Jurassic World: Dominion (2022): What in the Jurassic World Did I Just Watch?

“Jurassic World: Dominion” is directed by Colin Trevorrow, who also directed the 2015 “Jurassic World” film, which I thought was slightly flawed despite its neat visuals, booming score, and somewhat clever concept. This film stars Chris Pratt (The LEGO Movie, Guardians of the Galaxy), Bryce Dallas Howard (Spider-Man 3, The Help), Laura Dern (Star Wars: The Last Jedi, Marriage Story), Jeff Goldblum (Thor: Ragnarok, The World According to Jeff Goldblum), Sam Neill (Peaky Blinders, Crusoe), DeWanda Wise (She’s Gotta Have It, Fatherhood), Mamoudou Athie (The Circle, The Front Runner), BD Wong (Kingdom Hearts II, Mr. Robot), Omar Sy (Transformers: The Last Knight, The Intouchables), and Campbell Scott (The Amazing Spider-Man, House of Cards). This film is set in a time where dinosaurs are roaming the earth, they’re unleashed, there is no stopping them.

Actually, no… That was the promise that was given in that one short film that was shown in IMAX and eventually put online… But no! We have to settle for a comparatively boring story where the same dull human characters we have seen waltz through two movies, fight against a genetics research giant whose main goal is to conduct research on dinosaurs.

You hear that? That stomping on the ground? That is not a dinosaur. That is me, walking out of the theater in ire.

If you want a hint on what I thought of “Jurassic World: Dominion,” here it goes… “Jurassic World: Dominion” can be summed up in one word. And if I were writing this review for an outlet like The New York Times or The Boston Globe, I would probably be fired. Want another hint? It is literally a word in the title. It is not “ur,” and it is definitely not “sic.” Why would it be?

It is in between those two words, even if they do not spell exactly what I am trying to say.

Summer blockbuster season is in full swing! This means I will be talking about films including “Lightyear,” which will be my next review, “Thor: Love and Thunder,” which comes out in July, and “Bullet Train,” due in August for instance. But before we get to those films, we have to talk about “Jurassic World: Dominion,” exhibit A for what is wrong with Hollywood. I know this sounds like an exaggeration, but it is kind of true. “Jurassic World: Dominion” is continuing the trend where we see elder actors return to play their roles another time, giving either prominent screentime, fan service, or possibly both.

Sony, who to be clear, is not in any way responsible for the “Jurassic Park” franchise and its distribution, is no stranger to this given the recent release of “Ghostbusters: Afterlife” where we see the original cast, minus Harold Ramis (RIP) return to bust ghosts. “Spider-Man: No Way Home,” the biggest movie of the past year, saw a ton of older characters return with their respective actors portraying them one more time. But I actually liked those films. “Ghostbusters: Afterlife” was as charming as it was nostalgic. It was kind of like “The Force Awakens” but more intimate. “Spider-Man: No Way Home” is a concept that could have made for a fun YouTube video, but they some how managed to turn into a wildly entertaining two and a half hour movie that honestly felt shorter than it really was at times. It was perfectly paced, relatable, and surprisingly dramatic. Although I do have mixed thoughts on the ending.

Whereas “Spider-Man: No Way Home” could have been taken as a concept that presents itself as a boardroom idea from out of touch executives, Kevin Feige, Amy Pascal, and director Jon Watts managed to make a movie that I will watch again and again for years. “Jurassic World: Dominion” on the other hand deserves to be struck by an asteroid. This is the worst “Jurassic” movie yet. “Dominion” is worse than “Jurassic Park III,” which despite its awfulness, can almost be perceived as something watchable under the influence of alcohol. And at least it is the shortest film in the franchise.

“Jurassic World: Dominion” is the opposite. In addition to being the longest film in its series, it tries to pack in so many ideas, some of which could be cool, but does not understand what to do with them. When I went to see “F9: The Fast Saga,” another Universal tentpole that made me want to gouge my eyes out, I was treated to an exclusive short film set in the world of the “Jurassic” franchise where we see dinosaurs roaming the planet, invading life as we know it. There is a fun scene at a drive-in that is also featured in the marketing of this movie, including a Progressive Insurance ad. NOTHING in this movie was as entertaining or watchable as that short. In fact, the whole unleashing of the dinosaurs plotline takes a backseat during the film because the kiddies do not want to see dinosaurs eating people! No. No. No. They want to see what Tim Cook would do if he had dinosaurs in his sights. That is what the kids like!

