“Hypnotic” is directed by Robert Rodriguez (Alita: Battle Angel, Desperado) and stars Ben Affleck (Air, Argo), Alice Braga (City of God, Lower City), J.D. Pardo (F9: The Fast Saga, Mayans: M.C.), Hala Finley (Man with a Plan, We Can be Heroes), Dayo Okeniyi (The Hunger Games, Terminator Genisys), Jeff Fahey (The Marshal, Lost), Jackie Earle Haley (Little Children, The Bad News Bears), and William Fichtner (Prison Break, Mom). This film is about a detective who investigates a cause behind why his daughter had been abducted.
As someone who lives near Boston, I feel like going to a Ben Affleck film, whether he is in front of or behind the camera, is like going to a Red Sox game. It is not always the first thing that comes to mind, but I end up rooting for him upon entering the venue because of my roots. I do not follow sports, but I am someone who is well aware of the Red Sox’s poor season. The quality of their recent record is a far cry from Affleck’s, who is hot right now because of his heavy involvement with “Air,” which stands as one of my favorite scripts of the year. Despite such praise, going to “Hypnotic” encapsulates the feeling of going to a Red Sox game and having a knowledge of their below par record. This film appears to have been barely marketed, but I did catch some of it as it was advertised on Pluto TV numerous times.
The concept of the film intrigues me, especially as someone who enjoys high concept science fiction. As for the execution, that leaves a bit to be desired.
I am willing to bet to that if you talked to me in a year from now, I almost would not remember a single thing about this movie. All I could tell you about it is that Ben Affleck is in it, it looks trippy, and that is it. This is easily one of the most forgettable science fiction films I have ever seen. It is by no means an offensively bad movie, but when it comes to flair or overall enjoyability, this movie lacks both those things. There seems to be a good movie in “Hypnotic” somewhere, but I could not find it. Robert Rodriguez is not a terrible filmmaker. In fact, I very much enjoyed his recent blockbuster “Alita: Battle Angel,” which I contend is one of the greatest visual spectacles of the past five years. “Hypnotic” is a far cry from “Alita.”
Much like “Alita,” “Hypnotic” is easy on the eyes, but one thing I enjoyed about “Alita” that this film managed to do less effectively, is make me feel like I was not in my own world. Granted, “Hypnotic” is much more based in reality, with some twists of course.
The main thing driving this story and its plot is mind control, we see various characters use mind control to move things along. I think some of the ways this is utilized happen to make for clever moments. While this movie may lack the oomph that many others in its genre possess, there are inklings of goodness at times.
In addition to the sick visual effects that make the film as eye-popping as it is, my eyes were also occasionally wowed with some of the film’s shots and framing. It does not reinvent the wheel, but there are a select few shots where the framing choices make the visual effects that much more… hypnotic.
If I had to make a comparison, “Hypnotic” feels like “Inception” with a pinch of “Blade Runner.” The film has a lot to do with the mind, albeit not so much about dreams. But the main character of Danny Rourke almost feels like a Rick Deckard type. After all, while the films explore this idea in different manners, both reminisce over a particular happening in their mind that stands out during the film. For Deckard, it is as simple as a unicorn. For Rourke, it is a bit more complex because much of the movie is about his connection to his daughter. Whether they’re real or artificial, these memories drive the characters throughout the film. In fact, there are a couple other “Inception” comparisons that can be addressed. There are some trippy visuals. The color grading looks similar. The protagonist’s offspring happens to be a driving force of the film. If anything, “Hypnotic” reminded me of the 2021 film “Reminiscence,” because that was another film that gave me “Inception” or Christopher Nolan vibes throughout, even though he never had a hand in the film. Although sibling Jonathan Nolan produced it, and his wife, Lisa Joy, directed it.
And much like “Reminiscence,” “Hypnotic” is a concept that works on paper, but they could not figure out how to translate it to the frame. I think there are inklings of lore that work. There are certain action sequences that play out well. The actors seem to barely go above the degree of sleepwalking throughout the picture. I am willing to bet that the only factor behind me potentially liking this movie is if someone mind controlled me into doing so. Because right now, I am not bagging what this movie is raking.
