Owen Wilson

The French Dispatch (2021): Wes Anderson Spreads the News

Posted on by Jack Drees

Characters! Characters everywhere!

“The French Dispatch” is directed by Wes Anderson (The Grand Budapest Hotel, Rushmore) and stars Benicio del Toro (Star Wars: The Last Jedi, The Usual Suspects), Adrien Brody (King Kong, Predators), Tilda Swinton (Doctor Strange, The Deep End), Léa Seydoux (Mission: Impossible – Ghost Protocol, Spectre), Frances McDormand (Three Billboards Outside Ebbing, Missouri, Fargo), Timothee Chalamet (Interstellar, Little Women), Lyna Khoudri (Papicha, The Specials), Jeffrey Wright (Casino Royale, What If…?), Mathieu Amalric (Quantum of Solace, Sound of Metal), Steve Park (Do the Right Thing, Warrior), Bill Murray (Ghostbusters, Stripes), and Owen Wilson (Loki, Cars). This film is a compilation of a few different written stories brought to life, all of which are told in The French Dispatch.

It’s been nearly a month since I watched this film, but before I went in, I’ve seen a number of Wes Anderson’s flicks. Much like Quentin Tarantino, Anderson has a distinct directorial style that I have not seen from anyone else. He shoots a number of his films with shots containing vibrant colors up the wazoo. One of his more recent pictures, “The Grand Budapest Hotel,” which I enjoyed, shows a mix of aspect ratios from 4:3 to traditional scope widescreen. He has a flair to his work that if I were a director I almost want to resist at the risk of being deemed a copycat. But just because his quirks are obviously present in his directorial style, does not mean that the story in his films are sacrificed. Months ago, I put on “Moonrise Kingdom” for the first time and safe to say, I really enjoyed the connection the two main kids had with one another. The writing had this feel to it that explained everything you needed to know, but felt satisfyingly minimalistic. I don’t really have another way to describe it.

I was rather excited for “The French Dispatch.” I thought the marketing was decent, and hopefully it would be worth the wait after COVID-19 pushed this film back, just like everything else. Having seen it, I honestly think it is on the lower tier of Wes Anderson’s library. This does not say much however, because much like Christopher Nolan and Pixar, an inferior movie from Wes Anderson is still a movie many would kill to make. “The French Dispatch” is interestingly told because it’s not exactly one story, it’s a story that influenced the display of other stories. It kind of reminded me of the “Treehouse of Horror” specials that “The Simpsons” do every Halloween, although in this case it’s not the same characters in each story. I say that because the film is essentially a few different stories all told in the same newspaper. Each one has its set of main subjects, and they’re all after different goals. I kind of like this style of storytelling because there are a lot of movies that I watch nowadays where you have one character and their goals, everything feels very important. This feels lighthearted and fun, but it’s also not over the top. At the end of the day, the movie’s goal is to make the viewer have fun, which I did. Although that also brings in a minor complaint, even though there are characters that sew all the stories together, “The French Dispatch” does not have a specific character that I can look back on and remember as the center of the story, at least one that is particularly interesting when it comes to those at the French Dispatch. And frankly, even though these characters have their quirks, some of which may be due to Wes Anderson’s directing style, there is not one I can say I loved more than any other. This movie has so many characters that it’s hard to keep track of all of them. It especially does not help when you’re reviewing the movie nearly a month after seeing it.

Although just because there are so many characters that it makes the cast for a “Lord of the Rings” movie look small, does not mean that I did not enjoy any of the three stories. All of them were in fact, very good. I was delighted by all of them. The Concrete Masterpiece, which is a pretty creative title, is an interesting look at an artist who has to do time while also focusing on his work. Although of the few main stories, it was probably my least favorite. Revision to a Manifesto was wonderfully quirky, very Wes Anderson-esque. I loved the idea of a chessboard revolution, I would have never thought of that. Then again, I never play chess. If you put me in front of a chess board and it was my turn, I’d just slap the opponent’s pieces off the board and shout “Yay! I win!”

I would never fare well in a chess tournament.

