Wicked: For Good (2025): Can This Second Half Follow the Yellow Brick Road?

© Universal Pictures

“Wicked: For Good” is directed by Jon M. Chu, who also directed the prior “Wicked” installment. This film stars Cynthia Erivo (Genius, Widows), Ariana Grande-Butera (Victorious, Scream Queens), Jonathan Bailey (Jurassic World: Rebirth, Bridgerton), Ethan Slater (Lost on a Mountain in Maine, Gen V), Bowen Yang (Awkwafina is Nora from Queens, Saturday Night Live), Michelle Yeoh (Everything Everywhere All at Once, Transformers: Rise of the Beasts), and Jeff Goldblum (Jurassic Park, Independence Day). This film is the second in a two-part adaptation of the “Wicked” musical, which itself is based on a book of the same name. In this story, we see our main characters from the first film return as they embrace their identities of Wicked Witch of the West and Glinda the Good.

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If you read my review for “Wicked” over the past year, you would notice that I have not offered the fondest of opinions regarding the film. While I acknowledge the film is by no means broken, I found it to be mostly slow. I thought a lot of the musical numbers were not doing it for me. And I thought some of the film’s technical aspects such as the color grading needed improvement. That said, I know that movie has its fans. I will even say there are things I liked about it. While most of the music failed to impress me, signature songs like “Popular” and “Flying Gravity” were well executed. Cynthia Erivo and Ariana Grande are excellent as the main duo. And even though I thought the film could have been more aesthetically pleasing in certain regards, I was impressed by the production design.

I was quite nervous for this sequel, because I acknowledge that I probably pooped on a lot of people’s parties when it comes to my opinion on the first film. A lot of people I know really dug it. Those people were also looking forward to this one. The film was a shining star over the past awards season, but I wish I aligned with those who praised it. Given how I am a Movie Reviewing Moron of the people, I used one of my A-List reservations to see this film opening weekend.

Having now seen the film, I cannot say “Wicked: For Good” surprised me in any way. I expected to not like the film, and that is exactly what happened. Of course, I go into every movie wanting it to be good. But in the case of “Wicked: For Good,” it did not do it for me.

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Believe it or not, there are plenty of positives in “Wicked: For Good.” Many of the things that I found to work in the first film also work here. Then again, this should not be a big surprise given how both titles were shot back to back. That said, much like the original film, the sequel wowed in terms of its production design. Oz feels just as grand as I recall it feeling a year ago. I thought the music was great, and in some ways, it was an improvement over the first part. There were bits of the first film where it felt like the characters were singing almost unnecessarily. In this sequel, every song seemed to have a purpose. They either fit the moment or enhanced a character’s arc. During my review for the first film, I pointed out that the music became so loud at my screening to the point where I almost had a headache. At the risk of torturing myself, I ended up seeing “Wicked: For Good” at the exact same theater and auditorium, which is a Dolby Cinema at an AMC location. I do not know if they turned the volume down in that theater, but I found the soundtrack much more comfortable to listen to than the one from the original. Speaking of sound, the sound editing was top notch. For example, I like the attention to detail the movie gives whenever Glinda is in her bubble. You can hear a little blockage coming through whenever she talks because the camera’s point of view is from the outside of the vehicle.

Another point of praise I would have to give is that most of the cast does a good job with the material they are given. Of course, Cynthia Erivo and Ariana Grande, who had dynamite chemistry in the first film, work well together this time around, that is during whichever moments allow the two to be on screen together.

© PHOTO BY: UNIVERSAL PICTURES – © 2025 UNIVERSAL STUDIOS. ALL RIGHTS RESERVED.

I am not going to pretend that I found the first film’s screenplay to be phenomenal, but there was at least a novelty to it even though it was based on both a play and a book. This film’s script is consistent with the first film in certain ways. Therefore, like the first film, I found a lot of the fantastical vocabulary to be rather annoying. I get that this film is not directly set on earth, but a lot of the diction dropped by select characters including “thrillifying,” “obsessulated,” and most especially “clock tick” felt too over the top. Every time a character in this film said the words “clock tick,” it felt tacked on. It did not feel authentic, even for Oz. It came off as a fantasy version of “Mean Girls” where instead of people trying make fetch happen, they were trying to make “clock tick” happen.

When I reviewed “Wicked” last year, I pointed out that there was a pink and green tint attached in my presentation. That was not the case this time. I can only make an assumption, but maybe the projector had a filter that should have been removed. I do not know if it was a 3D filter because the screen did not look that dark. Point is, the screen looked normal during “Wicked: For Good.” Shoutout to the staff at the AMC Liberty Tree Mall 20 for the upkeep. I found “Wicked: For Good” to look much better than the original “Wicked” did during my initial watch. The sequel’s viewing experience fully allowed me to see the film the way Jon M. Chu intended. Sadly, I do not know if his vision satisfied me all that much. “Wicked: For Good,” like its predecessor, feels lacking in color. Again, the set design is great. I will even say a quite a bit of the framing is pretty good. But I think the color grading could have been pinched up a little bit, and a lot of the shots seem to lack personality. I hate saying this, because I have a soft spot for these movies, but these “Wicked” films look like select MCU films. They look slapped together and almost done on the fly. Like the original, “Wicked: For Good” has some decent shots, but it is also packed with a lot of shots that look gray, digital, and lifeless.