“Hypnotic” is exactly as the title suggests, hypnotic. But not in the way Robert Rodriguez and crew would want the viewer to think. Because while there may not have been an object shaking back and forth, my brain kept reminding me that I must have been getting very sleepy. I did not fall asleep during this movie. In fact, throughout my years of moviegoing, I have yet to fall asleep to a movie in the theater. But I have a feeling that if I watched this film on a late night at home, there is a good chance that I would have paused the movie halfway through and have to pick up the rest of it the next day. It is not a chore to watch, but it is a chore to fully digest and appreciate. If you want a good Ben Affleck project to watch from this year, go watch “Air.” Heck, I have not seen “The Flash” yet, which Ben Affleck is also in, but I am going to assume that it is better than this.
In the end, “Hypnotic” is one of Ben Affleck’s inferior outings in his career and a less than stellar day at the office for Robert Rodriguez. Would I watch “Hypnotic” again? I do not know at this point. Part of me wants to give it another shot to see if I could appreciate it more. There are things I liked in it, but the movie still kind of rubbed me the wrong way the more I think about it. The idea is great, the unveiling of it is not. I am going to give “Hypnotic” a 4/10.
“Hypnotic” is now playing in theaters everywhere. Tickets are available now.
Thanks for reading this review! Pretty soon I will be sharing my reviews for “The Machine,” “The Blackening,” “Transformers: Rise of the Beasts,” and “The Flash.” Stay tuned! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Hypnotic?” What did you think about it? Or, what is a movie you saw that is still on your mind, but have seemed to mostly forgotten about after it finished? Let me know down below! Scene Before is your click to the flicks!
“Avatar: The Way of Water” is directed by James Cameron (The Terminator, True Lies) and stars Sam Worthington (Sabotage, Clash of the Titans), Zoe Saldana (Guardians of the Galaxy, The Adam Project), Sigourney Weaver (Ghostbusters, Alien), Stephen Lang (Don’t Breathe, Tombstone), Kate Winslet (Titanic, Divergent), Cliff Curtis (Training Day, Three Kings), and Joel David Moore (Dodgeball, Bones). This film is the long-awaited sequel to the 2009 film “Avatar,” also directed by James Cameron. This time around, Jake and Neytiri, along with their children, move from the forest and adapt to life by the sea. Meanwhile, humanity strikes once again to kill Jake Sully.
I have not seen every film James Cameron has done. I still have not seen “Aliens.” I still have not seen “The Abyss.” That said, he can direct a movie. I loved “The Terminator.” Its follow-up, “Terminator 2: Judgment Day,” belongs amongst my favorite films of all time. “Titanic” is a massive spectacle with a thrilling climax. “True Lies” is a hilarious, fun action movie. Cameron also recently produced “Alita: Battle Angel,” directed by Robert Rodriguez. It has some of my favorite visual effects and action sequences in recent cinema. The man knows how to entertain.
The first “Avatar” is not my favorite movie James Cameron made. Kind of like “Titanic,” the beauty of the film does not always lie in its screenplay, and more so its looks. However, the film made over $2 billion and is the highest-grossing movie of all time. Naturally, whether Cameron wanted to or not, a sequel definitely had to be made. “Avatar: The Way of Water” is the result of thirteen years of Cameron’s transition from one movie to the next. Even I, someone who barely cares about the original “Avatar,” was curious about this film. The trailers looked decent, and whatever visuals they revealed looked stunning. I had a couple chances to see the trailers in 3D, and I was marveled by a couple sequences in said format.