The Private Dining Room with the Police Commissioner, which was the final story told of the bunch, was also a ridiculously entertaining piece of writing brought to life (even if it is fiction). I also think they did a good job at segmenting these stories in a certain way, because if you watch the movie, the real thing that connects all these stories together is the fact that they are presented in the same news outlet and are set in similar spots. There is not one specific story that has a main character that is directly tied to another, so they could have played around with all of them in whatever order they choose, but I think in terms of giving this film a satisfying conclusion, this final story was the best one, because not only is it, for what I recall, probably the most action-packed of all the stories presented, but it ends in such a way that is fitting for a finale. Not the story itself, but the aftermath of it where the people are talking about it. I will not go into detail about it, because I would rather have you see the movie yourself and be entertained by it.

If I had anything else to say about the film, I do think it did a good job with both the costuming and makeup. For the record, this film came out in a limited number of theaters the same weekend “Dune” had its wide release, so I got to see Timothee Chalamet (right) in two films on the same weekend. I could tell who Timothee Chalamet was on screen, but at times, at least from my eyes, he did not look like his real self. He looked like he could actually age a bit. But at times he’d also revert back to someone younger. It’s hard to describe. His outfit felt distinguished and he looked like he had his hair done a bit. His outlook was striking, and maybe having “Dune” come out at the same time had something to do with it, but it caught my attention nevertheless.

In the end, “The French Dispatch” is a delightful film that even though it is not Wes Anderson’s best work, is one I am looking back on with a smile. To be frank, as I wrote this review, I thought it would be fun to maybe watch it a second time. Maybe not in a theater, unless nothing else was out and I wanted to use my A-List for a free film. Either way, Wes Anderson made a delightful movie. The cast is incredible, although I wish I remembered all the characters. Although maybe that’s the advantage of a repeat viewing in this case. There’s so many characters, that they can only be appreciated in multiple viewings. I’m going to give “The French Dispatch” a 7/10.

“The French Dispatch” is now playing in theaters everywhere.

Thanks for reading this review! If you enjoyed this review, be sure to look forward to my reviews for “Last Night in Soho,” “Eternals,” “Ron’s Gone Wrong,” and “King Richard.” I cannot wait to get these reviews out for you all. I was gonna go see “Ghostbusters: Afterlife” this weekend, although I don’t know if I have the time. I was planning on seeing it with a couple other people, but it’s more or less a matter of what time works for them, as opposed to me. So a review may be coming, but I won’t be seeing it right now. If you want to see this and more on Scene Before, follow the blog either with an email or a WordPress account! Also, check out the official Facebook page! I want to know, did you see “The French Dispatch?” What did you think about it? Or, since I brought it up… What is your favorite “Treehouse of Horror” segment from “The Simpsons?” My favorite would probably have to be “Citizen Kang,” the one that coincided with the 1996 U.S. Presidential Election. Scene Before is your click to the flicks!

Father Figures (2017): A Very Bastardizing Film

Posted on by Jack Drees

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“Father Figures” is directed by Lawrence Sher in his directorial debut. This guy has done cinematography for movies such as “The Hangover,” “War Dogs,” and the 2005 film adaptation of “The Dukes of Hazzard.” The film stars Owen Wilson (Cars, Wedding Crashers), Ed Helms (The Office, Vacation), JK Simmons (Whiplash, Juno), Katt Williams (Norbit, Scary Movie 5), Terry Bradshaw (The Cannonball Run, Failure to Launch), Ving Rhames (Mission: Impossible, Pulp Fiction), and also features Christopher Walken (The Jungle Book, The Deer Hunter), along with Glenn Close. This film’s about two fraternal twins who find out the truth about their allegedly dead father has been a lie. The information concerning this has been hidden by their mother for years, leading to the twins going out to seek their real father.

I first heard about this film back in 2016, and I was wondering for a while, “What happened to this film?” Well, here it is now. Why did I hear about it that early? Turns out there was a trailer for a comedy that was supposed to release in January of this year, AKA this exact film, and at the end, we see a title card with the word “Bastards.” The name does make sense considering the technical definition for a bastard is a child whose birthparents weren’t married at the time of the child’s birth, which is true to the twins in the movie. Although I’m willing to bet they changed the name to “Father Figures” because to some people it might be weird walking around and talking about a movie called “Bastards” since the word is associated with vulgarity. Who’s they? I don’t know. I’m willing to bet it’s either the director or the studio, one of those two. Nevertheless, I think this movie shouldn’t have been called “Father Figures.” I don’t even think it should be called “Bastards.” You know what it should be called? “Bastard.” Just “Bastard.” And that’s because this movie felt like a total bastard! This is probably the worst comedy I’ve seen all year! This movie brought almost two hours of inglorious bastardization into my life!