If you are new to Scene Before, hi, my name is Jack, and I like “Star Wars!” Time for yet another of one of my “Star Wars” comparisons! If anything, “Jurassic World: Dominion” is “Jurassic Park’s” answer to “The Rise of Skywalker,” one of the most poorly received “Star Wars” films of all time. Both films attempt to bring back older characters, conclude several movies that came before it, and I would like to add another rung to this ladder. If anything, “Jurassic World: Dominion” also feels like “The Last Jedi” because in “Jurassic” speak, “Fallen Kingdom” ends a certain way, only to have its follow-up barely do anything noteworthy with that film’s ending. The first act of “Dominion” feels like a giant “no” to particular elements to the film that came before it. That “no” supposedly came from Colin Trevorrow, who, get this, was once attached to direct what would become “The Rise of Skywalker.” At least “The Rise of Skywalker” was fun despite its flaws. At least “The Last Jedi” came off as a bold attempt to do something fresh in a historic franchise. Sure, this movie introduces an Apple-esque, genetics-based company, which we have not seen in other installments, but “The Last Jedi” actually got genuine reactions out of me, whether it meant laughing or cringing. “The Last Jedi” was a movie that swung for the fences in such a dramatic fashion only to fail. You can say “Jurassic World: Dominion” did that with its stacked cast, including franchise veterans Sam Neill, Laura Dern, and Jeff Goldblum. But that is all shrouded within a film that feels like it was crafted in a single corporate meeting.

I caught up on all of the “Jurassic Park” movies prior to seeing “Jurassic World: Dominion.” If you ever read my review for Marvel’s “Black Panther,” I claimed that the film has the most forced kiss in cinematic history. Given the film’s not so perfect chemistry between Chris Pratt and Bryce Dallas Howard, 2015’s “Jurassic World” is an arguable competitor for such a throne. I have no idea how these two are still together. Their lines do not feel genuine, the only reason why they feel like they belong together is because the script has lines that indicate such a thing. Well that, and they are raising a child together at this point. Their relationship never feels earned, and I am not exactly fond of either of them. Sure, Chris Pratt has some occasional fun bits training and taming dinosaurs, and Bryce Dallas Howard has developed… Decency, I guess, since her 2015 debut. Compared to the 2015 “Jurassic World,” these two sequels have admittedly gone downhill in terms of story and character development in the same way that they have gone downhill with epic dinosaur action. While I was never a fan of Bryce Dallas Howard in the original “Jurassic World,” I at least thought her two nephews were well written for who they were. I barely remember anyone specific in this latest installment. Yes, I know of the characters in this movie, but I could barely tell you about any of their quirks or anything remotely positive about them. With each installment in the “Jurassic” saga, less and less soul is there. I am not as wowed or engaged as I once was with the ideas this franchise is known for.

That is not to say there is no tension or stakes in “Jurassic World” whatsoever. Speaking of Bryce Dallas Howard, there is one scene in the film that is exclusively between her and a dinosaur. It is one of the quietest moments of the entire picture. It goes on for a minute or two, but I thought it was easily the most engaging segment of the two and a half hours we got. In a film whose dinosaur action is comparatively lesser than its counterparts, this was a welcome highlight.

The original “Jurassic Park,” much like its sequels, was synonymous with epic dinosaur action, but it successfully interweaved a human story with excellence. The cast played their characters to the best of their abilities and the script did them favors. I often think of the 1993 film as a visual achievement before anything else, showcasing effects that continue to hold up to this day, but it does not mean the story is an afterthought. The idea is simple. People create dinosaurs, dinosaurs eat people, and the main characters try to survive to the very end. There is more to it, but the movie gives you enough reasons within a couple hours to make you invested in the story and characters. It makes you root for the characters running away from the dinosaurs. The characters in “Jurassic World: Dominion” lacked such charisma, and therefore, the movie suffers as a result.

