassic Park” fan when there is only one outright memorable installment. Yes, the second film has its moments. But other than those two, I have no desire to go back to watch any of the “Jurassic Park” movies, including this one.

There are positives to this film, and thankfully, as a narrative, it is slightly more entertaining than whatever the heck “Jurassic World: Dominion” turned out to be. It certainly helps that this movie chooses to focus more on dinosaurs than it does locusts. The biggest positive I can give to this film is that it is scary. The previous film had only one dinosaur sequence that had me scared for the characters. This latest film improves upon that. Part of that has to do with the direction from Gareth Edwards.

While Gareth Edwards may not be my favorite director working today, he is a name I respect. He can bring a lot to a big budget project. I love how he demonstrates the scale of titans in his work between establishing the titular character in 2014’s “Godzilla” and the AT-ATs in “Rogue One: A Star Wars Story.” Unsurprisingly, there was a sense of wonder to be had with the dinosaurs on screen. There is one particular sequence involving two dinosaurs with long tails in the middle of the grass that honestly took me back to the original “Jurassic Park” when Alan Grant takes off his sunglasses and marvels over the sight of a living dinosaur. There is also some okay dinosaur action… When said action actually happens.

Photo by Universal Pictures and Amblin Entertainment – © Universal Studios. All Rights Reserved.

Gareth Edwards does a good job at handling the action sequences in this film, but much like his “Godzilla” movie, my big problem with it is that I thought the film’s action does not become truly exciting until the film’s second half. There is some action in the first half, but it is honestly kind of a bore. You could argue that the crew wanted to spend time establishing the human characters, and there are snippets where you get to know the film’s cast. But I am honestly not going to remember most of these people. Yes, some of them are played by well known, award-winning actors, but I failed to connect with their respective characters. If you want a better monster movie that perfectly balances characterization with monster action, I hate doing this because Edwards did not direct this installment, but I highly recommend “Godzilla Minus One.”

When it comes to story, “Jurassic World: Rebirth” seems to have an identity crisis. While many movies have a plots and b plots, this movie has a couple different plots that feel like they distract from each other for the most part. The movie spends so much time establishing one set of characters only to suddenly introduce another set who quite frankly do not feel like they belong in this particular narrative.

Photo by Universal Pictures and Amblin Entertainment – © Universal Studios. All Rights Reserved.

But maybe the screenplay will utilize these plots to their full potential and unleash some memorable characters and line delivery! Ha! I wish. Some of the dialogue is cliche. The film seems to have attempts at humor that do not stick the landing. Some lines sound like they are out of a bad Michael Bay movie. And as I said before, the characters could have been better. Even the main ones feel relatively shallow. Do I like Scarlett Johansson? Yes. A lot actually. I think she is talented. I could tell she wanted to be in this film and she looked like she was having fun. But I wish I had more of a reason to care about her character of Zora Bennett.

These are not even the biggest faults of the screenplay. For some time after watching the movie, I thought this was a bad “Jurassic Park” installment. But the more I think about it, the angrier I get based on one particular complaint I have. For reasons I do not understand, the film establishes early on that public interest in dinosaurs has waned since the last movie. I’m sorry, what?!

How is that possible?! Look! Dinosaurs might just be one of the most consistently amazing concepts in history. Think about it! These are magnificent creatures from ages ago who dominated the planet until all of sudden they were taken out by space junk! They’re humungous! They’re boisterous! They come in many different shapes, sizes, types, and colors! Some of them will probably rejoice in the thought of straight up annihilating you! How on earth do dinosaurs become tiresome to the general public? In fact, let’s talk about this franchise alone! Four of these movies made more than a billion dollars! Yes, if you read my review for “Dominion” I thought that film accomplished the unthinkable feat of making dinosaurs boring. But that does not mean dinosaurs as a concept is boring. They were boring in a certain context. Ask ANY young boy living today if they like dinosaurs. I guarantee all of them would answer with a “yes.”