I would like to take a second to apologize to Quentin Tarantino, I just probably ingloriously bastardized him if you know what I mean.

I’ve seen a number of s*itty comedies in 2017, but even at the end of the year, I’m still coming across them. I think I found the pinnacle of s*it when it comes to this year in comedy. “Father Figures” is a f*cking bastard and I’m about to tell you why in just a second! But before I go into why, let me go over some of the other crap I’ve seen this year when it comes to comedy.

First off, we have “Snatched,” which I saw in May. The movie’s about a mother and daughter going away to paradise, which doesn’t end up going well because they get captured and some other s*it happens. I knew going into this particular film it was going to be bad, but there was one really funny scene and there was a character that I kind of liked.

Next we have “How to Be a Latin Lover,” which was just awkward as hell to watch. It’s about a guy who is dumped by his elderly wife. He has to move in with his sister, played by Salma Hayek, and adjust to normal society after living a spoiled life. I bought the movie used for $9.99 on Blu-ray, which isn’t too bad of a deal for a Blu-ray if you ask me, but I still suffered through the unfunny jokes and awkward story full of mostly unlikable characters.

I also saw “Fist Fight,” which admittedly, is nowhere near as unwatchable as the other two films I mentioned, but is still something I would say technically qualifies as a waste of time. What’s the plot? Just take the basic idea of “Three O’Clock High” and make the teachers fight instead of the students. I just thought it contained too many predictable attempts at humor and forced sex jokes.

I’d probably rather watch any of these comedies before “Father Figures.” “How to Be a Latin Lover” is a tad debatable but in reality, “Father Figures” is just a comedy that should have never been made. I will admit, when I saw the first trailer for the film released in 2016, part of me was looking forward to this movie. Sure, I like Owen Wilson. Sure, I like Ed Helms. There’s someone I admire more in this movie compared to them, specifically JK f*cking Simmons! JK’s one of my favorite actors of all time! And if you put him in, well, anything for that matter, I’ll watch it. You can even put him in a movie called “Don’t Watch This Piece of Crap,” it can be eight minutes including credits, it can be a guy bloodied up screaming for help on pavement, and I’ll still check it out because JK Simmons was in it. Granted, I don’t think his performance was that bad. In fact, I have to say it’s one of the more redeemable parts of the entire film.

Speaking of likable performances. Terry Bradshaw was playing himself in this film. It almost gave me a similar vibe to seeing Sam Jones in “Ted” based on the chemistry between him and the two main characters.

Moving onto our recently suggested main characters, we have Kyle, played by Owen Wilson, alongside Peter, played by Ed Helms. Seeing these two together, I can somewhat buy into them being twins, but the whole ride they take during the movie was just a wreck. Neither of them are funny, they have a couple of moments where they disagree with each other and get in arguments, I just wanted to leave at some points instead of watch the duo compare themselves to one another every now and then.

This movie just feels like it has too much going on in it. When we get to what almost feels like the climax, the movie just goes on like its jacked up on Red Bull. It’s just an absolute marathon of twists and turns and it’s just too much to process for a simple comedy! In fact I gotta say, one of the twists, which admittedly, reminded me of the original “Star Wars” trilogy, was actually ruined about ten or so minutes after it happens! So yeah, f*ck everything I guess!

Let’s also talk about Glenn Close’s character of Helen. At the beginning of the film, it’s established that Helen is the mother of both these boys. I’m just wondering, why would she lie about the father of her sons? First off, they’re adults, and I’m not adopted, but if I were, I’d want to know as soon as possible! As far as telling anyone else, I’d probably think to myself before whether or not I do that, but still. I also have to say that she mentioned that Terry Bradshaw was the actual father of the two kids, and Ed Helms’s reaction almost seemed like it could have been done differently. This is a man he idolized, someone he has high appreciation for, and he grew up during his youth never knowing Bradshaw was his dad?! I’ve grown up idolizing Howie Mandel, and if my mother kept a secret until a point such as this, or even longer for that matter, that Howie Mandel was my real father, you know what I’d do? I’d lose my f*cking mind! I might break a window! I might light my house on fire! I might slap my mother in the face! I’m not kidding! I would be in utter shock, and perhaps apalled upon why I had a secret like this kept from me for so long! I’d be happy to know Howie was my father but… why wait so long?