This leads me to my biggest positive with “Avatar: The Way of Water.” This film is the single-greatest use of 3D I have ever seen. For the record, I got to see the original film in 3D last September, and this film surpasses it. It surpasses some other 3D standouts for me like “Gravity,” “Oz the Great and Powerful,” and “The Hobbit” trilogy. As far as blockbuster filmmaking goes, there is no movie I can think of that has done 3D this well to the point where it felt like more than a cheap gimmick. Speaking of unusual technical specifications, “Avatar: The Way of Water” was shot in 48 frames per second. This is an aspect which “The Hobbit” trilogy also utilized both in filming and during select screenings. For the most part, it works. At times, I felt like I was watching a series of video game cutscenes, which sounds like a detractor, but I kind of intend it as a compliment.
However, the unfortunate thing is that since these are my biggest positives, I imagine there are people out there who might never get to experience said positives if they watch this movie. For one thing, 3D at home is not as big of a thing as it may have been over a decade ago. And I am not sure what Disney/James Cameron plans to do in regards to the frame rate for this film’s home release. Although one positive that can be experienced regardless of the setup is the visual effects.
If I have to be honest, if there is any other film that is going to win the Oscar for Best Visual Effects this year, I might start trying to defy gravity because nothing would make sense any more. Similar to what I said about the 3D, the visual effects were great in the original “Avatar,” but they are a step up in “The Way of Water.” The water sequences in this film are some of the best-looking of the year. For the most part, the visuals in this sequel are as perfect as can be. It really felt like everyone took their time with minute details to allow for the perfect color and polish. Some of the cinematography, done by previous Cameron collaborator Russell Carpenter, accompanies said visuals well. There is one shot of a sunset where my eyes lit up. The aesthetic of “Avatar: The Way of Water” does not disappoint.
What does disappoint instead is the story and characterization. You know, the essential things that make movies worth watching.
While I liked the trailers for “Avatar: The Way of Water,” what these trailers always lacked is depth into what the story is about. The film thankfully provides a story, but not a good one. It is less by the numbers than the first movie, but somehow it feels more boring. The visuals are pretty enough to distract me from that, but the characters are uninteresting. In one of my most recent reviews, specifically for “Strange World,” I said the movie is “like a first date with the most attractive woman alive, only to find out she has zero personality whatsoever.” “Avatar: The Way of Water” is kind of like “Strange World” in the sense that the environment feels more important than the characters, but to the point where the characters lack a certain prominence they would otherwise have in most halfway decent movies.
There have been movies where the characters do not stand out that nevertheless find a way to stick the landing. But not every movie can be “Dunkirk.”
“Avatar: The Way of Water” presents a fascinating concept. Specifically, now that Jake and Neytiri have offspring, how does this affect their behavior compared to the first film? In general, I dug the family dynamic, and there were moments in this film that felt relatable based on said dynamic. Although the characters themselves lack dimension and personality. I admire Sigourney Weaver for trying her best at playing an animated teenage girl, but I would not say it is my favorite performance of hers.
In fact, the family dynamic is not the only concept of fascination. The whole water land itself comes with some halfway decent ideas. Similar to the first movie where a particular tree plays a prominent role in societal beliefs and customs, the equivalent to that in this film is a group of whales. Although as fascinating as it is to see the bond between the bunches of blue characters with whales in this film, this leads to yet another story critique where this film feels like another version of the original, only less watchable.
This movie reintroduces familiar characters like Jake, Neytiri, and Quaritch. It also brings in new faces. Some of these include Jake and Neytiri’s kids: Kiri, Lo’ak, Neteyam, and Tuk. I bet some time after writing this review, I will not remember some of these names. At a point in the movie, the story revolves more about the children than it does their parents. I am not against this. In fact, despite my lack of interest with the story itself, some aspects of this were handled with competency. The film’s new characters have their moments. However, if I have to name a least favorite of the characters, it would be this one person named Spider.
Unlike Jake and the rest of the Sullys, who are half human, half Na’Vi, Spider, who Jake also raised, is entirely human. Although he tends to behave like one of the Na’Vi. While I am optimistic about Jack Champion’s future as an actor and wish him nothing but the best, his character was awfully written. At first sight, the character is presented with an intriguing backstory, but as the movie went on, he felt increasingly out of place, and by the end, I questioned his actions. There are few words that I could come up with to describe Spider as a character. “Conflicting” would certainly be one of them.