Even when the film has an okay idea on how to give a proper motivation for its characters, such as Maisie Lockwood who spends the movie, wanting more, simply put, it does not result in a satisfying progression. Maisie’s respective performer, Isabella Sermon, does a fine job with the material given to her, but her lines and motivation seem surface level and do not add to the film’s entertainment value. That is if there even is any to begin with. This film had a couple okay concepts in addition to Maisie’s desires. There was a dinosaur black market. There was a chase scene between Chris Pratt and a dinosaur that had Tom Cruise “Mission: Impossible” vibes. Even bringing back the original cast could have worked! Although the script failed to bring these characters into a classy, compelling story. But you also have these comparatively boring concepts like a Tim Cook wannabe doing research on dinosaurs, not to mention locusts of all things antagonizing everyone it can find. Because when I think big, loud dinosaur movies… I think locusts… Come on.

“Jurassic Park” is one of the best major motion pictures of its time. What Steven Spielberg and crew were able to do with the aesthetical nature and effects in “Jurassic Park” influenced a multitude of content that came after. Sadly, the sequels, for the most part, fail to recapture the magic of the original, with “Dominion” being the latest example. If you want my two cents, if it is a Friday, you have nothing to do, “Jurassic Park” is a great option for your movie night. I also recommend “The Lost World” to a degree, and “Jurassic World,” despite its lackluster characterization, is pretty and thrilling enough to get you through two hours. It is not exactly insulting, but it is somewhat dumbed down compared to the 1993 original. “Jurassic World: Dominion” makes the original “Jurassic World” look like “The Shawshank Redemption” in comparison. Do not watch this movie, do not support this movie. If you want to watch a more entertaining summer popcorn movie, give your money to “Top Gun: Maverick.” As a legacy sequel, “Maverick” honors its original counterpart, while also effectively progressing the life of a core character that was introduced many years ago. “Jurassic World: Dominion” fails with its new characters, it fails with its old characters, and most of all, it fails with me, the one who paid $16, not including an online fee and a 3D surcharge, to see this unforgivable abomination.

In the end, “Jurassic World: Dominion” managed to do the impossible. It managed to make a feature-length, big budget story heavily revolving around dinosaurs, and have it come off as the most tiring concept ever realized. Even after watching “Fallen Kingdom” I did not feel as tired. Maybe it is because this is the sixth movie, but “Jurassic Park” does not feel special anymore. Its novelty has worn off. Sure, this is a huge moneymaker for Universal, and I would not be surprised if we saw more content with the “Jurassic” label attached in the coming years despite this movie being marketed as “the conclusion of the Jurassic era,” but my hope is that something is done to heavily revitalize this iconic brand. “Jurassic Park” is a literal innovation to cinema. Ever since, we have gotten uninteresting characters, cookie cutter dialogue, and despite some okay concepts, the execution ends up being a far cry from what such concepts can promise. I am going to give “Jurassic World: Dominion” a generous 3/10.

And I have a feeling that could change to a 2 at any point in time…

“Jurassic World: Dominion” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for the brand new Pixar film, “Lightyear.” I went to go see this film twice, which should be a hint as to what I thought about it. Stay tuned for more thoughts as they come along! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Jurassic World: Dominion?” What did you think about it? Or, what is a franchise you think has overstayed its welcome? I apologize to Universal, but unless “Fast X” delivers something fresh, “Fast & Furious” might be my answer… Either way, let me know down below! Scene Before is your click to the flicks!

Movie Theaters, Stop Overplaying Movie Trailers… Sincerely, A Lover of Movie Theatres and Trailers

Hey everyone, Jack Drees here! Compared to say 2017, when I did not have as much access to a cinema in my freetime, I am not doing as many of these “non-review” posts nowadays. Sure, I’ve done stuff like the 4th Annual Jackoff Awards, but Scene Before has primarily been review-centric as of late. Ladies and gentlemen, it is time for a nearly impromptu piece based on my recent experience at the movies. I just saw “Doctor Strange in the Multiverse of Madness,” and I have done so in a cinema I should probably refer to as “the multiplex of madness.”

I love the movies. The cinema experience made me want to make movies of my own one day, and I am taking whatever steps I can to achieve that dream. In fact, one thing I often look forward to when I am at the movies is when I sit down, I’m on time. Maybe I finish up watching some of the advertising from a source like Front & Center or Noovie or something. After all the ads, we start the preshow, and we see some trailers. In fact, in today’s Internet culture where everything is at your fingertips, we live in a time where sometimes I watch a trailer online, and get excited to potentially see it on the big screen.