*SPOILERS IN THIS PARAGRAPH*

Speaking of idiocy, I’m gonna talk about a scene involving a train and an automobile. Sorry, planes, you have to sit out on this one. There’s one scene where the two main characters are in a car with each other, they’re still on their quest to find their dad, and at one point, they pick up a hitchhiker, played by Katt Williams. Due to Ed Helms being somewhat apprehensive about the fate of himself along with the fate of his brother, the hitchhiker is sitting in the back with his hands cuffed up. At one point, the car stops, and the two begin to argue. Moments later, we as an audience find out the car is stuck on a train track, but the two brothers are too focused on arguing back and forth so they don’t notice an approaching train. The one who does notice the train however is the hitchhiker, he’s trying to warn the two, but they don’t listen. As the light is coming closer, and the hitchhiker is still alerting the duo, they finally notice the train. So they attempt to escape. Ed Helms and Katt Williams make it out of the car, but the train slams the car, suggesting that it could have killed Owen Wilson. But it didn’t, he’s completely fine. WHAT THE F*CK?!

This is honestly just insulting! I get this is a comedy, but I would appreciate it more if it was logical. I don’t need another “Daddy’s Home” Ford Flex goes through the house and Will Ferrell isn’t badly hurt situation if you get what I’m saying. Remember “Paul Blart Mall Cop 2?” I honestly bought into the fact that Paul Blart could trap himself in a suitcase, slide downward on a bunch of steps, fall into a pool in said suitcase, have water come inside it, allow himself to exit the suitcase, and get out of the water alive more than this.

I do remember watching a movie in the past with a scene somewhat similar to this. There’s an extended cut to Sam Raimi’s “Spider-Man 2” referred to as “Spider-Man 2.1,” which might even be better than the original cut if you ask me. In that version of the film, part of the extended footage in that film is included on the train fight scene. Doc Ock and Spidey are going at it against each other, and Doc is holding onto the Web Slinger with his tentacles. Spider-Man has his feet on the side of one of the train cars, and he’s hit a bunch of closeby objects. Soon he turns his head, a train is quickly approaching him. Spider-Man gets hit by a train, but he instantly gets back to fighting like the hit was just a normal Tuesday in the office. Here’s the thing however. Spider-Man has superpowers, Kyle from “Father Figures” on the other hand, is an average human. Spider-Man has enough strength in him to walk something like this off, Kyle should have died. In fact, while Kyle dying may be somewhat abrupt, I almost thought that it would be kind of intriguing to see what would happen if Ed Helms had to continue the quest alone. I went to see the film with my mother, she and I discussed the film in the car after we watched it. I brought this up, and she figured I was thinking Ed Helms would continue the quest in Wilson’s honor, which almost sounds more like an adventure flick as opposed to a comedy, but quests are basically adventures.

The final moments of the film had some emotion packed into it, and in ways, I felt it. But ultimately, I felt that the movie didn’t earn its emotional ending on a technical level. For one thing, it’s a comedy, not a drama. Another thing is that I didn’t really care about a single character in this movie enough to say, “I like you. I stand with you. I’m on your side.” If I was able to care about any of the characters or if I had a logical reason to appreciate them more, then I might as well say that the movie earned it’s ending, but the movie itself dragged, it was full of unbearable characters, and it just wasn’t funny. So I can’t really say the end played out very well.

Let’s move onto marketing. I noticed the difference in the film’s marketing from when I first heard about it and when the film actually came out. There wasn’t much buzz about “Bastards” before January 2017, but now that we’re here in December, the movie, technically now referred to as “Father Figures,” was brought back to my attention, and I had the realization this was the same movie. Now that it’s here, I’m seeing Christmas related ads having to do with the film and a poster with red & green font. If one of the reasons for the movie releasing at this time was just to market it like it’s an experience related to the holidays, it just feels cheap! Oh yeah, did I mention this film was supposed to come out in January? I should have known what I was getting into. January movies usually suck! Last year, “The Fifth Wave” made my top 10 WORST movies of the year list. In general, when a movie comes out in January, critics are going to give it hell. I wonder why they moved it. Is it to market the film in a certain way? Possibly. Although part of me is willing to bet it’s to get more people in the theater. Given that a lot of people have breaks from school and work, they have more time to see a movie. January only has weekends, New Year’s Day, and Martin Luther King Jr. Day. Another part of me thinks that Warner Brothers, AKA the distributor of the film, or one of the production companies such as Alcon or Montecito, thought this would be a good tactic in order to get people to go see another movie when “The Last Jedi” sells out. Given the competition and the film’s box office return, I wouldn’t say this was the best idea. Just compare this film with “Pitch Perfect 3,” “Jumanji: Welcome to the Jungle,” plus family friendly animations such as “Coco” and “Ferdinand” and you’ll see the point. If last year’s “Assassin’s Creed” has taught moviegoers anything, it’s that you only market something in a Christmas related fashion when appropriate. Speaking of competition and “Star Wars,” I should also bring up another possible reason why all of this is happening. “Star Wars” is something that the world cares about. There’s barely anyone in this world who doesn’t know what “Star Wars” is. However, nobody knows about “Father Figures,” and it’s possible that Warner Brothers thought, “Eh, “Star Wars” is coming out in December, and that’s inevitably gonna be a big hit. What’s a movie that people want to avoid?” And someone said “What about that lame-ass comedy with Owen Wilson and Ed Helms?” Everyone agreed with that thought, and here we are. I was one of the people who saw it. But you know what? I survived, and that’s what matters.