© PHOTO BY: UNIVERSAL PICTURES – © 2025 UNIVERSAL STUDIOS. ALL RIGHTS RESERVED.

Overall, I found this film to engage me more than the original did. That said, this film will definitely be enhanced by watching the original, as much as I do not recommend doing so. I found “For Good” to start off with a bang. It quickly establishes the Wicked Witch as a threat amongst Oz, or at least a threat in people’s minds. That said, despite establishing Elphaba as a threat to Oz’s population, I can say that this film feels uneventful by the conclusion. Does this film have a beginning, middle, and end? Yes. But by the time the film is over, I had little attachment to any of the characters. Not Elphaba. Not Glinda. Not a single soul in the cast. This is a film that is supposed to cap off the story and instead of going out with an emotional bang, it closes things off with a dull whimper. I get that “Wicked” in essence paints the story told in “The Wizard of Oz” as an anti-Elphaba propaganda piece, but the way that the film showcases some of the events from “The Wizard of Oz” lacks something the classic tale had. Sure, “The Wizard of Oz” is a formulaic hero’s journey, but like a lot of formulaic hero’s journeys, it had stakes. As I watched parts of “Wicked: For Good,” I almost did not care about a single character in the cast. The film barely paints the Wizard as a threat, even if Elphaba most definitely sees him that way. The closest thing to an unforgivable act I can say he pulled off is him capturing a bunch of animals, which, okay, that is not something reasonable people do. Not to mention, such an action piggybacks off of material from the first film. But even that plot point feels like it barely gets any spotlight. It comes off as an afterthought.

Do things happen in “Wicked: For Good?” Sure. Do characters develop in “Wicked: For Good?” Sure. We see some characters change more than others, but there is some character development to be had. That said, by the film’s conclusion, I felt like nothing really mattered that much. There was not much in the film that left a significant impact on me.

There is quite a bit in this film that I do not like. I did say there are plenty of positives, but I utter such a sentiment with as much generosity as I can provide. That said, if there is one reason why you should watch this movie, especially on the big screen, I think I might be able to pull one out of my sleeve. The soundtrack to “Wicked: For Good” is not as solid as the original. In fact, the parts of the soundtrack I found to be the most memorable are throwbacks to songs from the original movie. There are some good songs, but not anything on the level of say “Defying Gravity,” except for one number. That number being “No Good Deed Goes Unpunished.” There are so many fantastic elements that make this sequence worth writing home about. I almost want to shout out Cynthia Erivo for her ability to carry a tune in this scene like it is nothing. But then I remember that this sequence contains some incredibly dazzling showcases of visual effects. And while I do think the film could have been improved from a color perspective, I thought the overall aesthetic of this scene was perfect at times. Despite a lot of pizzazz going on in the frame, several shots feel kind of dry and rugged. It kind of matched the tension of the film at the time. It came at one of this film’s closest moments to what somebody could call a tipping point. The soundwork in this scene is great, and this was most definitely a treat to hear in Dolby. After seeing these two “Wicked” films, I would be totally fine if I never had any chance to watch them a second time. But I will not lie, part of me could see myself going on YouTube and either watching this clip again for fun, or listening to this song through my headphones.

I have not seen the “Wicked” play. Yes, I know, “No Good Deed Goes Unpunished” is not a song that is original to this film’s soundtrack. That said, I like the way the song is utilized in this film. It satisfies both the eyes and ears. One thing I also like is that in the moments that follow, we have a crowd of people singing a similar sounding song called “March of the Witch Hunters” that changes the core lyrics ever so slightly. It is executed rather chillingly.

Speaking of singing, watching Jeff Goldblum try to sing in this movie is something else. Do not get me wrong, Jeff Goldblum as the Wizard, like many of his other roles, is charismatic. But the guy cannot sing. He can change your apartment, he can change the world, but he cannot sing. He tries. He puts some effort into his material, and even as he fails he still has a sense of star power. Although when the film has Goldblum singing, he comes off like a reserved, yet somewhat noticeably drunk dad who drags his family into the basement so he can try out his new karaoke machine for the first time. I love Jeff Goldblum, but this is not his best work. If I were to judge Goldblum for his performance in the first “Wicked” I would say his performance was perfectly acceptable. But when this movie asks him to sing, which is one of the most important parts of making a musical, that is where the corniness ensues.