One could argue that the idea of the general public being bored by dinosaurs was written based on the ongoing consensus of the recent “Jurassic Park” installments. The films do not appear to be impressing audiences as much the previous ones did. But even if that is true, it does not change the fact that dinosaurs are still exciting. I live 20 minutes away from Boston, so we have the Museum of Science, and just about every time I go, I cannot help but look at the giant t-rex exhibit.

Saying that public interest in dinosaurs has deteriorated is like assuming that people today are no longer interested in other animals. We still go to zoos! We still go to aquariums! We still have pets! We still go on YouTube and watch cat videos every once in a while! But sure, the general public thinks dinosaurs are boring.

Now I would defend this idea for one reason, which is that dinosaurs spent so much time terrorizing the planet to the point where so many people were afraid to so much as look at one again. After all, they were unleashed into our world between “Fallen Kingdom” and “Dominion.” I do not recall “Jurassic World: Rebirth” making such a point clear, so I continue to question the film’s logic.

By the way, this film is written by David Koepp! The writer for the original “Jurassic Park!” Oh how the mighty have fallen. It is not like he has a perfect resume. After all, in recent years he did “You Should Have Left” and “Indiana Jones and the Dial of Destiny,” but I cannot recall being as infuriated by one of his screenplays as much as I am with this one.

Photo by Universal Pictures and Amblin Entertainment – © Universal Studios. All Rights Reserved.

Also, going back to what I said about the film’s wonder factor and how it reminded me of a certain scene from the original “Jurassic Park,” some of “Rebirth’s” highest points are those that are borderline nostalgia bait. While Alexandre Desplat is doing the score this time around instead of John Williams, the best musical beats are, unsurprisingly, those that clearly springboard off of John Williams’ original music. Do not get me wrong, these are iconic tunes. But the film does not really individualize itself from a musical perspective. There is, admittedly, a pretty fun chase scene in the climax of the film that feels at least partially inspired by the kitchen scene from the original movie. I will not go into spoilers, but the very end of the film reminded me of the original as well. As I watched it play out, I got the sense the filmmakers were trying to pay tribute to the original’s ending.

That said, if anything, this film makes me want to go back and watch the original “Jurassic Park.” Not necessarily because this film was fun, though there are one or two moments that stand out, but because it spent so much time reminding me of the original’s superiority.

I have nothing against dinosaur movies, and “Jurassic Park” is a franchise with potential. But unfortunately that potential is repeatedly shattered from one bad movie to the next. My interest in dinosaurs has definitely not waned. But my interest in this franchise definitely has.

© Universal

In the end, “Jurassic World: Rebirth” is further proof that this franchise needs to be wiped out by an asteroid. This is one of the worst films of 2025. I honestly think if they continue to make these movies they are going to achieve a fate similar to the “Transformers” franchise when it was under the helm of Michael Bay. These movies have had their moment in the sun, but I think audiences are going to open their eyes and either ask for the filmmakers to aim higher or decide to stop going to these films altogether. Then again, these are literally the only relevant dinosaur movies on the market, so maybe not. This franchise should be exciting but for whatever reason, each movie finds a way to spiral into awfulness. I am going to give “Jurassic World: Rebirth” a 3/10.

“Jurassic World: Rebirth” is now playing in theaters. Tickets are available now.

Photo Credit: Universal Pictures – © 2025 Universal Studios. All Rights Reserved.

Thanks for reading this review! My next review is going to be for “M3GAN 2.0.” Stay tuned! Also, coming soon, look forward to my thoughts on “F1: The Movie” and “Superman.” Blockbuster season is kicking into gear so I hope you are ready to hear what I think about the hottest movies of the summer. Hopefully these movies will end up better than “Jurassic World: Rebirth.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Jurassic World: Rebirth?” What did you think about it? Or, what is your favorite “Jurassic Park” movie? Let me know down below! Scene Before is your click to the flicks!