In the end I have to say “Father Figures” is a really intolerable experience. While “How to Be a Latin Lover” was awkward and unfunny, I have to say that “Father Figures” was not just awkward and unfunny, but also boring, not to mention insultingly baffling. That train scene split my head open. It just f*cked me over. I’d rather spend an entire year watching a sloth pop bubble wrap from start to finish than watch this film a second time. Guys, this has a good chance of being this year’s worst comedy and I’m going to give “Father Figures” a 1/10. I went to see this film with my mother, she says it was good, so I gotta say this film does have an audience, so I can say that’s a plus. My mother and I also saw “Snatched” together and we both agreed that was total dogs*it. So this film has at least one thing going for it I guess.

Thanks for reading this review. This Saturday I’m going to see “The Disaster Artist,” which I’m truly stoked for. I can’t wait to see it and talk about it, it’s likely gonna be a blast! Also, speaking of fun things I have going on here on Scene Before, I will also soon have my top 10 BEST and WORST movies of 2017 lists. Meaning we can reflect on some of the milestones and trainwrecks I’ve sat through this year. I will have you know that depending on what happens, there’s a good chance that there’s at least one movie on either list that I saw and didn’t review, so if that ever comes up, that just means I didn’t have the time to sit down and write an analytical review of a certain film. Why? It’s the end of the year, and whenever time allows it, I’m trying to seek out as many of this year’s films as possible until I can no longer watch anymore. I’ve done this with “The Great Wall,” “American Assassin,” “King Arthur: Legend of the Sword,” “Crown Heights,” “Atomic Blonde,” and “The Only Living Boy in New York.” Anyway, stay tuned for more great content, including the recently mentioned review and countdowns! I want to know, if you saw “Father Figures,” what are your thoughts on it? What do you think is a better title for this film? “Father Figures” or “Bastards?” Also, what is the worst comedy of the year for you? Please leave a comment stating your responses to any of these questions, I’d be happy to look at them! Scene Before is your click to the flicks!

Wonder (2017): Face the Facts

Posted on by Jack Drees

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“Wonder” is directed by Stephen Chbosky, and stars Jacob Tremblay (Room, The Smurfs 2), Julia Roberts (Pretty Woman, Ocean’s Eleven), Owen Wilson (Wedding Crashers, Cars), Izabela Vidovic (About a Boy, The Fosters), and the movie revolves around a young boy named August Pullman. He is what one would consider unique, and if you watch this film and observe his face, you’d understand why. The movie covers what’s going on as this boy enters the fifth grade and goes to a regular elementary school for the first time.

This movie is based on a New York Times Bestselling Novel. Now, I’m gonna restate something I said about books in a review I made prior to this one, specifically in my review for “The Firm.”

“…movies are more fun! Sorry, books!”

As a movie reviewing moron, you might already know I enjoy watching movies as opposed to reading books. Even though I imagine this book is very good, I just haven’t gotten around to reading it. Although as for the movie, I’d say it was enjoyable, but not perfect. It has a great cast, I like Owen Wilson in a lot of the stuff he’s in and he’s great here. In fact when it comes to casting, the resemblance between him and the young main character is hard to top! Just look at their hairstyles! Julia Roberts was also on her A-game, I haven’t really seen much of her work, but I know how much others praise her. Jacob Tremblay proves that he means business. I honestly think he’s one of the best child actors working today. Months before going to see this, I’ll have you know I watched “Room” and I thought that was one of the best movies of 2015. It’s in my top 3 with “The Martian” and “Star Wars Episode VII.” That movie had one of the best screenplays of the decade, Brie Larson and Jacob Tremblay had some of the greatest chemistry in a movie released that year, and there’s a part of me that wants to talk about it with everybody. Seriously! If you haven’t watched “Room,” see it now! If you have Amazon Prime then it’s free to watch!