“Avatar: The Way of Water” takes a lot of what works in the original. Such things include the visuals, the exploration, the flying sequences. Ultimately, this sequel improves those things. At the same time, a lot of I found to be imperfect with the first film such as the story, the dialogue, and its lack of getting me to care for certain characters, make a return here as well. If you want me to be real with you, the climax of this film, at times, is more entertaining than the climax in the original “Avatar.” Should you pay to see this film in theatres, the climax alone makes the film worth the price of admission. I am clearly not a huge fan of the film, therefore I would not pay to see “Avatar: The Way of Water” a second time. That said, I imagine plenty of people will. I think if there is a reason to see this film, the climax would make for a compelling argument.
The theater experience for “Avatar: The Way of Water” rivals “Top Gun: Maverick” in terms of immersion, but if I had to choose a film between the two to watch again, I think “Maverick” is the superior option because despite the film occasionally coming off as another version of the original “Star Wars,” the characters are likable and serve the story. Do the characters serve the story in “Avatar: The Way of Water?” Sure. But I would say they do so with less charisma and personality than those in “Top Gun: Maverick.”
I have not ridden the “Avatar” theme park ride at Disney World. Maybe if I take a trip there in the future I would give it a whirl, but I just never had the opportunity to ride it. Although I must say that “Avatar: The Way of Water,” much like a ride at Disney World, is wildly immersive, but almost to the point of being a pretty gimmick. The 3D definitely stands out, and while I said earlier the 3D does not feel like a gimmick, it belongs in a film that nearly comes off as a gimmick itself. When I left the film, I thought more about how it took me into Pandora, which may sound like a compliment, until I thought about how little it took me into the lives of its characters. While last year’s big movie event, “Spider-Man: No Way Home,” had some imperfections, I would rather watch that again to see the characters go through their individual journeys. Although one imperfection “No Way Home” has, like “The Way of Water,” was that I found the ending to be somewhat poor. Although the journey to get to the ending for “No Way Home” invested me emotionally while getting me to care for the core characters. I will give credit to “Avatar: The Way of Water” for having a more appealing visual aesthetic to it, but as the old saying goes, “Avatar: The Way of Water” is yet another example of style over substance.
I would even say that “Avatar: The Way of Water” has narration that at times that is either as tacked on or as bad as the original “Blade Runner.” When I say the original “Blade Runner,” I am talking the original. As in, the one where Harrison Ford sounds like he is half asleep when voicing what he learned about Roy. The one that I imagine a lot of young people experiencing the film for the first time will not even get to hear. I am sorry, but for a movie that carries itself so much on visuals, I am somewhat surprised in regard to how much narration this film has.
Through the ages, there have been several movies that have been able to tell a great story while also delivering eye candy. “Star Wars” took me to another galaxy while also presenting the relatable Luke Skywalker. “The Matrix” presents a fun tale of good vs. evil while also showcasing a one of a kind digital landscape. The Academy Award Best Picture winner, “The Shape of Water,” is a beautiful-looking film with an unusual, but still captivating romance. “Avatar: The Way of Water,” finds itself choosing to focus a lot on the film’s background and surroundings to the point where I do not care one bit about the characters in the foreground. Yeah, I know what happens in the movie. But I would flock to a multitude of other movies before this one again because they presented their stories more admirably. I would imagine there are people who are going to leave this movie, much like the original, who would claim they want to live in Pandora. I on the other hand, would not. I would rather live in Middle Earth, where the visuals are just as stunning, but the stories are ten times as interesting.