The Phoenician Scheme (2025): One of Wes Anderson’s Weakest Films Yet

© Focus Features

“The Phoenician Scheme” is directed by Wes Anderson (The Grand Budapest Hotel, The French Dispatch) and stars Benicio del Toro (Sicario, Star Wars: The Last Jedi), Mia Threapleton (The Buccaneers, I Am…), Michael Cera (Juno, Scott Pilgrim vs. the World), Riz Ahmed (Rogue One: A Star Wars Story, Sound of Metal), Tom Hanks (Toy Story, Cast Away), Bryan Cranston (Godzilla, Breaking Bad), Mathieu Amalric (Quantum of Solace, The Grand Budapest Hotel), Richard Ayoade (The Bad Guys, The Watch), Jeffrey Wright (Asteroid City, What If…?), Scarlett Johansson (Black Widow, Sing), Benedict Cumberbatch (The Hobbit: The Desolation of Smaug, Doctor Strange), Rupert Friend (Hitman: Agent 47, Homeland), and Hope Davis (Asteroid City, Greenland). This film is about Zsa-zsa Korda, a wealthy businessman who appoints his daughter as the heir to his estate. During his search for a new enterprise, the two become the target of assassins, terrorists, and tycoons.

Courtesy of TPS Productions/Focus Features – © 2025

Even noticeably solid directors have at least one dud on their resume. Steven Spielberg has “Indiana Jones and the Kingdom of the Crystal Skull.” Joel Schumacher has “Batman & Robin.” Meanwhile, for Wes Anderson, his dud would be his most recent film, “Asteroid City,” which despite its technical mastery and somewhat intriguing concept, had uninteresting characters, boring scenes, and a lackluster ending. I like Wes Anderson. Just read my reviews for “Isle of Dogs” and “The French Dispatch.”

There is a saying that you are only as good as your last project, so with “Asteroid City” somewhat fresh in my mind, I went into “The Phoenician Scheme” with moderate at best expectations. When the movie started, I was pleasantly surprised. Unfortunately, that feeling fizzled real fast.

Courtesy of TPS Productions/Focus Features – © 2025

“The Phoenician Scheme” has a fantastic hook. The movie starts with a plane crash, which apparently is one of several our protagonist has gone through. In that same scene, not even thirty seconds in, someone’s head gets blown off and flies out into the sky. Very exciting stuff! Having a solid beginning can lead to promise down the road. First impressions matter, and this movie impressed me right off the bat. But I would say that this scene is where the movie peaked. Because what follows is a complete and utter disappointment of a snoozefest some like to call a motion picture.

It did not take long for me after finishing “The Phoenician Scheme” to declare that it might be my least favorite of Wes Anderson’s filmography. I still have yet to see “The Royal Tenenbaums” and “The Darjeeling Limited,” but from his work that I have seen so far, this is probably the one that I can say is the weakest. And that is sad, because I was not a huge fan of “Asteroid City.” Much like “Asteroid City,” there are things to like in “The Phoenician Scheme,” but the film itself underwhelmed me. I knew what I was getting out of this film to a certain degree given its director. If you like Wes Anderson’s quirky style, good news, it can be found here. But I simply wish there was a little more substance to accompany it.

Most of my positives regarding “The Phoenician Scheme” have to do with the film’s technical aspects. This film, to my lack of surprise, has stunning production design. The color choices of all the surroundings are meticulously chosen and easy on the eyes. Everything in the frame feels organized. The film makes the most of its 4:3 aspect ratio that Wes Anderson has previously used in films like “The French Dispatch” or “The Grand Budapest Hotel.” Despite its consistent vibrance, the film has an old timey feel to it. Even with the score sometimes, which is another tour de force from Alexandre Desplat. The music commands your attention and is up there with “Isle of Dogs” as one of my favorites in a Wes Anderson film.