In the end, the “Wicked” movies are 0 for 2. I do not mind musicals. I enjoy fantasy movies. To quote that one kid from “A Christmas Story,” “I like ‘The Wizard of Oz.'” If there is one adjective that I could use to describe these movies, it would be “consistent.” The films are consistently boring, consistently colorless, and consistently annoying. I never latched onto the universe that these two movies were trying to sell me. It has simply never once appealed to me. When I reviewed the first “Wicked,” I said it failed on the most important thing a part one is supposed to do, which is get me excited for this film, part two. Wait, sorry, I mean for “For Good…” The title card in the original says “Part One,” why does this one not say “Part Two?” Kind of weird. Anyway, now that I have seen “Wicked: For Good,” it fails at something of equal importance, which is getting me to care about the cast of characters. I like the actors in the film, and I think like the last movie, Ariana Grande easily gives the best performance. But their characters, like the story, rarely, if ever, engage me by the film’s conclusion. I am going to give “Wicked: For Good” a 4/10.

“Wicked: For Good” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for “Sentimental Value!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Zootopia 2,” “Wake Up Dead Man: A Knives Out Mystery,” “Jay Kelly,” and “Bugonia.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Wicked: For Good?” What did you think about it? Or, which of the two “Wicked” movies is superior? Let me know down below! Scene Before is your click to the flicks!

Dicks: The Musical (2023): A24’s First Musical Delivers the Goods

“Dicks: The Musical” is directed by Larry Charles (Bruno, Curb Your Enthusiasm) and stars Megan Mullally (Will & Grace, Bob’s Burgers), Megan Thee Stallion (She-Hulk: Attorney at Law, Legendary), Bowen Yang (Saturday Night Live, Awkwafina is Nora from Queens), Nathan Lane (The Lion King, Stuart Little), Aaron Jackson (The Chris Gethard Show: Public Access, National Lampoon Radio Hour), and Josh Sharp (Jared & Ivanka, Search Party). This film is based on an off-Broadway musical titled “F*cking Identical Twins” and is about two business rivals who come to realization that they are long lost twin brothers. In an attempt to bring their divorced parents back together, they decide to swap places and disguise themselves as the other.

I have been curious about “Dicks: The Musical” ever since I first watched the trailer in August. I am not the biggest musical guy, but I have long been an A24 guy. They are not always consistent in quality, but that is a part of the young distributor’s charm. They always distribute content that has an identity of its own and would tend to carry certain notable qualities about it. Even when I end up hating a film of theirs like “Zola” or “The Whale,” there is still a specialty to those pictures. They always feel distinguished, individualistic, and polished no matter the budget.

In the case of “Dicks: The Musical,” the budget is $12 million. Not the most expensive movie, but it is one that uses its money wisely. Because every frame is packed with joyous splendor. From start to finish, I had a ball of a time with “Dicks: The Musical.” What sells the movie hardest is its marvelous cast who just so happen to play each role to the best of their ability, all to the point where I cannot imagine anybody else in their shoes. This is a film that refuses to take itself seriously. On it’s surface, this movie is like “The Parent Trap,” but different. In terms of recent movies, “Dicks: The Musical” kind of reminded me of “Bottoms,” because it is set in a universe that packs in various similarities to our own, but it is also one that feels like an enhancement of everyday life. Granted, it is a musical, which is not the most everyday feeling genre, so it only makes sense. And thankfully, as a musical, this movie works perfectly. All the songs are properly placed, well choreographed, well sung, and make sense within the context of the story. I am not going to pretend I am going to buy the soundtrack for this film, but the music accompanies everything else the film has to offer nicely.

That said, again, the film is budgeted at $12 million. When compared to recent musicals like “La La Land,” “Tick, Tick…BOOM!,” and Steven Spielberg’s “West Side Story” adaptation, it is significantly cheap. Despite my comments for the choreography and the songs, the budget does show at times when you consider everything put on screen. There may be occasional extravagance here and there, but that comes with infinite camp. Within all the pizzazz, there is a continued slight sense of humility.

The lead twins are played by Aaron Jackson and Josh Sharp. I have not known these names by any chance, but this movie could put them on the map. At least for me. Because it took me a bit to find out that not only is this movie based on something else… That something else just so happens to be a play in which they created and starred. Both of these men are stacked with talent and make for a perfect pair. I buy them as rivals, and I also buy them as brothers. I know this is probably a weird comparison to make, but they kind of remind me of the Smosh duo. Anthony Padilla and Ian Hecox. Their chemistry is always on point and they both consistently deliver high energy in addition to humor.

My favorite characters of the film have to be the twins’ parents. They have the best lines, the best quirks, the best backstories, and on top of that, their costumes and looks match the feel of the film. They look just as kooky as the vibe of this picture. They look like they fit the style and match the attire of a higher-up at Willy Wonka’s chocolate factory. The parents outfits pop just as much as their voices. Both talking and singing for that matter. I did not expect to be as invested in this film’s plot as I turned out to be. When a particular bombshell is revealed about Evelyn (Mullally) early on in the film, I was very curious as to where things would go from here. I was kind of expecting the big obstacle of the movie to be that these two people don’t really feel anything for each other the way they once did. While that idea is noticeable throughout the script, there is more to their disconnect than meets the eye. And some of it, particularly regarding Evelyn’s bombshell, is wonderfully ridiculous.