My cinema of choice is AMC Theatres, which I went to last Thursday, specifically their Assembly Row 12 location in Somerville, Massachusetts, to go see “Doctor Strange in the Multiverse of Madness.” I shelled out some extra money for the IMAX 3D experience. Not for me, my ticket was free (Thanks, A-List!), but my dad’s ended up costing $21.69. This is a premium experience that offers the biggest screen in the venue, arguably the loudest sound in the venue, and of course, 3D, which is not as much of a craze as it was a few years ago.

So, the trailers start… We get a ton of titles. These are not in any specific order by the way, “Nope,” “The Bob’s Burgers Movie,” “Lightyear,” “Bullet Train,” “Jurassic World: Dominion,” “Thor: Love and Thunder,” an extended look at “Top Gun: Maverick,” and the teaser for “Avatar: The Way of Water.” That’s right! THE “AVATAR” SEQUELS DO EXIST! That’s eight movies. And I’ll remind you… Not all of them are going to be in IMAX. “Bob’s Burgers” has no evident deal with the IMAX brand at this point to release the film in said format.

It takes a lot for me to lose my patience. Part of me snapped once I realized how long I’ve sitting in my seat just watching ADVERTISEMENTS, not even including all the Noovie stuff! I didn’t snap, because I was frankly excited to finally get to the film. Plus, the last trailer was for “Avatar: The Way of Water,” which I was happy to see. “Doctor Strange in the Multiverse of Madness” is two hours and six minutes long. The preshow, which included the trailers, the AMC advertising, the IMAX countdown, was probably around half an hour. I’d say so because when I checked my phone at the end of the movie (including credits), whose preshow started at 9:30, it was 12:07, so those ads must have run for around half an hour.

I will also add this… Something happened that night that I have never witnessed before. The trailer for “Bullet Train…” PLAYED TWICE IN THE SAME REEL. It’s a great trailer, but what happened?

This is getting ridiculous. We’re here to watch THE MOVIE.

I mentioned that AMC Theatres is my movie theater of choice, but that’s mainly because it is the biggest bang for my buck. Why? Because I have A-List, which allows me to see three free movies a week in any format. I have gone to experiences where they played six, seven, and eight trailers, and not once have they been as long or tedious as what I just went through.

Sometimes having a lot of trailers is not the worst thing in the world. It gives more time for you to show up to your movie if you are late, if you want to go out and quickly grab food, go to the bathroom, and come back, you can do that and not miss much depending on where and when you see the movie. But when I’m paying a premium price, probably the most I have paid for an individual movie ticket in my life, I am not paying for the trailers! In fact, you could make an argument that for the price I paid, I should be paying for NO TRAILERS! Have you seen streaming models lately? Look at Hulu! You can pay $5.99 per month and get ads, or you can pay $11.99 per month and get no ads. It’s a premium price for a premium experience. I am paying monthly for YouTube Premium right now so I am not getting ads on the site! I never thought I’d say this! And even if it were not a premium price like $21, 9 trailers, including an extended preview and one that plays a second time, is obscene, especially when you consider how much of your time that it takes up. In fact, I would argue that there are theatres that try to take advantage of fewer trailers, but justify the price for it.

Some of you may remember the ArcLight chain, which primarily had cinemas around southern California. They opened a theater in Boston shortly before all their locations closed. A standard 2D show at the ArcLight in Boston right near the TD Garden was $15. Not the lowest price, but when you consider what you are getting, including a maximum of three trailers, a selling point of the ArcLight, it makes the price reasonable.

I get it. Movie trailers are supposed to sell movies. In addition to popcorn, movie theatres are in the business of selling movies, so I get why trailers exist. They are a decent business model for the venue and the studio. I am not saying that movie theatres need to get rid of trailers, but they need to make me feel like I paid to watch a MOVIE, not a barrage of marketing.