In the end, “Avatar: The Way of Water” is possibly the biggest disappointment of 2022. Not only because it is James Cameron, not only because the film looks amazing, but because this is a film that was thirteen years in the making. I cannot believe I am living in a year where I have gone back to the cinema to watch “Top Gun: Maverick,” which is a sequel I frankly think was not all that necessary until seeing footage. Meanwhile, I do not think I want to go back to watch “Avatar: The Way of Water” a second time. This is crazy because I have thought about seeing an “Avatar” sequel maybe since I was ten years old. I thought the potential was there. Sadly, the execution was lackluster. But who cares? Sequels are already scheduled, and there is a solid chance that this is going to make a billion, possibly a couple billion bucks at the box office. While the original “Avatar” is similar to titles like “Pocahontas” and “FernGully,” when it came out, it felt like a distinctive title. “Avatar: The Way of Water” not only feels like a slight retread of the original, but somehow comes off as more boring. Does it look pretty? Yes, but so did “Elvis.” If you read my review for that movie, you would know that movies should sometimes do more than just look shiny. That said, “Avatar: The Way of Water” is undoubtedly a technical beast. I applaud Cameron and crew for delivering a solid-looking film. I just wish I could say the same for the story. I am going to give “Avatar: The Way of Water” a 5/10.
“Avatar: The Way of Water” is now playing in theatres everywhere, including formats such as Real-D 3D and IMAX 3D. Tickets are available now.
Thanks for reading this review! Next week I will be sharing my thoughts on the brand new DreamWorks Animation “Puss in Boots: The Last Wish.” I am attending a press screening of the film this Monday, so I will share my thoughts on the film as soon as possible. Hopefully it has more substance than “Avatar: The Way of Water.” If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Avatar: The Way of Water?” What did you think about it? Or, which film do you think is better? “Avatar” or “Avatar: The Way of Water?” Let me know down below! Scene Before is your click to the flicks!
“Alita: Battle Angel” is directed Robert Rodriguez (Sin City, Spy Kids), written and produced by the critically acclaimed James Cameron (Avatar, Titanic) and stars Rosa Salazar (Parenthood, Maze Runner: The Scorch Trials), Christoph Waltz (Django Unchained, Spectre), Mahershala Ali (Green Book, Moonlight), Ed Skrein (Game of Thrones, Deadpool), Jackie Earle Haley (Little Children, A Nightmare on Elm Street), and Keean Johnson (Nashville, The Fosters). This film takes place in the year 2563, or 300 years after a massive war between planets leading to Earth’s devastation. When the film starts, we see a scientist assemble a girl who clearly has a consciousness but has no memory of major events that happened in the past. With that in mind, she decides to go on a journey to recover her memories.
This movie, to me, had a very bumpy road up until its official release. Word of mouth about it in terms of its development has been spoken since we hit the 21st century. At the turn of a new millennium, Fox registered the rights to the domain battleangelmovie.com and James Cameron registered the rights to battleangelalita.com, who has said for years that this film is in progress. He was going to do it after the production of the TV series “Dark Angel,” but he didn’t get to it. He wanted to get the thing done after the film “Aliens of the Deep,” once again, he didn’t get to it. After all, Cameron’s biggest priority during the late 2000s was “Avatar,” mainly because he wanted to bring awareness of environmental preservation to public audiences, which to be fair, is a pretty good reason to focus on a movie like that. Well, in addition to raking in over $2 billion at the box office… In August 2010, over a year and a half after “Avatar’s” release in theaters, Cameron stated he wanted to work on the “Alita” film, but he is having trouble getting around to it. Then came 2013, where Cameron happened to be in an interview with director Alfonso Cuarón (Roma, Gravity). Cameron suggested 2017 as the time to start working on the film. Coincidentally, shooting began in late 2016. And a year before that, The Hollywood Reporter stated that Robert Rodriguez was in talks to direct the film (a confirmation to direct would be announced in 2016). Said director was supposed to “condense and combine Cameron’s 186-page screenplay and some 600 pages of notes into what could be the shooting script.”
So basically, James Cameron is approaching his “Alita” project similar to how I would approach my high school crush. I’d start out looking at her, admiring her, trying to talk to her abd say hi once or twice, get her to notice me, only til I get to the point where I either lose that crush or I think she’s too good for me.