My biggest surprise of the film would have to be Megan Thee Stallion. I thought she was really good here. I don’t listen to her music, though I have heard her sing before on “Saturday Night Live,” I thought she stood out. And while “Dicks: The Musical” is not her first acting gig, she is not the first person I would think of casting in a film if I were to make one. I did see her guest appearance in “She-Hulk: Attorney at Law” as herself, but even with her limited role, I thought she was a tad stiff. To my pleasant surprise, she is a lot better here. I do not know what her future is as an actor, though I do see she has an upcoming film with Adam Sandler and the Safdie Brothers in the works. That said, I thought she was a fine choice to play the character of Gloria. She is dynamic, has tons of personality, and of course, because it is a musical, she has a chance to unleash a proper singing voice.

I do not know when would be the next time I would plan on sitting down and watching “Dicks: The Musical.” I have seen much better entries to this genre that have more replay value. Heck, going back to Steven Spielberg’s “West Side Story,” I ended up seeing it twice in theaters and I also rewatched it on 4K Blu-ray. If I had any other gripes with the film, it would be that the comedy, while funny, never reaches a level where I am rolling on the floor. It is worthy of chuckles, but maybe not death-inducing laughter. Even so, I found the movie to be funny. I found it to be joy-filled. I found it to have a ton of character. It has the vivid nature of a Wes Anderson movie with the ridiculousness of, apologies if this is too recent, but I think it is a fine example, “Bottoms.” It is energetic, fast, and delivers a happy go lucky, stupid good time.

In the end, “Dicks: The Musical” gets my recommendation if you are looking for something quick and fun to watch. And I do mean it, the movie is quick. Not only is it tightly paced, but the runtime is 86 minutes. If you want to watch something neat without having to kill a ton of time, “Dicks: The Musical” is a nice choice. I have seen better comedies. I have seen better musicals. But even so, “Dicks: The Musical” handles both genres respectably. This is A24’s first musical, and I doubt it is their last. And if it is not their last, I doubt this is their best. But if you make the choice to check it out, you are not doing yourself any disservice. It is a good movie, give it a watch sometime. I am going to give “Dicks: The Musical” a 7/10.

“Dicks: The Musical” is now playing in theaters. Tickets are available now.

Thanks for reading this review! If you enjoyed this review, good news! There are plenty more where that came from! If you missed out on my Ridley Scottober event, you are in luck! Because if you click any of the following links, you can check out my reviews for “Body of Lies,” “Gladiator,” “All the Money in the World,” and “Blade Runner!” Check them out! My next review is going to be for Martin Scorsese’s latest piece of cinema, “Killers of the Flower Moon!” Also coming soon, I will be sharing my thoughts on “Freelance,” “The Persian Version,” “Priscilla,” and “The Tunnel to Summer, the Exit of Goodbyes!” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Dicks: The Musical?” What did you think about it? Or, what is your favorite A24 film? At the risk of sounding too mainstream, I gotta go with “Everything Everywhere All at Once.” Let me know down your picks down below! Scene Before is your click to the flicks!

The Whale (2022): A Win for Acting, But a Loss For My Sanity

“The Whale” is directed by Darren Aronofsky (The Wrestler, Mother!) and stars Brendan Fraser (The Mummy, Crash), Sadie Sink (Stranger Things, The Glass Castle), Hong Chau (Downsizing, The Menu), Ty Simpkins (Iron Man 3, Jurassic World), and Samantha Morton (John Carter, Fantastic Beasts and Where to Find Them). “The Whale” is based on a play by Samuel D. Hunter, who also wrote the film’s screenplay. This adaptation is about Charlie, an educator who teaches college courses online. As a result of losing his boyfriend, he has become reclusive and unhealthy to a point of great concern. Meanwhile, he attempts to reconnect with his daughter. Said daughter happens to be an individual he has not seen in person in years.

If I have seen a trailer for the “The Whale,” I would confirm it. But unless I missed it at a screening or I saw it once and could not retain it, I have yet to watch any marketing for “The Whale.” All I have heard about “The Whale” is that Brendan Fraser is great and he should be in the conversation for an Oscar. I may not be adding anything fresh by saying this, but he absolutely should be in said conversation.

That said, it should come as no surprise that my first positive with “The Whale” is that Branden Fraser’s performance is fantastic. I believed just about every second of what Fraser did on screen. In fact, if you want me to be frank, all the performances in the film are great. There are not many characters in this film, therefore everyone in the cast gets a chance to shine. Everyone from Brendan Fraser as Charlie to Sadie Sink as Ellie, Charlie’s daughter who had lived alone with her mom for years. Hong Chau is also great as Liz, a nurse who is the closest thing Charlie has to a friend. Every performance either floored me, compelled me, or at times, made my skin crawl.