If anything, I think six trailers or more is where you start to push things, because trailers are often 2 to 3 minutes each unless it is a teaser. This gives an approximate 10 to 20 minute preshow, and that may or may not include whatever else the theatre tries to sell you. I am not telling theatres to get rid of their ads that partner with Coca-Cola, because if they did, I think that would lessen the chance of Coca-Cola being sold at that theater in the future. But if they made the trailers a reasonable length that did not make me feel like I watched a quarter of the film already, then I would feel like my purchase was justified. We live in a culture where we could look up any trailer we want on YouTube. I do not need AMC reciprocating my search history.

And you know what? It looks like studios are starting to catch on, at least to an extent. Because last week, CinemaCon was held in Las Vegas. During the Paramount presentation where they showed the entirety of “Top Gun: Maverick” to the audience, the domestic distribution chief, Chris Aronson got onstage and suggested that movie theaters should play fewer trailers before the film starts, as stated in this article from Box Office Pro.

“We’re not completely back yet and now is not the time for complacency, It’s not the time for ‘If we just have movies, everything is going to be okay,’ exhibition has to ensure that every facet of the guest experience is the absolute best that it can be. And [studios] have to ensure that we’re delivering content that moviegoers want to see in your theaters. We must work together in every way possible, the way partnerships are supposed to work—sharing data, not selling it—to help us market our movies to your patrons. Playing the right number of trailers and not numbing the audience to the point that the recall rate drops to nil. Ensuring that the price-value ratio is fair and proper. We need to look at our business from different perspectives and experiment in finding ways to increase attendance and revenue.” -Chris Aronson

When a higher-up from a major studio is chiming in on an issue like this suggesting that LESS marketing, potentially from their own movies, needs to be played, that is a sign that the cinemas need to fix this.

But at the same time, Paramount is also the studio behind “Top Gun: Maverick,” and they literally played a 5 or so minute preview of the film on top of all the other trailers I witnessed that same night!

I was talking to someone recently as part of a school project and they said during an interview that one thing they miss because of the pandemic is the movies. Should they ever go back, I can only imagine how’d they react to sit through as many trailers as I did. Not missing it so much now, right?

I’m writing this post as an American, likely for an American audience. Here’s an analogy my American friends can understand. Movie preshows are like baseball games. You can watch a number of innings, experience a thrilling game, perhaps feel satisfied in the end. Trailers, like baseball, can be fun. But if trailers go on for too long, they become the most insufferable, brain-melting, tiring thing on the face of the planet!

So AMC, Regal, Cinemark, Showcase, all the other venues that are probably playing trailer upon trailer right now, please take into consideration that the audience wants to watch the movie they paid to see. And if you are concerned that they are not going to know about “The Bob’s Burgers Movie” of all things, then that’s why standees and posters exist to be displayed around the theater! I should not be watching eight or nine trailers when you need extra time to play the IMAX countdown and a pointless, counterproductive ad where Nicole Kidman reminds everyone that heartbreak feels good in AMC Theatres. No, seriously. That ad makes no sense. Why is an ad reminding you to go to AMC Theatres attached to the end of the preshow when I already entered the theatre?

As they say in the song “Take Me Out to the Ballgame,” “if they don’t win, it’s a shame.” Nobody wins with eight or nine trailers. They’re cluttered, long, and for all I know, the audience probably won’t remember all of them. I remember every one I saw because I was angered by all this in the end, but all it did is lessen my chances of returning to AMC. They’re lucky I am not cancelling my A-List because I go to watch and review movies. But if I were not doing Scene Before, I would probably cancel my A-List, maybe choose another theater to commit to. Movie theatres, this is simply put, a shame. Therefore I beg, stop self-indulging, stop overselling, and start playing what I came to see!

I want to ask everyone a couple questions. First off, do you like movie trailers? Second, do you think the movies are playing enough trailers? Too little? If you had to put a number on it, how many trailers would you PREFER to see before a movie? Do you even watch trailers at the theater? Also, how long would you say is the longest preshow you witnessed before going to see a movie? Let me know down below!

Thanks for reading this post! If you are new around here, feel free to check out some of my reviews for movies like “Sonic the Hedgehog 2,” “CODA,” and “Morbius.” I have more reviews coming soon. And speaking of Nicole Kidman, I will be reviewing “The Northman” this week! Be sure to check that out when it drops! Evidently, given all that I have talked about, expect a review of “Doctor Strange in the Multiverse of Madness” sometime in the near future. If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! Scene Before is your click to the flicks!