Although, I haven’t even gotten to the trailers yet! The first trailer for “Alita: Battle Angel” released at the end of 2017, and at the time, the film was scheduled to come out in July 2018. Then, the second trailer, which came out last year in July during San Diego Comic-Con, suggested the film would be out at the end of the year in December. If you ask me, that was a terrible decision made by whoever was in charge of the release, because then the film would have to compete with other titles such as “Aquaman,” “Mary Poppins Returns,” “Bumblebee,” and more. Luckily, they made the smart choice of moving the release date once again, this time to February 2019, as suggested in a trailer for the film which came out this past November. And it seems to have worked out in the film’s favor because it ended up making over $400 million worldwide, which is more than twice the film’s budget of $170 million.
But the real question is this… How was “Alita: Battle Angel” as a movie? Was it good? Was it bad? Was it ugly? My answer, none of the above! In fact, it was awesome! Remember back in 2015 when “Mad Max: Fury Road” came out? Personally, I don’t particularly like it as much as everyone else, but I for one have grown to appreciate the flick as a visual spectacle. There are numerous thrilling action sequences, the cinematography took a lot of effort to pull off, and damn it pulled off well! And the film is filled to the brim with practical effects. There are tons of vehicles specifically built for the film, the locations fit every scene quite well, and there are a number of stunts and movements throughout the picture that are kind of brilliant when you break them down. To me, this was that, but with CGI. Kind of like “Avatar” or “Gravity” or the 2016 “Jungle Book” remake because like those films, I almost questioned how the CGI looked as polished and stunning as it did. This film is the very definition of a visual spectacle, and I’m almost surprised that I am even saying that, because when I first looked at Alita herself from the first couple of trailers, I thought she I’d be slightly offput by her appearance. Not by her body, I am not a guy who wants women’s bodies to look a certain way, but… her eyes. Honestly, they didn’t even bother me in this film, and to be honest, they made Alita stand out to me in a positive way as the film went on. It let me know of the character I happened to be looking at. After all, when we first look at Alita’s face at the start of the film, she didn’t even have eyes. The eyes we see in the film were added on.
If anything, if I had to compare “Alita: Battle Angel” to another film visually, I’d say the best example would have to be last year’s “Ready Player One,” which if you have followed this blog for some time, you may know I adored that film. Visually speaking, it was hard at times to recall if I had seen anything like it. To this day, “Ready Player One” has some of the best CGI I have seen in a film because it creates this immersive video game world that I kind of wanted to be in, especially considering how it highlights the real world and how it has gone to s*it. I don’t think I’m going to have a great 2045, I think we’re going to be super low on resources! Give me my video game world now! Much like “Ready Player One,” “Alita: Battle Angel” spends much of the runtime being rather glossy, but in its own case, it also has some grittier looking images to take a gander towards. Down in Iron City, it kind of has a similar look to Wakanda from “Black Panther,” but with more to do around the area. Then again, I don’t typically imagine many Wakandans walking down a street to sample some chocolate so who knows? Plus, there’s one part of the city scenes that captured my attention.
The introduction of motorball.
Holy s*it, I seriously don’t get how people can watch football. I can watch motorball all day every day!
Motorball: The new sport for the universe.
Now I should point out that I have never introduced myself to the original source material of “Alita.” In fact, despite calling myself a nerd, anime and manga are two of my weakest areas when it comes to following the main aspects of geek culture. So in case you cannot tell, the concept of motorball is fairly new to me. But damn, I love it. It has the physicality of hockey, although perhaps greater physicality since everyone’s occasionally trying to kill each other, not to mention the adrenaline of NASCAR. It is a sight for the eyes if there ever was one.