Sadly, that last part of my statement, which in this case, is used as a positive, is something I would also use as a negative. This film emits a particular level of discomfort to the point where I do not see myself watching it a second time. The actors all do a great job in this film, and I mean everyone. Even a backseat character like Dan the Pizza Man, played by Sathya Sridharan, had my attention. The problem is the screenplay. The dialogue at times is cheesy, almost anger-inducing. The story itself has its ups and downs, but if there was not a part that felt oddly unhinged, there was one that came off as surprisingly predictable. Some of the characters themselves, despite being performed well, are not likable.

Despite what I said about Sadie Sink being a highlight of the film in terms of her performance, her character, Ellie, felt mean-spirited to the point of resembling a cartoon. If she gave off any particular vibe, she reminded me of Lil (Ariel Winter) from “The Last Movie Star,” another A24 movie I cannot recommend. From the first scene, Ellie starts off as an emotional wreck and this barely changes. There is a moment in this film where Charlie is struggling to move and Ellie just storms out the door. Sure, if you watch the scene, it is an early moment in the film where the two characters are not on the best terms, but regardless of how one feels about another personally, I do not see how Ellie could just leave. In this moment, Ellie just stands at the door, watching her father struggling to get off the couch, all the while knocking down a table. I am sorry, you lost me. What did she think, her father was putting on an act or something? Either way, in regard to Ellie, it gave me a terrible first impression.

Hong Chau gives a multi-dimensional performance as Liz. At one moment, she is frustrated at Charlie for refusing to go to the hospital, but in a split-second, her mood, believably, changes to that of someone with a warm heart. Chau’s sudden transitions feel seamless and do not interrupt the flow of the film whatsoever. Unlike Ellie, Liz is a somewhat respectable character and I felt attached to her, partially because she was a properly utilized voice of reason. Although if you want me to be real with you, if you want another Hong Chau film from this year to watch that is ten times better, do yourself a favor and skip “The Whale” and go watch “The Menu.” You will thank me later.

I do not mind depressing movies. Films like “Manchester by the Sea” stands out for how effectively its cast encapsulates a sense of unease throughout most of the runtime. “The Whale,” much like “Manchester by the Sea,” has a fantastic cast who play their characters to the best of their abilities. But in “Manchester by the Sea,” there are better characters and glimmers of entertainment that make the movie worth watching. “The Whale” is a film that tries to come off as depressing, but from my perspective, I see it as more frustrating than depressing. Because while the characters are depressed in “Manchester by the Sea,” I found myself enthused with the context of various scenes. As sadistic as this may sound, I enjoyed watching these characters going through their pain. I did not think it was a perfect movie, but it is certainly a watchable one. Unlike “The Whale,” I could see myself watching “Manchester by the Sea” another time. I have not done so since theaters, but even so, I could see myself putting it on the television in the future.

I have not seen the play which this film bases itself upon, but I could honestly imagine that is probably the better format for a story like this. Again, the performances carry the film, and I imagine that in a play version, they could be just as riveting. In addition, it is also set in one location, with most of it being set in Charlie’s living room. Sure, there are some moments that take place outside, but they are nevertheless within the confines of Charlie’s apartment. It is not like movies have not done the “one location” thing before, but even so, it provides an intimacy that would probably work best on a stage. Besides, you would might not have to change stuff around from one scene to another. Although I do like how the film was set in a 4:3 aspect ratio, as that adds to an intimate vibe in which the movie will occasionally nail.

In the end, “The Whale” is a lackluster story with annoying characters that feels somewhat surface level in regards to how it handles its serious subject matter. I could definitely see this film being a subject in acting classes, but that is one of the few notable things I can say about it. If it were not for Brendan Fraser and others in front of the camera carrying this film, it would probably not even be worth talking about. The acting is easily the best thing about “The Whale.” But just because you have great performances does not always mean you have a great narrative. My least favorite film of 2021, by a long shot, “Music,” has a pretty solid performance by Kate Hudson. But it is also a film that I would also consider terrible in addition to being downright offensive. While I would not consider “The Whale” to be as horrible as “Music,” it is not as good enough to give a second watch anytime soon. I should have left the theater crying out of sympathy for Charlie, but instead I left angry over the film’s final moments and how the writing nearly gave me a headache. I am going to give “The Whale” a 4/10.

“The Whale” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! To be frank, I do not know how many people are going to see “The Whale” by the end of the year. Although I am aware of another movie that has already earned a couple hundred million buck at the box office that a lot of people did see instead. And yes, I saw it too. For those who want to check it out, I have linked my review for “Avatar: The Way of Water,” which coincidentally is another “whale” movie. If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Whale?” What did you think about it? Or, what is your favorite Brendan Fraser movie? Let me know down below! Scene Before is your click to the flicks!

In the Heights (2021): Lin-Manuel Miranda’s Latest Musical to Film Adaptation Heightens Its Way to the Big Screen

“In the Heights” is directed by Jon M. Chu (Crazy Rich Asians, Now You See Me 2) and stars Anthony Ramos (Trolls World Tour, Godzilla: King of the Monsters), Corey Hawkins (Straight Outta Compton, Kong: Skull Island), Leslie Grace, Melissa Barrera (Vida, Tanto amor), Olga Merediz (Shades of Blue, Orange Is the New Black), Daphne Rubin-Vega (Katy Keene, Smash), Gregory Diaz IV (Unbreakable Kimmy Schmidt, New Amsterdam), and Jimmy Smits (Star Wars: Episode II – Attack of the Clones, Son of Anarchy). This film is based on a stageplay by Lin-Manuel Miranda and a book by Quiara Algeria Hudes and is set in the New York City neighborhood Washington Heights. The story follows said neighborhood as they imagine and desire a better life.