Courtesy of TPS Productions/Focus Features – © 2025

Watching “The Phoenician Scheme” is like going to an art museum but you are consistently bored or unamused by every single exhibit. Yes, this film looks extravagant and is obviously well done, but is it worth my time? Judging by my repeated urge to fall asleep in the auditorium, I do not think so. As easy on the eyes and ears as “The Phoenician Scheme” is, I wish I could have used those eyes and ears to see and hear something much more valuable.

As a director, Wes Anderson is undeniably quirky. Part of his quirkiness shines through the performances he gets out of his actors. Like some of his other films, his unique way of getting actors to deliver dialogue tends to stand out. There is something about their lines, at least to me, that lacks realism, but nevertheless tends to work in the environment of his films. Watching “The Phoenician Scheme” however, the dialogue comes off as stiff and stilted. Every line feels as if the characters are reading off their finest essays rather than speaking off the cuff or acting like genuine human beings. Seriously! Every other line in this film feels disappointingly robotic!

To make matters worse, this film, like some of Wes Anderson’s previous work, has a stacked, talented cast. If you were to ask a friend who their favorite actor is, chances are their pick is in this movie! Everyone from Benecio del Toro to Tom Hanks to Scarlett Johansson to Benedict Cumberbatch to Bryan Cranston! This movie is kind of like “Amsterdam” with a pinch more polish!

Courtesy of TPS Productions/Focus Features – © 2025

The worst offender among the cast for me is Michael Cera, seen above doing his best Adam Conover cosplay. For the record, I like Michael Cera. I am a big “Scott Pilgrim vs. the World” fan. And his performance here somewhat reminded me of his performance in that film. They are not the same on the surface, but when it comes to direction and vision, they feel like they strictly belong in their respective universes. That sounds like a good thing, but in the case of “The Phoenician Scheme,” I was bewildered as to some of the choices they made regarding Cera’s character of Bjørn. Cera unleashes a voice for his character that got on my nerves real fast. The more he talked, the more I wanted to melt my brain.

That said, this film is also shaping up to Mia Threapleton’s (right) big break. For those who do not know, Mia Threapleton is Kate Winslet’s daughter. She was in a few projects before this film, but this is my first time seeing her in a role. She did a great job as Sister Liesl. And I do not mean that by nepotism standards. I got the impression that she could potentially have a career as successful as her mother. She is very talented.

I am by no means a Wes Anderson newbie. I have an understanding that he tends to stylize his dialogue, frame objects or people in the most still-like manner possible, and beautify the background so much to the point where it becomes a character of it own. Anderson is a noticeably a visionary director. He is an auteur. But if anything this is a film that so is overwhelmingly packed with Wes Anderson’s style that he prioritized it before characterization and pacing. As I watched this film, I barely felt anything. I did not care much about the characters, even if they are conceptually interesting. The story occasionally reeked of convolution. Overall, I left this film unsatisfied.

Courtesy of TPS Productions/Focus Features – © 2025

In the end, “The Phoenician Scheme” is a complete bore. One can argue that this film feels like something that only Wes Anderson can do. But if that is the case, that is disappointing because what this film ended up being was a slow, albeit pretty looking espionage story that I won’t even remember in the next year. If you want to watch a good Wes Anderson movie go back and watch “Rushmore.” Go watch “Fantastic Mr. Fox.” Heck, even his earliest feature film, “Bottle Rocket,” was quite fun. If this was my first Wes Anderson film, chances are I would not be looking forward to what he has up his sleeve next. I am going to give “The Phoenician Scheme” a 3/10.

“The Phoenician Scheme” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next review is going to be for “The Life of Chuck!” Stay tuned! Also coming soon, look forward to my thoughts on “Materialists” and “Elio.” If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Phoenician Scheme?” What did you think about it? Or, what is a bad film from a filmmaker whose work you traditionally like? Let me know down below! Scene Before is your click to the flicks!