And speaking of awesome moments with tons of CGI, let me just point out that you all should check out “Alita” just for the action alone. There’s some creative ideas to be witnessed, and there is one character in particular who has these chain wires coming out of his arm, it reinvents the word epic. Honestly, to me, these action scenes are up there with films like “The Matrix,” “Man of Steel,” and the “Lord of the Rings” franchise of how fantastically exhilarating the action can tend to get. It almost reminds me of a video game, and I don’t mean that in a bad way. I mean that in comparison to a bunch of flashy video games where everything is eye candy and it almost makes you feel like you want to be part of the action despite the possibility of getting killed. Damn, this movie is the bomb.
But this movie is not all looks, it has some decent characters too. I was rooting for Alita the entire time, I really liked the love interest she interacted with, specifically Hugo (Keean Johnson). I bought into the chemistry Alita had with her “father” and I really liked the backstory as to how Alita got her name.
But at the same time, since I have been talking about how unbelievable this film is, it should come as no surprise that my biggest problem should have to do with the characters. This is not to say that I hated anybody in particular, I have no beef with anyone. But when it comes to the film’s antagonistic side, it almost feels as if it doesn’t exist at times. For some reason, there have been numerous moments throughout the film that make it feel as if there happens to be no real threat. Granted there is a threat, but even when there is, it almost feels like it barely has a reason to be in there. And speaking of problems, there is a moment in the film where the “father” character, Dr. Dyson Ido, establishes a couple of rules with Alita, and that conversation tends to almost go nowhere in terms of how the rest of the film plays out. Granted, it partially goes somewhere, but it never feels like it has a full reason to exist. I won’t go too far into the rules or where they tend to go, but it’s something I wanted to point out. This is slightly nitpicky, but nevertheless, I feel it is also something that is important to establish.
In the end, “Alita: Battle Angel” gave me pretty much what I wanted. It’s enormous, it’s lively, and it’s boisterous. Overall, it’s probably the biggest spectacle of the year (maybe aside from Endgame). And based on how much I enjoyed this film, it kind of makes me forget about the development and post-production problems a little bit. I watched this film on 4K Blu-ray because I wanted to provide myself with as much of a spectacle as I can. Having done that, it kind of makes me mad at myself for not going to see this in a theater. Especially in IMAX 3D. There are several moments that if you have a 7.1 surround sound system, it will make you feel like you’re inside your screen. It’s what a movie is supposed to be, an escape. And in this case, “Alita: Battle Angel” is one escape that put me in a world which I never wanted to leave. I’m going to give “Alita: Battle Angel” a 9/10. I don’t know if this film will end up being for everyone, but for me, this was Heaven. As a nerd, I found myself loving the sci-fi and fantasy elements brought to the story. And from a technical perspective, “Alita” shines as bright as the sun. Plus, you know how a lot of people are still waiting for that “excellent video game movie?” Films based on anime and manga are almost in the same league as video games. The only ones that stand out, happen to do so for not so good reasons. I have not watched “Dragonball: Evolution,” but knowing enough about it, there is enough to support why I have not watched it yet. I don’t dive into anime and manga all that much in general, but still, this movie, unlike a lot of other similar entrants to its genre, is something special. I dig it, I would love to see a sequel, and if it comes back to theaters, I am there.
Thanks for reading this review! I just want to remind everyone that I just recently watched “Missing Link,” the new animated film from Lakia. I will have a review for that up as soon as possible, be sure to stay tuned for that! Also, this upcoming weekend, I will be at Terrificon so I will not be watching anything new from Friday to Sunday. But fear not! Because I will be doing a post reporting my activities from the con! That should be up sometime next week, hope you all get a chance to read it! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! And while I cannot promise you I am sharing my epic wins from playing motorball on there, be sure to like my Facebook page! It has updates on upcoming posts, it lets you know when new content is available, and I’ll even remind people of various milestones I hit on the blog every once in a while. Check it out, please! I want to know, did you see “Alita: Battle Angel?” What did you think about it? Or, what is your favorite fictional sport? Willing to bet most of you are going to say Quidditch, aren’t you? Let me know down below! Scene Before is your click to the flicks!
Scene Before 