I saw this film early. And by early I mean the Sunday before it came out. There were a plethora of special screenings so I thought I’d take the opportunity to attend one of them with my grandma because who does not like free stuff? Part of me was hesitant towards paying to see this film because I am not a musical guy even though I have enjoyed stuff here and there like “La La Land.” Maybe I would have used my AMC A-List, but still. Sticking with the facts, I have been reviewing movies for a long time, I am completely focused on the movies that are coming out as audiences continue to return to the theater (even though apparently “In the Heights” could have done better at the box office) so for those reasons, I decided to check out “In the Heights” for myself. I do not know if I would have seen this film during its actual release (or even on HBO Max), so I figured I’d watch it now just to say “Hey! I saw this!” And I did see it, so let’s talk about it.

I just want to iterate a couple things. First, I have heard nothing but praise for Lin-Manuel Miranda. I have not seen any of his Broadway work. Yes, I have not seen “Hamilton.” I’m sorry. I know it is popular, I know there’s a filmed version on Disney+, but I still have not seen it. I’ve heard a few songs from the musical because my sister was with me in the same place and she was playing them, but I was not the one in control of these songs. With that being said, this movie is my first exposure to ANYTHING related to “In the Heights.” Did it give me a good first impression? Well, I certainly did not hate it. I will start off by saying that the film is fun. There are some good songs, although there are a few that are admittedly forgettable despite maybe some solid execution in the actual film. The opening number set the tone well, a lot of the ones that came later seemed to match that original tone and occasionally, its catchiness. The main jingle of the film still lingers in my head from time to time.

The foundation of the film is not exactly one specific character, although the movie is mainly told from the perspective of Usnavi (Anthony Ramos) who did do a good job by the way. Instead, the foundation is this collection of people who belong to one region of New York City. We see all these people sing about the life they prefer to live over their own. And a couple of the songs in the film captured the emotions of these characters’ wishes. Granted, I cannot quote them. It has been a couple weeks and I do not think I’ll be watching “In the Heights” again anytime soon. But when it comes to pure fun, this film has the proper ingredients from time to time and part of it is because of the soundtrack. Will I remember the characters as some of my favorites by the end of the year? Not really. But the movie does an okay job at making Washington Heights itself feel like its own character per se.

I do want to bring up the pacing though. Now obviously, this is a lively, bombastic musical. So obviously, there will be some quick pace and non-stop music action. There is no doubt about that. I think at times the movie does a really good job at matching the songs to the emotions, thoughts, and actions of certain characters. There is one song towards the end mainly revolving around Olga Merediz’s character that I think was done particularly well and it continues to stick with me. Although there are not as many other songs in the movie, as well put together as they are, that have such staying power. Speaking of staying, I feel like I stayed at this movie a little longer than I had to. I felt like the stereotypical dad who goes to his daughter’s dance recital and constantly begs to himself to just stand up and leave because it is going on for such a long time. Although in my case, I think I am displaying less impatience, even though there was some to display, and more curiosity as to when the lights would turn back on. I say that because there is a lot that happens in “In the Heights” which is amazing to me because I talked to a friend who calls herself “that snob” because she liked the stage version much better than the film. I have not seen anything except the film, so more power to her. She told me they made some changes, and they took some things out. That last statement floored me because this film feels packed to the brim with material. Song after song. Character after character. By the end of the film, when it feels like it has hit its climax, there’s actually like ten, twenty minutes of main material left. And I say ten to twenty minutes because I apparently found out that there is an end credits scene in the film that I did not watch.

There are a lot of good things about “In the Heights.” The cast is likable and talented (although somewhat controversial), the film looks very pretty, the cinematography is some of the absolute best I have seen this year and could arguably receive a few nominations during awards season. No, seriously. There is a sequence by the end of this film that I would buy the Blu-ray just to see if they explain how it was done in the bonus features. Additionally, Jon M. Chu did a pretty good job at bringing his vision to reality. It feels lively, fun, spirited, hyperactive from beginning to end. So even though I was kind of begging for the movie to end as it hit what I was its second or third climax, I was still having fun. I’ll even say there are a couple chuckleworthy lines in it. Granted, it’s not like I’m watching Kevin Hart or something, but there are still some funny lines here and there.