This movie also has an intriguing screenplay that offers moments of happiness, sadness, and laughs. However, it also offers moments that I just want written off entirely. I remember having my verdict in mind as the movie was coming to an end and I hear this one line given by Owen Wilson’s character given to Jacob Tremblay’s character and it took that grade I had and I shrunk it down. I won’t say what it is, but it made me think of the line as unrealistic not only by the standards of what’s happening in the film but it also made me think that if I were the age of Jacob Tremblay’s character, I’d go through the scene reacting in a much different way. Let’s just say it starts with Jacob Tremblay freaking out over something and then he suddenly is calmed down by a line I assume that was supposed to get the audience to remember what this movie’s main point is. Speaking of Jacob Tremblay, let’s move onto him.

Jacob Tremblay plays the film’s main character, August Pullman. He has a facial deformity, which triggers a bunch of reactions from various characters. While his family seems to understand what happened to his face, after all, it’s his family I’m talking about, I don’t know why they wouldn’t understand, other people are either freaked out by it, think he’s a loser, or simply different. I honestly don’t know many people with facial deformities, but I’d say for younger viewers watching, this character can be important for those who have deformities or even if they don’t, regardless of whether or not they know someone with deformities. Luckily this movie is PG, so I’d say parents would be more likely to bring their kid to the movie theater to see this than some other films. I will also say I can relate to this character, and it kind of has to do with the part that makes him a kid. I say this because legally speaking, I’m an adult, but simultaneously, I still have childish traits, mainly the fact that I have a deep fanaticism for “Star Wars.” Yes, many adults enjoy “Star Wars,” but George Lucas, director of several installments of the “Star Wars” saga once said “it’s a film for 12-year-olds.”

Speaking of “Star Wars,” this film also interjects brief appearances from multiple “Star Wars” characters, including Darth Sidious and Chewbacca. I can only wonder how much this cost because this film is from Lionsgate, and “Star Wars” is owned by Disney. I never read the book, and it’s possible that this is faithful to the source material, maybe it cost nothing and Disney thought this was cool. By the way, the guy who plays Chewbacca (Michael Alan Healy) actually pretty much only plays him and nobody else. I checked his IMDb and that’s the only character that would show up on his page. He played Chewbacca on the “Today” show, he was on two “Nickelodeon Kids Choice Awards” shows as the character, he was Chewie on “Jimmy Kimmel Live!,” and he was even on “Deal or no Deal” as the same wookie. In fact, I remember the episode he was on because I’ve seen it, and it was a special episode with a “Star Wars” theme where it was a “Winner Take All” match between two contestants. Chewbacca appeared alongside R2-D2 to support the contestant. Also, the other contestant actually had Carrie Fisher rooting for her! Not only that, but for the Carrie Fisher contestant, she was playing a game where the models were Stormtroopers. And Darth Vader was the banker for both contestants!

Alright, those are my “Star Wars” and “Deal or no Deal” rants for now, sorry if those inconvenienced you. Anyway, back to business.

As far as the parents go in this movie, I already said a few things about them, but in all seriousness, their chemistry with each other was completely believable. I also bought into the chemistry between them and August. This is an interesting moment when you have a child actor playing a major character in the movie and instead of the traditional situation where the child can’t act and the adults can, the adults tend to be more of a highlight than a downfall, everyone here however tends to shine. It doesn’t really surprise me. All of these people have received positive criticism as time passed, and honestly, Jacob Tremblay might even be a better actor than a lot of adults. Although to be fair you can put any kid up against Tommy Wiseau from “The Room” and consider them to be a better actor.

JOHNNY (played by Tommy Wiseau): (GOING THROUGH DOOR ONTO ROOFTOP) I did not hit her, it’s not true! It’s bulls*it! I did not hit her! (WHILE THROWING WATER BOTTLE ONTO GROUND) I did *not*. Oh hi, Mark.