In the end, “In the Heights” has good things in it, but I do not think this film will get any replay from me except for maybe once or twice. If I did not review movies, I would probably not go see this by myself. Once again I will say, I did see this with my grandma just for clarification, but if I were in a situation where I did not review movies and I saw the list of movies playing at the theater, I would probably skip “In the Heights” unless I was with someone who really wanted to see it or if I just wanted a spectacle, which this movie did provide from start to finish. When I talk to a friend who says they took some things out of a movie that I still think is too long… That is not a positive. Granted, I did have fun with “In the Heights” and I do recommend it. But the movie feels like “Return of the King” by the end of it. It feels like it could end, but it’s like a party and there’s that one guest that won’t leave no matter how hard you try to shove them out the door. “In the Heights,” I like you, but you can’t stay here. I’m going to give “In the Heights” a 6/10.

Technically speaking, I would give “In the Heights” a tad higher grade than a 6/10, maybe at least a 7, because it does look beautiful. But when you add in the fact that some of the songs did not stick with me, the characters themselves not all sticking with me either, and a runtime that feels like a turtle occasionally wrote this film despite everything feeling fast, that’s a problem. This is why the film gets positive marks from me, even though I would not consider it to be my favorite of the year. I think there will be an audience for it. It started off getting great reviews and I notice the ads seemed to highlight a bunch of celebrities promoting it because apparently some people trust them more than Variety and The New York Times, so I could see “In the Heights” maintaining a cult status. I do recommend if you are to see this film, maybe go with a couple friends to the theater because one of the big positives of the film that I will mention is that it is best viewed on a big screen. As much as I like HBO Max, this movie is bigger than a streaming service.

Speaking of which, “In the Heights” is now playing in theaters everywhere and is currently available for a limited time exclusively on HBO Max.

Thanks for reading this review! Coming soon, I will have my review for “The Hitman’s Wife’s Bodyguard,” the brand new sequel starring Ryan Reynolds, Samuel L. Jackson, and Salma Hayek. That review will be up soon, that is if I survive long enough to actually post it. Also, this Thursday I will be going to see “F9: The Fast Saga.” It comes out in theaters that day, so I will attempt to have my review up for the film as soon as possible. I will also be reviewing the new Disney+ exclusive Pixar movie, “Luca,” which did come out in one theater in California, so without giving anything away, it will qualify towards my future yearly posts including The Jackoff Awards and my top 10 lists. Be sure to follow Scene Before either with an email or WordPress account and also like the Facebook page so you can stay tuned for more great content! I want to know, did you see “In the Heights?” What did you about it? Did you see the stage version? What are your thoughts on that edition of “In the Heights?” Let me know down below! Scene Before is your click to the flicks!

One Night in Miami (2020): Four Icons, One Average Story

“One Night in Miami” is directed by Regina King (Ray, If Beale Street Could Talk) and stars Kingsley Ben-Adir (Vera, The OA), Eli Goree (The 100, Race), Aldis Hodge (Brian Banks, City on a Hill), and Leslie Odom Jr. (Murder on the Orient Express, Central Park). This film is also written by Kemp Powers, who wrote the play of the same name. The story revolves around four black men, Muhammed Ali, Malcom X, Sam Cooke, and Jim Brown as they meet in a hotel room and discuss their places in the Civil Rights Movement.

This film premiered last year in one cinema, appropriately in Miami, Florida. But of course, since I don’t live in Florida, and I don’t plan on setting foot there for some time, I did not see the film when it came out. However, the film has expanded to other territories, including my very own Massachusetts, and put itself on Prime Video for all subscribers. I decided to watch the film at home considering my supposed need to use my Prime subscription at one point or another.

You’re welcome, Jeff Bezos… Gosh I miss Sears.

Either way, going into “One Night in Miami” I did not watch any trailers (that I recall), and I do not think I read any synopsis or description about the film. Other than the facts that the film is on Amazon, directed by Regina King, and set in Miami, I knew nothing about this film. To me, it was almost like “Summerland” before I saw that film. Also, please watch “Summerland.”

With this in mind, I want to bring up something that movie viewers occasionally bring up. The power of marketing. Part of this is due to my lack of knowledge of the film, but going into “One Night in Miami,” based on the title, it almost seemed to be set in modern times, and it sort of had this “Entourage” feel to it. Everything felt kind of sexy.

This is the kind of confusion that comes about from not watching trailers. The film is vastly different from what I expected to be, both in terms of overall vibe and the storyline. I guess you can say part of this is my fault for perhaps being a lazy critic and not doing my homework, but at the same time, there are points where going in blind for a film has enhanced the experience. Perhaps doing so makes it worthwhile, because it gives you a fresh perspective and allows you to watch everything as if (or perhaps in a more literal sense) you were about to watch it for the first time.

With that being said, I wish “One Night in Miami” were a better movie. There have been some good movies over recent years involving the Civil Rights Movement and African American history. Movies like “Selma” and “Hidden Figures.” Both were entertaining and a great reflection of their respective times. Now, I wanted to like “One Night in Miami” and going back to what I just said. Knowing what a movie is about sort of improves the experience. When it starts, you have this boxing match. So I think to myself, “Is this a boxing movie?” Then I see a concert. I ask, “Is this about music?” Not really. It’s one of those movies where things sort of come together, but it took awhile for my brain to click and put all these elements into a puzzle. So, maybe it is my fault for being a brick, but nevertheless. During that time, it sort of shows that the movie needs better pacing. I sat on my bed wondering if this movie was going to go anywhere, and it felt like we spent an eternity trying to answer that question. I like when movies make the viewer ask questions. That can be engaging. That can be exciting. But for whatever reason, this movie took longer than an Amtrak ride from Boston to Washington DC to get me going.

I will spit out some positives though. For those who do not know, this is Regina King’s first feature theatrical release under her direction. King reveals that she has chops to be a competent director in the future if she decides to take on more projects. I would not mind seeing another drama from her. Maybe if she keeps that up, she could helm a blockbuster. I have faith she can continue to visualize solid content. As for how good that content will end up being, that is another question. Because I was not fully impressed with this outing.

With that in mind, getting invested in the main four characters almost felt difficult because I spent almost an hour just wondering whenever things were going to pick up. At the same though, it was fascinating to hear the four main characters interact, mainly because they all had a natural sense of chemistry. There is not one moment or slice of dialogue that did not feel wasted or unrealistic. All of it was raw, and occasionally compelling. I thought it was fascinating to see a transformation of Cassius Clay as he goes from one identity to another. But the man who’s story intrigued me the most has to be Sam Cooke.

The movie does a fine job at highlighting that despite the color of his skin, despite his heritage, despite coming across a supposed success, Cooke is perhaps partially aiding in the contributions of white people to a degree, including the Rolling Stones. Hearing him speak with Malcom X and listening to him reveal his personal history is probably the highlight of the movie for me. Malcom X confronts Cooke’s feel good music and notes Bob Dylan perhaps being a more popular reflector of social commentary. I think from start to finish, his story is partially reflective of what this movie is about, what it stands for, and the overall message it tries to convey. In the United States, black people may succeed, but sometimes it is with the assistance per se of white people. And in some ways, they help white people achieve their own success. The performances from scene one are all worthy of attention. I just wish it aided in a slightly better film.

I should note, this is my *first impression*. I did something for “One Night in Miami” that I don’t usually do. I noticed that the film has universal acclaim. There are positive reviews being handed over left and right. People are really enjoying this film. So I thought, what is wrong with me? Why can’t I like this movie? Granted, I was watching at home, where it is easy for me to get distracted. So I turned on the film again to see if anything has changed.

I will say that this film is better the second time around, and maybe it is because I understand the concept now. I think as a story, “One Night in Miami” is uniquely laid out and one of the more original tellings I have witnessed in recent memory, despite being somewhat based on true events and containing real historical figures.

As mentioned earlier, Sam Cooke is my favorite character in the film, and he is nicely performed by Leslie Odom Jr.. However, one performance that I also began to appreciate more the second time around is Kingsley Ben-Adir as Malcom X. I think his mannerisms are superb and he admittedly kind of looks suave. I would not mind seeing Kingsley Ben-Adir in a spy movie sometime. I will also say that the first hour is most definitely better. Not only does it do a fine job at introducing the core characters, but some of the hour is quite entertaining between the boxing match, the early concert, and Jim Brown visiting the plantation.

But having said all this, when it comes to 2020 in film, this one will not likely be remembered as much as others. Who knows? Maybe with my recent experiment it gets better with each watch, and it was better the second time, so maybe that is a step in the right direction.

In the end, “One Night in Miami” may speak to some people, in fact it may speak to a lot of people, but for whatever reason, it was just not the right movie for me. Was it entertaining? Yes. But not entertaining enough. Was it compelling? Yes. But not compelling enough. Was it worth a rewatch? Sure. But part of me only did so to see if would actually improve the experience. And while it did so slightly, it did not sparkle and shine as much as I would want it to. I am going to give “One Night in Miami” a 6/10.

To me “One Night in Miami” is sort of like “Mank.” It is a movie that a lot of people saw, a lot of people like, and maybe it will end up getting some attention during awards season. Although for whatever reason, I could not fully connect with it. It is a passable film and there are good things about it. But I just wanted more, what else could I say?

“One Night in Miami” is now available in select theaters and on Prime Video for all subscribers. Get your tickets if a theater is open near you, or subscribe to Prime if you are not subscribed already.

Thanks for reading this review! I will say, I am not quite sure what my next review is going to be, but I will say as the crazy guy who always promotes IMAX, I have a special treat for those who are not in the loop. One of 2020’s most acclaimed films, “Nomadland,” is coming to select IMAX screens starting January 29th. Unfortunately, I might not be able to see it. I say so because as of writing this, the closest place showing the film is located in Paramus, New Jersey, which is about a three to four hour hike from where I live. But if anyone at IMAX reads this and wants to put more screenings in the Massachusetts, New Hampshire, or Rhode Island areas, I will make an effort to watch the movie and have my review up for it as soon as possible. We’ll have to see what happens. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “One Night in Miami?” What did you think about it? Or, what are your thoughts on Regina King as an entertainer? Let me know down below! Scene Before is your click to the flicks!