August also has a sister in this movie named Olivia, or Via for short. There weren’t too many good images I could find of this character, so I hope this poster isn’t too bad. What kind of surprised me about her character is how nice and considerate she was to others, even to her own brother. I often come across and imagine many relationships where siblings fight each other. In reality, this would be rather odd considering Via’s age, but still. I liked her story, for the most part. I say for the most part because she does interact someone in the movie and at times I felt that the way their relationship was going just came off as a bit forced. Not to mention, some of the dialogue regarding this relationship was rather cheesy, not as bad as say “Star Wars Episode II” but it felt like I was reading some crappy fanfiction written on someone’s Blackberry. No, not “Fifty Shades of Grey,” I’m thinking of something imaginary and a lot less on the mature side of the spectrum.

There are a number of kids August meets in the movie, one of the first ones he talks to when he enters school goes by the name of Julian, who you may know as Herman from “Walk the Prank,” and there was one moment of the movie that just caught my eye. There was a point where the film basically villainized him and he was talking with the school’s principal. Speaking of the principal, his character goes by the name of Mr. Tushman, played by Mandy Patinkin, who you may know from “The Princess Bride” and “Homeland.” His character honestly brought some very forced humor that just didn’t land. Going back to Julian, he was talking with the principal and his parents are there. The focal point of the conversation is August, and Julian is basically saying that he is against August and his parents side with him. They even say there’s a reason to be against him just because of the way he looks. It just makes me wonder, how many people are like this? It might as well show that either parents will defend their children no matter what, maybe they think their kid is “always right,” the parents might have a bias because their kid says something, and not everyone has the same experiences with certain people. It also sometimes just goes to show how people will judge you based on your appearance. I can’t really say I’m male model material, but I imagine some people think I look presentable. How often do people get past what they see and just focus on what they learn through basic conversation? What if Meg from “Family Guy,” a character usually considered ugly not only by society, but also by her own family, had more friends just because they were interested in what she had to say? By the way, it’s always interested me she’s that way because she’s played by Mila Kunis and she’s f*cking gorgeous!

In the end, “Wonder” is a film that I believe many people wouldn’t mind watching at least once. I’d say it’s got problems, but at the same time, I don’t think people should stay away from it completely because it is a good story for families and children. I really do think that younger audiences can enjoy and take something from this movie, and not just because it partially involves “Star Wars” but because the movie’s about inclusion, fitting in, and how certain friends can surprise you in both pleasant and unfortunate ways. Upon looking at his IMDb, this is the third thing I’ve seen featuring Jacob Tremblay, the other two things were “Room” and one episode of “American Dad!,” I can’t wait to see him in future works if I get the chance. I’m gonna give “Wonder” a 7/10. Thanks for reading this review, I just want you to know if you haven’t already, you should try checking out Stardust.

Stardust is a free app you can download on the App Store and Google Play. It can be used by people to provide reactions to movies and TV shows. Let’s say you finished watching the latest episode of “Game of Thrones,” you can record a thirty second video (at maximum) where you reveal your thoughts and you can provide a rating from 1-5 stars towards the episode you’re focusing on. Worried about revealing spoilers? Keep those worries away! Stardust has an option that can warn others that your video contains spoilers! In fact, you don’t even have to see whatever it is you’re watching. If you haven’t seen “Revenge of the Nerds,” by the way, watch it, you can still talk about it. Maybe you’re about to watch it and you decide to give your thoughts going into it, or maybe you’ve seen the trailer or something, I don’t know. You can do all of that and you can also follow other people to see their latest reactions, by the way, follow my handle, JackDrees! Be sure to download the app, I recommend it, the app’s free, which makes it even better, and I hope to see you there!

I just want you to know that I’m a nerd, I might even be king of the nerds, and as the possible ruler, I want you to know that I recently posted a piece of nerdy material, otherwise known as my post documenting my time at 2017’s Rhode Island Comic Con. I went there, met more people than I’ve met at any other con I went to. I met someone who I’ve met in the past, and I even confused one guest for another! So if you’re interested in reading that post, I’ll have the link down below, that way you can go to the post and enjoy it! Stay tuned for more great content! Also, I want to know, what are your thoughts on Jacob Tremblay? Do you like him as an actor? Let me know down below! Scene Before is your click to the flicks!

RHODE ISLAND COMIC CON 2017 REVIEW AND HAUL: https://scenebefore.wordpress.com/2017/11/15/rhode-island-comic-con-2017-review-and-haul/